#Don't read the tags there be spoilers

[emzurl]

Please enjoy the full Separation Arc of the Miraculous Office AU (part 6) - a Felinette story!

🚫 DO NOT re-upload or re-post this video anywhere, thank you. 🚫

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This is a pre-reveal, undercover AU where Felix is Gabriel’s son and Chat Noir. In their university years, both Marinette and Felix are still working to take down Hawk Moth. They both find separate evidence linking Gabriel’s fashion company to Hawk Moth’s operation and decide to secretly go undercover in his company. Marinette lands a Production Assistant job while Felix asks his father for a position. Suspicious of Felix’s newfound interest in his company, Gabriel decides to hire a documentary crew to as a way to keep his son in check. This is the story as told through the documentary crew’s lens.

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Intro Arc (Part 1) | Butterfly Garden Arc (Part 2) | Enemy Arc (Part 3) | Allegra Arc (Part 4) | Reunion Arc (Part 5)

[milchreste]

In honor of this post and the numerous tags.

[destiny-islanders]

i get it now

[maudiemoods]

WAAAAAUAGRGGG!!

I love them so so so much!! AURGG!!

[cutiesigh]

❤️🖤🩷

Wuthering Waves has taken over all of my free time recently, so here's a sketch of Scar!Ren I originally shared in da 14DWY Discord!!

[gayeddieagenda]

when buck knocks, eddie lets him in.

[babacontainsmultitudes]

RIP Will Campos the only person who was murdered this episode.

[poorly-drawn-mdzs]

Danse Macabre

[Commission]

[lover-of-mine]

also something about the bare chest/naked/unmasked buck vs his layered up/visitor badge/closed off "boyfriend"....

DING DING DING!!!!!! Buck is as vulnerable as he can be, he's hurt, he's in the hospital, bare-chested, opening up because that's Buck and he seriously believes he's cursed and we have Tommy with the layered clothing and visitor badge, visibly not taking Buck's opening for vulnerability yet again. Something else about it all is the way Tommy doesn't make any movement to sit, so the scene keeps them unbalanced, Tommy has the power in that interaction. And the crossed arms as Buck starts to get into it make it worse. As always, he's unbending.

And it contrasts to like, Abby after the disaster date or Ali after the truck. The sitting down gives the impression they were ready to stay in the room (also giggling at how Ali instantly goes in for a kiss and Tommy just, pats his leg lol), Tommy looks like he is ready to leave after 10 minutes.

And Tommy contrasts Eddie sitting there still in his uniform, with the coffee cup at the table, and settled into that chair with a magazine as if he's ready to stay there as long as it takes, but he ends up in the same spot as the girlfriends.

And, well, no one has a visitor badge after the truck or the lightning so.........

[joy-girl]

Not gonna lie I bursted out laughing at this panel 😭💀

[gingerale13]

Some proper fanart for a very cool fic..

This is one of my favorite scenes from Going Through The Motions, a really cool (speeding bullet!) fic by @aussie-bookworm on Ao3

Scout gets stuck in a time loop, it's hilarious

Go give it a read!! Click on the title!!^^

(More doodles + plain vers under cut)

[khattikeri]

one of my favorite things about mdzs is that for how heavily its plot involves politics of classism and misogyny... even the characters most directly impacted by it can't and don't free themselves from it. literally the closest exception is mianmian.

meng yao being the "son of a whore" wasn't some sort of commie awakening for him that led him to wanting everyone to be socially equal. he played the political game, climbed the ladders, sucked up to and backstabbed and murdered people, including other prostitutes who actually had nothing to do with how he and his mother were treated at the brothel he grew up in.

he put in so much extra excessive effort for even a fraction of the same respect that members of gentry cultivation clans got. and he did deserve to be treated more humanely! but he feeds into the exact same system that created him, leading to his own undoing.

his efforts were for a fragile upward mobility that was never going to hold up. he never surpassed his origins nor did he empower others in similar stations, because the society he lives in is not one that would accept that.

the second he got caught and all those crimes exposed, he was scapegoated to hell and back, replacing wei wuxian as society's terrible one-sidedly evil boogeyman overnight.

speaking of not-quite male gentry, i think it's interesting that wei wuxian explicitly doesn't try to climb the ladders in BOTH lives, knowing full well that anything he does will be punished just for the sheer fact that he is wei wuxian.

wei wuxian is scolded for giving intelligent and correct answers in school. lan wangji does the same and is praised.

wei wuxian occasionally lounges around with fellow disciples and is punished. jiang cheng does the same and mostly escapes.

wei wuxian refuses to carry his sword around in public (after losing his golden core, which nobody knows) and is scorned as an arrogant upstart. nie huaisang has been doing the EXACT SAME THING for YEARS and nobody bats an eye.

unlike jin guangyao, wei wuxian knew subconsciously from the start that his acceptance was superficial and that he could be cast out any time. when he was 10 and recently taken in by the jiangs, he canonically would not eat or use "too much" food and water because he thought they'd find him a nuisance for "wasting their things" and kick him back out.

now away from just the classism, yu ziyuan is a proud and strong noblewoman in a society that belittles and derides women for everything they do. her strong cultivation doesn't matter. she's victim to the vicious rumors of her husband loving another woman who is strong like her but apparently had a more likeable personality.

it doesn't matter even if jiang fengmian didn't cheat or that wei wuxian is wei changze's son with cangse sanren; yu ziyuan can't bear with the humiliation of herself (and by extension her children) not being "good enough". she's ridiculed for "failing" in that one duty as a wife, mother, and woman.

she lashes out and takes out that anger on everyone present for years, giving her children lasting trauma and also being a key element in how the jiang family and yunmeng jiang sect are effectively wiped out at the hands of the wen clan.

madam jin doesn't even have a name outside of the fact that she's married to jin guangshan. i don't even remember reading anything that indicates if she's a strong or weak cultivator, or what, which in itself proves that to most people, it doesn't matter. she's "just" a woman.

of course she's angry at her husband's affairs and all the bastard children they bring in. but she also can't do anything about them, so she lashes out at the few people she can: servants. non-cultivators, probably. those very same bastard children.

shoutout to meng yao getting shoved down a flight of stairs at age fourteen, because if madam jin tried that move against her husband instead, it would make her lose even more face, which as a noblewoman she'd never do.

and that's not getting into how jiang yanli is consistently sidelined for being physically weak.

that's not getting into how mianmian was actually a good cultivator, but was mocked by everyone around her for trying to stand up for wei wuxian when everyone was turning on him. how everyone scoffed at luo qingyang's words as "just some lovesick woman" who "obviously wants to marry or bed him since he saved her".

luo qingyang is the only one of these characters who HASN'T died. she didn't play society's games like jin guangyao. she didn't dig her heels in confidence of her own abilities like wei wuxian.

she didn't bitterly lash out like yu ziyuan and madam jin. she didn't gently accept it like jiang yanli.

she just LEFT.

she married an ordinary merchant and cultivates separately from mainstream cultivation society, and therein found her own peace and happiness.

mxtx doesn't bother with particularly class conscious or feminist vocabulary to hand-hold readers into understanding these disparities, but that choice highlights them & the deeply entrenched politics of their society even more. i really love it.

[arttsuka]

I just finished Ghost Trick and it literally changed me, go play it

[buglaur]

fireworks show 🎆

material preview version is very cute also :)

i struggled with the lighting on this one so badly, but it turned out alright in the end.

i actually started it last year for new years 2023 but never got around to finishing it, hence no progress pictures this time sadly lol. i do have a very low-res, first draft, test gif though

stills 🥳

[listles-s]

man laios and toshiro's/shuro's dynamic is incredibly compelling to me on multiple levels

when you look at them, you can see the cultural and personal barriers that drive almost every single aspect of their relationship, both positively and negatively. laios is incredibly outspoken and driven by his passions, which he expresses freely even in the face of annoyance and/or criticism- he's allowed to be as authentically himself as he pleases, and it's this drive that allows him and the others to survive as long as they have, especially due to the fact that these passions and interests are intertwined with his skills as a dungeon diver. toshiro, in contrast, is incredibly reserved, not only due to his eastern upbringing but also his status as nobility- a combo of cultures that both demand that one save face, to avoid conflict at any cost, even at the expense of one's own feelings and individuality. this, in turn, has made toshiro the perfect samurai, as he's politely-spoken, agreeable, and an honorable, skilled man. both are also incredibly devoted to falin on different levels, having come to accomplish the same mission of her rescue despite drifting apart from the party.

on the flipside, it's these same strengths that cause them to clash- laios is outspoken but unable to truly decipher the emotions of others, leading to a lot of false assumptions and frustration from those who interact with him. toshiro is stoic but to the point of complacency, leading to a aggressively neutral disposition that's ushered by the needs and wants of others, rather than himself. neither man truly knows where they stand with the people important to them in their lives, and hold the ones that they do know how they feel with a fierce admiration expressed in ways that aren't always traditional.

in the end, they both share a growing feeling of isolation from other people that comes to a head when they meet again in the depths of the dungeon, and they both have different ways of coping with the frustrations that arise, seeing the other as only the things they have seen face to face.

it's laios' ability to express himself emotionally without consequence that sparks jealousy in toshiro, leading to a physical fight born out of miscommunication and envy. while toshiro is a driving force in the conflict, it should be noted that the actual fight is started by laios, breaking the dam of indirect communication through force. nothing is more direct than a slap to the face, and it's only after they start hitting each other that toshiro's true feelings come to light.

however, at the end of it all, toshiro is the one who stops torturing himself, listening to laios and giving him the bell, allowing laios and his party entrance into his homeland should they need it, and ultimately giving him support in his mission to defeat the dungeon mage, albeit in his own way. despite it all, they're still good friends with a conflict that boiled over, but came out the other end with a slightly better understanding of each other. the fight was painful for both of them, but it was a necessity for their dynamic to improve, and for them to be made aware of their faults and improve as individuals as well.

but also, if you think about it, their dynamic is literally just this

[propaganda101]

it's been 3 days and I'm still fucking stuck on LAD chapter 9 somehow