#EDIT: also if a character wants to kill God

[hibiscus-reign]

The thing that still has me icked about the whole break up are the writing and marketing choices behind it. I’m not too fully aware if this could even be possible for Tommy’s position, but a better job opportunity would’ve been the best case to put a nail in this relationship. It has the lonely gay character leaving on a potential positive note, the same way Abby left if that’s what they were truly trying to parallel from the start, and it shows off Buck’s growth of accepting letting go again without the attachment that he had with Abby. And it doesn’t kill of the thing that this whole relationship had going for it, which was communication and honesty. That’s the part that mostly stings for me, how they set up Tommy in a less favorable light, but Buck is left off with the sympathy. This ending still gives Buck that without the questionable choice they gave Tommy. And if they ever did want to bring Tommy back they still have something in their corner, the red string, because strings pull at the most unexpected times.

And then the marketing… we had entry level relationship, gay yoda, and mentor roll tossed around all too closely with wanting it to be like Tarlos, a respected queer story not revolved around stereotypes, a joint actor’s interview when some of the most established couples don’t even get that… do you see where the hope and confusion comes from… the show runner can’t act surprised to that. You oversold something storyline wise when you weren’t even sure what you were selling.

Also, this relationship brought in new fans and old fans who had already gave up on the show before, and expected the same level of loyalty as from the fans who’ve been here from the start. And the those fans who honest to god have tried (that includes me), struggled finding a balance here because we’ve had constant harassment from a bigger more violent side, and with that experience you can’t really blame some people for taking a break at best, or leaving entirely because the experience wasn’t the best no matter how much we love the other characters. Some of us (me again lol) will be watching clips, probably not the whole show, and then just leave fandom behind. That’s valid too.

Edit: Also, no I have something to add, the harassment was so bad I’ve seen long time viewers leave too. So also think about that.

[itsfreerealestatelol]

Just. Really fast.

I really do try to keep politics away from my social media but...

I'm American. We just voted for the stupidest candidate we could have possibly voted for. If you know that one Cyanide and Happiness skit where the presidential candidates were a perfectly good, reasonable and professional person vs. a literal glutton for humiliation promising to make the country fall into ruin just for shits and giggles? Yeah that's basically this election right now. We fucking voted for a man so cartoonishly bad he is basically a Cyanide and Happiness character.

This country quite literally hates women more than it actually wants to have freedom. That's the bottom line here.

We are literally getting lambasted by OTHER COUNTRIES because we voted for Trump, our allies overseas are quite literally calling us idiots, and frankly? We fucking deserve it. People want to kill themselves over this election, LITERAL CHILDREN are concerned for the future of this country- I recently heard my very, very conservative, God-fearing mother express concern over her own future moving forward over Trump. It wasn't just her either, it was my entire right-wing family as well, they are all so concerned about what's going to happen with Trump in office, so it's not just the fucking liberals or whatever who are terrified of what's about to happen.

I'm scared for the hundreds of thousands of other queer folks out there who didn't get the chance to start living their truest selves before their rights got stripped again. I'm scared for the women who now have to live in constant fear of their own bodies because what if they get taken advantage of and don't want to carry the baby, or what if they miscarry or birth a still born? Congratulations you're going to jail! I'm scared for the POC people in our country who are about to face the worst racism this country has seen since the goddamn slave-years. I'm scared for every single person in this country who isn't a cishet white man because they're about to face the consequences of someone else's actions and have no say in it.

I'm scared for the businesses who are about to face tariffs so dumb they're going to have to restrict their worker's pay. I'm scared for the enviornment because Trump wants to go after the fucking climate crisis for some goddamn reason. I'm scared for my own future, because I want to go through college, I want to be an architect, and I may not get that opportunity over the sex I was born with and didn't get a choice in having.

I agree with the people that are saying shit like "if we can elect a president with 34 felons, then you should be able to get a job with one" because yeah. I think people are seriously forgetting Trump is convicted on 34 felony charges, is a rapist, a literal national security risk, is half a billion dollars in debt, is also convicted of fraud, whose own political party minus the loud part stopped supporting him, and his administration is not returning to the White House because they either hate him or are in jail.

And yet we elected him to be our president.

All of this to say-

Raise fucking hell.

Demand those votes be recounted, fight for your rights, donate to good causes, research what stores and businesses support human decency, do what you think you can do within your own limits to help our country and it's people.

We are not done fighting, we are not going to just wallow in our own defeat. If they get to be loud, then we get to be louder.

As Optimus says, "Freedom is the right of all sentient beings"

-

Edit:

Trump doesn't have the power to do shit right now. That is why I'm saying we fight before he does.

And also,

Our lives are worth more than the price of gas and eggs. Remember that.

[scribefindegil]

(Obligatory "this is about personal preference not a moral judgement against ppl who interact with fiction differently" disclaimer)

Me at a good 85% of violence in media: I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.

Me watching a female character brutally murder a dude who was sleazy to her: YES YES YES YES YES hahaha fuck him UP!!!

[codenamethebird]

Ok here's a little (not really) analysis/theory post about Hades 2, because I'm obsessed. Its consumed all my thoughts. And I need to talk about a theme I think will (hopefully) be addressed as the game progresses.

Here's some examples of dialogue that starts to touch on this conflict between mortals and the gods. What exactly do mortals deserve? We also have literal Icarus "flew too close to the sun" here too (and probably Pandora). Chronos was able to sway many to his side with a promise of a golden age without the gods, which is presented by the narrative as a foolish venture. And not saying it isn't, or that Chronos is the secret good guy here, but I believe Chronos is taking advantage of a very real hurt that exists for mortals.

This line from Nemesis really stood out to me, because it implies that while mortals have a concept of evil, the gods don't. Which sounds ridiculous but the more you think about it makes total sense. The gods in Hades (and just greek myth in general), are kind of the worst. They are petty and selfish, they literally attack you if their boon isn't picked first, and most vitally in this context, often utterly disregard mortals.

For example, one of the things that drove me a little crazy in Hades 1, was how chill everyone was with Demeter's never ending winter. Demeter was killing possibly millions upon millions of mortals and everyone else just sort of let it happen. Maybe complained a bit because it was annoying to them, but just stood by. And that's just one example. Mortal's have a very valid reason to hate the gods.

And considering we have more areas of the surface to explore that aren't out yet, I have a feeling Melinoë is going to be meeting some of these discontent mortals. And my hope is they are going to be nuanced characters, that will challenge Melinoë not just in a fight, but her very ideals.

Because Melinoë is very deferential to the gods, waaaaaay more that Zag ever was. Unlike Zag, who was more like a bro to them and was willing to suck up to them for personal gain, Melinoë seems to genuinely mean all the respect she gives them. She praises them, defends them when they are insulted, and just generally very polite to them.

In a smaller scale, she describes Hypnos as having a wisdom about him and can somehow sense her intensions while asleep. Which as Nem implies, the version in Melinoë's head doesn't exactly line up with reality (though sidebar, I am a believer in Chekov's Hypnos and that he's going to somehow save the day and put Chronos in a never ending sleep or something, but that's beside the point haha).

Melinoë's reverence to the gods makes total sense of course. She was denied her family and a happy childhood, and because of that has glorified them all in her head. The Olympians are sending her vital aid on her holy mission for vengeance and to save her family, even as their own home is being attacked, how honorable of them!

And I think part of Melinoë's arc is that perfect picture of them breaking into pieces. Yes, they are the better of the two options between them and Chronos, but that doesn't mean they aren't also kind of the worst. That mortals deserve better than frivolous gods that can decide on a whim their fates for better or worse (love u Moros but I'm still fucked up over you and your sisters giving mortals horrible doom endings when you were bored. At least he feels bad now but still. Perfect example of gods even when not intending to having horrific consequences for mortals). And maybe like how Zag healed relations with his family, Melinoë can start repairing relations between the Gods and Mortals.

[rmbunnie]

Red Hood Characterization

This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.

I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?

This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!

tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.

Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.

[firstruleofmethclub]

Gimly's D&D 5E Player Characters - #3

Name: Khazaal the Apostate

Race: Hobgoblin

Class: War Cleric

Background: Slaver

Ability Modifiers: +4 Wisdom & Constitution; +0 Charisma

Campaign: I played Khazaal in a quick experiment thing my roommate and I did. One of us would build a dungeon out of tabletop terrain, and then the other would make a story and treasure and guards and traps for it, while the first would play as two characters and try to get through it, then switch. Seeing as this was just an experiment, and evil player characters often do not fit in actual campaigns, I figured this was my chance to bring the biggest bastards I could create to the table.

Khazaal and Legion (but especially Khazaal) were those two characters. They did end up beating the dungeon, but that's where I left them, probably forever.

Backstory: After Khazaal's vast hobgoblin warherd suffered a stunning defeat at the hands of small band of Acolyte heroes, she, the only survivor, questioned the immutability of her god Maglubiyet. She was cast out of goblinoid society for daring to think such heresies.

Even a Hobgoblin soldier as bold and enduring as Khazaal would not survive long alone, and without a tribe, she was forced to seek out strength elsewhere. On this journey, she met a group of zealots who were her match in combat, and soon after she became a devotee of the Wargod Bane, whose ruthlessness in battle reminded her of Maglubiyet, and whose symbol of the black hand, she likened to The Hand formation of Hobgoblin society, where she had once been a Fatal Axe.

Now with stability, Khazaal next sought out prosperity. To this end, she became a slaver, and was commissioned to search for slaves who had gone running.

[dykeofmisfortune]

thinking thoughts about claus mother 3

[bluejaybytes]

show us your oc lore!!

I'm so sorry but it's exclusively my Splatoon OCs

I'm not at ALL confident in how legible this is, but this is my Web Of Lesbianism(tm), AKA how (almost) all of my lesbian sploon OCs connect to each other, excluding a few who only connect in small places and/or I don't feel like making icons for. Sorry to Scarlet, who absolutely warrants a place here, but I simply Do Not Want to make an icon for </3

Lore under the readmore because I get extremely rambly. whoops and apologies and this is probably the only time i'll ever let myself get THIS infodump-y in a Tumblr post. I'm writing this after I wrote it all out and I'm so fucking sorry it's literally over 2k words because I have no ability to stop once I've started and I've been outright POSSESSED by these losers for the past month. Here's basically everything about my Splatoon OCs

FOR NAMES. Top right is Basil (Blue tentacles), middle right is Penny (Her name is just written because I haven't drawn her yet), bottom right is June (Pink tentacles), bottom middle is Jake (Blue tentacles), bottom left is Parker (Purple tentacles, also the sanitized icon), middle left is Ruby (Orange tentacles), and top left is May (Pink tentacles)

Everything starts when May, Jake, and Ruby are all around ~16-17, while June, May's little sister, is around ~9. May is VERY into Jake, and Jake's just generally a big flirt and a huge romantic, though it's unsure if he really realizes May's extremely obvious crush on him (He doesn't), or he reciprocates, which is unfortunate, because Ruby, who's May's childhood best friend, is also very into her, but May doesn't realize this. When [UNDECIDED EVENT] happens and May and Jake both come to the realization they need to head to the surface to escape the oppressive Octarian domes, Ruby being with them is very clearly an afterthought, and she knows it. So, her jealousy over Jake being someone May has known for less time yet clearly loves more than her, and the fact that trying to escape being very, very illegal, she turns them both in.

Jake manages to call May before he's caught to warn her that Ruby turned them in and the cops will already be heading to her parents house, which gives May enough time to run home, grab June, and make a run for it. Both May and Jake manage to outrun the cops, with May and June ending up far into the outskirts of the domes, while Jake only gets further and deeper within them.

Around a month or two after their initial escape, May's spotted by a patrol of soldiers stationed right around the way to the surface, with the soldier who spots her specifically being Scarlet, the oldest sister to Ruby (Who's not featured here because I don't want to make her icon), who remembers May from when she was a kid and, alongside that, has been feeling disillusioned with life as a soldier, despite her high ranking, and decides not only to let May go, but to even share rations with her. This only increases as Scarlet realizes May is the runaway who's known to have a young child with her, and it goes from Scarlet sparing her own rations to stealing rations from the squad she leads to make sure both May and June are able to eat properly.

Of course, this doesn't last long, as Crimson, the middle sister to Scarlet and Ruby, and fellow soldier stationed with Scarlet's squad, gets suspicious of the missing rations, Scarlet's dismissal of the issue, and her wandering off frequently, and ends up following her and finds her giving the stolen rations to May. A fight breaks out between the two, with Crimson managing to nearly take Scarlet's eye out in the process, as Scarlet's the only person ever to bring a gun to a knife fight and lose. May booked it the MOMENT Crimson jumped out, so she's long gone by the time the scuffle ends, but Scarlet, having just been caught stealing rations, aiding a runaway, and now attacking a fellow soldier (Even if in self defense), bolts to try and make it to the surface as well, albeit she doesn't know where May ran off to.

May ends up making it to the surface around a month after that incident, after wandering lost for the time between, and, while struggling to try and buy some clothes thanks to the language barrier between her and the commonly spoken languages of the surface, one of the employees working there, Penny, is able to help figure out what May's looking for, and helps her with the whole process, since it's a lot different from how it was in the domes. They don't end up seeing each other after that for around a year, but it's important when they do, as Penny's was the first person on the surface May really had a good experience with, so when they randomly run into each other, May's very happy to be able to tell her how meaningful that was to her, and that she's much more adjusted to the culture and language now.

Meanwhile, Jake! Jake ends up wandering deep within the domes, far away from where the actual settlements and cities are, for over a year, just barely surviving through scavenging and avoiding patrolling soldiers. Still, he's not great at it, and eventually he ends up being held at gunpoint by Parker, who insists he tell her his rank and what he's doing out here. He has no idea, as he was never in the military and lies through his teeth. Luckily for him, Parker is a military deserter, and would've had a much worse reaction had she believed him, instead realizing that he's not a soldier and has no idea what he's talking about. Parker's been hiding out in the area, an abandoned sewer system that's frequented as a supply route for soldiers, for several months at this point, and while she actually enjoys her life of living down there, it's a lot of work to survive on her own, and realizing Jake's a fugitive also means he's a potential survival partner.

The two end up meeting up once every day for around a week before Parker feels confident enough that Jake isn't going to screw her over or try and turn her in or anything, and invites him to live with her at her "apartment", an old maintenance closet that's very secluded and not marked on any military maps, under the agreement that the two of them actually work together. Jake instantly agrees because he's been miserable and awful for the past year, while Parker's doing surprisingly well for herself, she even has multiple sets of clothes that she's stolen from nearby outposts (As well as an entire mattress she stole, and her most prized possession, a full deck of playing cards, and an Octo Shot she definitely killed a man for), as opposed to Jake, who's been going off of only what he had on him when everything went down, which is... practically nothing.

The plot basically slows down and chills out here for a while, May and June end up moving in with Penny after a few months of May and Penny hanging out instead of having to live in the shitty motel they'd been living in before (Albeit, the motel was better than the wilds they'd been living in before that), and Parker and Jake get adjusted to their lives in hiding surprisingly well. May and Scarlet even find each other on the surface again, they run into each other while May's out grocery shopping, and it's a very important moment for the both of them, as they've spent this entire time carrying around the guilt of feeling responsible for what happened, so them seeing the other and seeing how much better they're doing on the surface helps ease those guilts.

And then the events of Octo Expansion happen in the background. Parker and Jake know the routines of the soldiers in the area after years of living together, but the supply lines end up being used by sanitized Octoling soldiers after Kamabo starts massively ramping up production, leading to patrols of sanitized soldiers at seemingly random intervals, and outside of the predictable patterns that Parker and Jake were used to. Parker's out doing the laundry when a patrol finds her, and, greatly outnumbering her, end up nearly killing her, and dragging her back to be sanitized. She's in too bad of condition to be saved and reused as a test subject, so she's just sanitized instead.

Jake, naturally, notices when Parker never comes back from doing the laundry, and proceeds to be missing for upwards of two weeks. Jake does his best to look for her, but he also doesn't want to stray too far from their "apartment", as he's scared she might return home when he's gone, and with the unpredictable patrols, he doesn't feel like it's safe to stay out for as long as he wants to to look for her, so he ends up sticking close to home and just hoping he'll be able to find some clue of her. Of course, when he finally does, finally spotting her hanging around the entrance to the hallways that lead to their apartment, it's Not a good thing. He runs up to her to ask where she's been, and the moment he calls for her she turns and attacks him. It's not even a fair fight, even if he went in expecting a fight, he wouldn't have won, but this was a complete surprise. She quickly attacks him and takes him back to be put into the metro as a test subject, and, since he was brought back in much better shape than she was, he actually can be salvaged as a test subject!

And then he isn't. He's in the process of being readied as a test subject, namely, having his memories messed with, that the entire plot of Octo Expansion actually happens, and he's freed when the entire facility shuts down, and the metro is just a normal transport system again. He ends up wandering around for another month or so, except doing so very poorly, as the effects that being prepped to be a test subject had on his memory is bad, and basically erased all of his knowledge on how to survive on his own. Eventually, and luckily for him, he's found by one of the rescue teams that have been sent out in the aftermath of Octo Expansion to rescue lost and sanitized Octolings, and FINALLY gets brought to the surface, as well as being hospitalized for a whole myriad of problems, mainly being severely dehydrated from not remembering safe ways to find and gather water reliably.

When he's ready to be discharged, he realizes he has really nowhere to go, but since he still remembers May's phone number from when they were kids (As it's been years at this point, May and Jake are both in their mid 20s now, and June's around ~17), and calls her to ask if she can come pick him up and also if he can crash at her place for a bit. May is more than a bit surprised that her childhood friend she was fairly convinced had died years ago, and that she feels guilty for abandoning, is not only still alive, but super casual and chill just. Calling her cell and asking if he can sleep on her couch. At this point, June's already moved out, having been encouraged by both May and Penny to get out on her own and try getting out of her comfort zone, and is living in Splatsville with her roommate Basil, and not really having any major plot moments of her own. She's having fun and coming out of her shell and having silly lesbian shenanigans with her roommate in the background while Jake and May are experiencing the horrors.

Ultimately, this is about where thing stop being decided and I still need to figure out what happens next. Jake is living on May and Penny's couch (The universe will never let them have their house to themselves. Not even 3 months after June moves out, Jake's crashing on their couch), and has no memory of his time with Parker, Parker's MIA and potentially dead, and May's struggling with the idea that Jake's either in denial of some major trauma he must've faced through the years, or that she's somehow uniquely fucked up from what happened to them. To make matters worse, Jake's memory issues become more and more apparent, as he continues to struggle to remember Penny's name, instead repeatedly calling her "Parker", yet getting confused when he's corrected. I'm ultimately unsure what I'm going to do to resolve this plot thread, but May and Penny do realize that whoever Parker was, she was someone Jake knew in the time he was missing, and are trying to figure out just exactly who she was, if not where she actually is

Whether or not Parker is dead... it's up in the air. I initially planned for her to die and stay dead, but I'm the worlds biggest sap and I feel bad about killing her off permanently, as well as the fact I have plenty of silly ideas for what I could do with Parker once she's on the surface, so I'm still debating if it's more narratively satisfying for her to die or not. There's, if you believe it, actually a ton I'm glossing over (The intricacies of Jake and Parker's dynamic, the reasons why Parker left, basically everything about Basil and June, literally Basil has an entire friend group that has their own mini-plot that's not at all connected to this and doesn't get mentioned, Crimson is going to be more relevant once I figure out what I want to do with her, ect), but uh. That's the very long gist of it.

If anyone actually, genuinely reads through all of this. Thank you, apologies, and I love you

[benvoliotheorphan]

Me: Yeah I don’t think I can really ship Kratos with anyone. It’s just really hard for me to imagine him in any sort of romantic relationship. Yes I know he was married twice, but still-

God of War Ragnarok: Shows flashbacks of Kratos with Faye

Me, with tears in my eyes: Oh, okay, nevermind.

[martyrbat]

batgirl (2008) #4

[ID: Rose Wilson as Ravager, Cassandra Cain as Batgirl, and her sister Marque all looking ahead at something off panel. They all have a disgruntled expression other than Cass due to her cowl; but one can imagine she has a similar expression (if not more remorseful than the other two's). Between Cass and Marque is a narration box that has been edited to be blank. END ID]

[ID: the same panel as above but the original, unedited version. On the brick wall behind them is Deathstroke's silhouette as he goes to strike them with a sword. There's another internal narration box (in Cass's perspective) on the wall as well and the edited box is no longer blank. Together they read: ‘I don't want to hurt them. I want to help them. But I don't have any choice. They don't want my help.’ END ID]

[bejeweledmp3]

JUST FINISHED GOOD OMENS 2. CHEWING GLASS HELLO?

[cavegirlpoems]

You know another thing that fucking sucks? I actually really enjoy RPGs that basically boil down to 'you're in a hostile unknown environment with lots of weird shit, dangers and potential rewards, go explore and try not to die'. Like survival-horror-ttrpgs, right? And, in theory, this is what D&D is meant to do. Hell, in the early editions - from the original little white books to probably early AD&D 1e - it's actually pretty tightly designed around doing that (with occasional interludes into flabbergasting racism, that we all quietly excise). The problem is that because D&D is marketed as, like, the everything-ttrpg that lets you tell big dramatic stories and have character arcs, the D&D-o-sphere thinks it's too good for that style of play. Like "here's a spooky hole full of traps, try not to die" is somehow looked down on as being unsophisticated reactionary dreck for grognards. And "here's a spooky hole, try not to die" is the only thing D&D is any fucking good at! You want big character drama and an epic narrative and emotional beats? You're on your fucking own, sunshine, D&D won't help you with that. But if you want to get killed in a cave by a spike trap or eyeball monster? D&D's great at that, it loves things that try to kill you. (This is, I think, a distinction between type-1 and type-2 D&D). (D&D 5e is also noticably worse at being D&D-as-survival-horror than earlier editions - except spiders 4e who is a statistical outlier adn should not have been counted - because in their effort to market it as an everything-game, they stripped out a lot of the stuff that actually cared about creating that experience, because some people don't like dying in holes what with taste being subjective and god forbid they play something else instead) And it kinda sucks because in theory if I want to go play a survival horror rpg where I go into a hole/ruin/alien spaceship/haunted house/heist/evil gameshow and try not to die, despite the fact that this is in theory how you're meant to play D&D, in practice that's not how it's gonna go down because 75% of the player base is ignoring the type of game D&D is actually written to be and desperately trying to beat it into the vague shape of a narrative game. Anyway this is why I like OSR stuff, it's like if D&D dropped the facade and stopped pretending to be stuff it's not. (I should note, to avoid pissing on the poor, that I play a whole bunch of stuff, from VtM to a bunch of PbtA hacks, to weird indie things, to larps, to shit I wrote myself. Die-in-a-cave-D&D is part of a healthy varied ttrpg diet)

[bamsara]

If given the motivation I would ramble more about Trod, specifically Tyren and how he's my little dude but also a character who's behavior I've based on being a victim of obsession and idolization myself and how it's very cathartic to write a character exhibiting all the traits, both good and bad I've experienced in the Lamb's position and then knowing exactly how his story ends

That and some Narinder rambles and how Lamb is more comfortable with him than a sweet dog that surely shows more respect for them (idolization that does not see them as a person)

edit: nevermind I did end up rambling. Some TROD spoilers

its great I love this stupid dog and his scheming ways and writing just *why* he's doing what he's doing with genuine belief it's to better protect what and who he loves without actaully taking into account the subject of his affection's feelings on the whole matter. He would never hurt the lamb physically but clearly that three eyed cat is nothing but stress for them (and is he wrong? is Narinder not a source of stress? We are not light in the 'enemies' part of the friends to enemies to friends to lovers part of the trope)

Though the difference between Narinder and Tyren, the rehabilitation and the corruption, although all entitlement, is agency.

Narinder often touts himself as uncaring and hostile to the Lamb and is still angry from the betrayal, as they are, but their agency is still considered even in anger.

In the Fox chapter where Narinder wishes to sacrifice Grekimar and Tyren, Lamb refuses. They argue about it and Lamb stands their ground, Narinder is unhappy about it but does not go behind their back and sacrifice cultists anyway when he very well could.

After reuniting after the fight when Leshy is revived, Narinder and Lamb argues heavily over the subject of whether or not Narinder is allowed to kill Leshy, someone who harmed both him AND the Lamb severely, and even though he's bitter about it, Narinder acknowledges the Lamb was not given a choice prior and will sacrifice his own revenge and comfort so the Lamb can have their agency returned, at least a little bit.

^^^ This one is a complicated one because between both characters, neither killing the bishops nor keeping them alive would result in both characters getting what they want, with reasonable desires for it (wanting to have choice again, wanting revenge on their tormentors, ect)

so Narinder essentially sacrifices his comfort for the Lamb, someone who is constantly sacrificing pieces of themselves and sanity to keep everything in peace

It works the otherway around as well: Narinder demanding talismans and God Tears and Relics from the Lamb and they agree, not because they're required to do what he says but because that's their friend, and they trust him enough to help him with whatever he's doing

(and back to the argument where the refusal to sacrifice two followers was in exchange for some of their heart, Narinder refuses and breaks the deal off immediatly even though the Lamb was willing. The Lamb is obviously more important than whatever goal he had in mind, essentially scrapping his partnership with the Fox and method to gain power because he didn't want his usurper to be weakened. and other things.)

I won't talk about EVERY instance of this because this is already a long post, but overtime the two are forming communication, compromise, and even in anger, there is a respect there that puts them on the same level as equals.

Tyren does not really fall into that.

Tyren would never, and I mean NEVER hurt the Lamb physically. He would never yell at them, never be angry with them, never be upset with them, because he does not see them enough as a person to feel those things around them. And if the Lamb does disagree with him or make him upset, he will simply....disregard their current feelings on the situation and do what he thinks is best for him and them, even if it goes directly against their wishes.

And unlike Narinder, he would do it behind their back to stay in their good graces.

Tyren does care for the Lamb. Genuinely. He did long before that necklace was around his neck. He was already a little obsessed before the loyalty necklace was on him, it just gave him a slight edge.

He respects them but also doesn't. He takes their rejection at the party in stride and is completely unphased by it, completely understanding, but also plots to kill someone the Lamb called a 'friend' because the three-eyed hermit is clearly stressing them out and it makes no sense as to why they're crusading with him, or spending time with him when he's been nothing but a murderer and a blight.

I think a good summary of all this ramble is that when the Lamb tells Narinder to leave Tyren alone, Narinder goes 'whatever i fucking hate you and this stupid cult anyways. die forever' but does what they ask, while Lamb tells Tyren to please leave Narinder alone, and Tyren goes 'sure! :) anything for you my lamb' and digs up a corpse and drops it's mashed remains outside of the cat's hut with a fake letter from the Lamb saying it's 'breakfast'.

Narinder and Tyren are both very selfish, but in different ways

None of this probably makes sense

It is also 6AM

[meanbossart]

LORE ASK COMPILATION: "Still not banging Halsin, Squid Games, Sun King, Failing at love quizzes, Bottoms, Tops, and Cats" Edition

He didn't, Halsin wasnt around for act 3, too busy healing land and saving ghost children or something!

THANK YOU/I'M SORRY, I'm surprised there isn't more Bhaalist Dark Urge/Spawn Astarion stuff out there. Don't get me wrong, I love a good evil power couple, but who can resist the good ol'heartbreak of a vicious unending cycle brought on by your own senselessness!

That wasn't something I was interested in previously just because acquiring the slayer form isn't part of his canon, but I've been looking at enough fromsoft games' monster designs that I might be a little inspired to try LOL

Also I am just a fan of the canon design and never before thought it needed altering. But I'll let it cook ;)

God damn it.

DU drow was VERY antagonizing towards the emperor since the moment he dropped the facade, which made the attempt ESPECIALLY hilarious - that poor guy is so, so lonely.

I don't recall the exact wording in-game, but once the emperor took his shiny squid pecs out and shot his shot, DU drow recoiled and called him disgusting. After having the visions of Stelmane forced upon him to make whatever baffling point the emperor was trying to make, DU drow smugly asserted that he had finally let the mask slip and their very terrible date ended with the Emperor enforcing their reluctant need for one another, for the time being.

In-prose, that would honestly be pretty much it. DU drow would have reacted with absolute revulsion at the prospect of being hit on by a mindflayer, and taken the Emperor's (miscalculated) moment of lashed-out vulnerability as a win - as proof that he was exactly as duplicitous as he always assumed the Emperor to be.

I can assure everyone that I am as entertained by the thought as the rest of you and it is in the cards for future art, I just have... So many prompts... I have at least 5 different mini-comics I want to make, BESIDES singular pieces, BESIDES the fanfic... I wish I had more time and more hands.

But DU drow's unlikely semi-success as a parental figure is hilarious to me. I think about it constantly.

I haven't entertained that thought much because its antithetical to DU drow's character. Whether "good" or evil, he wouldn't allow Astarion to ascend because of his fear of no longer being needed and his reluctance to watch his partner be consumed by out-sourced power and changed into something he despises. Realistically, in a world where Astarion is allowed to ascend they could only break up and inevitably kill each other soon after.

That said, I am fascinated by the Sun King and the implications that path has for his character. So far that is an arc that I can only really see Astarion taking on alone, though - that might change in the future, might not. We'll see!

IF I CAN MAKE IT NOT ENTIRELY MISERABLE, I JUST MIGHT.

He got 2 out of 3 questions wrong - which is to say he was way too honest and Astarion didn't like that.

Except for the "when is he the happiest" question, which he correctly answered with "when he's neck deep in gore".

This is not even a lore-embelishment, this is actually how that scene went for me and I cackled about it for ages.

He would love to get tied up for old-times' sake. I doubt he knows much about fancy knots but Astarion might (though I might be in a minority that doubts his enforced "sex life" was actually that interesting at all.)

Thank you so much!

You are mostly correct. Bhaalist drow, both pre and post tadpole would be much more keen on the idea of having people around who fulfill their every desire - EXCEPT for killing. That is a joy they take on for themselves.

"Canon" DU drow values his independence a lot, on the other hand. He's neutral on the idea of slavery (what a sentence) and wouldn't be opposed to temporary servicing, but the idea of having someone around waiting for orders doesn't attract him at all, or at least would get on his nerves quick. He much preffers to do things himself and makes sure that other people see how much he does not need assistance.

The answer is yes, basically LOL.

DU drow both adores and despises Sceleritas presence and he doesn't know why. It very much reflects the type of relationship they used to have prior to DU drow's memory loss, and it's one of those things that he has conflicting feelings about but not any context for them.

I sadly doubt that the boys would become parents during Shadowheart's lifetime (it's for the best, they have a lot of work to do before I would trust them not to drop a baby), but honestly she strikes me as really liking kids as long as she doesn't have to, well, have them LOL.

And thank you so much for enjoying them and humoring me!

I think it is less about bottoming-topping and more about enjoying a more submissive role during sex, as well as in other scenarios. He believes that giving control away is, in a way, a show of devotion that goes both ways - his own for the willingness to do so, and his partner's for not taking advantage of it despite his wanting them to do so.

With one-night-stands (which he occasionally had pre-tadpole) he would still bottom without any of the submissiveness. This is because he didn't have the capacity to understand what it was about bottoming that attracted him, and led him to feeling constantly unfulfilled and frustrated (he just isn't build for no-strings-attatched type of arrangements, lol.)

This means that he really could operate either way depending on the partner as long as he got that fix of docility, whether it be from the bottom or top.

I think of Astarion as being similarly versatile but leaning more in the opposite direction when it comes to power-dynamics - though it being less about dominance itself and more about being pampered and catered to - and, of course, getting to do what he wants. Though he's willing to try most things a partner is particularly enthusiastic for just to see how he feels about it.

That said with DU drow he does prefer to top for a plethora of reasons.

I didn't have this piece of lore thought-up at the time, but I should have made them look like the lady he lost his virginity to.

Him and Astarion were gobbling those things up until the emperor reveal, then they both quit it cold-turkey after DU drow stomped the astral-tadpole dead (and back then you didn't have to roll any dice to do it, because otherwise we would have weird veiny DU drow to deal with for sure because he would NOT have suceeded that save.)

DU drow's feelings towards animals is a constant in every iteration of his character. They are organic little pieces of art wandering about the world that act upon their own laws and regulations, ones which humanoids aren't privy to - except for when they intrude into that world through magic and try to understand it through their overly-complicated systems and concepts. If a cat made the temple it's home, it can stay.

[throwawayhero]

hi!! could you do a kirishima bf headcanons? i feel like nobody ever writes for my boy, thank you! 🫶🏽🫶🏽

Of course omg??? He doesn’t get the amount of love he deserves ong. One of the best characters imo, kill me if I'm wrong!! He’s been my favourite for YEARSSS and I will never get tired of him. Some of these are a bit random but I hope you enjoy!! ❤️

Eijirou!Kirishima who always walks to school and/or class with you. He’ll wait for as long as you need him to with little to no complaints (most of the time..)! He’ll just hang around in your dorm trying to look unsuspecting as he looks at your stuff while you rush to get ready. He especially loves to snoop through your trinkets.

“.. Hey, I didn’t know you still had this!”

“Neither did I..”

“Oh—“

Eijirou!Kirishima who actually takes care of his physical appearance/personal hygiene. He doesn't have a sociopathic 30 step skin care routine but don't be surprised when his bathroom drawer is full of hit or miss products that he's tried out. Will give tips about finding good products if asked about it. He always smells SO good. He also has hair products he uses to get the red dye to last longer.

"Hey, can I borrow this?"

"That made my skin super irritated, try this one."

Eijirou!Kirishima who always supports you and your hobbies, even if they only last a week. He's always up for being a test subject of sorts. Painting/drawing? He's ordering you top quality paints and pencils. Reading? Tell him about the characters, the drama, the romance, the plot twists, he's invested. Crochet/knitting? He's wearing the sweater you made him, even if it is a little bit itchy. Yoga? He bought matching yoga mats! He's ALWAYS supportive, now matter how extreme.

"Any other hobbies peaked your interest?"

"Rock climbing."

"..Sounds like fun!"

Eijirou!Kirishima who NEVER forgets to text you good morning/night. He forgot once and showed up to your dorm to apologise (You hadn't even woken up yet). Sometimes he sends little GIFs too.

'Good morning beautiful!! 💗💗💗'

Eijirou!Kirishima who has a highlight on instagram dedicated to pictures of you and things that remind him of you. He doesn't really post on social media, but when he does, 80% of the time it's about you. He also sends you a bunch of those lovey-dovey quotes from Facebook. His captions on photos are always so sweet.

'Spent the day Go-Karting with my beautiful girlfriend! Can't believe how lucky I am! #gokart #love #girlfriend'

Eijirou!Kirishima who is the KING of PDA, to an extent of course. He will kiss you anywhere, in front of anyone. Oh my GOD does this man know how to give good hugs. He's always holding your hand/wrist/finger no matter what you're doing. You could be on a walk, in a line, grocery shopping, or just sitting down together. He's always by your side :)

"..Can you let go of my hand so I can scan the groceries?"

"No but I'll help you!"

Eijirou!Kirishima who GUSHES about you to his friends. This man is head over heels and everyone knows it. He doesn't necessarily believe in soulmates but he does believe that you were the one he was meant to find. He gets this horribly happy look on his face when he thinks about a future with you that everyone can't help but laugh at. He talks about said future all the time.

"When do you want to get married?"

"..What?"

"I wanna know when to start editing my vows."

"..Editing??"

Eijirou!Kirishima who is a bit of a restless sleeper. And when I say restless, I truly mean it. This man will roll on top of you and just lay there, sprawling out and snoring happily. You have been and will continue to be kicked. One time you had woken up to him rolling off the bed.

"You slapped me in your sleep last night."

"Oops. You should've slapped me back!"

"I did."

Eijirou!Kirishima who goes all out on dates. He'll take you to a fancy restaurant and wear a suit and tie with his hair done nicely. He'll ask you to wear something pretty beforehand so that you know not to underdress. He arrives at your house/dorm with flowers and the biggest smile you'll ever see (besides your wedding day). He'll treat you like the princess you deserve!

"You're stunning, hun.. where would I be without you?"

[anobsessedchocolatechip]

Okay Christine Daae is THE MOST UNJUSTIFIABLY OVERHATED CHARACTER IN MUSICAL HISTORY. THERE I SAID IT.

This VERY YOUNG WOMAN somewhere from 15-22 lost her father, the only person she ever had, at a young age and found her way of expressing grief through music. a MUCH OLDER MAN (we are not going to deny this fact please) saw her and decided to take advantage of that grief in order for her to fall in love with him (I know he had his reasons but it STILL HAPPENED) and after she found out how the man manipulated her she still understood why he did it, even after he KILLED PEOPLE she saw that he just wanted her love, and even after he threatened to KILL HER AND HER FIANCÉE for EXISTING (“now let it be war upon you both”) she was VERY smart and knew how to break the murderous trance that Erik was in, by showing him the one thing she knew he needed, compassion. She has the unique ability to see good in people when it’s not visible to anyone else, even after it seems like they’re past the point of ever being good again. That’s some LUKE SKYWALKER SHIT. She is literally a HEROINE who does not let anyone’s shit get to her, not raouls dumbass plan, not Erik’s anger. She wants to SING HER SONGS and she WILL, DAMN IT. Yes she’s naive sometimes but what did you want?? Her to be perfect?? Then you’d just call her a Mary Sue. Also she was a GRIEF STRICKEN YOUNG GIRL WITH FAITH IN THE WORLD OF COURSE SHE’D BELIEVE A NICE VOICE TEACHING HER TO SING AND BELIEVE IN HERSELF.

Christine Daae is a SMART, BRAVE, EMPATHETIC, ABSOLUTELY AMAZING CHARACTER AND IF I SEE ONE MORE PERSON BLAMING HER FOR *ANYTHING* THAT HAPPENED TO HER I AM GOING TO EXPLODE.

(Disclaimer: this is not an anti erik or anti raoul post, this is a PRO CHRISTINE DAAE POST) (GOD I LOVE HER)

Edit: Jesus some of you guys saw “this is not an anti Erik post” and said this sign can’t stop me because I can’t read 😇😍

Also if you hate Christine and feel the need to make that clear in the comments it will be deleted because this is a Christine positive blog and I will not allow mean people in my little corner of the internet where I share my little opinion with some cool little people who agree with it ❤️ shout out to all the people out there who disagree but didn’t feel the need to curse me out in the comments, I see you and appreciate you 😌