#Doing these for a ref before my main piece

[inkteresting-art]

Some WIP concepts of work for a contest

[daeyumi]

au Ganondorf 🪷

ngl i am Very proud of his design

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[sketchy-tour]

ALRIGHTY! Time to formally reintroduce yall to my silly idiot OC Dandy!

and by that I mean, I redid their ref art, tweaked their bio, and finally made a ref for their stupid pajamas! Wanted to do other fits for them but aa another time. Brain is mashed potatoes.

Anyway, Dandy is my silly WH oc who's main theme is self care/self love messages shown through the imagery of gardening! Meant to be a sort of "garden of the self" sort of deal. They go by ANY PRONOUNS! She/her or He/Him, or They/Them are all correct and okay to use when talking about them! (I just tend to default to they/them) Putting their full bio under the break!!! So you can read it all there!

"Resident gardener of Welcome Home, Dandy Leon is a curious but careful presence among the others in the neighborhood. They enjoy the quiet and spending their time tending to their various flowers. While a little shy around their fellow neighbors, they open up quickly when asked about their garden. Despite their more introverted disposition, they're always determined to make every day just dandy!"

It’s presumed that Dandy makes appearances only in the later episodes of the show’s run. But in old scripts found with them, it's shown that they moved to Home specifically because they were interested in the local plant life there. The episode that featured their move in seemed to focus on them slowly warming up to the others in the neighborhood, as their shy nature made it difficult for them to properly meet everyone. When asked as to where they lived before moving to Home, Dandy mentions living in a farm town far away, simply deeming it "far more south from here!" A lot of their dialogue also mentions their father, though he's never named but instead mentioned passively as Dandy would often use phrases like "Well it's like my pop always said-" when speaking to the other puppets.

During their short time on the show, Dandy's segments seemed focused on care for their garden, the language hinting that the flowers were more a metaphor for taking care of oneself and well being. Other characters can be found pointing out how much better Dandy’s garden looks when they’re feeling happy, but also comment how wilted it becomes when they’re shown to be a bit more downtrodden. They feel strongly about how important it is to be kind to yourself, even if it’s a skill they’re shown to still be working on themselves. Their confidence is something they also struggle with, seemingly a character meant for shyer audience members to attach to and grow alongside with. Dandy is often depicted in illustrations with Frank, getting along quite well in the show, often joining him and Julie on small escapades. Before the show's end however, most of Dandy's screen time is with Wally as he tries to get Dandy out of their shell more to spend time around others.

Interestingly, what pronouns were used for them seemed to change between the show's episodes and illustrated materials. While neighbors would refer to them as 'he' during the show, most art pieces seemed to refer to Dandy as a 'she'. Whether this was simply a miscommunication between teams or a printing error is unknown.

[adyophene]

I got a few people saying they wouldn't mind seeing a run down of my unfinished work and sketches! So this is gunna be just a big ol post of that and just explaining what the doodles would have ended up being!

First off is just some sketches of Alastor, Husk, a really uncanny Blitzo, and an unfinished voxhusk sketch

Left Husk was reffed off a pose that i've since lost, and right was going to be a little comic of Husk bugging Vox and then Vox bugging Husk in return. :( I don't remember what dialogue I was going to use.

Next is just some unfinished couple sketches! Some Chaggie and Angel/Sir Pentious that I might still use at some point. TuT I think Angel and Pentious could make such a hilarious couple and it kills me that I can't find almost anything for it

and this husk was just going to be a redraw of this

but with Al, Vox, Angel, and Lucifer petting him

next is one I did already post but this one here; left was going to be a short comic where Lilith comes back and is enamored with Husk while also vaguely threatening to Alastor as she is. Right is the only doodle I have so far for a comic about Husk and Charlie getting caught hiding out from the rain, and Husk trying to talk to her about her making a deal with Alastor. Ugh. I need to even just thumbnail out that comic. Its been in my mental queue for literal months!

Next up is a bunch of sketches of my own Hazbin OC, Shiv! I've never posted anything about him alone before, but he's featured in a lot of the backgrounds of my pieces! He was a carnie in voxhusk fake dating, and then a waiter in the diner piece, and ticket booth attendant in the movie theater one!

I always love putting him in just whatever job the art calls for because he is a '1980's cocaine and bourbon grindset hustlepilled business fuck'. I don't know if I will ever expand his story in artwork, but if I did I would draw something about him trying to get a Soul-Based Multilevel marketing scheme going. Shiv is short for 'Shiver' because he froze to death after drunk wandering naked into the woods while on a skiing trip. He's in hell because he made his money doing shitty business practices like scamming old people out of their money with phone scams. If he saw Mad Men he'd think it would be about him, but he'd fit better in Its Always Sunny

Lastly, I have some sketches from a comic I am literally fighting myself not to make, where Husk ends up kidnapped by a ring of criminals that smuggle sinners to other Rings of Hell. Husk would be captured to be an exotic pet for a Ostrich theme'd Goetia, but would quickly escape. The main plot would be him running into and then helping out Blitzo in return for help getting back to the Pride ring!

I would have also got to include my other OC, the little Egg lamb, Sunnysides!

Literally would have just been a huge excuse for me to draw Husk going through Situations and hanging out with the Helluva Boss cast and my OCs.

[ask-rain-world-characters]

Hello everyone, and welcome!

We are the denizens of the wonderous world we all know and love. And we have all gathered here to speak with you! Got anything you desire to say, ask, or send our way? Do it anytime you wish, and we shall respond - through our voices! - We are voice acting enthusiasts, some of whom, you may have already heard in some Rain World fan projects. You can send anything at a character - images, art, questions, ideas, videos, whatever you wish! And the character shall react - just like in any other askblog. But the difference is not just that we use voiceovers to answer (instead of art), but that the process is fully collaborative. As the VAs of the characters all have full creative control over what they say, instead of following the standard practice of one person writing/deciding everything.

Important things to note (please read before submitting):

When you send us something, make it abundantly clear which character you're addressing. You're allowed to address multiple, or even the entire cast.

NSFW submissions are not allowed. Mildly suggestive ones are fine, but they will not get a response, if the character you're addressing has a minor as its VA, or an adult that would be uncomfortable with it.

This project is fully non-canon. VAs are allowed to use headcanons and personal interpretations when answering. It's also not really meant to be serious, so feel free to send us silly stuff :3

You should only submit things for characters that actually have VAs, as you wouldn't be able to get a response otherwise.

List of available characters, that you can currently send stuff to:

Survivor - @oliverwritesnow

Monk - @isnt-a-blog-blog (Spooky ARK is currently taking a break from the role)

Hunter - @astur-x

Nightcat/Watcher - @areon103

Gourmand - @fadebolt

Artificer - @arti-draws

Rivulet - @daikonical

Spearmaster- @dysfunctionalcore

Saint - @imjayig

Inv/Enot - @isnt-a-blog-blog

Looks to the Moon - @mewguca

Five Pebbles - @cctv-catgirl

No Significant Harassment - @ifoundthishumerus

Seven Red Suns - @meggolorbuggolor

Sliver of Straw - Anonymous by request

Unparalleled Innocence - @bigtimefreq

Gazing Stars - @the-separated-colony

Chieftain Scavenger - @unrealwasas

Lizards: Green, Pink, Blue, Red, Caramel - @asdasdasdasd1840

More Lizards: White, Salamander, Cyan - @astur-x

Black and Yellow Lizard - @unrealwasas

Eel Lizard - @oliverwritesnow

Train Lizard - @wildbilldoo

Scavenger - @unrealwasas

Other creatures: Squidcada, Lantern Mouse, Pole Plant, Yeek - @asdasdasdasd1840

Atlas (OC of @solarshaku) - @dysfunctionalcore

Pearl (Artificer's second pup) - owned and voiced by @the-separated-colony

For images, refs and pieces of information regarding the OCs of our blog, you can check up on our Google Doc, which will be updated if we get new characters, or the VAs/owners want to change something.

The person primarily running this project and blog is me, @fadebolt. If you wish to voice act a character yourself, shoot me a DM, either here, or in Discord (my name is also 'fadebolt' there, and I'm in the main RW server, so finding me should be easy). There's absolutely no limit with the characters you could ask to VA. Slugcats, iterators, ancients, echoes, scavengers, any other species... they're all available! We also aren't limiting ourselves to just the base game. Characters from Downpour, characters from mods, OCs, and non-canon characters in general are also available (though if you're planning to VA a character owned by someone else, then make sure to consult them first). Just... don't ask for characters who are already taken. Asking to be a backup is fine (in fact, backup VAs would be more than welcome), but we're not stripping anyone of their role, just because someone else asked for it as well. This post will be regularly updated, with the list of all the taken characters, and their VAs. Characters who are not on the list do not have VAs, and are fully open.

Submit your OCs, to be featured on the blog:

If you're looking for some elaboration on the OC thing, you can find it within this post.

[20dollarlolita]

Things to do when making a lolita garment from a non-egl pattern.

I have this blouse pattern:

[x]

And I have four cotton voile curtains and a pink bedsheet.

I know that I want to use this pattern and this fabric to make a lolita blouse. I want it to be a blouse that I can wear with JSKs and skirts. So, where do we go from there?

Let's find out:

Step 1 is to check our materials, and make sure that existing lolita fashion pieces exist that are like this pattern, and in this material.

Thankfully, lolibrary makes that really easy.

It's so very nice to have a dedicated team of nerds dedicated to documenting and tagging every single piece of our fashion's history.

And then we grab any picture that feels like it's the same construction as the blouse pattern we have.

Links: https://lolibrary.org/items/af-kawaii-vintage-chiffon-blouse https://lolibrary.org/items/lg-tulle-yoke-blouse https://lolibrary.org/items/aatp-michael-blouse-2024 https://lolibrary.org/items/ap-holy-doll-blouse https://lolibrary.org/items/ap-star-dancer-blouse

That's 5 examples, but I already had a pretty good idea what I was doing, so I didn't keep researching. Don't forget that, if you don't really have a ton of hands-on lolita experience, it's hard to over-research. Also, if you do a TON of research, and you cannot find an example of the thing you want to make in a fabric similar to the ones you want to make it from, that might be a sign.

Now, I went into my own closet, and grabbed the 4 blouses that I most often wear with skirts. I know that I want to wear this pattern with skirts, because I don't always feel comfortable in JSKs on blouses that have bibs/front yokes like this. I've made a bib front blouse before, and I had trouble coording it with JSKs.

Blouses: https://lolibrary.org/items/bodyline-honey-parish-blouse-l364 https://lolibrary.org/items/bodyline-l059-blouse-with-jabot https://lolibrary.org/items/btssb-princess-rose-lace-full-of-frills-blouse https://www.amazon.com/TanQiang-Womens-Lolita-Sleeve-Embroidered/dp/B07BFSLFYC/ref=sr_1_5?crid=2BE37ENMLLTXG&sprefix=lolita+fashio%2Caps%2C217

George and Ginger have a LOT of pictures of people who have made their blouse. I don't want to post any of them specifically here, but this is an example:

This is a HUGE resource for anyone who wants to make this blouse, because in addition to seeing how it looks in the technical illustration and in the sample, we can see how it actually looks when someone makes it. We can also look at the things that we don't like (for EGL fashion) and what we do like.

For example, in my examples, the front yoke is a place to put as many details as you possibly can. We have multiple layers of lace on the edge, and then detailing such as pintucks on the yoke itself. On these, the yoke is the design feature, so by comparison, it's relatively plain.

I also can see the different ways that people use lining, sheer, and sheer over a lining. I don't see a combination of lining/sheer that I like as much as the Axes Femme blouse in the top-right of my inspo collage. I'm going to make mine like that Axes Femme blouse, instead of how the instructions might recommend.

But the main thing that I'm noticing is that this blouse is LONG. That's just the style it is, but it would mean that I can tuck it into skirts but can't wear it over them. Since one of my favorite things to do is to make skirts with elastic tops for low-energy fun EGL, I don't want a blouse that I have to tuck into the waist. So, I look at this, and I know what I want to do:

Things that I can do without modifying the pattern:

Choose what parts of the garment will be lined/flat lined, and what will stay sheer

Add more detailing to the yoke with applied trim

Swap all of the ruffles for lace, to add more detail

Add a ruffle to the bottom.

And things that I will modify the pattern for:

Making the pattern shorter to match my existing blouses

Re-patterning the yoke to add tucks

In addition, I might add a ruffle or some ruffled trim along the button placket. The reason I say might is that I haven't checked if the shirt has a separate placket to apply to the garment, or if it's a self-made placket. If it's separate, it's a very easy adjustment, and if it's made of self, it's a very difficult adjustment. I sew to have fun, and that doesn't sound like fun to me.

Because I wasted a lot of my life trying to get a degree in something useless am a confident sewer, I can look at those pattern modifications and know that they won't be too difficult for me. If this was my first fitted garment made from a commercial pattern, I might elect to skip the patterning adjustments.

So, how do we make the blouse shorter? If you have a blouse you like it's pretty easy:

Step 1) print your pattern, and cut it out if you have to. Step 2) take your favorite blouse.

We're using this Amazon one because it's the longest:

The first piece that I grabbed said "center back", so we line it up with the center back and make a mark where the bottom ends.

For the side front and side back pieces, we measure the side seam with the armpit of the blouse.

For the front, we have to stack the bib onto the front piece, overlapping by the seam allowance, and measure along the center front.

To save fabric, I'm just chopping the bottom of the pattern off a few inches below the marks. This won't make an even bottom hem, but I can straighten the hem after we're done.

If your fabric is absolutely precious and you cannot waste any, there is a more proper way to do this, but if your fabric is absolutely precious and you can't waste any, you should really be making a mockup first anyway, so you can do what we do here, make the mockup, and then transfer your mockup adjustments back onto the pattern.

This is long so to add tucks you google a tutorial for how to add tucks and then do what that says. I took pictures of how I did it and it's so unholy that I can't dare to post it.

Anyway, stick around for me to actually finish this project for once and give my end results about the lolita-ability of this pattern.

[jewel-pixelheart]

One Piece OC :

Magma

Finally! I'm done with Magma's ref sheet! I won't detail her story much here, but here's the main information:

(Quick) Backstory :

Rose D Emily was born in a small island in Grand-Line. Her parents were caring, and she had lots of friends. But when she was 7, she accidentally ate the Radioactive Devil Fruit and destroyed the half of her island.

This accident caught the curiosity of the MADS, who kept the uncontrollable girl with them. During 13 years, Emily, who was nicknamed Magma, sailed with the MADS. She learned a lot about science and technology to become a real scientist herself.

When the World Government dissolved the MADS, Magma choose to stay with Vegapunk and joined the government's research team alongside Caesar too. During 22 years, she worked on Punk Hazard, helping Vegapunk with his research.

When Caesar launched a powerful poison gas that devastated the island, Magma was knockout and disappeared in the chaos.

When Caesar came back on Punk Hazard, Magma was still here. Fortunately for him, she lost her memories and didn't remember who caused the explosion. Caesar lied, telling her it was all Vegapunk's fault. Disappointed, Magma helped Caesar by saving the former prisoners.

2 years later, Magma's memories came back. Remembering the truth, she confronted Caesar. Unfortunately, she wasn't strong enough to face him. Trapped in Punk Hazard, Magma had no choice but stay prisoner. (The power of her Devil Fruit was an asset for Caesar, who decided to keep her.)

2 years later, Magma was saved by Luffy's crew and Law. Feeling responsible for Caesar crimes, she joined them on their journey to keep an eye on him. She'll travel to Dressrosa, Zou and Whole Cake before leaving the Straw Hat.

 

Trivia:

Her suit was created by Vegapunk to better control her radiations

She is immunized to all forms of poison

Luffy's nicknamed her Firefly because of her glowing hair

She gets on well with Luffy and Sanji

She was close to Caesar Clown until the incident on Punk Hazard 4 years ago

About the Hōsha Hōsha no Mi:

The Radioactive Fruit gives the ability to its user to produce radiations and control radioactivity. This Fruit was eaten by accident by Rose D Emilly (aka Magma) when she was still a child.

The Hōsha Hōsha no Mi is a powerful Paramecia. Aside manipulate radioactivity, its user is immunized to all forms of poison. Which makes them dreadful against the venom-venom Fruit and most of the life forms. If not carefully used, the radiations can destroy everything in their path. The DNA of the user is also modified by the radiations. Which result to slow down the ageing process of its user. This also has an impact on the physique of its user, like the green glowing hair of Magma for instance.

Because of the incident on her natal island, Magma is afraid of her Devil Fruit capacities. This is why she only uses her power when needed. Therefore, she is able to control her radiations but prefer to wear the suit Vegapunk created for her, just in case. This suit helps her to regulate the intensity of her radiations, without any efforts.

Since The Hōsha Hōsha no Mi have an important impact on the DNA of its user, the MADS have done research on its effects. These researches have greatly helped to discover the Lineage Factor. Later on, Caesar Clown will use the effect of Radioactive Fruit to improve the SAD (while Magma was trapped on Punk Hazard).

One of the weaknesses of the Radioactive Fruit is the cold. Cold temperatures can slow down/stop the fusion of atoms, making the radiations of its user powerless. Which explains why Magma was vulnerable against Punk Hazard weather and Monet's power.

More about my One Piece OCs here ♡

Templates by grandlineocs on Instagram ♡

Do not copy, retrace or use my art without my consent !

[kaiserouo]

Wow i actually have enough rendered pieces to make an art summary this year. Just barely tho

Ramble below, also template ref

Oh god where do i even start. This is the part where i reflect on myself and do nothing about it afterwards.

In thems of topics, it's mostly just apex d2 and wf. I've never made my own world and characters because most ideas that i have the motivation to make into art comes from me playing the game. Maybe that's why I don't really treat a lot of my original character as "original characters", because they're still bound to a game instead of, you know, born out of the blue i guess.

I barely did render this year... I mean, not just this year of course. I think I slightly got the hang of it these two months? At least I kinda have a pipeline that I can follow and could tolerate / fix some of my mistakes in the later stages (e.g., picking wrong colors for flat color and wanna fix it during rendering etc.). It's... kinda like OOP? Decoupling code? I think it just comes down to opening a million layers and not feeling bad about it. Anyway I think one of my improvements comes from here.

Another improvement would be the speed of doing sketches and the complexity of the lineart I can handle (idk how to say that). I need to draw comics and there would be a lot of people in there, so even if I don't practice specifically I still need to draw some human figures. The complexity part is due to me getting into warframe just because of how fucking complicated they all are. Maybe instead of lineart complexity I should say I'm comfortable drawing somewhat complex characters now without my brain overloading and immediately giving up. Still haven't drawn BT though.

That's probably all the obvious improvements I can think of. I didn't read as many books as last year, but the two main books I read last year are for perspective and anatomy, which I do find very very useful. I still often go back to check some anatomy stuff this year, and with me spam drawing comics I think I can draw human figures better than before... if I only consider proportion that is. I think I have to redo anatomy all over again especially for the muscle part. Also probably should do more real human reference practice... Well, you can probably guess why I said that at the start.

I do think the reason why I do so little rendering is because I mostly do comics. Most of my ideas have a plot and my idea list is waaaaay too long to actually color the comics. And as I feel more comfortable drawing comics I fear more when I wanna do rendering because of the skill gap I have between the two subjects. Also most of you come for silly comics so why do I do full rendered pieces anyways... Yeah, after typing that sentence I do feel wrong thinking like that. But oh well, I guess I can't escape the curse of liking to see numbers go up.

Speaking of numbers, here's some of them. Good thing I don't have to deal with Tumblr API myself.

That's... quite a lot of followers, for me. I mean I don't stay in only one fandom so I have no idea why most of you followed me. Also sorry to ultrakill fans I just don't draw a lot for that game but I see some of you liking a ton of ultrakill post and immediately follows me. Kinda felt that I baited you folks for following me tbh...

Also 3 of my top 5 posts (2234 > 1726 > 1641 > 1531 > 1321) are ultrakill and I only have 27 ultrakill art posts (a lot fewer than other games) so... um, maaaaybe you should consider unfollowing me to clean up your timeline...?

Aaand here are the note stats per month because I've already typed this much so why not just include literally everything in one post

The only thing I can analyze is that the note and post number started to lose correlation due to how much ramble shitpost I have these months.

Okay that's it. I intended to make another art summary for the lineart / unrendered art pieces, but there's just too many to choose from and I don't think you can infer more from these given that the rendered pieces already has lineart in them. Mostly.

[starrysharks]

OK so I'm feeling some guilt I started to draw cartoony like you but I get frustrated because it does bot look perfect like yours it's mostly small stuff like colors and clothes I love making cartoony body's sometimes clothing but I have color picking because I'm still new to art that has colors is my feelings normal or is it wrong of me? And how do I pick colors because it frustrated me to no end and made me stop drawing for months anyway in short summary how do I color the right way like I guess I know skin tones but anything else goes wrong and the other summary is how do you draw clothing because I can't for the life of me get clothing right

don't worry - it's normal to get frustrated when drawing. i know i've literally quit and deleted entire illustrations in the past because i didn't like how the colors came out, and i can spend whole hours just choosing base colors TwT i think the important part about learning art is not to rush. i'm seriously flattered you see me as inspiration, but what worked best for me back when i heavily referenced other artists was "mixing" styles together to create a "new" one - so i'd recommend studying and copying multiple artists you like and trying to blend their styles into one if that makes sense! ^^

hating color picking is completely normal when you're first starting out, and even late into art like i said before - i've been making original digital art on ibispaint for about 5 years now, and it's still difficult. but it's easy to make it fun, and the best way to do that imo is to experiment! i'd recommend studying color theory on a larger scale, and understanding how certain colors might look completely different based on where you put them. or maybe make an illustration and color it in a bunch of alternative ways! also, having "bad" or "awful" color skills starting out is OK - i still think my colors suck sometimes even now lol.

anyway, the best way for me to color pick is to just use that color for whatever the OG artist used for their art. let's use alex ahad as an example because i find his art and color use super interesting -

i don't usually color pick, but when i do, i typically start with picking the eye color. then, based off of the eye color, i chose a base color based on the character's color pallete (easier of the eye color is already close to the main color of the character, which for clyde is turquoise).

then, i pick more colors directly from the reference, for stuff like skin. at this point i have a good idea of the colors i want to use and stop color picking from the ref, but there's no shame if you still feel you need to.

after that, based on the colors i picked, i'll color in the rest of the piece. i usually end up changing the colors that i did take from the reference due to experimenting - for me, i just use color picking as a sort of stepping stone for when i'm not sure how to color a piece the exact way i want.

eventually, you can learn to color pick by eye rather than with the picking tool in your art program, tho that takes a lot of knowledge on color theory.

really there is no "right" way to color, especially for skin imo - don't limit yourself to just peach, tan and brown. clyde's skin is bright white, but i still used a yellowy color here because it was relative to the other colors in the piece. i've also used "alien" tones for human-toned characters in the past before!

and about clothing folds - i can make a full post on that if anybody else is interested OuO

[seastarblue]

Character Intro: Kaiden Evania

“So what if I can’t save everyone? I’ll try anyways, godsdammit!”

~~~ Basics:

Pronouns: she/her

Species: Human (Deathless)

Age: 27

Nickname(s): Kai, Kaids, Dee

MBTI: idk yet lol

Voice Claim: Cami Cat on YouTube

Physical:

5’8” (≈172 cm)

Build: Lean muscle

Skin: Dark brown

Eyes: Dark Brown, flecks of Gold from the Curse

Hair: Black, in locs (semi-Freeform I think)

Special Features: Gold blood, tears, and scars on account of the Deathless Curse.

Picrew refs: *more? Possibly*

Personality:

She’s quite introverted, keeping to herself around new friends and old acquaintances alike. She can come off as standoffish and cold, but she’s not really like that unless you’ve upset her somehow, which is pretty hard to do. She’s not very expressive, something she (sadly) prides herself on. She thinks (in her case) it’s best to push others away with callousness before they get too close.

Speaking Style: Kaiden is very quiet, to be honest. She doesn’t really enjoy small talk and prefers to go straight to the point. She does enjoy listening to others talk, she believes you can learn a lot from other people’s conversations.

Likes: Reading, her dog, sparring (occasionally), her friends (she’d never say it out loud she’s too embarrassed), food, tea, her name (she thinks it sounds pretty), earrings/jewelry in general, the quiet, a goooooood fight, alcohol.

Dislikes: Liars, warm weather, being forced to talk when she doesn’t want to, her curse (and the stigma that comes with it) being doted on, the Nikasa, dying.

Main Goal: “I’m going to get to the bottom of this ‘Nikasa’ business. I will rip them to pieces, mark my words.”

Backstory (under the cut—it’s quite long):

The first thing Kaiden remembered was loneliness. The ghosts helped keep that at bay for a while. Then, fire and screams. After that, everything was a haze.

On a cold winter day, a young Kaiden was playing on the rocks with other children. She, oblivious to the dangers of doing so, failed to notice the black ice below her. She slipped. And promptly cracked her head wide open. Kaiden's playmates, understandably terrified for their friend, rushed over to her mother. When her mother finally arrived, she was frantic. The curious part is, Kaiden was fine. Winded and scared, sure, but what would have been a large gaping hole in her head was nothing more than a scar after what couldn't have been more than fifteen minutes. She did lose blood, though. Lots of golden, shimmering blood. The ghosts laughed then.

The Emerald Guard needed new soldiers for their lower ranks, as the experienced ones who were already serving went to prepare for war with Hlunlah. All Nialon-born citzens aged 17 to 20 were to join. Kaiden, unfortunately, was born in Nialon and raised in a tiny, sleepy Niali town called Daeryn, and so the letters came to recruit her and several others. The people of Daeryn were naturally terrified for their children, Kaiden's parents included. Her mother and father begged her not to go. Kaiden didn't want her adoptive parents to be fugitives, especially since the letters had warned- not directly, but noticeably- that the recruits and their families would suffer the consequences if they refused. Li Hua, her best friend, didn't want her to go either, and the two spent the last few weeks before Kaiden's departure arguing. It was challenging to try and get used to the new setting, as Kaiden had never left Daeryn. She was a quiet, awkward, lonely kid who sometimes seemed to whisper to the air when alone. She was an outcast, through and through. Then, she met Felix BonaDea, another alienated kid. They were inseperable after that.

Every year the Guard held a small challenge to kill a magical beast to try and find the best recruits, and as someone with little fighting skills or training, Kaiden learned quickly that she had to depend on her wits to shine. Something (not the ghosts, not this time) told her she needed to stand out.  After three years of grueling training, Kaiden had finally become an offical knight of the Emerald Guard, waiting to be informed of where she would be stationed. The Aquamarine Ball was to determine that. Instead of becoming a guard, however, Kaiden (and Felix) were approached by a Lloyd Santhuff, the leader of the Azari, an elite fighting unit. The two accepted the offer.

They were good. The best, even. Every time they were sent on a mission, they came back victorious, which was why on one particular mission, Kaiden was cocky.

“… we’re surrounded.”

They were safe, thank the gods. Badly harmed, barely alive, but safe.

He was gone now. Gone to live with his family. The others didn’t seem to care.

Formerly a member of the Azari, Kaiden Evania left shortly before the murder of Natasha Pierce, a noblewoman. When questioned about her sudden departure, she stated she felt she wasn't good enough to be a knight and realized she was better off leaving. It’s said she made quite the stir when handing in her resignation. Santhuff was particularly angry for a while after. Kaiden didn’t care.

Kaiden now works as a bounty hunter. She knows she's quite good at it.

[ms-scarletwings]

New (Cursed AF) Invader Zim Headcanon:

Barring the potential for major acute blood loss, Irkens can actually survive a full decapitation.

And I brought substance to make the case with.

Cockroaches, one of the most infamously durable of real life animals, can live for several days, sometimes even weeks without their head. And for the most part, they still even act like normal roaches- crawling about, reacting to touch, standing around, etc. it seems the only reason this eventually catches up to the critter is because no mouth = no way to keep bringing necessary food and water into the body. If that were bypassed, however, it stands to reason the little zombie could thrive just as much as a headed roach.

Almost disturbingly, the head itself can actually last a surprising amount of time solo as well. Experiments with decapitated roaches show that after body separation, roach heads can still move their antennae for hours before succumbing- much longer even if kept refrigerated and supplied with nutrients.

One of the neat things about roach bodies that makes such a feat possible is how their nervous system is set up- simplified ref against what yours looks like below

Now, anyone who has ever said a roach can survive for a while without its brain is not being entirely accurate. Functionally, they actually have two sort-of brains: the main point of nerve centralization is contained in the head, which for the most part is a primary brain responsible for movement coordination, certain technical functions, interpreting stimuli that comes in from the antennae, and more. The second main point of interest in this system is a series of nerve clusters running down the insect’s abdomen known as ganglia (singular: ganglion). These bundles of neurons are not exactly brains in their own right, but they do function as an extended CNS that handles the control over the digestive tract, reacting to stimuli, leg movement, and other more basic bodily functions. These can operate the body on a primitive level after the loss of the main brain, up until thirst/starvation begins to run the wind out of the sails.

You know what sort of creature actually DOES have two entire complete brains? One up top, and an auxiliary backup a little further down?

If you were nodding along and saying “irkens!” Then you would be correct! One peanut and five more days in the bunker for you 🥜 ~

As is obvious to anyone familiar with the show, the PAK is an essential cybernetic addition to Irken biology, holding their gear as well as an entire digital backup of their personality and memories. While it serves many functions to the user, the first and foremost priority of one is to protect the existence of the meaty entity it needs in to carry itself around.

To that end we’ve seen some autonomous acts from time to time with Zim’s close calls. If you recall “Plague of Babies”, he… kind of died for a moment there, caught up in a wave of GIR’s lethally amplified stupidity. In response, his PAK appears to resuscitate him with a quick jolt. The would-be events of “10 Minutes to Doom” emphasize the necessity of the PAK for any Irken’s survival beyond several minutes, which directly implies PAKs facilitate a major biological process their natural bodies are no longer capable of alone. Personally, I think it might be something either neurological or related to respiration, on a hunch.

Well, whatever it is, they are toast without it in swift manner, and the PAK doesn’t prefer to be without its other piece anymore than the body does. Dib’s revelation about the technology described their relationship with its body like that of driver and car, but I think he’s missing something. The PAK is actually more than capable of carrying itself around without the body… at least for a time.

When I think about those things, a little dilemma pops up in my head concerning how they.. well, how they’re powered. It is never explained or demonstrated that they are given time off of the body in order to charge; however, irkens are probably advanced enough to have some smaller and sci-fi wildly potent and small energy source up their sleeves, but actually, that wouldn’t quite make sense here. Because Irken bodies still produce their energy the same way every other lifeform in the known galaxy does, with food. Lots of food, actually. They can mow through snacks at about the same rate as Augustus Gloop. PAKs don’t need to produce their own independent energy source, they just need to efficiently make use of what this organism is already evolutionarily fine tuned to do naturally. Now that’s smart engineering.

And so, like any respectable auxiliary life support feature, they hold some of that energy in a reserve for those crisis moments like in “Plague of Babies”, and also in a deleted scene made for “Abduction”!

Fun trivia fact, but originally that episode was supposed to feature a sequence where Zim ��nearly game overs again. He takes a gnarly hit and a literal plunge through open flames that knocks him out in a free fall.

Despite his incapacitated state, the PAK extends its spider legs in order to catch a walkway railing, both saving his life and proceeding to keep carrying his limp body to a safer location, until of of course, he comes to about a moment later and carries on.

And neither of these are the only times it’s sprung into action the moment it detects something has gone horribly wrong. When accidentally detached from its own host, an emergency response will be triggered within the PAK in an attempt to reattach with its body. Failing that, it attaches instead to… well, whatever it can find.

In “10 minutes to Doom”, this was unfortunately Dib, an incompatible match (or maybe it just picked an improper attachment site), and in the comics… things got interesting at a point or two.

So, I already know what happens when you separate an Irken from their spinal brain, but what about the cranial one?

Because, they actually don’t seem on the same level of urgent necessity? Now that I think about it?

The time machine kerfuffle and the brain eating parasite escape were both events this guy evidently survived, albeit not comfortably or ideally until the problem was fixed (I have to assume in part with GIR’s or the Computer’s help). Now that I think about it Zim’s incredibly fortunate that most of these more serious mishaps happened inside of his base. But it’s theory time.

So, we do this, to a hypothetical green bug bastard

For fun let’s say, hypothetically again, like the hardy earth roach, he blood clots quickly.

Well, first and foremost, that higher up nervous system blackout is probably going to cue the PAK in to begin the following protocol:

1. Activate an emergency response to quickly access the situation.

2. Immediately scurry the body the hell away from whatever manner of threat just shaved a little too much off the top, engaging in all possible defensive measures if necessary.

3. Devote the entirety of its remaining backup power (of which it would have much more stored within the headless body than if it were itself detached) into making a beeline for the coordinates of the nearest Irken source of assistance. On the homeworld, or any fully colonized planet, this would be a cut and dry matter of finding the nearest theoretical space clinic or whatever those freaks have (maybe those dbz regeneration tanks? Idk that would be cool wouldn’t it?). For the lone invader… home base is the next best alternative, being a secured location with plenty of resources and advanced technology at the ready. I would bet my own head that situations like this are a huge highlight to the prime value of a personal SIR companion.

Now, best case scenario for what this help looks like depends on whether we can save and bring the head along too. Reattachment and repair at that point should be a pretty simple matter at the tech level we are working with, afterall. But that’s again, the ideal case scenario. Could they just… regrow the head eventually? We don’t really have a clear answer on what the limits and capabilities of what the Irken healing factor is, but I want to at least guess that having a personal lab and assistant on hand is going to help. Bare minimum, a solution can get worked out to supply the body with needed blood sugars again to buy more time.

The PAK itself retains a pretty much perfect digital backup of its body’s memories, experiences, and identity, so it’s not like information has been permanently been lost with primary brain damage. Replacing the primary brain entirely might be as easy as backing up your iPhone and downloading everything into some shiny new hardware. Hell, it may not even need be Irken hardware!

Do you know the real disturbing things from “Dark Harvest” NOBODY brings up are???

Why the fuck was an instantaneous organ-swapping device already just something Zim was carrying around in his toolset?

And

Zim’s morphology was horrifically receptive to those dozens of xenographs.

Those human organs were actually beating, pulsing, absolutely redundant and unnecessary in his body, but completely still functional and healthy in the name of selling his act to the school nurse. He didn’t just clumsily cram a bunch of offal into himself, he competently integrated them into his biology and somehow wasn’t suffering like… the tons of complications you’d expect from trying a stunt like that.

And in the comics, there’s this other fella I just adore for how skrangly he looks, and believe it or not, his actual fucking name is Skrang.

He’s a smart guy, though. Don’t be fooled. And I mean like, a smart guy. And it’s all thanks to a little help from a little upgrade he’s been fitted with :)

So, I hope you take all the implications I’ve been building here and make what you will of them. I genuinely think an Irken has a decent chance of making it out of a beheading alive to seek sadistic vengeance another day. Do I think ZIM could do such a thing? Tbh, I think he’d have to rely on GIR to come in clutch, and we may know that’s a complete roll of the dice in any case.

Wow, this got morbid, but, par for the course really.

[moonsofmachinery]

So this isnt a pride req but you still don't have to answer!! But how do you draw so quickly?? I swear you draw like 2-4 times a day? I wanna get on a really good schedule about that so I can keep up with a art blog but idk how to draw fast! How'd you do it?

I hope it helps If I go over my entire process here because I've been wanting to showcase my process for awhile anyways :}

Haha! Yeah, i usually try and draw ~4 things min a day. Now, let me clarify, to run an art blog you don't have to draw fast! I do try and take breaks if I need them!!! But a lot of my speed has to do with the fact I've just been in a very art-inclined mood as of late :} It's a lot easier to draw if you WANT to draw! and knowing people like my stuff is a huge motivator.

Long post below where I explain my process and some of the shortcuts I take!! :]

For more skill-based tips though, my method definitely helps. Drawing lineless and paying attention to my stabilizer helps a lot. I'm definitely not a perfectionist when it comes to my art and I do tend to reuse poses I KNOW im comfortable with if I'm not in the mood to go all out.

I sketch freely with loose stabilizer using a pencil-like pen that allows me to get a good idea of the details I want down... Ex:

I have a very good grasp on the way i draw slugcats and how their bodies are shaped! Depending on the characters you're drawing, you should try drawing them a TON to get to a point where you can sketch them without even looking at a ref of any kind. My designs tend to stay consistent as I have a solid idea of each slugcat in my mind! It helps me pace myself as I generally don't need refs! :}

Next, I blot out my main body shape. I then, using a clip layer, add in lines and line in limbs! Generally I do this all in the same colour, get the main shapes down before you add detail and all that...

I blot out different regions of my character in different colours and section off areas to ensure I can later select these and go over them! Doing lineless helps me a ton as I don't use a lot of layers! it's just the style im more used to :}

Lastly, I add in my colours and adjust places where I can adding in all markings and details and recolouring where I need to! I use the selection wand to help me and I also use clip layers.

The details are relatively easy for me, most of the time its just getting to doodle whatever I want to make the colour combo look the best I can!!! :} The final result of this one will be posted on its own, but I just use CSP tools to add an outline-- I'm not sure if you use Clip Studio Paint, but if you do, you can use the effect feature!

Its just a little thing I add to make my drawing pop against the background!!!! :D

Anddd thats how I pump out art at an inhuman rate! Drawing is one of the few things I can do without my chronic pain kicking my ass so a lot of my day is spent at my computer cozy n' arting! Drawing for too long does cause fatigue in anyone though! I reccomend listening to something engaging in the background (if your attention can take it) and taking regular breaks every ~15-30 minutes.

This piece took me 30 minutes?? maybe a little more! I hope this gave you what you were lookin for :D!!!!! I wish u well in ur art blog n' make sure not to stress urself!!!!!

[fortuneravine]

Tell me about each of your PMD teams!

OH BOY ok okok

starting off with team obsidian (explorers of sky)

Mistral is. complicated. for starters i have played as her in rescue team, explorers, And super because at the time they were kinda just. me. less of an oc and more just my self insert (i actually changed their name because her old name is. just my name now)

but lately i've wanted her to be her own character and not me in totodile form so i'm kinda in the process of redoing everything about them.

Cinder i can say more about! they are a disaster. an absolute mess. sopping wet kitten born in a cardboard box all alone. she's wanted to be an explorer since she was little, but being a huge coward kinda got in the way of that. they got that scar on their chest when they went into a dungeon alone and it scared them away from exploring for a long time. it wasn't until she met mistral that she started to get her confidence back and they're much calmer and less afraid of everything nowadays!

now rescue team. i played as mistral again in my first pmddx playthough along with a cubone partner but. i have kinda replaced them as my Main pmd1 team with these guys. oops.

campfire are much more developed characters anyways so im gonna talk about them!

fig (she/any) is very quiet, as are basically all of my heroes because my selectively mute ass keeps latching onto silent protagonists. she's definitely the one i've given the not talking trait to the most though. chive is extremely extroverted and chatty so she handles all the talking. others tend to see them as closed off or mysterious because they can't get a good read on her. they're really sweet though

chive's main gimmick is she likes cooking! will probably settle down and open a little cafe once she's done with the rescue team business. likes to experiment with random berries and nuts she finds (fig keeps joking she's going to poison herself, but she owns like 3 different foraging guides, she knows what she's doing.)

next is team hydra! their ref is old and i need to redo it so here's one of my heropartnerweek pieces badly cropped. their names are Ceru (she/xe) and Olivine (he/they)

it turns out i lied when i said all my heroes are quiet ceru is actually pretty outgoing. still the more introverted of the duo but mainly because olivine is a people pleaser extraordinaire. she actually had a pretty boring life as a human and is a lot happier as a pokemon. she was Devastated about returning to the human world, mostly because xe didn't want to leave xyr friends, partially because oh come on it's so much cooler here i don't wanna go back to working retail

olivine, as i said, is a people pleaser, often to his detriment. he's always prioritizing other pokemon's happiness, even when it's at the cost of his own. they get better at this over time (ceru helps him a lot with learning to say No). he and ceru are inseparable besties. they're like a comedy duo. 2 things have olivine's undying commitment, his friends and The Bit

finally. super. again i already talked about mistral so here is Basil.

honestly? i feel like they don't have much of my own spin. pmsd partner is already a perfect character. they are so full of love. they love making others smile and they're maybe a little too enthusiastic about it. they tend to come off as overly friendly at best or annoying at worst. before meeting mistral they were pretty lonely despite trying so hard to make friends. they're very happy to finally have a real close friend who likes them how they are

this ended up a little rambly!! oops!! but there's my guys hope you like em :)

[miss-atomic-blog]

Loretta O Black you will always be famous to me 💛 Took a week or so off from art fight to work on Loretta's reference sheet because I just finally got the drive to do it lol. Then I lost my mind & did an expression sheet + her bonus outfits. Pecos gets his own little sheet too. I almost did expressions for him too but I refrained ✨ Including her old ref sheets because I just can't believe how far we've both come 😩 I owe everything to her tbh. So much history of my online presence is baked into this one character lol. Before there was One Piece & Trigun there was Red Dead Online & she was ground zero for everything that came after. Now I need to do an updated sheet for Olivia & probably expressions for Roland 💀 Just realized I forgot to include her guns 🙃 Process videos on are on tiktok. Main Expressions

[gnomey22]

Stellar the Hedgehog Analysis

Just got home from watching the third Sonic movie, and since it focuses so much on Sonic and Shadow's relationship, I thought it'd be the best time to do something I've wanted to do for a while - drop an incredibly long post about my thoughts on @emthimofnight's Sonadow fankid, Stellar the Hedgehog.

And before I say anything more, here's a link to her ref sheet: https://www.tumblr.com/emthimofnight/747427162447118336/name-stellar-the-hedgehog-age-varies-based-on?source=share

A lot of the time, Sonic OCs have been passed off as "cringe", due to the unfortunately well-known ones, but the actual community is full of some of the most dedicated lore-makers and designers I've ever seen, and I'm not even someone who knows Sonic that well! I've done a fair bit of research on the series, but I've never played the main games for myself. I just stumbled onto Stellar while I was mindlessly scrolling, and as I checked out all the posts regarding her, I realised I'd found one of the most intricate, passionate fan creations I'd ever seen, and she's been living rent-free in my head ever since.

Now, for the meat of this post: My analytical thoughts on her. Let's break it down into categories:

Design and Personality:

I'm no expert on character design, I've barely even tried to do it myself (outside of my over-designed Miitopia OCs), but Stellar is absolutely striking. Her fur colour is a clever blend of Sonic's blue and Shadow's black, a dark blue resembling space, with a splash of red thrown in to add to the Shadow of it all. She has stripes as well, but as opposed to Shadow's slashing shapes, hers are more bendy, twisting into the form of a star. Inhibitor rings are strapped to her sneakers, a very poetic combination of her dads' getups, but she's also got her knee and elbow guards, a little touch of her own that links in with her fighting style, and also represents the constant protection around her which I'll get to later.

She's extremely star-coded, from the name to the space colour to the fur markings, and I think that was the perfect direction to go. Stars feel ethereal, but entirely grounded at the same time, a cosmic entity we can look towards at any point. Stellar is much the same, she contains an absolutely incredible power, taking after two previous incredible powers, but her personality is so warm and cheerful, and her very existence is what brings Sonic and Shadow together.

And that's the other point I want to make in this category. Stellar actually has three older siblings who died before they were born (I'll get to that), and they're essentially a sliding scale of Shadow's genes to Sonic's genes. Void is almost entirely Shadow, Andromeda has a bit more Sonic, Polarity is more Sonic than Shadow, and Stellar herself is the only true balance. That's a good word to describe what she represents, balance. Sonic's kindness combined with Shadow's anger, Sonic's showboating combined with Shadow's self-confidence, with her own bubbliness and grace added on top. Everything about her design, just like her role in the "SonDADow AU", simply clicks together.

Background Lore:

As someone unfamiliar with the history of the Sonic fandom, I'm not sure how common the "Sonadow fankid made in a lab" trope is. I know Stellar was not the first, and it'd be unreasonable to assume she was - but I'm willing to bet that Emthim has the very best exploration of the concept.

The failed siblings, for a start. That's a dark turn to take off the bat, the idea that Project: STELLAR has been attempted so many times, and still hasn't been shut down because these people are so desperate to put more insane power out into the world, but it really does set the tone for what's going on here. Stellar, just like Shadow, isn't being viewed as a genuine lifeform despite her title, she and all her siblings were a piece in the puzzle for a bunch of self-absorbed scientists trying to recreate a project that was inhumane from the start. Shadow is frequently pictured as struggling to cope with the knowledge of this project, and of the failed siblings, as it'd very obviously strike a lot of nerves. Sonic reminds him to move forward, though. Just like he always has.

That's another incredible aspect of all of this - Sonic and Shadow being forced to parent together despite being not-very-close-friends before this point. The little interactions displaying their bickering about how much influence each of them have had on their daughter, and constantly fumbling on taking care of her because all three of them have overpowering abilities that completely change how they go about their lives, give so much life to the relationship depicted between them all. Stellar is never outright told about her origin, because Sonic and Shadow want to keep her out of that life, and that level of protection being shown both warms the heart, and fills it with a sense of dread for when she'll find out, because it's (realistically) not a perfect strategy. This all adds so much to the idea that they were haphazardly thrown together by the circumstances of Stellar's very existence, and the duo of hedgehogs are just trying to make do.

Stellar as a sort of "dark star", in her ultimate form or Villain AU, is a concept that really ties it all together. She originated from an evil cause, something that only exists to cause unparalleled destruction, and yet her good will and sense of justice shines through no matter what. You can tie aspects of the same theme to both of her parents, but it's wholly concentrated in her story.

Powers and Abilities:

She's a figure-skater. That's pretty much the whole reason this category exists, I really want to break that down for a second.

The duality of ice skating is one-to-one with the duality of Stellar, in my eyes. It's a graceful, beautiful, typically feminine activity, but it's incredibly easy to cause damage with those blades, and strike the sickest poses on your foes. Stellar has a clearly-defined soft side to her, she's very sweet to the people she cares about, and has that all-encompassing energy only a child of Sonic could possess, but just as much as that, she will rip and tear through someone at a moment's notice if they piss her off, she's got that impulsiveness to her, and we all know she's got the power to back it up. She can be either of these things at any moment, the artistic blade always has an edge to it, and the contrast is no contradiction - She simply is all of her.

On top of that, I want to talk more about the dark/collapsing star form. The idea that she possesses such capacity for destruction, which could take her over from the inside out, that would leave her loved ones desperately reaching out to find that shining star - it has not left my mind since I first saw it. It's one of the most compelling narrative devices anywhere in this AU, there's so much potential in a character like Stellar, making an impact wherever she moves, becoming shrouded in the colossal darkness that still plagues her life no matter what she does. As for the specific piece that drew me into this form so much? I'll link it in the final category.

Camellar:

https://www.tumblr.com/emthimofnight/742720101897437184/some-sketches-illustrating-the-relationship?source=share

The first image in the set is the one I was just referencing, but I'd be retreading ground by talking about it, so I'll focus more on their relationship in general.

I love how it's so "mutual pining childhood friends"-coded, while also straying a decent bit away from the common tropes. Only Camellia has the feelings bouncing around her head like a DVD logo every moment of her life, because Stellar doesn't actually comprehend it at all, despite feeling much the same. True to her nature, she's so focused on building positive relationships with people that she doesn't recognise some of the intricacies of what the relationship is truly like, or what she truly feels herself. She's at her softest around Camellia, due to their long-lasting affection, but she's also at her fiercest when she gets protective. Camellia brings out every aspect of her personality in a way no-one else does... and certainly not a dishonest rival.

Rocket is my absolute favourite addition to the Camellar dynamic because he throws such a gigantic wrench in everything. His relationship with Stellar has none of the safety that Camellia's does, he's all about the thrill of it, feeding into the inexplicable attraction without thought of whether it'll hurt in the end or not. Initially, this is all one-sided on Stellar's side, eventually becoming one-sided on Rocket's, and either way, it brings about a vindictiveness in Camellia she usually isn't prone to, because just as much as Stellar is looking out for her, she's looking out for Stellar - in a variety of ways. She wants what's best for her, but she's also throughly convinced that it won't be anyone other than herself, and she's also right, especially since Rocket's such a prick at the end of the day.

The truth is, the reason Sonic and Shadow work is that they can keep up with each other. Both of their life stories are about becoming as free of a spirit as they can be, tossing aside everything thrown in their path to become confident in themselves and what they stand for. Stellar and Camellia are much the same. From an aesthetics and basic dynamic standpoint, there's more comparisons to draw between them and Sonamy, but in that case, it's entire game's worth of miscommunication and problem avoidance. In the case of Camellar, they're significantly more head-on with everything, they're both incredibly blunt about their affection, it's just that the romance aspect is lost in translation on Stellar's side. Not like that's the part that really matters, it's the mere unbreakable bond. The one that gets a princess desperately reaching out through a collapsing star for its heart. The one that gets a shining star to settle down for a moment.

Closing Thoughts:

This post definitely didn't cover everything. So much about Stellar is whirring around my brain at any given moment, I have no idea how I'd manage to jot it all down in a comprehensible and complete format, but this is what I've got. A post that hopefully shows just how deep my appreciation for Emthim's work goes, and how talented of a creator I believe her to be. Thank you for reading.