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bengals-barnesbabe · 3 months ago

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The Girl Behind the Camera

Pair: Joe Burrow x Videographer!Reader

Descr: When The Bengals hire a new social media manager, people start to notice a certain QB coming out of his shell.

TW: mentions of sex, nudity, gossip, racism, classism, invasion of privacy, protective boyfriend!Joe.

Main Masterlist

WC: 2083

*. * ·┊┊┊┊ ➶ ❁۪ ｡˚ ✧

"Which of your teammates would you rather be stranded on a deserted island with for 72 hours?"

Was the question being asked on the way out from practice. From behind the black and white jerseys Joe could hear the bouts of laughter from each answer. Most of his more outgoing teammates thoroughly enjoyed walking up to the woman with the camera on a day to day basis, while others like him avoided making simple eye contact with her.

But today's Friday and Fridays are very special on this practice field. Not only do they have shorter practices but the recurring sports journalist major with a sometimes too sunny attitude, is replaced with the new silk press and brown glossy lips-wearing photographer that could stop him in the middle of the busiest highways just with her smile.

"Hey 9!" You beam as he approaches you with rosy cheeks. "Wanna hear today's question?"

I'd listen to anything coming from those pretty lips.

"Sure, whatcha got for me?" His eyes are solely focused on the way your glittery nails push back your dark brown locks and the movement of your lips rather than the content flowing from them.

He stands there motionless for a minute contemplating his answer, when in reality he just wanted to see how long you'd hold his gaze before squirming. 45 seconds is the current record.

"Joey, come on.."

25 seconds, he must look especially good today.

He smirks as your pout forms, or maybe he just likes giving you more work to do in the editing room (aka tonight at his place).

"Are you going to answer or should I shut off the camera?" A chuckle arises from his belly as you attempt to make an authoritarian stance with a smooth caramel leg jutted out and your glistening arms crossed over your chest.

Rolling your eyes at him, you start to ignore him and play around with the camera, before his voice interrupts you. "Alright, I'll answer. Only for you though."

He does his best to revert back to factory settings (aka grump mode as you like to call it) when you give him the go-ahead. "I guess, I'd take Ja'Marr. Hopefully, he doesn't get sick of me in 3 days."

You let out a cute giggle at his response recapturing his gaze from above the camera. He'd make it his life goal to keep that sound pouring from your plump lips.

So he adds to his answer. "Or I'd take my girlfriend, she loves beaches you know. She's kind of the yin to my yang." He smirks nodding to your necklace.

Flustered you try to cover your smile, before asking him a follow-up question. "Would you get on a boat to rescue her, if she somehow got trapped out at sea?"

"Of course, I would," he chuckles. "But then I'd ask where she found a boat in the first place and why she got in it when she doesn't like them either."

ೄྀ࿐ ˊˎ-

"Maybe she was just trying to find food for her quarterback boyfriend with a bottomless pit as a stomach." His entire body shakes with laughter as you smile accomplishedly behind the lens.

"That's cute, you know her or something?" You shrug, as he straightens up due to another presence approaching.

"Don't stop on my accord, you did great today J. And you Miss Thing, I can't wait to see the shots you got of my team out there." Coach Taylor praises walking past you, causing your faces to heat up.

"God, I don't know how much of this I can use." Your video voice sombers.

You watch as the orange jersey fills the frame until not even the 9 is visible. "Sounds like you have your work cut out for you. Kind of like how..." His low and teasing voice barely gets picked up on the audio. A shiver runs down your spine because you remember exactly what he said before walking out of view.

"Kind of like how you will when you get home tonight."

'And boy was he right, but not about the editing.' You think gawking at his body as he walks out of the bathroom, water dripping from his hair and shoulders down his nice pecs and delectable abs. His strong arms and toned abdomen are tinted red due to the steamy shower that's releasing vapor into the room.

"Still editing I see?" He asks teasingly as he ruffle-dries his hair with a microfiber towel. You painstakingly nod but push the laptop down and off your lap.

"It can wait." You say as your gaze drops down to the blonde happy trail that disappears underneath the towel secured around his waist. "It's not due til noon anyway."

"Good, I've been thinking about you laid out on my bed for me since we got home." A smirk curves up his lips when he notices your eyes fixated on the bulge of the fabric.

"Lucky me." Then the towel drops. Lucky me indeed.

✧ ⁺ . ° ➶ ｡˚ ✧

Eventually, the video does get edited and uploaded to social media like it's supposed to and your bosses thoroughly enjoy the impressions it brings to the organization.

You tried your best to edit out all of the parts that gave too much about your relationship away without completely taking Joe out of the video. You thought it did a great job, the final cut showed a very professional interaction between the two of you. Everyone was happy.

Until you started trending on Twitter almost 3 days later.

Something you didn't realize before becoming the Bengals' backup photographer/videographer and official social media manager was that your boyfriend rarely if ever participated in the post-practice videos. Anna, their main journalist, did mention that Joe liked to hide from cameras at practice, but you thought she was talking about paparazzi and overzealous fans. It wasn't until you went through every post-practice TikTok video that you realized that she was not kidding at all.

Currently, you are sitting wide-eyed on the couch watching a well-known YouTube gossip talk about your video and your relationship. She hadn't said the word dating yet, but by her analysis of the short clips- she was not very far from finding out.

"I think the key here is the woman behind the camera. Their conversation was short, but you could tell she could get him to say anything. And the way it's cut, oh my god. Anyone could tell that there was much more to this chat than we saw. Sadly, I couldn't find her socials, so the woman behind the camera wins this time."

You paused the video as soon as Joe's footsteps became apparent as he walked toward the area where you were sitting. "Hi, baby!" You cringe at the perky tone of your voice.

"Hi?" He says plopping down next to you and kissing your head. The lingering embarrassment makes your spine stiffen. Joe raises a brow in confusion. "Y/n, what's wrong?"

You huff and pout sinking into the couch cushions. "I kinda fucked up."

"How so?" He asks pulling your hands into his.

"Have you watched my video?" You whisper as if saying it aloud will anger the universe.

"No, but I heard it was doing well. Do you want me to pull it up?" You shake your head immediately. "What's wrong with the video?"

"You're in it." You mumble laying your head on his chest.

"Huh?"

"You hate attention, you hate cameras, and you literally hide from them when we're in public! And I put you in my video!" One of his hands lets go of yours and begins to stroke the back of your head.

"Baby, I put myself in-

"No, I forced you to do the one thing you've always set a boundary on. I'm a shitty girlfriend, I should've just ended it before you walked by or just kept the whole clip for myself."

"Y/n, listen."

"Joey I'm so sorry, everyone is talking about how you and 'the girl behind the camera' are probably a thing. They're probably digging up pictures of us in public at the moment and there's nothing I can do to stop it. All of your business is going to be aired out-

"I know-

"Reporters are going to start showing up to your practices, and paparazzi will be following us. It's a disaster- wait what did you say?" You sniffle pulling your head up to face him. And he's smiling?

"I know and I don't care. All I care about is that the most important woman in my life is safe and happy. That's you mamas." He says softly, wiping away a stray tear from your cheek.

"Wait but you've worked so hard to keep your private life- private and I should've respected that."

He shakes his head. "I wanted to be in that video because you were the one behind the camera. Even if we weren't dating, I would have been in that video and people would've had something to say about it. I did it because you make me happy and I love watching you work. In fact.." He takes his phone out and queues a video onto the TV screen.

"Joe, what is this?" You ask as he comes up in today's outfit looking like it was filmed when he left for work this morning.

"Just watch." He grins.

*In the video he’s seen smiling and taking pictures with fans before his morning meeting.

“Hey Joey B! Over here!” A young boy jumps up trying to get his attention.

Your boyfriend chuckles and shuffles over to the kid to sign his helmet. “Hi, how you doing bud?”

“I’m great! My sister’s sad that you have a girlfriend now though.” The kid vibrates with energy and excitement, very different than his sister who’s glaring at him from the side.

Joe just laughs, gives the kid a fist bump, and moves on to another fan.*

“Joe, you didn’t say anything. What is this supposed to prove?” You huff in confusion.

“I know, that’s just my favorite part. You just need to see what happens next.” He assured pushing your focus back to the TV screen.

*As Joe starts to wave bye to the crowd a swarm of paparazzi and journalists emerge.*

You immediately start to frown because this is exactly what he's been trying to avoid.

*The people behind the giant cameras ask him all kinds of outlandish questions, all of which he ignores until a question about you pops up.

“Joe, are you hiding your girlfriend because you’re ashamed of her career and her race?” He stops right outside the door to the facility and spots the woman who asked the question.

“What did you say?” His eyes squint and brows furrow in the same way as they do when people question his football fatality.

“Last night, the Bengals website updated their faculty and staff page. The only new social media manager was a black woman named Y/n. What other reason could you be hiding your relationship for?” She asks confidently sticking her camera in his space.

“Do you hear how fucking dumb you sound?” He says so calmly making all the eyes around him widen. Including yours as you watch the incredulous look on his face turn to a scowl.

“I’m hiding her from idiots like you guys who follow me around with cameras chasing the wrong narratives. Do you really think I want to hide the love of my life from the world? Cause I don’t, but I would rather us have a good relationship that’s private rather than a shitty one controlled by the media. Literally, look at what happened after one lighthearted joke got taken out of context! And to even comment that her race was an issue? What fucking year do you live in? I would love that woman no matter what she did or how she looked. And it shouldn't matter. All of you are ridiculous. Have a great day.” Then walked into the facility slamming the door behind him.*

When he looks back over at you, silent tears are falling from your eyes. “Shit was it too much.” He says panicked.

You shake your head with a chuckle then lean up to press a chaste kiss on his lips. “No, it was perfect. I love you so much, Joseph.”

He returns the sweet kiss and holds you close. “I love you more than anything Y/n. I’d do anything for you, never forget that.”

“I won’t.”

~●○°●○°●○~

a/n: sorta kinda inspired by @slimshiesty, if you know you know and you absolutely should know.

#black reader #joe burrow bengals #nfl imagine #cincinnati bengals #joe burrow #joe burrow x black reader #joe burrow x reader #introverts #socially awkward #social media #hidden relationship #bengals barnesbabe #joe burrow imagine #joe burrow fluff #fluff #videographer #shy boys

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facts-i-just-made-up · 1 month ago

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Five Famous Book Monsters Drawn: EXACTLY AS DESCRIBED BY AUTHORS!

Many movie adaptations of famous novels change the character and creature designs, some very drastically. Here are five famous monsters or villains that I've rendered with great care toward their original descriptions in their first books. Some aren't what you might expect from the movie versions! Enjoy!

#1- The Exorcist

The Exorcist by Ira Levin features a demon named Pazuzu. In the book, we see a few glimpses of a wicked face and a horribly injured Linda Blair, but in the original novel, Pazuzu is described as a skeletal ghost with a snakelike spinal column that ends in a devil tail. His hands float separately, and his many horns are topped by a hat with a pigeon feather, much like the biblical description of the demon.

#2- Jaws

Jaws by Peter Benchley was much more of a sci-fi novel than the movie based on it. In the original story, the shark had a human-like mind and arms and legs. It was well armed and killed not with its teeth, but its two AK-47s. It is only defeated when the sheriff ties its loose shoelaces together.

#3- The Lord of the Rings

Sauron is described by J.J.R. Tolkien not as the fiery eyeball or armored mammoth seen in Peter Jackson's movies, but rather as a beautiful long haired man in a white robe with chubby cheeks and enormous, pendulous bosoms. Over 30 pages are spent describing the Mounds of Doom, or in Elvish "Orodroobies" and in Sindarin, "Amon Amammaries."

#4- Frankenstein

Mary Shelly's masterpiece is considered the dawn of sci-fi and horror alike, but it's iconic monster looked nothing like Boris Karloff in the text. Rather it was a tentacled half-octopus, half-man, half-dragon that caused madness in anyone who saw it emerge from its home, the lost island of R'lyeh. Note that the name "Frankenstein" is not that of the monster itself, but is the closest a human can come to pronouncing its true name, as recorded by Igor Alhazrad.

#5- The Lorax

It's hard to guess what Roald Dahl pictured just from the descriptions in his novel, but the title monster from his 15-Volume Norwegian language epic "The Lorax" is nothing like you may have seen in the popular CGI erotic film. In the novel, it has orange hair and big eyebrows but is more like a spectral demon with crystal eyes and jagged fangs that bounds through the Norwegian desert on its two massive feet, each of which has one claw. A similar fate met Agent Smith from his novel "The Matrix" who was a big green robot in the book, but is clearly a Hugo Weaving in the movies.

#lorax #lort #tolkien #cthulhu #frankenstein #unreality

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theminecraftbee · 7 months ago

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for anyone wondering where i've been: i got... distracted... by a potential huge project. I was considering running a mcrp project/smp project, inspired by stuff like fan life series servers, with the rest of the sexyman team! but... a different one. a very specific one, even.

now, I'm aware there are probably outstanding questions, so if you're uncertain, please read more event/server details below the cut and see if it interests you!

I don't know anything about Survivor–what would this show even be like?

so if you know nothing about survivor, it's easy to think it's a show about surviving on a deserted island. it is that, but it's not mainly that. survivor, at its heart, is a social deception game, about making close alliances, betraying people, and social dynamics under pressure–hence why i suspect it would be a great fit for mcrp.

the way the show would be structured is this: a certain number of contestants would be placed on a (slightly modified) survival server, set up to be difficult to survive on. they are placed into two "tribes", the teams for the first half of the show. every episode, they would spend time with their tribes bonding, surviving, searching for secrets, and base building. then, they would compete in challenges. the tribe that loses the immunity challenge must go to tribal council, where they vote on which member to send home. this continues with the tribes eventually merging together into one tribe and immunity becoming individual before there are only two contestants left. at that time, they go in front a jury of their former fellow contestants, who will determine who the sole survivor is.

while challenge performance is one key to winning (as it prevents you from being a target in the first place), the other, bigger key, as you can likely see, is forming alliances and voting blocks strategically to get your opponents voted out and yourself kept in. this makes a great vehicle for social emergent storytelling, where narratives emerge about who is honest, who is a liar, who is good at the social game, who is bad at it, and what people will do in order to become sole survivor.

in other words: it's kind of like what current-day mcrp is ALREADY about. except its a gameshow also, and the very construction of the thing is designed to cause tensions by its very nature.

it's great! and you wouldn't be required to know anything about survivor–our host would explain to the audience all of the mechanics as they came up, as would production staff to the players.

You keep calling it "a show"–what do you mean by that?

the result of this project would be an edited youtube series, like survivor, of likely around twelve episodes. each episode would show footage from the game, as well as a lot of "confessionals" shots of the players explaining their opinions, before ending in tribal council! unlike most mcrp series, this would not be a multiple pov affair. it would be one tightly edited project. (this editing, for the record, is the largest overhead; we expect the amount of footage to go through to end up being in the hundreds of hours combined between all the players.)

it's possible that after the show's finale releases we'll release the players to make their own highlights from any footage they take. but the product we're hoping to make is just a single TV show's worth!

what exactly does applying to be a contestant require?

if we get enough interest, once we have enough of the required plugins and builds created and have a better sense of gameplay, we will put out a casting call form. while this will ask a number of questions to help us get to know you as a potential player, you're going to be REQUIRED to have the following things: a tumblr blog that you can link us to, the ability to record an audition tape in minecraft to send to us (so that we can get an idea of what audio we'd be working with, mostly), enough free time for us to be able to schedule recording sessions into, and a willingness to agree to some rules about keeping things secret until the finale airs and about rp etiquette. that's it! there are no other requirements–you don't have to know survivor, you don't have to already do mcyt or stream, you don't have to have friends, none of it, and while we'll ask you for those details, we're going to be looking for a large blend of people from across mcyt! anyone (who can send us mostly clean audio) can be considered!

EDIT: we would ALSO REQUIRE YOU BE AT LEAST 18. sorry i forgot this before! this is for a number of reasons i don't want to get into, but will be prominent on the actual applications.

what exactly would being a production staff member entail?

we're mainly looking for two things in production staff: a willingness to run replaymod for us and act as cameramen by following contestants around getting footage on the actual recording days, and a willingness to work with us on what's likely to be a fairly intense editing and "scripting" period during and after recording, during which we're going to have to scrub through massive amounts of footage and form it into a coherent narrative. we may, depending on how bad we realize we've bitten off more than we can chew, also end up looking for build team members for the production crew. if these things sound fun to you (they sound fun to me god help me), then go ahead and select this option! just know it's mutually exclusive with playing; no one in the production staff will be considered for the contestants. this includes my friends and myself who've already agreed to help me.

these applications would come out before the casting call, since even before casting call we're going to need to do playtests and dry runs and have things mostly ready. so keep an eye out!

will this be run on your blog?

nope we're going to make a new blog (and youtube channel) (and branding!) for this eventually, just want to interest check before we go through all the branding steps. (also, i've even gotten us a specific gmail for this that we will likely end up using for certain communications.)

for now that's all the FAQ i think that is required. let me know if you have more! and i hope you all are interested in this baby of a project that's taken over my mind for the past few weeks!

#mcyt #mcytblr #dsmp #hermitcraft #qsmp #lifesteal #trafficblr #to list some fandoms i think may be interested!#also please reblog this i want a reasonable sample of who is and isn't interested #and FEEL FREE TO ASK QUESTIONS EVEN WITHOUT VOTING #i have put way too much thought into this and would LOVE to answer #listen i am SO HYPED FOR THIS i just want to make sure we'd have enough people to pull it off before investing more energy lol

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headspace-hotel · 1 year ago

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So growing up I heard these kinds of statements: "X number of species goes extinct every year" and "Most species that go extinct are undescribed/undiscovered"

And I could never really picture what that looked like. What species were going extinct? Where? Why? If they're undiscovered, how do we know about it? It's only recently that I've been able to understand.

This is an example:

Since European colonization, 99% of old growth forest in the eastern United States was cut down.

In Eastern Kentucky, the coal industry led to waste and rubble being dumped in valleys, literally burying countless mountain streams in gravel and toxic sludge.

Colonialism and exploitation moved faster than leaf-sketching and bug-collecting European naturalists did. It's very simple, and very sad. When the coal mines polluted the streams, many species of fish that only lived in one specific stream must have gone extinct. When Native Americans were forced off their lands, we can presume that rare plant species found in meadows, canebrakes and oaks savannas dependent on particular anthropogenic disturbances went extinct. When old-growth tracts were logged, God only knows how many lichens, mosses, ferns and plants went extinct because the trees they lived on were chopped.

We can extrapolate from the diversity in the fragments that remain, and the number of rare endemic species in especially isolated areas, and guess what probably existed in areas that were obliterated early on.

Keep in mind: All is not lost. New species are still being discovered.

The Bluegrass region of Kentucky was once called one of the most peculiar plant communities of the South—an eastern island of oak savanna with an understory of Arundinaria bamboo and legumes. Early European settlers reported that the ground was incredibly rich and covered with knee-high clover and dense thickets of "cane" (bamboo) that made navigation next to impossible.

Some people say the Bluegrass was always a forest and the savanna theory is wrong. Bullshit! I know this because of several reasons:

The earliest records don't mention any sycamores at all in the Bluegrass, whereas river cane (bamboo) was everywhere. Arundinaria bamboos are fire dependent species, whereas sycamore is HIGHLY intolerant of fire. From this we can infer that the area had a history of frequent burning.

Everyone in the Bluegrass knows about the Old Trees. In horse and cattle pastures in the Bluegrass region, you will sometimes see gigantic, twisted old oaks, with great spreading crowns. Nowadays you hardly see an oak that properly merits the term "gnarled," but the gnarl of the Old Trees is crazy. Just look up google images for Kentucky tourism and you'll see one of those huge trees in the background of several of the photos, I bet. Hardly anyone consciously thinks about it, but these are pre-colonization trees. And they are all obviously open-grown—their growth habit over the centuries has spread out, rather than grown straight up as in a forest.

Early colonizers' records report big walnut and cherry trees in the area. Most of the old houses in the area are made of walnut wood. Those are mid-successional species—you wouldn't find them dominating in an area that was heavily disturbed regularly and recently, they're trees, but you wouldn't find them in a forest that had been minimally disturbed forest for centuries either. The fact that they got huge suggests that a regular disturbance pattern of the Bluegrass region was abruptly interrupted and mostly ceased.

It was a pretty special place, a savanna environment with a mix of giant twisted oaks, rolling prairie hills and bamboo thickets, with deep sinkholes connecting the surface to subterranean cave ecosystems. In places the limestone bedrock reached the surface, creating limestone glades—unique desert-like habitats with many rare plants including Opuntia cactus.

It was also one of the first ecosystems west of the Appalachians to be destroyed by settlers.

BUT! Just a few years ago, we discovered Trifolium kentuckiense—Kentucky clover. A unique species of clover that has only been found in two spots in Central Kentucky.

This means the Bluegrass species that probably went extinct because their habitat was ignorantly logged, plowed and grazed before they were studied by European science may not be entirely gone.

We have been able to fund exhaustive inventories of potential holdouts for big flashy animals like the ivory-billed woodpecker, but so many people view the place they live as "boring" and thoroughly explored, when there could be surviving plants hanging out just about anywhere.

But...I don't think most people realize how much of the Holocene extinction has already happened. Most of the losses are plants and bugs that you never knew existed in the first place.

I feel like lots of people are anxiously waiting for the mass extinction to "start" hitting, but that's not quite right. European colonization of the globe WAS and *is* the mass extinction (combined with climate change which is very related). It's actively ongoing in the Global South. In eastern North America, the major wave of extinctions hit between 100 and 300 years ago.

I feel so much grief for all that was almost certainly lost forever, but I also recognize that I live in a unique period of time where the future can still be changed, and in particular, the heavily damaged ecosystems of the Southeast can be restored and used to absorb carbon from the atmosphere and provide resilience to the entire globe. And I strongly suspect at least a few mysterious new plants will start popping up once that happens...because a lot of plants stick around in the soil seed bank for a long, long time, and seeds can happen to be preserved by freak accident and then sprout later.

we (researchers, scientists, people who work in this field) will desperately need to consult tribal nations for this though because from my reading into it, we don't know what the fuck we're doing. The most basic things like controlled burns are still struggling to catch on and in some places just, spraying herbicides willy-nilly on invasive plants without understanding what makes them invasive.

#ecology #plants

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fatehbaz · 1 year ago

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Despite its green image, Ireland has surprisingly little forest. [...] [M]ore than 80% of the island of Ireland was [once] covered in trees. [...] [O]f that 11% of the Republic of Ireland that is [now] forested, the vast majority (9% of the country) is planted with [non-native] spruces like the Sitka spruce [in commercial plantations], a fast growing conifer originally from Alaska which can be harvested after just 15 years. Just 2% of Ireland is covered with native broadleaf trees.

Text by: Martha O’Hagan Luff. “Ireland has lost almost all of its native forests - here’s how to bring them back.” The Conversation. 24 February 2023. [Emphasis added.]

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[I]ndustrial [...] oil palm plantations [...] have proliferated in tropical regions in many parts of the world, often built at the expense of mangrove and humid forest lands, with the aim to transform them from 'worthless swamp' to agro-industrial complexes [...]. Another clear case [...] comes from the southernmost area in the Colombian Pacific [...]. Here, since the early 1980s, the forest has been destroyed and communities displaced to give way to oil palm plantations. Inexistent in the 1970s, by the mid-1990s they had expanded to over 30,000 hectares. The monotony of the plantation - row after row of palm as far as you can see, a green desert of sorts - replaced the diverse, heterogenous and entangled world of forest and communities.

Text by: Arturo Escobar. "Thinking-Feeling with the Earth: Territorial Struggles and the Ontological Dimension of the Epistemologies of the South." Revista de Antropologia Iberoamericana Volume 11 Issue 1. 2016. [Emphasis added.]

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But efforts to increase global tree cover to limit climate change have skewed towards erecting plantations of fast-growing trees [...] [because] planting trees can demonstrate results a lot quicker than natural forest restoration. [...] [But] ill-advised tree planting can unleash invasive species [...]. [In India] [t]o maximize how much timber these forests yielded, British foresters planted pines from Europe and North America in extensive plantations in the Himalayan region [...] and introduced acacia trees from Australia [...]. One of these species, wattle (Acacia mearnsii) [...] was planted in [...] the Western Ghats. This area is what scientists all a biodiversity hotspot – a globally rare ecosystem replete with species. Wattle has since become invasive and taken over much of the region’s mountainous grasslands. Similarly, pine has spread over much of the Himalayas and displaced native oak trees while teak has replaced sal, a native hardwood, in central India. Both oak and sal are valued for [...] fertiliser, medicine and oil. Their loss [...] impoverished many [local and Indigenous people]. [...]

India’s national forest policy [...] aims for trees on 33% of the country’s area. Schemes under this policy include plantations consisting of a single species such as eucalyptus or bamboo which grow fast and can increase tree cover quickly, demonstrating success according to this dubious measure. Sometimes these trees are planted in grasslands and other ecosystems where tree cover is naturally low. [...] The success of forest restoration efforts cannot be measured by tree cover alone. The Indian government’s definition of “forest” still encompasses plantations of a single tree species, orchards and even bamboo, which actually belongs to the grass family. This means that biennial forest surveys cannot quantify how much natural forest has been restored, or convey the consequences of displacing native trees with competitive plantation species or identify if these exotic trees have invaded natural grasslands which have then been falsely recorded as restored forests. [...] Planting trees does not necessarily mean a forest is being restored. And reviving ecosystems in which trees are scarce is important too.

Text by: Dhanapal Govindarajulu. "India was a tree planting laboratory for 200 years - here are the results." The Conversation. 10 August 2023. [Emphasis added.]

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Nations and companies are competing to appropriate the last piece of available “untapped” forest that can provide the most amount of “environmental services.” [...] When British Empire forestry was first established as a disciplinary practice in India, [...] it proscribed private interests and initiated a new system of forest management based on a logic of utilitarian [extraction] [...]. Rather than the actual survival of plants or animals, the goal of this forestry was focused on preventing the exhaustion of resource extraction. [...]

Text by: Daniel Fernandez and Alon Schwabe. "The Offsetted." e-flux Architecture (Positions). November 2013. [Emphasis added.]

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At first glance, the statistics tell a hopeful story: Chile’s forests are expanding. […] On the ground, however, a different scene plays out: monocultures have replaced diverse natural forests [...]. At the crux of these [...] narratives is the definition of a single word: “forest.” [...] Pinochet’s wave of [...] [laws] included Forest Ordinance 701, passed in 1974, which subsidized the expansion of tree plantations [...] and gave the National Forestry Corporation control of Mapuche lands. This law set in motion an enormous expansion in fiber-farms, which are vast expanses of monoculture plantations Pinus radiata and Eucalyptus species grown for paper manufacturing and timber. [T]hese new plantations replaced native forests […]. According to a recent study in Landscape and Urban Planning, timber plantations expanded by a factor of ten from 1975 to 2007, and now occupy 43 percent of the South-central Chilean landscape. [...] While the confusion surrounding the definition of “forest” may appear to be an issue of semantics, Dr. Francis Putz [...] warns otherwise in a recent review published in Biotropica. […] Monoculture plantations are optimized for a single product, whereas native forests offer [...] water regulation, hosting biodiversity, and building soil fertility. [...][A]ccording to Putz, the distinction between plantations and native forests needs to be made clear. “[...] [A]nd the point that plantations are NOT forests needs to be made repeatedly [...]."

Text by: Julian Moll-Rocek. “When forests aren’t really forests: the high cost of Chile’s tree plantations.” Mongabay. 18 August 2014. [Emphasis added.]

#abolition #ecology #imperial #colonial #landscape #haunted #indigenous #multispecies #interspecies #temporality #carceral geography #plantations #ecologies #tidalectics #intimacies of four continents #archipelagic thinking #caribbean

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daisyswift3 · 7 months ago

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A Summary of the 🎃 Messages--The Overarching Story

So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).

1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.

The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"

2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).

Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).

The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]

The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']

3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"

"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.

Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']

Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]

loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']

Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]

Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"

The Bolter: "But it always ends up with a town car speeding" [getaway car]

Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]

How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]

I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']

Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']

5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.

The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.

The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.

To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."

Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.

So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]

7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.

Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]

The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']

I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]

But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]

8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.

The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.

The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']

loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']

I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]

The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"

9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).

I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.

The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']

The Bolter: "But she's got the best stories"

10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).

The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']

11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.

Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]

The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"

imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"

#so i put this in a word doc and it's abt 10 pgs long and that's not including all the posts i linked #so thank you if you actually read this far!!#here's a cookie 🍪#this literally took me 5 days to type out #there's more stuff i could've included but this is already a very very long post so i might turn this into a series or sth and #break down each message and song in more detail #i left out the 4th 6th 12th and 13th messages since those were more like side notes but i plan to revisit those #also i would really appreciate it if non kaylors would stop calling us crazy and delusional bc...clearly we're not #there's a ridiculous amount of evidence that supports this theory (as this post proves) and it's also the only interpretation of her music #that actually makes the puzzle pieces fit PERFECTLY together and makes every single line of every song make sense #meet me at midnight #closeting #bearding #ttpd #pumpkin #summary #kaylor #gaylor #gaylor swift #volcano anon #ginger anon #the manuscript #the story of us #mastersheist #daylight #sunshine #endgame

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book--brackets · 4 months ago

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The Hobbit by J. R. R. Tolkien (1937)

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent.

Percy Jackson and the Olympians by Rick Riordan (2005-2009)

Percy Jackson is a good kid, but he can't seem to focus on his schoolwork or control his temper. And lately, being away at boarding school is only getting worse - Percy could have sworn his pre-algebra teacher turned into a monster and tried to kill him. When Percy's mom finds out, she knows it's time that he knew the truth about where he came from, and that he go to the one place he'll be safe.

She sends Percy to Camp Half Blood, a summer camp for demigods (on Long Island), where he learns that the father he never knew is Poseidon, God of the Sea. Soon a mystery unfolds and together with his friends—one a satyr and the other the demigod daughter of Athena - Percy sets out on a quest across the United States to reach the gates of the Underworld (located in a recording studio in Hollywood) and prevent a catastrophic war between the gods.

The Lord of the Rings by J. R. R. Tolkien (1954-1955)

In a sleepy village in the Shire, a young hobbit is entrusted with an immense task. He must make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ruling Ring of Power - the only thing that prevents the Dark Lord's evil dominion.

The Chronicles of Narnia by C. S. Lewis (1950-1956)

Four adventurous siblings—Peter, Susan, Edmund, and Lucy Pevensie— step through a wardrobe door and into the land of Narnia, a land frozen in eternal winter and enslaved by the power of the White Witch. But when almost all hope is lost, the return of the Great Lion, Aslan, signals a great change . . . and a great sacrifice.

The Little Prince by Antoine de Saint-Exupery (1943)

The Little Prince is a classic tale of equal appeal to children and adults. On one level it is the story of an airman's discovery, in the desert, of a small boy from another planet - the Little Prince of the title - and his stories of intergalactic travel, while on the other hand it is a thought-provoking allegory of the human condition.

The Inheritance Cycle by Christopher Paolini (2002-2011, 2023)

When fifteen-year-old Eragon finds a polished blue stone in the forest, he thinks it is the lucky discovery of a poor farm boy. But when the stone brings a dragon hatchling, Eragon soon realizes he has stumbled upon a legacy nearly as old as the Empire itself.

Overnight his simple life is shattered, and, gifted with only an ancient sword, a loyal dragon, and sage advice from an old storyteller, Eragon is soon swept into a dangerous tapestry of magic, glory, and power. Now his choices could save--or destroy--the Empire.

Time Quintet by Madeleine L'Engle (1962-1989)

It was a dark and stormy night; Meg Murry, her small brother Charles Wallace, and her mother had come down to the kitchen for a midnight snack when they were upset by the arrival of a most disturbing stranger.

Wild nights are my glory, the unearthly stranger told them. I just got caught in a downdraft and blown off course. Let me sit down for a moment, and then I'll be on my way. Speaking of ways, by the way, there is such a thing as a tesseract.

Folk of the Air by Holly Black (2018-2020)

Of course I want to be like them. They're beautiful as blades forged in some divine fire. They will live forever.

And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.

Jude was seven years old when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King.

To win a place at the Court, she must defy him--and face the consequences.

In doing so, she becomes embroiled in palace intrigues and deceptions, discovering her own capacity for bloodshed. But as civil war threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.

The Invisible Life of Addie LaRue by V. E. Schwab (2020)

France, 1714: In a moment of desperation, a young woman named Adeline meets a dangerous stranger and makes a terrible mistake.

As she realizes the limitations of her Faustian bargain-being able to live forever, without being able to be remembered by anyone she sees- Addie chooses to flee her small village, as everything she once held dear is torn away.

But there are still dreams to be had, and a life to live, and she is determined to find excitement and satisfaction in the wide, beckoning world-even if she will be doomed to be alone forever.

Or not quite alone-as every year, on her birth-day, the alluring Luc comes to visit, checking to see if she is ready to give up her soul. Their darkly thrilling game stretches through the ages, seeing Addie witness history and fight to regain herself as she crosses oceans and tries on various lives.

It will be three hundred years before she stumbles into a hidden bookstore and discovers someone who can remember her name-and suddenly, everything changes again.

Circe by Madeline Miller (2018)

the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child—not obviously powerful like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power—the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.

Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts, and crosses paths with many of the most famous figures in all of mythology, including the Minotaur; Daedalus and his doomed son, Icarus; the murderous Medea; and, of course, wily Odysseus.

But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from or the mortals she has come to love.

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