#DEFA

[lalalaugenbrot]

Musst keine Angst haben. Jeder hat mal so angefangen.

Coming Out (1989), dir. Heiner Carow

[flowersinmytimemachine]

Lutz Moik as Peter Munk in "Das kalte Herz" (1950)

[apexpoet]

Paukenschlag (1974) dir. Otto Sacher

[schibborasso]

S T A R S (progress film programm no. 24, 1959)

[forthe-hoard]

So I saw a post on those new Defa Lucy dolls on Temu and got myself one. The face mold is gorgeous, and I love the shimmer around her eyes.

The box doesn’t feature much, just the word BEAUTY and the words MIX AND MATCH. I’m not sure what exactly you’re supposed to “mix and match”, maybe their fashions? The only other feature of the box is the doll’s concept art, which I wish they’d paid more attention to in terms of detail. Her concept art features pink fishnets and black and white sneakers, while the doll lacks fishnets and has plain white sneakers. The necklace could also have been better detailed.

Lastly, the doll itself looks to be of decent quality, though without removing her from the box it’s hard to say for sure. (I don’t think I’ll be removing her from the box.) She’s jointed at the wrists, elbows, shoulders, legs, and knees and possibly the waist, which is impressive.

Overall at a $15 price point she’s about what you’d expect. As a collector I’m most drawn in by the face mold, faceup, and funky hair. The doll is also well articulated and can hold fun poses. I’d recommend her.

Here is the link to purchase:

[rwpohl]

leichensache zernik, helmut nitzschke defa 1972

[schlock-luster-video]

On July 22, 1948, Murderers Among Us debuted in Italy.

[magazinxhaberler]

Işıl Yücesoy'dan Son Bir Defa

Işıl Yücesoy'dan Son Bir Defa

Her yorumunda eserle dinleyicileri arasında adeta metafizik bir bağ kuran Işıl Yücesoy, ” Son Bir Defa ” da, sessiz hüzünlerden çıkıp gelen hatıralara eşlik ediyor. Söz ve müziği Murat Aşkan’a ait ” Son Bir Defa ” da Işıl Yücesoy olağanüstü duyarlı, inceliklerle dokunmuş bir yorumla, zaman ötesi bir primadonna olduğunu  kanıtlıyor yine. ” Son bir defa beni anlasan…yaramız kapanmadan.” Işıl Yücesoy bu yorumuyla da özümüze işliyor, yaşantımıza, terk edilmiş, ıpıssız, gözyaşı kokan günbatımlarımıza dokunuyor usulca. Her notayı, her sözcüğü, sessiz suretsiz her hayal kırıklığını ışıktan bir ayla ile kuşatıyor, erguvan yağmurlarıyla birleştiriyor duyarlılık fırtınalarını…işte, Işıl Yücesoy farkı diyorum ben buna.Ülkemizin tiyatro ve müzik tarihine, adı altın harflerle yazılası bir büyük sanatçı o, ne söylesem bin eksik şimdi.Biliyorum. Hayatımın birçok safhasında onun yorumladığı şarkıları tekrar tekrar, kendi kendimeyken dinliyorum.Hiç belli etmeden beni onarıyor… ” Ne yangınlara şahit oldum…ne görkemliydiler en başında.” ” Son Bir Defa ” tüm digital platformlarda. Haber: Pınar Çekirge / Magazinname.com Instagram: @pinar_cekirge Magazin X Haberler : Magazin Read the full article

[universallyarbiterinternet]

Chris Doerk, Frank Schöbel - „Musik aus DEFA-Filmen“ (Potpourri)

[movie--posters]

[presexpre]

ASEAN Launches Talks on $2.7 Trillion Digital Economy Pact

Bangladesh has a deep interest in ASEAN and this is what our people are very keen to know all about the ASEAN play with its magnitude of the future policy. On Sunday, September 3rd, the ASEAN initiated negotiations for the ASEAN Digital Economy Framework...

Read more at:

[cinematic---monologue]

Leichensache Zernik (Helmut Nitzschke, DDR, 1972) 7/10

Engish Version below

Einer der vergessenen Schätze der DDR Filmgeschichte. Zu Grunde liegt die wahre Geschichte um einen Serienmörder, der in den Wirren der Nachkriegszeit (1948) Frauen erwürgte. Interessant, da es im sozialistischen Deutschland keine Kapitalverbrechen geben durfte - im idealen Gesellschaftssystem gibt es kein Verbrechen. Daher sind auch Kriminalgeschichten eine Seltenheit in der 40-jährigen Geschichte der DEFA. Eine Geschichte zu erzählen, die vor der Gründung der DDR spielt, umging also geschickt das Diktat nur von moralisch - im Sinne der DDR Diktatur - einwandfreien Menschen zu erzählen. Die Machart dagegen ist DDR-typisch, trocken, schlicht, dokumentarisch anmutend und auch ohne wirkliche Spannung. Trotzdem ist Leichensache Zernik ein durchaus interessanter Film, der zum einen eine düsteres Kapitel der Nachkriegsjahre zeigt und zum anderen auch was über das Selbstverständnis der DDR verrät.

English Version

One of the forgotten treasures of GDR film history. It is based on the true story of a serial killer who strangled women in the turmoil of the post-war period (1948). Interesting, because in socialist Germany there could be no capital crimes - in the ideal social system there is no crime. Therefore, crime stories are also a rarity in DEFA's 40-year history. Telling a story set before the founding of the GDR thus skilfully circumvented the dictate to tell only about morally - in the sense of the GDR dictatorship - impeccable people. The way the film is made, on the other hand, is typical of the GDR: dry, simple, documentary-like and without any real suspense. Nevertheless, Leichensache Zernik is a thoroughly interesting film, which on the one hand shows a dark chapter of the post-war years and on the other hand also reveals something about the self-image of the GDR.

[apexpoet]

posters for Das siebente Jahr (1969) dir. Frank Vogel

[hayalleriminardinda]

4 Kasım 2022 / "deniyorum,ama"

Seni şeytanlardan aldım,meleklere veriyorum

14 Temmuz 2023 / "Bıraktım"

Bıraktım seni,bugün de şeytanların eline

[moltoberlino]

Il rapporto tra cinema e censura nella Repubblica Democratica Tedesca.