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lucabyte · 3 months ago

Note

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

#oh my god this is like 6k words what happened. well you can't say my claims are unsubstantiated i guess.#lucabytetalks #fuck dude i sure do !!!!#i have to assume a lot of other people picked up on exactly what i did too but i dont read other peoples meta very often so !!#i am simply shaking hands with anyone else who came to this conclusion. hi. sometimes its just fun to construct a small essay i guess #i have like no goal putting this out here other than like. For The Sport of Writing Out Media Analysis. so if it makes anything click #in peoples minds or actually sells them on this reading then that's just a bonus i suppose #in stars and time #isat analysis #isat meta #isat siffrin #isat loop #isat spoilers #2hats spoilers #lucabytewrites #welp. no idea what else to tag this. be free and into the wild my gigantic ass post.#is some of this redundant? probably! but cmon man its a tumblr essay i can't format it perfectly. sometimes points get repeated #anyway this post is lagging out my tumblr drafts now i have to post it oh god oh christ i hope nothing goes wrong #edit: i forgot i made the lucabytewrites tag a while back for purrgatorio this can go in there too

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introspectivememories · 11 months ago

Text

what's wrong with data analyst bernard?

summary: tim's a workaholic ceo. bernard is, to put it simply, a down-on-his-luck loser with a kid to take care of. somewhere along the line, they meet. (very loosely based on the 2018 hit kdrama, "what's wrong with secretary kim?")

A/N: for @chamiryokuroi bc this fanart has given me brainrot since the moment i saw it. but also bc, i missed writing and your art helped. i hope you like it. (more notes at the end.) (AO3 LINK)

Today is a good day, Bernard thinks happily, brand new ID badge bouncing on his tie. It's his first day at Wayne Ent. and Mori had sent him off with a hug and muttered, "have a good day, Tou-san." It's been bouncing around in his head all day. Tou-san, Tou-san, Tou-san, he's really a dad now. He's got to make sure Mori has everything he needs and this new job is going to make sure he can do that.

Shaking his head once to clear it, he takes a sip of the complimentary coffee a team member bought him for his first day. His team leader, Young-joon Lee, is taking him on a tour of the building. Young-joon is a wonderful man in his late 30s but it's very clear that he's been consumed by the office lifestyle.

"...and here is our magnificent lobby!" Young-joon is saying as he tunes back in. His team leader spreads his arms wide out as he speaks, "Everyone knows the lobby but it's my personal philosophy that making friends or at least being on amicable terms with the ground floor staff will make your life easier."

Bernard laughs politely, "I know what you mean. I can't tell you how many times being nice to the host at the restaurant I used to work at saved my butt during rush hour."

"A man after my own heart!" Young-joon says, smiling widely as he leads him to the help desk.

Bernard tilts his head up to look at the skylight. It's a gorgeous thing with little animal motifs running alongside it. It lights up the lobby bringing a welcoming feeling into it. With the sunlight pouring into the room, along with the din of busy workers in slacks running to and fro, it really feels like stepping into a movie.

Are you seeing me Darls?, he thinks with a childlike glee, hand coming up to thumb at his badge again, I made it!

"This, my friend," Young-joon says, pulling up to the help-desk, "is our wonder-duo. Tamara and Abhishek. They practically run this building. Lord knows we'd be tripping all over ourselves without them."

Tamara and Abhishek smile as they get introduced.

"They run this building?" he asks confusedly.

"You see, young padawan," Abhishek says, "not only do we help the people that come in here asking questions or for instructions, we also answer any questions the staff has for us."

"Things like, 'What's HR’s number?' or 'Can you page Data for me?' or 'No seriously, I'm calling HR on this man right now. What is their number?'" Tamara says grinning.

Bernard laughs. It feels like that's all he's been doing since he got here. "You have to tell me the story on that one day."

"Sorry," Tamara says, faux-apologetic, "the minimum clearance on that story is half-a-year. Gotta level up."

His cheeks hurt from smiling. This is his and Mori's new beginning. This is where they level up. Nothing's gonna stop him now.

"Do you know the story behind that one?" he asks, turning to Young-joon.

"Of course! But where would be the fun in telling you? You have to stay the six months and if luck comes my way, longer."

"You want me for longer?"

"Of course, I saw the way you worked during those practice problems in the interview. I had to fight the other team leaders for you. It was brutal."

"Get back I say!" Young-joon says, miming a sword fight. A pleased warmth builds in his chest; they wanted him, they wanted him!

Darls you better be fucking watching this. I'm movin' up in the world.

"Ooh, send me that footage. I wanna see our newest recruits skills," Abhishek says.

"You got the data team fighting over you?" Tamara asks, eyebrows raised, "I wanna see it—"

Whatever she was going to say is cut off by the sound of both of their pagers pinging. Immediately going stock still, they start typing on their computers.

Bernard turns to Young-joon confused but his team leader looks like nothing is out of the ordinary.

"The boss is coming." Young-joon says, like that's a reasonable explanation for two people shutting down in the middle of the conversation, "It's always quite a spectacle and they always have to notify the other execs. Just watch."

Still, the boss? Maybe Bruce Wayne will say 'hi' to him and he'll charm the CEO and Mr. Wayne can figure out a way to—

No, no. He's done making those kinds of fantasies. Nobody is coming to help. Bernard is going to figure out his life on his own, he is going to take such good care of his kid, and he is not going to wait for some rich billionaire to swoop in and take care of him. He got this far didn't he? He'll get even farther.

He and his team leader lean against the help desk sipping coffee as they wait for the CEO to come in and sure enough, a black Rolls Royce pulls up to the driveway in the front. The minute the door opens, flashes from the paparazzi's cameras start going off. Out steps a bodyguard in a black suit with an umbrella opened. From below the umbrella he sees a nice pair of brown loafers step out. The CEO seems to be wearing a navy blue suit today. The paparazzi roars and the flashes increase.

"Oh wow," a man remarks a few feet away from him, "the circus is strong today, huh?" His friend laughs.

A woman wearing red heels steps out after the CEO, the paparazzi flashes decrease dramatically. More bodyguards exit after the woman and form a square around the CEO and his assistant/secretary. They shuffle towards the entrance where he sees the elderly doormen greet the executives with a smile. Whatever they say is lost to the sound of the city but the doormen laugh and push the doors open.

Young-joon's been making small talk throughout the entrance and Bernard tries to keep up but whatever the hell is going on at the entrance is way more interesting than anything his team leader is talking about. As they enter the guards spread out and dissolve the square. The woman comes into view first, red heels with a black slacks and a white button down. She's holding a long coat in one hand and a laptop bag slung over her shoulder. She's gorgeous and clearly the one in charge, going by the way she barks orders at the guards.

Young-joon says something and he turns around to respond, grabbing his coffee cup off the desk counter. His CEO's loafers tap across the lobby's marble floor, something about it is comforting. A lull in the room's conversations causes the CEO's voice to carry over.

"...Tam, make sure the quarterly reports are on my desk by at least 4 today and make sure to push back the sales meeting by 30 minutes to an hour, the board wants to talk — Oh Mr. Bardakcı! Thank you for stay—..."

Bernard's heart jackrabbits in his chest. He knows that voice but- it can't be. It's not possible; he chose Wayne Enterprises for a reason. He's not supposed to be here. He's supposed to be at his father's company. Unless... there was a merger? No, that seems like the kind of thing the news wouldn't've shut up about. He would've known.

When was the last time you had time to sit down and read the news, Bear? Darls says inside his head

She's right. With filing for custody of Mori and graduating from college and the job search, he hasn't had time for much else. It's entirely possible that he could've missed one of the biggest mergers of the decade.

Fuck, Fuck.

He wasn't supposed to be here. Bernard was supposed to be moving on. He was supposed to be building a life for himself away from the shadows of his childhood. He was supposed to be forgetting that Tim Drake ever existed.

He has to make sure though. Turning his body around, he prays that it's not the man he thinks it is. But sure enough, there stands Tim Drake, resplendent in a navy blue suit and a golden tie.

Golden ties for golden boys, he thinks absentmindedly.

The suit fits him perfectly, stretching across his shoulders and wrapping around his waist. Even the tie looks knotted perfectly. How long did it take him to learn, Bernard wonders. He could never get it right back in high school. Does his assistant Tam do it- no, no! This is why he didn't apply to Drake Industries. Bernard can't do anything around Tim and Tim is never going to care enough about him to stay.

Tim's head seems to be turning in his direction and Bernard whips his head back to make sure Tim doesn’t even catch a glimpse of him. His hand twitches violently enough that the coffee cup falls out of his hand and spills all over the floor. The cup rattles deafeningly on the floor. Bernard can't fucking breathe.

"-ernard? Bernard!" his team leader's voice cuts through the haze in his head. Young-joon looks concerned, "Are you okay?"

He blinks slowly, "...What?"

"I said, 'Are you okay?’ You look like you've seen a ghost?"

No, Bernard thinks, seeing Darls would be preferable to whatever level of hell I've found myself in.

"I'm—, I'm fine." he says rather unconvincingly. His eyes dart back to the spill, "What am I saying? There's a large puddle of coffee on the floor. I—, I should get some paper towels for that."

"Do you have any paper towels, Wonder-Duo?" he asks, trying desperately to ignore Tamara and Abhishek's concerned looks.

"I already called the custodial staff," Tamara says slowly, like she’s trying not to spook him, "but if it makes you feel any better," she pulls out a huge stack of paper towels, "go crazy, I guess."

Bernard takes a handful of paper towels and gets to work. The cleaning is meditative and with each swipe of the paper towel, the puddle gets smaller. Bernard pretends the puddle is his feelings for Tim. Swipe, forget about the 4pm milkshakes and his laughter when Darls snorted milk out of her nose. Swipe, don't think about the way he used to smell. Swipe, he left and never looked back; you don't look back either.

The tap, tap, tap of loafer on marble is getting closer to them for some reason. Why is it getting closer? Does it not have staff meetings, market research, and people to leave behind?

"What is going on here?" Tim asks.

"Nothing much, sir." Abhishek responds, "Newbie just spilled some coffee."

Abhishek, no!

"Oh is that all? And he took the initiative to start cleaning instead of waiting for the custodial staff. You made a good choice, Young-joon."

"Thank you, sir!" Young-joon says, "I was taking him on the tour when you came in. Most newbies love the show so I thought we'd stop here for a little bit."

Tim laughs. Bernard hates that his heart still skips a beat at the sound.

A pair of brown loafers and a wool-covered knee slowly appear in his vision. Why is Tim crouching in front of him? Why won't this man leave him alone?

"This looks like quite a lot of work, let me help."

You can help by leaving me the hell alone, he thinks uncharitably.

"I hope you found the facilities to your liking," Tim continues, like he hadn't heard Bernard's thoughts, "My name is Tim Drake-Wayne, CEO."

I know, he wants to say. I know you're Tim Drake. I know you like to skateboard and that you stared at Tony Hawk's photo for an hour every day in high school ‘cause didn't want to be one of those people who didn't recognize him. I know you struggled with your dad not really being there. I know you loved Mrs. Winters as much as you loved your mom. I know that you like history more than any other subject even though your best was always math.

Bernard says nothing instead.

Tim laughs awkwardly and Bernard knows he isn't helping the conversation along but whatever, he's allowed to be petty, right?

"I assure you, whatever you heard in the tabloids and the news, isn't true. I promise I won't bite…," Tim’s voice trails off as Bernard lifts his head.

"...Bernard?" Tim whispers, he looks like he's seen a ghost.

Bernard tries for a smile, he's pretty sure it comes out looking like a grimace.

"Sir," he says nodding curtly, hands still moving to sweep up the coffee puddle.

Tim's hand reaches out to touch his face, as if to make sure Bernard is really there. Bernard recoils as Tim's hand grazes his cheek. Tim's hand hangs in the air uselessly.

"Bernard?" Tim says again, as if to make sure his eyes aren't playing tricks on him.

"That's my name, Sir," he says through clenched teeth, "don't wear it out."

He can feel Young-joon and the Wonder-Duo's confused stare but he says nothing. What would he even say, really?

Hey, this is my old friend Tim Drake? Hey, I used to know him like the back of my hand? Hey, our best friend died and it feels like I'm the only one still grieving? Hey, in my junior year, five different gangs shot up my school and my best friend died in my arms and he left and I had to pick up the pieces by myself? Hey, I'm the idiot that's still in love with Tim Drake?

The clack of Tam's heels comes as a welcome distraction.

"Tim!" she says, grabbing his arm and pulling him away, "What the hell do you think you're doing? We have to go talk to the board. Build rapport with your employees later."

Tim stumbles to his feet, "Yes, but—, I—, This is—"

He sounds like he's glitching. Bastard. Is it really such a surprise to see Bernard in a well paying job? Even Tam is starting to look a little concerned now.

"Explain later," she commands, dragging Tim behind her. Bernard keeps his head down and continues wiping up the coffee puddle. Sneaking a glance upward shows him that Tim keeps turning back around to stare at him.

For a moment their eyes meet, brown against blue. 'Bernard?' he sees Tim mouth. Bastard, saying his name so many times. Doesn't he know what that does to Bernard? Why does Tim insist on breaking his heart again and again and again? Was once not enough?

He's tired of putting these walls up and just for a second, he lets them come down. Let Tim see the entirety of his brokenness. Tim already has his heart, he can have this too.

'Tim' he mouths back, smiling sadly. Tim looks stunned and the rage that had been simmering in his gut begins to boil over.

Do you see what I've become? Do you see how thoroughly Grieves ruined me? Is this not your doing too? Why did you leave? Have you ever visited Darla? Why was it so easy for you to not look back? Was I not your friend? Or was it just a time pass? Why wasn't I enough for you to stay?

He watches until the elevator doors close, separating him from Tim once again. His body sags like a marionette cut from its strings and his fingers clench uselessly around the coffee soaked paper towels. A hand lands on his shoulder and he flinches.

"Hey, hey," Young-joon soothes from where he's crouched right next to him. When did Young-joon crouch down? How much time has he missed? "It's just me, Bernard. Are you okay? What was that? Does our CEO know you?"

He exhales shakily. He needs to get out of here. He needs to sob hard enough he throws up. He needs the steady press of a knife on his back. He needs things he's not allowed to have anymore.

Bernard shoots up so fast the world spins around him. holding onto the desk for support, he tries to smile at his team leader. It stretches across his face misshapenly.

"I'm—, I'm sorry," he says stumbling over his words in a rush to get them out, "I have to—"

He has to what? Pretend to not see Darls out of the corner of his eye? Pretend like his hands don't have blood on them? Pretend like he isn't seeing bullet wounds every time he closes his eyes?

"—go to the bathroom," he finishes lamely. Gathering up all of the paper towels, he walks away dazedly, ignoring Young-joon's calls behind him. He shoves the towels in the nearest trashcan, letting his feet lead him to the nearest bathroom.

The bathroom is thankfully empty when he enters and he locks the door behind him. Sliding down the door, he exhales shakily. There's not enough air in this room; he can't breathe. The fluorescent lights hum above their coverings. The one on the left flickers. Who's bright idea was it to install school lights in a business office's bathroom?

The world outside the bathroom rushes on too loudly. Somebody is talking about their vacation. Someone is bemoaning their presentation today. His chest is getting tighter. His hands come up to tug on his hair. Why can't he breathe?

The exhales are coming quicker and quicker. Something comes tapping down the hallway. It's the gunmen, it has to be. A quick glance down tells him all he needs to know: he's covered in blood.

It's Lila's, he thinks dazedly, I had to carry her into the office. Or no, it's Olu's. I held him when he died. He said, he said, what did he say?

Why can't he remember? He hits his head with the heel of his palm.

Think he tells himself, we have to tell Olu's parents what he said. He said—, he said—.

His body sags.

Oh now he remembers. He said, "I don't wanna die Bernard."

A whimper tears itself out of his throat and he slaps a palm over his mouth. There's blood smeared across his face now, he must look like he walked out of a slasher film. He has to be quiet. if he's too loud, the gunmen will find them and then they'll all be dead.

Cry quietly, he tells himself, Darls doesn't need—

Darla! How could he forget about Darla with a hole in her gut? He needs to get to her. Lurching forward, he scrabbles across Mrs. Castillo's linoleum floor. He's smearing Olu's blood everywhere. Why won't Nikhil stop fucking crying so loudly? Goddamn freshmen and their hysterics. Where is Tim? Is he safe? He can't lose both friends today, please Lord, please.

BANG!

A violent flinch tears through his body. He sobs audibly this time, gagging on his spit. It's the gunmen, it has to be. He hasn't even held Darls' hand or counted Tim's moles for the last time. Where are the Darls? She shouldn't be alone. She doesn't like violence like this.

"Why didn't you save me, Bear?" a voice asks from behind him.

He freezes. Slowly he turns around and nearly yells in shock. Falling back on his butt, he stares up at his friend.

(He has to be quiet, he has to be quiet, he has to be quiet-)

Darls is standing behind him still in her crop top and cargo pants. Her once smooth midsection, bloodied and warped. The bullet wound still drips blood.

Plink, plink, plink.

Bernard hates the scent of iron.

"Why didn't you save me, Bear?" she asks, her voice echoing, "I thought we were friends."

There’s blood dripping down the side of her mouth. Now he remembers, the blood on him isn’t Olu’s or Lila’s — although there is that too — it’s almost overwhelmingly Darla’s. He’s covered in it. Elbows deep in it. It streaks up his arms like a macabre tattoo. He wore a white shirt to school today. The stains will never come out. He is Carrie at the end of prom, mortified and humiliated.

He crawls backwards until his back hits the wall, the impact knocking him out of the worst of that night. He's back in the bathroom. The lights hum loudly overhead. Darla hasn’t left yet.

She tilts her head, “Why didn’t you help me, Bear? I thought we were friends.”

“We are,” he rasps out, “we are friends.”

“Are we?” her eyes have no pupils. His Darls had eyes that shone in the sunlight. His Darls is dead. “Then why am I still bleeding? Why am I still hurting? Why is there a bullet in my stomach, Bear?!”

She’s shouting by the end and he flinches. His hands can’t seem to stop tugging at his hair. The blood must’ve smeared all over it. Talk about taking strawberry blond literally.

“I swear I did everything I could Darls,” he sobs out quietly, voice cracking, “I followed all of Mrs. Castillo’s instructions as best I could. I put pressure and tied the dressing as tight as I could.”

“You thought that was enough?” she snarls, hands coming down to grip the wound. It twists grotesquely; he gags, “You think any of that matters when I’m dead and you’re still alive?”

“Please, please. You know I wouldn’t leave you to die, Darls. Please, please, please believe me.”

“Liar, liar!” she screams, blood dripping out of her mouth onto her pink LOVE shirt. It darkens as each drop hits it. Soon it’ll be completely drenched and she’ll be drowning in it. Where did his smiling friend go? “I’m dead, Bear! I’m dead, dead, dead and it’s all your fault! Why didn’t you save me?! Why didn’t you save me?!”

He keens, body curling in on itself. One hand goes down to press on his throat; he’s making too much noise. Nikhil’s just a freshman. He shouldn’t have to die just because Bernard couldn’t shut up for once in his life.

“Please,” he whispers raggedly, “I tried, I tried. I swear I tried, Darls.”

“It hurts, Bear,” she sobs. Darla’s too young to be sounding so wrecked, “It hurts so much. Please help me.”

All of sudden, it’s too much. The taste of iron sits heavy on his tongue and Darla won’t stop sobbing. His fingers fumble for his phone and he presses one. It rings once, twice and finally on the third ring does a voice answer.

“Bear?” the other side says groggily.

“Ty please, I can't do this anymore,“ he sobs.

Tyrone suddenly sounds a lot more alert, “Bear what’s going on?”

“Darla won’t stop crying and she keeps on screaming that it’s my fault she died.” he wails, “I know I should’ve done more but please, can you tell her I tried? That I stayed with her until the end? She won’t listen to me, Ty. She won’t listen to me.”

There’s a muffled yell of ‘Babe!” on the other end. “Yeah,” Ty breathes out, “I’ll tell her.”

“You put me on speaker, okay?” Ty instructs, “And you gotta tell me if she’s nodding or if she’s gone or if she said anything, alright? I can’t see her.”

“Okay,” he whispers, pulling the phone away from his ear to press the speaker button.

“You tell me when to start, Bear,” he says, voice filling the bathroom. Darla looks up from where she’s sobbing.

“You can start now Ty,” he rasps out, holding the phone out.

“Hey Darla,” Ty says, “Bear told me you said a lotta mean things about him. Stuff like, ‘he’s the reason you died’ and that ‘he never cared’. Darla, you gotta believe me when I say Bear never stopped caring. He held your hand the whole way through. Told you stories about all the things you two were gonna do once you got out of that nurse’s office. He tried, Darla, honest. I’ve never seen him as focused as when you stopped breathing and Mrs. Castillo had him give you CPR. He couldn’t stop sobbing the whole time.”

“But I’m still dead,” she says.

“But I’m still dead,” he repeats.

Ty inhales sharply, “Yeah,” he says thickly, “you are. And I’ll never stop being sorry about that. But you can’t take that out on Bear. He’s just trying to live his life.”

Darls’ face twists up like a childs, “But it hurts,” she cries.

“But—, but it hurts,” he repeats, voice hitching.

Ty curses, “Oh, fuck. I can’t do this. Babe, can you—?”

“Yeah, of course.”

“Hey, Darla. It’s me, Jimmy from the football team. I don’t know if you remember me but I remember you. After high school, me and Tyrone ended up getting married. Somewhere between shitty weed brownies and bad college parties, we fell in love. Isn’t that nice?”

Darls nods; he tells them as such.

“We visited you after the ceremony. I hope you felt that wherever you are these days. But the point I’m trying to make is that from all I’ve told you just now, you can probably figure out that Ty and I didn’t go pro like we planned. The shooting fucked up Ty’s knee and and my arm. After the hospital stays, playing football for a whole bunch of people just didn’t sound appealing anymore. We’re high school teachers now. Ty teaches math and I teach gym. When it rains or gets cold, my arm and Ty’s knee hurts like hell. But Darla, it doesn't hurt forever. It gets better, I promise.”

“Darla,” Jimmy says, voice unusually serious, “you’re right, you are dead and it does hurt. I’m sorry, I’ll never stop being sorry. I don’t know if it’ll ever go away for you; I’m not too much of an expert on the supernatural. Ty’s the smart one, after all. But I love you, Ty loves you, Bear loves you. I hope that when it hurts the most you can use that as a balm.”

“Auntie Bea loves you too!” Ty’s mom hollers from the background, “Aunt Betty, too!”

Ty laughs wetly and Jimmy snorts, “Does that sound okay?” they ask.

Darls smiles, her teeth stained red from all the blood that built up in her mouth. Bernard misses her with an ache he feels in his bones. Darls nods.

“She nodded,” he says quietly. He blinks once and she’s gone. Where did she go? Doesn’t she know that the gunmen are still at large? She needs to be somewhere safe. He can’t lose a friend today.

“Bear, Bear, you gotta breathe. Take a deep breath for me, c’mon,” Jimmy says.

“She’s gone, Jim. She’s gone again. Why does she keep leaving?” he says, crying. His body can’t stop trembling. How long has he been here? How much time has he missed?

“I miss the cult,” he whispers, “I never had things like this happen when I was with them.”

“Yeah,” Ty snaps, “‘Cause you were high off of like 50 different pain meds ‘cause you let them whip you.”

“Ty, not helping.”

“Move over, let me talk to him."

"Hey, sweetheart," Auntie Bea's voice crackles through his tiny speaker, "I know you're tired and I know you're hurting. I know you miss the cult but you gotta breathe for me, okay? You're gonna pass out otherwise."

"I can't, I can't," he gasps out.

"Sure you can, you just gotta tell me five things you can see. Can you list those five things for me?"

Bernard desperately tries to get his breathing under control, "The sink is dirty."

"Good, good. Anything else?"

"The tiles need to be re-grouted."

Aunt Betty barks out a laugh. Bernard's lips twitch upward.

"Keep going."

"My pants, my white shirt, my ID badge," he rattles off.

They talk him through the rest of the grounding techniques and by the time he feels like he's in control again, he's exhausted. His eyes hurt and his throat is dry.

"Can you tell us why you spiraled so hard, Bear? This hasn't happened in a long time," Jimmy asks.

"I spoke to Tim again," he says simply. He pushes himself up onto his feet and walks over to the sink. Setting the phone down on the counter, he grips the sink with both hands and just breathes. The Bernard in the mirror looks like he just came out of a warzone, eyes haunted, hair messed up.

"Oh fuck," Ty says, "Where did you even meet him?"

"At my new job at Wayne Ent."

"Why would you apply there?" Jimmy asks, stressed.

"I didn't know! It's not like I've had a lotta time in the past few years to check the news!"

"Well, whatever, what’s done is done." Ty says, ever practical, "Are you going to quit?"

"No!” he says vehemently.

“No,” he repeats quieter, “Wayne has the best benefits and Mori needs that. I’ll just suck it up and try to avoid him.”

“Don’t be fucking stupid,” Aunt Betty says.

“Ma!”

“Oh be quiet Jimmy. I’ve never heard of a more stupider thing. He’s your CEO, Bear, and he knows you work there. He’s obviously going to want ‘to catch up’ or whatever. There is no avoiding him. Can you handle that?”

What can he say? Aunt Betty is right. He can’t handle talking to Tim. Even seeing Tim felt like touching a live wire. He can’t deal with another episode. Mori doesn’t need him to be fucked up, Mori needs him to be the stable adult he promised the courts he was.

“You can’t, sweetheart,” she says softly, “you can’t handle it.”

There’s some shuffling on the other end of the phone.

“Bear,” Ty says gently, “I love you, man. You’re my brother. Jimmy loves you, Mama loves you, Aunt Betty loves you. But you gotta start thinking about therapy.”

“I know, I know,” he sighs, “I shouldn’t’ve dragged you into this. I’m—”

Ty cuts him off with an exasperated huff, “It’s not about that Bear. I’ll keep talking to your hallucinations for as long as you need me too. Even when we’re seventy, I’ll do it for you. I don’t care about that. I care about you and I want you to be happy and healthy. I don’t want you to keep seeing Darla. I don’t want you to keep trying to scrub the blood off your hands.

“And I know you’ve been avoiding therapy ‘cause you don’t got the money and ‘cause talking about your problems is scary but it’s not just you anymore. You got Mori now. That custody claim is going through. You can’t just avoid things ‘cause they’re hard now. You work at Wayne now; that paycheck is more than enough to set a few dollars aside each month to save up for therapy. Hell, mental health probably comes with your medical benefits. Please, Bear. If you can’t get help for you, then do it for us, for Mori. Please stop making us watch you hurt.”

Bernard exhales shakily.

“I never wanna find you the way we did after the cult, Bear. I never wanna see you in the hospital bed like that again. Please don’t do that to us, please,” Ty whispers.

Unconsciously, his hand comes up to rub at the scar left behind from the sacrifice. It stretches along the length of his sternum, jagged and rough. On good days, he can pretend that it’s a scar from a heart surgery. He doesn’t have that many good days.

Bernard presses the heel of his palms into his eyes before using his hands to scrub at his face. He’s always so tired these days.

“Okay,” he says simply, “okay.”

“Okay?” Ty asks hopefully.

“Okay, you’re right. It’s not just me anymore. Mori deserves the best and I’m gonna give it to him. And I love Tim, I think I’ll always love Tim but he clearly doesn’t give a shit about me. So I gotta make my peace with it or I’ll go crazy.”

Ty whoops, “Thank you, thank you, thank you!” he chants.

“Bear, it’s still the middle of the workday,” Jimmy says, although he too, sounds happy. Auntie Bea and Betty are muttering about a feast, he thinks. “Don’t you have to get back to work?”

“Yeah, that’s if I’m not fired already,” he mutters.

“Hey!” Jimmy admonishes, “Optimism only, no pessimism.”

“Alright, alright. I gotta get back to work now. Thanks guys.”

“Of course, we’ll let you go now. Ma wants me to tell you that we’re having dinner at your place today.”

“Aunt Betty,” he whines, “I haven’t cleaned and you and Auntie Bea are just looking for a reason to spoil Mori.”

“Absolutely,” they say, unashamed, “he’s our only grandson. We have to spoil him.”

“Fine,” he sighs but he’s smiling. Fuck, he loves these people. God knows he wouldn’t have survived the past six years without them.

“Bye Bear,” they say before he hangs up, “Good luck on your first day!”

He cuts the phone and slides it back into his pocket. Turning on the tap, he splashes some cold water onto his face. Using his wet hands, he tries to rearrange his mussed up hair into something acceptable for an office job.

Time to face the music Darls, he tells her smiling face in the mirror. She gives him a thumbs up in return.

The walk back to his office feels like a death sentence. He’s fucked this up, he knows it. Freaking out over a small interaction with his CEO and then running away only to come back two hours later? It’s over, done for. Bernard takes comfort in the fact that at least the severance package will be nice.

Stepping into the office, immediately draws the eyes of his team members. Every step towards his team leader’s office feels nerve-wracking. Just before he enters, Esperanza, the team’s second in command, stops him.

“Whatever happened,” she says, “just explain it to him. Young-joon’s a reasonable man, he’s not gonna yell at you.”

Some of the tension leaves him and he nods. Knocking on the door, he enters. His team leader looks up and smiles.

“Ah, Bernard! Why don’t you take a seat for me?”

He crosses his wrists behind his back, “I’d rather stand, sir.”

His team leader looks confused, “‘Sir’? Just call me Young-joon like I told you.”

“Anyway, after you left, I took the liberty of going through your file to see if there was anything I missed. I hope that wasn’t overstepping my boundaries.”

“No s-, Young-joon. You’re fine.”

Young-joon sighs and pushes the file he was reading before Bernard came in forward. It’s his file.

“I’m going to say some statements,” he says, “and I want you to confirm whether it’s true or not. If any of these questions make you uncomfortable, just tell me okay? I’ll drop it immediately.”

Bernard nods.

“You went to Louis E. Grieves Memorial High School.”

“Yes.”

“Based on the dates you put in your file, you were there for the shooting.”

“...Yes. Junior year.”

“You know our CEO.”

“Yes,” he breathes out.

“How?”

He used to fall asleep on my shoulder during lunch and I would listen to him breathe. He’s got moles all over his face. Darls once connected them with a sharpie. His step-mom was so hot, I thought I’d spontaneously combust every time she smiled. HIs dad didn’t really like me and flirting with his wife didn’t help my case. The Drake condo had a crocheted flower blanket on the sofa that his mom had made during her pregnancy. He liked to skateboard but couldn’t roller-blade to save his life. I have all this love and nowhere to put it.

“It’s a little private,” he says instead.

“I’m only asking because we work quite closely with him. We see him often and if that makes you uncomfortable, then I can have you transferred to another team.”

His shoulders sag, “We went to Grieves together for one year. Our mutual friend died. It’s a little hard to look at him.”

“Jesus Christ.” Young-joon says, “Okay well the offer is still on the table, Bernard. Do you want to be transferred?”

“No, I like your team. I’d like to stay,” he says, firmly.

“Are you sure?” Youn-joon asks, eyebrows raised.

“Yes.”

“Okay then,” and it’s like a switch had flipped. Gone is his serious team leader and in its place is the man he met this morning.

“If you plan on staying,” he says smiling, “then my primary recommendation is that you use the medical benefits the company gives you to find a therapist. If you need help, the infirmary here will walk you through it.”

Oh thank god it comes included with his medical, Ty will be overjoyed to hear that. But first, he has to ask Young-joon why he’s doing all this. Bernard knows his experience with authority figures is a little skewed towards the shitty side of the spectrum but even so, people usually aren’t so kind in his experience.

“Why are you doing this? Why didn’t you fire me? Why are you helping me?”

Young-joon chuckles, “Do you want to be fired?”

“No! But still, why are you helping me?”

Young-joon sighs and stands up. Walking around his desk, he stops right in front of Bernard. Young-joon puts a hand on his shoulder.

“This city takes a lot out of its people, believe me I know. And you were so young, when Gotham took her piece of you. It wasn’t fair of you to go through that. Just like it wasn’t fair to me and my wife when we got kidnapped as children. These kinds of things don’t go away. I still get worked up over zip-ties. My wife still has nightmares. All you can do is learn to live with it.

“You seem like a good kid with a good head on your shoulders. I’d hate to see all that potential go to waste ‘cause you kept getting trapped in your mind. I had a lot of help to get to where and who I am today. Consider this, me paying it forward. One day, I hope you can pay it forward too.”

His eyes feel suspiciously wet. “Thank you,” he chokes out, “thank you.”

Young-joon laughs, “There’s no need for the waterworks, Bernard. Now, pack up your things and go home. You’re in no state to analyze data today but I expect you here at 9AM sharp tomorrow, alright?”

Bernard mock salutes, “Yes, sir.”

“Goodbye, Bernard.”

Right before he exits, he turns around and calls out his team leader’s name.

“Young-joon,” Young-joon looks up confused, “you can call me Bear, by the way.”

A wide grin stretches across his team leader’s face, “Okay then. Goodbye Bear, see you tomorrow.”

Walking out of the office, it feels like a burden has been lifted off his shoulders. Esperanza takes one look at him and snorts.

“You just got Young-joon-ed, huh?”

His jaw drops, “He does that often enough you guys have a name for it?”

The other team members laugh, “Welcome to Data Analysis Team 1, kiddo. We look forward to working with you from now on.”

Smiling, he gathers his things and leaves after a few goodbyes. Once outside the building, the smile drops. It’s an hour-and-a-half bus ride from Wayne Tower to his house. The bus stop sits right in front of the tower too. Some new initiative by the mayor to promote the city moving towards green energy. Hey look, even rich people take the bus! What a fucking joke.

The tower warps the sunlight around it and he stares up at the top floor. Is Tim watching? Can Tim see him from up there? Does he care or was it just the shock of seeing someone he once knew this morning? Has Tim ever thought about him, about them? Or were they just moments in his life? Perpendicular lines, intersecting once and then never again.

I miss you, he thinks staring at the top floor, I miss you more than anything but I’ll walk into oncoming traffic before I ever reach for you again.

The bus pulls up next to him and he snags a seat in the back. Dropping his head onto the seat in front of him, he stares out the window. Darls smiles back at him in the window reflection, perpetually sixteen. He’s twenty-two now.

Fuckin’ hell Darls, he thinks wearily, we’re really in it now.

Darls places her hand against the glass, he leans his shoulder onto it. If he closes his eyes, he can almost feel her warmth.

We’ll make it through, she says.

The bus rumbles forward and he lets the cracked streets of Gotham lull him to sleep. He’ll make it through.

A/N: chami! i hope you like it!!! i've never gifted a fic before, i don't really know how this works. and to everyone who read it, i hope you liked it too! please leave your thoughts in the reblogs or replies!!! i miss the days when td:r was coming out and we were all collectively freaking out. anyway when i said loosely based, i really did mean loosely. props to you guys if you can figure out the direct references to the drama. but this is a one-shot. i'm not gonna be writing anything else for this 'verse? au? (god i'm always so worried im using em dashes wrong)

if you have questions or you're confused by something i wrote, feel free to ask questions or send an ask or message. oh, and i know some people like know the exact wordcount. so, it's exactly 6,785 words long. nice number right?

also, please note that if you want to make art or a podfic or hell, even fanfiction of this, feel free to do so! i hope that's not too presumptuous or anything. idk i see fanfic writers make this disclaimer all the time, so i thought i'd do it to.

thank you for reading!

#god i'm exhausted #writing the latter end of a fic always feels like finishing a marathon #no more fics for like the next 6 months (<- me when i lie)#anyway big fan of the bear hallucinates darla club!#currently there's only one member (me) but you can change that #also favorite trope ever is when you see a regular dude and you're like 'what a nice normal dude' and then you talk to him for like #5 minutes and you're like '/oh./ this dude has something wrong with him'#also the tyrone/jimmy pairing? do you see my vision?#also big fan of the the shooting was worse than what you see in rr club!#it's just there was a city-wide gang war and all the gangs came to grieves to kill darla and you're telling me only she died???#i think way more people died. i think too many people died actually. i think the school had to do remote learning for all of tyrone's sr yr #cause the renovations were too much.#also just to clarify #the is hallucination!darla and there is the darls he sees all the time. no they are not the same to him. yes he is mentally ill.#also yes!! superheroes do exist in this world!!! i just didn't mention them.#also if we're being a little self-critical for a moment #(don't look at this part) i feel like i could've ended this at a way earlier point in the story but i had such a strong vision of what the #fic was supposed to be like that i just wrote everything #anyway lets start tagging #bernard dowd #tim drake #timbern #timber #dc #red robin tyrone #red robin jimmy

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