#Does this sentences even make sense...???
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marmota-b · 2 days ago
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"#sorry saw someone arguing that irish makes no sense compared to english french and german #but could not be convinced to take into account that the main difference was their own familiarity with these languages"
Will you accept my argument that it makes less sense to me than Cymraeg? Like I can definitely see there's some relation but where it was fairly easy for me to extrapolate the shape of how Welsh spelling works just from observation I still have little clue about Gaeilge. It keeps tripping me up by compacting whole clusters of letters into one sound way more than Cymraeg does - at least I think that's what's happening. It makes it hard for me to even start observing, because I get lost in the sentence.
I'm saying this as someone who's not learning the language, mind you.
For context I'm Czech and Czech spelling is... well overall it's mostly very logical, in a "one letter for one sound except for Ch and voiced vs unvoiced variants of a letter" way. There's a couple more ambiguous cases, but overall you're not going to see much of any "this letter can be pronounced two different ways that aren't even phonetically related".
Now, you may have an inkling where I'm hitting with that 😁 - English spelling makes no sense and even native speakers say that and joke about that. If I still can't figure out for sure how exactly an unknown word is correctly pronounced after learning and speaking and listening to the language for over thirty years, and even native speakers have the exact same problem, you can't claim to me its spelling system is logical. So that particular comparison with Gaeilge is definitely rubbish. 🤣
*grabs you by the shoulders and shakes you violently*
Listen to me, Irish spelling is logical and has rules. Your unfamiliarity with our language does not change that.
BuT tHaT's NoT tHe SoUnD tHoSe LeTtErS mAkE
Yes, it is! That is the sound those letters make! All you're doing is telling me you can't read!
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undercover-stories · 2 days ago
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Blaming Wei Wuxian for Jin Zixuan's death does not make sense, and I don't understand why some people think so. Imagine for example in a modern day scenario, a homeless man is being attacked by several cops, while on his way to his sisters house, who have very clear intentions to kill him (I equate the Jins to cops because no matter what they do it will seen by many as "necessary" and they will not be charged for their crimes no matter how bad it is because they have the power and influence to prevent that from happening)
So in defense the homeless person sets his dog, that he had trained to protect him, on them whilst they are actively shooting at him (if you have a better representation of Wen Ning for this scenario I'd genuinely love to hear it. I chose a dog because whilst they were trained, they still have their own instincts that will influence the way they protect. Something like a gun, which someone had suggested, does not encompass the complexity of his actions even as a fierce corpse)
In the midst of this chaos, whilst the homeless person is still being shot at, another cop, specifically his sisters husband(obviously), suddenly shows up and tells him to get his dog under control, again, whilst the homeless man is STILL being shot at and the new cop is not stopping them. The homeless man has nowhere to hide or run. Calling his dog off will be a death sentence with nothing to distract the other cops trying to kill him. As this new cop approaches closer to the homeless man, wearing the same outfit as the other cops, the dog detects him as a threat (understandably) and attacks him and unfortunately kills him.
The death is again unfortunate but in this mess of a situation, can you honestly place the blame on the homeless man and his dog who were simply trying to protect themselves from a very real and lethal threat? OR do you instead place the blame on the cops who'd started their planned and lethal assault and a bit on the dead cop who somehow thought it was a good idea to step into an active shootout zone (by the cops). Be honest and drop your biases. Who is truly at fault here?
Not to mention, afterwards, the homeless person finds out the same cops (and more) are planning to attack the homeless community he'd been protecting as revenge. So in desperation, the homeless person intercepts them and tries to talk, but before he can even finish, he is shot and wounded. Realizing that the cops won't listen to reason, he defends himself and attacks back in the hopes that he can stop them from killing his homeless community. Again, in all honesty, who is truly to blame here?
Even from a legal aspect, the homeless man would be seen as defending himself and, therefore, had the right to fight back. So how is Wei Ying in anyway at fault here? Him placing the blame on himself doesn't mean it's actually his fault. It's just makes his judgment on himself harsh. Especially since the point of the novel is to contrast a characters words and ideas to the actual story that we read.
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bloopitynoot · 1 day ago
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Reading TGCF: Chapter Ten
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For those who don't know, I am reading TGCF for the first time and sharing my thoughts!
If you have not read it, there will be spoilers! Consider this a warning.
Also- if you want to follow along, I am aiming to post updates daily. You can find all the posts in the tag Bloopitynoot reads TGCF. You can also check out the intro post for context on my read BUT if you followed along with my SVSSS read, the rules and vibe are the same.
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I truly wish I could say this was a different tea, but from now on unless I state otherwise it's probably masala chai.
Body update: I feel less like trash than yesterday, but my right arm did take a hit LOL. Thankfully my hip is doing a lot better too so sitting is much better. (I'm not even a writer or specifically a writer on ao3, yet, it feels like I have the ao3 curse).
Nevertheless- onwards to chapter ten!
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Immediately Xie Lian is here using his body to protect San Lang! You tell Fu Yao! p329
I should have waited one more sentence LOL. "Because...if I stand next to him, the snakes wont come". p329
omg. There is a 6th person in the pit and I am still not sold that that kid (a-zhao) is actually dead. I'm still thinking about the garden face man and what he was saying. p331
WTF- General Pei jr?? p333
okay! But now I need to know General Pei jr.'s motivation for destroying a whole city! p335
ofc Xie Lian knew General Pei jr from when he was General Hua. Who does this man not accidentally know? p336
Jeeze. Banyue's people were going to strap bombs to themselves if they lost. This is wild. Based on the history between the two warring countries I really don't think there was hope for a peaceful end. pp337-338
Oh yay! we finally get to meet the two cultivators from the street! Also that art is absolutely stunning, I love them both so much. I do hope we meet them again. pp341-343
Oh no! The entire time they have been running from her (The Wind Master) thinking she was evil as shit but she was actually trying to help them. p343
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Dang this makes sense. General Pei jr couldn't just murder people directly because of his position. So, instead he lured them to their deaths (snake deaths, pit deaths, but definitely not him killing them technically!). This is some dictatorship misuse of power shit with full technical deniability for this guy. Gross. p345
Xie Lian had me suspicious about the wind master too, but thank fuck Banyue was let go for her good deeds. p347
Bro just wants to do the right and good things but heavenly politics are too much. He is definitely going to offend everyone at some point. p350
Whos cutting onions?? My heart at this small child who decided they would be building Xie Lian a large temple when they got home :'3 I'm totally normal about this. p352
The speed in which Nan Feng fled when Xie Lian offered to make food LOOOL Nan Feng: oh no, so sorry, my basement is on fire, and flooded, definitely need to leave right at this moment. Terribly tragic. p353
eeeeeeeeeeeeeep! "I still prefer the name 'San Lang'" p354
ONE CHAPTER LEFT!
Now the question is, how will mxtx ruin my life in the last chapter of this book?
I do own book 2, BUT I think tomorrow I will order the third in celebration of finishing book 1. I might do this the last chapter of each book to prep for more reads.
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calirph · 2 days ago
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𝐇𝐈𝐆𝐇 𝐅𝐀𝐍𝐓𝐀𝐒𝐘 𝐀𝐍𝐃 𝐄𝐏𝐈𝐂 𝐅𝐀𝐍𝐓𝐀𝐒𝐘 𝐒𝐄𝐍𝐓𝐄𝐍𝐂𝐄 𝐐𝐔𝐎𝐓𝐄𝐒. all these sentences come from a search on goodread's keywords for high fantasy and epic fantasy. please change names, locations and pronouns as you see fit.
“Wouldn’t the joys of life lose all colour, if life was eternal?”
“True siblings are bound together by far more essential things than blood, while more times than many blood isn't thicker than water.”
“I believe with all my heart, that Magnus is a worthy and superior successor to your current king. ”
“Fate was a fairy story and a bullshit one at that; fate could get fucked and go bother someone else.”
“You shouldn’t ask the girl blessed by Death whom she’ll die for. You should ask her whom she’ll kill for.”
“You are what I imagine the sun to be like. Fiery. Beautiful. Damning”
“We’re all selfish monsters— the only difference is some of us are more honest about it than others.”
“Tell me a secret, then. One you can part with.”
“Control is an illusion, something to make us feel grounded and in charge of our destinies.”
“Don't overthink everything. You might be surprised by how much you'd like being out of control. Being alive is chaos, and living in it is half the fun.”
“Her hand in mine is as good as gold.”
“One taste, and a thousand deaths you shall receive.”
“You and what army?”
“Maybe today was the day the fire roared and defeated all the rest.”
“To love was a privilege not afforded to those of us born in these trying times when survival was never guaranteed.
“No one doubts your honourable nature, most noble of kings and best of brothers.”
“Don't dwell on your past - it's not where you're going”
“It's your life. Do what you want with it.”
“Ambition comes with a price attached. Of course, that price comes too high if you die for nothing. The reward for ambition too great... is self-destruction!”
“Don't you wish you were here?”
“Most animals are willing to talk. It's the human who don't listen.”
“Some call it brash. Others call it independent. Pick your interpretation.”
“How can I even begin to understand the nature of power when no one shares a common definition of it?”
“No one used my family against me to accomplish their own goals. Not even God or an Immortal.”
“You remember him as a hero, so none of it makes sense for you. But you can remember him like that without caring what others think. No parent is perfect, and growing up is realizing that.”
“The dark doesn't mean you're alone.”
“The tongue is shallow, like water lapping at the shore. To fully understand is to swim in the deep ocean with all the senses.”
“The same thing that you value. Justice for the sake of it, and the safeguard of those who need it. Our methods may differ, but our hearts are the same.”
"My goodness, look at your face! Why ask if you thought I'd say no?"
“Come with me, I think I have a new escape for you.”
“Why should injustice, the darkness of justice, exist and not be an imperfect entry in a book unread for centuries? Until it is so forgotten, that no one remembers it was ever there.”
“That's what friends, that's what brethren are for. To be there, where words cannot.”
“What a thraldom, to be able to dream and only then to be free!”
“The wise man does not play games with dragons.”
“I don’t want to be remembered . . . I just want to live without fear.”
“A name does not make the man, just like a lie does not tell the full story.”
“He told me that everything I was afraid of in the dark was also there in the light. The only difference was the way it looked.”
“Hate is what will obliterate the brightest of the stars that shine inside your heart.”
“A smile is deceptive, I have found. Some are real… and some are false. Sometimes it is hard to tell the difference.”
“Nothing is truly real until one is willing to believe in it.”
“Those who long for perfection will never achieve it, while those who expect failure are always surprised.”
“I don’t have friends— only accomplices and enemies. You’d be amazed at how often they change sides.”
“Fathers are like that, Always disappointing their children when they need them the most.”
“Of course I would fall for Captain Emotionally Constipated. I could train a rock to hold more affection for me.”
“Because that means you’re thinking, and a thinking woman is usually something to fear.”
“Everything makes so much more sense, when you forget what life forces you to remember.”
“Influence is like the tide. Sometimes it goes, sometimes, however, it comes.”
“What kind of person do you wish to be? A part of those who take action, who try the hardest, or of those who go with the flow?”
“The same good folk who would burn me for a psychal now paid me to use my cursed gramarye to guard their sheep.”
“The God-War is coming.”
“Why must we overlook what we are most likely able to do?”
“I speak of the laws man has made, to make everyone lawful.”
“Before, I never knew how far I would go. Now I believe I have the answer. I will go as far as there is to go. I will go way too far.”
“Show your power by appearing powerless.”
“Books are keys that open many doors.”
“I am going to go into this world, and I don't care if you and your narrow mind cannot be a part of it.”
“You are blessed with a knack for sucking the wonder out of the extraordinary.”
“Right and wrong matters little when survival matters most.”
“The hard truths are the ones to hold tight. - Old Bear”
“One can't exactly savor vengeance when one is dead.”
“This was not going to be a peaceful day. No. It was going to be a mess.”
“When a mortal man breaks a people, it is always blamed on the gods.”
“That is the way of the gods. When they intervene, everyone loses something.”
“Life was cruel. It pitted the weak against the strong and never even blinked when the weak were crushed.”
“You were bringing me all those flowers when I was sick, like you were wooing me. How could my poor, weak heart resist?”
“I would choose freedom over comfort every time.”
“Women were always the cruelest where other women were concerned.”
“Is this a knight who comes before us, or the answer to a child’s riddle?”
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scrumpledorph · 2 days ago
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Two points of preface. One, I like to talk in absolutes; 'never do this' 'always let this happen' etc. That's just a shorthand so I don't need to append a bunch of caveats to every sentence I write; in truth, there will be times where breaking the established rules will elevate your work. You kind of just need to get a sense for it, and I'm afraid I can't help you with that because it's also largely a matter of personal taste. Two, I'm not a professional, just a hobbyist with a couple friends who I solicit feedback from.
Likely the single biggest piece of advice I can give is: don't cut the tension. Marvel and its derivatives (henceforth referred to as capeshit for brevity) establish tense scenes, but they don't use them for tension - they use them as a punchline by having a character say or do something wacky right as things are getting good. Don't do that.
If you're establishing tension between two characters; an argument, a fistfight, what have you; play it out. Or, if you want that tension to linger; have an interruption that doesn't cut it, but denies them the ability to resolve it. Something more important than whatever they were fighting over comes up, and now they have to work together. This dovetails well into another piece of advice.
Have consequences for scenes. Capeshit more or less alternates between SNL bits and action scenes to make sure the audience doesn't get bored. Not much really matters. When two people shout at each other, have it mean something. Have an argument rise to blistering invective; make them want to genuinely hurt each other's feelings, and leave them raw after - towards each other and onlookers who try to make them feel better. Have a fist fight establish a power dynamic between two characters, have people lose or gain respect for the people involved based on whether they feel the attacker was justified or the loser is weak, things like that. A single interpersonal confrontation can loom over the story for chapters (scenes, episodes, etc.) if you do it right.
Treat your characters with sincerity. This is addressing lamp shading, and it's very closely linked to the first point. When capeshit has a character take themselves seriously, often the villain, other characters mock them in drawn out comedic sequences. While this can be done with intent - to show a lack of respect, goad someone into making mistakes, etc. the problem is the writers don't use it with intent: they always do this, because they're working with borrowed properties made to appeal to thirteen year old boys between twenty and seventy years ago, and think these characters are beneath them.
You should love your characters. You don't need to like them, maybe you think they're a weaselly piece of shit or an irredeemable monster, but you should be excited to flesh them out. You have to want the audience to feel things about them to elevate them above cardboard cutouts. This is a specific subset of the next point, but I felt it was a significant enough occurrence to warrant giving it its own paragraph.
Play it straight. Don't have your characters constantly questioning things if the only reason they're doing it is to signal to the audience that something is absurd. When confronted with the impossible, it becomes the possible, and the mind bends to accommodate it. No 'they fly now', no 'well that just happened'. Things are self evidently possible by virtue of them happening, and that's just how it is. If presented with enough confidence and follow through, the audience will accept it.
For an enduring example, JoJo's Bizarre Adventure constantly follows absurd leaps of logic, but Hirohiko Araki does it with such gusto and panache the reader simply can't question it in the moment, and even when they can later - they usually agree that it worked anyway.
As a closing piece, and I really believe this is arguably the progenitor of the entire problem: assume your audience likes your work. All of the things above are compromises made for a hypothetical reader, watcher, etc. who doesn't like your work, to make it more palatable to them. Cut that person out of your mind. You are creating art for yourself, and if they're lucky - a few close friends. Make your characters hyper competent and don't worry about the person saying it's unrealistic. Give your characters designs you think are cool without thinking about the Reddit dipshit who'll call it a donut steel. Let your characters give uninterrupted monologues at dramatic moments without imagining cinemasins dinging it because the other characters don't attack them while they're doing it.
To paraphrase a piece of advice from Mark Rosewater, the head designer of Magic: The Gathering; if everybody likes your work but nobody loves it, you will fail. It is better to alienate ninety people and make ten lifelong fans than it is to get one hundred fair weather fans. Capeshit ran out of steam the second the original set of characters were retired, because they were working off goodwill established back when they gave half a goddamn.
As I said at the start; every one of these points has caveats and exceptions that are too numerous to list. If I held you by the hand and told you exactly how to make every decision in your work, I can't imagine it would be very fun for either of us. But I hope I've established enough of a scaffolding for you to start building off of.
Few things I respect less than an artist or writer who lacks creative conviction. If your work is visibly self-conscious, how can you expect the reader to possibly engage with it with earnest? If even you don't believe in the work, how can the reader? Likewise I think that having artistic convictions is a boon that can guide a weak premise into a strong execution.
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purple--queen · 3 months ago
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What is it with marvel always let their characters falling to their dead???
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inkskinned · 2 years ago
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i love my therapist but i hate being in therapy. 10 minutes before my appointment, i'm in a meeting with my boss - we discuss my artistic choices; my boss recommends i artistically choose less. 10 minutes after therapy, i wash my hair and think about everything that was said, and then i have to switch it off, like a lamp, and go back to work again.
i was on a walk the other day and someone had the perfect combination of his cologne and whatever-else. it was almost exactly his scent. i fucking hate that. after all these years, i remember that? i tell my therapist - i feel like a fucking wolf. try telling a middle-aged blonde lady. oh i scented him on the air. i'm 30, and i'm having a panic attack over something that would be a plotline in the omegaverse.
what they don't tell you about mental illness is that if you are lucky enough to survive it into adulthood; it becomes a weird slice of your life. because you do, eventually, have to build a life. i realized in a panic somewhere around 22 - oh. i don't know what i'm fucking doing, because i always assumed i'd just go ahead and die. i didn't die, and i'm grateful for that, and i'm very happy about that choice. but it does mean that i am an adult in an apartment, living with my conditions side-by-side like. oh, that's my roommate, adhd. ignore the glass, bytheway, that's ocd.
so you pick your stupid life up by the scruff of the neck and you're, like glad for it (so much laughter and light and friends you would have never thought possible, when you were in the worst of it). but it feels so strange to be dancing around these odd little microcosms, these patchwork moments of your symptoms. if you have a panic attack at night, you still need to wake up and walk the dog in the morning. if your depression is making everything boring, well, you don't have any sick days left, and a job's not really supposed to be that exciting anyway. your ocd tears out each individual leg hair, and then, an hour later, you sigh, patch up the bloody bits, and go get dinner with friends. and the life is kitten-quiet, mewling and pathetic, but it's also like - it's yours, so you're fond of it.
and it's like - you're real. so you still enjoy pushing the shopping cart really fast and then riding on the back of it down an empty aisle. and you're not, like, so sick anymore that when you accidentally drop a mug you burst into tears (except for the days you do that. which are bad). and no, you're not allowed around certain items anymore. oops! but you've learned to be good about brushing your teeth most days of the week. and yeah sometimes in the middle of the day you have a little freak-out about how fucking unfair it all is, how fucking hard, how other people can just do this without having to fucking hurt the whole time. and then you sigh and force yourself to sit down and fucking journal about it so you can tell the nice middle-aged blonde woman yeah i had a hard day but i practiced grounding. you still sometimes want to burst out of your own skin, but you force yourself to eat kind-of healthy and to take your vitamins. you let yourself chop off all your hair in the sink in a dramatic poetry of control and relief - and you also have developed good hobbies that help you move your body more frequently. you feel helplessly behind, lost in the shuffle - but you also practice gratitude, taking stock of what you have garnered. because you're trying. even if you're never gonna be normal, you have something... close enough.
and the little kitten of your life, this mangy, starlit tigercub, this thing you expected to rot so young: in your arms, it turns itself over, belly-up. exposing this new soft part, all the organs and guts. like it's saying i trust you now. you won't give me up.
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mossytrashcan · 8 months ago
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is it considered “new” art if I just repost the gideon update that no one liked the first time
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andessence · 14 hours ago
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How quickly pain becomes a comfort for Daniel! Armand listens as his thoughts dissolve with each strike and come back like pins and needles in a constricted limb, less welcome each time they return. He watches Daniel begins to recognize that his confused, unruly thoughts are a burden, and suffering under Armand's direction becomes a release from that burden. Daniel doesn't understand, but he trusts Armand to do it for him.
'Trust me,' he echoes in Daniel's mind, as his hand peels back Daniel's twitching fingers to expose the throbbing, bruising palm. 'Yes, do. I'll be more trustworthy than you were.'
He summons up the memory in Daniel's mind of Louis, his touch, his blood, dripping onto Daniel's tongue, but at the climactic moment when Daniel should remember the rush of the blood in his mouth, there is pain again. Armand leans down to press a kiss to Daniel's hand, and even this tenderness stings on skin so sensitive. From the way Armand keeps those fathomless eyes fixed on his face as he does it, he knows and counts on that sting.
"I'm glad, Daniel. It's simpler when I make sense of it for you." Another hit. "You couldn't even track a single thought." Another. "You can't remember what you were thinking when you made the choice to disobey me." Another. They're coming faster now, underscoring every sentence, and for all the pain the blows deal, there's not a hint of exertion in Armand's voice to match. There is only the surreally cool condescension, the saccharine, mocking benevolence. "Do you even know how many blows you've taken?" Crack. "Of course not." Crack. "You weren't paying attention." Again. "But I was." Again. "I always am."
If he reaches, he can feel through Daniel's senses, and perceive Daniel's hand starting to go numb. Time to move on then. It's no good if Daniel stops being able to feel what's done to him. Sensation is key.
"Thirteen. It only took three to blur your thoughts. Seven to break you. That's how easy you are, Daniel." Armand informs him, calling back up Daniel's own word. 'I give in so easily. I'm easy.'
He steps back, and then that unnatural, invisible force works its way through Daniel's muscles again, puppeteering him, tucking his left, unmarred hand behind his back. Daniel's body begins to pitch forward as if to drop to its hands and knees, but there is only one hand free to support him, and it's the one he's granted Daniel control over — the one that hurts so terribly. Armand bends Daniel down without lifting a finger, giving him just a second to think about whether he will catch himself on the live nerves of his palm or let himself fall face first into the floor.
His ragged confession is torn out mid-cry as armand lets him go.
“ thank you, armand! ”  
like the trilling in his ears, he feels as if all of him is only a stunned reverberation. his attempt to pitch forward is halted before he even moves. a gasp is dragged into his lungs, and he holds on to the echo of the leather tongue massaging slow, tender circles over swollen skin.
can’t tell at all. why can’t he tell? why doesn’t he want to? daniel misses it when he isn’t reeling from a fresh impact. it is when he isn’t consumed by a moment, when he is allowed to catch his breath, that he doesn’t know what to do. I understand what you need.
Guilt can find no purchase in him. it claws mindlessly without knowing why, drips off with his beading sweat. he does not notice the pained tears only just pricking the corners of his eyes.
Daniel sees his splayed fingers flat against the ground in front of him. dazedly, he thinks he can watch the redness creeping over the back of his hand. endanger yourself? endanger?
He peels his palm back up off the floor, blotchy with splitting blood vessels. Daniel does not have the faculties to dissect how he endangers himself, but he cannot drown out armand’s warning, either.
he hasn’t a choice but to trust his lover to help him understand. and why would daniel wish for another choice? what could daniel parse out down on his knees, where every direction is overwhelming except for the one where he cannot think anymore? armand hands him relief willingly.
he hums, teeth biting down hard into his lip, and lifts his hand. it hurts when his fingers twitch.
“I want you to, please… tha-ank you, armand. ”
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teddybeartoji · 18 days ago
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who would you send me on a blind date with from mha
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bookwyrminspiration · 4 days ago
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I imagine the only reason Vespera wasn’t sentenced to eternal sedation was plot convenience. what’s even the point of having a pseudo death penalty if they won’t even sentence their worst criminal in history to it?
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canneddolts · 1 year ago
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unforeseen…….dining
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justfriendsbestthings · 1 year ago
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If I were Linda and my 16 year old son was sitting at home, with red rimmed eyes, both his friends there, when I was meant to pick him up from school to go to the police station to report a crime done to him, refusing to go now and saying ‘if everyone’s just going to protect themselves and their families, then I’m going to do the same’ I would have so many questions. Soooo many questions. Come on Linda, I know you don’t like confrontation but come on!!
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quaranmine · 4 months ago
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On Wednesday before I gave my presentation I confessed to a new employee that I was worried it would be too long and she brightly told me her life hack was to just let AI rewrite things for her. She said I should put in all my talking points and ask ChatGPT to give me a five minute exactly presentation. I was like....how is the most polite possible way (since this is a new colleague I shouldn't get off on the wrong foot with) that I can express that I will Not be taking this advice. Ever. I told her that I didn't think we were allowed to use ChatGPT at this job (we most certainly are not, it is a nightmare for any type of protected information) and also that I prefer to write all of my own work. Despite my best efforts the last part of that was still passive aggressive, lol.
Something about being a writer makes it so that it's almost offensive to me for someone to suggest I use AI to do my work instead? Like, the day I reach the point where I let AI write something for me is the day y'all need to be checking me for brain damage because clearly I'm losing it
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romcomxdd · 5 months ago
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anyone else just kinda need bradley bradshaw being an asshole in a biblical sense? no? just me? okay
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dreamlandcreations · 1 year ago
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Imagine getting into an arranged marriage with Shanks...
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Imagine getting into an arranged marriage with Shanks. Your business rival. Your nemesis...
Just so you could secure your claim on the inheritance of the company from the woman that practically adopted you but whose yellow-eyed devil of a son is suddenly hell bent on keeping it for himself.
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