#Deiphobus
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incorrecthomer · 7 months ago
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Diomedes: Where's Agamemnon? Odysseus: Don't worry, I'll find him. Odysseus, shouting: Menelaus sucks! Agamemnon, distantly: Menelaus is the best person ever! Fuck you! Odysseus: Found him. "Meanwhile" Lycaon: Where's Hector ? Deiphobus: Don't worry, I'll find him. Deiphobus, shouting: Paris is the best person ever! Hector, distantly: SHUT THE FUCK UP!
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dilfaeneas · 4 months ago
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Hecuba children height and age chart at the start of the war
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How things stand at the start vs the end of the 10th year. Oof. (Ages/heights not adjusted)
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moplopbool · 1 year ago
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Priam & and the princes of Troy!
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littlesparklight · 5 days ago
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Got the (foolish lol) idea to go through some of the works I know give physical descriptions of at least some Trojan war characters and collate them. They aren't in alphabetic order, sorry, but the works/authors are colour coded, at least!
Trojans in this post!
Priam The Iliad: "beautiful as a god" = theoeides Dares: a handsome face and a pleasant voice. He was large and swarthy. Malalas, Chronographia: tall for the age, big, good, ruddy-colored, light-eyed, long-nosed, eyebrows meeting, keen-eyed, gray, restrained. Tzetzes, Posthomerica: meeting eyebrows and large nose, a fiercely glaring, flame-coloured skin and an admirable face, well-equipped, with thick hair and beautiful eyes.
Hecuba Dares: beautiful, her figure large, her complexion dark. She thought like a man and was pious and just. Malalas, Chronographia: dark, good eyes, full grown, good nose, beautiful, generous, talkative, calm. Tzetzes, Posthomerica: dark skin, tall and pretty, of a mature age, ambitious, gentle though.
Hektor Dares: Hector spoke with a slight lisp. His complexion was fair, his hair curly. His eyes would blink attractively. His movements were swift. His face, with its beard, was noble. He was handsome, fierce, and high-spirited, merciful to the citizens, and deserving of love. Philostratus, Heroicus: [Hektor and Aeneas] were both of the same age and height, and although Aeneas's appearance seemed less radiant[…], He was smaller than the son of Telamon, but not at all inferior in fighting, […] Short hair. His ears were damaged, not by wrestling […] but he fought against bulls and considered engagement with such beasts warlike. […] He died probably at the age of thirty. Malalas, Chronographia: dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, squinting, speech defect, noble, fearsome warrior, deep-voiced.
Andromache Dares: bright-eyed and fair, with a tall and beautiful body. She was modest, wise, chaste, and charming. Malalas, Chronographia: above average height, thin, well turned out, good nose, good breasts, good eyes, good brows, wooly hair, blondish hair long in back, large-featured, good neck, dimples on her cheeks, charming, quick. Tzetzes, Posthomerica: spirited, of middle age, with a long face, delightful; she had dimples on her cheeks when laughed.
Paris/Alexander The Iliad: "beautiful as a god" = theoeides, (beautiful hair - not direct quote, merely taken by how his hair is talked about) Dares: fair, tall, and brave. His eyes were very beautiful, his hair soft and blond, his mouth charming, and his voice pleasant. He was swift, and eager to take command. Philostratus, Heroicus: appearance was most pleasing, and his voice and character were charming[…] He had a rather aquiline nose and white skin, his eyes were painted, and his left eyebrow rose above the eye. […] at eighteen he also sailed to Hellas, […] not yet thirty years old when he died. (calls him as good as Pandaros as an archer. He also gets compared to a peacock lol (for the beauty AND the (supposed) vanity of the bird) Malalas, Chronographia: well-grown, sturdy, white, good nose, good eyes, black pupils, black hair, incipient beard, long-faced, heavy eyebrows, big mouth, charming, eloquent, agile, an accurate archer, cowardly, hedonist. [He is in his early thirties when he goes to Sparta, due to being confined until that age, when he's brought back to Troy] Tzetzes, Antehomerica: had his beauty from the Graces. He was white, of a proper age [he is in his early thirties when he goes to Sparta, due to being confined until that age, when he's brought back to Troy], charming and well-bearded; he had his hair long and blond.
Deiphobos Dares: Deiphobus […] looked like [his] father, but [his] character(s) were not alike. Deiphobus was the man of forceful action[…] Malalas, Chronographia: above average stature, keen-eyed, somewhat snub-nosed, dark-skinned, flat-faced, brave, good beard. Tzetzes, Posthomerica: with a large face, with a small nose and dark skin, beautiful face and well-bearded.
Helenos Dares: Helenus […] looked like [his] father, but [his] character(s) were not alike. […] Helenus was the gentle, learned prophet. Malalas, Chronographia: tall, well set up, white, strong, blond, wine-colored eyes, long-nosed, incipient beard, slightly stooped, sensible, warrior. Tzetzes, Posthomerica: well-adapted, tall, with the beard just sprouting, white, blond, with a big nose and a pale face. He had a soft back, he could escape notice of many.
Troilos Dares: a large and handsome boy, was strong for his age, brave, and eager for glory. Malalas, Chronographia: big, good nose, dark, good eyes, black hair, thick beard, strong warrior and runner. Tzetzes, Posthomerica: big, of quick feet and dark skin, with a delightful face, shaggy-bearded and with long hair.
Kassandra The Iliad: like to golden Aphrodite Dares: moderate stature, round-mouthed, and auburn-haired. Her eyes flashed. She knew the future. Malalas, Chronographia: shortish, round-faced, white, mannish figure, good nose, good eyes, dark pupils, blondish, curly, good neck, bulky breasts, small feet, calm, noble, priestly, an accurate prophet foreseeing everything, practicing hard, virgin. Tzetzes, Posthomerica: a small bodily frame, like of a man, whiter than the milk with perfectly round eyes, she had huge breasts, a small face and she was gentle.
Polyxena Dares: fair, tall, and beautiful. Her neck was slender, her eyes lovely her hair blond and long, her body well-proportioned, her fingers tapering, her legs straight, and her feet the best. Surpassing all the others in beauty, she remained a completely ingenuous and kind-hearted woman. Malalas, Chronographia: tall, pure, very white, large-eyed, black-haired, with her hair worn long behind, a good nose and cheeks, blooming-lipped, small-footed, virgin, charming, very beautiful, 18 years old when they killed her. Tzetzes, Posthomerica: a beautiful aspect and a really long neck; she was tall and white; She had small feet, beautiful breasts and lips like flowers, so outstanding. She was eighteen years old, the age of the youth.
Laodike The Iliad: the most outstanding in beauty of [Hecuba's/Priam's] daughters.
Aeneas Dares: auburn-haired, stocky, eloquent, courteous, prudent, pious, and charming. His eyes were black and twinkling. Philostratus, Heroicus: [Hektor and Aeneas] were both of the same age and height, and although Aeneas's appearance seemed less radiant, he resembled Hektor more when that man had settled down, and he wore his hair long without offense. He did not adorn his hair, nor was he enslaved to it. Instead, he made virtue alone his adornment, and he looked at things so vehemently that even his glance itself was sufficient against the unruly. Malalas, Chronographia: shortish, thick, good chest, strong, ruddy, flat-faced, good nose, pale, balding, good beard. Tzetzes, Posthomerica: short but fat and had a big chest. He had white skin; he was bold with a large face.
Antenor Dares: tall, graceful, swift, crafty, and cautious. Malalas, Chronographia: tall, thin, white, blond, small-eyed, hook-nosed, crafty, cowardly, secure, a story-teller, eloquent. Tzetzes, Posthomerica: tall, slim and had the skin like the milk, white, with a curved nose and blond hair.
Euphorbos The Iliad: His hair gets compared to the Graces' hair. Philostratus, Heroicus: His hair […] he dyed golden-yellow […] He says that his beauty charmed even the Achaeans, for he resembled a statue whenever Apollo appears his own most lovely self with unshorn hair and grace. Protesilaos thinks that Euphorbus was his own age [adolescent]
Briseis/Hippodamia The Iliad: like to golden Aphrodite, a woman like the immortal goddesses Dares: beautiful. She was small and blond, with soft yellow hair. Her eyebrows were joined above her lovely eyes. Her body was well-proportioned. She was charming, friendly, modest, ingenuous, and pious. Malalas, Chronographia: tall, fair, beautiful-breasted, well-dressed, with close-knit eyebrows, a good nose, big eyes, eyelashes with kohl, curly hair worn long in back, with a ready smile, age 21. Tzetzes, Antehomerica: tall and white, her hair was black and curly; she had beautiful breasts and cheeks and nose; she was, also, well-behaved; her smile was bright, her eyebrows big; […] she was twenty-one years old.
Diomede of Lesbos Malalas, Chronographia: fair-skinned, round-faced, blue-eyed, fully grown, not quite blonde, a little snub-nosed, 22 years old, a virgin.
Chryseis/Astynome Malalas, Chronographia: rather short, slender fair, blonde, with a nice nose, small breasts, 19 years old. Tzetzes, Antehomerica: very young and thin, with milky skin. She had blond hair and small breasts; she was nineteen years old; she was still a virgin.
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gangly-09 · 11 months ago
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these are the dynamics I'm getting
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tostealtimefromthefates · 1 year ago
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Deiphobus, as Troy is burning: Wait a minute! How did this happen? We're smarter than this.
Cassandra: Apparently not.
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babyrdie · 6 months ago
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how about trojans? i don't think you've ever posted a art with them
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Details:
I'm obviously not drawing everyone here. There are a lot of people!
Hecuba and Priam are both in designs where they definitely weren't young newly adults, but they also aren't elderly like they should have been in the Trojan War. The reason is that then I would have to draw them with white hair and that would prevent me from properly seeing who pulled who. So here are Hecuba and Priam definitely pre-Iliad.
Too lazy to draw feet.
Hector
He's the firstborn son of a shocking number of children, so I'm going to let the guy have at least a few frown lines alone, because this man must have frowned a lot throughout his life. In this house, we give AT LEAST an eternal frown!
I imagine him being the same height as Patroclus and Achilles because the three of them wear the same armor. Now you might say “but Birdie, that physique is CLEARLY bigger than the other two” and I agree! My excuse for this is that there's a part that says Zeus changed Achilles' armor when Hector put it on, and I always figured that was about the width. Reason: Achilles is a warrior focused on speed, so I don't imagine him being the width of a refrigerator, so to speak, and on the other hand Hector and Big Ajax seem to be somewhat similar in fighting style, so I think Hector and Achilles had a difference in size in subject width. I also made him quite tan because he was one of the main warriors.
So he decreed and the son of Cronus bowed his craggy dark brows. fitted the armor tightly on Hector's body and Ares surged in his heart with awesome force, filling his limbs with power and fighting strength.
The Iliad, XVII, 240-244. Tranlstion by Robert Fagles.
Hecuba
Hecuba has more than one attributed father, but I decided to go with the Phrygian king Dymas, described in The Iliad as Hecuba's father.
[...] Asius, an uncle of stallion-breaking Hector, a blood brother of Hecuba, son of Dymas who lived in Phrygia near Sangarius' rapids. [...]
The Iliad, XVI, 837-839. Translation by Robert Fagles.
I won't lie to you: I was unsure about how to draw her. Phrygians are a very uncertain people in terms of information, and this definitely didn't help make the whole thing easier since I was following the version where Hecuba is Phrygian. I have researched for a long time, and yet the Phrygians remain a very obscure people. And I couldn't draw Paris and Laodice before her because I wanted them to look specifically like her, so my delay was holding those two back. After much consideration, I decided to simply go with these two (both late) descriptions of Hecuba:
Hecuba: dark, good eyes, full grown, good nose, beautiful, generous, talkative, calm.
Chronography, 5.106, by the byzantine Ionnis Malalas. Translation by Brady Kiesling.
Hecuba was beautiful, her figure large, her complexion dark. She thought like a man and was pious and just.
Dares Phrygius, 12, uncertain author. Translation by R.M Frazer.
I also wanted to make Hecuba beautiful. Not only because she' s usually described that way, but also because there are myths in which she's Apollo's lover. I think that to have attracted Apollo Hecuba must have been really beautiful, as well as calm and thoughtful. And it's precisely because I wanted to follow the idea of Hecuba being beautiful that I wanted to make Paris (generally described as one of the most beautiful Trojans in myths in general) and Laodice (described as the most beautiful daughter of Priam by Homer) take after her.
[...] Afterwards Hecuba bore sons [...] and Troilus: this last she is said to have had by Apollo.
Library, 5.12.5, by Pseudo-Apollodorus. Translation by J.G Frazer.
Deiphobus
Honestly, I don't have much to say. He's a typical warrior and looks more like Priam. And yes, it's on purpose to make him look like my Menelaus (although there's a chance I might redesign Menelaus).
Laodice
Laodice is described as Priam's most beautiful daughter, which is why I made her look like Hecuba. Among the princes and princesses, she's the most physically similar to Paris, as he's also one of the most beautiful and also looks like Hecuba. She's not a very prominent character in mythology, but I don't know… there's something about her that interests me, so I put some effort into trying to make her design look good.
[...] looking for all the world like Hector's sister wed to Antenor's son, Helicaon's bride Laodice, the loveliest daughter Priam ever bred.
The Iliad, III, 147-149. Translation by Robert Fagles.
And there at the palace Hector's mother met her son, that warm, goodhearted woman, going in with Laodice, the loveliest daughter Hecuba ever bred.
The Iliad, VI, 298-300. Translation by Robert Fagles.
I like to think that she partially understands Helen, knowing what it's like to have so much attention that it's negative because of her appearance, but in the end she's not really close to her (I'm going with the versions where Hector and Priam are the only ones who treat Helen really well. I don't think Laodice was the type to be actively mean to her, just the type to avoid interaction).
Priam
Priam actually participated in wars, so don't think I made him smaller because he's horrible at fighting. He simply has these genetics and, at the specific age I chose for him here, he's already at least around fifty years old. Additionally, I made his eyes look like a golden honey as a reference to Apollo, because of the god's association with knowledge. I could have made it gray in reference to Athena's wisdom, but I don't think it would fit. And yeah, specifically Polyxena, Helenus and Cassandra having this eye color was on purpose!
Paris
He takes after his mother Hecuba, and is beautiful like her. He is usually portrayed in antiquity as blond, but I REALLY wanted to make him look like my Hecuba, and if I followed that description, he would look like my Priam. So that's why I'm taking creative liberty here, but know that I KNOW he was usually blonde. I must be honest in admitting that my Paris is also very slightly inspired by Enrique Simonet's, because El Juicio de Paris was one of the first paintings referring to Greek mythology that I saw and that's why it left a strong impression on me. Even from the back he looks really handsome, so yes, I'll be using it for inspiration even though it's definitely not an ancient Greek source.
Normally Paris is drawn without any muscle and I understand why! In myths he's often considered effeminate, and he's sometimes reputed to be weak. BUT I personally can't see him being like that, and I think it would be perfectly possible to balance a slightly more feminine appearance with an athletic physique (I did this with my Achilles, after all). And now I'm going to do a kind of dissertation on why my Paris's physique is like this, even though you, dear anon, didn't ask!
Archery itself doesn't need to change the physique exceptionally, and you can see this by analyzing photos of Olympian archers (they, at most, have athletic arms). I literally even know someone who does archery and they don't have a Green Arrow-esque physique. Generally, archers with more developed physiques are those who use very heavy bows, as they require greater strength from the muscles used to pull and release the string, and who place some additional effort in other physical activities besides archery (for example , bodybuilding). In other words, Paris being a good archer wouldn't necessarily make him have to be super muscular, although it could give him good arms (and back, I imagine).
There is another however. Paris is a prince, but he wasn't raised like a prince. The opposite, actually! He was raised by a commoner shepherd, and I really doubt that Paris spent days of his life lying around just eating grapes given to him, he certainly did some physical work. I tried to imagine more of a farmer vibe, because they're the type of people who do manual work every day. If you notice, being a farmer doesn't necessarily make you an aspiring bodybuilder, but in many cases it makes you stronger. Even in cases of farmers who have a pot belly, you've probably seen one who had at least some semi-impressive biceps. In other words, Paris doing manual labor doesn't necessarily make him Big Ajax, but it really gets in the way of the image of him being like my Helenus.
Polyxena
Polyxena is mainly remembered for being a kind of Trojan Iphigenia, in the sense that the Greeks at a certain point are in one place because the wind is paralyzed by a greater force and this greater force will only allow them to go to their goal with the sacrifice of a young virgin, who is portrayed as courageously accepting her sacrifice. She also plays an important role in the later versions of the myths regarding Achilles' death, taking advantage of his passion for her to deceive him in order to lead him to his death (I say later because in fact it is later. The older versions didn't include Polyxena having that role). Despite being a later version, I based her intelligence on the versions where she plays a role in Achilles' death and gave her more knowing eyes.
Interestingly, I found her described as tall in two versions (Malalas and whoever wrote Dares' account. Though it's interesting that one specified black for her hair and the other said blonde and in response, I did it...brown), but I really wish Laodice's height was more detachable, so here my Polyxena isn't tall. Although described as tall in both versions, both versions find a way to say that something about her is small (in one, her feet. In other, her fingers), so I made her physique more similar to Priam's genetics than to Hecuba's.
Helenus
Helenus is Cassandra's twin brother and is capable of prophesying like her. While they are not identical twins, they look very similar. Even though he also didn't believe in Cassandra like everyone else, I like to think they were still close. Helenus purposely avoids cutting his hair so that they look even more alike and as children they could be a pain in Hector's ass for swapping places with the intention of tricking their older brother. The myths don't tend to highlight him for any athletic or warrior ability, but more for his prophetic or intellectual ability, so I really didn't make a point of giving him muscles (I know he fights in the Iliad, I just don't think it's the most interesting part of him. Let's face it, no one remembers him because he picked up a spear or a bow or something like that, people remember him because he prophesied). Helenus looks a lot like his father Priam, who is short and has a thin physique genetics. The reason he seems more “brilliant” than Cassandra is precisely because the difference in treatment given to the two certainly affects the way they live and think. Suffice to say, Helenus is less anxious and frustrated.
Cassandra
I want to make something clear right away, because I've seen a similar misunderstanding happen before: my Cassandra isn't thin because she isn't well fed in Troy. She's a princess and a prophetess, she IS well fed. She just has a really thin physique, just look at Helenus and Polyxena. I like to make characters look different from each other, and I noticed that, with the exception of Penelope (who I didn't even post in full body), I was lacking in female characters that were very uncurvy. So here's Cassandra.
She's Helenus's twin sister, although they aren't identical twins. However, they're still similar! They both mainly take after their father Priam, and the reason I specifically chose blonde for them is because I had the interpretation that Cassandra was blonde when I read The Iliad. They actually have the same eye color, I just prefer to make Cassandra's look darker because there is a difference between the treatment given to the two. Helenus's prophecies are believed, which allows him to be a more hopeful and calm person. Cassandra isn't believed and is often seen as crazy (just look at the treatment given to her in Alexandra and The Trojan Women, for example), which makes her seem less like she's smiling 24 hours a day and more like she's constantly frustrated.
Cassandra is indeed pretty, but I didn't try to exaggerate her too much because I don't want to give her the vibe of untouchable beauty. I think Cassandra's emotional aspect is infinitely more interesting, and I tried to convey that in the design. I like this kind of complicated relationship with Apollo, in which she's bitter for Apollo having cursed her (as seen in The Oresteia) and at the same time admires him as her god (as seen in The Trojan Women). She feels frustrated by feeling helpless, knowing that she can't do anything to stop what's going to happen. The reason she has dark circles under her eyes is because, honestly, I can't imagine being her without eventually developing anxiety. And one of the characteristics of anxiety is precisely these piles of terrifying thoughts about the future that absolutely prevent you from getting a decent sleep. In this specific drawing I didn't draw nails, but I imagine she bites them too.
Height Comparison
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a-d-nox · 10 months ago
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deiphobus, the trojan prince (asteroid 1867)
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Deiphobus is another one of those Trojan heroes you can find in the Iliad. Most relevantly, Athena took the shape of Deiphobus to antagonize his brother, Hector, into staying in the battle and fighting Achilles. Believing that it was his brother, Hector threw his spear at Achilles but missed, when he turned to ask his brother for another spear "Deiphobus" was gone. Hector realized that it was the gods that messed with his mind - Achilles then killed Hector. After the death of Paris (which Deiphobus may have been involved in), Deiphobus was given Helen of Troy as his war boon. Helen, of course, objected - during the sacking of Troy, it was either Odysseus, Menelaus, of Helen herself who killed and mutilated Deiphobus. IN MY OPINION Deiphobus in a chart can indicate a) the theft of one's identity, b) where others assume you are behind something that you aren't, c) where you gain what people most desire, d) where others come to despise you, and/or e) bodily mutilation.
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i encourage you to look into the aspects of deiphobus along with the sign, degree, and house placement. for the more advanced astrologers, take a look at the persona chart of deiphobus AND/OR add the other characters involved to see how they support or impede deiphobus!
OTHER RELATED ASTEROIDS: hektor (624), athene (881), pallas (2), achilles (588), paris (3317), helena (101), menelaus (1647), odysseus (1143), and ulysses (5254)!
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adriles · 9 months ago
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theriverpointace · 8 months ago
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got a new phone recently so sketchbook pics!!!
top left: apollo with cassandra and helenus; top right: paris, hector, and aeneas in modern outfits/costume ideas for paris the musical; bottom left: aphrodite and aeneas; bottom right: paris and deiphobus
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incorrecthomer · 3 months ago
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Paris: Hector is choking, I need to call 911 but the 9 button isn't working! Deiphobus: Turn it upside down and use the 6! Paris: Genius! Hector: *stops chocking momentarily* What the fuck.
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dilfaeneas · 4 months ago
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Wanted to have some fun drawing armours so, the peace talk committee. Deiphobus should not be present, he is not helping negotiations.
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hurricanes-art · 2 years ago
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place your bets on who theyre gossiping about :0...
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littlesparklight · 3 months ago
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The year Hektor, as well as Paris, got married.
(I, too, wanted to do a lineup of the main Trojan royal family/the children of Priam and Hecuba. So, here it is! Nineteen sons as the Iliad decreed, plus a handful of daughters. Everyone's loosely grouped (or not) according to in which set of multiples they were born. Lore and secrets under the cut.)
I've tried to only use names that either explicitly are called offspring of Priam and Hecuba, or implicitly so by the Iliad saying they're legitimate. The only exception being Chromios and Echemmon, of whom the Iliad doesn't say either way and who in later sources are named as sons of some mother(s) not Hecuba. I've ignored this, prioritising the Iliad's non-specificity. Partly because I'd long since decided they were sons of Priam and Hecuba when I realized that other sources made them not so. Of course, the Iliad doesn't name enough sons, so the rest come (mostly, exception Idaios) from Hyginus' list via cross-referencing with the Bibliotheke, to assure I picked names from the former the latter didn't say were illegitimate.
Everybody's ages and the timeline used does rely on ~5 extra years between Paris coming back with Helen and the Achaeans landing at Troy.
Ilione and Laodike are both already married by this point. I don't think we actually know how Bronze Age proto-Thracians were dressed, so I just tried to deck her out in something a little different from the rest.
Paris gets a white leopard pelt to make it a little more ~extra. The half-wrap sort of thing he's wearing about the hips technically come from a few hundred years later, I think (if I remember correctly), from the neo-Hittite era, but shh.
Eurydike is Aeneas' wife in the Kypria (so, she's equivalent to Kreusa), and though we don't know whether this Eurydike was a daughter of Priam and Hecuba, but I'm going with that she was (as Creusa was made so as well).
I've gone back and forth on how old Polyxena is supposed to be, and initially she has been a twin with Polydoros (mostly because I liked the matching names), but for my latest iteration I went with making her part of another mortal-demigod twin pair with Troilos as often happens, because of how her story intersects with both Troilos and Achilles. You can really see who Troilos' father is. :)
The number of daughters in addition to the Iliad-given nineteen sons have been decided by going by who has been given as Priam and Hecuba's daughter in some source, and then adding on Eurydike to that list.
I do have an alternate arrangement for ages/births (basically to be used in versions of fics that use the funeral games as background for how Paris gets reunified with the rest (when he's 16 instead), which is one where Kassandra would be old enough to have been cursed by Apollo right before Paris comes back, though this one gives the ages for the last year of the war: Hektor, 40 Ilione, Laodike, Antiphos, 38 Helenos and Kassandra, 36.5 Paris, 35 Deiphobos [Kreusa/Eurydike, Pammon and Polites], 34.5 This would also work out to have Deiphobos younger than Helenos, as some versions note as he is a strike against him in his fight over Helen with Helenos, who is said to be older.
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kingbryancroidragon · 25 days ago
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Earlier evidence of the Judgement having been something Paris made up. He simply heard Troilus refer to Helen as the most beautiful woman in the world and asked how'd he like to be married to her with Paris being taken by the idea.
He knows Menelaus is married, but he still has no problem seducing another man's wife to get her to run away with him.
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gangly-09 · 6 months ago
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Cannot be ill. Yet cannot be good.
Paris weighs the benefits and complications of loving Antheus.
1.
When Paris first saw Antheus, it was his fourth week in Troy, standing out in front of the walls with Hector at his side. He heard his laugh before anything else. It was loud, drawing Paris’ attention away from Hector and their conversation as it echoed up the hill. Paris could almost feel the vibrations in his own chest even if he stood several feet away from him.
The pair appeared: Deiphobos and Antheus. He watched as Deiphobos wrapped his arm around Antheus' neck and the man laughed again, muffling his sound in the Deiphobos’ shoulder as they climbed up the hill.
There was something infectious about it, the pure energy that seemed to radiate off of Antheus to others around him that Paris couldn't stop himself from asking, “Who is that companion of Deiphobus?” whilst he pushed down the stirring in his stomach.
Hector frowned, visibly irritated. “Does it matter?”
"Please." Paris grinned
Hector shook his head but conceded, “Fine. He is Antheus. A noble, son of Antenor.”
“Antheus,” Paris repeated. The name stuck closely to his chest.
Hector raised an eyebrow but if he had any reservations he remained silent.
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