#Detailed Concept Explanation

[transcriptioncity]

What is Concept Elaboration? Concept Elaboration Services

Concept Elaboration and Understanding the Importance of Clear Communication The intricacies of language often present challenges, especially when conveying complex ideas across different cultures. Concept Elaboration, a vital process in language services, ensures clear and comprehensive communication. This article delves into the origins, implementation, and significance of Concept Elaboration,…

[shit-talker]

I think a really fun idea to explore with Tim would be the idea of him having Hyperthymesia.

Hyperthymesia is an ability that allows people to recall almost every event of their life in great detail. It's extremely rare and honestly doesn't have that much research done on it, but recent studies have suggested that people with this ability are limited to autobiographical memories, people with HSAM sometime tend to show symptoms of Obsessive Compulsive Disorder and may demonstrate obsessive tendencies.

I think it would be an interesting way to explain why Tim was able to recall his first meeting with Dick Grayson and connect the dots to seeing Robin. Tim does display a lot of obsessive behaviours, and while he doesn't really physically display compulsion (like someone with OCD would typically display) there certainly is a strong case to be made for him potentially having it.

But also, can you imagine how fucking horrible it would be for Tim to remember each and every traumatic thing that ever happens to him as a hero and those memories just never fading. Yes, it would make him a better detective and allow him to be arguably smarter than your average joe, but at what cost?

[simcardiac-arrested]

zavijava info PLEASE PLEASE PLEASE PLEASE!!!!! PLEASEEEEE ZAVIJAVA COME HOME ... PLEASE .... umm um um ill tell you about umm . tma au im making for nastya if u tell me about her .PLEASE!!!!!!!

so she is definitely a star of some kind. i mean she is an angel but in that story in particular The Stars are kind of angels. like they’re otherworldly beings and they jus kinda hang out. cosmically. it’s a different dimension separated from the human one but like, obviously stars still exist for humans, they just don’t do anything crazy because the rules of the world dictate that their realities shouldn’t interact. angels can observe the other world from far up above yet they still exist on a different level. But tbh zavijava had never enjoyed the otherworldly ethereal whatever lifestyle—she just didn’t feel like she fit in there. she is a #1 humans fan though so she knows that’s where she’d fit in. so she does just that. she fits in perfectly :) and normally :) yay :)

[21st-century-minutiae]

In early twenty-first century internet culture there is a common meme which contrasts "the Virgin X" with "the Chad Y," where X and Y are related (or opposed) concepts, usually categories of people. Virgin referring to an individual who is celibate through some personal failing and Chad being a name for an archetypical oppositie. The "Virgin X" is usually depicted by describing X in an over the top pathetic way, or by being extremely picky about a very small detail. Comparatively, the "Chad Y" is lionized in a similar manner. These memes are usually absurd, more making fun of the kinds of people who compare X and Y than actually making fun of X in favor of Y (though sometimes the meme exists unironically). As such, "Virgin" and "Chad" are considered related opposites on the early twenty-first century internet.

In Christian Mythology, one third of the unified tripartite Godhead that those of the Christian faith worship is the demi-mortal aspect Jesus. Being a composite form of divine and human, Jesus is said to have been born of a human mother, though his father is said to be a second aspect of the Godhead. This human mother is "the Virgin Mary" who is revered as a blessed being by many sects of Christianity.

As part of Christian Mythos, all humans are inherently stained by the original sin (the consumption of the fruit from the tree of knowledge of good and evil). However, the demi-mortal Jesus, despite being human, is not stained the same. This is explained in some sects by the miracle of his mother's birth. Mary, according to their teachings, was born without the Original Sin. In this sense, she was a Virgin, in the sense of being completely free from impurity (like Virgin Olive Oil). And in this sense, Jesus was a Virgin Birth.

Other sects of Christianity claim that Mary was a Virgin in the sexual sense, as in never partaking in sexual matters, and that Jesus was born from a mother who never had sex. This is somewhat incongruent with the fact that Mary was married at the time of Jesus's birth according to Christian teaching. But regardless of the sexual experience of his mother, it is understood in Christian Mythos that Jesus was not born via sexual reproduction.

Another meme in the early twenty-first century takes the simple format of "the existence of X implies the existences of Y" where Y is some random, unfounded extrapolation usually built on word play. In this case, it is playing with the Virgin and Chad meme.

The responses refer to Mary Magdalene, another figure from Christian Mythos, who was a female follower of Jesus. Mary Magdalene may or may not be the same figure as Mary of Bethany, another figure in the gospels, and a prostitute that Jesus interacted with. It is common in many sects of Christianity to view all three of these women as the same person with different titles from the different gospels, but this is heavily disputed by other branches.

[syrinq]

thinking about the fact that i do like forgotton realms-adjecent (fantasy equivalent of star wars-sized ip) games but then i have to grab a broom and hit anyone appearing out of the shadows who goes "now play dnd (or any ttrpg) with me" extremely violently so they remain in the dark for another 5 million years

[thefearwithin]

The Snow Eldriik

Fun Fact! - There is a small subset of snow eldriiks that have black scutes instead of white. These ‘Black Ice’ snowdriiks have been misrepresented both mythically and scientifically for years until recent observations.

The mythos used to say that these eldriiks were dark, evil versions of the graceful snow eldriik, and so these variants have been shunned and warned about by many. The science held theories that these darker scutes would absorb too much heat, making individuals less healthy on average. 

The truth? Well, it appears that these scutes are more of a cosmetic difference than anything. They still serve the eldriik well as thick pieces of armor, and they appear no worse off than the white-scuted individuals. There is still an air of mystery about them, as these eldriiks are very seldom seen and much more secretive. This could simply be a result of their rarity, or a reaction to years of having a negative perception.

Or, perhaps, there is still some mystery to the black ice variants yet…

[tahbhie]

Creating Emotionally Devastating Scenes.

Crafting a scene that earns the total sympathy of your readers can be challenging, but it's not impossible. Most emotionally devastating scenes fail at two things, but when these are done right, the results can be powerful.

⚪ The Important Concepts for Writing an Emotionally Devastating Scene

1. The Build-Up,

2. Breaking the Dam.

Before I explain these concepts, let me share a case study.

⚫ Case Study

I wrote a story about a young orphan named Jackie and her younger brother. Their village was burned down, leaving them as the only survivors.

For the next few chapters, readers followed their painful journey and their struggle to survive. The younger brother had a heart problem, and Jackie vowed to become a cardiologist to save him.

She was very ambitious about it, but at the time, it was very ironic. Later in the story, when they encountered a tragic living condition with a family, the brother died while telling his sister how much he missed their parents.

When her brother was fighting for his life, she was sent out of the room, only to be let in again to see his cold, lifeless body.

⚪ Explanation of Concepts

1. The Build-Up

The build-up is extremely important when you aim to convey strong emotions. Here's a secret: if you plan for a scene with strong emotions, start leaving breadcrumbs from the very beginning of the story.

Take the previous case study. I carefully built up their journey so people could easily relate and feel the pain of the older sister during her brother's sudden death.

You need to give the situation enough reason to feel utterly hopeless and devastating. Gradually cultivate the tension until it's ready to let loose.

⚫ Understanding the Use of Breadcrumbs.

Breadcrumbs in stories ensure you utilize the time you have to build up certain emotions around your characters.

At the beginning of my story, Jackie’s fate was already pitiable, but she survived every hurdle. This gave the readers enough to feel for her while still leaning away from the outcome. When I built enough, I introduced her brother's sudden death.

Hence, leave your breadcrumbs while leaning away from the outcome.

⚪ How to Properly Leave Breadcrumbs

When building up your story, consider these elements:

☞⁠ Character Relatability: The characters need to be realistic to draw readers into the story. This helps readers invest themselves in your story.

☞⁠ Realistic Emotional Pain: Just as characters need to be relatable, their emotions need to be realistic and not appear forced.

☞⁠ Create a Strong Emotional Attachment: Give them something they care about or that has the power to ruin their lives in any way. It could be something that makes them happy or something their happiness relies on. When it's time, snatch it away without remorse.

☞⁠ Have a Backstage Struggle: This struggle keeps readers occupied, so they won't see the outcome coming. For example, Jackie’s constant struggle to find food and shelter keeps readers engaged while the impending tragedy looms in the background.

☞⁠ Attach Believable Elements: For a realistic character, emotion, and struggle, attach believable elements. It could be death, ailments, sickness, disorder, disappointment, failure, etc.

Now that we've covered the build-up, let's move on to the next crucial part.

2. Breaking the Dam

This is when you make your readers feel the strong emotions alongside your characters. All the tension you’ve been building up is released, making all emotions come into play.

☞⁠ Break Your Strong Attachment: Cut off your strong attachment from your character when they least expect it or at a point when they couldn't use more struggles (i.e when they are helpless).

This will not only evoke readers’ emotions but also pique their curiosity as they wonder how the character will survive the situation.

☞⁠ Description of Sensory Details to Invoke Emotions: The advice of "show, don't tell" will be really helpful here. It's crucial to ensure that the final execution matches the build-up.

A well-crafted build-up can fall flat if the emotional release isn't handled effectively. To avoid this, blend the climax seamlessly into the narrative, making it feel natural and impactful.

Reblog to save for reference! 💜

[reidrum]

you say ‘what a mind’ | s.r.

A/N: she’s back and with fluff! (?) exams were really putting me through the ringer but i missed posting so i fixed up this draft i had, i hope you enjoy :D ive been listening to sabrina 25/8 since she dropped so hopefully song inspired fics coming soon 🤞🏽

summary: you get really excited about something new you learned and spencer gets really excited about you

wc: a short n sweet 1k

cw: none, tooth rotting fluff

_______________________________________________

With Spencer's extensive knowledge of just about everything, you had assumed that there wasn’t much you contribute to his abundant learning.

You maybe weren’t three-PhD’s smart, but you were smart, averagely speaking. But you knew Spencer was smart, and truth be told it intimidated you. He never made you feel bad about not knowing something, ever. Anytime he gets to talk to you about anything his face lights up like the night sky.

There was, however, one time you had come home all excited to explain a concept from class that finally clicked for you. And the first person you wanted to tell was Spencer.

He watched you bound up to him with a spring in your step, bright eyed and wide cheeks as you told him, “I have to tell you about what I learned about today, it finally made sense to me. Like it felt like a real life light bulb final puzzle piece fitting type moment!”

He smiled warmly down at your eager face, “Alright angel, lay it on me.”

“Okay, I know it’s a little stupid it’s taken me this long to get it, but it’s—“

The call of your name sternly yet fondly falling from Spencer’s lips interrupts your self deprecating preamble, “Hey, we don’t do that, remember? We talked about this.”

Your rants almost always started with some self deprecating remarks, and he would always frown and try to interject and shut them down, to which you’d wave him off under the guise of, “If I stop, I’ll forget!” You were smart, but stubborn to a fault. He loved you for it, but it was hard for him to see you not understand the value you held, the value that your voice and your words and your opinions held. The value that he knew with all certainty you possessed.

A sheepish blush rises on your cheeks as you mumble, “Sorry.”

His fingers trickle closer to yours and wrap around them firmly, bringing you to sit on the couch next to him as he pulls your legs over to rest on his.

“Don’t be sorry, baby,” he says saccharinely, “We’re working on being nicer to ourselves right?”

You nod, he smiles softly back at you and continues, “Okay, tell me what you learned today.”

You start on your long explanation of the inner workings of the nervous system and its intricacies, explaining details and anecdotes that really showcase the inner workings of how your mind processes information.

Spencer can’t help but stare at you in deep fascination, complete with an awestruck smile and glimmering eyes.

He’s met hundreds of scientists, specialists, celebrities even, and listen to them talk about their research in extensive detail and with expansive knowledge. Hell, he’s had to do it himself with his three doctorates.

But as he sits in front of you, watching the person he’s most fond of on this planet watch you talk with so much speed, conviction, passion, with your hands move with purpose and excitement, he truly swears he has never been more in love with you than that moment.

“Why are you looking at me like that?” you ask cautiously.

“You,” he moves closer, “Are so intelligent, did you know that?”

“Spencer, I’m not in the mood for jokes plea—“

“No, my love. You are brilliant,” he moves closer to be an inch away from you, placing his hands on your cheeks, “The way you process information is fascinating. When I watch you explain things to me I can see you organize it in your pretty head. It is actually mesmerizing watching you absorb knowledge the way you do. You’re like, a beautiful puzzle all undone, but by the forces of nature you’re able to put yourself together and bear the finished product to me, to anyone.”

Your eyes tear up, “Spence…what the fuck.”

He chuckles softly, “I mean it,” he holds you firmly, planting you in the roots of his belief, “What a mind you have, darling.”

It’s enough to make you tuck your head into his chest, obstructing his view from your imminent tearfall.

“You can’t just say things like that.” you mumble against the soft fabric of his shirt.

Spencer instinctively wraps his arm around your torso, letting the other hand take purchase in your hair, gently stroking it down, “Why not?” He speaks softly.

“Because…I might think you're like, in love with me or something.” You joke.

His laugh rumbles through his chest and into your rested head, “Would that be so bad?”

“Yes.”

“And why is that?”

“It’s going to be another whole moon cycle before I have another a-ha moment like this again. I’ll have nothing to impress you with.”

Spencer smiles and sighs, squeezing you tighter against him, “You always impress me.”

You groan, “Ugh, you don’t have to say that to make me feel better.”

“You do know that you’re really smart, right?” you open your mouth to argue but he cuts you off, “You always underestimate yourself, but you’re really one of the smartest people I know. And I know a lot of smart people.”

A deep sigh leaves you, but he continues, “And you don’t have to believe me. I’ll believe it enough for the both of us. You and your brain are remarkable, so when you come to me with your a-ha moments thinking I’ll be impressed with your spark of knowledge, just know that I am impressed with you, but it’s more because I get to see you realize just how capable you are yourself.”

The calming motion of his fingers through your hair tether you back to this world, your insides fluttering about like butterflies in an open field. It was hard not to believe his words when Spencer was always so kind to you. It was always so easy for you to play it off like you didn’t deserve it.

But Spencer knew wholeheartedly that you did deserve it, that you were even entitled to it. And he’d spend the rest of his life reminding you. That, you knew for a fact.

“I love you,” you say softly, “Thank you.”

“No need to thank me angel, I love you too.” He mumbles in your head, his hand trailing down your sides in comfort.

[chaosblast]

a concept: what if the axolotl brought bill back as a human because it knows he'd hate it

more details / explanation for my design choices below the cut

i wanted to make a human bill but there's more than enough sexyman versions of him, And i wanted to do something i could rationalize in the canon setting. so! bill is 'reincarnated' as a human. in quotations because he's not a new person and has all his old memories

he has NO powers. he's just a completely normal guy with small weird features like his eyes and sharper ears. he's dropped naked (and maybe a little afraid) right where his statue was in the forest, so it takes him a few days to find the pines family. the blood is a mixture of his own (bear) and whatever he killed to eat (or just for fun). he then passes out on their doorstep two seconds later and in the end i believe they decide its better to keep him around for observation than send him away (and they decide not to kill him either, after many hours of deliberation)

so in classic found family trope fashion he slowly worms his way into the family. it's still technically forced rehabilitation, but it sure was easier than dragging him to group therapy. at least he has a second chance with ford!

[esoteric-goblin]

on worldbuilding, and what people think is going on

there is one facet of fantasy worldbuilding that is, to me, the most interesting and essential but i don't see it come up in worldbuilding guides or writing prompts or anything, and that is the question of:

what do the inhabitants of your world believe about how the world works, and how are they wrong? a lot of fantasy media will set up their cosmology, gods, magic systems, planar systems, concepts of the afterlife, &c., and proceed as though the inhabitants of the world know and understand them.

from someone whose entire academic career is focused on studying human culture in various regions and time periods, with a focus on belief systems (religion, occultism, mythology, folklore): that sort of worldbuilding is unrealistic and missing out on so much fun.

people are always seeking new understanding about how the world works, and they are mostly wrong. how many models of the solar system were proposed before we reached our current one? look at the long, turbulent history of medicine and our various bizarre models for understanding the human body and how to fix it. so many religions and occult/magical traditions arise from people disagreeing with or adapting various models of the world based on new ideas, methods, technologies. many of them are wrong, but all of them are interesting and reflect a lot about the culture, beliefs, values, and fears of the people creating/practising them.

there is so much more to the story of what people believe about the world than just what is true.

to be clear: i think it's fine and important for the author to have a coherent explanation for where magic comes from or who the gods are, so they can maintain consistency in their story. but they should also be asking what people in the world (especially different people, in different regions/nations and different times) think is happening when they do magic, or say a prayer, or practise medicine, or grieve their dead. it is a rich vein for conflict between individuals and nations alike when two models of the world disagree. it is fascinating how different magic systems might develop according to different underlying beliefs.

personally, i think it is the most fun to spawn many diverse models of the world, but give none of them the 'right' answer.

(bonus points if you also have a thriving academic system in the world with its own theory, research, and discourse between factions! as an academic, it is very fun to imagine fictional academic debate over the topics i'm worldbuilding. sometimes i will be working out details for some underlying mechanic of the world and start imagining the papers being written by scholars researching it)

[honourablejester]

I’m realising as I browse around that I really love lore when it comes to ttrpgs, games and game worlds. And by that I don’t mean I like to obsessively learn lists of dates and wars, and the names of leaders of factions, I mean …

I like learning weird, juicy details about the worlds of games. I like finding little nuggets that say things about the set-up and culture and assumptions of the world. I like finding fragments of ideas to hang whole story and character concepts off.

I love that in D&D 5e’s Spelljammer, the Astral Sea is full of the corpses of dead gods that you can fully sail up to in your ship. Just. Floating out there. Waiting for you to rock up to them.

I love that in Sunless Sea, the king of the drowned is the way he is because he fell in love with an eldritch sea urchin from space, and successfully married it. His niece is an angry sentient floating mountain whose mother is a goddess-mountain and whose father is a face-stealing humanoid abomination. This is fine and normal.

I love that in Starfinder, there are mysterious bubble cities in the surface of the sun that the church of the sun goddess discovered and cheerfully occupied despite having no idea who the hell built them or for what purpose.

I love that in Dishonored, the entire industrial revolution that has built the empire we’re in the midst of saving or destroying was built on the properties of whale oil harvested from eldritch tentacled whales that live half in the oceans and half in an eldritch void personified in the form of a weird-ass black-eyed shit-stirrer of a deity who was formed from a murdered and sacrificed child. And this is largely a background detail.

I love in the Elder Scrolls that the dwarves up and fucking vanished, as a race, at some point in history and absolutely nobody has any clue what happened to them or where they went, but their technology is so insane that ideas like ‘they time-travelled’ or ‘they erased themselves from existence’ are absolutely on the table.

I love that in Numenera, so many incredibly advanced civilisations have risen and fallen on this world that it’s absolutely littered with bonkers science fiction artefacts that have caused the current medieval-esque society built over top of them to develop in bizarre ways, and also you can find a mysterious artefact that absolutely baffles and delights your character, but that you the player will fully recognise as a slightly-more-advanced thermos flask.

I love that in Fallout, an irradiated post-nuclear apolocalypic hellscape, there’s a cult that worships the god of radiation as they have come to understand it, and they are mysteriously immune to radiation with absolutely no explanation whatsoever. They’re not ghouls, the usual result of fatally irradiated humans with some resistance, they’re perfectly normal humans who can somehow just tank rads all damn day. It could be a mutation, but Lovecraftian gods apparently do also fully exist in this setting, so it’s also possible that maybe they were on to something with this Atom thing.

I love that in Heart The City Beneath, there’s a mass transit train system that they tried to hook up to the eldritch beating god-thing buried under the city so that they could metaphysically chain the stations together more easily, which went horrifically and metaphysically wrong in entirely predictable fashion, and now there’s a whole order of train-knights who have to keep people safe from the extradimensional weirdness magnet the network has become.

That, and all the fantastic little details you can stumble across. There’s a biotech augmentation in Starfinder called an angler’s light that gives you a little angler-fish bioluminescent antenna on your forehead, and it was developed by asteroid miners who needed light but also both hands free for work. In Dishonored there’s a festival that everyone pretends is outside of time so nothing you do during it can be held against you. There’s a god of snuffed candles mentioned in a single line from Heart The City Beneath who has pacifist cannibal priests, and that is literally all the information you get on him.

While things like the history and geography and timeline of a world do also fascinate me, I’m not really here to memorise stuff like that. I’m here to find weird little nuggets of information and worldbuilding and delight in them. Give me funerary customs and weird myths and oddly specific circumstances and baffling little objects and absolutely bonkers cosmological implications. Give me the corpses of dead gods, and aesthetic movements with highly specific backstories, and bureaucratic fuck-ups of titanic scale, and mysterious things that seem to break all other rules of your setting with absolutely no explanation because people in-universe have no fucking clue how they work either. Why are the Children of Atom immune to radiation without ghoulifying? Not a clue, but Confessor Cromwell has been cheerfully standing in that irradiated pond that kills the player character with about 10 minutes of exposure for the last year and he’s still absolutely fine.

I just. I really love lore. I like my settings to have some meat in them, some juicy details to dig into, some inexplicable elements to have fun trying to explain. Particularly that last bit. I feel like a lot of people when building worlds feel like the rules have to be absolute and everything has to have an explanation, but nah. Putting some weird shit in makes everything immediately feel bigger, more real, because we don’t have even half an idea of how our world truly works, there’s always something we just don’t fully understand yet, and you can put that in a fictional world too. Some mysteries, some contradictions, some randomness, some weirdness. There’s a line, obviously, this depends on execution, but a little bit of mystery really does help.

Lore is awesome. And weird lore is even more so. Heh.

[physalian]

Quick Foreshadowing Tip: Misdirection

Nothing quite like a line coming out of nowhere to make you go "Well, that'll clearly be important later."

There's a line to walk between leaving an obvious breadcrumb trail so audiences know the whole time that A Thing is going to happen, and are just waiting for the chracters to realize it, and leaving hints for only the most savvy audience members to pick up on the first read through.

Misdirection is your friend.

If you want to include important details that audiences can but aren't supposed to notice, you should hide them as something else.

I have a natural disaster that needs to happen in a WIP, and then cascading plot consequences coming from it, but "natural disasters" aren't a big focus of this story and tossing in a Surprise!Earthquake to keep the plot moving out of nowhere, even if that's how earthquakes work, is not how quality fiction works.

But if I start mentioning it, it's a concept so out of left field that the reader would immediately notice and wonder why I'm randomly talking about earthquakes.

So: Misdirection.

First, I have two characters talking about fishing, a pre-established concept, and how much of their food survives off hydrothermal vents that are only in their region, reminding the audience that the geography is unstable without saying any of that. We're just talking about fishing.

I have a character already unused to weather and natural phenomena that other characters take for granted, necessitating an explanation of basic concepts like lightning and thunderstorms. But it's not exposition, it's a fundamental trait of this character and their growth and flaws, self-concious about not knowing these things.

I have baby quakes happening during a later scene, ones that every other character would dismiss as just a thing that happens sometimes, meanwhile the narrator notices, as they've never experienced one before, necessitating a call to attention to explain it to them, and thus the audience with them, while the narrator complains about being patronzied to. But we're not really talking about earthquakes, are we? No, we're watching this character get insecure about another gap in worldly experiences.

The whole time, I am priming the audience for the possibility of a natural disaster that you probably wouldn't expect, but would see coming after the fact as something that makes sense for this world and this story.

All this is so Surprise!Earthquake has as much setup as an unpredictable geological event can have because, when you toss in an "act of god" to fuck with your characters, it has no agency, it's just the hand of the author deciding to throw a wrench in things entirely outside any characters' power and independent of their choices. So having it as embedded in the story as possible instead of coming out of nowhere helps it feel less random and contrived.

Misdirection is your friend.

[homunculus-argument]

I am incompetent in so many things that I feel legit rage when I'm distrusted about something that I know I am genuinely good at. Particularly by people who refuse to let me help them with something I know they're doing wrong and that I know I could so easily help them out with, but they get mad at me instead. Like explaining things in layman's terms, for people who don't need all the details and just need to understand the general concept.

I've been there so many times witnessing someone trying to explain something we both understand, to a person who understands none of it, and when I see the person starting to look overwhelmed with all these super complex details flying right over their head, I'll chime in with "it's basically [super simplified version of the explanation, in therms that they'll understand]", and to not worry about the rest of it that has nothing to do with what they need to know.

And the person who was just halfway through trying to compress an university degree's worth of knowledge to this person without any filtering of what is and isn't relevant to the situation will look at me like I just called their dog a whore, and insultedly go "no, it's not at all like that!" and then start pouring in more and more complex detail that's going to just make the person who was already scared and confused by their original explanation even more scared and confused.

I am the only one in my family who has ever been tested for autism, btw. They tested me twice and no matter how hard they looked, I did not have it. My problems with communication remain mystery to this day.

[sugarcoatedcherry]

Reach Turiya (Void state) in sleep

Words used alternatively- Pure consciousness/Turiya/Void.

Reaching the Turiya state (the "fourth state of consciousness") through sleep is a profound spiritual practice rooted in many traditions, including Vedanta and Tantra. Turiya is a state of pure awareness beyond the three conventional states of waking (jagrat), dreaming (svapna), and deep sleep (sushupti). It represents transcendence and connection to universal consciousness—the formless, eternal aspect of reality.

Turiya is the underlying state of wakefulness, dream state and deep sleep. Experienced yogis and meditators find it easy to transition from wakefulness and Turiya. For the rest of us, transitioning from the other two states is easier.

In sleep, Turiya can be accessed by cultivating awareness during the transitional states of dreaming and deep sleep phases, where ordinary consciousness is dissolved but awareness remains. Here's a detailed explanation of how to use sleep as a pathway to Turiya:

Key Concepts of Turiya and Sleep

1. Waking, Dreaming, and Deep Sleep as Portals:

In waking (jagrat), the mind is tied to the external world. In dreaming (svapna), the mind is absorbed in internal projections. In deep sleep (sushupti), the ego and mind dissolve, but there is no awareness. Turiya exists as the witness behind all these states, observing without being bound by them.

2. Sleep as a Natural Entryway:

Sleep provides a fertile ground to access Turiya because the mental activity reduces significantly, and the ego temporarily dissolves. With training, awareness can be sustained during the transitional phases and deep sleep.

3. Awareness as the Key:

The critical difference between ordinary deep sleep and reaching Turiya is awareness. Normally, in deep sleep, consciousness is inactive. To experience Turiya, one must retain awareness as they transition into and through sleep.

Steps to Reach Turiya through Sleep

1. Preparation Before Sleep:

Meditation: Before lying down, meditate to calm the mind and detach from sensory distractions. Focus on your breath or a mantra to center your awareness.

Intention Setting (Sankalpa): Set a clear intention to remain aware as you fall asleep. A simple affirmation like, "I will remain aware as I drift into sleep and beyond" can help.

Body Relaxation: Practice body awareness or progressive muscle relaxation to ease tension. This creates the foundation for effortless transition into subtle states.

2. During the Hypnagogic State (Between Waking and Sleep):

Observe the shifting mental states as you fall asleep. Be a witness to the random images, thoughts, or sensations without becoming attached to them.

Focus on a mantra, breath, or inner sound (nada). This acts as an anchor for your awareness.

Stay relaxed but vigilant, avoiding active engagement with any arising mental content. The goal is to observe without being drawn into dreams.

3. Cultivating Awareness in Dreaming:

Practice lucid dreaming techniques. By becoming aware in your dreams, you begin to dissolve the boundaries between dream consciousness and the witnessing state of Turiya.

If you become aware that you are dreaming, remind yourself that you are the witness of the dream. This awareness is a step toward accessing Turiya. Follow one of these.

4. Maintaining Awareness in Deep Sleep:

In deep sleep, there are no thoughts, forms, or perceptions—only pure stillness. To reach Turiya, the goal is to remain aware during this formless state. When people say they "woke up" in void, this is what they mean.

5. Practice Witnessing the Transitions:

Pay attention to the gap between wakefulness and sleep, between dreams and deep sleep, and between sleep and wake fullness. These gaps are portals where the ego dissolves, and pure awareness/void can be glimpsed.

Challenges and Solutions

1. Falling Asleep Completely (Losing Awareness):

Solution: Strengthen your practice of mindfulness during the day. The more aware you are in daily life, the easier it becomes to retain awareness during sleep.

2. Restlessness or Overthinking:

Solution: Practice calming pranayama (like Nadi Shodhana) before sleep to quiet the mind. Or switch between direct and indirect techniques.

3. Difficulty Transitioning into Deep Sleep Awareness:

Solution: Focus on the witnessing state during meditation daily. This helps train your mind to maintain awareness even in non-ordinary states. Or use Lucid dreaming techniques instead.

Vijñāna Bhairava Tantra is an ancient Hindu scripture that reveals 112 techniques to enter the void state. Let me know if you want a post on that.

(this is not the guide/challenge I was talking about, this is only a informational post. The other one will be out by tomorrow)

[hedgehog-moss]

Pls give recommendations for Odd books 🙏

Here we go, a list of literary oddity :) This post contains majestic spheres, alien taxonomies, cruel subway polytheism, a fourth-dimensional cat, disturbing earthworms, infinite space football, existential mussel terror, a Parisian absurdist time loop, and a picture of a telegraph-pole-man-cheetah. I'm not exactly recommending these books, in the sense that I won't take any complaints if you find them more odd than good, and some of them transcend the concepts of good and bad anyway.

• The Other City, Michal Ajvaz. It's all like this:

• Contes du demi-sommeil, Marcel Béalu ('Half-asleep tales') —is the book that prompted my post about stories that have no ambition or justification beyond being odd. I'm sad that it hasn't been translated :( One of the tales is about a strange opaline sphere that rolls on the road. It doesn't accelerate when the road becomes a steep slope but continues rolling majestically. At one point it floats away towards the sky. Someone wonders if it was the moon. Someone else says authoritatively "It was an angel's egg." Everyone is reassured by this explanation. The whole thing feels exactly like remembering a dream you had. There is also a man who reads too much and whose body atrophies so only his head is left and his wife puts it in an egg cup for better stability.

• Leonora Carrington— The Skeleton's Holiday, or maybe the Hearing Trumpet. I've read them so long ago but I think the latter is the one with the old ladies and nuns? There's also a guy who was murdered in his bath by a still-life painter because he said there was a carrot in one of his paintings, but it might not have been a carrot? It's hard to remember details from this book without feeling like I might be making them up. Bonus Leonora Carrington painting which kind of feels like a short story:

• The Codex Seraphinianus, of course. I wish there were more bizarre encyclopaedias out there.

Also I love this review:

• Sleep Has His House, Anna Kavan —I really liked the way this book used language; making life feel like a fever dream even more than in Samanta Schweblin's Fever Dream (which I really liked too.)

The eye is checking a record of silence, space; a nightmare, every horror of this world in its frigid and blank neutrality. The actual scope of its orbit depends on the individual concept of desolation, but approximate symbols are suggested in long roving perspectives of ocean, black swelled, in slow undulation, each whaleback swell plated in armour-hard brilliance with the moonlight clanking along it . . .

• The second half of Michael Ende's Neverending Story, where things get stranger! I remember the hand-shaped castle with eyes and the city of amnesiac former emperors and the miserable ugly worms who cry all the time out of shame then create beautiful architecture with their tears...

• The Gray House, Mariam Petrosyan. This is the one I had in mind when I talked about a 'museum of the strange, but one you wouldn't want to be trapped in after closing time'. Another book that made me feel uncomfortable in a similar (good) way was Edward Carey's Observatory Mansions, the protagonist of which is a man who curates an odd private museum and can't stand the sight of his own hands.

• Oh, speaking of uncomfortable, and hands—He Digs A Hole, by Danger Slater. To me this book was in the more-odd-than-good category but I liked its refusal to have a coherent philosophical meaning. It's about a man who can't sleep so he goes to his garden shed and saws off his hands and replaces them with gardening tools. Then he starts digging a hole. And then it gets weird. (Read at your own discretion if you have a worm phobia; there's some body horror featuring sexually aggressive earthworms. And then it gets disturbing.)

• 17776 — Someone sent me an ask a few years back to recommend this online multimedia narrative to me and I really enjoyed it! Here's the summary, borrowed from the wiki page: Set in the distant future in which all humans have become immortal and infertile, the series follows three sapient space probes that watch humanity play an evolved form of American football in which games can be played for millennia over distances of thousands of miles. The work explores themes of consciousness, hope, despair, and why humans play sports.

• Saint-Glinglin, Raymond Queneau —the author admitted that this book presents some "internal discontinuities." I didn't like it much but I respect the talent it takes to write a novel where everything feels like a random digression, including the key suspenseful scene that matters to the plot. The one digression I loved had to do with the way the narrator is existentially horrified by various sea creatures. It's like he dreads them so much he can't help but think about them when he should be telling a story.

The oyster... This gob of phlegm, this brutal way of refusing the outside world, this absolute isolation, and this disease: the pearl... If I conceptualise them even a little, my terror starts anew. The mussel is even more significant than the oyster and even more immediately admissible in the domain of terror. Let us indeed consider that this little sticky mass whose collective stupidity haunts our piers, consider that it is alive in the same way as a cow. Because there are no degrees in life. There is no more or less. The whole of life is present in every animal. To think that the mussel, that the mussel has, not a conscience, but a certain way of transcending itself: here I am once again plunged into abysses of anxiety and insecurity.

Near the beginning he philosophises about what would happen if a man and a lobster were the only two survivors of the apocalypse. The lobster would break the man's toe and the man would say, "We are the only beings that remain on this devastated Earth, lobster! The only living beings in the universe, struggling alone against the universal disaster, don't you want to be allies?" But the lobster would disdainfully walk away towards the ocean, and "the sight of the inflexible and imperturbable lobster pierces the sky of humanity with its unintelligible claws." (I can't overstate how little this has to do with the rest of the book.)

• Autumn in Beijing, Boris Vian —needless to say the story does not take place in autumn nor in Beijing.* To the extent that it can be said to be "about" something, it's about people trying to build a train station in a desert with tracks that lead nowhere. (I just went on goodreads to check the title, and it's actually called Autumn in Peking in English. I also discovered that it was featured in a list of Books I Regret Reading. I liked this book, but I understand.)

(* French writers love doing this—like when Alphonse Allais said about his 1893 book The Squadron's Umbrella "I chose this title because there aren't any umbrellas of any sort in this volume, and the important notion of the squadron, as a unit of the armed forces, is never brought up at all; in these conditions, hesitating would have been pure madness.")

• The Library at Mount Char, Scott Hawkins—I fear this one makes a little too much sense for this list, but you can't say it isn't weird; and I loved it and recommend it any chance I get.

• The Eleven Million Mile High Dancer, Carol Hill —this book was so wacky and made me laugh. I've not yet managed to successfully recommend it to someone; its brand of odd didn't resonate with the people I know who've read it but that's okay. You could say it's about a woman astronaut whose weird cat disappears into the fourth dimension (or the quantum realm?) and she goes to space to save him—but that makes the book sound more straightforward and less messy than it is. Her cat leaves her a note before he disappears:

• The Bald Soprano, Ionesco —fun fact, there's a tiny theatre in the Latin Quarter in Paris where this absurdist play has been staged every night for nearly 70 years, with the exact same set design and costumes and everything, like the actors are stuck in a time loop. They celebrated the 20,000th performance this year! There's an actress who has been playing her character for 40 years and said joining this theatre was like joining a religion. I've been going to see this play as a New Year tradition with my best friend since we were 14, so I love it madly, though I wouldn't say it's good, necessarily—the author said it was about "absolutely nothing, but a superior nothing."

• Statuary Gardens; or Les Mers perdues (apparently not translated) by Jacques Abeille. This man is obsessed with weird statues. Unfortunately I find his writing style rather dull—I feel like he takes strange ideas and makes them feel mundane in a bad way...! But his books still have a nice, quiet, oneiric atmosphere, and images that stayed with me, like a solitary gardener trying to grow stone statues in the depleted soil of a walled garden. Here are some illustrations from the second one:

I'll look into some of the books recommended on my previous post! (and I agree with the people who brought up Cortázar, Borges, and Junji Ito. <3) Some potentially-odd books I have on my to-read list: Clive Barker's Abarat, Goran Petrović's An Atlas Traced by the Sky, Salvador Plascencia's The People of Paper, Jean Ray's Malpertuis; Jan Weiss's The House of a Thousand Floors; Brice Tarvel's Pierre-Fendre.

[luminatricky]

Vampire? In Gotham! (part 3)

Summary: the batfam have a meeting, Constantine got a little too lost in the sauce when crafting Danny's sob story, and we find out what Dracula's been up to all these years. Oh and the DC version of Vlad is fully dead? More at 9

Relationships: the batfam

on god I spent too much time thinking about danny's vampsona. he's got two outfits so far. no I didn't make a concept board. no I didn't make a picrew. I don't know what you're talking about

(sorry if this is all horribly ooc I struggled a bit with making this intelligible)

Red Hood doesn't usually leave Crime Alley. That's a known fact. But Batman doesn't usually call a meeting that includes Red Hood. The old man learned years ago not to involve him unless it's important with a capitol I.

Pulling into the Batcave, Jason slows to a stop on his motorcycle. He follows the voices of his family to the Batcomputer. Everyone is in full gear, but not everyone is fully present.

Dickhead was ransacking the medical room for...blood bags? Barbie and Replacement carved out a corner to the right of the main computer. They'd set up a foldable table for their personal laptops, sitting side by side as they quietly schemed together. Damian was working hard on some sort of artwork with a similar table to the left. He stuck his tongue out in concentration. Adorable.

Bruce was pulling up a very old case file in the central system. It looked to be a string of serial disappearances.

Jason wasn't the last to arrive for once. The elevator to the manor dings behind him. Alfred and the rest of the brood step out into the cave, carrying weapons and gadgets by the armful. Old looking Batarangs, glorified flashlights, cases upon cases of the anti-toxin epipens filled with unfamiliar blue formula. And wooden stakes.

Like a good grandson he steps up to help lighten Alfred's load, but he only gets two steps in before the old butler gives him a very disapproving eyebrow raise. Jason retreats with his hands up. He turns back to Bruce.

"This better be a bloodsucker apocalypse or you won't see me til Christmas."

Bruce pulls up a detailed list of the weapons and their uses on screen. Everyone stops what their doing and takes a picture with their phones. Garlic Batarangs, flashlights with artificial sunlight, a cure for vampirism. Wooden stakes need no introduction or explanation, except for why his dad - who is very against killing to put it fucking gently - would be giving them a vamp equivalent of a gun.

"Potentially," Bruce says. "We need to draw up new contingencies. But we also need to debrief so we have all the facts to do so."

Surprisingly, both Duke AND Tim groan. Jason understands Duke. The teen does not have the patience - ahem, attention - to learn all the contingencies at once. Which Bruce recently subjected him to from what he's gleaned from the sibling group chat.

But Tim? Making and learning ridiculous lists is the guy's bread and butter, the freak. So why -

"C'mon Bruce. What we know so far about the guy makes it seem he might be genuine. We do not have to plan a murder yet. Murder is messy - and wrong, definitely wrong." Tim tacks the last part on way too quickly for anyone here to believe that's what he actually feels. Hah. Another one straying off the path of the No Kill Rule. He can't wait to hear the details when one of their siblings interrogates him about it later.

Bruce exhales through his nose. He puts the previous topic away in favor of pulling up a picture of a middle-aged man with glacial blue eyes. His face is long and angular, and he wears old style European clothes that screams 'I'm an old rich vampire, come stake me'. Jason snorts - something about his face is so punchable.

"Dr. Alucard seemed genuine at first, too." He pulls up a picture of the same man, but this time with sunken in cheek bones. His salt and pepper hair is fully bleached, and his eyes glow unnervingly. It's a candid of him mid-fight in the Batcave, a furious snarl on his lips, baring some wicked fangs at a young Batman. "Or should I say, Dracula." He's answered with a round of gasps.

Jason's starting to see how every single one of them ended up as (melo)dramatic little shits.

He puts the pictures away. "Around the time when I was first starting out, the Penguin accidentally freed him from where he was sealed in Gotham's cemetery." Bruce begins. Jason wonders with a tight chest just what was wrong with that place. Why do the dead keep coming back to life there?

If he had a nickel...

Bruce pulls up the headlines of the 'Lost Ones' case. Jason opens his mouth to comment, but Dick beats him to it. "They seriously thought it was Batman? C'mon! How incompetent is the GCPD?"

Jason scoffs. "Says the fucking cop."

"Ex-cop, thank you. And I worked in Bludhaven before I figured out they were just as corrupted and rooting that out from the inside was a terrible plan."

"Anyone coulda told you that," Duke snarks. Jason backs him up. "Your problem is you always want to give people the benefit of the doubt when you shouldn't."

"Boys." Bruce interrupts. They all stop at the tone he uses. Alfred clears his throat, and answers Dick's rhetorical question from earlier. "That was unfortunately a common occurrence when Master B was a young bat. It would do you all well to be mindful of keeping your reputations positive amidst suspicion."

Jason doesn't laugh out of respect for Alfred - he was so not talking about him. He needs to do the opposite of spit rainbows out his ass to be effective.

"Oh my God is that why Bruce keeps gatekeeping everyone he meets? He's hazing them like a vigilante initiation ritual?" Steph whispers to Cass. He hears her softly laugh in response as she nods.

"I agree with Grayson. The GCPD are fools to think that if Father were a serial killer or trafficker that they'd ever even know. He is better than that." The demon brat brags.

Bruce huffs fondly. "It's a good thing I'm not." He gestures to the weapons. "We fought. He'd started turning people left and right, making them mind controlled vampire pawns. The Joker got turned-"

Jason's vision floods green. "And you didn't fucking stake him? Even more fucking dangerous -"

"-and I managed to capture him at a blood bank before he could do more than destruction of private property." Bruce raises his voice over him. Jason clenches and unclenches his fists. He itches to shoot something, to break something, to get relief to this God forsaken green-flavored, rage-filled pressure starting to boil over in his chest at the reminder of his murderer.

Blessedly everyone shuts the fuck up as he tries to not blow his top. Bruce should've staked him. He had the perfect excuse all lined up, and the opportunity, and goddamit Barbara wouldn't be in a wheelchair and Duke's parents would be fine and Jason wouldn't have come back evil -

Bruce isn't and wasn't evil, he reminds himself. Not like Jason is. And it's not helpful to blame him for his nature right now when they need to fucking debrief. Woulda-coulda-shoulda's are for chumps.

When he blinks back the green, shoved it down to where it's there but managed, his family haven't moved an inch from where they had been. It's a small but meaningful relief to see that they hadn't taken defensive positions like they would've in the past. They just untensed as Jason's arms stopped trembling from supernatural rage.

No one calls attention to his near-episode further, and he's grateful. "I took him back to the cave. With his blood samples I managed to create a cure for the thralls. They all went back to their everyday lives without any memories of what happened. Joker is no exception."

Which is code for, 'I found a reason to bypass normal ethics and experiment on the Joker for the greater good and yes I still remember which cell he was in. It was the highlight of that week.' It makes him feel marginally better and worse in equal measure. Where the fuck was that energy when he kicked the bucket? (Superman, was where. They already had this conversation)

"At that time Wayne Enterprises had been taking it's first steps into solar energy. When Dracula invaded the cave, we were able to survive due to the stored sunlight that the proto-type gathered."

"Wait. No, wait. Hold on. The urn on the fireplace? Please tell me that's a grandma we don't talk about." Duke pleads. "Please. It's not Kentucky Fried Vampire. Please."

When Bruce doesn't say anything for way too long, Steph nearly chokes on trying to hold back her laughter. Alfred clears his throat. "Batman was rather hurt after the altercation. And Dr. Alucard was rather rude in how he barged in - uninvited! I found it suitable that if he insisted on destroying the decorations, that he should contribute."

Steph full out cannot stop once it begins. Everyone else stares dumbfounded either at Bruce or Alfred. Dick looks like he's about to have an aneurysm. Duke is regretting his life decisions, probably the ones about joining this family. Damian is not comprehending the issue with any of this, expecting a follow up anytime soon. Cass shakes her head, but Jason hears a quiet "grandma dracula is disappointed".

He doesn't know how to feel other than dear Lord please he cannot laugh. No matter how absurd this is. He sounds ridiculous in his helmet.

"...leaving the ashes unattended would spell disaster in the wrong hands," Bruce clarifies once the giggles fall away, "Dracula kidnapped Vicky Vale to use her soul in resurrecting his wife from her ashes. Letting Alfred hide it in plain sight didn't sound like a bad enough idea to try to stop him."

"Precisely, Master Bruce." The butler approves.

"Damn. That's just cold." Dick remarks. He pinches the bridge of his nose with his free arm. "I would ask what the hell he deserved that for but he's literally an ancient evil vampire, so." His older brother jostles the blood bags he's cradling. "Hopefully this guy's an unrelated friendly."

Duke whines in the back of his throat. Jason squeezes his shoulder in sympathy.

"Tonight?" Cass redirects.

"Tonight I came across the unknown on our usual route. I had Robin stay back when I spotted him a distance away. He'd been running across rooftops, watching the people below. I followed for half a block before he walked down the side of a building and into an alley right on the border of Park Row."

"Crime Alley." Jason corrects.

"Crime Alley," Bruce amends. "Once there, he paused for a moment, searching the crowds for something. He took out a clear canister filled with a dark red liquid. It had the same viscosity as blood."

"Where's he getting the blood from? There hasn't been anymore blood bank robberies, attempted or otherwise. And no one's turned up with weird wounds, dead or alive." Steph pipes up. Babs lifts her hand up as she adds her two cents. "Unlessss, mystery teeth here is using the same tactic Drac did. If he's just arriving then we shouldn't be noticing anything just yet."

Bruce holds up a gloved finger in a 'I wasn't done' gesture. "When I approached, the unknown claimed that the canister was a synthesizer when asked. I couldn't detect any lie in his body language or voice. He then introduced himself as 'Dante Nightingale', but asked to be called Danny, which either means he's a modern vampire or an old one who is familiar with the times. I then confronted him about stalking humans from an alleyway. He revealed intel that will be worrying if confirmed."

Jason hums. "Sounds like this guy might not be the supernatural flavor of creep, at least," he mutters under his breath.

Tim raises his hand next. "From what B told me earlier, Danny said that there was some weird ghostly-doppelganger-vampire activity that our suspect hasn't seen before. The behavior, not the creatures." Tim pushes up his blue light glasses as he takes a breath. "Anyways. The info on Shades checks out. The JLD records told me all about them. Show of hands if anyone's seen Appalachia Tik Tok?"

Oh Jason doesn't like where this is going. Alfred (surprisingly), Cass, Dick, Babs, Steph, and Duke all put their hands up too.

Tim goes on. "The mimics? Shades are like that, but with a life force sucking aspect. They're basically ghosts who never were alive and didn't form right, so they eat human emotions until they become fully sentient ghosts called Specters. In a really creepy 'I'm going to replace you' way. So. Bad stuff."

Jason shivers when Bruce nods. "Nightingale claims that they're walking the streets in unusual numbers. That he had just arrived and in Gotham and that he was exploring tonight when he noticed something off."

"Ohhhhkay! Just what we needed, yeah? Invisible monsters in Gotham!" Dick says. "Quick, scratch that off the bingo."

Tim rolls his eyes. "Do we have a description? Power set, background check? I need everything I can to narrow down which type of vamp in the database." He's tapping away at his laptop again, not looking up as he types.

Bruce motions for Damian to come closer. The demon brat hands off the artwork he'd been quietly working on as they talked. Bruce observes it, before nodding at where Damian stands at attention like a good little soldier. Damian preens.

Jason blinks away the green.

Their dad scans the sheet with a device, and the image pops up on the main computer. The man in the portrait has pale skin - obviously. Fangs - no duh. Although notably shaped differently from Drac's. Claws a good few inches long and white in color. Jason spies an interesting ring. It's crown shaped and encased in fake(?) ice. Freckles on his rounder face, framed by wispy-looking stark white hair. Skeleton earrings, black turtleneck, a white blouse with a ridiculously low vee neck tucked into green pants. A delicate chain in the shape of a spiderweb wraps around his covered throat in a pleasing contrast.

The man's eyes are a hauntingly familiar shade of green. He sees it often.

The pupils glow a lighter hue of lazarus, shaped like four-pointed stars. Jason would say the guy looks more like a fae took a dip in the Pits than bloodsucker. But what does he know? Guy didn't deny the blood drinking accusations for fuck's sake.

Babs jumps in again. "We had B give Robin a description because apparently his presence is a hell of an EMP. Video feed and coms went down as soon as Batman joined him in the alley. So a few feet away." She clicks a few things on her own screen, and then starts reading down some sort of list she typed up for herself.

"Dante Nightingale, aged nineteen. A farm boy from Illinois. Parents Robert and Jane Nightingale. No other relatives. Totally normal until he was struck by lightning at thirteen and his metagene activated, giving him minor power over ice and sensitivity to heat." She taps something on her computer and a young Danny Nightingale jumps next to Damian's portrait. The black haired boy has a big goofy grin on his even rounder face, splattered with freckles. In this picture, it's obvious that although he's trying to look happy for picture day, the kid had serious bags under his eyes, and a look in those clear blues that just screamed that Danny had seen some awful things. "Then at fourteen, the whole family got into a car crash. Robert and Jane died on scene, while Dante lasted three days in the hospital before going missing entirely."

Babs pushes up her glasses and takes a deep steadying breath. "The nurses on duty reported a change in hair and eye color, as well as strange dental elongation in the canines. Paired with uncontrollable ice stronger than recorded earlier, this led them to believe that Danny's metagene strained under the new trauma and started causing physical mutations alongside the modifications to his original ability. But I think we all know what was actually happening to him."

"...What else do we know about the kid?" Dick asks. Anyone who didn't know him would say that Dick was relaxed, but Jason and anyone else who knew him could clearly see that Danny's story hit a little too close to home. Dead parents in an 'accident' where the kid was there to see. Yeah.

Heh. This looks like a classic meta trafficking case, the more he follows that thought. Not the casual kind most parents have to fear - pick a kid off the street just 'cause they were there, someone will pay for 'em no matter if they're pretty or not.

No. This was targeted. Planned out weeks, months, years in advance. Someone wanted this kid for something specific - enough to murder his parents for and make it look like an accident. Likely, it was to have an ice meta under mind control, considering what Bruce said about Dracula and his thralls. If he's right, Jason might have to go all Buffy Summers and deal with them.

Jason reaches out to catch Duke by the shoulder again and this time he doesn't let go. His newest brother looks at him, big brown eyes wide and fearful. It could've been him, easy. They both think it. They both know it. Fuck, Danny was just a few years younger than he is now.

Jason squeezes. He whispers low to him. "I'd shoot them in the balls for you. Won't let 'em take you. End bloodlines if I have to, to get you back." Duke gulps, and nods. The teen squeezes his eyes shut and Jason pretends he doesn't see him quickly wipe his eyes.

"...Recently, he got legally un-declared dead, and opened a bank account. Looks like one very dead Vlad Masters left his fortune to him sometime earlier. Man owned a goddamn castle. They found a secret lab in his basement with strange equipment when they went looking for evidence. And. Oh. Oh that's not good."

"What is it?" He asked, not wanting to know the answer already.

"Police found a mystery green liquid they couldn't identify but put the composition on file. I just ran it through our systems. 70% match to lazarus water. What's more, there were blood packs close by that were heavily contaminated with the same substance." She looks like she was ready to throw up at the dots they were all connecting.

He might as well. "Alright. Meta kid's trafficked at fourteen and turned into a vampire. Spends the next five years caught by mad scientist vampires who poked and prodded at him like a rat. Then, he murders the assholes, runs off with their money, and moves to Gotham. Fuck's sake." Jason sums up.

Bruce makes a 'I'm not disagreeing with you but I have an opinion' grunt. "That's one possibility. The most likely one from what we know right now."

"But?" Someone prompts.

"But. He mentioned a term called 'Fraid'. He said that someone told him that myself and 'my Fraid' were good people. Nightingale claimed it was a cultural term for found family," Bruce explained. The man's mouth twitches into a frown. "If he was being held hostage all that time, would they have bothered to teach him that? And if they did, experimentation wouldn't be all they had wanted from him. No one would bother to teach someone disposable."

Tim stopped typing for a second, eyes widening and then blanking quick as a whip. Swallowed. Went back in with a vigor.

"So. Either. He got away from his kidnappers, and there's some found family out there somewhere. Or he never got away from them, but he was not expendable. His kidnappers may have forced him into their family." Steph reasoned out.

"Man. This is fucked up." Duke mutters. "You're telling me, kid." Jason whispers back.

Damian bristles. "Father. We have to interrogate him. Nightingale may have connections to the League of Assassins, or a similar organization run by vampires. The lazarus water is damning. We must make sure." The demon brat demands. Which. Fair. More unknown lazarus pits are just asking for evil to pull up with some friends.

Bruce makes an 'I agree with you but I'm thinking' grunt. But before he can respond, Tim cuts in. "So Fraid is definitely what he says it means. But according to the records, only the dead or undead use it. Obviously I did a little digging. Vampires don't count as either of those, even though some sleep in coffins and stuff. No, most vampires count as something called 'death touched'. Meaning they're still alive, albeit really in tune with the other side." Tim shifts, chugging a quick bit of cold coffee. "Only one match came up when I searched for undead vampire. The thing is, it exists, but the file is on the JLD's red tape section."

Which is code for 'don't fucking touch this dimwits if you value your life, call us for fucks sake'. Pleasant.

"Yes Father. If Drake is not once again wildly incorrect and foolish, Nightingale is undead. And it's obvious how." Damian presses.

"I will make the call. Red Robin, keep looking. I'll type up the rest of the abilities and send them to you all. Everyone working with me officially, no one goes on patrol alone. We work in pairs until further notice. Everyone bring with them the anti-vampire precautions we have until we have better options." Batman commands to the group. He zeroes in on Jason, and Jason gears up to rip Bruce a new one for treating him like he's still one his birds.

But that's not what happens. "And Red Hood. Just...be careful."

Instead of acknowledging the icky ooey gooey feelings, Jason snorts derisively. "I'll tell my guys and girls to keep a lookout. If anyone goes missing I'd bet ya a thousand it'll be one of mine. Everyone knows no one's gonna call the cops." He turns around and stuffs his pockets with the gadgets, and Dick threw him a blood bag. "Later assholes."

Jason revs his bike. Tonight, he'll make his rounds, doing what said he would. And hey. Probably hit up that rage room in Bristol he goes to in civvies. Crime's been real quiet recently, and he knows it's likely purposeful.

That pisses him off that they think they can hide from him forever in his own territory.

Tonight's been bad, too. He'd rather go beat up some stupid garbage than risk a pit rage on some numb nut that at most only needs a couple slices to catch his drift. Heh. He's gonna see if they'd let him tape a pic of Dracula to a TV so he can cave his face in post-mortem.