It actually feels very meaningful when Laudna tells Orym, "You wield a blade gifted by the Voice of the Tempest, why would want this wretched thing?" and Orym pauses for a long second before saying, "The blade's from my family, first."
Whether this was intentional or a slip of memory, Laudna does not know the origin of Orym's sword. She connected it to a gift from a powerful political figure, not from Orym's husband, who gave it to him and is the reason he still carries it as a poignant connection to a lost loved one and also a reminder of what the Vanguard has taken from him and countless others. Paired with her asking him, "Why do you care so much?" and Orym turning to the others to answer for him because he's made it very clear for a very long time why, exactly, he cares so much, it feels telling that Laudna is not actually considering and/or aware of the place he's coming from in this conversation.
They're still there. They're in there. They're in they're body but yet they're so far gone. the infections like a parasite and yet two was trying to fight it, they were scared and they wanted gaty. Not just to protect her but to feel the person that they felt close and comfortable around, and to take them both to the couch, they could've went for anyone. But they went for GATY. they could've killed her but they didn't. There's something so strangely endearing about that. Truly. Even when they're voice is being used to lure gaty in a sense I feel two geniunely wanted to help, they're so far gone, the little details, not just with how they move but with how they SPEAK. they're practically the host for a parasite and yet. They're still there.
I think a lot about how Leo’s rescue could have easily ended in him losing a leg as the portal snaps shut on the Krang still clutching the limb, or, alternatively, only having Leo’s right arm make it out, still held dearly in his brother’s hand as the rest of Leo is left behind. (The latter hits even harder, as it directly parallels his future self in the worst of ways.)
I think a lot about how so many things could have gone wrong during the course of the movie with even a little bit of a change, but it really is harrowing how much of a coin-flip the entirety of the Prison Dimension rescue was.
The people who are addicted to Dems in Disarray headlines genuinely don't seem to understand that many of us actually care more about beating Trump than whatever petty intra-party bullshit they manage to dig up. Some of us take elections and their consequences seriously!
Me when he’s evil, a brat, genuinely unlikable, possible alcoholic, spoiled, has awful taste in fashion, and is high key a whiney little piss baby: 😍😍😍😘😍😘😍😍♥️
I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
official finish-this-sketch-how-you-want post idk what to call thisSAMPLE TEXT
hi! I miss drawing with people in a café and some folks mentioned they'd like to mess with my sketches themselves and that sounds cool so this is now a thing. if u play gartic phone this is basically the complement mode! but without the fucking ring noise that freaks you out right when you're getting into the flow of it
few things are 1/there's no hard deadline! take this at ur own pace if u do, but 2/I'll also be finishing this sketch and I estimate it to take around uhh 3 to 4 days? from the time this is posted. so if that's a structure u like then let's aim for something done in that timespan as well! and 3/if u finish ur piece and post it and want me to see it the best way to do that is to @ this blog! above all we go into this one determined to have fun and enjoy. I already bought u a matcha latte with oat milk sorry if u don't want that
here I got u today a sketch that's supposed to be Riz Gukgak (SY) (grey bg version and transparent version for ur ease of peruse)
remember to have fun & be urself & finish ur drink & see u in 4 or 5