#Digital Revolution House
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pier-carlo-universe · 10 days ago
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Giorgia Garola Eletta Presidente di Amma: Innovazione e Sostenibilità per il Futuro Industriale di Torino. Alessandria today
Amma rinnova la sua guida con un focus su nuove tecnologie, sostenibilità e inclusione.
Amma rinnova la sua guida con un focus su nuove tecnologie, sostenibilità e inclusione. Giorgia Garola è stata eletta presidente di Amma, il principale gruppo merceologico dell’Unione Industriali Torino, per il quadriennio 2024-2028. Imprenditrice torinese e amministratore delegato di Scam, Garola rappresenta la diciottesima presidenza dell’associazione, che raggruppa 623 aziende operanti in…
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conjunction-of-crows · 10 months ago
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Oh wow, I realized I never posted this! This is a compilation of some of my favorite love interests from video games. Most of them are some sort of dating sim primarily, but we've also got some games where it's not the main focus of the game but still an element of it.
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seat-safety-switch · 3 months ago
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"Ah, the digimals," I lied. "I know exactly what you are talking about."
It was the start of my tumultuous three-week employment at Google. Google, who was once the most powerful company on Earth, had in recent years become enmeshed with bullshit-generating text engines to the point where they could no longer tell truth from fiction. Perhaps the greatest evidence of this fact was that they hired me to head up the new Digital Transformation division. Remember, kids, don't get high on your own supply.
Here's a secret about California: cars don't rust there. It's real dry, and really nice, and you can even drive dented cars around without them instantly turning into a pile of iron filings and swear words. So of course I jumped on the job. I could not believe my luck that they had decided the resume I was required to make in order to pass Reintegration With Society 101 class was good enough to offer me an executive-level position.
Now, all of you are fully aware that the average Silicon Valley management job involves showing up for one to two hours a week, doing nothing except making everyone's job harder, and then buying two vintage Porsches off eBay while taking a shit in your private executive bathroom. We accept it because, well, starting a whole revolution about it sounds a little bit "too much," and we got bigger fish to fry. For instance, a whole lot of people at Google were very concerned about Digital Transformation, which sounds either good or bad (I never figured out which.)
When they finally came to my spacious skull-emblazoned office and canned me, it wasn't because I was incompetent. No, my absolute lack of attention to any of my subordinates had led to immense success in Digital Transformation (again, either for or against – if you know, write in.) What they were mad about was that Facilities had filed a complaint. You see, I had cottoned on in my first day of work that I didn't actually have to buy an expensive California house. Google's parking lots were copious enough that I could simply leave my dozens of vintage Porsches there, without fear of rust, and sleep in a different race car bed each night.
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urlonelystarrr · 1 year ago
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ultraviolence | part two
rk800 'connor' x reader x rk900 'nines'
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GENRE → angst, romance & smut
SYNOPSIS → your feelings for connor grew as the android revolution went on, though a new partner makes you question your feelings.
TAGS/WARNINGS → 18+ descriptions of corpses, blood, violence, homicide, child abuse/neglect, creampie, dirty talking, overstimulation, choking, oral(male & female giving/receiving)
CHAPTERS → PART ONE / PART TWO
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after working in the DPD for so long, you never could get used to the sound of your alarm blaring at 5:00 am. by the time you arrived at your desk, your limbs were already aching for the warmth and comfort of your bed - the type of tiredness that could only be satiated by a full night's rest (which you didn't get most nights).
to add onto the poor sleep schedule you had, the past few weeks had been filled with an unnecessary amount of paper work, and most of your time was spent sitting in front of the terminal at your desk. in order to pass the time, you'd make frequent stops to connor's desk, only to be yelled at by hank to get back to work. or you would attempt at small talk with nines, to which he always responded with narrowed eyes and a stern look. it was clear he wasn't fond of small talk so early in the morning.
this morning was no different than the last, as you sat at your desk, bored out of your mind. the day had just begun, and the steaming cup of coffee on your desk still wasn't able to replace the extra hours of sleep that you had missed. as if a silent prayer had been answered, you swiveled your chair around to see connor's lovely face, greeting you with a good morning. "good morning detective, you seem to be in a good mood today," he gave a small smile. "all thanks to you," you smile, not noticing the grey eyes across your desk watching the two of you. connor stayed silent for a moment as his LED pulsed amber, and you followed his line of vision to see nines doing the same. "i've sent the case file to rk900, i've just got a report of a double homicide and a suicide," he briefed. "what an amazing way to start my morning," you replied, sarcasm laced in your tone.
"lieutenant anderson is currently supervising an academy student, and since i'm not authorized to investigate crime scenes on my own, i will accompany you today." connor said, hands clasped behind his back as he looked down at you. nines stood from his seat, making his way over to join connor. you took a sip of your coffee before standing up to join the pair, grabbing your keys and heading to the lot.
"what do we know about the homicide?" you asked nobody in particular. unfortunately you had to sit in the backseat of your own car, as nines insisted on driving and connor took the passenger seat before you could. "a mother had murdered her own two children before taking her life. an hk200 reported that he was a witness and is currently at the station giving a written statement," connor turned around to look at you, before turning back around to face the road. "and this happened how long ago?" you asked.
"around 20 minutes ago," nines suddenly spoke, despite being quiet the entire ride. "did the android mention that she had a husband?" nines looked in the rearview mirror to make eye contact with you before replying, "no, however legal documents show that she is married." he pulled into a vacant area near the house crowded by bystanders, police and news reporters. the three of you passed the digitalized 'POLICE LINE DO NOT CROSS' tapes, ignoring people's questions about what had happened. as you entered the home, the three of you split up. as stated in the report, the crime took place in three different areas; the kitchen, the bathroom upstairs, and the last in the children's shared bedroom.
you headed over to the kitchen, where the wife laid motionless at the table, a gunshot wound lodged in the back of her head. part of her brain matter was exposed, and the surrounding area had been decorated in brains and blood. it was a gruesome sight to say the least, but you suspected that it was a little odd position for a suicide. connor stood next to you, moving in front of the corpse and analyzing her body. connor's on sight forensic analysis proved to be quite effective as it saved a lot time, compared to waiting for forensic reports after you had analyzed the scene. his brow furrowed slightly, as he looked at you (not without sampling the blood of course). the weapon - a glock G19, was located next to her hand, along with a glass of wine.
"that's unusual. the exit wound isn't on the back of the head, instead it's in the front. it's a strange way to shoot yourself," connor examined, turning to you for your opinion. "i don't think this was a suicide. i think it might've been a homicide, but we can't say for sure," you replied to his analysis, before leaving to join nines upstairs. connor watched your retreating figure, before reconstructing a possible scenario.
as you walked up the creaking stairs, you took notice of the door that was slightly ajar in the distance. as you neared it, you realized it was the bathroom. you pushed the door open with a foot, immediately noticing the bloodied corpse of one of the children in the bathtub. the water had been drained, leaving the body in a pool of her own blood. the victim suffered three gunshot wounds, one in her chest, one in her right side and the last one in her forehead.
it was sickening to see, but the more you looked the more things you found. the gunshot wounds weren't the only injuries she had, as there were welts scattered across her legs, and faint burn marks on her wrist. the welts could have come from a belt. the sight immediately reminded you of the hk400, the first case you ever worked on involving an android. a bubble of disgust and guilt boiled in the deep pits of your stomach, but you swallowed it and stood up, only to be startled by connor's unannounced appearance. "jesus, you scared me!" you sighed. "i didn't intend to startle you, detective," connor said reassuringly, with his hand on the small of your back. you ignored the comforting feeling of his hand on your back, and moved to the final room, leaving connor to analyze the second corpse.
nines crouched next to the young boy, who didn't look older than the age of eight. he took a sample of his blood, analyzing his DNA like his predecessor. like his sister, he was shot. but forensic analysis suggested he was strangled before. judging by the purplish hue on his neck, it was evident that he'd been choked. "i reconstructed a possible scenario. it seems that the perpetrator came in through the door, and then proceeded to choke the victim before shooting him four times," nines explained, looking at you as you stared at the bloodied corpse on the floor. the carpet had been stained red, along with a stick figure drawing of the boy and his family. a few crayons surrounding the picture had suffered the same fate as the drawing - stained red and broken.
you noticed that he suffered the same marks, which were obvious indicators of abuse. nines and connor had seen it too, the bruises, the burn marks and the welts. "I think the mother might have been abusing her children. maybe she felt guilty after doing this and decided to take her life," your brows furrowed as you examined the room further, noticing the lack of clothes and toys.
"It's likely, as her fingerprints match the ones on the gun." nines said. connor chimed in, adding to nines' analysis. "however, the exit wound on her forehead indicates that she couldn't have shot herself. if she killed her two children, then who killed her?" your brows only furrowed in confusion as you tried to piece together what had happened. judging from their analysis, she couldn't have ended her life. if the hk200 was a witness, then he was lying, because the mothers death wasn't adding up. the husband was also nowhere to be seen, and the gun she used was registered in his name. there was only one way to make sense of this mess, as it had spiraled into something beyond what the files insinuated.
"hello, my name is detective l/n. what's your name, honey?" connor and nines watched in the observation room as you questioned the hk200. "my name is michael," he replied, fiddling with his hands in his lap. connor's brow arched slightly from the pet name, an unknown feeling erupting in him that could only be described as jealousy. "thank you for being cooperative, i understand you've already given a written statement but we'd like to ask you a few questions." you opened the case file, revealing the images taken of the bodies. he avoided looking at the pictures, and looked at you or around the room. the room was designed to be plain and bland, in order to keep the person under questioning focused and not distracted. this allows for them to rely on the detective for any type of distraction.
"what did you do today, michael?" you started off with easy questions to gain rapport, as answering easier questions would put him at ease and he would be more likely to give you more information. you could always scare them into a confession, but that would only escalate the situation and end in a possible destruction. "i did my usual list of chores," he replied. you nodded, "does this include cooking meals?"
"yes," he confirmed. "can you tell me what their mother does? does she help out, or does she rely on you for taking care of the children?" you noticed as he began to shift in his seat at the mention of her. "she left taking care of the children to me, and she'd spend most days drinking." you nodded, "did you have a good relationship with the children?" he took a little longer to respond, his eyes glossy with a type of pain you'd seen before. a look you wished to never see again. but then again this wasn't about you. "yeah, we did a lot together. drawing, playing games, normal things." he sounded hurt, like he was genuinely affected. you felt for him, reaching across the table to offer a comforting hand to him. he put his hand on top of yours, relaxing a little as he calmed down from your touch.
"was she married?" you had asked, despite knowing the answer. it was a simple test to see if he was lying or not. "yes. her husband would come home late and leave early in the morning, so she wouldn't spend much time with him," he explained. upon hearing this, connor did a quick search and was able to find his workplace. it was possible that the husband had left before the crime happened, and would come home to horrible news. "what time does he leave for work?" you asked, and the android replied rather quickly. "he leaves at 7:00am." by the time you arrived on scene, it had been 9:27am, and if it happened around twenty minutes before you arrived, then the husband would have been long gone, meaning the crime would take place around 9:07am.
you pushed a few images of the injuries on the children, waiting for him to look at them. "since you took care of the children, you probably have noticed these marks on them. do you know who caused them?" he visibly stiffened, eyes trained on the images of the marks and bruises. he then stared at his lap, remaining silent. but the look of guilt on his face was becoming more apparent. "i know you cared about those kids. you looked after them everyday. i can see the pain in your face." his brows started to furrow, before he slammed his fists on the table, startling you slightly. nines and connor were quickly alerted by this behavior, bodies tense and ready for anything to happen. "you don't know anything!" he yelled. "i don't, so tell me the truth," you pressed. he stayed silent again, before admitting it.
"it was the mother. she did it," he confessed. "she'd beat them almost every night. one time i tried to stop her but she said she'd return me to cyberlife if i stepped any further."
"then who killed her?" leaning into the table, you watched as he averted your gaze, "she committed suicide." it was evident he cared for those children, and seeing their abuse would become something he couldn't tolerate any longer. it started to make sense, when you placed him in the same position of the perpetrator from connor's reconstruction, it all made sense. she had downed glasses of wine after murdering her children, michael finally had enough, his heart broken over the deceased children - and so he grabbed her gun, and shot her in the back of the head before placing the gun so it looked like she committed suicide.
it seems that he started to realize that you knew what happened - what he did. "we both know that's not what happened." you stated firmly. he quickly shot up from his seat, lunging across the table to knock you to the ground. your chair tipped back, causing you to fall on your back. he was quick to get on top of you, his hands immediately wrapping themselves around your throat, and his skin peeled back to reveal the white plastic underneath. you kicked, and tried to wriggle out of his grip, but he was too strong. your throat burned as his digits dug into your tender skin, his fingers right above your pulse point. it throbbed wildy underneath his fingertips, only encouraging him to keep his silence.
connor was quickly on top of him, a hand pinning him to the table while michael's hands tried to fight the deadly grip of the rk800. nines quickly pulled you out of the room, and as much as he wanted to deal with the hk200, he knew connor could handle it.
connor didn't say a word, and it terrified the android underneath his palm. he could only stare into the hot rage above him, warnings popping up in his screen warning him of a shutdown. connor had torn out his thirium pump, the tips of his fingers holding onto the pump in his hand. hot blue blood splattered over his fingers and clothing, though that was the least of his worries.
"you're going to talk," connor suddenly said. "you have approximately 120 seconds before you shut down. i suggest that you tell me the truth, otherwise it won't be the other officers you have to worry about. it'll be me." he leaned into his ear, before putting his thirium pump back into place. his forearm pushed him down into the table, preventing him from moving. "i won't tell you." michael sneered. connor said nothing, and immediately grabbed his arm to probe his memory. michael grunted, the sensation feeling like a burn throughout his body as connor searched his memories. that was all the confirmation that he needed.
michael was escorted out, and you found yourself in the bathroom again, splashing cold water onto your face. after all that happened today, you felt like you didn't solve anything. the husband would come home to his entire family gone, and you felt like you couldn't save anyone. this feeling of shame and guilt, you felt partly responsible. it brought you back to the painful memories of the last case, but this time you had connor and nines.
"you should go to a hospital," nines suggested. both of the androids had scanned you again and again, all to make sure that you were alright. "i'm okay nines," you reassured your partner. "nines?" connor joined in, his head turned to look at his replica. "yes, that is the name that was given to me from the detective." nines replied, his eyes locked onto his predecessor. connor ignored nines, and asked if you were really alright. his fingers itched to touch the bruises forming around your neck, but he pushed away the thought and focused on your well-being. "you both don't need to worry. i've been doing this for years," you replied cooly.
fowler had come up to the three of you, his intense gaze locked on you. "you should head home, l/n. we seriously cannot have you getting injured on the job again," he said sternly. connor was about to retaliate, but nines placed his arm in front of him to stop him. they made brief eye contact, communicating silently.
'don't make it worse for her,' nines said. connor ignored him, his eyes locked on yours as captain fowler scolded you while also making sure you're okay. you sighed once he left, running a hand through your hair. "i guess i'll be getting home then," you said to both the androids, noticing that connor looked worried. "let me drive you home, i feel partly responsible for your injury," he said, his hand on the small of your back again. you smiled, trying to mask the way your body responded to his touches. though, you had forgotten that connor wasn't the only one who could read your body, nines could too. his LED circled amber as he scanned you, taking note of how your temperature raised whenever he or connor was around. he bid you goodbye, and watched as you left with connor for the night.
the car ride wasn't awkward at all. one thing that separated connor from nines was the fact that connor spent more time around humans, and he knew how to make conversation easier. the sound of the car engine and rain pattering against the roof put you at ease. detroit could be pretty at night, especially when it was raining like this. "i saw you take care of that android, you can be scary," you laughed. he gave a small smile in response to your laughter, "i didn't mean for you to see that. i apologize if-"
"i'm only teasing you," you nudged his arm with a grin, "it was kind of hot." he cocked a brow, his social relations program helping him differentiate the two meanings of the word. "hot? i don't think cyberlife intended for it to come off that way.." you laughed, missing these conversations with the android. if only hank could supervise academy students forever, and you could have both rk units to yourself. "i'm worried for you detective, it seems that you're putting yourself at risk with these cases. you should be more careful," he looked over at you, his eyes flickering to your injury before returning back to the road. you eyed him as he drove, fighting the smile the threatened to crawl up your face at his concern for your well-being. "thank you connor, but that's kind of my job. i knew what i was getting into when i was training to become a cop. i know the risks, but for you i'll be more careful." it was strange for him, for him to smile without making the conscious effort to do so, for his body to do things that weren't premeditated and forced.
the more you looked at him from your peripheral, the more you saw the differences between him and nines. you never would compare them, but they were so different in personality that it was slightly humorous. sometimes when you looked into connors eyes, you couldn't help but feel like you'd give him everything. his eyes ere so soft, and the only thing you could compare it to were puppy dog eyes, the thought of it making you chuckle, causing the android look over at you. "what's funny, detective?" you shook your head, "oh nothing. i was just thinking about how hard it must be being the most attractive detective alive," you smiled. if he could blush, he definitely would. "it must be an everyday struggle for you then," he replied cheekily.
it wasn't long before he was inside of your house, awkwardly lingering at your front door while you took your shoes off. "you should stay the night, it's raining too hard for you to be going home so late." he nodded, analyzing your home. it was a modern space, decorated with matching furniture but lacking any personalized items like photos. "i'm going to change, i'll be back soon, you can hang out here,"you smiled before disappearing into a different room. he walked over to the kitchen, noticing a pet food bowl, and an orange cat purring as it rubbed it's body on his legs. he crouched down, petting the cat gently. the collar was a light pink, with the name reading 'peaches'.
you returned, only to find him very immersed with petting your cat. you smiled, crouching next to him to pet her. "she seems to like you," you said, fingers accidentally brushing against his as you pet her together. "she's nice, i like dogs and cats." you chuckled, smiling from his pure nature. he was so sweet. "androids don't sleep, do they?" you suddenly asked, after thinking about what he was going to do while you slept. "no, androids don't require things like sleeping or eating. however we do have a 'rest mode' where we temporarily shut down to reserve energy." his eyes were attentive to your exposed skin, as he was used to seeing you in long sleeved tops, and a skirt with stockings. but you were in the comfort of your home, wearing a tank top and shorts. he appreciated the view.
"that makes sense, I think I'd go insane and hallucinate after not sleeping for a couple of days," you replied, moving to the couch where he followed you. he looked cute sitting in your girly living room. his eyes flickered between you and your neck, your tank top revealing more of your neck and chest, which he tried to ignore. "it doesn't hurt if that's what you're worried about," you said, after noticing his LED turn amber a few times. he was analyzing you. "i apologize, i didn't mean to-" you cut him off by shaking your head, placing a hand on his thigh which was impossible to ignore. "that's okay, i know you're concerned. it's sweet connor, I'm thankful for you," you smiled. something fluttered within him, it was the feeling he got when he made amanda happy or accomplishing a mission, just without being literally forced to accept the woman. she was long gone, but that's what he could compare this feeling to. who knows, maybe he just liked being praised. "thank you for being understanding, detective." his thirium pump raced from the sudden contact, his skin warming from the heat of your palm. "please, call me by my name. even in the office. you're my friend," you rested your hand on his shoulder, the urge to just touch him everywhere overwhelming you. "okay, y/n." the sound of your name rolling off his tongue was something that you enjoyed too much.
his eyes were trained on the floor, a pang of guilt welling up inside him from today's events. "i still feel responsible for your injury." you sighed, "connor, it's okay. it's not your fault." your hand moved to his, and you held his hand gently. there it was, that feeling again. he wanted you to hold his hand forever. your thumb brushed over his knuckles, and he gently squeezed your fingers in response. you suddenly got shy, as your eyes avoided his and you slightly warmed from what you were going to ask. "connor?" you asked for his attention, and he'd give it to you, no questions asked. he titled his head slightly, finding it hard to focus when you were holding his hand. it was far more intimate than any other gestures you've given, besides hugs, he might've found a favorite. "what is it det- y/n?" he corrected. "can i hug you?" you smiled shyly at him. it was unusual for you to ask since you'd always just go ahead and hug him (not that he minded), but it seemed like in your personal space and a much more secluded area, you seemed to be more nervous when alone with him. "of course you can, you don't need to ask. is that why you were nervous?" he teased, and you smiled before leaning into him and wrapping your arms around his body. hugging him wasn't what you expected- it was nothing like hugging a mannequin, but it wasn't like hugging a human. he still had the warmth and the softness from his skin, but under that was plastic and metal that made his body feel more firm. almost like how you'd touch flexed muscles, his body was similar to that.
his arms were wrapped around your waist, a little more loosely than yours. he liked the way you smelled, your smell was comforting in a way. as an android, he could register smells, but he didn't experience them in the same way as humans. certain smells are tied to memories, like a home cooked meal reminding you of childhood. yet your scent made him feel a certain way that he couldn't describe, no matter how many times he tried to compute it. it was just a pleasurable feeling. you smelled good all the time, everytime you hugged him he'd smell bright crystal by versace. "i have a question, y/n." he suddenly spoke. you hummed into his shoulder, prompting him to continue. "what makes you so affectionate towards me?" you almost laughed at his question, but it made you stop and think for a second. he could feel your heart race, and he didn't know why, it was a simple question.
"because I like you." you pulled away, looking to see his reaction. "thank you, I like you too. it's a great pleasure to be working with you," he gave a soft smile, not quite understanding what you really meant. you laughed, and shook your head. "I meant I have feelings for you. and it's okay, I don't expect you to return them, but I just want you to know that I've liked you for a really long time now."
his brows furrowed slightly, now understanding what you meant. you were worried, did he like you too? it had been strange for him. to deny his feelings at first, to ignore the increased whir of his thirium pump when you were around, to distract himself from how good your touch made him feel. to try to talk to someone else because he felt the need to be around you all the time. lately he's been more accepting of these feelings, and some of the new urges he's discovered. he's never felt the urge to want to touch someone before, to see you do things that were completely inappropriate. at first, he felt shame for thinking about you that way. but when he came to accept that it was probably normal, it was easier to let loose. his silence made you worry, but he was happier than he's ever been in his entire life. his LED was showing that he was currently processing the information, and he tried to hide how happy he really was. "I have feelings for you too, and I don't think I would've ever admitted them because I was afraid of rejection," he admitted, a soft smile tugging at his pink lips.
him? connor? the deviant hunter was afraid of being rejected by you? it almost made you laugh, because the thought was so bizarre to you. "are you serious? you were afraid?" you teased him back, and he rolled his eyes at your comment. he looked at you, and then your lips. you did the same, hoping that the two of you were sharing the same thought. in an instant, his lips were on yours. it was a completely new sensation to him, since the only thing to touch his lips were his fingers when analyzing DNA, so the feeling of your plush lips against his own was very new. he liked it.
your hand found its way on the side of his neck, and you deepened the kiss by gently pushing him back onto the couch. his LED pulsed a steady blue, even if inside he felt like he was burning up. he'd never felt so hot before, the component that circled cool air into his system working twice as hard to keep him from overheating. your tongue ran across his bottom lip, and he couldn't deny that he really liked that. your tongue then pushed past his pearly whites, and he actually thought he might catch on fire if you keep pushing him like this. his hands ran up the small of your back, and he pulled you into his lap, making you pull away from the kiss momentarily - a string of saliva connecting your mouths. you pulled him back by his tie, your fingers looping around the fabric to loosen it. it started with his tie, then his jacket, and then your fingers were slowly unbuttoning his shirt. he tilted his head back, allowing you to kiss his neck and the middle of his throat, your tongue running down his adams apple.
he was experiencing pure bliss, the feeling of your tongue running against his skin almost burning him from the heat. your kisses started in between his collarbones, and then it led down his sculpted stomach. you were pleasantly surprised by his muscular physique that hid underneath his clothes. through the jacket, you couldn't see much, but now you were able to see how strong he actually was. cyberlife intended for him to be stronger, and in doing so they gave him a lean yet muscular physique in order to be faster and precise. you slowly shifted to your knees, kneeling in between his thighs. you pushed his legs apart, and rested your arms on his thighs, while your fingers played with his belt. his cock strained against his boxers and his jeans as he looked down at you. your palm pressed on his crotch, and he clenched his jaw from the sudden pressure. fuck, you were going to break him.
"shit," he hissed, feeling more of your hand pressing on him through his jeans. it was a first hearing him curse, and fuck did it turn you on. before you continued, you momentarily stopped to ask him if it was okay. he nodded, his breathing becoming heavier as you unbuckled his belt. you pulled his jeans down enough to where his boxers were exposed, and fuck you didn't expect him to be so...big. it was hard to hide your surprise at his size, and you finally knew why he was always in a good mood. he smirked, his head tilting while his hand ran through your hair. you pulled his cock out gently, kissing his tip before wetting the length with your tongue. you made direct eye contact with him while you ran your tongue up the length of his cock. he nearly came just from the sight.
"you're so pretty," you complimented, before taking him in your mouth. the artificial muscles in his thighs clenched from the heat and wetness from your mouth, and he didn't know if he could handle being inside you if your mouth felt this heavenly. he let out soft grunts, making you clench your thighs together. you spit on his pink tip, before swirling your tongue around the head of his cock, your hands working up his length. you took him in your mouth again, your eyes tearing up from his tip hitting your throat as he gently thrusted into your mouth. his breathing became heavier, grunting while his head tipped back. you were surprised to feel his fingers gripping your hair, before you realized that he was holding you in place. he grunted one last time, before cumming into your mouth. unlike humans, his cum didn't have a certain taste as it was artificial, yet there was still something delicious about it, and you practically licked your lips clean.
your knees ached from being on the floor, and you were surprised yet again when he kissed you again, this time more hungry. you kissed back with the same amount of hunger, your lust never ending for the android that was above you. you laid on your couch, watching as he placed his hands on either side of your head. it was his turn to be in-between your thighs, and you whimpered feeling his cock press against the outline of your shorts. "i want you just as bad as you want me," he muttered into the crook of your neck, his lips kissing at your jaw and neck. unfortunately you couldn't bruise android skin, but he could bruise yours easily. his tongue licked at your skin, and he began to suck to leave a hickey. your hands traced the muscles on his back, your palms running up and down the smooth skin. "yeah? prove it," you challenged, watching as he nearly tore your shorts off, leaving you feeling exposed.
he was a little overwhelmed by so many urges at once, the urge to break you and leave you begging for him, or to fuck you until you cry. your back arched as he started to kiss your exposed cleavage, sitting up on his knees to squeeze your boobs. he'd be lying if he said he hadn't thought about doing this before. you moaned, watching as he lifted up your tank top and discarded it to the side. he kissed your chest, and you arched your back enough for him to remove your bra. he looked down at you, admiring how pretty you are. "you're prettier," he replied to the comment you made earlier, leaning down to squeeze and play with your boobs. he pushed your hips down from moving up into his, his palms holding you down easily. he decided to do the same, and pressed a thumb against your clothed pussy. you whimpered as he moved his thumb in slow circles, applying the right amount of pressure for you to be arching your back.
"my mouth isn't just for sampling dna, you know," he uttered lowly, his lips pressing against your pussy. you felt so hot, your skin burned from every touch. his hands gripped at your thighs, before moving one of his hands to tear your panties off. he didn't know if he could hold himself back, but for your sake he tried. "oh fuck," you whimpered as he ran a tongue up your slit, brown eyes peering up at you for your reaction. your brows twisted in pleasure, as his tongue began to work magic on you. the tip of his tongue swirled deliciously around your clit, before his lips sealed around you. it didn't take you long until you came on his tongue, his middle and ring finger buried deep into you while his mouth lapped at your clit. your abs clenched, your back arching and your toes curling as you unleash yourself on his mouth.
the moans that spill past your mouth are filthy, filling up the room along with the smell of sex. his fingers shove themselves into your mouth, and you're forced to taste yourself while you look up at the android above you. he looked so hot, his lips were slightly parted and shiny from being in between your thighs. his hair was slightly messy from you tugging on it, which he didn't mind. how his hair looked was the last thing he was thinking about. all he was thinking about was fucking you until you couldn't take it anymore. you lovingly suck on his fingers until his fingers are stripped of your taste, your tongue grazes his knuckles as he pulls them out from your mouth.
"is this your first time?" you asked, your fingers tracing his jaw and running down his chest. "yeah," his short response made you grin, and you pushed him back into the couch, immediately crawling onto his lap. his dick rests against his stomach, and you guide it back to your slit, hovering over him slightly in order to put it in. he looks down at your hand wrapped around his dick, capturing all of this and storing it into a special area that could only be accessed by him. he was definitely going to look at this later. you slowly sink onto his cock, the both of you grunting from the pressure. he seems to be in pure bliss, his head tilting back, his pretty pink lips parted and brows furrowed. if you could take a picture, you would. you gently rock against him, moving your hips slowly in order to not overwhelm him. your hands rest against his chest, and his hands grip onto your hips as you ride him slowly. you lean down and kiss his neck, adding onto the pleasure he was feeling right now. soft gasps and groans slipped out from his mouth uncontrollably, as he started to lose himself in the feeling of you clenched around him. you started to move faster, a pace that only brought the two of you closer to your end. your pussy wrapped around him deliciously, your wetness dripping down and spilling onto his thighs. he wasn't going to let you have all of the control, though.
it might have been his first time, but he sure knew how to fuck like he'd been doing it for years. he suddenly picked you up, with his cock still inside, and pressed you up against the nearest wall. you gasped, legs and arms wrapping around him in fear of being dropped. "don't worry, I'm not gonna drop you," he murmured against your neck, his strong arms holding you up with ease as he started to pound into you. your head titled back as you pushed your hips into him, his inhuman stamina keeping you up in the air, while miraculously being able to hit the spot that made you nearly scream.
"c'mon, take it, i know you can" he encouraged, his cock hitting that spot that made your toes curl. "cum on this dick, i know you want to," he continued, his voice low and demanding as he leaned next to your ear. it was different from how he spoke at the office, with professionalism and respect. but right now, he was fucking you like he had no respect for you, like he hated you. his pace was brutal, filling your pussy up until you couldn't take it. his cock rested heavy inside you, stretching your pussy out in the best way possible. his hand held you by the throat, while his body supported the weight of yours. "oh my god, fuck," you whimpered, your pussy clenching around his cock before you came all over him. he grunted, gasping as his cum poured into you, combining into a mess on your thighs and his own. he thrusted into you a few more times, enjoying the whimpers that slipped past your lips, the way you begged him to stop, the sound of your voice telling him that it was too much. he pulled out gently, cock dragging against the warm walls of your pussy. a new feeling overcame him as he watched his artificial cum drip out your pussy. you returned to your feet, nearly dropping a whole head as he'd been holding you up at eye length. you truly didn't understand how he was able to do so much. goddamn.
"i have no idea how you're able to hold me up like that," you took a second to control your breathing. he smirked, "my stamina and strength were designed to help catch deviants, though I'd say that I prefer fucking you over the mission." you softly gasped, hitting his arm playfully. "I've never heard you curse before," you giggle, doing a little walk of shame to retrieve your clothing. he mimicked your movements, putting his boxers and pants on first, while you lazily threw on your tank top and panties. you stopped him before he could put on his dress shirt. "I don't usually curse when I'm at work, as it's not professional, but we're not at the police department, are we?" he cocked his head, watching curiously as you put on his grey jacket over his bare upper body. "no, we are not," you smile, stepping back to admire your work. "what is the point of wearing a jacket if I'm not wearing anything underneath?" he questioned, watching as you eyed his body. "it's hot," you comment, dragging a hand down his bare stomach, your fingers tracing over his abs. "i look like i work at the eden club," he replied, not very fond of this look. you giggled, pulling him into you for another kiss.
it might have been the first time in a while that you've felt like you were doing something right. whatever you felt with connor, it felt right. he felt the same as you, he felt like having you in his life was something he wouldn't be able to let go. the two of you stayed like this, not putting a label on things yet, and being content with the things way are. you were happy, and so was connor.
though you couldn't deny the slight feelings of desire that you had for his counterpart. you felt guilty for having thoughts about nines. he was your partner. you felt selfish for wanting them both, and you didn't want to have to make a choice with who you wanted to be with, because that wasn't fair. you weren't saying that nines would even have feelings for you, but the mere thought was just enough to make you consider all the possibilities. what you didn't know, was that connor was well aware of the feelings you might have for nines, as well as him. he noticed the looks you gave, the thrum of your heart if he came too close. he didn't know why, but he didn't mind. he didn't mind seeing you look at nines like that, probably because they had the same face. but also because he wanted nines to enjoy you too. he could tell that nines was having the same thoughts, and if only you knew what was going on in his head. the thought of you being used by both of them was exciting. you don't know what's in store, but you know what you're here for.
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AUTHORS NOTE: ur a real one if u get the reference at the end, but I just wanted to say I'm so grateful for all the support that you guys show me ♡ I hope i didnt miss any tags, so pls lmk if i did !! ALSOO i'm so sorry for using y/n. i hate it but i literally don't know what else to put.
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luminalunii97 · 2 years ago
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Civil disobedience, act 4: art and symbols
Demonstration art could be one of the most powerful ways to convey your message. Iranians have been making art all over the cities these days.
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Painting the city with blood: Putting red color in water bodies around the city. throwing red color at street signs specially those that reads Velayat (supreme leading system), hijab, and Kurdistan. putting red blood on pictures of Khamenei, Ghasem Soleimani, and police or judiciary signs. Coloring the university classes and corridors with red. One art classroom door in Alzahra university read "this classroom is covered in blood". These red colors represent the blood the regime has shed.
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Pictures on the walls: Faces of our fallen martyrs. Anti regime pictures. They read: "you kill our love, you are our ISIS" "women life freedom" "women of Iran and Afghanistan against the violence of Talib and mullah" "fuck compulsory hijab" "from 2017 to 2022 this regime would fall like dominos" "ambu-lice (ambulances are being used to move policemen)". A religious figure hide behind religion playing his anti riot forces. On an alley named Azadi (freedom) someone has written "there was so much bravery hidden in this land".
(It's important to know that in Iran, mullahs don't represent religion as much as they represent the regime. For 40 years the turbans have been the heads of political powers. Most of those mullah pictures are directly targeting Khamenei the supreme leader)
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Slogans on paper money: these ones say "women life freedom" "queer life freedom" "Baloch life freedom".
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Khodanoor Lejei, symbol of the islamic republic cruelty: The bloody Friday in Zahedan was one of the darkest spots in Islamic republic brutal history. Opening fire on a crowd of praying Muslims before they even start protesting. Killing about 100 people of Baloch. But one picture stood out and stood as the face of inhumanity of the regime. Khodanoor Lejei was one of the victims of bloody Friday in Zahedan. An old picture of him went viral after his death. He was arrested a couple of months prior to Mahsa Amini murder and was treated with no dignity. Bound to a pole. water in front of his thirsty body but out of his reach. So in universities, sport games, streets and alleys people have been posing Khodanoor in bound to protest the cruelty. In the last two pictures, the signs read "political" (سیاسی) and "justice" (عدالت)!
Students sing revolution anthems. Artists make digital arts. Musicians make revolution songs. People dance and the security forces attack and arrest them.
There have been balloons flying over the cities with banners containing slogans on them. There have been banners on footbridges situated so that drivers would see them. People also have been writing slogans on billboards especially those that promote regime propaganda.
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Azad university art students gathered in their campus, painted their palms red and raised their hands to the sky.
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Meanwhile the regime forces broke into dormitories and stole students.
Some universities including mine design their campus trees and buildings with names of the murdered protesters or captured students and other revolution symbols (red tulip represents martyrs in Persian literature). The uni authorities take them down but the art students do it again.
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After Kian Pirfalak, all over the country you could find paper boats and rainbows. Kian was a 10 year old boy who was murdered by the regime. There's a video of him starting with "in the name of the god of the rainbow" and continuing to explain his crafted boat. He wanted to become an engineer. Now paper boats are banned in universities.
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One of the murdered protesters, Hamidreza Rouhi, loved riding motorcycles. He had a video online of him on a motorbike lip syncing to a song and pointing to the camera. A group of motorbike riders in Tehran, 7 day after his murder, gathered in front of his house, their motorbikes lined nearby, with pictures of him on each bike.
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And in a recent symbolic act, a woman walked around Tehran streets as The Handmaid's Tale cosplayer. Very on point.
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Don't think for a second that these civil ways of protesting are safe or easy. People have been arrested or shot in the head doing these.
People are capable of beauties but the regime can only make ugliness. That's the summary of this revolution.
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colossalcriminal · 5 months ago
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Memory Lane, Detroit. - j.m.
Pairing: Joel Miller x fem!Reader, slight Connor x fem!Reader, Hank x Daughter!Reader (mentioned), Last of Us x Detroit: Become Human crossover. Summary: They say home is where the heart is, but when Y/N stumbles upon Detroit on their journey to Wyoming, she feels as though home is where her heart once was, and where it could be one day.
Content warnings: mentions of death, pregnancy, late30s!reader x 50s!Joel. Android revolution failed in 2002, outbreak occurred in 2003.
They're in Detroit.
Something about it hits her like a tonne of bricks or tripping on cobblestone when wearing nice heeled shoes like they used to. Either way, she stumbles, nearly falling. Maybe it's the air, the feel, the familiarity, but she's certain it isn't the look of it.
Detroit is unrecognisable, for the most part.
That's what one nightmare after another does to a place, she guesses.
"Come on, I know somewhere we can stay the night."
Joel and Ellie follow her, nearly mindlessly. The former takes note of this as Y/N's domain, her territory, etched into the back of her brain, and the girl isn't one to argue with her like she does with Joel.
They walk, as they have done through the summertime. Every now and then her eyes trail over a familiar street sign, or an old store. She swears you could hear a subtle whistle in the wind, a slight hum of laughter, but she decides it's the ghost of her youth.
Not terrible, is one way to describe the house. The disease has been kind enough to leave it remotely untouched. It's dark, but the windows are open and the curtains are torn, so it has been touched.
Joel goes to open the door, the handle doesn't budge, he grunts. "Hold on." He steps away with a huff, watching her movements. Y/N kicks over a potted plant, the organism long dead and smelling slightly foul if you're close enough to it, underneath is a silver key. "Spare."
She unlocks the door with a professional force, the kind you'd employ if you were a resident of the property, but Joel doesn't ask her just yet. Ellie is the first to go inside, instantly hopping onto the couch. The springiness surprises her, a giggle escapes her lips, Y/N smiles. "Ellie, there's a room down the hall for you. On the right." She listens, dashing down the hall and into the bedroom whilst the older woman stays put. "Hello?"
"Who're you calling out to?"
Her head snaps in Joel's direction at his query, he stands near the entry to the kitchen. "Was just wondering something."
The house is empty, apart from the three of them. She goes past him into the kitchen, there is a nearly empty bottle of liquor by the sink, a singular photograph on the surface of the dining table. "You alright, darlin'?" Her partner says from behind her, he presses his chest to her back, his arms caging her against the table.
"Yeah." He catches a glimpse of the photo she stares at before she turns to face him. "Just thinking, honey."
A sigh escapes his mouth, his hands plant themselves on her waist. "I know." And he does, he knows what she's thinking about. "Any idea where he is?"
Y/N shakes her head. "For all I know, he could be-"
Joel interrupts her, his digits lightly dig into the flesh of her midsection. "Don't think like that. C'mon, now," His right hand travels, his fingertips lightly hooking under her chin, she finally looks into his stormy grey eyes.
The corners of her lips tug upward, the smile is small, she places a quick peck on his lips. "Let's get some rest, hm?" They slowly step to the living room, he settles in to the sofa first, she doesn't join. "Hold on, just wanna see something outside. I'll only be a minute."
"Be careful."
And so she is, silently leaving the house, her hand stays on the handle of her gun, fingertip teasing the trigger.
It's eerily quiet. A rustle. It's faint, almost nonexistent, she turns to her left. "Jesus, fuck."
The subject of her curses tilts his head, his eyes squint momentarily. "Y/N?"
"Yeah, Connor."
They look at each other, it isn't brief or fleeting, their stares bore holes into the other.
Connor looks just as he did twenty years ago, his skin smooth, hair dark and eyes youthful, but his clothes are rugged, his CyberLife jacket has been lost and his tie is ripped. The sleeves of his button up are folded to reveal dirt stained forearms.
His eyes, they're dim, dark brown and dull, probably from some many years of lonesome survival. They soften upon her, her own tiresome eyes could mirror his, the underneath of them are dark and slightly hollow.
Also hollowed out are her cheeks. Small wrinkles fold over each other at the outer corners of her eyes, her hair isn't as long as it once was, but for the most part, Connor smiles at how gracefully she has aged, despite the obvious circumstances.
"How are you?" The question is futile, but he hasn't had much practice with human interaction in recent decades.
"Surviving." Her brows furrow, she's unable to remain curt, cool and collected, worry flashes across her features. "You're still here? After all this time?"
The android nods, somewhat proud, a little. "Taking care of the house."
"I guess no one expects an android to stick around." He smiles a little at the humor in her sarcasm. "Where is he? My dad."
Connor takes a step forward, and judging by the frown playing at his lips, she knows what is coming. "Y/N," Her head begins to nod, despite the news still inching off the tip of his tongue. "Hank died. Seventeen years ago."
"Oh."
Something shifts in her stomach, a revelation, a sense of relief. A conclusion has been presented to her, certainty floods her veins, a light has shone itself upon the darkness of unknowing and death.
"Was he," The woman sucks in a breath. "was he alone, or in pain? Was he bitten?"
"No. No, he was sick. He had been for about a year, he decided it was time." Y/N's lips purse, she continues to nod feverishly, her brain processes his words. "He thought of you. You and Cole were the last Hank spoke about. We didn't know you were alive."
On that cool day in September twenty years ago, she'd arrived in New York for university, but had barely made it through her first lecture when the news echoed throughout the bustling city.
"Yeah, I know." Y/N sniffles, not from tears, but something tingles. "I tried driving back to you, couldn't make it past Pittsburgh, it'd been quarantined by then."
Connor nods. "Yes."
"I found a group, a couple of us settled in the Boston QZ."
He tilts his head, curious. "Boston's far, what are you doing here?"
She rubs at her temples, shifting her weight between her feet. "We think we've found something, a cure, we need to get her to a lab in Wyoming."
"Her?"
"It's complicated."
"I can help."
"What?"
The android is unfazed. "I can help you get to Wyoming."
A click sounds, from behind her, she turns to find Joel, weapon in hand and pointed for Connor's head. "Y/N, go inside, I'll deal with him."
She shakes her head, a breathy chuckle leaves her. "No, Joel, this is Connor."
His gun lowers. "That Connor?"
"Yeah. Connor, this is Joel, my,"
"I'm her husband." He finishes, face suddenly scrunching in disbelief when he faces her, no one can pinpoint the expression he holds.
"I will give you both some time to talk." Connor, in true android fashion, abruptly walks away, his hands clasped behind his back.
Y/N sits on the stone steps that lead to the porch of the house, planting herself next to where Joel stands. She tugs on his trousers, he sits next to her. "That android thing?"
"That android thing cared for my dad and kept this house in shape." She tells him. "My dad worked the deviant cases to stop the android revolution with him. I was nosy, pestering Connor for information."
"Haven't changed much, honey."
Her shoulder bumps his, it does little damage. "When you met me in Pittsburgh?" He nods, urging her to continue. "I had driven from New York, was just about to start my first year of college."
Joel's hand rests on her thigh, the warmth of his palms comforts her skin, she leans into him completely and he welcomes her touch with a kiss to her hair. "He wants to help us get Ellie to Wyoming."
"Can he use a gun?"
"Mhm."
"Alright, then."
Removing her head from his shoulder, she looks up at him, kissing his lips once, twice, until he holds her jaw and keeps her lips put against his for a third, longer time. She chuckles into his affection, they part minimally, until the similar rustling of an android's footsteps return. "Hey, you're sure you want to come with us?"
Connor nods at her question, he holds his hand out to Joel, who takes it firmly, barely shaking it. "I'll see you both inside."
"Yeah, baby." Her hand trails along the side of his torso, fingertips hovering over his leg as he gets up, Connor takes Joel's place next to her. "It's good to see you, Connor, after so long."
He smiles, fully, this time, slightly toothy. "You, too, Y/N. You've grown."
"Mhm." There's a certain glee in his awkwardness, "Hate the fact that you look the same, so damn great, fucking android."
The familiar sound of her sardonic humor hits his ears, it's like music to his mechanical brain, he dares to chuckle. "Sorry, about that. You don't look too bad yourself." It takes everything in the blue of his blood not to mention how similar she is to Hank.
A moment of silence, there's something she wants to say, Y/N remains chewing on the words, stewing in her vocabulary. "You can say it."
"I'm pregnant."
That isn't what he's expecting, he's taken aback, eyebrows raised for just a moment. "Congratulations."
"Well, thanks, yeah, kind of. Shit world we're in." Connor doesn't respond, he agrees. "But Joel takes good care of me. Been doing so for sixteen years."
"That's good." He looks at her, rather than ahead across the street like they have been doing. "You can always come back here."
She does the same, also smiling. "Yeah? Thanks, Connor."
Quiet, Detroit is so quiet, peace is a smell in the air.
The door to the house opens at such a speed, it threatens to fly off its hinge. "Joel said there's an android!"
"Fucking Joel." Y/N mutters.
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balancedearthylioness · 1 day ago
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Pluto in Aquarius Transit Guide for All Rising Signs 🌌
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Aries Rising ♈
Your 11th house journey begins! 🚀 Get ready for a total transformation of your friend groups, social networks, and long-term dreams. You might find yourself becoming the leader of revolutionary movements or tech-focused communities. Watch as your vision for the future evolves into something more radical than you ever imagined.
Taurus Rising ♉
Career metamorphosis incoming! 🎯 Your 10th house is getting the Plutonian makeover. Expect massive shifts in your professional life and public image. You might become known for innovative technological solutions or unconventional leadership approaches. Traditional career paths? Not anymore!
Gemini Rising ♊
Your 9th house expansion is revolutionary! 🌍 Higher education, spirituality, and worldview are all getting electrified. You might find yourself diving deep into futuristic philosophies or teaching radical new concepts. Travel could open doors to technological or humanitarian ventures.
Cancer Rising ♋
8th house intensity amplified! 💫 Shared resources, intimacy, and psychological depths are being revolutionized. You might discover new ways of handling joint finances through technology, or experience profound transformation through group healing practices.
Leo Rising ♌
Partnership revolution in the 7th house! 👥 Close relationships are getting the Aquarian treatment. Expect unconventional partnerships, possibly connected to technology or humanitarian causes. Your approach to collaboration will never be the same.
Virgo Rising ♍
Work routines and health get an upgrade! ⚡ Your 6th house is being revolutionized. Watch as your daily habits transform through technology. Health practices might become more experimental and community-oriented. Your service to others takes on a humanitarian edge.
Libra Rising ♎
Creative revolution in your 5th house! 🎨 Self-expression and romance are getting electrified. You might find yourself creating art with technology or falling for someone who challenges traditional relationship models. Your inner child wants to innovate!
Scorpio Rising ♏
Home and family transformation! 🏠 Your 4th house is getting the Aquarian shake-up. Expect revolutionary changes in your living situation - maybe a smart home or communal living arrangement. Family structures might break from tradition.
Sagittarius Rising ♐
Communication gets supercharged! 💭 Your 3rd house is being revolutionized. Writing, speaking, and learning take on a futuristic edge. You might become the voice of revolutionary ideas or start working with cutting-edge communication technologies.
Capricorn Rising ♑
Value revolution in your 2nd house! 💰 Your relationship with money and possessions is transforming. You might discover innovative ways to earn through technology or completely reimagine your relationship with material resources. Digital assets, anyone?
Aquarius Rising ♒
Personal revolution time! ✨ With Pluto in your 1st house, you're becoming a completely different person. Your self-image and approach to life are getting a total overhaul. You might become the embodiment of future-oriented change.
Pisces Rising ♓
Spiritual technology activation! 🌟 Your 12th house is being transformed. Hidden realms and unconscious patterns are being revolutionized. You might discover how technology can aid spiritual growth or find yourself working behind the scenes on humanitarian projects.
Remember: Pluto transits are slow and deep, lasting for many years. The changes they bring are permanent and transformative. Embrace the revolutionary energy! 🌠✨
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ninja-muse · 3 months ago
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August is over! My reading month felt like it took forever even though otherwise, the month flew by. I blame this half on my top two reads of the month, which I was only reading in short snippets, and half on a number of lackluster reads and DNFs. I'm hoping to get back into my usual habits in September.
I did do better on reading off my physical TBR though! Even though one book was a "aw man, what do I read now?" and two more were, "I'm behind on my goal, quick, read something fast!" Plus the T. Kingfisher, which was graciously provided by my work, as was Running Close to the Wind. (Finally a month where I didn't spend money to add to my library!)
As for my top reads, The Salmon Shanties would be near the top of my list even if there wasn't a degree of reverse-nepotism involved. Absolutely excellent poetry collection, very layered and complex. If you're into Canadian poetry or poetry-of-place, pick it up! And Rose/House, once I got it back from the library because my Libby hold ran out, was absolutely fantastic! As was the quality of the French translation, because it sounded like Martine. So very, very glad I had the nerve (and linguistic ability) to read it. Super-creepy and I'm glad Tor's picked it up so I can hype the heck out of it next year. And then there's Jinn-Bot, which I wrote an actual review for.
On the other end of the list, sigh. I DNFed one book for feeling kind of trite, and another for being too predictable, and probably should have DNFed Voyage of the Damned for being uneven but I needed to know who the killer was. The Library Thief I'm also counting as lackluster—very good book, just wasn't for me or what I was expecting. Still deserves a 7.
Lula Dean, on the other hand, was surprisingly good! Fun and satirical and just plain entertaining. Read it in a couple days and it would likely be higher on my list except my reasons to be "glad to have read them" this month are less about quality and entertainingness than usual. I can't put "really liked this" above "finally I get to read a new book by X!", for instance. Or necessarily above "learned stuff!"
You might notice a distinct lack of any other news, and that's because there is none. September may be marginally more exciting, we'll see. (I know there'll be a bigger book haul.)
Anyway, on to September now, and in the meantime, here's my list everything I read this month, in the rough order of how glad I was to have read them.
The Salmon Shanties - Harold Rhenisch
A collection of poems centered on and celebrating Cascadia in all its facets (or taking it to task, as the case may be). Out in September.
10/10
🇨🇦
warning: mentions racism, colonization, genocide
digital reading copy
Rose/House - Arkady Martine
There is a body within Rose House—two, if you count its architect, who ordered the house shuttered with his passing and left to its AI. Only one person is allowed to enter now, and she’s accounted for. And yet there is a body within Rose House��.
9/10
🏳️‍🌈 author
warning: descriptions of a dead body
library ebook
The Jinn-Bot of Shantiport - Samit Basu
Lina and Bador want freedom: from surveillance, from power structures, for their city, for all bots, or just for their family. This might come from cunning, or revolution, or a lost ancient artifact, or an underground bot-battle, or swaying a visiting space hero or the Not-Prince. Much more than an Aladdin retelling.
8/10
🏳️‍🌈 secondary characters (multisexual, achillean), Indian-coded cast, Indian author
warning: discusses colonization and oppression, references police violence
reading copy
Unwritten, Vol. 8 - Mike Carey with Peter Gross, Dean Ormston, Yuko Shimizu
When Tommy Taylor learns that Lizzie is trapped in the land of the dead, he goes to rescue her—but he’s unprepared for his adventures there, or the wider implications.
8/10
Indigenous Australian secondary character
off my TBR
All Quiet on the Western Front - Erich Maria Remarque
Paul Bäumer recounts his time serving in the German army in WWI.
7/10
warning: war, death, animal death, gore, injury
off my TBR
A Sorceress Comes to Call - T. Kingfisher
Cordelia’s terrible mother has decided to marry a squire. Cordelia knows he and his sister don’t deserve that—but how to stop her, when she can do magic?
7.5/10
warning: child abuse, torture, murder, animal cruelty and death
finished copy received through work
A Man and His Cat, Vol. 4 - Umi Sakurai
Kanda gets the courage to make a new friend and revisit an old situation.
7/10
Japanese cast, Japanese author
off my TBR
A Gentleman from Japan - Thomas Lockley
The true story of a Japanese man who was brought to the court of Elizabeth I and influenced early modern English science.
7.5/10
warning: slavery, orientalism, war and violence
library book
Lula Dean’s Little Library of Banned Books - Kirsten Miller
In Troy, Georgia, the fight for public decency is kicked off by Lula Dean, who craves attention and loves her Southern history—and her fencepost library, where someone’s put wholesome jackets over books she’s tried to ban….
7/10
ensemble cast including Black, 🏳️‍🌈 (gay, lesbian), and Indo-American POV characters
warning: Nazis, anti-Semitism, anti-Black racism, homophobia, rape, suicide
reading copy
The Library Thief - Kuchenga Shenjé
Florence talks her way into a job repairing a lord’s library, but is quickly drawn in by the mysterious death of the lady of the house. A gothic novel centering race, gender, and other marginalizations in late Victorian England.
7/10
Black British main character, Black British secondary characters, 🏳️‍🌈 secondary characters (trans woman, sapphic), Black British author
warning: racism, including slurs; rape, abuse, misogyny, queerphobia
library book
The Voyage of the Damned - Frances White
A grand state voyage is upset by murder and it’s up to the lowly, non-Blessed Ganymedes to catch the killer before they dock. Goddess help them all if he doesn’t….
5.5/10
🏳️‍🌈 protagonist (multisexual), fat protagonist, 🏳️‍🌈 secondary characters (nonbinary, ace, trans man, sapphic, achillean), Indian-, African-, and Japanese-coded secondary characters
warning: murder, injuries, blood, colonial thinking, attempted genocide, suicidal thoughts
reading copy
DNF
Remedial Magic - Melissa Marr
Safe and ordinary Ellie meets a mysterious woman in her library, and is whisked to a fantasy world where she’s probably a witch—and almost certainly in trouble.
🏳️‍🌈 protagonist (sapphic), 🏳️‍🌈 secondary character (sapphic), 🏳️‍🌈 author
reading copy
Casket Case - Lauren Evans
Garrett stops to ask for directions at Nora’s casket shop and they hit it off. Unfortunately he works for Death…. Out in September.
African-American secondary characters
reading copy
Currently reading
A Natural History of Dragons - Marie Brennan
A memoir by Lady Trent, renowned natural philosopher and adventuress, but covering her childhood and first expedition, to the mountain highlands of Vystrana, and the troublesome dragons encountered there.
library book
Music from the Earliest Notations to the Sixteenth Century - Richard Taruskin A history of early written European music, in its social and political contexts. The Penguin Complete Sherlock Holmes - Arthur Conan Doyle Victorian detective stories.
disabled POV character (limb injury), occasional Indian secondary characters
warning: racism, colonialism
Monthly total: 11 Yearly total: 70 Queer books: 1 Authors of colour: 3 Books by women: 6 Authors outside the binary: 0 Canadian authors: 1 Classics: 1 Off the TBR shelves: 4 Books hauled: 2 ARCs acquired: 3 ARCs unhauled: 6 DNFs: 2
January February March April May June July
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dgrailwar · 7 months ago
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Pretender, d'you mind having a closer look around? Maybe see if there are any distinctive logos or markings on anything. I'll treat us to some snow cones after for having to work during down time.
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"Yeah, sure. I'll poke around. What's the worst that can happen?"
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Round 4, Day 3 - ALL TEAMS (Event)
The Pretender and his Masters, fueled by curiosity, begin poking around. His hand grazes something, as magical runes begin to twist and burn, and the ground itself stirs.
The Grail stirs.
As if instinct, the Pretender retreats, understanding that something massive has been triggered.
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The earth shakes, as a gargantuan machine pulls itself forth. A mechanical god, massive in both presence and stature makes itself known. A divine entity made from mankind's hands, with a lone man sitting on the shoulders. There's a look in the man's eyes-- amusement. This is earlier than he expected.
"Ah-- early? Of course, of course. That must mean too many of you were playing it safe… you had time to poke around. That's not interesting, not interesting at all! Don't worry, though. I'll help spice things up!"
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The Ruler and the Foreigner barely make it out of the house of mirrors, diving to the ground as it collapses.
Soldiers, wielding heavy weaponry begin pour out of the rubble. They seem to manifest as if they were air, scattering themselves.
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The Avenger, battling the guard hound, finds himself momentarily distracted by the noise as a fierce jaw tears through his cloak. Shadow leaking from his body, he jumps away, retreating to see where the source of these tremors came from.
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The MoonCancer, her body pierced by the Alter-Ego's blades, stumbles backwards in pain. The Alter-Ego raises her leg for another damaging blow, but is momentarily stopped.
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Heavy footfalls thunder down streets. The sun finds itself slowly swallowed by smoke. Laughter, excited and maddening, echoes from the man standing on the mechanical god. A restoration- a revolution- a new world order of his making imposing itself on the confines of the digital space. 'Mages use Reality Marbles, geniuses twist reality with their bare hands', he thinks as he throws his head back, cackling.
When you see their advance, uncertainty grabs at your senses. When you hear their name, fear strikes your heart. And the man on the mechanical deity yells it loud enough to rival the thundering of the shaking earth.
"Advance, Kiheitai!"
Behold, the warrior of innovation. The Heroic Spirit of Firearms. Those who have blazed their way through history with ash and gunpowder, setting the world ablaze in their trail with a hail of bullets.
Behold--
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The Extra Class of Hailing Fire, Gunner!
Event Start! - [Extra Summon - Thunder]
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anotherhumaninthisworld · 4 months ago
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How close Desmoulins and Fréron were? And what did they think of each other? I'm asking because I discovered they managed a journal together, La Tribune des Patriotes.
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The seventeen year old Fréron was enrolled as a paying boarder at the college of Louis-le-Grand on September 30 1771, and just a day later, the eleven year old Camille was as well. I have however not been able to discover any evidence indicating the two were friends back then, or even an instance of one referring to the other as ”college comrade,” something which Camille otherwise is proven to have done with a whole lot of other fellow students. Perhaps this should be read as a sign the two did not know each other back then, six years after all being a rather big age difference for kids. They also don’t exactly appear to have been the same type of student, Desmoulins winning a total of four prizes during his time at the college and Fréron zero, and their teacher abbé Proyart admitting (despite his massive hostility) that student Camille had ”some success,” while Fréron ”showed few talents” and ”was cited as a rare example when speaking of laziness and indolence.” (for more info on the school days of them and other Louis-le-Grand students, see this post).
Fréron graduated from the college in 1779, Camille five years later. I have not been able to find anything suggesting they had anything to do with each other in the 1780s either. But on 23 June 1790, one year into the revolution, we find the following letter from Fréron to Camille, showing that the two by this point have forged a friendship. Judging by the content of the letter, said friendship was probably much grounded in their joint status as freshly baked patriotic journalists (Desmoulins had founded his Révolutions de France et de Brabant in November 1789, Fréron his l’Orateur du Peuple in May 1790):
I beg you (tu), my dear Camille, to insert in your first number the enclosed letter, which has so far only appeared in the journal of M. Gorsas; its publicity is all the more interesting to me as I have just, I am assured, been denounced to the commune as one of the authors of l’Ami du Roi. It is a horror that I must push back with all the energy I can. If you cannot insert it in full, in petit-romain, at the end of your first number, at least make it known by extract; you would be doing me a real service. It’s been a thousand years since I last saw you; I have had a raging fever for more than a fortnight which has prevented me from returning to Rue Saint-André; but I will go there next Saturday. Ch. de La Poype came to your house with a letter from M. Brissot de Warville, but he was unable to enter. It was to talk to you about a matter that you no doubt know about. If patriotic journalists don't line up, then goodbye freedom of the press.  A thousand bonjours, my dear Camille  I am very democratically your friend,  Stanislas Fréron. 
l’Orateur du Peuple has unfortunately not gotten digitalized yet, so we can’t check if Fréron wrote anything about Desmoulins there that could tell us more about their relationship. But in Révolutions de France et de Brabant we find Camille listing Fréron among ”journalists who are friends of truth” (number 37, August 9 1790), calling him a patriot (number 33, July 12 1790), protesting when national guards were sent to seize the journals of Fréron and Tournon (number 63, February 7 1791) and when the numbers of Fréron and Marat got plundered (number 83, July 4 1791), as well as republishing parts of the journal he finds inspiring (number 83, number 85 (July 18 1791). In both number 1 (November 28 1789) and number 65 (February 21 1791) Camille republished a poem he had written in 1783 that mocked Fréron’s father, the famous philosopher Élie Fréron, as well as his maternal uncle Thomas-Marie Royou, him too a member of the counter-enlightenment (and who, as a sidenote, had also been one of their teachers at Louis-le-Grand). Given Fréron’s open hostility towards both his father and uncle, it does however seem unlikely for this to have had any negative effect on their relationship.
Just a few days after the letter from Fréron to Desmoulins had been penned down, we find the two about to enter into partnership. On July 4 1790 the following contract was signed between Camille, Fréron and the printer Laffrey (cited in Camille Desmoulins and his wife: passages from the history of the dantonists (1874) by Jules Claretie), establishing that from number 33 of Révolutions de France et de Brabant and onwards, Fréron will be in charge of half the pages of the journal, while he from number 39 and forward will be in charge of an additional sheet particulary devoted to news:
We, the undersigned, Camille Desmoulins and Stanislas Fréron, the former living on Rue du Théâtre Français, the latter on Rue de la Lune, Porte St. Denys, of the one part; and Jean-Jacques Laffrey, living on Rue du Théâtre Français, of the other part, have agreed to the following: . 1. I, Camille Desmoulins, engage to delegate to Stanislas Fréron the sum of three thousand livres, out of the sum of ten thousand livres, which Jean-Jacques Laffrey has bound himself, by a bond between us, to pay me annually as the price of the editing of my journal, entitled Révolutions de France et de Brabant, of three printed sheets, under the express condition that said Stanislas Fréron shall furnish one sheet and a half to each number, and that during the whole term of my agreement with said Laffrey.  2. I, Stanislas Fréron, engage to furnish for each number of said journal of Révolutions de France et de Brabant, composed of three sheets, one sheet and a half, under the direction of the said Camille Desmoulins, with the understanding that this sheet and a half shall form one half of the three sheets of which each number is composed. I engage to deliver a portion of the copy of this said sheet and a half on the Wednesday of each week , and the rest during the day on Thursday, and this counting inclusively from the thirty-third number until the close of the agreement between Camille Desmoulins and Jean-Lacques Laffrey. 3. I, Jean-Jacques Laffrey, accept the delegation made by Camille Desmoulins of the sum of three thousand livres, payable, in equal payments, at the issue of each number, to Stanislas Fréron, to the clauses and conditions hereinunder; and I engage, besides, to pay to said Stanislas Fréron the sum of one thousand livres, also payable in equal payments, on the publication of each number, which thousand livres shall be over and above the said salary of three thousand livres on condition that the said Stanislas Fréron shall furnish to the journal an additional sheet per week which shall be devoted to news to begin from the thirty-ninth number, which commences the approaching quarter.  And I, Stanislas Fréron, engage to furnish , at the stipulated periods  the said sheet over and above, in consideration of the sum of one thousand livres, in addition to the three thousand livres delegated by Camille Desmoulins. Done, in triplicate, between us, in Paris, July 4, 1790. Stanislas Fréron, Laffrey, C. Desmoulins.
According to Camille et Lucile Desmoulins: un rêve de république (2018) by Hervé Leuwers, nothing did however come about from this contract, Révolutions de France et de Brabant continuing to rest under the authority of Camille only, while Fréron instead kept going with his l’Orateur du Peuple. Why this project never saw the light of day one can only speculate in…
When Camille and Lucile got married in December 1790, Fréron neither signed the wedding contract on the 27th, nor attended the wedding ceremony on the 29th. Following the marriage they did however become neighbors, the couple moving to Rue du Théâtre 1 (today Rue de l’Odeon 28), and into the very same building where Fréron had gone to live a few months earlier.
In number 82 (June 27 1791) of Révolutions de France et de Brabant, Camille writes that he a week earlier, the same night the royal family fled Paris, he left the Jacobins at eleven o’clock in the evening together with ”Danton and other patriots.” The Paris night comes off as so calm Camille can’t stop himself from commenting on it, whereupon ”one of us, who had in his pocket a letter of which I will speak, that warned that the king would take flight this night, wanted to go observe the castle; he saw M. Lafayette enter at eleven o’clock.” According to Hervé Leuwers’ biography, this person was Fréron, though I don’t understand exactly how he can see this…
A little less than a month later, July 17 1791, Fréron and Camille find themselves at Danton’s house together with several other people discussing the lynching of two men at the Champ-de-Mars the same morning. At nine o’clock, Legendre arrives and tells the group that two men had come home to him and said: We are charged with warning you to get out of Paris, bring Danton, Camille and Fréron, let them not be seen in the city all day, it is Alexandre Lameth who engages this. Camille, Danton and Fréron follow this advice and leave, and were therefore most likely absent from the demonstration and shootings on the Champ-de-Mars the very same day (this information was given more than forty years after the fact by Sergent-Marceau, one of the people present, in volume 5 of the journal Revue rétrospective, ou Bibliothèque historique : contenant des mémoires et documens authentiques, inédits et originaux, pour servir à l'histoire proprement dite, à la biographie, à l'histoire de la littérature et des arts (1834)).
In the aftermath of the massacre on Champ de Mars, arrest warrants were issued against those deemed guilty for them. On July 22, the Moniteur reports that the journalists Suleau and Verrières have been arrested, and that the authorities have also fruitlessly gone looking for Fréron, Legendre, Desmoulins and Danton, the latter three having already left Paris. Both Fréron and Camille hid out at Lucile’s parents’ country house in Bourg-la-Reine, as revealed by Camille in number 6 (January 30 1794) of the Vieux Cordelier. The two could resurface in Paris again by September.
On April 20 1792, the same day France declared war on Austria, Camille and Fréron again put their hopes to the idea of a partnership from two years earlier. That day, the two, along with booksellers Patris and Momoro, signed a contract for a new journal, La Tribune des Patriotes, whose first number appeared on May 7 (they had tried to get Marat to join in on the project as well, but he had said no). In the contract, Fréron undertook to each week bring 2/3 of the sheets, Camille the rest. According to Leuwers, Camille did nevertheless end up writing most of it anyway. The journal did however fail to catch an audience and ran for only four numbers.
On June 23 1792 Lucile starts keeping a diary. It doesn’t take more than a day before the first mention of Fréron, in the diary most often known as just ”F,” appears — ”June 24 - F(réron) is scary. Poor simpleton, you have so little to think about. I’m going to write to Maman.” One month and one day later Camille tells Lucile, who is currently resting up at Bourg-la-Reine after giving birth, that ”I was brought to Chaville this morning by Panis, together with Danton, Fréron, Brune, at Santerre’s” (letter cited in Camille et Lucile Desmoulins: un rêve de république). Lucile returned to Paris on August 8. In a diary entry written by her four months later it is revealed that both Fréron and the couple were at Danton’s house on the eve of the insurrection of August 10 — ”F(réron) looked like he was determined to perish. "I'm weary of life," he said, "I just want to die." Every patriot that came I thought I was seeing for the last time.” She doesn’t however, and can in the same entry instead report the following regarding the period that immediately followed the successful insurrection:
After eight days (August 20) D(anton) went to stay at the Chabcellerie, madame R(obert) and I went there in our turn. I really liked it there, but only one thing bothered me, it was Fréron. Every day I saw new progress and didn't know what to do about it. I consulted Maman, she approved of my plan to banter and joke about it, and that was the wisest course. Because what else to do? Forbid him to come? He and C(amille) dealt with each other everyday, we would meet. To tell him to be more circumspect was to confess that I knew everything and that I did not disapprove of him; an explanation would have been needed. I therefore thought myself very prudent to receive him with friendship and reserve as usual, and I see now that I have done well. Soon he left to go on a mission. (to Metz, he was given this mission on August 29 1792) I was very happy with it, I thought it would change him. […] F(réron) returned, he seems to be still the same but I don't care! Let him go crazy if he wants!…My poor C(amille), go, don’t be afraid… 
Following Fréron’s return from his mission, he hung out with the couple quite frequently. On January 7 1793 we find the following letter from him to Lucile:
I beg Madame Desmoulins to be pleased to accept the homage of my respect. I have the honour to inform her that my destination is changed, that I shall not go to the National Assembly because I am setting out for the countryside with MM Danton and Saturne (Duplain). Will she have the goodness to present herself at the assembly, before ten o’clock, in the hall of deputations; she is to send for M. La Source, the secretary, who will come to her, and she will find a place for her by means of the commissary of the tribunes. I renew the assurence of my respectful devotion to Madame Desmoulins.  Stanislas Fréron. Kindest regards to Camille.
Two weeks later, January 20, Lucile writes ”F(réron), La P(oype) came in the evening.” The day after that Fréron writes her the following note: ”I beg the chaste Diana to accept the homage of a quarter of a deer killed in her domains. Adieu. Stanislas Lapin.” This is the first known apperance of Fréron’s nickname within the inner circle — Lapin (Bunny). In Correspondance inédite de Camille Desmoulins(1834), Marcellin Matton, friend of Lucile’s mother and sister, writes that it was Lucile who had come up with this nickname, and that it stemmed from the fact Fréron often visited the country house of Lucile’s parents at Bourg-la-Reine and played with the bunnies they had there each time. In her diary entry from the same day, Lucile has written: ”F(réron) sent us venison.” The very next day she writes the following, showing that Fréron, as she already put it in December, ”appears to still be the same”:
Ricord came to see me. He is always the same, very brusque and coarse, truly mad, giddy, insane. I went to Robert’s. Danton came there. His jokes are as boorish as he is. Despite this, he is a good devil. Madame Ro(bert) seemed jealous of how he teased me… F(réron) came. That one always seems to sigh, but his manners are bearish! Poor devil, what hope do you hold? Extinguish a senseless r [sic] in your heart! What can I do for you? I feel sorry for you... No, no, my friend, my dear C(amille), this friendship, this love so pure, will never exist for anyone other than you! And those I see will only be dear to me through the friendship they have for you. 
One day later, January 23, Lucile writes: ”F(réron), La P(oype), Po, R(obert) and others came to dinner. The dinner was quite happy and cheerful. Afterwards they went to the Jacobins, Maman and I stayed by the fire.” The day after that she has written the following, and while it’s far from confirmed Fréron is the one she’s alluding to here, it would fit rather well with the previous entries:
What does this statement mean? Why do I need to be praised so much? What do I care if I please? Do you think I’ll be proud of a few attractions? No, no, I know how to appreciate myself, and will never be dazed by praise. To you, you’re crazy, and I’ll make you feel like you need to be smarter.
Lucile’s diary entries abruptly end on February 13 1793, and a month later, March 9, Fréron was tasked with going on yet another mission by the Committee of Public Safety. This time, it would be a whole year before he was back in Paris again. It is probably during this period the following two undated letters from Fréron’s little sister Jeanne-Thérèse, wife of the military leader Jean François La Poype, were penned down and sent off to Lucile (both cited within Camille Desmoulins and his wife… (1874) by Jules Claretie. I also found a mention of a third, unpublished letter with the same sender and receiver):
Coubertin, this Monday morning.  How good you are, my dear Lucile, to take such pains to answer so punctually, and to relieve my anxiety! I rely upon your kindness to let me know any good news when you know it yourself. Neither my husband nor my brother has written to me; but, according to what you tell me, M. De la Poype will be with you immediately. Scold him well, I beg, my dear Lucile, and beat him even, if you think it necessary; I give him over to you. Goodbye, dear aunt; I embrace you with all my heart. Do tell me about your pretty boy; is he well? We shall, I hope, see him at some time together. Be the first to tell me of my husband's arrival ; it will be so sweet to owe my happiness to you! Fanny is perfectly well. I received most tenderly the kiss she gave me from you. My compliments to your husband.  Fréron de la Poype. 
Here I come again, beautiful and kind Lucile, to plague you with my complaints, and the frightful uneasiness by which I am tormented. The letter your husband had the kindness to write to me does not allay my grief; he tells me that my brother has given him news of my husband, but he had not heard from him before his departure. He has not been absent long enough to have had time to give us news of himself since he set out. I do not hide from you, dear Lucile, state; for pity's sake, try to restore composure to my heart; let me owe tranquillity to you. They say the enemy is within forty leagues of Paris; if this is so, the country will not be safe. Will you promise to warn me of danger, and to receive me into your house? I count upon the friendship you have always been willing to show me, and I shall throw myself into your arms with the greatest confidence. I beg you to give my compliments to your dear husband.  Fréron de La Poype.  Coubertin, near Chevreuse.  The 5th.  Madame Desmoulins. 
On October 18 1793, Fréron too picks up his pen again and writes the following two letters, one to Camille and one to Lucile. He is at the time in Marseille preparing for the siege of Toulon, a subject which he spends the majority of the ink on discussing, but also blends this with nostalgic remarks. Fréron addresses Camille with tutoiement, but Lucile with vouvoiement. The parts in italics got censored when the letters for the first time got published in Correspondance de Camille Desmoulins(1834):
Marseille, October 18 1793, year 2 of the republic one and indivisible Bonjour, Camille, Ricord will tell you about a lot of things. Our business in front of Toulon is going badly. We have lost precious time and if Carteaux had left La Poype to his own devices, the latter would have been master of the place more than fifteen days ago, but instead, we have to hold a regular siege and our enemies grow stronger every day by the way of the sea. It is time for the Committee of Public Safety to know the truth. I am going to write to Robespierre to inform him about everything. You may not know everything that has happened to me; I have upheld my reputation as an old Cordelier, for I am like you from the first batch; and although very lazy by nature (I say my fault), I found in the great crises a greater activity than I would have believed. But it was a question of saving the south and the army of Italy; because I am not talking about my skin; for a long time [unreadable word for me] have been an object of [unreadable word] for the counter-revolutionaries without [unreadable word]. I will prevent Toulon from forming its sections and consequently from opening its port to the English and from dragging us, at the onset of winter, into the lengths of a murderous siege. La Poype commands a division of the army in front of Toulon; you have no idea how Carteaux makes him swallow snakes: he had seized the heights of Faron, a mountain which dominates a very important fort from which one can strike down and reduce Toulon. Well! Carteaux left him at this post without reinforcement, and he was obliged to evacuate it. Carteaux would rather have the capture of Toulon delayed and missed twenty times than allow another to have the glory. Speak, thunder, burst. La Poype did not contradict himself for a single moment; you know him, he has not changed. I am perhaps a little suspicious: that is why I abstain from writing on his account; but ask all those who come from here and they will tell you what the patriots think. Did you learn from Father Huguenin that I had printed in Monaco six thousand copies of your Histoire des Brissotins which I distributed profusely in Nice and in the department of Var? You did not think you would receive the honors of printing in Italy. You see it's good to have friends everywhere. I have been very worried about Danton. The papers announced that he was ill. Let me know if he’s recovered. Tell him and give him a thousand regards from me. I look forward to seeing you again, but this after the capture of Toulon; I dream only of Toulon; it’s my nec plus ultra. I will either perish or see its ruins. Is Patagon (Brune) in Paris? Remind me of him. Farewell, my dear Camille, tell me the story of Duplain Lunettes. Is it true that he is in prison? Attacking Chaplain! ah! he is such a good man! Tell me the reasons for his detention. Has he really changed? This is inconceivable. We are doing a lot of work here; we are impatiently awaiting the troops which were in front of Lyon and the siege artillery which we lack; without that the only thing we would make in Toulon would be clear water.  Answer me in grace; Ricord will give you my address.  I embrace you.  Fréron.  PS. You have known for a long time that I love your wife madly; I write to her about it, it is indeed the least consolation that can be obtained for an unhappy bunny, absent since eight months. As there is a fairly detailed article on La Poype, I invite you to read it. Adieu, both of you, think sometimes of the best of your friends; answer me as well as Rouleau (Lucile). 
Marseille, October 18 1793, year 2 of the republic one and indivisible How lucky Ricord is! So he is going to see you again, Lucile, and I, for a century, have been in exile. Communications between the southern departments with Paris have been closed for more than three months. Ever since they’ve been restored, I have wanted to write to you. A hundred times I have picked up the pen, and a hundred times it has fallen from my hand. He is leaving, this fortunate mortal, and I finally venture to give him this letter for you, the content of which he is unaware about. May it convince you, Lucile, that you have always been in my thoughts! Let Camille murmur about it, let him say all he wants about it, in that he will only act like all proprietor; but certainly he cannot do you the insult of thinking that he is the only one in the world who finds you lovable and has the right to tell you so. He knows it, that wretch of Bouli-Boula, because said in your presence: "I love Bunny because he loves Rouleau." 
This poor bunny has had a great deal of adventures; he has traversed furious burrows and he has stored up ample stories for his old age. He has often missed the wild thyme which your pretty hands in small strokes enjoyed feeding him in your garden in Bourg de l’Egalité. Besides, he was not below his mission, exposing his life several times to save the republic. In seeking the glory of a good deed, do you know what sustained him, what he always had before his eyes? First, the homeland, then, you. He only wanted and he only wants to be worthy of the both of you. You will find this romantic bunny and he is not bad at it. He remembers your idylls, your willows, your shrines and your bursts of laughter. He sees you trotting around your room, running over the floor, sitting down for a minute at your piano, spending whole hours in your armchair, dreaming, letting your imagination travel; then he sees you making coffee at the roadside, scrambling like an elf and cussing like a cat, showing your teeth. He enters your bedroom; he stealthily casts a longing eye on a certain blue bed, he watches you, he listens to you, and he keeps quiet. Isn’t that you! Isn’t that me! When will these happy moments return? I don’t know, I am now pressing the execrable Toulon, I am determined to either perish on its ramparts or to scale them, flame in hand. Death will be sweet and glorious to me as long as you reserve a tear for me.
My heart is torn, my mind devoted to a thousand cares, My sister and my niece, little Fanny, are locked up in Toulon in the hospital like unfortunates; I can't give them any relief and they may lack everything. La Poype, who adores her, but still more his homeland, besieges and presses this infamous city; he cannons and bombards it without reserve, and, as the price of such admirable devotion, he is calumniated, he is hampered, his efforts are paralyzed, he is left devoid of arms, cartridges, and artillery; they water him with bitterness, they cast doubts on his civism; and while Carteaux, to whom Albitte has made a colossal reputation, but who is in a condition to take Toulon no more than I am the moon, seeks, through the lowest jealousy, to lose him in the mind of the soldier, sometimes by passing him off as a counter-revolutionary, sometimes by spreading the rumor that he has emigrated and fled to Toulon. He alone attempts daring blows, and having made himself master of a fort which dominates Toulon, he would have taken that town in a week, if Carteaux had sent him the reinforcements he in vain asked for. One thing that must not be forgotten is that in the army of Italy, the traitor Brunet, the federalist Brunet, made La Poype pass for a Maratist and an outraged montagnard. Why? Because the staff of which he was the chief, had been composed by him only of Marseillois from the 10th of August and of Cordeliers. This is the truth. Make it known to your husband. Prevent from being oppressed the most patriotic general officer perhaps of all the armies, who has never contradicted himself; who has sacrificed his wife and child to the homeland; who began by besieging the Bastille with Barras and me; who since has not varied; who has worked for a long time with l’Orateur du Peuple; who was decreed in the affair of the Champ-de-Mars, etc, etc. I leave it to your so persuasive mouth to assert these titles.
I embrace you, divine Rouleau, dearer than all the rouleaux of gold and crowns that could be offered to me. I embrace you in hope, and I will date my happiness only from the day when I shall see you again. Remind me of your dear maman and of citizen Duplessis. Will you answer me? "Oh! no, Stanislas!”  Please answer me, if only because of La Poype. Show my letter to Camille, for I do not wish to make a mystery of anything. 
Lucile wrote a response to Fréron that has since gone missing, but it was clearly satisfying for him judging by his next letter, dated December 11 (incorrectly September 11 in the published correspondance) 1793 and addressed to Lucile:
No, my answer will not be delayed by eight months as you put it; the day before yesterday I received, read, reread and devoured your letter; and the pen does not fall from my hands when it comes to acknowledge receipt. What pleasure it gave me !... Pleasure all the more vivid than I dared to hope! You think, then, of that poor bunny, who, exiled far from your heaths, your cabbage, your wild thyme and the paternal dwelling, is consumed with grief at seeing the most constant efforts for the glory and the strengthening of the republic lost... They denounce me, they calumniate me, when all of the South proclaims that without our measures, as active as they are wise and energetic, all this country would be lost and given over to Lyon, Bordeaux and the Vendée. I did not deign to answer Hébert (Fréron (and La Poype) had been denounced at the Jacobins on November 8 by Hébert, who said he ”was nothing more than an aristocrat, a muscadin”). I thank your wolf for having defended me, but he, in his turn, is denounced. They want to take us one after the other, saving Robespierre for last. I invite your wolf to see Raphaël Leroy, commissioner of war for the Army of Italy, who saw me in the most stormy circumstances and the most critical situation in which a representative of the people has ever been. He will say if I am a muscadin, a dictator and an aristocrat. This Leroy is one of the first Cordeliers. Camille knows him; no one is in a better position to make the truth about La Poype and me triumph.
I dare say that never has a republican behaved with more self-sacrifice than your bunny. The fact that La Poype is my brother-in-law was enough for me to make it a rule to keep him away from all command-in-chief, albeit his rank and his seniority, but even more his foolproof patriotism called him there. From then on I foresaw everything that malevolence would not fail to spread. I’d rather be unjust towards La Poype, and make obvious privileges, than I’d give arms to slander, and make people suspect even that the most vicious motives of ambition or of particular interest were involved in my conduct for some reason. When Brunet was dismissed, what better opportunity to advance La Poype? He came to command naturally and by rank. He was the oldest officer-general of the army of Italy. Well! I dismissed him and we named the oldest member of the same army, a man who had only been a general of division for a fortnight, and yet La Poype wanted to sacrifice his wife and his child, saving the national representation, with the certainty that both were going to be delivered to the Toulonnais, which did indeed happen. And these are the men that the most execrable system of defamation pursues! Vulgar souls, muddy souls, you have lent us your baseness; you could not believe, still less reach the height of our sentiments; but the truth will destroy your infernal machinations; we will do our duty through all obstacles and disgusts; we will continue to be useful to the republic, to devote ourselves to its salvation; we will sacrifice our wives and our sisters to it; we will make to our fellow citizens the faithful presentation of our actions, our labors and our most secret thoughts, and we will say to our denouncers: have you produced more titles than us to the public esteem?
Dear Lucile, tell your wolf a thousand things from me; make sure he puts forward these reasons based on notorious facts. Pay him my compliment on his proud reply to Barnave; it is worthy of Brutus, our eternal model; I am like you; a gloomy uneasiness agitates me; I see a vast conspiracy about to break out within the republic; I see discord shake its torches among the patriots; I see ambitious people who want to seize the government, and who, to achieve this, do everything in the world to blacken and dismiss the purest men, men of means and character. I am proof of that. Robespierre is my compass; I perceive, in all the speeches he holds at the Jacobins, the truth of what I am saying here. I don't know if Camille thinks like me; but it seems to me that one wants to push the popular societies beyond their goal, and make them carry out, without them suspecting it, counter-revolution, by ultra-revolutionary measures. What has just happened in Marseille is proof of this. The municipals who had dared to give the order to two battalions of sans-culottes whom we had required to march on Toulon, not to obey the representatives of the people, and who, for this audacious and criminal act, were dismissed by us, were embraced and applauded in the popular society of Marseilles, as the victims of patriotism. Fortunately we have stifled any counter-revolutionary movement; the largest and most imposing measures were taken on the spot. Many intriguers who only saw in the revolution a means of making a fortune, or of satisfying revenge or particular hatreds, dominated and led society astray, all the more easily because they are interesting in the eyes of the people through the persecutions of the sections and a few months in prison. Do you believe that there were secret committees where the motion was made to arrest the representatives of the people? Within twenty-four hours, we have mixed up all these plots: Marseille is saved. It must be observed that this new conspiracy broke out the very day when the English pushed three columns upon our army before Toulon, and seized the battery of the convention, from which they were repulsed with a terrible loss on their side.
It is not useless to notice again that the aristocrats, the emissaries of Pitt, the false patriots, the patriots of money who see their small hopes destroyed by these acts of vigor, repeat with affectation what has been said about me by Hébert at the rostrum of the Jacobins. But the vast majority of true republicans do me justice. This is the harm produced by vague denunciations, made by a patriot against patriots. I see it well; Pitt and the people of Toulon, who doubt our energy because they have tested it on more than one occasion, want, by all possible means, to keep us away from the siege of Toulon, because it is known that we are going to strike the great blows. Well! let us be reminded; we are ready. The national representation did not cross our heads like so many others. Don't come here, lovable and dear Lucile, it's a terrible country, whatever people say, a barbaric country, when you've lived in Paris. I have no caves (cavernes) to offer you, but many cypresses. They grow here naturally. Tell your glutton of a husband that the snipes and thrushes here are better than the inhabitants. If it weren't so far from here in Paris, I would send him some, but you will receive some olives and oil. Farewell, dear Lucile, I am leaving immediately for the army. The general attack is about to begin; it will have taken place when you receive this letter. We are counting on great successes and to force all the posts and redoubts of the enemy with the bayonets. My sister is still locked up in Toulon. This consideration will not stop us: if she perishes, we will give tears to her ashes; but we will have returned Toulon to the republic. I thank you for your charming memory; La Poype, whom I do not see, because he is in his division, will be very sensitive to it. Farewell once again, madwoman, a hundred times mad, darling rouleau, bouli-boula of my heart; this is a very long letter; but I gave myself up to the pleasure of chatting with you, and I took the night for it. Tell loup-loup to write to me; he's a sloth. With regard to your reply to this one, it will probably take a year to arrive. What does it matter to me! On the contrary. It's clear as day. I remember those unintelligible sentences; I remember that piano, those melodies, that melancholy tone, abruptly interrupted by great bursts of laughter. Indefinable being!... Farewell.  I embrace the whole warren and you, Lucile, with tenderness and with all my soul.  Stanislas. 
PS - Don't forget me to the baby bunny (Horace) and his pretty grandmother Melpomène. I would also like to hear from Patagon (Brune), Saturn (Duplain) and Marius (Danton). The latter must have received a letter from me. I will write to him again. Make sure Camille communicates  the parts of this letter regarding La Poype, and that his eloquent voice pleads the cause of a friend always worthy of him, always worthy of the Cordeliers. Remind us of his memory, for we love him and are attached to him for life. Consternation is in Toulon. We have killed the English, at the last incident, all their grenadiers. The Spaniards are assassinating them with their stilettos. They have already stabbed thirty of them. It’s now or never to attack. So I am leaving; the cannonade will begin as soon as we will have arrived. We are going to win laurels or willows. Prepare, Lucile, what it is you intend for me. 
In the fifth number of the Vieux Cordelier, released January 5 1794, Camille did like Fréron had asked and defended both him and la Poype, clearly using Fréron’s letter as a source:
Note here that four weeks ago, Hebert presented to the Jacobins a soldier who came to heap pretentious praise on Carteaux and to discredit our two Cordeliers Fréron and La Poype who nevertheless had come close to taking Toulon in spite of envy and slander; because Hebert called Freron, just as he called me, a ci-devant patriot, a muscadin, a Sardanapalus, a viédasse. Take note citizens that Hebert has continued to insult Fréron and Barras for two months, to demand their recall to the Committee of Public Safety and to commend Carteaux, without whom General La Poype would perhaps have retaken Toulon six weeks ago, when he had already seized Fort Pharon. Take note that when Hébert saw that he could not influence Robespierre on the subject of Fréron because Robespierre knows the Old Cordeliers, because he knows Freron just as he knows me; note that it was then that this forged letter signed by Fréron and Barras arrived at the Committee for Public Safety, from where no one knows; this letter which so strongly resembled one which managed to arrive two days ago at the Quinze Vingts, which made out that d’Eglantine, Bourdon de l’Oise, Philippeaux and myself wanted to whip up the sections. Oh! My dear Fréron, it is by these crude artifices that the patriots of August 10 are undermining the pillars of the old district of the Cordeliers. You wrote ten days ago to my wife ”I only dream of Toulon, I will either perish there or return it to the republic, I’m leaving. The cannonade will begin as soon as I arrive; we are going to win a laurel or a willow: prepare one or the other for me.” Oh! My brave Fréron, we both wept with joy when we learned this morning of the victory of the republic, and that it was with laurels that we would go to meet you, and not with willows to meet your ash. It was in the assault with Salicetti and the worthy brother of Robespierre, that you responded to the calumnies of Hébert. Things are therefore the same both in Paris and Marseille! I will quote your words, because those of a conqueror will carry more weight than mine. You write to us in this same letter: I don't know if Camille thinks like me; but it seems to me that one wants to push the popular societies beyond their goal, and make them carry out, without them suspecting it, counter-revolution, by ultra-revolutionary measures. What has just happened in Marseille is proof of this. Oh well! My poor Martin (this could be a reference to the the drawing ”Martin Fréron mobbed by Voltaire” which depicts Fréron’s father Élie Fréron as a donkey called ”Martin F.”), were you therefore pursued by the Père Duchesnes of both Paris and Bouches-du-Rhône? And without knowing it, by that instinct which never misleads true republicans, two hundred leagues apart, I with my writing desk, you with your sonorous voice, we are waging war against the same enemies! But it is necessary to break with you this colloquium, and return to my justification. 
The very same day, Fréron wrote a third letter to Lucile. Again, the parts in italics were censored when the letter was first published in 1836:
You did not answer me, dearest Lucile, and my punctuality has so dumbfounded you that your astonishment still lasts. You had deferred my answer to eight months; you see if you are a good prophetess. I inform you with a sensitive pleasure (which you will share, I am sure) that my sister and my niece did not perish; that they found a way to wear themselves out in the dreadful night which preceded the surrender of Toulon. She is about to give birth. I informed her of the interest you took in her sad fate; she was very sensitive and asks me to show you her gratitude.  Answer me then, lazy that you are, and ungrateful, which is worse. One breaks the silence after a year, after centuries, and one gets, as thank you, a few words written in distraction, Bouli-Boula, what does it do to me? The bunny is desolute; he thinks of you constantly; he thought about you amid bombs and bullets, and he would have gladly said like that old gallant: Ah! if my lady saw me!  I realize with sorrow that you are upset, since Camille has been denounced by the same men who have pursued me at the Jacobins. I hope he will triumph over these attacks; I recognized his original touch in a few passages from his new journal; and I too am one of the old Cordeliers. Farewell, Lucile, wicked devil, enemy of bunnies. Has your wild thyme been harvested? I shall not delay, despite all my insults, to implore the favor of nibbling some from your hand. I asked for a month's leave to recover a bit; for I am exhausted with fatigue; afterwards I fly back into the bosom of the Convention, and I stealthily amaze myself on the grass with Martin on the paths of Bourg d’Égalité, under the eyes of la grande lapin? and in spite of your pots of water.  You'll have neither olives nor oil if I don't get a response from you. You can tell me whatever you like but I love you and embrace you, right under the nose of your jealous loup-loup. Goodbye once more.  Do not forget me to our shared friends. What has become of citoyenne Robert? A thousand things to your old loup-loup; I wanted to write to him, but time is short and the mail rushes me. Tell him to keep his imagination in check a little with respect to a committee of clemency. It would be a triumph for the counter-revolutionaries. Let not his philanthropy blind him; but let him make an all-out war on all industrial patriots.  Goodbye again, loveliest of rouleux. My respects to your good and beautiful maman. Give my regards to the baby bunny (Horace).  The letter reached Lucile within a week, but it’s with a tone less playful than Fréron’s that she answered it with on January 13 (cited in Camille Desmoulins and his wife (1874) by Jules Claretie):
Come back, Fréron, come back quickly. You have no time to lose; bring with you all the old Cordeliers you can meet up with; we have the greatest need of them. If it had pleased Heaven not to have ever dispersed them! You cannot have an idea of what is going on here! You are ignorant of everything, you only see a feeble glimmering in the distance, which can give you but a faint idea of our situation. Indeed, I am not surprised that you reproach Camille for his Committee of Clemency. He cannot be judged from Toulon. You are happy where you are; all has gone according to the wish of your heart; but we, calumniated, persecuted by the ignorant, the intriguing, and even by patriots; Robespière (sic) your compass, has denounced Camille at the Jacobins; he has had numbers 3 and 4 read, and has demanded that they should be burnt; he who had read them in manuscript. Can you conceive such a thing? For two consecutive sittings he has thundered, or rather shrieked, against Camille. At the third sitting Camille's name was struck off. Oddly enough, he made inconceivable efforts to have the cancelling reported; it was reported; but he saw that when he did not think or act according to their the will of a certain number of individuals, he was not all powerful. Marius (Danton) is not listened to any more, he is losing courage and vigour. D'Eglantine is arrested, and in the Luxembourg, under very grave charges. So he was not a patriot! he who had been one until now! A patriot the less is a misfortune the more.  The monsters have dared to reproach Camille with having married a rich woman. Ah! let them never speak of me; let them ignore my existence, let me live in the midst of a desert. I ask nothing from them, I will give up to them all I possess, provided I do not breathe the same air as they! Could I but forget them, and all the evils they cause us! I see nothing but misfortune around me. I confess, I am too weak to bear so sad a sight. Life has become a heavy burden. I cannot even think - thinking, once such a pure and sweet pleasure alas! I am deprived of it… My eyes fill with tears… I shut up this terrible sorrow in my heart; I meet Camille with a serene look, I affect courage that he may not lose his keep up his. You do not seem to me to have read his five numbers. Yet you are a subscriber. Yes, the wild thyme is gathered, quite ready. I plucked it amid many cares. I laugh no more; I never act the cat; I never play my piano; I dream no more, I am nothing but a machine now. I see no one, I never go out. It is a long time since I have seen the Roberts. They have gotten into difficulties through their own fault. They are trying to be forgotten.  Farewell, bunny, you will call me mad again. I am not, however, quite yet; I have still enough reason left to suffer. I cannot express to you my joy on learning that your dear sister had met with no accident; I have been quite uneasy since I heard Toulon was taken. I wondered incessantly what would be their fate. Speak to them sometimes of me. Embrace them both for me. I beg them to do the same to you, for me.  Do you hear! my wolf cries out: Martin, my dear Martin, here, thou art come that I may embrace thee; come back very soon. Come back, come back very soon; we are awaiting you impatiently. 
In number 6 of the Vieux Cordelier, released January 30 1794, Camille responds to Fréron’s critique regarding a committee of clemency while informing him that his father-in-law has gotten arrested: 
Beware, Fréron, that I was not writing my number 4 in Toulon, but here, where I assure you that everyone is in order, and where there is no need for the spur of Père Duchesne, but rather of the Vieux Cordelier's bridle; and I will prove it to you without leaving my house and by a domestic example. You know my father-in-law, Citizen Duplessis, a good commoner and son of a peasant, blacksmith of the village. Well! The day before yesterday, two commissioners from Mutius Scaevola's section (Vincent's section, that will tell you everything) came up to his house; they find law books in the library; and notwithstanding the decree that no one will touch Domat, nor Charles Dumoulin, although they deal with feudal matters, they raid half the library, and charge two pickers with the paternal books. […] An old clerk's wallet, which had been discarded, forgotten above a cupboard in a heap of dust, and which he had not touched or even thought about for perhaps ten years, and on which they managed discovered the imprint of a few fleur-de-lis, under two fingers of filth, completed the proof that citizen Duplessis was suspect, and thus he was locked up until the peace, and seals put on all the gates of this countryhouse where you remember, my dear Fréron, that we both found an asylum which the tyrant dared not violate after we were both ordered to be seized after the massacre of the Champ-de-Mars. 
Fréron was back in Paris by at least March 14, less than a month before the arrest of Camille and Lucile. He is not confirmed to have tried to do anything to save his friends. Following their death, he does however appear to have laid low. He is not proven to have spoken at the Jacobins following March 26, and so far I haven’t found any recorded apperances at the Convention either. I don’t think it would be completely out of the blue to speculate in whether his choice to play an active role in the fall of Robespierre (he was one of nine deputies designated in the thermidorian pamphlet Conjuration formée dès le 5 préréal [sic] par neuf représentans du peuple contre Maximilien Robespierre, pour le poignarder en plein sénat (1794) to on May 24 1794 have formed a plan to stab him to death, and also spoke against the robespierrists during the session of 9 thermidor) to some extent was motivated by the urge to avenge his dead friends, especially since I can’t find any instance of Robespierre openly denouncing Fréron or anything to that effect.
When Fréron shortly after thermidor revived his journal l’Orateur du Peuple, he used it to rehabilitate Camille’s memory, but also used said memory as a weapon against the Jacobins. These are all mentions made of Camille and Lucile in the part of the journal currently digitalized:
[The Jacobin Club] threw from its bosom and sent to the scaffold the unfortunate Camille Desmoulins, who was guilty of no other crime than of having wanted to uncloak and put an end to those of this detestable faction.  Number 7 of l’Orateur du Peuple (September 26 1794).
Camille Desmoulins to the Jacobins of Paris: Citizens, I come to open your eyes to the abyss that is growing under your feet. I have just lifted you from the lethargic sleep into which it seems that a genius enemy of our joy and your safety had plunged you. Frenchmen, wake up! Never have the scroundels that do not show themselves, but who make their numerous beutenans act, according to the expression of Legendre, been more, in labor of the counter-revolution. They feel themselves lost, carried away, like in spite of themselves and tears; so to speak, in the tumbril of public opinion. [”Camille” then goes on to conduct Fréron’s politics for approximately seven pages, most of the entire number.] As it’s Robespierre who signed my passport for the other side, and who had the attention to send my wife there too eight days later, it’s him I must thank him for the good that I have now. […]  Number 9 of l’Orateur du Peuple (September 28 1794)
Have they (the Jacobins) overlooked and denounced the abhorrent tribunal of Robespierre and his co-dictators? No, they’ve even sent innocents there, such as Phelippeux [sic], Camille Desmoulins and many others.  Number 28 of l’Orateur du Peuple (October 19 1794)
In Réponse de Fréron, représentant du peuple, aux diffamations de Moyse Bayle (1795), we also find the following passage:
You (Bayle) who plunged the dagger (for your pen was the knife of our colleagues) into the bosom of Camille and Phelippeaux [sic]: your features cannot freighten me; I am stronger than your insults. […] A constant truth today, in Toulon, is that at most there were a hundred and fifty rebels immolated in the national revenge. In this regard, I appeal to my colleagues Barras, Ricord, Crevés, Rovére and all the inhabitants of the Medi: if I had only told Moyle Bayle this small number, we would have been recalled and guillotined as moderates and as being necessarily the same as this poor Camille, of the indulgent faction. 
And in Mémoire historique sur la réaction royale et sur les massacres du Midi (1824, published posthumously?) he writes:
During a dinner at citizen Formalguès’ where I found myself together with Legendre, Tallien, Barras and other deputies, the conversation fell on Camille Desmoulins, this child so naive and spiritual, murdered for having proposed a committee of clemency. I tell Lanjuinais, whom Camille had pleasantly called le pape of the Vendée, and who was sitting in front of me: ”But, Lanjuinais, if the poor Camille had lived, would you have him guillotined?”  ”Unquestionably,” responded the jansenist.  As I was very glad that other witnesses heard, from Lanjuinais' own mouth, this sweet monosyllable, in which his beautiful soul was depicted, I turned a deaf ear and began my sentence again. "Without difficulty, there is no question," resumed the holy man in an impatient tone; and thereupon one rose from the table, he made the sign of the cross, joined his hands, and said his graces. 
Furthermore, Fréron stayed in touch with Lucile’s mother Annette Duplessis, helping her get back the objects confiscated by the state after Camille and Lucile’s execution, obtaining the pension their son Horace in 1796 had been promised by the Council of Five Hundred, and making sure Horace got a good education at the Prytanée Français (former Louis-le-Grand):
I have just written to Fréron, as we agreed. This is what I think you ought to ask of him:  1. Being your children’s friend, that he should take all neccesary steps in Horace’s favour with the committees.  2. That he should claim for him the family papers and his father’s manusscript.  3. That he should claim for Horace the family books; they also will be useful for his instruction; they are indispensable for the supply of his wants; besides, this justice has already been done to Citizen Boucher’s widow, therefore there is a precedent for it.  Committees composed of the friends of justice ought to be proud to being useful to the orphans of patriots. Fréron and his friends cannot refuse to act in concert with you. Greetings and friendship.  Brune in a letter to Annette Duplessis, March 3 1795
22 vêntose year 8 I’ve spoken to the Minister of the Interior, Madame, about your (votre) position and that of Horace with so much interest that you inspire in me. He finds it right that the son of Camille Desmoulins enters the Prytanée Français. He told me about it, but it is essential that the child knows how to read and write perfectly before his admission. I will have the honor of seeing you over the next décade, and we will discuss together the procedure to follow; I do not doubt for a single moment the success, based on the way the minister responded to me. You personally have not been forgotten. I told him (because he was unaware) that the National Convention had granted you a pension, which was not paid, and has never been paid, I fear. He is equally prepared to make you receive it. You must send me, 1. the Convention’s decree or the copy of it; 2. your demand or petition, without forgetting to specify since when your pension has not been paid. Citizen Omae? will arrive in 15 days. Yesterday I saw his wife who had just learned of the news through a letter he sent her this Thursday. A thousand hugs to the charming little Horace, and a thousands attachments to his good maman. On the first fine day I’m going to early in the morning read and re-read all the packages from Bourg Égalité and the idyll of the most lovable woman I have known. Salut and respect.  Fréron. Fréron in a letter to Annette Duplessis, March 13 1800
Aside from these two letters, there’s also several unpublished ones, one dated February 20 1795 through which we learn that Fréron, with the help of deputies Aubry, Tallien, Ysabeau and Rovère obtained a reprieve on the sale of Camille’s confiscated bed and libary, which they managed to save for Horace, one dated March 1 1795 and co-authored by Fréron and Laurance to the commissioners handling the sale of the property of convicts of the section of the Théatre-Français, one dated June 17 1800 from Fréron to Annette regarding Horace’s schooling (all of these were mentioned in Camille et Lucile Desmoulins: un rêve de république), and finally one dated April 27 1800 Fréron adressed to Duplain, promising his support to Napoleon so that Horace could enter the Prytanée Français (mentioned in Journaliste, sans-culotte et thermidorien: le fils de Fréron: 1754-1802 (1909).
Finally, according to Marcellin Matton, Fréron named his two children Camille and Lucile in honor of his dead friends. However, I’ve not found any information about said children (which, if they existed at all, must have been illegitimate since Fréron never married) anywhere, neither in Fréron’s family tree nor in the 1909 biography, so perhaps Matton is mistaken here…
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just2bubbly · 2 months ago
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If we weren't meant to be together, why did we have to meet and fall in love? Kaider angsty
Masterlist / ao3
i actually had fun writing this, and that's not what i expected (no offence anon), don't get me wrong, I have written a lot of kaider angst revolving around the same storyline, so it has become somewhat dull now. i was supposed to write this for 'i miss you' prompt in the #tlcshipweek24 but with my assignments and lack of any commitment i just couldn't- BUT YEA THAT'S NOT THE POINT
i might have sorta convinced myself to wring a self-indulgent 5k words fic, cuz why not, the angst doesn't start intially, so if you are looking for the hard hitting lines, anon, you would have to scroll down a little, but that's all from my side, I hope you like it! <3
Let Me Let You Go
Words: 5.3k
Cinder's Perspective:
"Lunars and Earthens, we have the Lunar Queen in the house, Miss Selene Blackburn, revolutionary and New Beijing city's most talented mechanic. All of us owe the peace and perhaps our lives too to her! So let's give it a big round and be active as we discuss Miss Blackburn, before, after and through the years!"
The host announces as she walks onto the stage, lights flashing all around, until they come to focus on her.
Cinder flashes her methodic grin to the cameras, neither too cheerful nor too dull, the right amount of happiness that allows people to imagine she is satisfied with their work.
The bright glaring white light almost blinds her, unable to look around much but the quick blackout soothes the burn. Some newbie guides her to a seat, and she sits across from the infamous Natalie Sahoo, popular all around for the digital hype she starts. Cinder wouldn't pertain to entirely helpful when standing in the limelight.
The plush leather chair smells rich against the disinfectant-smelling space, and a few leather knots hanging around the corners help her calm her nerves. Pulling at the strings, she gives her fingers something to hold on to, as she would unnecessarily be asked about her life and beyond.
Cinder can't fathom how she has managed to get convinced to sit before a podcast, wearing a dress shirt and box skirt that Iko says makes her look ethereal, that would be watched by millions if not billions of people.
"You speak highly of me, Sahoo. I didn't come from any moral high ground, just a simple girl trying to break out." Cinder spoke once the camera blinked green, to show they were being recorded. She had turned off her inner screen, not wanting to get distracted by any notifications and comments that would be made during this interview.
Mrs Sahoo smiles, as reporters do when they find a slip-up. Cinder wonders if all the training Iko has enforced on her, will help prevent a scandalous rumour.
"Speaking of a simple girl, there is little known of your life before the revolution. The Linh family had adopted you, but there isn't much to say. Your schooling, high school sweethearts, the cybernetics - it all seems to add mystery to your character."
"Oh, no mystery at all," Cinder mimics, "There weren't any interesting things going around then, I had a mechanic shop on Prickett Street and spent most of my time there. I was 16 when the universe decided to intervene with my life, there weren't any romantic interests to pursue during that," Cinder elaborates, the lies in her latter words evident.
Everyone in this room knew about the romantic prospects of Kai and Cinder during the revolution, it had been a global scandal back then, The Commonwealth Emperor in love with a fugitive. However, Cinder wasn't going to be made a fool, entrapped with talks of sweethearts and lovers, into talking about her life's torn tapestry.
"So it seems, there had been much speculation about your adopted family being abusive, where they cut down your schooling, even tried to draft you in being one of those experiment rats. How would you say have these actions defined you in the future?" Sahoo asked, cleverly bypassing the agreement she had signed before, prohibiting her from indulging in a list of topics Cinder wasn't comfortable with. However, having asked a question about childhood, without the explicit mention of the Linhs, ensured her security over a sue.
Cinder won't hold the question against the agency, having never talked about her life with the Linhs, there were many speculations and Adri and Pearl's mouths were shut with the agreement drawn between them.
This interview gave her a chance to clear the air around her upbringing, and Cinder was bound to provide something to keep Sahoo backing away from the topics that did hurt.
One would know, how much Cinder hated to talk about the Linhs, having given them a fortune to spend the rest of their lives rolling on cash, they weren't keen on showing much grace.
"Garan had decided to bring me to New Beijing, he never made me feel inferior for my cybernetics. He was more of a scientist at heart, I would later learn that he had adopted me only to test with the bioelectric manipulation security system now in use.
The Linh family was quite fair until his tragic loss, and the whole dynamic changed later. 3 kids in a household with no real income, pushed Miss Adri to be very upset over things, and the fact that Garan hadn't any coverage spoiled her mood further.
My younger sister Peony and Iko, were the nicest things that happened to me in that household. Times had been tough with Leutomosis and poor employment opportunities, and even when that doesn't justify being cruel to a child, I have moved past the turmoil of it all. However, my early experiences have taught me to be kinder and more compassionate towards the underprivileged. Also, it somehow helped me not tolerate bullies in the Lunar Court under my term."
"That is much like the famous line, 'Heroes can't choose to look on the dark side, everyone else does it for them'. I think I will speak on behalf of everyone when I say that optimism is all that we want in our lives."
Cinder smiles ruefully at her, thinking over how people want a peaceful life without any traumatic experiences to overcome. There's no need for sorrow to follow you until you punch it in its face and stop lamenting, to be applauded.
There's a call by someone, and many 'cut' shouts are heard as the cameras stop rolling. A small break, it seems, and Cinder can't help but sigh in relief, all the questions about her lack of proper upbringing and life led to a feeling of dread, self-consciousness even.
The make-up artist approaches her, asking if she wants to touch up anything, but Cinder declines. If Iko isn't marching in this room asking for a change, Cinder is up to good. However, in reflex, she scratches against her neck, fidgeting with the cold jewellery chains.
They are back again within minutes, as Sahoo starts talking about the revolution, but there is nothing out of the blue. In all her prior interviews, they always wanted to know about her feelings during the moments of doom, if she had felt afraid, if the possibility of her death had ever crossed her mind, and whether controlling the newfound Lunar abilities had been a problem. She had become used to the monotony by then, answering everything with no new addition as such, until Sahoo decided that she wanted to ask for something more of Cinder.
"- the kidnapping, was it so easy to breach inside the Emperor's chambers and then take him hostage?" Sahoo asks, a jolly tone to her question as if suggesting that The Eastern Commonwealth had no regard for their Emperor's security.
"The implications you are trying to make, Natalie, can get you in deep trouble with the Commonwealth," Cinder cautions, a chuckle follows, "- taking the Emperor wasn't an easy feat like you made it to be. The post-hostage scenario, however, was pretty straightforward, since Ka- I mean, the Emperor was willing to be an accomplice to our plan. One can understand, his disdain for his marriage to Queen Levana."
Cinder replies, mentioning Kai's name in this interview was out of the question, thinking how she possibly had just handed Natalie Sahoo the opportunity she so adamantly had been looking for the last hour.
She smiled, hoping it didn't look like a grimace, and worried where this interview would end. The media house had all rights to stream this content, without considering any requests from Cinder.
Not to mention, Cinder couldn't stay shut for any questions, as that would result in many raised eyebrows and more speculations, which would feed the gossip columns for weeks if not months.
"-Now that you do mention, His Majesty, we hope to know more about your friendship." Sahoo smiles, somewhat evil, as she says 'friendship'.
"Will that stir a problem?" She asked, almost hungrily, as her lips perched against each other.
Cinder shakes her head, trying to curb the heartbeat that had been off to some mile sprint now, not letting the interviewer's words get to her.
She isn't known to give many one-on-one interviews, Sahoo would want to have something engaging from her that will make the show a sensation, and Cinder knows, she is doing her first interview since her break-up with Kai, he is married now, and it's obvious that they want to know what went so wrong between the two.
"Very well, Miss Blackburn, we have a few rumours running around for a while, the Emperor doesn't talk much, so we hope you are more resourceful!" Sahoo says, a wink thrown in her direction, doesn't help the churn of anxiety uphoarding inside her stomach.
"You have to be more specific darling, I have got quite a few of them," Cinder jokes, trying to throw the stress off her, if Natalie believes that she isn't crawling under her skin with the spotlight and unsettling questions, that would be enough.
"- the one about you having manipulated the Emperor, trying to play good unlike some other Queen, but he was-"
"A lie," Cinder hisses, before she can complete the statement, not wanting to put manipulation and Kai into the same sentence.
She imagines having used her charm to drill the words around as she sees a few willing nods around the room. The dread she felt seconds ago, has vanished and anger bloomed in its place.
"Why so ever?"
"Because it is," Cinder says, words stressed at the ending, giving a sense that there's no argument to be had, however, her companion isn't so accommodating to her demands as she counters.
"Perhaps an elaboration to make it seem more believable?"
"That rumour is a lie, and I'm not going to justify some baseless accusations, because people are too blind. Hence, you could move down a few questions, unless that's all for the day," Cinder asserts, making her position clear, she might not have much choice of answers, but she was not going to be toyed around for amusement.  
For all that people have to say, Cinder wouldn't tolerate speculations about manipulating Kai. It always left her feeling like someone had smudged her with bright neon sketch pens, left behind undone as the painter got tired before completing their work.
"-that won't be the problem, Miss Blackburn. Perhaps a short break could do us good," Natalie suggested, her words bringing Cinder out of her train of thought.  
"As much the idea is appealing, I'd decline. With all disposed of respect, I'd rather end our time sooner, to meet prior commitments obviously," Cinder mentions, the words filled with masked disdain.
The tight-lipped smile that Natalie puts on at the remark, feels like a balm, a reality check to her, Cinder might not hold much power before the screen but she has been a Queen for years, and had been taught well to use her words to her advantage. From the very best.
"It won't be long," Natalie says, skimming through flashcards, as she mentions a few sponsors, "-we would like to talk about where you see yourself, in the future, perhaps, in a sense of legacy?"
Cinder hadn't thought about the future much, taking things as they came made her feel less alarmed about things around her. She worked in a job that made a difference, with a long-standing fortune, so there wasn't much to crib over.  
"I have more than what I'd wanted when I was 16, so that sense of fulfilment keeps away thoughts of plans. Speaking of legacy, being the revolutionary and Lunar Queen has given a permanent spot in the history books. I'm content with that, but what I would like is to continue to make a difference in the inter-habilitation of Lunars and Earthens, along with giving the deserved merit to cyborgs."
"That is immense, we have all seen the reforms put into place after your coronation, and we desire Star's glory for you, but we hoped to learn more of personal plans?" Natalie explained, looking genuine, for the first time throughout the entire period.
"My life is a public affair, whatever do you mean?" Cinder asked, puzzled at the remark.
"Perhaps a beau, marriage?"
At that Cinder has to visibly hold back a laugh, a partner sits last on her list of wants, and she wishes to keep it like that, at least for some time.
One excruciatingly painful heartbreak is enough for her 20s, she thinks, as she answers, "Well, I'm not quite fond of the idea of commitment, for a while, don't think I have found someone worth settling down for!"
But what if she had?
NO! She won't be going down that path again, forcing all introspections of her regrets and guilts and mistakes mixed.
"-and can we say it's because of some black-haired royal?" The host implies, that sparkle in her shows exactly how contended the reference has made her.
Precisely.
A scoff mildly hidden with a tight-lipped smile embraces her features, saying the very name she had forbidden herself from uttering, "Kaito, or as I know him, Kai, has influenced a lot of things in my life, and I couldn't ever be thankful enough for his help navigating through my early years as the Lunar Queen. Kai is always going to be someone that was meant to be in my life, not necessarily as a partner, perhaps a friend, I haven't quite figured it out yet. So Kai isn't stopping me from living my life, it's the inevitable loss of a future I'd imagined that keeps me at bay," Cinder answered, unable to hold her words, once she started talking about Kai.
Praying she hadn't used any loose words that could lead to speculating troubles.
'Kai, is always going to be someone that was meant to be in my life,' Cinder had said, but Kai wasn't part of her life anymore.
He had a wife, who probably despised the utterance of her name, Cinder didn't hold the thought against her. To think that your husband married you because it was the only possible thing in the cards would sour anyone's mood- however, Cinder doesn't know that for sure and doesn't know if Kai married Daiyu because it was realistic or for love.
The thought leaves a haunting chill deep in her bones, as she questions, whether Kai truly loved Cinder.
The small gestures, and gift exchange through Thorne, or endless time spent trying to find excuses for an inter-galactic excursion couldn't all be fake, she believes, they were too elaborate- no one would want to help her find her favourite colour and learn the symbolism behind it, all in vain to leave a gaping hole in their absence, it's too much of an absurd idea, Cinder thinks.
Kai might have been a born diplomat, and sometimes he didn't do what he meant, but he wasn't a liar, Cinder couldn't recall all the time he had told her he loved her.
Not many times obviously, she thinks, trying to keep the scowl off her face.
On nights, when she failed to sleep, she wondered, whether Kai had still kept her prosthetic leg, stored in some corner of his office, or if he had discarded it because it was too much explanation for Daiyu-
"Miss Blackburn?" Natalie asked, hands hovering everywhere, as she touched her arm, shaking Cinder out of her reverie.
"Oh, yes, forgive me, I got lost in thought," Cinder said, clearly shaken, pulled against the chair, gulping down the glass of water offered.
"Oh, as I said, now that you brought up your shared history with His Majesty, our interests are peaked. Perhaps, curious enough to know what led to your ultimate downfall," Sahoo asks.
Cinder has to stop herself from going rigid, having anticipated this question while signing the media agreement.
She looks around, trying to see if Iko is still in the room with her, but isn't able to look beyond the bright glare of the camera, and the room afterwards is too dark for any visibility.
Cinder wonders if she begged Natalie to stop opening her wounds, which she had tried too hard to keep hidden, will she give her the dignity to leave, then reminds herself that Sahoo is a media person, they are the most inhuman creatures to exist.
"Would it be too dramatic, if I said fate?" She says, trying to aim for a joke, that lands well, from the laughs that burst in the already tense room.
"I don't know what you expect, there's no scandal or rumours that led to our fallout. It was more gradual like dust being laid on countertops, where you don't notice it until your hand is painted black at the slightest contact. We realized that with both of our responsibilities and titles, a future that found a balance between the two was becoming fatalistic as we grew older. The realization, with all its disappointments that followed, was the moment when I knew, it wouldn't survive."
And it didn't.
Cinder keeps the latter part to herself, having withheld the information of the prejudices the Commonwealth Court held against her, it wasn't that the future was looking bleak that hurt, it was knowing that Kai had believed that convincing everyone would be impossible, and ultimately had failed to uphold his promises to her that had been the problem.
Kai had convinced her for years that he would marry her, and her Lunar origins or cybernetics wouldn't pose a threat.
The distance between them only managed to get larger as he continued to fail to gain support for their marriage, he avoided facing her with his shoulders drooped low in dread, and the comms were intercepted by Torin, informing her about his absence, later their excursions became fewer, as Court representatives were being sent in the place of The Emperor.
Cinder wasn't blind to the signs, which led to the uneventful night on her Peace Ball to New Beijing.
"Cinder," Kai whispered, as she entered his suite, jumping into his bed, as she discarded her slippers. Cinder couldn't fathom why they cleared a suite for her visit when they knew she would spend all her time with Kai.
"Stars, I missed this smell, that hoodie you gave me didn't even last a month," She yearns, diving deep into the sheets, trying to envelop herself in the scent of Kai.
Her bliss doesn't last long, as she realizes that Kai hasn't joined her, blinking one eye open, she finds him fiddling as his fingers pull at the hair, "What?"
"Uh, nothing," Kai lies, and she knows it without looking at the blink of the orange light against her screen, 10 years into loving someone, you know.
She nods, leaving her very comfortable position, and says, "You don't have to tell me if you don't want to."
"But I need to," he pleaded, heading towards the back of his room, and his erratic breathing pattern made her follow him as she came to stand behind him.
"Are you ok?" She asks, squeezing his shoulders, concerns heightened, not wanting anything to keep him so disheartened.
"You should take a seat," Kai advises, pulling a chair for her, and the action confuses her more than providing comfort.
Cinder stays quiet, giving him the space to find the courage to talk, and in the meantime, she rubs her thumb on the back of his hand, offering support, not quite realizing that she would need it soon.
"This," Kai begins, his desk holograph shows a large copy of some file named 'Council Report',"- is the Council's opinion on us, or rather you," he states, making Cinder consider if it would have been better to stay in the suite the Commonwealth is so adamant to book for her.
"-and this is the woman they want me to marry," Kai says, turning to a picture of some women in white coats and pants. Her retina scanner gives her adequate information, majorly being that she is Chen Daiyu and her father is a Zulan Military General, who has connections in high places, the prospect will offer monetary gains to the industries under the General.
"And you want to tell me this because?" She questions, already having imagined the answer to it.
"I don't know," Kai murmurs, head hung low, and the sight causes something in Cinder to shatter, dropping his hand, she pulls herself up, and hisses, "You want me to make what I want to out of that statement?"
"What is there to make of it?"
"That you want me to make the choice, because you don't want the guilt eating you up!" Cinder exclaims, her body heating up with the anger building in her chest.
"What?! You can't throw in charges when you know how hard I have been trying to get the future we envisioned," Kai rasps, rising above to meet her eyes, but she is too damned to look out for poetic incidents.
"Definitely not enough, because this picture and that file says it!"
"I didn't want to keep you in the dark-"
"About what?! That I could find rumours about you cheating on me with some woman the Council approves?" She screams, knowing well how out of line her words are, but the hurt and the pain that is being constricted with each pump of blood in her heart makes her forget about her senses.
Cinder knows that Kai isn't also happy about it, but right now all she wants to do is hurt Kai like he had with the news.
"That's enough," Kai bellows, standing inches away from her, fingers pressed against her jaw, and had it not been for their situation, Cinder would have leaned in for a kiss, make-up with kisses sprawled across his torso for apologies, instead she turns, only for his hand to pull her back.
She thuds against his chest, all efforts to get out of his hold in vain, as he tilts her head and vows, "I will never cheat on you. Sit and we can talk like adults."
Her anger was somewhat tamed by the words or possibly his cologne which distracted her enough to sit across from him and talk calmly, nevertheless, it didn't stay like that for as long as she started.  
"You can't marry me," Cinder states, the words she had overthought for months didn't seem like a ridiculous scenario now but rather a concrete problem that might cost them their future together.
"I told you that the Council is against the idea not-"
"Exactly what I said, you can't marry me." She cuts him off, uttering the word again. Repeating the word doesn't subdue its impact.
Kai sighs, fingers twitching away a headache and the action punches her in the gut, the full implication of her words hitting her. She believes that the room is swirling around her and the only person that will try to make it stop cannot do it.
"Cinder, I didn't want it to come to this."
"I know, Kai. I know that you want to marry me, but you can't and hence you won't."
"That is not tr-"
"Kai," Cinder croaks, "I might not see you every day but I'm not blind. I know when things become inevitable," having said it she locks her eyes, the burning sensation in her throat prevents her from speaking further.
She senses the warm palm covering her face and leans into the contact, Kai is staring sharply into her eyes, the intent evident in his copper brown eyes, as he swears, "I will not let you go."
"You don't get it, do you?" Cinder sniffs, "You did let it go when you came with the portrait of that woman."
His forehead fell against hers and Cinder could feel the salty water drops fall on her cheeks, that's all that it required for the stabbing headache to come in full course, but she didn't mind it.
She pulled her arms against Kai's neck, and found herself in a tight embrace, fingers gripping on his shirt, as she clings closer that it feels like sitting in his lap.
The long list of warnings asking her to remain calm angers her further as she shuts her eyes, forcefully shooing the flashing signs away. Kai heaves, shoulders shuddering with the raw emotion, and buries his face in the crook of her neck, fabric dampening with the tears, as he whispers apologies.
"I'm sorry. I'm sorry. I'm sorry. Please. I'm so fucking sorry."
"I know. It's ok. Breathe Kai. Yes, I know. Breathe."
And once both of them had got some resemblance of calm, he pulled back, palms rubbing his eyes, his face having lost all of its colour looked lifeless. Cinder gazes at the gigantic dampness of her shirt, the cold is welcome against her excessive body heat.
"I didn't want it to come to this," Kai croaked, breaking the silence mixed with their sniffs.
Cinder sadistically smiles at that remark, unable to find the words, she decides to be blunt, "But we are here."
"What are we going to do?"
"What they want you to do." Cinder whispers, making Kai twist his body towards her, visibly shocked at her words, she stops his argument before it begins.
"I know you tried, Kai. I want you to admit it to yourself and let us go. I will make that decision for you. This is all that we get in this lifetime."
"But what if I want more than this?"
"Then you make amends with your heart, Kai. Because what you want isn't going to happen."
"Cinder, please," Kai rasps, hands reaching out for her, but she is quick to move, and the hurt that flashes in his eyes would haunt her for months to come.
"It's been going too long, Kai. Listen to the Council this time, meet with Daiyu, but don't let her father manipulate you," Cinder advises, getting up to move, but her feet get rooted to the ground as she takes in his suite, for one last time.
"What thought brought you here tonight, Cindy?" Kai asks, his nickname for her causes unimaginable pain, the casual tone makes her forget about the horror around her.
"That I missed you, and wanted to wake up to find you staring," Cinder exclaims, too quickly, the time before she entered his suite, seems ages ago. So much seemed to change, in such a short time, and Cinder would give anything for it to stay the same.
One glance at the grief-stricken Emperor and she realizes, he is tongue-tied. Ever the diplomat Kai, who taught her how to give speeches and stress the right words to officials, is at the loss of words because he doesn't know what to say to her, but then he manages to find it in him to find the right words again.
"If we weren't meant to be together, why did we have to meet and fall in love?"
"I don't know, Kai. I don't think I will ever know." Cinder replies and her feet find their way out, and just before she slams the door on their shared future, she informs, "I will ask Marcus to do the intended work in my absence. I'd leave early for Luna tomorrow. I don't-" Her words cut short, before she whispers, "Goodbye, Kai," and shuts the door.  
"-do you want to reapply your makeup, ma'am?" Someone asks her, shaking her awake. Cinder nods, not wanting to look tense in the light of her recent memory occurrence. There's been no signs of body overheating, so she takes it as a relief.
"Well, Miss Blackburn, a few more questions and we will cut it?" Natalie asks, coming forth with her assistant, Cinder nods, murmuring a few words of approval.
The lights flash up again, and the green light shows they are back on recording. Cinder makes a note to never sign up for interviews again, for whatever reason, and for the last time puts on a dazzling role to make everyone believe she is having a good time.
"Very well, Lunars and Earthen, we are here with the last segment of our shared time with Miss Blackburn. This would involve a few questions from our audience," Natalie says, as a card is handed over, "Our very first being, having made such diverse friends during the revolution, do you feel that the distance hinders your friendship?"
"Uh, I don't think drifting friendship has been a problem for us, and that is not denying that I'm closer to some than others. We have yearly visits, and group chats that keep us updated on each other's life, so the distance isn't much of a problem. However, it would have been fun to live closer and meet more often than we do," Cinder answers, thinking fondly about the Rampion Crew, she has grown to love more than anything.
This friendship would not be something that would be taken for granted, especially the one of Thorne, her heartfelt response would likely be followed by a teasing comm afterwards.  
"How wonderful to have friends that make you feel seen even with the distance," Sahoo coos, and for once Cinder agrees with her.
"Our next one, uh oh, I hope you don't mind this one, Miss Blackburn!"
Her remark confuses Cinder, but the follow-up question makes room for much misery.
"-what would you say about relationships that do not lead to permanent commitment?"
"I don't think what I say will sit well with many, I spent over 10 years of my life loving someone, and that did not lead to anything. But that doesn't make all the time shared worthless. Sometimes you find someone you would want to spend your entire life with, but you cannot- and when you reach that point, you find out whether you love that person so much that you can let them go, and find solace in watching them live a life you wanted to share with them."
Her words remind her of the question Kai had asked her, 'If we weren't meant to be together, why did we have to meet and fall in love?' and this time she knows the answer to the puzzle that had been sitting on her mind for long.
"Cut," the head cameraman yells, and Cinder notices Iko walking towards her, and announces, smiling cheekily as she flings her dark purple hair, looking almost apologetic, "Natalie, I hate to cut it short, but Selene needs to be elsewhere."
The scowl of disappointment that Natalie gives Iko, is taken well by her bosom friend, as she frowns, allowing a compromise of a show closure.
It's a small affair, over within minutes, Cinder thanks everybody around before she follows Iko out, knowing well that she hadn't had anything waiting after the interview.
"What was that?" She asks, hurrying into the small lobby of the hotel.
"I looked into the audience questions, most of them were about Kai. I intervened because I didn't want you to be cornered into answering anything you weren't comfortable with," Iko explains.
Cinder wants to hug Iko so tightly that she chokes on the embrace, instead side-hugging her frame as she whispers a 'thank you'.
"Do you think he would watch this?" Cinder asks as they wait for their pod to arrive, thinking what Kai will make of her words.
"If he is confused like you were, maybe he should. Nonetheless, his media person would convey the gest," Iko mutters.
She catches on to the past tense in her dialogue but chooses not to comment, knowing that if Iko is convinced, maybe it's time she should be too.
--
taglist: @gingerale2017 @slmkaider @impossiblesuitcase @kaiderforever @fangirlforever0704 @cinderswrench @salt-warrior
thanks for reading!!
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scifigeneration · 4 months ago
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What 70 years of AI on film can tell us about the human relationship with artificial intelligence
by Paula Murphy, Assistant Professor in the School of English at Dublin City University
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In 2024, AI is making headlines daily. We may be aware of the science, but how do we imagine AI and our relationship to it both now and in the future? Fortunately, film may provide us with some insights.
Probably the best-known AI in film is HAL 9000 from Stanley Kubrick’s 2001: A Space Odyssey (1968). HAL is an artificially intelligent computer housed on board a spacecraft capable of interstellar travel. The film was released less than a year before humans landed on the moon. And yet, even in this optimism about a new era of space travel, HAL’s portrayal sounded a note of caution about artificial intelligence. His motivations are ambiguous, and he shows himself capable of turning against his human crew.
This 1960s classic demonstrates fears that are common throughout AI film history – that AIs cannot be trusted, that they will rebel against their human creators, and seek to overpower or overthrow us.
These fears are contextualised in different ways during different historical eras – in the 1950s they are associated with the cold war followed by the space race in the 1960s and 1970s. Then in the 1980s it was videogaming, and in the 1990s the internet. Despite these differing preoccupations, fear of AI remains remarkably consistent.
My latest research, which forms the backbone of my new book AI in the Movies, explores how “strong” or “human-level” AI is depicted in film. I examined more than 50 films to see how they shed light on human attitudes to AI – how we interpret it and understand it through characters and stories, and how attitudes have changed since AI’s beginnings.
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Types of AIs
The idea of AI was born in 1956 at an American summer research project workshop at Dartmouth College in Hanover, New Hampshire, where a group of academics gathered to brainstorm ideas around “thinking machines”.
A mathematician called John McCarthy coined the name “artificial intelligence” and just as soon as the new scientific field had a name, filmmakers were already imagining a human-like AI and what our relationship with it might be. In the same year an AI, Robby the Robot, appeared in the film Forbidden Planet, and returned the following year in 1957 in the film The Invisible Boy to defeat another type of AI, this time an evil supercomputer.
The AI as malevolent computer appeared again in 1965 as Alpha 60, in the chilling dystopia of Jean-Luc Godard’s Alphaville, and then in 1968 with Kubrick’s memorable HAL in 2001: A Space Odyssey.
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These early AI films set the template for what was to follow. There were AIs that had robot bodies and later robot bodies that looked human – the first of these appearing in Westworld in 1973, where a robot malfunction at a futuristic amusement park for adults creates chaos and terror. Then there were AIs that were digital like the evil Joshua in the 1977 horror Demon Seed, where a woman is impregnated by a supercomputer.
In the 1980s, digital AIs started to become connected to network computing �� where computers “talked” to one another in an early incarnation of what would become the internet – like the one stumbled upon by Matthew Broderick’s high-school student in War Games (1983), who almost accidentally starts a nuclear conflict.
From the 1990s, an AI could move between digital and material realms. In Japanese animation Ghost in the Shell (1995), the Puppet Master exists in the ebb and flow of the internet, but can inhabit “shell” bodies. Agent Smith in The Matrix Revolutions (2003), takes over a human body and materialises in the real world. In Her (2013), the AI operating system Samantha eventually moves beyond matter, beyond the “stuff” of human existence, becoming a post-material being.
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Mirrors, doubles and hybrids
In the first few decades of AI film, AI characters mirrored the human characters. In Collosus: The Forbin Project (1970), the AI supercomputer reflects and amplifies the inventor’s own arrogant overreaching ambition. In Terminator 2: Judgement Day (1991), Sarah Connor has become like the AI Skynet’s Terminators herself: her strength is her armour and she hunts to kill.
By the 2000s, human-AI doubles began to overlap and merge into each other. In Spielberg’s AI: Artificial Intelligence (2001), the AI “son” David looks just like a real boy, whereas the real son Martin comes home from hospital connected to tubes and wires that make him look like a cyborg.
In Ex Machina (2014), the human Caleb tests the AI robot Ava, but ends up questioning his own humanness, examining his eyeball for digital traces and cutting his skin to ensure that he bleeds.
In the past 25 years of AI film, the borders between human and AI, digital and material have become porous, emphasising the fluid and hybrid nature of AI creations. And in the films In The Machine (2013), Transcendence (2014) and Chappie (2015), the boundary between human and AI is eroded almost to the point of non-existence. These films present scenarios of transhumanism – in which humans can evolve beyond their current physical and mental constraints by harnessing the power of artificial intelligence to upload the human mind.
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Although these stories are imaginary and their characters fictional, they vividly depict our fascinations and fears. We are afraid of artificial intelligence and that fear never goes away in film, although it has been questioned more in recent decades, and more positive portrayals can be observed, such as the little trash-collecting robot in WALL-E. But mostly we are afraid that they will become too powerful, and will seek to become our masters. Or we fear they may hiding among us, and that we might not recognise them.
But at times, too, we feel sympathy towards them: AI characters in films can be pitiful figures who wish to be accepted by humans but never will be. We are also jealous of them – of their intellectual capacity, their physical robustness and the fact that they do not experience human death.
Surrounding this fear and envy is a fascination with AIs that is present throughout film history – we see ourselves in AI creations and project our emotions onto them. At times enemies of humans, at times uncanny mirrors, and sometimes even human-AI hybrids, the past 70 years of films about AI demonstrate the inextricably intertwined nature of human-AI relationships.
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yourreddancer · 4 days ago
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Heather Cox Richardson 11.18.24
On Friday, Secretary of Commerce Gina Raimondo locked in a $6.6 billion deal with the Taiwan Semiconductor Manufacturing Company for it to invest $65 billion in three state-of-the-art fabrication plants in Arizona. This will bring thousands of jobs to the state. The money comes from the CHIPS and Science Act, about which Trump told podcaster Joe Rogan on October 25: “That CHIPS deal is so bad.” House speaker Mike Johnson (R-LA) said he would work to repeal the law, although he backed off that statement when Republicans noted the jobs the law has brought to their states. 
Also on Friday, a Trump-appointed federal judge struck down a Biden administration rule that would have made 4 million workers eligible for overtime pay. The rule raised the salary level below which an employer has to pay overtime from $35,568 to $43,888 this year and up to $58,656 in 2025. The decision by Texas judge Sean D. Jordan kills the measure nationally.
On Sunday, speaking from the Amazon rainforest in Brazil, President Joe Biden said that it would not be possible to reverse America’s “clean energy revolution,” which has now provided jobs across the country, primarily in Republican-dominated states. Biden noted that the U.S. would spend $11 billion on financing international responses to climate change in 2024, an increase of six times from when he began his term. 
But President-elect Trump has called climate change a hoax and has vowed to claw back money from the Inflation Reduction Act appropriated to mitigate it, and to turn the U.S. back to fossil fuels. What Trump will have a harder time disrupting, according to Nicolás Rivero of the Washington Post, is the new efficiency standards the Biden administration put in place for appliances. He can, though, refuse to advance those standards.
Meanwhile Trump and his team are announcing a complete reworking of the American government. They claim a mandate, although as final vote tallies are coming in, it turns out that Trump did not win 50% of the vote, and CNN statistician Harry Enten notes that his margin comes in at 44th out of the 51 elections that have been held since 1824. He also had very short coattails—four Democrats won in states Trump carried—and the Republicans have the smallest House majority since there have been 50 states, despite the help their numbers have had from the extreme gerrymandering in states like North Carolina. 
More Americans voted for someone other than Trump than voted for him.
Although Trump ran on lowering the cost of consumer goods, Trump and his sidekick Elon Musk, along with pharmaceutical entrepreneur Vivek Ramaswamy, have vowed to slash the U.S. government, apparently taking their cue from Argentina’s self-described anarcho-capitalist president Javier Milei, who was the first foreign leader to visit Trump after the election. Milei’s “shock therapy” to his country threw the nation into a deep recession, just as Musk says his plans will create “hardship” for Americans before enabling the country to rebuild with security. 
Ramaswamy today posted on social media, “A reasonable formula to fix the U.S. government: Milei-style cuts, on steroids.” He has suggested that cuts are easier than people think. The Washington Post’s Philip Bump noted that on a podcast in September, Ramaswamy said as an example: “If your Social Security number ends in an odd number, you’re out. If it ends in an even number, you’re in. There’s a 50 percent cut right there. Of those who remain, if your Social Security number starts in an even number, you’re in, and if it starts with an odd number, you’re out. Boom. That’s a 75 percent reduction done.”
But, as Bump notes, this reveals Ramaswamy’s lack of understanding of how the government actually works. Social Security numbers aren’t random; the first digit refers to where the number was obtained. So this seemingly random system would target certain areas of the country. 
Today, both Jacob Bogage, Jeff Stein, and Dan Diamond of the Washington Post and Robert Tait of The Guardian reported that Trump’s economic advisors are talking with Republicans in Congress about cuts to Medicaid, the Supplemental Nutrition Assistance Program (SNAP) formerly known as food stamps, and other welfare programs, in order to cover the enormous costs of extending tax cuts for the wealthy and corporations. Medicaid is the nation’s health insurance for low-income Americans and long-term care. It covers more than 90 million Americans, one in five of us. Rural populations, which tend to vote Republican, use supplemental nutrition programs more than urban dwellers do. 
The Washington Post reporters note that Republicans deny that they are trying to reduce benefits for the poor. They are, they say, trying to reduce wasteful and unnecessary spending. “We know there’s tremendous waste,” said House Budget Committee chairman Jodey Arrington (R-TX). “What we don’t seem to have in the hour of action, like when we have the trifecta and unified Republican leadership, is the political courage to do it for the love of country. [Trump] does.”
Those cuts will likely not sit well with the Republicans whose constituents think Trump promised there would be no cuts to the programs on which they depend.
Trump’s planned nominations of unqualified extremists have also run into trouble. Senate Republicans are so far refusing to abandon their constitutional powers in order to act as a rubber stamp to enable Trump’s worst instincts. Former representative Matt Gaetz (R-FL), a Trump bomb thrower, was unqualified to be the nation's attorney general in any case, but as more information comes out about his alleged participation in drug fueled orgies, including the news that a woman allegedly told the House Ethics Committee that she saw him engage in sex with a minor, those problems have gotten worse. 
Legal analyst Marcy Wheeler notes that the lawyers representing the witnesses for the committee are pushing for the release of the ethics committee’s report at least in part out of concern that if he becomes attorney general, Gaetz will retaliate against them. 
According to Vanity Fair’s Gabriel Sherman, fear of the MAGA Republican colleagues who are already trying to bully them into becoming Trump loyalists is infecting congress members, too. When asked if Gaetz was qualified for the attorney general post, Representative Mike Simpson (R-ID) answered: “Are you sh*tting me, that you just asked that question? No. But hell, you’ll print that and now I’m going to be investigated.”
The many fringe medical ideas of Trump’s pick for secretary of health and human services, Robert F. Kennedy Jr., earned him the right-wing New York Post editorial board’s denigration as “nuts on a lot of fronts.” The board called his views “a head-scratching spaghetti of what we can only call warped conspiracy theories, and not just on vaccines.” Kennedy is a well-known opponent of vaccines—he called Covid-19 vaccines a “crime against humanity”—and has called for the National Institutes of Health to “take a break” of about eight years from studying infectious diseases, insisting that they should focus on chronic diseases instead.
Writing in the New York Times yesterday, Peter Baker noted that Trump “has rolled a giant grenade into the middle of the nation’s capital and watched with mischievous glee to see who runs away and who throws themselves on it.” Mischievous glee is one way to put it; another is that he is trying to destroy the foundations of the American government.
Baker notes that none of Trump’s selections would have been anything but laughable in the pre-Trump era when, for example, Democratic cabinet nominations were sunk for a failure to pay employment taxes for a nanny, or for a donor-provided car. Nor would a president-elect in the past have presumed to tap three of his own defense lawyers for top positions in the Department of Justice, effectively guaranteeing that he will be protected from scrutiny. 
A former deputy White House press secretary during Trump’s first term, Sarah Matthews, said Trump is “drunk on power right now because he feels like he was given a mandate by winning the popular vote.”
Today Trump confirmed that he intends to bypass normal legal constraints on his actions by declaring a national emergency on his first day in office in order to launch his mass deportation of undocumented migrants. While the Congressional Budget Office estimates this mass deportation will cost at least $88 billion a year, another cost that is rarely mentioned is that according to Bloomberg, undocumented immigrants currently pay about $100 billion a year in taxes. Losing that income, too, will likely have to be made up with cuts from elsewhere. 
Finally, today, CNBC’s economic analyst Carl Quintanilla noted today that average gasoline prices are expected to fall below $3.00 a gallon before the Thanksgiving holiday. 
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invisibleicewands · 8 months ago
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“In every room I go into, every office, every institution, people tell me, this is what we’re doing to encourage more working-class writers.  They reel off all the things they’re doing, and it sounds impressive, it sounds amazing. And you think: if all these people are doing all this, WHY ARE THINGS NOT CHANGING FASTER? WHAT IS GETTING IN THE WAY?”
Under the hot, bright lights of a packed-out auditorium at the 2024 London Book Fair, Michael Sheen is getting angry. His is an unthreatening, crowd-rousing kind of angry, but still, in an appropriate way – he’s mad.
The actor and philanthropist is speaking on a panel convened to discuss A Writing Chance, the programme co-founded by the actor with New Writing North and Northumbria University that helps working-class writers enter the writing industries. So far, the programme has been successful. The theme emerging on the panel is, if changes have been made in some areas, what’s holding things back in others? And what cultural changes might have to come before we solve the problem?
“You have to admit there’s a fundamental conflict between the system that’s set up, and what we’re trying to achieve,” says Michael. “I don’t know what the whole answer to that is, other than revolution.”
It says a lot about the mood in the room – and, we suspect, the rest of the country – that the laughs prompted by this conclusion feel rather approving. We firmly believe that elites have been hogging and hoarding opportunity for too long now. The support for A Writing Chance confirms that many, many people agree.
The initiative was launched in 2021, with 11 unpublished writers awarded places on a programme of support and mentoring. One, Tom Newlands, publishes his first novel this summer; another, Maya Jordan, signed a deal at the book fair. A new cohort will be selected soon, with the programme now supported by the Joseph Rowntree Foundation, the Esmée Fairbairn Foundation, Michael Sheen, the Charlotte Aitken Trust, Faber & Faber, The Daily Mirror, Substack, Audible, with research supported by AHRC, Northumbria University, Bath Spa University and York St John University.
For the London Book Fair panel, Michael is joined by Professor Katy Shaw from Northumbria University, plus Tracey Markham, head of UK at Audible, Farrah Storr, head of writer partnerships at Substack, and the Huddersfield-based novelist Sunjeev Sahota. Katy and Michael begin by reflecting on the successes of the first completed programme: writers emboldened and published, policymakers in the Houses of Parliament briefed and, most importantly, great writing exemplifying the talent out there waiting to be discovered. “What came in was just way beyond anything we had hoped for really,” says Michael. “And there was a sense of revelation, the feeling you were seeing into worlds that have just been closed off, into experiences I had never thought about.”
Ideas about how to give working-class writers more confidence and access to publishing are peppered through the hour-long conversation: a creative curriculum in schools; intervening with gifted people at younger ages, like sports coaches; encouraging more people to take advantage of digital platforms, even if printed-book authorship remains the ultimate goal. Around halfway through, Sunjeev makes a brilliantly clear-eyed analysis of what being working class really means, and how it relates to identity politics. At the same time, he provides a devastatingly simple explanation of why working-class writers need support.
“Publishing is an elite space, but it’s quite a diverse space in terms of people’s racialised or sexualised identities. However, it’s not at all diverse it comes to people’s economic backgrounds, or family income. Indeed, many of the non-white people I encounter in publishing are often from just as comfortably-off backgrounds as their white counterparts.
The creative industries, he says, have tended to treat class as being another cultural identity, as if class should be considered in the same way that we might talk about race, gender, or sexuality. “But I think a more universal, class-first politics will do more for the weakest members across all identities than any identity-first kind of politics. I find that taking an identity-first approach just tends to benefit the elites within the identities.”
Lest anyone doubt the existence of a market for work originating outside the elites, the extremely upbeat Tracey is on hand to reassure them. Audible attracts a notably diverse audience, with large black and Asian listenerships, and a high proportion of young men. To satisfy this audience, the old-style audiobook, with its middle- and highbrow titles and Received Pronunciation narration, has been overhauled in favour of books more suited to audience tastes, and accents.
“Our customers really want accents! We spend a lot of time working with voice agents to widen access to the audio-narration industry. I think what’s super-important now is that your accent is not prohibitive – if you have a Welsh accent, say, that doesn’t mean you can only read stories set in Wales.”
Tracey stresses there is “so much more to be done” to widen socio-economic diversity in the whole publishing industry. But although it might still be a case of taking “baby steps”, a wonderful thing about books is their power to drive change elsewhere. “You know, it’s hard to explain to someone that’s not from the UK how much your accent kind of signifies to people when they first meet you. And with voice, we can kind of break down a lot of those barriers, and actually encourage it and welcome [diversity].”
There’s a similar note of flexibility and responsiveness to audience needs in Farrah’s account of what Substack offers. The relationship between digital and print is always evolving, and in her vision, it’s a question of the one complementing the other. Printed books still have more prestige than publication on digital platforms, but the latter can help offset the material challenges associated with the former, she argues. Echoing Sunjeev, she points that “the problem for people from a working-class background is that your advance gets paid in separate lump sums. People feel, I don’t have a regular income, I can’t make this work, I might end up falling out of the writer ecosystem.
“So, on Substack, we say, well, okay, you’re writing the book, but you’re probably going to have thousands of words leftover. So just put them on Substack and talk about the novel at the same time.”
Lots of people she works with end up making liveable incomes and building readerships for their work, which ultimately is what keeps them in the game. It’s a reminder that we shouldn’t necessarily define “writing” as the production of traditional forms such as novels and plays.
No one at this event – the queue for which was so long that dozens were unable to squeeze inside – believed all the barriers facing working-class writers would be dismantled any time soon.  Few, though, can have left without believing that A Writing Chance has begun the job – and that that job is worthwhile.
Wrapping up, Michael recalls someone from the inaugural group who told him that in their community, becoming a writer seemed about as likely as becoming an astronaut.
“They said that there was no chance of it. They said, ‘I didn’t know anybody else who lived where I live who was a writer, so I didn’t know how to begin, or where to start. It was like saying I want to go into space.’ But that changed for them.
“And of course, now, there are all these wonderful spacemen.”
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polar-artist · 3 months ago
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silly intro :3
(I know this is a long post but PLEASE READ! I spent a lot of time making this so I would appreciate if you read till the end!)
about me:
-My online name is Olive (don't call me anything else.)
-I use any/all pronouns (So like She/Her, Xe/Xem, He/Him, etc etc.)
-I AM A MINOR. (so are most of my oc's. don't be weird with them.)
-I use bases/references a lot in my art (mostly the digital art), so if you see something similar to a base/reference another artist made that is why. (AS FAR AS I CAN TELL EVERY BASE I USE, THE ARTIST MEANT FOR IT TO BE A BASE. IF THATS NOT THE CASE, PLEASE TELL ME.)
-I may have big breaks in between posting, cause school is starting again for me, and also I just have a horrible posting schedule lol
-I came from Pinterest!! I had seen a lot of posts about tumblr on pinterest (its basically my entire feed), so i thought might as well see what its actually like!!
-DONT REPOST MY ART TO OTHER SITES WITHOUT MY PERMISSION.
about my account:
-No inappropriate asks whatsoever.
-I AM (FAIRLY) NEW TO TUMBLR!
-I post randomly on this account! That means you could get oc art one day, then random paragraphs of nonsense the next!
-I will probably only post stuff that I am interested in (check the fandoms list if you want specifics!!)
FANDOMS I AM IN:
(i will get specific if its a game!!)
(a '+' sign at the end means I am more interested in it, a '-' sign at the end means I am less interested in it [fandom-wise]!)
-A Hat in Time +
-Portal +
-Portal 2 +
-Portal Revolution +
-Danganronpa THH, GD, KH +
-The Stanley Parable +
-Minecraft (?) -
-Into/Across the Spiderverse -
-Little Nightmares -
-Little Nightmares 2 -
-The Owl House -
-FNaF -
-MCYT +
-Empires SMP +
-Secret Life +
-Life Series +
-The Backrooms +
-The Good Place +
-Bluey -
-Death Pallete/Matsuro -
-Sky: Children of the Light -
-Dude, Stop +
Borderlands 3 +
-The Last of Us -
-Regretevator +
-The Smiles Family (flamingo) +
-Coraline -
[ETC]
DO NOT INTERACT LIST:
(orange means thin ice, red means DNI under ANY circumstance)
-Anti-Therians
-Anti-Furries
-Spam Accounts
-NSFW accounts (interact with a different account if you must interact
-People who dislike gacha content (in general, not just the weird stuff!!)
-p0/rn Accounts (IM A MINOR.)
-Pedos
-People who support 1$r@31
-Homophobic People
-Transphobic People
-LOl1c0n/ShOt@con
-Proshippers
-Racists
-Ableists
-maybe more? Idk
PLEASE INTERACT:
(just wanna specify, if you already qualify for anything on the DNI list, this doesn't apply to you.)
-People who don't mind long posts (like this)
-People who are/support furries/therians
-Other queer/LGBTQ+ people <3
-People who like OC art
-People who SUPPORT PALESTINE! 🇵🇸
-People who are in the same fandoms as me
-People who will make art of my OC's (PLEASE)
-People who like the same music as me
-People who like fanart
-People who like polar bears
-Other Gacha creators
-and more!
I appreciate those who have read this far, and I just wanna say: Welcome to this account! :D
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sygneth · 2 years ago
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I had this idea for a while now but I didn't really have time to go shoot photos, so finally I just digged through my old photos and found something I could use.
Postcards from Revachol vol. 1
The technique is digital painting on photos (photos are mine as well), don't worry I didn't paint all that
The thoughts behind this project (or a deep and thorough analysis of Revacholian [suppposed] architecture and urbanistic, long):
Ever since I played the game I have been thinking of how Revachol reminds me of my birth city (where I have been living for past 25 years) and I couldn't really get why. But then I started to think. And oh boy, not in a long time was I this happy to be an actual architect.
I know we have never seen any of Revachol besides Martinaise but what we know is that Revachol have been founded around 380 years ago. If the cultural/architectural periods in Elysium are comparable to what happened in our world, that would mean the city's beggings were in something baroque-ish, and it's golden age was probably at the turn of baroque and classicism. What is important is that Revachol is not a medieval city. There is no old downtown with a city wall and narrow, curvy streets. Baroque and classicist cities were all about good planning, composition, wide streets, representative buildings in strategic places, and later also good functional layout and generally being a good-to-live place. We know the city must have been a great, rich place, very representative, as it was said to be the capital of the world. It was a monarchy until the communist revolution some years ago, before the events from the game. What this pattern reminds me of, is actually the history of Saint Petersburg. Also a baroque/clacissist city, also a capital, also got through a communist revolution.
We also know that Revachol, or at least it's parts were based on a mashup of Paris and Tallin (the latter I don't know much about, unfortunately) with some 90's post-communist CEE climate sprinkled on top. Paris has been re-built at some point of its history (around 1850), the streets have been widened, the city structure got more organised, the facades of the buildings gained a characteristic style (there was an actual law how they should all look but it didn't work very well honestly, but still gave the city a more consistent style)
Okay. That was about St. Petersburg, Paris and Tallin. Where is my city in all this mess?
Let me explain.
My own city isn't one of those cities with old boulevards and medieval centers. It was a small city until 1820, when somebody noticed its potential and started to build factories. With the factories, there came workers and with the workers, a need for places to live in. The city developed quickly, but at that time the cities didn't really grow in an uncontrolled manner, it had to be planned. And those plans were mostly inspired by Paris and Saint Petersburg. The tenement houses in my city were practically copied from those one in Paris and the whole urbanistic design of the city was based on the urbanist laws in St. Petersburg. So now you can see why that was important.
Another thing is that both Revachol and my city are cities of immigrants. My own city at some point was said to be "a city of four cultures", are there was a similar number of Jewish, German, Polish, and Russian inhabitants. People came here to work in the factories from all over the country (or rather what have been the area of our country before the annexation, as there was no country of Poland in the XIX century) and they stayed, started families, and started to be from here.
And then, after WWII my country fell behind the iron curtain. In the communist times there have also been major architectural changes in here. Some of the buildings in city center were knocked out, some typical socialist architecture started to appear. In the pretty much city center there is a high-rise residential area of concrete blocks that are 20-something floors high. And looking at those blocks in the distance here really, like really reminded me of this part of my own city. And here we come to another point of this ridiculously long essay, but I guess that is the last of the important ones.
There are no modern-looking skyscrapers in Revachol. Taking the technological level of development on Elysium seems similar to the ~90s in our world, there should be technologies to build high. The thing is, there is either no money for that or no need (or both). I know this is a general tendency of European cities (Paris, Stockholm or Amsterdam doesn't have any modern American-style skyscrapers too), but this was something I noticed about my own city a long time ago before I even considered studying architecture. The highest buildings are those high-rise multi-families, churches, and chimneys. In Revachol we see the chimneys of the power plant as the most prominent thing in the city panorama.
One more thing is the socio-economical aspect of my city. The golden age of the city passed with the XXth century. The city was poor, neglected, and dirty, the city center was a place where people were actually scared to go in the night. There still are parts of the city where I would rather not go after dark. Times have changed, but the renewal of the city takes time, and what we still have, are tones of half-empty tenements, with closed or barely-alive little shops on the ground floors, tired people, and a lot of graffiti everywhere. And especially hearing of Jamrock, I just couldn't take the visions of familiar places I walked myself thousands of times off my head.
(The last one teeny-tiny detail. Unimportant. But if anybody got here, I have to mention it. Remember how I mentioned the industrial character of my city? It was actually mostly the fabric industry.
And we know Precinct 41 has its seat in the old silk factory. That's all. That's all I had to say).
Even though Łódź is not nearly as big as Revachol, I feel like there are particles of her. They are hidden under the roofs of tenement houses, in the abandoned shops, in the smoke of the cigarettes of strangers at bus stops. They are not easy to find and most people will pass by not even noticing. But if you know where to look, maybe they will let you find them.
Or maybe she will find you.
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