#DOES IT WORMS U???

[toomuchdickfort]

HANG ON

[ramadebuzunar]

dude i love pics that Almost Show Something

they/them

[tsuutarr]

Yandere! Love God x Reader

Soulmates do not always meet in every lifetime. Sometimes, a person may become a bird that soars the skies while their soulmate becomes a fish that swims the depths of the sea. Other times, a person may become a little flower in a field while their soulmate becomes a large cactus in a desert. More often than not, the stars must align for soulmates to meet in a single lifetime.

You, however, are the exception. You will meet your soulmate in every lifetime for as long as your soul exists.

After all, your soulmate is the God of Love, an immortal being that ensures that you will meet in every single lifetime. 

It doesn’t matter if you’re a little plant, an animal, or a human – he’ll always find you and love you. When you’re not there by his side, he patiently waits for the glow of your soul to return to the mortal realm.

It’s become a pattern of his, a habit. When you leave his side due to your life’s candle burning out, his world will be drowned in grayscale and monotony. He goes about his days without much care for anything, his duty taking the forefront of his mind.

But when you reincarnate, your soul colors his world with his love for you, brightening up his days. To him, it doesn’t matter what you are, just that you are – that you exist. Your existence takes the forefront of his mind, his body, his soul. He devotes everything to you for as long as he can, eager to dye you in his colors in every one of your lifetimes.

It doesn’t matter that you don’t remember him – he’ll remember for the both of you, filling pages and pages with his memories of you. It doesn’t matter that he has to start all over again in every single lifetime – he’ll gladly fill you with his love for you over and over again. Because, to him, you go beyond just being his world – you’re his universe.

So, for most people, the stars must align for soulmates to meet in a single lifetime. But for you, your soulmate forces the stars to collide so that he can draw your constellation next to his again and again for the rest of eternity. 

[junebugtwin]

coming up with cartoon designs for the undersiders (partially inspired by all the great 'teen titan-undersiders' stuff)

Lisie!!!

[astrmastr]

NNNNNYYYOOOOOOMMMMMMMMMMM

(she is an active hitbox when running this fast)

ALSO HELLOOOOO HI PEOPLE HIIIIII i have been makin STUFF 4 this game

here look at the wormheads they r a species of sentient sausages who evolved to look like worms to hide from birds

their disguises work about none of the time

you can eat em too

long terraces backstory is a mystery. he is a Level 13 Gunslinger Cowboy

okiedokie i wish u all a goodnight heres ur plushie to tuck u in

[luck-of-the-drawings]

OOH YEAH BABY! PARTY TIME BABY! MUSIC! DRINKS! SOCIAL PRESSURE & A PSYCHEDELIC BREAK DOWN! WELCOME TO VAMPIRE SOCIETY MOTHERFUCKER! ARE YOU SCARED? DO YOU UNDERSTAND YET? ITS OKAY IF NOT. FIRE DISSOLVED IT! ITS ALL GONE NOW. HAVE FUN!

[overleftdown]

deranged post-canon farleigh speculation

so. archie madekwe said something that makes me question a lot of the other post-canon speculation (often quickstart dynamic post-canon fics, speculation, etc.). Basically, he was talking about how tired Farleigh was getting, in the point in time that the movie is set. This is depicted through his confrontation with Felix, which Archie confirmed was the first conversation Farleigh has had with the cattons about the issue of bias.

a review by hilton als briefly touched on farleigh's possible future, as well. it was a very negative and... honestly understandable idea of what farleigh would grow up to become. aka, someone who exploited and tokenized their race for "brownie points," pun not intended. i see a lot of people crafting stories of farleigh finding different ways to rejoin the ultra-rich class. and i kinda wanna say that i... don't like that. here's an anecdote: my cousin and i had a conversation about his experience moving from a white-dominated, suburban environment. he argues that although racism is still prevalent where he now lives, the racism he experienced in his hometown was so painfully, covertly delivered. it's this sort of "could you just call me a slur or something" mentality.

although farleigh is terrified of change, although farleigh is terrified of losing what he believes is an accommodation for his marginalization (it isn't; you can't buy your way out of racism), although farleigh learned to be materialistic through the ways in which he was raised, although farleigh is constantly running away from something--i think he was reaching a point of genuine hatred for the ways in which racism is delivered to him in this environment. i would also go insane. so freakishly insane. i think his conversation with felix made him understand that maybe the cattons will never even try to change. that the cattons couldn't even acknowledge the problem in the first place. that you can't really win, with people like the cattons. it's always a game of when, and never if. when will they finally, politely discard me?

this leaves a couple options. the first, farleigh learns to be financially independent and very much successful. he would never rely on other people again, especially not white people. this leaves room for hilton als' interpretation, but the fact that farleigh was cognizant of and willing to mention racial bias to felix is evidence for me to assume that farleigh is beyond belittling himself like that. farleigh already experienced so much shame from catering towards the cattons and their whiteness... i don't think he'd keep going with that. not with the way it ended. not after he had the horrible wake-up call that was both his cousins dying. so, maybe farleigh does find his way back to wealth. maybe through fashion, through modeling like his mother, through another form of art, through business, whatever.

the other option is that farleigh just... doesn't acquire that level or even close to that level of wealth again. i kinda like this idea. i kinda like imagining farleigh in a city flat or smaller suburban house, finding a significant other and probably never ever having kids. that, of course, still leaves room for farleigh to go and brutalize oliver out of saltburn. but i'd like to think he wouldn't take saltburn back. as i've said before, farleigh was never greedy. he never wanted to replace or succeed the cattons, nor did he want any form of dominance over them. to be their equal, yes. to be seen and heard and given attention, yes. but never did he play his games to knock felix or venetia down. i feel like farleigh would be the "eat the rich" that saltburn didn't have. not in the corny way, because farleigh is no robin hood, nor is he an innocent and selfless person.

my ideal "sequel" type situation would be farleigh returning to saltburn after living comfortably and humbly for the last 20 years. he's not here out of moral obligation. he's not here to steal back the catton wealth. he's here selfishly, and out of burning hatred. he's here because oliver stole any sense of closure farleigh could've ever had. he's here because oliver never gave farleigh the opportunity to forgive his family, nor to mourn them, nor to visit those memories, nor to make new ones. farleigh is here to wreck oliver's shit. it's not healthy, it's not pretty, it's not clean. i'd imagine 40-year-old farleigh, having matured, returning to saltburn and regressing to the same games he always used to play. lying, people pleasing, pretending, sex, drugs, sass, etc. ahhh. my ideal sequel. a man who found peace without closure and finds closure through a significant lack of peace. and, also, oliver dead as hell.

[ashleyeveerson]

CANARIES, NIGHT SHIFT AND THE MAGNUS PROTOCOL (tma/tmagp/arg spoilers)

Along with everyone else in the fandom, I'm also going FERAL after these new ep so excuse this RANT (this is my way of coping with the brain worms, enjoy ;).

Statement begins.

So what's special about the RedCanary story?

Well, apart from it being a direct reference to the original Magnus Institute (at least the one in this new universe), it's also incredibly fascinating as a narrative tool.

For those who are unaware of their history, miners used to employ canaries in cages while they worked as safety systems. The bird's complexion made them specially sensible to gas leaks which killed them instantly. When a canary stoped singing in the middle of the shift, the workers knew that toxic gas was leaking and had enough time to get out of the mines alive before it got to them.

Now why is that relavant to us? Well, the theme of canaries in cages inside mines could be easily applied to the og tma characters. All of them were contained in cages (that is the Magnus Institute) and placed close enough to danger (in their case the paranormal) that only they were aware of its existence while the rest of humanity remained ignorant. That is until the events of the apocalypse when the gas metaphorically leaks everywhere and all humanity is doomed.

However, this proximity to the fears ALWAYS results in the death of the canaries that stayed inside the mines (no i will never get over my blorbos being killed). Everyone involved with the institution dies EXCEPT from Melanie, Georgie and Basira. That is, the only three canaries that actively escaped their cages before the toxic gas got to them.

Therefore, the use of this metaphor at the start of the ep (especially from none other than the voice of Jon Sims, the character who has walked down the path of learning about the entities) is a warning to Sam against investigating the paranormal.

The statement is encountered by Sam because he, above all other characters, is the one who is most likely to end up like Jon and the others. The species of Red Canaries is human breed, therefore Sam being a result of experimentation within The Magnus Institute means he was RAISED to be a canary. Thus, there is an inherent irony on the warning, for it is what PUSHES him to develop an interest on the statements and leads him closer to his tragic destiny.

Another proof that links canaries and the workers at O.I.A.R. is the nature of their habitat. I haven't seen a lot of people talking about it, but there are multiple references in the first and second ep of them working the nightshift. Now, why would a filing job be carried out exclusively at night? (THERE ARE SO MANY REFERENCES TO IT BEING A NIGHTSHIFT I AM NOT KIDDING)

This one is specially interesting because it's the first thing we hear in the podcast. Also Teddy metaphorically being the canary that leaves the mines and the darkness to escape into the outside world and the sun.

Multiple references to it being just the FIRST night of an eternity of nights. (cosmic horror much?)

In any case, there is a parallel between darkness of night and the darkness inside the mines. (or even the entity of the dark, one of the oldest alongside the hunt and the end). I see what you're doing Jonny Sims....

SO YEAH IN CONCLUSION

canaries = characters close to danger (AWARE OF THE ENTITIES)

the miners = the rest of humanity (UNAWARE OF THE ENTITIES)

cages = The Magnus institute/O.I.A.R (TRAPS the canaries)

the fears = toxic gas (HARMS the canaries and miners)

darkness in the mines = the night shift

Statement ends.

*stands in front of a white board with red string linking everything, and the dark scribbled in black marker in the center* I HOPED YOU ENJOYED THIS RANT *tries to fix my disheveled hair that i messed up during the presentation* I AM SO NORMAL ABOUT TMA AND TMAGP Please feel free to discuss in the comments, I NEED THEORIES, I NEED TO TALK ABOUT THIS WITH SOMEONE!!!

[boxwinebaddie]

my time in kindergarten has cursed me with the knowledge that kyle is def the tiny 'erm, actually!' kid in big ass fishbowl glasses who tries to answer questions that i haven't even finished asking yet, is reading books at third grade reading level like 6 y/o megamind, all of which is Great except that little fkn einstein is constantly TRYING ME by attempting to undermine my authority by staging a literal Coup in my class over who should clean up the magnetiles and ‘start shit’ aka intense philosophical debates abt BLUEY during Quiet Time.

and conversely, stan is the kid who almost gets hit by a car during pick up trying to pick a fkn ROLLYPOLY out of the gd street, needs to be told 25/8 to stop playing in the planters/stop building complex worm terrariums out of sticks and mud everyday at recess, cries anytime i have to raise my voice above a whisper, is super adhd, gets extremely overstimulated by EVERYTHING, blurts Constantly abt things he did over the weekend and drew a...Very Frightening ‘my family portrait’ of his dad yelling, mom crying, sister in devil horns and him frowning...

...In Big, Blue, Lopsided Crayon.

[isatoru]

blue lock men get a little too excited and creative and also serious if you ask them the silly question "would you still love me if i was a worm?" btw

[pointmetostrs]

still not over the fact that taylor hebert was written by a man. and im not even saying this in a bad way but to point out how funny it is that taylor is canonly heterosexual and cis when taylor hebert is literally the funniest person to attach that label to. from her descriptions of other women in the text (taylor hebert admiring other girls? very possible!) to the way she compares herself and lisa to a wlw couple, to even her depiction of her relationship with brian. i think it’s just funny that taylor is canonly straight when everything in the text could be used to argue shes anything but straight.

[boyfriendyke]

there r a lot of things about the myth of psyche and eros that makes me a little insane but one of them has always been the tasks from aphrodite and the unfairness of it. they're not intended to be possible. they're so obviously not meant to be possible, and psyche isn't fucking hercules, you know, she's not a demigod or whatever, she's mortal and these aren't mortal tasks!! it's why psyche has to be helped with each one, fucking by like ants and river gods and shit. and so like. idk. i know ppl see psyche and eros as like a story about love and shit which obviously it is but as a kid psyche and eros always felt like a story about being able to accept help

[idyllcy]

giggling look what i found

talk show leon au…celebrity leon…thoughts please miss cressie :3

"what's one of your most memorable roles" "September 30th... 1998... It's a day I'll never forget. The cop inside me died that day"

jk I think celebrity Leon would be a celebrity against his will have you see that one guy called Lelush who was stuck on that one idol survival show like that's what I imagine Leon is like as a celebrity (against his will) I also think he'd get into arguments with "fans" who criticize his every move

[toytulini]

man the thing about beauty standards and being ugly and being pretty and being insecure is that ultimately you do just kinda have to Decide that youre pretty. like ultimately thats how you become pretty, or hot, or sexy. you have to just Decide that you Are. you have to recognize that its made up, its arbitrary, its subjective, and that people might disagree with you about it, and as much as you are able, you need to completely and utterly disregard their opinions on your appearance, and decide that youre pretty now. and THEN.

you need to find beauty in "ugly". you need to recognize that ugly is made up, that its arbitrary, that its subjective, and you need to be able to find the beauty in it all. and this means you cant bodyshame people. you cant body shame shitty celebs or politicians. you need to base your criticisms on the substance of their character and misdeeds and unhinged horrific opinions and not give a shit about what they look like. you cant go calling people ugly for being shitty. you cant go calling people ugly for looking A Way You Dont Like.

and then if you wanna really galaxy brain this shit you start using ugly as endearment. OBVIOUSLY do not fucking call other human beings ugly. that shit is far too loaded, its just Rude. Dont call specific features of people or even characters ugly cos thats also too loaded. as a term it has baggage. but you can see the ugly in tacky, loud, garish clothing, and it can be Good. you can see the ugly in a distinctive, horrible tiny car from the 90s, and it can be good. you can see the ugly in animals that have evolved to look the way they do, without a single thought of what humans find appealing. you can see the beauty and the freedom in "Ugliness". you can break out of this shit altogether and feel nothing but disdain for anyone who stoops to insulting your appearance if they disagree with you about shit. you can get completely out of the cave of these beauty standards. you can find it so freeing to revel.in letting yourself be ugly. in recognizing that the way you look and exist might be ugly to some people, and youre out of the cave enough to simply recognize. thats just your opinion and it doesnt matter. didnt ask.

you can look at ppl arguing about the correct amount of skincare products to use daily, the Correct Amount of makeup, and whether or not its radical to conform to beauty standards or defy them and argue about is it really conforming if visible makeup pisses men off, and you can say, well I dont care about any of that, I recognize the societal pressures of flawless skin and all that but you see,

I just want to look like a silly little clown :o3

[suckerforfluff]

is it fucked up that as a filipino i dont know any filipino mc streamers or filipino streamers in general? like the ones who actually stream in tagalog/bisaya/ilocano/ilonggo/whatever dialect???

like im so envious of the ppl who are like "so and so was my childhood im excited to see them in qsmp" and here i am like "wow filipino streamers huh can't wait to meet them ^_^"

[helloiamaustin]

Ladies ladies, there’s enough soup for everyone (the rat hates you)