#Death Nope
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"Now, the vow will be honoured, and my Lord brother's soul will return."
Radahn stans keep winning, but I personally am in Miyazaki's walls rn
#my art#shadow of the erdtree spoilers#sote spoilers#shadow of the erdtree#elden ring#godwyn prince of death#godwyn the golden#miquella the kind#miquella the unalloyed#promised consort radahn#fromsoft#i do not think critiques of radahn are as shallow as “pay $40 to fight a boss we already fought”#the dlc is good right up until the final boss#most of the new bosses are good#i loved midra and metyr and messmer and the dancing lion#radahn as consort just comes completely out of left field and just seems like a huge disconnect between the dlc and base game#radahn's story was done with the festival#and it's a good end! i like the festival and the base game radhan fight#but here he shows up again out of nowhere when godwyn is the obvious choice and a godwyn boss fight would be new and interesting#you can even still have your villain miquella story#puppeting his brother's living-but-soulless corpse unable to accept#that just because godwyn is breathing and follows his command like a deprecated computer program#even godhood can't bring his brother's soul back#his body must be slain and he must die a true death#we could have at least gotten a line of dialogue from radahn but nope#ok rant over#this pic is sloppy but idc#no cleanup we die like men#yes i know miquella's model technically has only three arms but i gave him four bc three looks silly
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It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)
Yeesh, this took forever. <:)
There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D
(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)
anyway, i hate backgrounds so much lmao
Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:
I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL
Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:
The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.
They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:
In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:
Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:
Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)
Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:
And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D
what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)
And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:
It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.
Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD
Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.
Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…
Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D
They’re also 100% a sub, obviously
Anyone at all: Your relationship is problematic and potentially toxic
The Lamb: fuck yeah it is, it’s so hot~ OuO
Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:
Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:
Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)
Last but not least, have these shittens:
~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.
The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ
Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES
First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.
I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.
All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).
(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)
Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔
Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.
He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)
I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.
So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers�� devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.
Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…
Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)
They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.
(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)
But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.
He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.
Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.
The Lamb fell HARD for him in that moment. :3c
And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯
oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it
Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)
THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)
#fanart#comics#cult of the lamb#cotl#narilamb#cotl lamb#cotl narinder#cotl shitten#cotl mystic seller#cotl aym#cotl baal#aym and baal#this is why i have been especially quiet lately XD#even just the bonus stuff took several days to finish because i don't know the meaning of DOODLE anymore apparently#everything must be fully inked and colored with backgrounds I Fukken Guess#at least using medibang's sumi brush keeps me from focusing on making my lines perfect :\#and yeah i copy-pasta'd a lot of my own backgrounds don't at me bro#if you're on desktop and want to full view but don't know how: right click the image - open in new tab - zoom in as needed :)#feel free to ask questions about the AU if you want - but uh - this is basically the extent to which i've thought it through LOL#edit: oh right - aym and baal really out there assuming narinder already put the lamb's soul to rest so the body's just fodder now lmao#last edit i hope: fixed the transparent cult certified freak image 8|#nope - one more edit: there is one (1) loophole for how living mortals can be in the afterlife without dying#that loophole is currently narinder XD#'sorry universe but the god of death says i can be in here so back off with your rules and regulations'
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i’m a bit bummed at how little recognition NOPE has received this awards season i will say it
#so funny that they nom’ed BLONDE & ELVIS and not NOPE like we GET IT y’all love exploitative death content and don’t like being called on it#anyway the day horror and action and comedy get as much recognition from the academy as every middling biopic is the day i keel over and die#sorry for all the typos in this post i was posting at 2:30am (inadvisable)
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siblings in horror: ride-or-die edition
the strangers: prey at night | nope | house of wax | the lost boys
codependent | blood-soaked | haunted | damned | dumb-ass
#alternative title: survivor's club#feel the need to put a huge disclaimer wrt the respective quality of these movies#watch nope for scares w excellent depth. watch house of wax to see chad michael murray fight to the death on a bed made of peanut butter.#the strangers: prey at night#nope 2022#house of wax#the lost boys#horror#my art#siblings in horror
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I think the best part of finishing Burrow's End is the moment about six or so hours later, where you're chilling in the shower or in the middle of dinner, and you suddenly realize that the tape—you know, that tape—wasn't all five of the Firsts dog-piling and murdering Dr. Winnebago, but literally just Phoebe. And just that one stoat was enough to cause the carnage the kids found in the store room and turn the doctor into a Meat Dave when she didn't even know how to speak human yet.
#dimension 20#burrow's end#d20 spoilers#burrows end spoilers#hey aabria what the fuck? like what the actual fuck?#I am all for grizzly death and body horror in my D&D campaigns but that is absolutely fucked up#like when I first heard that recording it was horrifying as hell#I'm right there with Brennan being#nope no thanks I'm out#but once you get the extra information from Silence's notes and we find out that it was just Phoebe who went into the store room#like it's so obvious but holy fuck aabria!#that was fucked up!
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sleeping cowboys... 🧸
#gyro zeppeli#johnny joestar#gyjo#steel ball run#sbr#jojo's bizarre adventure#jjba#jjba fanart#i love them so much i wish they just to just chill but nope. death race
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It's alright
30 second timelapse:
#ofmd#ofmd s2#ofmd fanart#our flag means death#“I am a brave boy and will NOT cry while getting reference screenshots of Ed” he said.#*barely manages to hit Win+Shift+S through the fucking tears*#I'm sorry but this is the only decent OFMD fanart I got in me for now#I'm shit at drawing people with faces/head and I still gotta learn and find a style but god knows the gay pirates are gonna help me practic#I still need to recover from this scene- this episode- this season- this show goddamnit#ngl at first I liked how I drew Ed's hair but the more I look at it now the less I like it >:C#did I forget to post this? no nope nuh uh I don't know what you're talking about#this absolutely blew up on twitter- lowkey hope tumblr dot com likes it too :>#ed teach#stede bonnet#gentlebeard#ofmd s2e8#tw blood#blood#akans art
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Nikolai proposes to Price.
cw: mention of past and present homophobia in Russia and the UK.
The rotor blades hadn't even stopped spinning when Nik clambered out of his cab, his hand fumbling through his pocket in search of that velvet box. The gravel of the broken tarmac scratched under the soles of his boots, his knee grazing through his jeans as it hit the ground.
He'd almost lost John.
Two meters between his head and a steel beam falling from a nearby building as an IED had detonated.
As the smoke had cleared, Nikolai had heard and felt nothing. Like someone had reached through his ribs and pulled his heart and lungs out. John Price had always seemed invincible, unstoppable, like a force of nature. But in those few moments when Nik had believed he had been killed, the reminder of John's mortality had stunned him cold. John was not immortal, not a god or a hurricane, but a human man; vulnerable, killable, and Nik's entire world.
Nik had only started breathing again when his helo had swung round and the downdraft had whisked the cover of smoke and ash away to reveal the captain hunkered down, Ghost's arm thrown across his shoulders, Gaz and Soap guarding the rear.
The lieutenant had regained consciousness on the flight home, his concussion slurring his speech, his arm broken, but he was alive. They were exhausted, slumped against each other as the danger receded and Nik carried them to safety. Soap helped his lieutenant out now, supporting his weight as they staggered over the tarmac with Gaz following, his head low.
It was in the gap between Task Force 141 and their captain that Nik knelt, his shaking hand clutching the box against his knee as the adrenalin caught up on him, his words stuck. He had planned this. A dinner at the nice steakhouse John had seen in town, and then a walk through one of the big parks to the lake where they had spent many a night fishing. There, Nik would have asked. No audience, no public display, just them in the peace.
Their love was private. Not because it was shameful, but because it was theirs. It was a place John could tentatively explore the parts he had buried to survive, and Nik could be himself without apology. They could discard their defences and show each other the soft underbelly they guarded so fiercely from others. The vulnerability, the intimacy that came with it, belonged to them and only them; one of the very few things that did.
But what if he never got the chance? What if John had died today? What if John died tomorrow? Or the next day? What if, what if. There was no waiting for them because there might be no tomorrow. They had to live here, now.
Price dropped onto the tarmac, pushing his M4 behind his back as he looked down with a quizzical expression. "Nik?"
Nik drew in a shaking breath, his gaze lingering in the smear of black ash and crust edging a cut on Price's face. He'd lost his boonie hat in the scramble to rescue his officer, so his scruffy brown hair and beard formed a wild mane around his head, framing those blue eyes that were all the brighter as they shone from the sweat and grime on his skin. Nik started talking without thinking. "Lyobit tebya - eto kak dishat… s toboi bremya ostanablibaetsya e ya shivu lish mnovyeiyami pyadom toboi..."
"I can't speak it that well yet, ya muppet, and my brain was just shook inside my skull like a maraca," John said, his voice gravelly and dry. The corners of his eyes crinkled in wry amusement, and Nik's heart ached. He lifted the box, his thumb sliding beneath the lid, and watched John's expression fade from amusement to shock.
"Ty vyydesh’ za menya?" Nik clenched his teeth, irritated at himself, but before he could open his mouth and find the English, John's hand slid over his and he dropped to his knees.
"What is this, Nik?" John croaked, those beautiful blue eyes that so reminded Nik of a summer sky over Kiev glistened.
"A promise," Nik replied. "A... plea."
John leaned forward and their foreheads met, his fingers tightened over the box and Nik felt the coarse material of John's gloves against his knuckles. His hand shook. He was keeping the ring covered, like it would vanish should he look at it, or believe for a single moment it was real.
They had talked so many times about their experiences as young men. In the early hours of the morning, when scotch and exhaustion had worn down their defences, the rawness and the hurt had surfaced. Nik, who had hidden what he was lest he face a bullet or prison, acknowledging his very existence criminalised even now; John, who had grown under Section 28, made to feel degenerate and filthy, his lack of worth reinforced by a slighted father's retribution.
Never for a moment had those boys dreamed of a happy ever after, and both had fled into the arms of violence and bloodshed to lose themselves. Both had tucked their hearts away and buried their dreams until they existed only as dogs of war; weapons of the states that had failed them.
And now there it was. Represented as a single tungsten ring with a thread of vibrant blue in the metal. Like his eyes, Nik had thought as he had purchased it.
They shared the same quivering breaths, the promise clasped between their palms, and Nik watched as the low light of dawn caught the first tear as it escaped. Those soulful eyes closing as John caught himself. Nik stroked his cheek with his free hand, thumb brushing through the tear track. "You own me, body, heart and soul. I only ask for your hand in return," Nik whispered, so very meek compared to what he had imagined.
John threw himself forward and Nik caught him, wrapping his arms around his back as John's face pressed into his neck. He smelled of char and blood, sweat and pain, and Nik held him as he sought strength and stability. There were injuries beneath the Kevlar and padding of John's body armour, and Nik would care for him tonight no matter his answer. They had lost men today and John would need convincing to rest before he embarked on the sombre task of informing their families.
When John sat back on his heels, he sniffed, wiped his nose and face on the back of his wrist and then uncovered the ring in Nik's palm. "S'nice," he said, soft and boyish despite the gruff rasp of his voice. Nik could see that young boy in John's eyes, still uncertain, still struggling to believe that someone would love him enough to want to spend the rest of their life at his side.
"Da," Nik said, "it suits you, no?"
"I like it."
"I am glad."
John smiled, the lines at his eyes returning and making Nik's heart ache. "So this is for real, then."
"Da."
"For keeps?"
"For keeps," Nik said, running his thumb over the cool metal. He remembered fondly the first time John had asked him that. Many years ago, when they had only really just met, still circling, still probing tentatively lest they reveal their secret to someone who would react badly. He had offered John a cigar and John had stared at it suspiciously before asking the very same, and Nik had been endeared by it even then. Lieutenant Price had been even rougher around the edges than Captain Price. They had already done so much healing together.
John huffed a soft laugh, wiping at his eyes before glancing at the sky, and then back at Nik. "Yeah..." He cleared his throat, another sniff, "Nikolai, I want t'... bloody 'ell," he took a breath, "I want t' marry you. Yes, I... I'm sayin' yes."
Nik barked a laugh of relief and Price echoed it, watching as Nik ran a hand through his hair as his heart settled. John pulled at the velcro of his left glove with his teeth, tugging it off between his thighs so that Nik could slide the ring over his weathered knuckle. He pressed a kiss to John's open palm, nuzzling his face to it with a contented sigh.
John leaned to the side to see Soap and Gaz gasping at them from the edge of the tarmac. Ghost was, of course, unreadable, but Nik had already talked to him about his intention. Who did you ask for a man's hand in marriage when his father was unavailable? The loyal lieutenant that had fought at his side through the worst the world had to offer, of course. "The whole base will know by lunch," John muttered.
"Da. I... I am sorry. I could not wait any longer. For a while there, I thought I had watched you die."
John lifted Nik's chin and then gathered his hand to his chest. "Ay, I'm here, aren't I? We got home, we made it. Because of you, Nik."
Nik could only nod. There was no point thinking of next time, not when John knelt before him, battered but alive. "You need a medic."
"I need a shower..."
"Medic," Nik insisted. "And if you are a good boy and don't swear at the nurse, I will shower with you."
"Hmm," John smiled, bashful and soft, "seems a fair exchange."
Nik helped John to his feet. Now that the adrenalin had faded and his men were safe, John was limping, an arm folded across his torso. He submitted to inspection with only a minor grump, and then checked on Ghost, Soap and Gaz. They were sound, as John liked to say. Ghost had to stay the night and Soap remained in the chair at his side, but the nurse was happy John's sprains and cuts were manageable with a little support from Nik.
As they stood in the shower, Nik's lips on John's skin, his arms around his waist to hold his body close, Nik let the hot water disguise the tears running down his face. Happiness, relief; they were as heady and overwhelming as anger and sadness sometimes. Nik let himself feel it, knowing it would leave his mind clear for enjoying John later.
"You solid?" John asked, warm hands stroking down Nik's forearms.
"Never better, solnyshko."
#cod Nikolai#captain john price#nikprice#cod#call of duty#nik thinking if he puts a ring on it then death can't because john's taken#john like nope nope nope just gonna cover this with my hand until i have more intel
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i hope i get another chance to choose between saving old man Loghain and a beloved legacy character in Veilguard. that fucker is going to live forever
#dragon age#loghain mac tir#loghain feels like andraste must be watching out for him somehow given how he keeps escaping certain death but nope. its just me.#it's actually becoming comical at this point
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a concept. to consider. what if. what if there was a Remember Them reprise after the Thunder Saga. "We are not to let them die in vain" except he's the only one left so it's "I am not to let them die in vain." and there's no backing chorus of his men. because. they're all dead.
and the line takes on a whole new meaning now that he's the one who chose to let them die.
(not in vain. it can't have been in vain, it can't have been for nothing. i have to see her. i have to see her, because if i don't make it home, those men died for nothing. the ends always justify the means. i can justify anything as long as it ends with Penelope and Telemachus both in my arms again. but if it doesn't-
but it will. it will. it has to.)
and our- ... -and my comrades will not die in vain...
#epic the musical#epic: the musical#epic: the thunder saga#epic the thunder saga#do i actually think this would happen? uhhh.....idk. probably not? maybe? but do i think this could be a neat concept if it did happen? YES#i love the idea of odysseus using the deaths of his men as further reason to get home because he thinks that will make it worth it.#“the end always justifies the means”#and at the first obstacle he faces it's like. oh. what if there is no end- NOPE. NOT THINKING ABOUT IT. I'M GOING HOME AT ANY COST.#because if it was all for nothing then the guilt would crush him!!! he has to believe he'll see penelope again!! she's all his power!!#and. and his comrades will not die in vain....#in other words: HA. Local Tragedy Protagonist Believes Attaining His Goals Will Absolve Him Of The Blood He Spilled To Attain Them.#who's gonna tell him that the man who gets to make it home alive is no longer him...... oh? he was already informed? oh okay i guess.
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thinking about Eddie & hyacinths again
#as you can surmise im Perfectly Normal about it#this man doesnt make me insane at all. nope.#trying out some new coloring and texture and background things...#on a side note. and i say this so lovingly bc theyre my favorite flowers#FUCK DRAWING HYACINTHS ALL MY HOMIES HATE DRAWING HYACINTHS#that was hell on earth.#ANYWAY THIS DUDE IS NEAT I HOPE HE DIES#nah im jesting im Jesting. am i tho#dead or alive i want him to experience unimaginable horrors and then die ten times and come back Normal#bc eddie strikes me as a 'dying would fix them' character#whether its a real death or a perceived death or Youve Been Dead The Whole Time death dont care dont care#i need him dead on the ground for at leeeaaaast five minutes#id be frothing at the fucking mouth. ragh#scribble garnish#welcome home#welcome home puppet show#eddie dear#originally this was gonna be a Very bloody little piece#but then my brain went 'hey. symbolism. what if the blood was flower petals. from hyacinths'#and ohhhh i couldnt pass that up#i wish i did! i would have had a lot more fun drawing a gruesome injury rather than Those Damn Flowers!#i dont know why ive latched onto the hyacinths outside the post office but my brain wont let go#ITS JUST SO SPECIFIC. why why whyyyyyy put that specific flower by this specific guy#especially flowers with Those Meanings and That Myth#*violently shaking the site* WHAT DO YOU MEANNNNNN#ok im getting myself too worked up i need to touch grass or poke the fire
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Tibia Mariners and Those Lost in Death
While I am at it, I should talk about a detail found in Messmer's Shadow Keep. On the way to the Specimen Storehouse, you'll be faced with a peculiar sight: boats lit on fire.
This seems to be a callback to Viking funerals, except the boats are placed in a row and burnt on land. It's certainly an odd practice, but it might only be done this way because Messmer's forces are far from an accessible shore or water that's deep enough to perform it normally.
However, something else caught my eye. The boats looked quite familiar so I went back to check and...
It was the EXACT model as the boats used by the Tibia Mariners! Perhaps it is obvious seeing as the Messmer boats are used in a funerary rite, but I think it's still quite a significant connection, especially since the old Mariners have gotten quite a bit of new lore in the DLC. In Charo's Hidden Grave we can find the skulls of boatmen as a crafting material, presumably that of previous Tibia Mariners.
This is outright confirmed after finding the lone Tibia Mariner in the area, who upon defeat drops the Tibia's Cookbook, which describes them as the oldest of grave keepers.
(Btw I love the detail of the piece of lace cloth and golden ornaments, they are the same found on the Mariners themselves. They even come with the same ghostly glow)
This is quite the revelation, as prior to Shadow of the Erdtree we had no way of knowing that these guys actually predated the spread of Deathroot and Godwyn's transformation into the Prince of Death. And how could we doubt that, since they even drop Deathroot themselves? But there was something that most people have neglected to note about the Mariners, me included.
In the base game, the Tibia Mariner found in the Wyndham Ruins drops a spell called Tibia's Summons. This inconspicuous sorcery of the servants of death actually holds a perplexing description which mentions a group known as "Those Lost in Death".
There was something seemingly redundant and unexplained about these guys. What does "Lost in Death" mean? Why aren't they simply called "Those Who Live in Death"? It wouldn't blame anyone for assuming that this description just contains an outdated term for the undead before they stuck with the one used in-game. However, through the Tibia's Cookbook, we find a NEW reference to this same concept.
Roughly the same title (Those Lost in Death = one lost in death), the same underlying sentiment, and we have verifiable proof that the Tibia Mariners are outright ancient... so what's the deal with this? Well, I have a theory.
The descriptions of these things hint at the fact that the dead have been wandering for a very long time, and that they are in need of leadership. Before the DLC, it was easy to assume that the undead were simply a result of Deathroot, and the game seemed to suggest the same thing by stating multiple times that it was the origin of Those Who Live in Death...
... but that's the thing! Prior to Deathroot connecting them to Godwyn, the undead amounted only to shambling corpses. They were not LIVING in Death, but simply LOST in it, which is how the Mariners were able to control them in ancient times through the use of sounds, both their horns and the Calls of Tibia. It's only through the guidance of a lord, in this case the Prince of Death, that they found an identity and new life.
It's likely the undead waned in the era of Marika because of her elaborate Erdtree burials and general control of life and death. Heck, the figure of Rosus, who guides us to the Catacombs, must have also played a big part in their disappearance. His axe has a similar power to the Tibia's Summons and it's called Rosus's Summons. Its description also mentions that the dead easily lose their way, meaning that Rosus was meant to lend the dead a guiding hand. "Those Lost in Death" would be lost no more.
Without people Lost in Death, the Mariners kind of lost their purpose and vanished for a long time... until the Shattering and the rise of Those Who Live in Death of course. It might mean that the only reason they hold onto Deathroot is because it attracts and connects the new undead.
I guess Godwyn was meant to be a sort of "lighthouse" for all undead. He would make sure they never lost themselves but also that they would be allowed to live instead of being forced back to rest like with Rosus and Marika. Him being a "lighthouse" also fits the marine theme that all this death business is going for quite neatly I think...
But to return to what started this... maybe those boats lit on fire are Messmer's way of making sure the soldiers of his army aren't lost to death after their passing. A way to give them a proper rest the way Marika would have wanted, even though he is limited in what he can do about it. The Catacombs are now corrupted with Deathroots and Godwyn's corpse bodies, and guarded by his fervent golden Death Knights.
(P.S. - I didn't know where to put this, but "Charo" is one letter off from Charon, the ferryman of the dead in Greek mythology. Seeing as the place is connected to the Tibia Mariners, who shepherded Those Lost in Death in an age long past, I find that this connection might not be mere coincidence...)
#elden ring#shadow of the erdtree#elden ring dlc#tibia mariner#those who live in death#this DLC threw the little guys a bone#*ba dum tss*#ok but seriously I didn't know what to make of “those lost in death” prior to it#I just resigned to thinking it had to be some beta version of the “those who live in death” name#but nope. it actually makes sense#somehow...#and I am pretty satisfied with the answer#love the marine vibes that death has in this game lol#I wish they explored it more but alas#I'll accept the tibia lore gladly lmao#val-post
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Theory: some High-Ends use the corpses of past OFA users
There aren't tons of High-Ends. They can't be mass-produced so easily, and there's only one that's blatantly female, literally named Woman and with a tall, defined figure
Maybe Woman's original identity is already confirmed, but... she's similar to Nana in build, isn't she?
It's hinted that All For One actually kept Nana's corpse. How, 20+ years later, could he give Tenko his grandmother's pristine hand? Is he just keeping their hands? Or their actual corpses?
Also, when looking at corpses to give multiple Quirks to, One For All users are the best for this. Having inherited One For All, their bodies had maintained multiple Quirks when they were alive, even if they couldn't use more than their natural Quirk and One For All's physical ability. And to their bodies, One For All doesn't count as just one Quirk; the natural one, and Yoichi, are already too much for a human. But Shinomori shows that it counts each previous user's Quirk, on top of Yoichi's and one's own natural one.
Their bodies adjusted to holding multiple Quirks, and when they were alive, they didn't become deformed or lose brain function. They were perfectly fine, and only had shortened lives—but that doesn't matter as corpses.
Nomus go brain dead when they have multiple Quirks. But the past users didn't, being completely fine, making them perfect for Nomu development.
High-Ends can think. They're all physically powerful, and One For All users make the best basis, even from leftover embers and physique. So why not use that great base to make the best outcome Nomus (High-Ends)?
#originally this was going to focus on how hood could be shinomori cuz a lot of things line up#like pants; avoiding the strongest couldve been tweaked to looking for the strongest; that afo didnt know his face so named “Hood”#for theming; Endeavor burning him and saying to rest (shinomori gets a cremation and can relax [OFA]; and so on#but nope Hood is confirmed to be a boxer from some ring#(and the fact endeavor says Hood is like him from the past or future.. and that shinomori wanted to grow his strength as much as possible)#(for the factor.. so technically he wanted to be the strongest......)#BUT NOPE HOOD IS NOT SHINOMORI#it would really make sense if he were though#man#mha#bnha#my hero academia#boku no hero academia#nana shimura#woman#nomu#ofa#one for all#spoilers#hikage shinomori#yoichi shigaraki#afo#all for one#imagine afo is keeping their corpses and sets them loose on midoriya who just destroyed the last of the consciousnesses#darkkk#edit: its mentioned shinomori had an autopsy so we know his cause of death AND GARAKI WORKS IN THE MORGUE.#GARAKI WAS ALIVE BACK THEN YKNOW#GARAKI WAS ALIVE FOR ALL THE USERS. HE COULD HAVE PRESERVED THEIR CORPSES AND TURNED THEM TO NOMUS
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Mannn Oda’s REALLY good at introducing characters I automatically dislike but then end up falling in love with later. Like Bege. I was so mad at him for hurting Pekoms and taking Sanji but now I’m like. LOVE THAT GUY. He’s a mafia boss he’s ruthless and will shoot his own comrades if necessary he’s an expert in backstabbing and is notorious for murder but he’s also SUCH a loyal husband, he loves his wife SO much and he loves his baby boy SO much and would move mountains for them. He ends up getting drawn into the utter chaos that surrounds the Strawhats and despite every aspect of his character that says otherwise he ends up believing in them and what they can do. One minute he’s threatening to shoot someone in the head and the next he’s baby talking to his son and cooing over him. The DUALITY OF MAN
#Shima speaks#I love Bege oh my god 😭#It was when he came back for Chiffon that really got me#Bc you’d think bc of his character he’d abandon her. Any normal mafia boss would#But nope!! He actually cares about her a LOT and loves her genuinely#And would rather risk death than run off without her#He’s a good husband. And a good dad. Not a good man!! But a good family man!!!#One Piece#Bege
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Ed Teach does in fact have a head of smoke, it's just tobacco smoke floating around him as he smokes his pipe and watches Stede Bonnet sleeping with the utmost of care.
And he also does have red eyes (heart eyes) that burn with love and passion as he gazes adoringly at Stede at all times.
#my god have you ever seen anthing hotter than Taika Waititi dressed to the nines in leather with a full salt and pepper long hair and beard#covered in tattoos smoking a pipe very intently and intensely??#I'll answer that for you#nope#you haven't. Or at least I haven't#ofmd#our flag means death#edward teach#stede bonnet#blackbeard#Ed teach#gentlebeard#blackbonnet
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Of course Fox likes Luke. He loves Luke. The kid is kind, brilliant, devoted, all of that. Fox loves Luke, and he wishes that he and Leia could've known each other their whole lives.
He is also, secretly, extremely grateful about only having to raise one of the twins, because Leia has already made him even grayer than working on Coruscant ever did, and Luke is giving her a run for her money. And she has a lot of it.
#fox watching luke infiltrate the death star and blow it up after leaving his home for the first time in his life:#fox: I was made to be a girl dad huh#not that leia isn't just as bad as luke but she is fox's mini me so fox knows exactly how to handle her#luke? nope that is a problem for somebody else#fox can only suggest that luke does something he isn't taking any responsibility#sw#tcw#Commander Fox#Leia Organa#Luke Skywalker#Post Order 66 AU
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