#george and ginger
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20dollarlolita · 1 year ago
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Things to do when making a lolita garment from a non-egl pattern.
I have this blouse pattern:
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And I have four cotton voile curtains and a pink bedsheet.
I know that I want to use this pattern and this fabric to make a lolita blouse. I want it to be a blouse that I can wear with JSKs and skirts. So, where do we go from there?
Let's find out:
Step 1 is to check our materials, and make sure that existing lolita fashion pieces exist that are like this pattern, and in this material.
Thankfully, lolibrary makes that really easy.
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It's so very nice to have a dedicated team of nerds dedicated to documenting and tagging every single piece of our fashion's history.
And then we grab any picture that feels like it's the same construction as the blouse pattern we have.
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Links: https://lolibrary.org/items/af-kawaii-vintage-chiffon-blouse https://lolibrary.org/items/lg-tulle-yoke-blouse https://lolibrary.org/items/aatp-michael-blouse-2024 https://lolibrary.org/items/ap-holy-doll-blouse https://lolibrary.org/items/ap-star-dancer-blouse
That's 5 examples, but I already had a pretty good idea what I was doing, so I didn't keep researching. Don't forget that, if you don't really have a ton of hands-on lolita experience, it's hard to over-research. Also, if you do a TON of research, and you cannot find an example of the thing you want to make in a fabric similar to the ones you want to make it from, that might be a sign.
Now, I went into my own closet, and grabbed the 4 blouses that I most often wear with skirts. I know that I want to wear this pattern with skirts, because I don't always feel comfortable in JSKs on blouses that have bibs/front yokes like this. I've made a bib front blouse before, and I had trouble coording it with JSKs.
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Blouses: https://lolibrary.org/items/bodyline-honey-parish-blouse-l364 https://lolibrary.org/items/bodyline-l059-blouse-with-jabot https://lolibrary.org/items/btssb-princess-rose-lace-full-of-frills-blouse https://www.amazon.com/TanQiang-Womens-Lolita-Sleeve-Embroidered/dp/B07BFSLFYC/ref=sr_1_5?crid=2BE37ENMLLTXG&sprefix=lolita+fashio%2Caps%2C217
George and Ginger have a LOT of pictures of people who have made their blouse. I don't want to post any of them specifically here, but this is an example:
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This is a HUGE resource for anyone who wants to make this blouse, because in addition to seeing how it looks in the technical illustration and in the sample, we can see how it actually looks when someone makes it. We can also look at the things that we don't like (for EGL fashion) and what we do like.
For example, in my examples, the front yoke is a place to put as many details as you possibly can. We have multiple layers of lace on the edge, and then detailing such as pintucks on the yoke itself. On these, the yoke is the design feature, so by comparison, it's relatively plain.
I also can see the different ways that people use lining, sheer, and sheer over a lining. I don't see a combination of lining/sheer that I like as much as the Axes Femme blouse in the top-right of my inspo collage. I'm going to make mine like that Axes Femme blouse, instead of how the instructions might recommend.
But the main thing that I'm noticing is that this blouse is LONG. That's just the style it is, but it would mean that I can tuck it into skirts but can't wear it over them. Since one of my favorite things to do is to make skirts with elastic tops for low-energy fun EGL, I don't want a blouse that I have to tuck into the waist. So, I look at this, and I know what I want to do:
Things that I can do without modifying the pattern:
Choose what parts of the garment will be lined/flat lined, and what will stay sheer
Add more detailing to the yoke with applied trim
Swap all of the ruffles for lace, to add more detail
Add a ruffle to the bottom.
And things that I will modify the pattern for:
Making the pattern shorter to match my existing blouses
Re-patterning the yoke to add tucks
In addition, I might add a ruffle or some ruffled trim along the button placket. The reason I say might is that I haven't checked if the shirt has a separate placket to apply to the garment, or if it's a self-made placket. If it's separate, it's a very easy adjustment, and if it's made of self, it's a very difficult adjustment. I sew to have fun, and that doesn't sound like fun to me.
Because I wasted a lot of my life trying to get a degree in something useless am a confident sewer, I can look at those pattern modifications and know that they won't be too difficult for me. If this was my first fitted garment made from a commercial pattern, I might elect to skip the patterning adjustments.
So, how do we make the blouse shorter? If you have a blouse you like it's pretty easy:
Step 1) print your pattern, and cut it out if you have to. Step 2) take your favorite blouse.
We're using this Amazon one because it's the longest:
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The first piece that I grabbed said "center back", so we line it up with the center back and make a mark where the bottom ends.
For the side front and side back pieces, we measure the side seam with the armpit of the blouse.
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For the front, we have to stack the bib onto the front piece, overlapping by the seam allowance, and measure along the center front.
To save fabric, I'm just chopping the bottom of the pattern off a few inches below the marks. This won't make an even bottom hem, but I can straighten the hem after we're done.
If your fabric is absolutely precious and you cannot waste any, there is a more proper way to do this, but if your fabric is absolutely precious and you can't waste any, you should really be making a mockup first anyway, so you can do what we do here, make the mockup, and then transfer your mockup adjustments back onto the pattern.
This is long so to add tucks you google a tutorial for how to add tucks and then do what that says. I took pictures of how I did it and it's so unholy that I can't dare to post it.
Anyway, stick around for me to actually finish this project for once and give my end results about the lolita-ability of this pattern.
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im-trying-my-best-yall · 9 months ago
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George Weasley likes sweet girls who are kinda mean to him and i dont make the rules
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title · 2 months ago
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It only took a day to happen, but I’m in love with you for always.
Ginger Rogers & Jimmy Stewart Vivacious Lady (1938), directed by George Stevens
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gingermintpepper · 11 months ago
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Writing Apollo-as-a-young-deity is fun because sometimes it involves completely making shit up based on the loose outline of a story told through old poems, prayers and plays and other times it involves researching the totally legit and well documented ancient art of studying sheep livers to make sure your statesmen don't accidentally piss off Jupiter.
In completely unrelated news, if anyone has any recommendations for books about bird augury, that'd be wonderful.
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citizenscreen · 10 months ago
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My favorite Astaire-Rogers outing, George Stevens’ SWING TIME, enjoyed a limited release across the U.S. #OnThisDay in 1936.
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keepthedelta · 8 months ago
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"reminds me of the karting days 😃" george you are a fucking enid blyton character
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koushizzy · 1 month ago
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list of musicians i find attractive ranked by how attractive i believe them to be
steve marriott. i know many people probably expected paul first but i don’t know. i just can’t resist steve.
paul mccartney
brian jones
jim morrison
damon albarn
george harrison
emitt rhodes
ginger root (he’s cute but not like hot)
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hellostarrynightblr · 1 year ago
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Fred Astaire and Ginger Rogers in Swing Time (1936) dir. George Stevens
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its-to-the-death · 9 months ago
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Battle of the Gingers Wave 1 Preliminary Round #15
Whoever gets the most votes moves onto the next round
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etssclara · 5 months ago
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it’s not my fault you’re like in love with me or something!!!!
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stillaintnolady · 4 months ago
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Ginger in gingham
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im-trying-my-best-yall · 9 months ago
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theres an empty pit in my chest and i think fucking that lanky ginger man would fill it immediately
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haveyouseenthismovie-poll · 4 months ago
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citizenscreen · 9 months ago
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George Gershwin and Ira Gershwin's musical "Girl Crazy,” starring Ginger Rogers and featuring the debut of Ethel Merman, opened at the Alvin Theatre on Broadway on October 14, 1930.
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joannerowling · 7 months ago
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I’m curious - why do you think Fred dying was necessary? I’m not disagreeing but I was devastated so I’m curious what your thoughts are! (Especially after your Percy meta 🤌🏻)
Many reasons! A Weasley always had to die in the last book because, as JKR put it, it wouldn't have been realistic for all of them to survive. They were too involved.
With regards to Percy specifically, well… Percy's return always had to come at a price, to really drive home how poor his decisions were. Percy's arc teaches the reader a lesson about family, and being careful about the sort of wedges you're prepared to drive between them and you, and why, because if you ever change your mind it might be too late, especially in uncertain times. Think about Covid, or the Israel-Palestine war, those are the sort of political situations which can create huge tensions and sometimes tear families completely, and needlessly, apart.
The point isn't really that Percy was in the wrong when he stood with Fudge in OotP, his real offense was his refusal to come back after that. He had ample opportunity to do so – he could have admitted his mistake, apologised, and the family would have forgiven him in time. Instead he wallowed in his pride and/or shame. Then the war truly started in DH and even if he'd have wanted to make contact it became either too dangerous or impossible (as he wouldn't have known where they were hiding). And then right as he finds them back again during the finale battle, right as he's making tentative connections (a joke!) with the member of the family he had the toughest time communicating with, giving us some hope for reconciliation and growth… Nope, it's too late.
It ALWAYS had to be one of the twins because they were the ones Percy had the most volatile conflict with. It could have been Arthur, but Arthur had already a close call in OotP and Percy's emotions over that had already been shown so it would have felt repetitive. Plus, as discussed in the previous post, Percy takes his "big brother" status seriously, so it HAD to be a younger sibling he failed to protect and ever fix his mistakes with.
What makes it worse (and therefore better! :D) is Percy COULD have been close with Fred and George: they are the closest in age after all. But the fact they were twins meant they were always their own little team within the siblings + their personalities didn't match with Percy's + they were all competing for Molly and Arthur's attention. (In fact i think there's a good chance that a young Percy at some point wished he only had one little brother instead of the twins, so it could be Bill & Charlie, Ron & Ginny, and him and whoever would be instead of the twins. Obviously, once one of the twins gets actually killed, it wouldn't have been a great memory. I know, i'm extrapolating a lot here, but some people in this fandom think Evan Rosier was fucking Luna Lovegood's mum so just indulge me lol)
ALSO (i'm stopping after that promise), does Percy's behaviour remind you of anyone? Ron is very Percy-like in DH. But unlike Percy, Ron needed to have a bit of Voldemort's evil soul hanging around his neck to make that kind of choice + he regretted it immediately and tried to come back + crucially he was ready to admit his mistake and work on his flaws. He sought the advice of Bill when Percy isolated himself. That's why Ron doesn't get punished, and also probably why Ron's a main character and hero.
Tl;dr: Fred's death is the inevitable conclusion of the tragedy that is Percy's arc about being too proud to solve minor conflicts with his family until it was too late.
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marypickfords · 2 years ago
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Finishing School (Wanda Tuchock & George Nichols Jr., 1934)
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