#ESPECIALLY THE MALE PART

[rebelelegance]

Hi! So I'm writing again. Yes.

And while y'all wait. I hope you've already heard this but if not:

Tagging: @queenofmistresses @pinchofhoney @ancientbeing10 @lokisgoodgirl @peaches1958 @padfootagain I am obsessed.

[edwinisms]

george rexstrew deserves awards for many things but i have to say. edwin’s bloodcurdling scream as niko gets killed deserves a whole award unto itself. like. that scream did not feel at all like a tv show scream. to a somewhat jarring degree. and i can’t express how much I respect that

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[welcometogrouchland]

my Stephanie Brown hot take is that she should get mad bitches now that she's single in comics. Yes yes shipping BUT the one time she had sex she was punished by the narrative via teen pregnancy. I think she should be allowed to have as much sex as she wants with zero consequences. Could be a lot of sex, could be a little. Point is she should get to do it without getting narratively baby trapped this time. she should get them pregnant, actually.

[moonshine-nightlight]

Courtship Confusion: Part One

You’ve been working with your siren partner for a couple years now. A consummate flirt, you’d initially been put off by his whole charming deal, somehow he's become your best friend. You’ve been wanting to see if he’s still interested in dating, but unfortunately he’s not picking up your hints. A pair of visiting cubi remind you of the cultural differences that come with interspecies dating. Maybe you’ve both been misunderstanding each other. Maybe it’s time you set the record straight.

Modern Fantasy, friends to lovers, siren/harpy, male monster x reader, Part 1 of 8

Ao3: Courtship Confusion Chapter 1

Part One

“Start blocking the exits, people. They’re making a run for it. Team Lure, you’re up,” the static-y voice says from your radio.

“Confirmed. Lure moving into position,” you answer for yourself and your partner before clipping the walkie talkie back onto your belt. You glance over to your partner who, per usual, looks far too unconcerned and cheerful for the mission of stopping a crew of smugglers. “Where do you want to set up?”

Morgan grins at you, sharp white teeth flashing even in this dim warehouse. “You know where.”

You stifle a grin of your own, knowing one of you needs to remain professional, and roll your eyes instead. “Wherever you can be the center of attention, right.”

He preens as he fluffs out his feathers. You only asked once how exactly his wings can go from resting comfortably and unobtrusively on his back, hardly seeming to take up any space at all, to a full wingspan that was enough to carry him. The highly technical arcane answer he’d given had been enough to serve as a reminder that, despite his carefree attitude, he was a fully licensed arcanist and make sure you never asked again. You’re the investigator and rules side of your inspector partnership—Morgan was the technical and social side. You liked it that way.

A career as an investigator of potentially illegal arcane workings isn’t nearly as glamorous or exciting as most people think it is. Most of the time it was just about handing out fines to people dabbling in things they shouldn’t and accidentally flooding their apartments or conjuring too many hamsters. But, sometimes, like today, you end up having to bust an illegal coven.

When containment spells failed and the criminals scattered, it’s your job to pull them all back. Well, mainly Morgan’s job.

From his high quality suit to his expertly applied eyeliner, he didn’t look the least bit like an inspector. Even the other department arcanists didn’t have his flare. Lively and cheerful where most were bored and weary, he breathed life wherever he went. And he loved to show off.

As you enter the large open area of the warehouse, you quickly begin setting up the broadcasting equipment—probably not needed, but protocol—while Morgan picks his spot. Within a few seconds, your carefully managed set up, ready to unfold for fieldwork in record time, is ready to go. You’re long practiced after being partnered these last couple of years.

Looking up, you find Morgan spreading his gorgeous black and white wings to alight on a stack of old pallets the cult left in this warehouse they’d been using as their base putting him several feet above everyone else.

“Careful!” you call despite knowing it's a lost cause.

Morgan flicks his wings in a careless, shrug-like gesture. “Worrywart,” he teases. You only have to give him a look to remind him of the incident with the ice for him to pout, the dark red of his lipstick making the expression obvious even with the height and distance. “That was one time! Are you set up?”

His voice is easily audible, as always, but you have to raise yours to reply, “Yeah, ready to go.”

He looks at you expectantly.

You put your hands on your hips to communicate ‘really? Do we need to do this every time?’ and he grins in response.

“Let the show begin!” you grudgingly prompt.

He’s no longer a performer by profession, but you can’t deny that's who he is in his heart. It’s hard to begrudge him the little bow he gives. Not when his eyes glitter with simple glee as he does so. “Thank you, darling.” Morgan clears his throat and closes his eyes, thankfully keeping him from noticing the effect the endearment had on you. Regrettably, the effect of him calling you “darling” to you has only gotten stronger with time.

Before you can dwell on it, Morgan makes a sort of clicking noise in the back of his throat. He’s tried to explain to you once why all of his songs started that way, but you’ve never truly understood. Not that it really matters because it’s always followed by him opening his mouth to sing.

A beautiful wordless melody begins to flow from him.

Haunting and alluring on its own, you know his siren song must be far more potent to the criminals he’s purposely luring back here. Every member of the team was introduced to Morgan before the operation began, so Morgan was able to exempt them. His control is impeccable, but they’re still liable to get distracted. Nothing magical about that. It’s hard not to when a master like Morgan sings.

Morgan primarily sings in the siren’s language when he performs spells such as this one. He says that for spellwork there’s simply more nuance and specificity in Soprety than in any other language when it comes to the subject of things such as lures, madness, lullaby and so on.

Despite knowing very little of the language, you still understand the message the song is trying to convey: where are you going? Come back, join me, this is where true happiness lies. Such is the power of a siren’s song. It’s hard to articulate the difference between the magical pull of a compulsion and the mere auditory pull of Morgan’s smooth voice. He’s never truly tried to compel you, but each time you hear him you have to put effort into focusing, into not simply basking in his voice. That’s only gotten worse the longer you’ve known him too, the more times you’ve heard him.

You don’t think it's that his singing is better, it’s only that it had seemed in the beginning, despite it’s obvious beauty even that first time, somewhat generic. Artificially or distantly beautiful. Now, his voice is so clearly entwined with who Morgan is, you can’t fathom how you thought it generic initially. His coaxing nature, always ready to persuade you to follow his lead, is woven through the words he sings as clearly as it is when he tries to convince you to take a coffee break. His promise of something better, something more fun and entertaining, if you only would listen. Of course, in this case, the outcome will only be entertaining for him. His seductive way of complimenting those he wants so that they will make the best choice by choosing him.

The music he makes is all very compelling is the point. You huff and focus back on the messages from the team—text since they’ve all got ear plugs in and don’t want to interfere with Morgan’s spell.  You don’t need the plugs, as his partner he can exempt you easily and you’ve practice functioning while he sings. Besides it's always good to have someone who can hear him in case he does need help. You check again to confirm how many you are nabbing. Seven, natural for a coven, even a criminal one. That means the rest of the operation didn’t manage to catch a single member.

Usually illegal covens are more subtle, caught due to smaller disturbances or the wrong people stumbling upon them on the wrong night. This crew has been smuggling truly nasty ingredients for dark magical spells, bewitching or killing anyone who tried to interfere. They’d been making a big enough splash despite their travels and have caught major heat by now.

The National Investigatory Agency has been tracking them. They followed the trail of memory loss and death they left in their wake. That’s not even mentioning the longer term problems that would impact a community after they’d traded their illegal and dangerous wares—increases in love potions, poisoning, and general curses. You’d managed to catch a break locally. Someone had lost their nerve about this year’s shipment in your city and your department was coordinating with the NIA for this capture. Well, at least your team was—truthfully most of the local office was just providing backup.

Morgan, as always, had a habit of disrupting the usual with just his presence. His skills had been enough to catch the head NIA officer’s attention and your captain had vouched for your effectiveness. As such, while NIA coordinated a wide-spread tracking net, your team would try to simply pull them back. It was a common enough play you two ran and this was no different.

There was some worry a witch might have protection, but most aren’t prepared for a siren song, not given how rare sirens are and especially inland. Besides, you’d unclicked the safety on your tranquilizer gun, that’s why you were here to watch Morgan’s back. He’d be pissed if you let someone interrupt his song.

Movement on your left draws your attention. A woman stumbles out from between to shipping crates, her expression muddled but searching, urgent. You check for the signs she’s ensnared as she walks closer. You’re only supposed to handle the ones who weren’t, so you let her approach once you’re convinced. When she spots Morgan, high on his perch and singing his heart out, a look of joy and greed takes over. She hurries towards him.

You wait a second before nudging a fellow officer with your boot. A transfer from another precinct, he’s not been involved in one of these operations before. He shakes himself, tearing his eyes away from Morgan to look at you. You jerk your head at the coven member and he blushes. Hastily pulling out his handcuffs, the orc goes to secure her while you train your tranq gun on the man darting out from a different doorway. This time an NIA member snags him before he can press up against the base crate Morgan’s on, for which you’re grateful.

Technically, Morgan should have crafted his spell so that the listeners won’t be too desperate to get to him, despite how he was enticing them. People will still react differently than each other so there’s no guarantee when trying to pull in a group like this. Morgan said that the more people, the less control he had over anything more than the base aim of the spell. A lullaby could put ten people to sleep, but they would likely all end up sleeping for different amounts, whereas if it was just one or two, he could control how long they slept for.

Similar thing here. He can pull them in and do his best to keep them calm, but there’s more margin for error. And Morgan’s one of the best there is. Arcane workings are always more complicated and nuanced than most people assume. If they weren’t, you’d be out of a job making sure any mistakes or malicious workings didn’t hurt anyone.

There’s a text that the NIA agents caught a pair on their own, meaning three more to go. It’s not long for them to join the others. The officers who are familiar with these types of stings are efficient, cuffing the ensnared with practiced ease.

You wait for the confirmation, all using sign language to confirm the criminals are secured. That’s your cue to whistle, two fingers in your mouth and loud enough to cut through Morgan’s song—you’ve had to practice. The whistle lets Morgan know you had them all and he flips his hand to show he’s heard. He’d never just cut off the song—for specific arcane reasons, but also because he considers it poor etiquette from a musician’s perspective. He carefully and artfully wraps up and slows down, gentling the song until it fades out.

You can’t help but feel as enraptured as the criminals are, although you try to hide it. It's too hard not to when you’re in love with him.

[sukibenders]

The Arcane fandom, especially on TikTok is never beating the allegations because why, now, some fans act like it's too inconceivable to imagine that Ambessa was, not only, pregnant twice but gave birth twice as well? And their reasoning for this is "She looks like the type to get a man pregnant instead" or "She's too tough for that, I just can't see someone like her going through that." There are layers to these statements because, for one, just because someone, especially a woman, is a dominant force doesn't mean that they can't get/don't want to become pregnant (do you believe overtly dominant men can't be fathers?) It's also very weird because the undertones of misogyny and misogynoir and the overt masculinization of black women are there because, not only are they viewing pregnancy and giving birth, in general, to be viewed as something "weak" (even though it's grueling hours of labor that results in tearing the body apart, sometimes even death) but also attempts to strip Ambessa of her nuance. Yes, she is strong and very dominant, but she also deeply loved her children, who she birthed, and when one was taken away from her it changed her deeply. It's very gross to view a character like her in this way because it also reflects how you view dominant women in real life, pregnancy, and childbirth as a whole. Like how are you going to praise Arcane for having such a wide and diverse ensemble of female characters, but then have misogynistic takes like this? Make it make sense.

[kacievvbbbb]

I wish there were was a scene or two where it is Sokka who has to pull Aang out of the avatar state frenzy.

Maybe Katara isn’t around for some reason (dealing with an active threat or she was just too far away) and it's Sokka that has to step up. because I do like the gradual growth of his reaction of aang in the avatar state going from complete fear to not leaving the area to stay with aang and I think it would have been a nice ed to have him be the one to pull aang out of it one time.

Not because I want to undermine Kataang because they are great. I do not want to ship sokka and Aang. But I just think it would have really added another layer to Sokka and Aang’s friendship besides them being silly and having fun together. I don’t think they really have any introspective moments with just each other like taht and I think one or 2 scenes like this would have deepened their friendship immensely (not that’s it’s not already great!)

Just Sokka deciding that Katara’s not here and Aang needs help now and so he’s got to do it. Every instinct he has is telling him to back away but he’s got to push through because Aang is his best friend, his brother and he’s not going to leave him.

I just think that would have been a nice little bow on their friendship arc with sokka being the more distrusting and harder to win over of the siblings. Like Kind of the inverse of Zuko and Katara’s friendship.

Like can you just imagine Sokka going; “ I got you buddy, I got you I’m right here” as he grips Aang tightly because he’s not the best at comforting words and and so all he can do is hold Aang close and remind him that he’s there that he’ll always be there for him.

I think that would’ve have been amazing.

[good-to-drive]

Girls5Eva is the best thing that ever happened to me, actually

[bixels]

So I l’ve been getting into your ko crisis story lately (it all sounds rlly awesome btw) and i was curious - you’ve said in the tags in a previous ask that ash is comphet, so is that gonna play a major role in her character arc/journey in any way?

Yeah, the story basically covers her journey of redefining her identity as a queer Asian-American disabled woman in a sports-entertainment industry, which is a media landscape that specifically targets, exploits, and fetishizes people like her.

[turtleblogatlast]

Feeling a lot of trans Leo feelings rn and I would like to reiterate how possible it is for him to not only be trans but also have no idea at all about it.

Okay so, he’s bigger than Donnie, particularly carapace wise, which tends to be the case when the slider is female and the softshell is male.

Second, his coloring. He retains the same coloring his whole life, even as a much older adult, so there’s another tick in the trans checklist, especially being that said coloring is noticeably bright.

His demeanor is also pretty at odds from most male red eared sliders - one example of this being when Bullhop was staying with them and Leo is noticeably less angered by him being both in their territory and in general than the others are - male red eared sliders would be way more combative here.

Like alone none of these are 100% definitive indicators but all together it makes perfect sense to me personally.

Now, how would it work for Leo to not know?

Okay, bear with me, but I like to think it’s because of Splinter’s (or rather, Lou Jitsu’s) genetics! As in, of course Leo wouldn’t assume otherwise, after all, his human self is very masc, including his lower voice and overall body type, so he and his family would have no reason to assume that he’s actually trans! But I personally like to think that it is because of Lou Jitsu’s DNA that Leo’s humanoid half turned out so masc in comparison to his more female aligning turtle half.

So yeah. Female red eared slider mutated with the DNA of a human man equals a turtle teen with no idea he’s trans (or potentially intersex.)

[huntressofladyartemis]

Seriously??

Stop saying that the gods and goddesses are mysoginists or feminists… They aren't, they weren't! I'm sick of reading or listen how some gods are insulted or acused of mysoginists or some others are acused of feminists… No! They not!

They were religious deities! They still are, because there's an Hellenistic community of worshipers! But i'll talk of the Ancient Greece… I'm not Greek, but i don't like how some gods and goddesses are treated just for their myths and the same people say that were the Greeks whose actually treated the gods like that! What's i'm saying?

"Zeus is a dick, a mysoginist, a r*pist even worse that his son Apollo, he can't kept his pants on and that's how the greeks portrayed him, so… the greeks says that Zeus is a dick"

…

What? Seriously??? The Greek whose worshiped him? Zeus the most important god in the Greek Pantheon? Zeus the king of the Olympians and the father of the gods?

I know many of the male gods assaulted women in the myths… But please I'll say it again… Don't took the myths as literal! Neither the ancient greeks do it that because they worshiped those male gods… They took the myths as metaphores, lessons and stories…

But i advice you if you're not sure: talk with a greek person! Ask the greeks theirself because they know much better of their own culture and history!

Zeus, Poseidon, Hades, Hera, Demeter, Athena, Ares, Apollo, Artemis, Dionysus, and a can continue with all of them…. I will defend all of them because i love them and i know the context and history behind the myth! I know the myths were written by persons (HUMAN PERSONS) whose "humanized" the gods to be more close with them, so that is why in the myths the gods aren't perfect! I know there's people who worship them (i'm not hellenic polytheist yet, but i would like to worship Artemis one day of these) and i respect the deities! I know the symbolism and metaphores of the myths and stories!

Zeus is NOT a dick! Hera is NOT a bitch! Aphrodite is NOT a whore! Apollo is NOT a asshole! Ares is NOT a idiot! Dionysus is NOT dumb drunk! Artemis is NOT a cruel and bad friend! Poseidon is NOT a piece of shit! Demeter is NOT a bad helicopter mother! Hades is NOT the villain… But neither was Zeus, Demeter, Apollo or Aphrodite! No!

[voidimp]

really not loving this trend lately of acting like shaving makes you a disgrace to the whole fucking queer community

like we really went from "not shaving is totally fine and good, body hair is completely natural & not gross" (correct) to "shaving is disgusting and unnatural, why would you do that to you body" (hmmm sounds kinda familiar) & even "its literally impossible to have dysphoria or sensory issues due to body hair/want to shave for any reason other than to appeal to patriarchal beauty standards & anyone who says they do is lying" (real, actual things i have seen people say, what in the god damn)

you can shave your face you can shave your head but as soon as its below the neck suddenly shaving is some sort of unforgivable crime. god forbid someone doesnt like the way it feels when their clothes rub against every little fucking hair. god forbid they dont like how it holds in sweat. god forbid they dont like how it holds in heat. god forbid they dont fucking like how it looks on them.

like. is the word "choice" not in peoples fucking vocabulary or something

[kedreeva]

To follow up on your answer about human-peafowl relations, how does someone like Bug, who basically demanded to be raised by you, fit in? Will she be just a very Ked-friendly hen, or will she be somehow very different from the other girls?

She'll be a little socially awkward, but she will get along, and the longer she's out there once she's a full-time-outside bird, the easier it will be, especially when her adult hormones arrive. Artemis was also raised by me, and she's a little awkward as well, but she gets along fine with the others and she's not even interested in fitting in the way Bug is. Bug may not have wanted to be left with the other babies when she first hatched, but she is very interested in the other birds now, she plays with her siblings through the fencing and she defers to the bigger birds like she learned to when she was a baby. We spent a LOT of time out in the bird pens when she was very little, so while she was raised by me, she also got to experience Being A Bird from a few days old. And we do still go out into all of the pens together, and she gets to spend time being chased around by the big birds or watching them from beside me, and hanging out near them while I free range a pen. She'll always be a little Different, having been to the realm of the fae so to speak, but it shouldn't inhibit her from fitting in.

[tulipe-rose]

Kazuha, sweetie, I'm not your biggest fan, but I'm going to be incredibly honest with you right now, and that's because I don't really understand what you're expecting from Heiji atp.

You're his self proclaimed, so called, 'older sister'. The first thing you do when you meet a friend of his, or a supposed girlfriend to be more accurate, is introduce yourself as his older sister. Whenever anyone claims that there's any romance between you guys, you refute it and call him your stupid little brother.

GIRL.

EVEN I STARTED TO GET MIXED SIGNALS AT ONE POINT. If not for the blushing we clearly see as the audience I would've been soldified in my belief that it's unrequited love for Heiji. Dramatic irony at it's finest.

Either way– WHAT DO YOU WANT FROM HIM?? You keep brother-zoning him to the point where only the Hattori Heji himself could be so stubborn to ignore this weird girl reverse psychology that would keep any other guy at a two meter distance.

Don't think you're any better, though, Heiji. If any third party who had never watched dcmk before had to give their opinion after looking at the overall confession bull crap you've been stalling these past three decades they'd think you're trying to impress Shinichi, not Kazuha. Won't blame them, I myself am pretty confused.

Who is this confession for???? KAZUHA.

THEN WHO TF IS SHINICHI TO THIS RELATIONSHIP AND WHY IS ONE UPPING HIM DETRIMENTAL TO Y'ALL?? WHY DOES HIS OPINION MATTER?? WHAT EVEN IS THE POINT OF THIS CONFESSION ANYMORE?? You're not even trying to think like ‘Oh, I'm doing this because Kazuha only deserves the best’ NO. IT'S ALL BIG BEN THIS KUDO THAT. I feel kinda bad for Kazuha.

Don't even get me started on how awkward it is to keep being so possessive over her when y'all aren't even an item (I'M LOOKING AT YOU TOO SHINICHI. GLARING REAL HARD HERE.). If she's seeing some other guy (which would never happen because of course she has fallen head over heals for you. Ugh- this is triggering my gag reflex.) then leave her be, because you either act like a chicken after being all bark and no bite or idk, grow a spine and fricking confess??? You can't go around calling her yours and then noping out of a confession. God my blood pressure keeps spiking because of these blockheaded teenagers I need to go take a few deep breaths.

I would like to know what they actually even talk about or bond over. From what I understood, Kazuha really likes the sound of his katana when he practices, which is high-key weird and makes me feel deaf cause how do you even hear that sort of stuff? And... What does Heiji like about her again? These guys need to explain what they like about their crushes more often. Or at least maybe ask themselves about it every once in a while, yk, just to make sure all of this stress is worth it. I will NOT be talking about Aoko and Kaito purely for the sake of my heart and blood pressure; they can only handle one dcmk couple at a time.

In conclusion, a man with an unresolved inferiority/superiority complex–because he somehow has both–so severe he cannot function without making it about his rival should not be looking for a relationship before seeing a therapist. Thank God his actual friendship with Shinichi isn't an eighth as bad as you'd think it should be; they're one of the most iconic duos ever, let's just keep their love lives outta the mix (Heiji is high-key supportive though, so there's that ig).

Edit: Came back after I realized I phrased my opinion on Heiji and Shinichi's friendship in a way that was easy to misinterpret. What I mean to say is that they're my favorite dcmk duo but I just can't stand how Heiji prioritizes one upping Shinichi rather than getting his feelings out there. I say Heiji ditches Kazuha as a love interest and forms a trio with Shinichi and Shiho. They'd be unstoppable homies that would do the unspeakable for each other.

[musclesandhammering]

Queer women are the main culprits of fetishising mlm relationships (both real and nonexistent ones), and I think we’re all scared to admit that.

[deus-ex-mona]

something something guys who think of the backs of the girls they love

and girls who pinch the cheeks of the guys they love