#DO NOT feel bad if you do any of these!

[kitheking]

toxic traits i think redacted audio characters have/used to have: listener edition!

angel - pessimistic + perfectionism, especially when it comes to the pack. They feel slightly inferior because they’re human, so when it comes to planning events like the Solstice, they want everything to be perfect but they can’t help but imagine the absolute worst. I think they also begin to spiral a little when it comes to David + the pack and them working specific events, this is bc of the Inversion.

baabe - a massive people pleaser. similarly to angel, they feel inferior to the pack because they’re human, so when asher first introduced them to the pack, baabe altered basically everything about themselves from their interests to their humor in attempt to fit in. they’re like this with other humans too. They’re a lot better now that they’ve got roots in the pack, though.

sweetheart - major workaholic + defensive. the department obviously demands a lot from its employees, so sweetheart is definitely running on a few hours of sleep and caffeine, but instead of taking breaks they can sit at a desk and do paperwork all day. they often fail to realize how damaging it is and they get snappy when people try to help them. they usually apologize afterwards cause they’re cool like that.

smartass - inflexible + slightly aggressive. they are sooo stubborn and they don’t like trying new things at ALL. They also tend to get pretty feisty when somebody challenges them on anything and they’re quick to dish out insults. and i mean they go for the JUGULAR. they’ll insult your appearance, your grammar, they’ll find your whole family tree on facebook and bring up your family issues if it means they’ll win an argument.

lovely - they’re a little too confident and they overestimate themself. lovely is tough, don’t get me wrong BUT they tend to automatically assume they can do anything. the type of person to watch ultimate ninja warrior or some shit and be like “i could do that” but they most definitely could not. i still can’t get over how vincent warned them on that mountain or whatever and they decided not to listen and immediately got their shit rocked.

bright eyes - they used to be very impulsive. they get the urge to do something? they ARE going to do it. zero forethought. after the Quinn incident, they try to think before acting more often.

honey - they used to be very dismissive. they did not prioritize closeness, affection, or intimacy in their relationships because they didn’t know how to channel those emotions. ever since being with Guy, he’s helped them a lot.

darlin/tank - oh boyyy. they’ve definitely picked up on some extreme negativity in their life, but i think one of their worst traits was their recklessness. we know darlin has a habit at throwing themself into danger head on like they’re invincible, which results in them severely injured and needing somebody to take care of them. Part of me also thinks that they struggle with empathy. in the “Confronted by Your Pack Alpha” video, darlin seemed to have a hard time understanding how David + the pack felt about them running off to go vampire hunting and they were fully convinced that they were doing the right thing by trying to “protect” everyone.

i purposely left out some listeners, like lasko’s, antons, and james’ because i have no clue what theirs would be. I also left out Cutie because we all know what their toxic trait is… oh boy.

[canonkiller]

but you can't keep holding on like this.

[captain-krow-drozdov]

Danny Is An Alternate Version Of Ra's Al Ghul And Flash Already Called Dibs On Adopting Him

Danny In All His Sleep Deprived Slightly Scuffed Up From A Fight Glory Is On His Way To Clockworks Tower To Hopefully Get A Nap And Maybe Some Homework Done When A Natural Portal Opens Up In Front Of Him And Proceeds To Unceremoniously Drop Him In The DC Verse Just Outside Of Central City Before Promptly Closing Leaving A Tired Danny Behind In A Run Down Abandoned Parking Lot.

It's Times Like This When Danny Regrets Putting Off Learning How To Make His Own Portals, Cause Now He Is Very Much Stuck For The Foreseeable Future And He Has No Idea Where Or When He Is. Luckily For Him However Central City Isn't Too Far Away, Unlucky For Him However Is That Once In The City He Realizes This Isn't His Dimension. He's Pretty Sure He'd Remember Something Called The Justice League.

So What Do You Do When Supernatural Bullshit Fails You? You Fall Back On Your Mad Scientist Roots And You Make A Portal Gun. So That's Exactly What Danny Plans To Do.

Unfortunately Staying Alive And Building Questionably Safe Portal Technology Requires Money And Supplies, So He Ends Up Wandering From City To City Doing Odd Jobs/Fixing Up Busted Tech For Cash Or Unwanted Electronics For His "Operation: Get Home" Needs. This Obviously Ends In A Few Superhero Encounter Shenanigans.

Though He Always Ends Up Back Near Central City, Both On The Off Chance The Natural Portal Will Open Up Again And Because Out Of All The Superheroes That Apparently Exist In This Universe The Speedsters Are His Favorite (Red Robin Is Solidly His Second Favorite Ever Since The Gotham Vigilante Gave Him A Large Coffee Filled With Enough Caffeine To Kill A Man).

Unbeknownst To Danny However Is That Every Hero/Vigilante He Has Encountered Has Come To At Least One Of The Following Conclusions; 1. Run Away Meta Who Is In Desperate Need Of A Good Meal/Adoption Bait. 2. Possibly Red Robin/Tim Drake Clone 3. A Good Kid But Could Possibly Be A Future Rouge If Left Unsupervised. 4. Did Bats Get A New Kid And Why Is He Here?

All Flash Knows Is That He Saw The Kid First And Therefore Has Dibs. Suck It Bruce.

Fast-forward A Few Months And Danny Gets Hurt During A Rogue Attack While Trying To Help Some Civilians Get To Safety (Old Hero Habits Die Hard (Ha Die Hard) And All That Jazz) And He Nopes Out Once Everyone Is Safe And When The Paramedics Are Busy With Other People Unaware He Left A Blood Sample Behind.

One DNA Test Brought To You By Paranoid Bat Concerns Of A Possible Red Robin Clone Later And They Find Out That Dannys DNA Matches One Ra's Al Ghul.

They Now Think Danny Is An Escaped Ra's Al Ghul Clone.

Memes For The Vibes:

[heartorbit]

figure skating set right now please. thanks

[everyones-least-favorite-bard]

i have many thoughts on lee gilyoung and kim dokja but i fear i may explode if i try to articulate them fully

there is something to be said in the way kdj and orv as a whole really tends to sidestep lgy. like kdj cares about lgy of course. and orv obviously wants us to care about lgy or else they would have killed him off for shock value or fridged him way earlier than they did or something. and yet he remains in the main story but still on the sidelines

i think there is something very sad to be said about how kdj very openly tends to love on/lavish attention onto sys and like consciously acknowledge that she is, in many ways, his daughter, yet doesnt really do the same for lgy. there is something very sad to be said about the way kdj tends to refer to sys individually, but only to lgy in the collective "kids." there is something very sad in the way kdj saw himself in lgy the first time he saw him on the subway and saw him both as a boy to be saved and a tool to be used and i dont think their relationship ever really recovered from this.

like he cares about them because he doesnt want to be a shitty father-figure but hes a shitty father-figure because he cares. and while sys is saved from the brunt of this to a degree because shes a character so he can just mimic how yjh treats her in worldlines where she's saved and get by on that, lgy doesnt have that kind of support. lgy is not a fictional wunderkid or pitiable, fragile little girl (however true or false that assessment of sys is). hes a snot nosed foul mouthed violent boy obsessed with bugs and death and kdj, i think, knows he ought to care for him but he doesnt know how and doesnt bother to learn and that, i believe, the not-bothering that is, is what truly incriminates him as a shitbag father. hes afraid so he doesnt try and lgy spends 90% of orv being terrified kdj secretly hates him and the worst part is hes almost right

[buggachat]

honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.

i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue

[chloesimaginationthings]

would love to see any drawings/ur design on jeremy fizgerald (if u have any)!! /nf

Been working on a design, can tell me what yall think!

[auxxrat]

so sick and tired of the “jedi are an evil and abusive cult that steals children” as if half the reason they weren’t protecting these children is bc sith were out killing them or TURNING THEM INTO SITH. they weren’t even STEALING children to begin with I thought we all knew that was Palpatine’s game not Yoda’s.

[blorbologist]

Y'know, I think I figured out why the Hells still feel like a new low-level party to me, even though they're level 13 and almost 100 episodes in.

I don't quite think it's the lack of conversations, or the fact half the party's plot hooks are big ties to past campaigns - though that definitely plays a part.

... Bell's Hells still primarily rely on quest givers.

Most of their goals are given to them and do not feel organic to the party, and constantly remind us that the Hells are pretty much never the most powerful people in the room. Which is usually something you see with a low-level party.

NPCs offering jobs is not a bad thing; it's a very common plot hook. Matt has been extremely skilled with using NPC quest givers in those two campaigns. Not only do they provide an obvious plot thread, but they can put the party in the path of others (say, the Nein running into the Iron Shepherds while doing a job for the Gentleman and everything that came of that). And the Hells had a solid start with it too - Eshteross was an excellent quest giver!

The problem is that Bell's Hells have never really not had a quest giver.

Maybe it's a byproduct of the more plot-heavy structure of this campaign? But while prior parties have felt like they decided on their course of action and what they prioritized, Bell's Hells feels less like level 13 (13! Level 13!) experienced adventurers and more like an MMO group clicking on the exclamation point over an NPC's head. Where does the plot demand we go next? Who do we report back to?

They're level 13.

At level 13, Vox Machina had just defeated a necromantic city-state to clear their name and Percy's conscience. And, you know, the Conclave just destroyed Emon. No one was explicitly telling the group to gather Vestiges and save the world (though Matt guided them there), and they were usually among the most powerful people in the room. They chose which Vestiges to prioritize, which dragons to tackle when, even if the over-all plot was pretty clear.

At level 13, the Mighty Nein were celebrating Traveler Con (another PC goal, I'll note) after brokering peace between two nations, accidentally becoming pirates and heroes of the Dynasty. The Nein regularly chose what to do based on personal goals, not grand ones. Though definitely smaller fish than Vox Machina at this level, they were very independent and gaining solid political clout.

While we're at it: level 13 is one level lower than the Ring of Brass, who had a huge amount of sway over Avalir. They ended the world, and also saved it, while in the grand scheme of things being only a smidge more powerful than Bell's Hells are now.

Can you really see the Hells wielding that amount of influence, when they're constantly being told what to do next?

The god-eater might be unleashed, so Bell's Hells have no time to do anything but what is asked of them. No time for therapy unless stolen from Feywild time, no travel on foot and late-night watches. They haven't even had time to grieve FCG. Percy was grieved in the middle of the Conclave arc. Molly was grieved when half the party was still in irons.

Matt is in the very unfortunate spot of not being able to give the Hells the same agency as the other two parties. Not only because of the world-ending plot introduced so early on; they are surrounded by characters they know (and the cast knows) are stronger and wiser than them - the familiarity of the past PCs and NPCs is to their disadvantage.

Why would the party reasonably ignore Keyleth's task that will help save the world and go off on a romp? Why would the cast when they know well Keyleth has to be sensible and with the best intentions in mind? The stakes are just too high.

It means that the Hells still feel like they're running errands instead of pursuing their own destiny. Their accomplishments are diminished as just being parts of a to-do list, and any stakes feel padded by several level 20 PCs/NPCs standing 5 steps away ready to catch them.

This isn't Bell's Hell's fault, nor is it Matt's. It could be amended, I think, if the Hells are really left to their own devices for a long period of time without support and shortcuts (like during the party split)... which would be really tricky to pull off at this point in the campaign.

They're level 13. They're big fish, but they're stuck in a pond full of friendly sharks, so they don't feel big at all.

[autisticrosewilson]

It's not that I hate fanon or that I think fanon is inherently less intelligent or morally wrong, but a LOT of fanon is based in racism, misogyny, and classism that I feel like a lot of you accept without question.

WHY is Duke (Daredevil, son of a god, has never once allowed himself to be defined by anyone's actions but his own) relegated to a background role, only characterized by reacting to the whims of other bats?

Why is Babs - Birds of Prey leader and backbone of the hero society, tells Bruce to fuck off and die 4 times a day and is constantly ruining her relationships by being biased and unhinged - Gotham bound, the mature responsible mom of the group who never argues with Bruce and never gets in trouble?

Why is Dick, both a tactical genius and master manipulator, a himbo only appreciated for his sex appeal? Especially when he is both Romani (group of people demonized and condemned as hypersexual by their nature alone) and an SA victim.

WHY is Damian "feral" and "uncivilized" despite being raised as a literal prince? Half of you treat him like a sociopath with no hope of redemption for an unfunny three second joke and the other half of you go full throttle into Bruce's white savior bullshit so that Damian can be "redeemed". Y'know when you're not villainizing Talia and acting like Dick is his other parent, actually.

WHY is Stephanie - extremely intelligent detective who can't stand Bruce and has a living mother she loves - lumped in as another member of the Batfam, a blonde ditz who only cares about prank wars and emotionally supporting Tim?

WHY is Cass - intelligent, a grown adult, suicidal perfectionist - emotionally intelligent, primarily existing to support the characters around her, immediately accepting of everyone she meets regardless of her own morals?

Why is Bruce the golden standard? Enough so that though everyone in the fandom could agree that he's an emotionally unstable wreck, being considered "the most like him" is seen as a compliment and not the HIGHEST insult? Everyone would agree if I said that Bruce purposely self sabotages his relationship half the time and the other half he simply does things without caring about the emotional impact it will have on people because he has to be the smartest in the room, but if I said that makes him a shit partner and emotionally abusive parent the fandom would bend over backwards to argue with me.

Why is Tim "the best Robin" when Dick Grayson invented the mantle, it is impossible for someone to embody the spirit of Robin better than him because he made it and he created what being Robin means. Maybe Tim is the best in Bruce's eyes, but what Robin means and who has the right to give it over was a significant thing they argued about. Tim the high school drop out, and yet also somehow the smartest? Tim "the most like Bruce" except no he's not, that's Cass. Poor neglected, abused, victimized little Timmy (the rich boy at the elite boarding school with loving albeit busy parents and almost every instance of him being victimized by another character has either been racist bullshit - The Al Ghuls and Rose Wilson- or a complete 180 for the character that made no sense when examined through the lens of prior characterization - Jason for instance.)

Almost every fanon trope that gets passed around like gospel seems to deliberately push POC characters and women into the background and strip them of interesting complex traits and stories, usually for the purpose of fitting them all into bite sized incorrect quote character types and uncomplicated narrative roles that are not only completely divergent from canon, but primarily exist to prop up the two rich white boys.

Also the insistence that Bruce, a 20 year old at the time, should actually be excused for how much he mentally and emotionally fucked Dick up because really they're more like siblings! While deciding that Dick at the same age was actually the perfect candidate to be Damian's new parent/guardian...have you lost the fucking plot you don't even make sense to yourselves.

Okay I lied at the beginning, I do hate fanon. You guys are so uncritical about the media you consume it is BEYOND just letting people enjoy things and have fun. I guess it's one thing if you KNOW this stuff isn't canon and UNDERSTAND why these tropes are problematic and you engage with it as such, it's fine read and write what you want, but just spreading the same nonsense around and parading it around as "better than canon" (version of the character so bland and boring you've somehow made the old white men at DC look like geniuses in the art of representation) is just infuriating.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[floccinaucinihilipilificationa]

[poorly-drawn-mdzs]

Call that a Cave Story.

[First] Prev <–-> Next

[zzzaru]

epic the musical actor AU anyone

Odysseus (Lead Actor): 

talented emotionally complex actor, juggling weight of being the lead while trying to be a good husband and father

he and penelope had telemachus when they were young, and his career took off shortly after, pulling away from family life

trying to reconnect with them while facing his own insecurities about being enough for them

during the scene where odysseus reunites with telemachus, the emotions hit just a wee bit too close to home, which leads to an actual breakdown

stays late a lot after rehearsals, reworking scenes, trying to be a perfectionist

Penelope (Actress)

fiercely intelligent actress, odysseus’ real life wife

balances being a mother to telemachus, acting career, and the occasional media frenzy over their relationship

while she loves odysseus a lot, struggles w the resentment of his absences

tears up during penelope’s monologue about loneliness (hits too close to home 👎)

shares quiet, intimate moments with odysseus between takes (the directors are TIREDD)

Telemachus (Actor)

a young actor breaking into the industry, cast in the musical just bcuz of his parents’ influence

determined to prove he earned his place on his own

doesn’t love being in his father’s shadow, but he looks up greatly to him

love-hate relationship with his dad

emotionally charged performance during telemachus’ ‘confrontation’ with odysseus

is more lighthearted with the rest of the cast, poking fun at odysseus’ dramatic tendencies

Eurylochus (Actor)

one of odysseus’ oldest friends, cast as his loyal (combative) right hand man.

serves as the group’s voice of reason, but his blunt honesty sometimes causes tension

uses dry humor to diffuse tension between odysseus and telemachus but privately encourages odysseus to make amends

finds himself unexpectedly emotional during luck runs out and mutiny

Polites

comedic glue holding the cast together

actually everybody’s favorite castmate

feels overlooked compared to the larger personalities around him

offers emotional support to telemachus after a tenser rehearsal

can keep his eyes open for a concerning amount of time. very good at playing dead?? actually scared his friends during the cyclops scene

Zeus (Actor)

charismatic, laid back veteran actor

mentor/dad figure

LOVES cracking dad jokes, bringing snacks to rehearsals much to athena’s embarrassment

ATHENA’S DAD STILL

incredibly approachable 

competes with poseidon during press tours

Athena (Actor)

fiercely independent (still zeus’ daughter)

trying to prove herself as a director in her own right

perfectionist

cares for the cast and crew, hates showing it

sometimes teases zeus for being overbearing

lighthearted banter with zeus on set

quiet moments where she talks to hera about living up to her father’s reputation

Poseidon

zeus’ brother and self proclaimed ‘cool uncle’ of the cast

charming, mischievous

lightens the mood during long rehearsals

him and zeus = playful rivalry

leads karaoke nights occasionally

bonds with eurylochus over their mutual love of seafood and practical jokes

Hera

graceful and respected actress

unofficial ‘mom’

ready with words of wisdom

helps penelope and telemachus work through their nerves before emotional scenes

scolds zeus and poseidon for goofing off sometimes

Aphrodite

rising star in the acting world

social media sensation

glamorous and confident, but genuinely kind to everyone

posts behind the scenes and blooper reels

teaches telemachus how to handle social media fame

organizes a cast photoshoot to help everyone look their best for promotional materials

Apollo

multi-talented ‘golden boy’ of the cast

known for singing, acting, guitar solos during breaks

effortlessly charming

somewhat competitive (friendly) with ares

challenges polites to a ‘sing off’ during a wrap party, turns into a cast wide jam session

writes an original song for the cast

Ares

high energy

loves keeping everyone entertained

fiercely loyal to his crew. also dating aphrodite

playful rivalry with apollo

surprisingly good with kids

starts a nerf war on set during downtime, with the entire cast getting involved

improvised ‘is she dead’ in god games, everyone couldnt help but laugh

Antinous

charismatic, mischievous, well liked

known for polished performances

naturally confident

relationship with telemachus started through rehearsals bonding over shared family pressure

admires telemachus’ raw talent

fiercely protective of telemachus

on stage chemistry. directors hate them

Hermes

quick witted, flamboyant

hard worker (in his own. way)

flirty. flirts with half of the crew. especially odysseus and polites

never takes things too seriously

sees himself as the ‘glue’ of the cast (he is not, it's polites)

little scenarios i've been cooking up

during god games, where athena and zeus fight physically, i'm thinking one of the props go askew. athena and zeus are fighting in scene, and then one of the props from above suddenly fall, hitting athena in the head, causing panic from the rest of the crew- she's fine of course, she wasnt hit too hard, but panic ensues for everyone, esp zeus and hermes, since athena is family. (athena is zeus' daughter, hermes is athena's brother). and of course the rest of the crew like odysseus, ares, etc)

zeus’ relationship with ares in th is AU is very much like jay’s and mitchell’s from modern family

scene with the cyclops, where the 'cyclops' is supposed to kill polites, when polites is lying there on the ground with fake blood on him he makes it seem a little too real. he gets 'crushed' by the cyclops, and then he rasps out "captain" to odysseus, desperately (acting) like there is dark fake blood dripping from his head, his fake glasses are broken and then his character dies. polites can keep his eyes open for an unnaturally amount of time, and he can make them seem lifeless so after the scene is done, odysseus and eurylochus both go to hug him just to make sure he's there and fine. they cling to him for a bit. polites is very confused, but the hugs are welcome!!

[luna-loveboop]

So one thing I like about Time is that he will talk about his life and journeys

He talks about it! He'll tell the boys stories and answer questions. (...when asked)

Obviously he tells his family- Malon knows everything

But he has also never held back from telling the boys stories or answering questions

I'm still always cackling over him telling them about gerudo town- he is way too proud to brag about being a mischievous gremlin

"I proved to be a greater thief than all of ganons tribe"- oh yeah. He's definitely the good influence. (That's sarcasm, Wars is the one good example for the younger ones.)

He just. He looks so smug to tell them about his experiences with the Gerudo- I love how often we see him just talking to them and answering questions about his life.

Even if it's clearly painful memories- he has still always told them

*sobs*

Obviously Time talks to Twilight the most about stuff- and everyone knows that (to where Sky went to him for questions about Time)

But the thing that get me the most is Wind.

Wind asked about... everything! Wind asked about his first journey and his life- and Time told him

The sheer transition from

"I was wondering... about your original journey"

To

"You told me about your original journey. Everything you said... the sages you described, the old traditions, the old stories- all of it! ...)

And this literally drives me insane because Time told him- Time told him everything! He told him about the sages, traditions- Time literally openly talked to Wind about his first Journey because he asked.

The Hero of Time's story had always been a tragedy- I mean... yikes. Trauma much? But I think people overlook this part of him- that he's older. All the hurt and scars are still there, but he has learned to talk about it to deal with it. And I think I know why- (Read)

Malon Malon Malon Malon!!! Jojo showed this set up for their marriage- Time was and is traumatized. But he and Malon worked to talk through things. I mean. Can you imagine keeping secrets from Malon? I don't want to. I feel like she would throw a cow at me. Anyways.

It takes a lot to work through trauma and learn to talk through it. Malon claimed him tho, so I don't think he had a choice. But seriously- she helped him work through things as family. Which led to a successful marriage for both of them, and got Time to where he can talk about these things with the boys :D

But

Time is a troll, so although he will share his insane life stories.... he will also say he fought the moon with no more context, and tell his wife that they have a descendant but not freaking tell her which one it is.

He's so insane I love it <3

Just don't forget this part of him... don't forget that rather it's sad or goofy or whatever- he will talk about his life. If someone simply asks

:)

.

Art and comic by Jojo @linkeduniverse au! :DDD

@adrift-in-thyme

[baejax-the-great]

If I were a writer at a big game company working on a sequel to a beloved series and the higher ups kept telling me to make the game shittier and kept sending my work back to me to be dumbed down even further somehow, and then once most of the writing was done they laid me and my coworkers off illegally without severance, I'd probably gleefully watch as people trashed the shitty game that shipped.