#DON'T BE THIS IS GREAT I LOVE IT

[potentialgot]

𝐒𝐌𝐀𝐒𝐇   𝐎𝐑   𝐏𝐀𝐒𝐒  (i’m so sorry fjchch)

𝐒𝐄𝐍𝐃 " 𝐒𝐌𝐀𝐒𝐇 𝐎𝐑 𝐏𝐀𝐒𝐒 “ 𝐅𝐎𝐑 𝐌𝐘 𝐌𝐔𝐒𝐄 𝐓𝐎 𝐀𝐍𝐒𝐖𝐄𝐑 𝐇𝐎𝐍𝐄𝐒𝐓𝐋𝐘 𝐀𝐁𝐎𝐔𝐓 𝐘𝐎𝐔𝐑𝐒. 𝐍𝐎 𝐋𝐘𝐈𝐍𝐆 𝐀𝐋𝐋𝐎𝐖𝐄𝐃 .

"... Pass."

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[poorly-drawn-mdzs]

Happy one year anniversary to In Stars and Time!

[hyperblue]

terry: i used to make really poor choices about my life, so now I'm redeeming myself by being batman

dick, who is always five seconds away from killing himself when he has to be batman: what an... interesting way of seeing things

tim, who can not EVER be allowed to be batman: huh.

[golyadkin]

it's because i wouldn't let you kill the bounty hunter isn't it

[iwasbored777]

They asked Lee Majdoub what he thinks of Stobotnik vs what Stone thinks of it and this man chose violence omg the more I read the more painful it gets

[keferon]

The tac net crash chapter is one of my favorites so far~

Ah and. Guess what. I just discovered that including this post, I made 50 pieces of fanart for Mistakes on mistakes until.. I’m so sane and normal about this story can you tell👍

[gatoiberico]

Twilight Princess is living rent-free in my head after I recently got to play it for the first time, so ofc I had to make something instead of just gushing and screaming about it into the abyss

Prints of this piece are available in my shop! There's also a video that took me way too long to make about how I drew this in which I also rant about cheese and socks... hope y'all enjoy it if u give it a watch!!

[zebratimw]

"All those empty rooms

We could have been anywhere, anywhere else

Instead, I made a bed with apathy

My heart knew the weight

Ten years worth of dust and neglect

We made our peace with weariness and let it be..."

(Song: The Moon will Sing by the Crane Wives)

[dabiwantsfood]

Tgaa episode 2

[lady-corrine]

Thinking again about how Suzanne esentially subverted the "beloved famous man that is actually a horrible person in real life" with Finnick, who is the complete opposite of that.

Finnick has this whole image costructed around him by the people that abused him for years: the Capitol's darling, their golden boy, the sex symbol of Panem, the man that has countless lovers but leaves them constantly and doesn't look back etc. And you would expect, initially, to meet a man that retains at least a part of that persona in his day to day life. But Finnick doesn't, not even one bit.

You see instead a man that is deeply in love and completely devoted to the one woman he quite literally adores, a man that protects Mags, his old mentor and his mother figure, as much as he can, a man that wouldn't leave Johanna behind, a man that gathers whatever strenght he has left to speak publicly about the abuse inflicted upon him at the government's hands; the opposite of what the Capitol's media and reputation made him out to be.

[divineandmajesticinone]

4 MINUTES (2024) I 1.02 "It's pretty deep. All the doctors in the ER are busy. I'll stitch it up for you."

[ghostlyarchaeologist]

Leverage S03E09 The Three-Card Monte Job.

[almondcroissantsandink]

watching gravity falls for the first time at the request of my little sister and i just watched a tale of two stans and CRIED

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

[First] Prev <–-> Next

[kimtaegis]

Destination: your heart Estimated Time of Arrival: whenever you need him ➤ for @jung-koook ♡