#EVERY SINGLE DRAWING IS WRONG !!!

[honeyhobbs]

I never get tired of drawing his face it's so fun

[chiquilines]

Lord forgive me for not posting lesbianism but they are very special to me

[barawrah]

realised his hair makes a little heart…….

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[bumblingbabooshka]

My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy

Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.

[atthebell]

i think my biggest pet peeve about how people perceive spiderbit is when instead of seeing a couple where they're both incredibly strong and confident and in love with each other people people insist that because they show how much they love each other in different ways one of them is less in love than the other (usually roier) or that cellbit is like wimpish and pathetic for being very expressive about being in love with his husband (????). like it always has to be about inherent power dynamics and one of them being the cocky masculine one and the other the smitten feminine (or at least emasculated) one instead of the fact that spiderbit's whole thing is endless devotion and trading off each other's strengths and weaknesses. and also like i do not know how to get this into people's heads but being into your partner is not weak or feminine it's fucking normal or at least should be and it's fucking wild (and by wild i mean homophobic and misogynistic) to take a canonically same-gender queer couple and insist that actually one of them has to be the wife and one has to be the husband, that actually one is always stronger (the "man" of the relationship) and one is always weaker (the "woman" of the relationship). it's utter bullshit it's so regressive and yet it's so common in fandom that it's basically inescapable, and i hate hate HATE that it's how some people look at spiderbit. it's the same mindset as rigid top/bottom dom/sub assigning fandom BULLSHIT and i'm so tired of seeing it in supposedly progressive queer fandom spaces. you are recreating the same bullshit gender essentialism and homophobia that is spouted at you by society. do better.

[skunkes]

was about to make a post like lol hey is it possible for your art to actively degrade even when you draw every single day for years but the fool forgets practice makes permanent not perfect 🫵

[tsururoach]

It no longer hurts to be remembered ;

[zrllosyn-art]

Iharu I drew for @mosshroomish!

[astragatwo]

The new W Corp besties

[wasongo]

GetBackers headshots since I finished rewatching the anime a bit ago with a friend. Some of these men were impossible to draw!! Had to redraw Akabane 3 times and I'm still not sure if I captured him well.

[fernsensei]

they're both shit at cybersecurity

request from my friend :3c

[second-second]

Yesterday i read the last (updated) chapter of the guild member next door. And had a terrible time finding out that i couldnt find the novel anywhere - not even to buy!!! - and then i decided to move on. You know like a big adult. Then today i read netkama punch in one sitting and was like "damn... is there a novel?" Only to find myself in the same predicament. Is this a joke from god? For how much longer do i have to read nice cool and interesting things only to find out i will have to wait for more idk 10 years for it to finish???

[almalex24]

hello crosscode tumblr community

[sovonight]

why is so much of sewing just tracing and cutting and tracing again q_q i see why people get projectors and use adobe illustrator now

[cashweasel]

Found this wip of brycey and lele in the trenches and immediately missed them 😭😭😭 I wanna finish this one day but for now I just share this wip, you can still admire them like this 🩷

Also since it’s Sunday,, got any wips? @night-triumphantt @sosolenoo @nerdferatum @faustsnemesis @sophie-summer