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thebibliomancer · 4 years ago

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Essential Avengers: Avengers #228: TRIAL and ERROR!

February, 1983

AT LAST! The trial of Yellowjacket!

Its been over a month in-universe and about a year out of universe but here we are. The Trial of Hank Pym.

Although the time getting here was mostly farting around with other stuff while Hank sat in prison. Can you believe Scott Lang is the only person we see visit him?

The Avengers found time to experiment on an immortal child who thought jumping into the sun was a good idea but not to visit Hank?

I’m not saying that Jan should have had to put herself through that and Tony is clearly feeling too guilty over the whole thing. But Cap didn’t visit? Hawkeye didn’t? Mr. Lets Bust Hank Out?

Possibly they did off-screen. The Hank arc has been kind of suffering from Shooter’s inability to balance writing and EICing. I feel that if redone, there would be more to the arc.

Anyway, the trial!

We skipped the first two days. Its the third day of the trial now.

The graphic guy went above and beyond for that Sad Composited Hank graphic.

I like the AN AVENGER’S DARKEST HOUR thing.

I also like the setup for recapping the necessary details.

Ex-Avenger attempts to heist the government would be big news so all the information is conveyed as this news report.

INCLUDING COURTROOM SKETCHES

God, that’s good.

That’s good comicing. Amazing.

Look at Thor in a courtroom sketch. Superb.

Look at that cheesy graphic for the coverage. Does anybody in Marvel even use a domino mask?? Everything about this is amazing.

People may say that Frank Miller revolutionized using media talking heads for social commentary in his comics. Maybe. Maybe so. But how many courtroom sketches did he include? Huh?

So apparently the reason why we’re on day three of the trial is that days one and two were entirely debates over whether Hank was even fit to stand trial.

I’d’ve thought they would get that out of the way ahead of time.

And Hank wants his day in court. So who was arguing he wasn’t fit to stand trial? The prosecution?

Apparently, the prosecution tried to argue that Hank’s history as a hero made his crimes more heinous, as a legal argument.

Which, uh? Um? Uh?

The defense objected that this was prejudicial but they were overruled.

The news recap ends when She-Hulk turns off the television angrily for reminding her of her legal career.

She-Hulk: “Leeches! I haven’t met Henry Pym, but he can’t be the creep they’re making him out to be! And that prosecutor -- ! I know it’s his job, but do they all have to be sanctimonious?! I hated that when I was a practicing attorney, and I don’t hate it any less since I’ve become She-Hulk!”

Reminds me that her nemesis in her original Savage She-Hulk book was an Assistant DA called Buck Bukowski who was a real sexist douche.

He mellowed out over the course of the book, mostly by learning that a death he blamed She-Hulk for was sorta his fault, but I wonder if she left LA so she wouldn’t be tempted to throw him out to sea.

She-Hulk is also still super bored (in New York??) and wanders downstairs to see if anyone is up to anything interesting.

Downstairs in the gym, she finds that the Caps are training.

The Captains America and Marvel.

Cap(tain America) is doing some combat training with Captain Monica Marvel.

This will not be at all confusing to have them on the same team.

Anyway, this training sequence is amazing so lets just have it all:

Cool stuff, Caps.

The training has to be cut short because Cap(tain America) has a prior commitment but still good stuff.

She-Hulk applauds Captain Marvel’s showing but Marvel waves it off as thanks to Cap(tain America)’s training. Which Cap(tain America) waves off as thanks to her being a quick study.

Its like a self-perpetuating modesty loop in here.

Cap excuses himself to go to his prior engagement.

Captain Marvel: “It’s easy to see why he’s called a living legend! He’s very good! And his grasp of strategy is second to none!”

She-Hulk: “Yeah, he does pretty well for a guy with no powers, but I could take him!”

What a this era of She-Hulk thing to say, She-Hulk.

Captain Marvel tells She-Hulk hey maybe not! Cap has stood up to some pretty tough customers, including Jen’s cousin the Hulk.

Which She-Hulk didn’t know!

Y’know, after Bruce (or recently implied to be Joe Fixit Actually??) started Jen’s origin story, the Hulk has not much further relevance in the Savage She-Hulk book. Jen doesn’t even give any indication that she’s keeping up with his exploits.

Not surprising, since the book was trying to be its own thing. And Jen’s life just starts to implode not very far into her solo so she doesn’t have time to also worry about Bruce.

Captain Marvel mentions that all of Cap(tain America)’s run-ins with the Hulk are recorded in the Avengers computer archives and She-Hulk concedes she should give that a look.

Hey, she finally has something to do in New York!

Captain Marvel also tells She-Hulk that she’s going to head home.

She-Hulk: “You have a place in the city?”

Captain Marvel: “Not this city... New Orleans.”

She-Hulk: “NEW ORLEANS?!?”

Captain Marvel: “Sure! It’s a snap to commute -- when you can travel at the speed of light! Take care!”

And then she nyooms off!

NYOOM!

It’s a good point! I hadn’t considered it but yeah, Monica can just commute. No need to uproot her life to become an Avenger.

I guess that’s why the decision was so easy for her to make.

She-Hulk is still at the window, wishing she could lightspeed to Malibu, when Thor and Janet arrive from court.

Janet thanks Thor for coming to court with her. Which he says no big to because “Time given to one’s friends is well spent. Would that I had given more time to poor Henry before this.”

You’re a cool guy, Thor.

The mention of Hank has Jan break down a little.

Jan: “Oh, Thor! Why has this happened to us... to all of us? We’re Avengers!”

Thor: “But still we are human -- aye, even a ‘god’ such as I! None of us are immune to wounds of the spirit. We err... we misunderstand. Janet? Is there anything more I can do?”

Jan: “No! No... I’m all right! We mustn’t dwell on the past. The future’s all that matters!”

Thor: “But...”

Jan: “I don’t want to talk about it anymore!”

Geez.

We’ve seen how affected the Avengers have been by what Hank has done and what they think he has done. We’ve seen Jan is more messed up by it than the smile she puts on lets on.

But the plaintive questioning of how this could be happening to the Avengers still hits hard.

Thor respects Jan’s wish to end the discussion to the frustration of She-Hulk who has been watching this conversation from the upstairs window.

She’s frustrated that Jan won’t just let it out, that Thor just let the subject drop.

She-Hulk: “It’s that blasted Avengers’ tradition of ‘respecting the privacy of members’ personal affairs.’ The founding members carry it too far! Can’t they see how it hurts them? And Jan -- ? Why does she hold in all that grief and heartache? Why doesn’t she cry and scream and shout and get it out of her system?!”

Jen and Jan are two very different people!

But She-Hulk, and Hulks generally, are about letting your feelings out. And Jan van Wasp has long been about playing the flighty sprite.

I’d crack joke about She-Hulk being this invested in the drama of the Avengers already but Jan is her friend. They presumably went car shopping together.

And She-Hulk has very few friends and almost zero female friends. Her one female friend died in a convoluted car accident and then She-Hulk mostly had a male supporting cast. Thank goodness she’s here on the Avengers with its two whole other women.

Meanwhile, at Stark International, Cap(tain America) has come to pay a visit.

He hasn’t been able to reach Tony in days. And Tony’s secretary told him that Tony has locked himself away in his private lab and that he doesn’t want to see anyone.

But if he didn’t want to see anyone, he should have thought twice about making it so that the security system will let in any Cap that flashes an Avengers ID.

Cap is particularly worried because of that nasty argument they had about Tony dating Jan. Tony has been pretty down since they broke up and Cap doesn’t want to see him fall apart like Hank did.

And.

Tony is. Doing. Maybe not okay.

He’s sweating a lot and unshaven and monomaniacally focused on a project.

Cap finds him holding up an enormous piece of machinery and doing SCIENCE.

This is the final evolution of Tony’s guilty conscience regarding Hank Pym.

Iron Man: “Remember how Moondragon used her mental powers to mess with our heads? Well, it’s my theory that she’s responsible for Hank’s recent troubles! I aim to prove that with this cerebral scanner! This baby should tell us whether or not Hank did the crazy things he did because of some outside mental influence! I hope I’m right!”

I mean, he raises a fair point! I don’t think its the case because what would it have benefited Moondragon to make Hank do what he did? And if its an inadvertent thing, she mind controlled a lot of people when the roster change-up was happening back in #211 so why did only Hank get affected? Plus, it doesn’t really match up with what both Hank and Jan have been saying about his behavior deteriorating before then.

But, Tony is going to Tony. And he, like many fans and writers and editors, just want a simple nonsense explanation that can make a distressing thing go away.

Cap points out that the ginormous machine can’t exactly be dragged down to the courthouse but this is just the prototype. Tony is going to have a miniaturized version ready by Monday.

Cap: “I see. Tony, how long have you been up?”

Iron Man: “I don’t know... 30... 40 hours, maybe. What difference does it make?”

Cap: “It makes plenty! You’ve had some rough sledding lately... You can’t keep on driving yourself this way!”

Iron Man: “But I have to do something for Hank. I feel that I let him down... In so many ways.”

Cap: “You can’t help him if you kill yourself in the process!”

Tony is going to Tony. I think that in some ways he might have a more overdeveloped guilt complex than Peter Parker or Matt Murdock.

For Reasons, I’ve taken a look at how things are going in the Iron Man book around this time and oof. Poor Tony.

Over in Leonia, New Jersey, Vision and Scarlet Witch are watching the trial coverage on the news and-

Okay.

1.) How do you make watching the network news so moody and dramatic, Vision? Do you ever actually relax?

2.) Do you two just wear your costumes around the house? Surely you must have other clothes? Vision? Do you have other clothes?

Some other stuff is that Wanda has been holding up Jan and Hank as the ideal marriage so this whole thing has been weirding her out. Although Vision has had a less rosy opinion of it, having been there for it with all of the marrying the split personality nonsense involved.

Although I don’t know why issue #68 is referenced. I don’t think that had anything to do with anything. Issue #60 is where the wedding happened.

Bet whoever put that caption wishes they had access to the internet.

I kind of wish we got more stuff like earlier, got to see Avengers not currently on the team and other heroes that worked with Hank Pym reacting to his disgrace exit from the team and then arrest. Wish we could have had Vision and Wanda try to visit him in jail.

Meanwhile, Long Island Sound.

A LOCATION OF EVIL

A suited man arrives and knocks on 13308 McKinley.

He is Dr. Chen Lu and he is expected.

Moonstone/Dr. Karla Sofen meets Dr. Chen Lu at the door and shows him in to the secret science basement where Egghead is running an experiment with the latest scientific equipment that can be begged, borrowed, or stolen.

I’m figuring... mostly stolen? Right? Like Egghead’s plan was to steal all the resources he needed? Because, ugh Effort?

Moonstone interrupts Egghead to let him know Dr. Chen Lu has arrived and Egghead is thrilled! He rushes from his seat to shake his hand.

And the sentiment is returned by Dr. Chen Lu who is eager to join Egghead’s project.

Y’know, Egghead is a jerk and is stealing all of his resources but his project will hugely improve medical science and he’s getting criminal scientists off the street and into some actual science jobs they can be excited about.

Dr. Chen asks how Egghead isn’t dead because he was pretty sure he was told Egghead was dead. And Egghead sure has a tale to tell!

In Defender #43, Egghead set up Cobalt Man to reach critical mass and explode to distract the Defenders so he could steal a magical star. When Cobalt Man found out, he was pretty pissed and decided to blow up Egghead.

Egghead: “We had a bit of a falling out, you might say... and he ended the situation most dramatically. Witnesses actually assumed we’d both perished. In actuality, I had been teleported by an experimental mechanism to relative safety in the New Jersey swamps... and unlike death, one can usually return from the state of New Jersey!”

Damn, Egghead! Criminal genius that you are, you’ve found the only New Jersey joke I’ve ever laughed at! Fiend!

I think its the glasses adjusting what does it.

Anyway, Egghead’s and Dr. Chen’s cool conversation gets interrupted by Tiger Shark and Shocker bursting through the ceiling fighting.

Beetle flies in after them and apologizes for the mess but says ‘really Shocker had it coming, man, fuck Shocker.’

Beetle and Moonstone jump in to separate the two.

Hey, you might be wondering how the Masters of Evil are out of jail when last time we saw them was getting arrested after attacking the Avengers like dumbasses?

Check that panel where Iron Man is lifting a really heavy thing. There’s a news broadcast about a bunch of prison escapes. Good job on the same issue setup, Stern!

Shocker complains that Tiger Shark called him a two-bit hood but Tiger Shark says in his defense that Shocker IS a two-bit hood (Not inaccurate...) who nearly screwed up the isotope heist. But Egghead says that Shocker is an important part of the operation.

Then Tiger Shark notices Dr. Chen Lu and says a slur.

C’mon, guy. Don’t be like that.

Dr. Chen Lu: “Speaking without thinking seems to be second nature to you, Tiger Shark. In the interest of our future partnership, I shall excuse the insult to my race... this time! But I warn you, do not use that word in my presence again, or you shall answer to -- THE RADIOACTIVE MAN!”

Tiger Shark hurriedly says that obviously he didn’t mean to offend. Because Dr. Chen Lu Radioactive Man fwooshed into his green skin (dammit comics whats with you and Asian people and green skin?) radioactive form and costume.

But with Radioactive Man on the team, the Masters of Evil are finally complete and ready for the next step of EGGHEAD’S BOLD PLAN.

Meanwhile, Hawkeye returns to his apartment from his day job, kind of looking a steady paycheck in the mouth. Sure the big wad of bucks is nice but its sooo boring. Thank goodness he has Avengersing to keep things exciting.

He then sings a short bit about “Best of both worlds -- !” because Hawkeye.

Hawkeye sees the news broadcast about the Hank Pym trial and even though he hasn’t been called to testify (because he wasn’t part of the team when Hank was caught with his hands in the government’s cookie jar) he figures what the heck, he’ll go to the trial anyway to show moral support.

And he does! In full costume!

In fairness, so are Thor and Captain America.

I guess Captain America and Hawkeye don’t have publicly revealed identities. But they couldn’t have thrown a suit on Thor?

Please put Thor in a suit. For reasons.

She-Hulk and Wasp are wearing nice court clothes.

Although She-Hulk seems uncomfortable in her nice court clothes.

(By the by, She-Hulk showing up at all makes Hawkeye warm up to her a little, since he figures that in her own way she cares about being an Avenger as much as he does.)

By the way, notice who wasn’t in that picture? Hawkeye leans over to whisper to Cap where is Iron Man? Annnnd Cap thinks maybe he just got wrapped up in his cerebral scanner project.

At this point in the trial (day 4), Hank has finally been called up to the stand to testify on his own behalf.

So, of course, given Hank Pym’s luck, the courtroom explodes.

What a dynamite conclusion to this arc!

The Masters of Evil (Moonstone, Radioactive Man, Tiger Shark, Shocker, and Beetle) jump into the court through the exploded ceiling, grab Hank Pym, have Shocker blow up the load bearing wall, and then run out while the Avengers are distracted holding up the entire ceiling!

An action scene fast enough that I can believe, yes, the Avengers didn’t have time to react to it before it happened.

But Thor is strong enough to hold up the ceiling, so Wasp orders Cap to get the crowd to safety and has She-Hulk and Hawkeye follow her to go after the Masters.

Cap: “Jan’s really coming into her own as group leader! Even Hawkeye’s snapping to at her orders!”

Good. I’m glad that people keep telling me that Wasp is doing a good job as Avengers leader.

Seriously. Given the way that the Avengers book handles teamwork and the idea that the Avengers even have a leader sometimes, I’m glad that the book is explicitly conveying that Wasp is doing good.

Hawkeye net-arrows Tiger Shark, She-Hulk tackles Radioactive Man, Wasp confronts Beetle, and nobody confronts Shocker because its just Shocker.

Beetle scoffs at Wasp trying to stop him but has to eat his words pretty soon. Her Wasp stings being souped up in this recent stretch of comics hasn’t stopped being a thing.

Beetle: “Ow! Maybe I was the one who spoke too soon! Even with my armor, I can feel a little of the Wasp’s bio-stings! If I can’t shake her, she might blow my micro-circuits!”

Very glad that Wasp continues to be an effective fighter in her own right and not just the distraction ‘fly around and pester people.’

She-Hulk just throws Radioactive Man out of the panel, mocking him for being green as her without any of her sweet moves.

Tiger Shark wants another go at She-Hulk after the way she stomped him in #222 but.

Oops guess I shouldn’t have mocked Shocker. Since he was ignored, he can sneak up behind She-Hulk and use HIGH INTENSITY VIBRO-SHOCKS to rattle her bones to dust.

Except, no. I should have mocked Shocker, a little.

Because even though the HIGH INTENSITY VIBRO-SHOCK rattles She-Hulk so that she chatters out “T-t-think a-a-again, y-y-you w-w-walking q-q-quilt!”, she grabs Shocker’s hands and holds him up in the air for Hawkeye to short out Shocker’s gauntlets with a couple of magno-volt arrows.

Shocker crumples, confused because one of the other Masters was supposed to be covering Hawkeye.

Radioactive Man tackles She-Hulk so She-Hulk just belts him away.

So Radioactive Man concedes, well, okay, She-Hulk is stronger than him. But brute force and being green aren’t the extent of his powers. He’s also radioactive, radioactive.

He hits She-Hulk with a controlled burst of gamma rays, which shifts her back into Jennifer Walters.

Hey, Jen! First time you’ve appeared in this book in this form.

She’s less than pleased. In fact, she starts screaming “No! Not this!!” and begging someone to help her.

Thankfully, the Masters put her out of mind as not a problem anymore.

And the dominoes fall.

Tiger Shark smacks Wasp out of the air, freeing Beetle to blast Hawkeye. And nobody can stop Moonstone from nerve pinching Hank Pym and pulling him into a truck.

Thor and Cap run out of the courthouse, presumably having gotten everyone to safety.

Thor: “Ho, villains! You’ve not won the day yet! Not as long as a single Avenger stands!”

Thor do what Thor do and what Thor do is throw Mjolnir.

Exceppppt its at Radioactive Man and Radioactive Man can still deflect Mjolnir with energy fields. Radiation can do that. Mjolnir doesn’t exist in real life so we can’t prove that radiation can’t do that.

Radioactive Man deflects Mjolnir right at Captain America. He gets his shield up in time but it still knocks him on his ass.

The Masters all book it into the truck while the Avengers get to their feet.

Wasp orders Hawkeye to shoot out the tires to the truck. But before he can and before it can be fruitless, a getaway truck explodes out of the truck and flies off more quickly than the Avengers can chase.

And by “the Masters all book it into the truck” I mean, “except Shocker” because they ditched him.

With the Masters escaped, Wasp turns on the shocked Shocker and rips off his mask and demands he tell them where the Masters are going.

But the shocked Shocker is too shocked to answer. He seems out of it, really.

So Wasp changes the question. Who is behind this? Why did they want to kidnap Hank Pym?

Shocker: “Why? It... it was his idea! Dr. Pym’s idea... He arranged for us to free him!”

DUN DUN DUUUUU- no wait we know thats not it

whats your game shocker

Sometime later, Hank Pym wakes up in Egghead’s lab. And, of course, immediately leaps up to kick the shit out of Egghead as soon as he sees him.

Alas, Tiger Shark holds him back.

Egghead: “Don’t restrain him too tightly, Tiger Shark! He’s of no use to us injured!”

Hank Pym: “I’ll ‘use’ you, Egghead! You’re responsible for ruining my life! You manipulated me into stealing that government adamantium... and set me up, when your scheme failed! You’re mad if you think you can make me help you now!”

Egghead: “Pish-tosh!”

Good rejoinder, Egghead.

God, this also cracks me up.

Egghead says that he’s in the middle of a great experiment and that he needs the world’s greatest biochemist, Hank Pym.

Hank is still on the ‘why the hell do you think I’ll help you, I hate you so much.’

So Egghead has the tv turned on.

Anchorman, Non Burgundy: “... Authorities were stunned by the news that Dr. Pym had planned his own abduction! The Avengers refused to comment on the Shocker’s confession, but polygraph experts confirmed --”

Egghead explains that Shocker was a patsy. His gauntlets were secretly rewired with special circuits that brainwashed him into believing what Egghead wanted him to. So thoroughly that it fooled a lie detector.

Egghead: “As far as the world is concerned, Henry, you are now most assuredly a criminal. No one will believe otherwise. Not the police... not even your former friends. You have no one to turn to in this world... except us! Join the Masters of Evil, Henry! We will give you a new life!”

Hank Pym: “All right... I’ll do it!”

DUN DUN DUN!!

Wow, so I guess Egghead wasn’t just being petty. He was also systematically destroying what little was left of Hank’s life to force him to work on SCIENCE project with him.

Proving his innocence and ‘getting his dignity back’ was all Hank had left to him.

Geez, sucks to be Hank Pym!

Psst, follow @essential-avengers? Like and reblog?

#Avengers #Egghead #Masters of Evil #Hank Pym #the Wasp #She Hulk #Hawkeye #Thor #Captain America #Captain Marvel #monica rambeau #Iron Man #not doing so well #essential avengers #essential marvel liveblogging #SUPERHERO LEGAL DRAMhaha just kidding it gets interrupted #lot of interesting trajectories the avengers are going on in this issue #so far so good on the Stern run

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veridium · 5 years ago

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fuck it, queer meta.

About a year ago I wrote one of my first and largest meta posts about why I consider Cassandra a prime example of queerbaiting despite her being a character who explicitly says she is heterosexual. This lead to quite the day of inbox hate mail from people throughout the fandom. Most were upset I used the “q slur” and left it untagged as such in the big DA meta tags. I can imagine for those folks, the substance of what I had to say mattered little as a result.

I deleted most of those messages and my responses soon afterward. They upset me greatly even as I took it all in stride. However, given that it’s been about 365 days since that fiasco, and some interesting events have happened with regards to current and former DA writers, I thought it would be “fun” to write a recap and reflection on why, generally, I still feel the way I did when I wrote that post. With some changes and growth, of course.

The gist of it is, as we have come to learn in past, recent, and ongoing discourses in fandom, that much to the chagrin of a lot of folks in this fandom: BioWare, and in this instance DA writers, are not your SJW Icons. Furthermore, they never should have been, or should be, considered as such.

The gist (part two) for me, is: for as much as diverse characters, worlds, and societies are being uplifted by Games these days, the counterbalance of bullshit is still there. And I think it survives most sturdily in the kind of logic the BioWare writing culture throughout the years. This sense of egalitarian, “of course” logic, that appears to make socially deviant identities normalized but really just falsely positions those identities as meant to be in lock-step with the norm. Representation to gaming, and most of media writ large, all-too-easily falls into the trap of “we want what the privileged have,” which it to say, we want our existence to be a no-brainer, even if it means we lost the essence of why our stories are so profound, important, and necessary to do justice.

I really can’t imagine accepting the way characters like Cassandra were written because I don’t accept the writer(s) who wrote her. Why?

Come with me, and we’ll be, in a world, of pure fuckery...but with citations...because I’m an Academic and that’s my roll.*

*Please see tags for pertinent content warnings before clicking.**

**if you reblog and tag this shit with “q slur,” I will take all the reserves of understanding I have as a DA fic writer for all of the enraged womxn in the series and express it accordingly. And, as a femslash-oriented author, I can promise you: that expression will be consumptive.

Hm, I wonder, what with the predominant writer for her character inquires on Twitter for “lesbian fanfic porn” recommendations for writing “research,” but seems to be unable to hire appropriate creatives to write, consult, etc. for the project.

Or that the writers room made, and continues to make, space for a writer who continually does Black and queer characters dirty with his mediocre-at-best work, in both game and novel form (because, plot twist, he’s a shit writer) (1) (2) (3).

Or that the writer’s room, and specifically Ga*der, attesting that the development of the Qunari was based on Arab cultures around the time of “Medieval Europe,” which is somehow his way of getting out of the thematic botching of the Qunari language, social structure, etc. from Islamic tradition.

Or, the writers who intentionally shaped the story so that Vivienne, one of the limited number of Black women characters in the entire series to have a role as an ally, to be a red herring of an distrustful and conceited antagonist, to the point where her treatment by fandom has been incredibly racist, heinous, and lazy for years.

These are a few of MANY reasons, with thorough exposition, why the veneer of “progressive inclusion” studios like BioWare claim to be authentic. Having “diverse” writers in the room -- and I’m using that word incredibly tenuously here -- didn’t change the result of any of these harmful scenarios. In fact, it created them. This, combined with the tale as old as time: toxic fandom culture with white, anglo-centric, cisheterosexual masculinist ideals at the fore, have gotten us here.

So, do I hold all of the reasons why I am angry about Cassandra’s character writing the same way now, as I did then? No. Certainly not. In fact, there are parts where I would correct myself. On the other hand, the thesis for me remains largely preserved: I revile G*ider, I revile that he gets the accolades he does by fandom for his “diversity” of characters when he exploits, erases, and uses slippery morality to get out of admitting he has shortcomings in his work. I hate that the exaltation for representation still funnels itself onto the heads of white writers and predominantly white-staffed studios.

And, underneath it all, I am mad that some of ya’ll see no problem with that. Because what does it matter, if you do not come from communities, cultures, and coalitions that get the brunt of this misrepresentation? What does it matter if it angers a lesbian fan that the writers who have a long history of misusing and conveniently copping themselves out when they write women and queer characters, seem to use that “expertise” as permission to do what they are supposedly combating?

G*ider, the hero himself, is on written record saying that it should not be second guessed as to why Cassandra is straight, just as he thinks it should not be second guessed that Dorian is gay. Yet, when he asked on Twitter if there was some moral significance to people modding character’s sexuality (in this specific instance, Dorian, actually), G*ider said that in the end, people’s mods “do not change” what he wrote, and that unless they claim their changes “supercede” canon, there’s no harm done.

So, really, I’m just over here like -- is this ya’lls hero?

Why in the fuck would someone be modding a gay character to be bisexual or heterosexual, if they didn’t somehow believe that version “supercedes” the canon rendition? Secondly, where is the attention to the fact that, in an ensemble of multiple romanceable characters, Dorian has to be the one that has to be sexually and romantically accessible to those outside of his canonical realm of attraction?

I mean, for fuck’s sake, it’s the whole virtue grounding his companion side quest, the fact that he is estranged from his Father who tried to magically change his orientation! This is a crucial part of Dorian’s entire journey to serving the Inquisition, and serving Tevinter as a dissident.

But, you know, it doesn’t change what G*ider wrote. And he’s correct, it doesn’t change what he wrote, which he got credit, money, and esteem for. It doesn’t change that if you load up the base game, Dorian’s gay. In G*ider’s head, that is the protective force: the parts where he has ties, and not the culture of the fandom, the culture the fans who helped fill his pockets from that game have to dwell within. This isn’t revolutionary, this isn’t good-faith representation. This is getting a piece of the rotten-sweet pie and saying “let bygones be bygones, you toxic, funky heteronormative assholes!”

But, where are my manners. I’m getting heated, aren’t I?

Basically, if you condemn queer fans for calling out queer bating -- or any marginalized fan for throwing up the alarm for bullshit -- and your first reaction is to side with folks like G*ider who got theirs and said screw everything else, fuck off. Literally, fuck off. I call Cassandra’s circumstance queerbaiting because she’s one example of writers getting their cake and eating it, too. If they are so aware of just how much of their fanbase is marginalized folks, they don’t get to say they don’t have fingerprints on things like queerbaiting. You don’t get to be acclaimed and excused for the shit you say you are combating, which is the source of that acclaim. And if your claim is happy ignorance, then you definitely don’t get to blithely equivocate when fans do ask you why the story happened the way it did.

I also just want to keep in mind here that there’s a deductive conclusion to be had about this, given how La*idlaw explicitly stated they endeavored to make Cassandra extremely hot, “really enticing.” That conclusion is:

(1) Either they aren’t/weren’t nearly as attuned to their queer audiences as they generally claim to be, or

(2) They were, and had no intention of developing compassion or empathy passed G*ider talking out of his ass about why Cassandra was developed as straight. Which, ultimately, does coincide with conclusion (1) more than not.

No matter what, the contour to the conclusion is: wow, a taste of nauseating objectification, in the BioWare writer’s room. Who knew!

It’s no wild accusation to make to a writer like him and his colleagues, that they don’t know how to handle sapphic, wlw, and/or queer-related storylines, especially with women. Especially when the answer seems to be, “well, it was decided before I took the lead, and in any case, why question it! You wouldn’t question a gay character’s orientation!”

But that’s just it, you complete and utter turnip. People did question Dorian’s sexuality. People do question Dorian’s sexuality. That fantasy world of equal bearings is as insincere as it is out-of-touch. And why not, when, as you said,

it doesn’t change what you got paid for.

The ethos seems to be crudely reflexive: people’s phobic interpretations and alterations of the canon do not matter, but then again, why would you even question why a character is straight? Why would you question my narrative vision, in all of its beautiful shittery?

It’s all a game of dodge, ya’ll. Dodge, dodge, dodge. With a strong and acidic dose of vanity.

So. In summation, folks: I could care less for your false equivalences. I could care less about my contribution of queer content fucking up your good time in the meta tags. Obviously you aren’t there to actually engage in creative, exploratory thought, so why bother reasoning. There is more to the possibilities of queerbaiting than stringing along a could-be, would-be, should-be queer storyline directly. There’s knowing your audience enough to exploit your good graces with them. There’s benefitting from a charade of liberal progressive clout. There’s the ability to foresee that queer people will cathect to a given character, and not only denying an experience they could have, but denying it so harshly that the character says they can’t love yours because you’re female.

And I am so, so, so sick of these people continually enriching themselves off of the “nobody’s perfect” grace. To me, that grace is the promise of good faith, and the intention to do right by people. When that isn’t there, the grace isn’t going somewhere where it’ll be appreciated, that it will be nourished by. I mean, fucking hell, people, this is rainbow capitalism: don’t you taste it?

That’s that, then. “Cassandra and Queerbaiting Rant,” one year on. An extra dose of salt, just for the haters.

#da meta #cassandra and queerbaiting rant #one year reflection?#yeah #so #queerbaiting #cassandra pentaghast #bioware critical #bioware bullshit #cw: lesbophobia #cw: homophobia #cw: queerphobia #cw: discussion of Dorian's experiences with his family

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deadcactuswalking · 4 years ago

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REVIEWING THE CHARTS: 14/11/2020 (Ariana Grande, Little Mix)

We’re in a similar situation to last week where despite two massive albums – Little Mix’s Confetti even debuting at #2 on the album chart behind Kylie Minogue’s Disco (which was unprecedented but completely understandable since Kylie is massive here) – are both released, but there’s a very muted impact on the chart, mostly because of silly UK Singles Chart rules. In fact, you could argue there’s more impact from smaller releases from Giggs and The Kid LAROI, but that’s just how streaming goes. Since this chart doesn’t include radio, hip-hop has more of a chance in many ways to debut on the chart than the type of pop Kylie makes but its longevity is seriously impaired. Also, ageism doesn’t exist on the albums chart but on here it is in full effect. Regardless, we have 12 new arrivals, mostly from the aforementioned artists, so let’s start. Ariana Grande’s “positions” is still #1 – you can chalk that up to lack of competition – and welcome to REVIEWING THE CHARTS.

Dropouts & Returning Entries

Before we get to the songs debuting on the UK Top 75 proper this week, let’s have our brief little musical rundown, starting with the drop-outs as there were a fair few, namely “Go Crazy” by Chris Brown and Young Thug (a pretty damn big hit for the both of them), “West Ten” by AJ Tracey and Mabel (again, a very big hit, one of the biggest of the year making its exit), “Only You Freestyle” by Headie One and Drake lasting longer than I expected or it probably should have, “Loose” by S1mba and KSI leaving perhaps prematurely, “808” by Da Beatfreakz, Dutchavelli, DigDat and B Young, “5AM” by M Huncho and Nafe Smallz (Thank God) and a couple of our high debuts and returns from last week, like “motive” by Ariana Grande featuring Doja Cat – but we will see more of Ariana today – and the charity single “Four Notes – Paul’s Tune” by Paul Harvey and the BBC Philharmonic, as well as all three of the returning Halloween tracks, including “Thriller” by Michael Jackson. Oh, yeah, and as anyone could safely predict, all of the Bring Me the Horizon songs are gone, even “Teardrops”, which means we officially have 100% less metalcore on the chart, and I’m surprised to say I’m genuinely disappointed. In terms of returning entries, we have “Before You Go” by Lewis Capaldi making a return to #71, “All I Want for Christmas is You” by Mariah Carey re-appearing for the first time this year and remarkably early to #60 and some returns from album boosts, those being “Magic” by Kylie Minogue peaking at #53 and “Happiness” by Little Mix doing the same at #43. The biggest fall this week was “Ain’t it Different” by Headie One featuring AJ Tracey and Stormzy dropping out of the top 10 to #31, probably because it had its streaming numbers cut as many songs do after they’ve reached more than 10 weeks in the top 40. The biggest gain however was for “SO DONE” by The Kid LAROI just missing out on the top 40 at #44. I can honestly see this becoming huge. Oh, and “Whoopty” by CJ is now in the top 40 at #39. Joy... Let’s just get straight to these new songs.

NEW ARRIVALS

#75 – “WITHOUT YOU” – The Kid LAROI

Produced by Blake Slatkin and Omar Fedi

So this kid LAROI released an EP that attaches to a mixtape he released earlier this year, Frick Love, which has been reissued as a sort of deluxe edition, without there even being a debut studio album to reissue, just a mixtape. Either way, this new hybrid deluxe version, repackaged as Frick Love (Savage), has been considerably more successful than the original mixtape so far, probably off of the back of that “SO DONE” single. Awful cover art aside; I did not listen to this project because I am not interested at all in some Australian emo-rapper’s EP, especially if it’s going to Marshmello, Machine Gun Kelly and YoungBoy Never Broke Again on it. This kid LAROI said that this is his favourite song off of the release because, and I quote verbatim: “I just like it, I don’t know, it’s kind of, dude, I don’t know, it’s a little different, it’s like a little, uh, acoustic vibe, uh, I just like it.” It’s nice to see this new generation of musicians be so articulate. Well, this is a pretty trite song with rote acoustic guitar strumming that is pretty conventional of softer emo-pop, but this song doesn’t come with infectious choruses, emotional bloodletting or even more than a single verse. Instead, it’s just absolute garbage with a guitar riff I swear I’ve heard before. There’s no development to this increasingly exhausting ballad other than this kid LAROI crooning and moaning in a pathetic Auto-Tune falsetto some clearly misogynist lyrics that he only picked up from Juice and other rappers. This kid shouldn’t care about making wives out of hoes, he should be studying. I’m almost offended by this on a personal level, or at least the principle that this kid at seventeen years old could go on about heartbreak that probably didn’t happen and use it to excuse and disguise clearly lazy, sexist lyrics. At least with other emo-rap it feels genuine and angsty. This is just disposable garbage that his audience will eat up like fast food, and it comes from such an insincere place that I can’t excuse it.

#66 – “ALWAYS DO” – The Kid LAROI

Produced by Omar Fedi, Khaled Rohaim, Donn Robb and Haan

Just like that, he’s back, folks. Okay, well, he starts off this song by saying he’s drinking again, which he can’t do for another year according to Australian law. I’ll take that as a complete lie he’s hogged from his mentor Juice WRLD and clearly not understood why that led to his downfall and death; the glamorisation of drugs in Juice’s music was unintentional and misconstrued that way by record label yes-men and some of his fans, who ate up the music and maybe didn’t grasp the message Juice was clearly advocating for. So, you’re just going to blindly lie to your fans – ALL of which are children – about substance abuse with very little commentary around it other than how it affects this fake relationship for the sake of making “relatable” hits that ultimately go against everything Juice would have wanted? Delightful. When other rappers talk about a bitch, they have a casual, disposable tone that suggests they’re groupies and whilst this is such an accepted form of misogyny in music, which also annoys me for the record even if music I adore expresses as such, it at least shows that the rappers don’t care or use the women as a line-filler or flex. When this douche says the word “bitch”, he means it. It comes with such vile, toxic bitterness that I’m convinced the Kid LAROI just hates women. Not even specific women, just the concept of “woman”. Sigh... can someone take this disrespectful toad off the charts – and quick?

#64 – “Buff Baddies” – Giggs

Produced by Trooh Hippi

Speaking on not respecting women, British rapper Giggs is here with his second mixtape. He’s got a couple more tracks on the chart, this is the first and it’s all about “buff baddies”. “WAP” has led to men thinking they can be extra horny as well and I’m not going to shame any kind of sex positivity but when Giggs talks almost exclusively what the women are doing for him and doesn’t have a lick of personality to it, it feels less absurd and over-the-top than it does just gross. It doesn’t help that his delivery is almost comically blunt and completely charmless over this non-existent cloudy trap beat, and there’s no hook or chorus to speak of, so this is just completely worthless. This reminds me of Dean Blunt’s Babyfather projects, you know, the mixtapes where he actively makes fun of this type of rap and even then is miles more interesting and charismatic? God, what an awful track.

#63 – “I’ll Call You Back” – dutchavelli

Produced by Big Zeeko

Oh, and dutchavelli released an album too called Dutch from the 5th, so we have more to come from him as well. Look, I’m tired, I’m fed up, I just want this episode to be done with and maybe I’m not in the right mood to listen to snooze-worthy generic hacks in modern hip hop all have their own mini-album bombs. Just maybe. I’m not sure if that excuses the clear lack of quality and effort in any of this, or the fact that the billion-dollar company I use to listen to the product of billion-dollar companies apparently can’t have an app that works and allows me to listen to said product. To be fair to dutch, this is a more introspective track with melancholy piano loops and pretty basic trap-drill percussion, but I do like some of the lyrical content here, where he talks about how even though he feels distant from his loved ones as a big star, he really wants to keep in contact and he details some of his struggles in a really heartfelt way. His delivery is emotive and even when it’s heavily Auto-Tuned, you can tell he’s pretty frustrated with the conflict between his newfound popularity and keeping up to standards with his personal relationships. He’s not always perfectly on beat and honestly the song kind of goes nowhere, but I like the lyrics about his childhood and his mother, and I especially think his breathless, stiff cadence when he pleads with his girlfriend is pretty effective. As a song though, I don’t think I’ll be going back to this at all, which is a shame.

#59 – “Get Out My Head” – Shane Codd

Produced by Shane Codd

Shane Codd is an Irish producer, singer and DJ from Dublin who amassed a following from his playlist showcasing classic trance and house hits from the 1990s and 2000s, which he became infatuated with as a child, explaining why his first and only song is already on the chart, albeit just at #59. That “Trance Anthems 90s-00s” playlist does have some bangers (I’m not going to complain about Alice Deejay, Moby or Zombie Nation), so does Codd follow in the footsteps of these classic trance acts? Well, no. No, he doesn’t. This is a house-pop song if anything, but it’s not like I know all the ins and outs of this stuff. I have a friend that does know a lot about trance; I don’t even think she’d like this. It’s pretty lazy, bizarrely-mixed house with a lot of focus on those classic 90s pianos that do sound straight out of that diva house and Eurodance era (in fact, this is practically a Eurodance song), but without much character to speak of. For a first song, it is impressively professional but not to the extent that the percussion sounds any less cheap or tinny, or that the chopped-up vocals, from some generic female singer as always, are charming. This is exactly what I think would happen if you fed a robot tropical house music, a couple FL Studio plug-ins and a “Trance Anthems 90s-00s” playlist, and told it to produce some kind of cohesive result in return. It’s telling that this soulless dreck charted, but hey, if he’s got the following and any kind of budget, he could improve considerably and this isn’t that bad on principle. It’s just wearing influences not on the sleeve but as make-up, to cover up the lack of artistic dignity or progression the guy has, not that I expect him to (it is only his first song after all). Next.

#56 – “Say Something” – Kylie Minogue

Produced by Jon Green and Richard “Biff” Stannard

I'm not a big Kylie Minogue fan but I can admit like anyone who's not too far up their own ass that she has a lot of classics, a lot of bops and most importantly to this show in particular, a lot of bonafide smash hits to her belt. My personal favourite is "The Loco-Motion" but her 2014 album Kiss Me Once was a big factor into my appreciation of this type of inoffensive dance-pop (that indirectly made me eventually start this series), especially the lead single "Into the Blue". Speaking of lead singles, this was the lead for her 2020 effort, Disco, but it didn't actually chart until this week interestingly. Well, with that said, there must be a reason the big lead single from July didn’t chart until November, and the second single, “Magic”, did, so I’m not expecting prime Kylie here, and I’m not expecting myself to write positively about it either because I had to restart Spotify like five times before being able to actually play the song so I’m pretty annoyed with these billion-dollar companies right now... and, yeah, okay, with the synthesized choir and the staccato synth bass, I can understand how this feels less alive than other songs she’s made, particularly because this feels like a rather dumbed-down revision of 1980s pop with some really awkward vocal mixing and a chorus that never really hits. Kylie doesn’t sound great here at all either, and the guitars are just kind of garish, especially in the first verse. It doesn’t help that this is a messy song structure-wise, and that the title drop in the chorus is neither cathartic nor worth waiting for. There’s also a bridge-outro that never leads back into a chorus, so the song just floats away sadly into nowhere. Yeah, it’s safe to say this is a disappointment, especially from a lead single but it does make sense that at this point in her career Kylie and her team may be artistically stagnating. It’s been more than three decades; I’m just impressed she’s still putting out music.

#54 – “Plugged in Freestyle” – A92 and Fumez the Engineer

Produced by Charlie Mockler

It’s not often that the engineer gets lead billing, let alone an engineer whose stage name is entirely based on the fact that he is an engineer, and didn’t even produce the track. Anyway, it’s not actually unusual for YouTube and radio freestyles to chart, in fact the GRM Daily Duppy freestyles have charted before for both J Hus and Aitch. It is unusual for viral Irish drill tracks to chart however, but this did get traction as a viral video as well as the absurdity of Irish drill, which is now a rising phenomenon. A92 is an Irish drill group and all of the four members present here get three verses each, leading up to either 12 verses overall or just one big collaborative verse depending on how you count these things. You may notice at this point that I’m stalling, mostly because the Spotify app still refuses to function correctly once again. It’s not like I’m missing much in terms of unique bars or even cadence. I expected a delivery or flow that was more energetic from the Irish, just saying. There’s a lot of pointless censorship when it’s pretty clear what they’re saying, and the guys are obviously lipsyncing in the video so it’s not like this is some impressive off-the-cuff freestyle. I do like the incredibly deep voice Dbo has but it’s not interesting enough to carry his uninteresting flow and this really minimal, basic drill beat that works for its intended purpose to carry the bars but it does not make an impression further than that and by the end of the track, it’s just dull. I do admit to really liking the fourth guy Offica’s verses here because he has a lot more energy and intriguing flows than the rest of them; if any of this group get a solo career off the back of this I’d expect it to be him, or at least I’d hope so. Overall, though, I’m not a big fan although I don’t think this is bad, just unremarkable. If I thought it was bad, I think this episode would end up being posted posthumously anyway.

#52 – “Zero Zero” – dutchavelli

Produced by The Fanatix

Oh, hey, look! It’s more of the same. I imagine if you follow the US charts, you’d soon get tired of the trap garbage that somehow ends up on there in the lower reaches of the chart when it could be given to more promising mainstream-adjacent acts that end up just popping up on the Bubbling Under. Whilst I don’t really have the same problem with this chart, I am growing tired of UK drill music at this point and its indignant refusal to be interesting. It’s not like I have an issue with the music itself because I can usually ignore it, but does all of it really HAVE to chart? When it was new and relatively interesting I welcomed it but the sparse drum patterns, badly mixed 808s and “menacing” pianos are all very much getting on my nerves at this point in the year, especially when the chart is flooded with this stuff. For every weekly pathetic house-pop tune we get, we also get at least three drill “bangers”. Maybe the charts have just made me cynical. I should probably maybe rest before trying to continue this episode – I’ve given a notice on Twitter that grants me more time so I suppose I’ll get back to you when I’m not mindlessly ranting about drill music.

Alright, so I haven’t slept but Spotify has decided to function for now, and I guess I might as well use this opportunity to write about the last few arrivals. We all have our “off” days, and this was one of mine so I apologise if this episode isn’t up to scratch – even if admittedly, I’m telling myself that more than anyone else. Oh, and this song is actually kind of fun, with his really elegant strings that are backed up by some hard-hitting drill percussion that actually makes for a pretty hard beat here, especially with those extra sound effects. Seriously, props to the Fanatix for this, and dutchavelli actually brings a lot more energy than I expected, even on the ad-libs on the chorus, though of course, the content isn’t anything new. He is finding new and funny ways to talk about crack cocaine trafficking though, so I commend that. The skit is kind of pointless but I’m sure it makes sense in the album. That was quick! In fact, I’m going to try and be quick before I fall asleep.

#49 – “Spin this Coupe” – Abra Cadabra

Produced by H1K and Zenith

I’ve restarted Spotify so many times and I’ve restarted my computer at least thrice. This desktop app still refuses to function and this is a recent but bloody persistent problem. Maybe I should just re-download the Spotify app, but it does aggravate me that it does this when I’m supposed to be, you know, REVIEWING THE CHARTS. It’s not like it’s down for other people either, it just likes to freeze on me for no reason other than my own suffering. There’s a Dave song coming so I’ve kind of been raring to get to that but just to keep myself in check and on routine I suppose I need to listen to this garbage. I didn’t mind Abra Cadabra on the “BLM” song from a few weeks ago and I do like the semi-introspective tone he has lyrically here, showing some kind of self-awareness about the gang violence he discusses in his music. Lyrics like that are few and far between however and more often than not it’s just uninspired gunplay and some flexing over some drill type beat. I swear I’ve heard that exact same hi-hat sound and pattern so many times, and other than some overly-energetic ad-libs that make this shoddily-mixed track even uglier sounding, Abra Cadabra is not selling any of this, even when he does a more rapid-pace, energetic yelling flow. He’s not saying anything memorable and he’s only vaguely on beat. I mean, it’s fine but I’m sick of this already. There’s a preview of another song on the YouTube video for this song and I thought it was just another verse. Come on, lads, think of something else.

#35 – “Straight Murder (Giggs & David)” – Giggs featuring Dave

Produced by KeyzMusic

What an odd title. It’s like if I called this show REVIEWING THE CHARTS (Cactus), like we know your names, guys. Is this how they want to credit Dave as a co-lead artist or something? I’ve got no idea but this is our second and final track from Giggs’ Now or Never and thank God, it features Dave, a British rapper I really enjoy. His album PSYCHODRAMA was one of the best records I heard last year and I’ve consistently liked most of his stuff, specifically his brand of cool, relaxed flows and blunt, admittedly corny punchlines with a lot of conscious influence and cleverness that most of these drill guys wouldn’t dare to try and implement in their singles. He and J Hus form a crossroad between the mainstream British rap scene and more underground or alternative acts; he strikes me very much as a more accessible male Little Simz, a sharp lyricist with a lot of unique charm who knows how to have fun. In fact, the one thing I don’t think Dave can do convincingly is rap on a drill beat, or at least one like “Paper Cuts” where he just sounded sloppy. He also had a feature on a D-Block Europe song that was just comical, so I can’t say his recent efforts have been as good but that performance of “Black” at the BRITs really cemented him as one of the best British musicians in the charts right now for me and a lot of other people, so this acts as kind of a comeback single for him, even if it is just a throwaway feature track – there’s a reason this debuted so high. I do think this could stick around as well since Dave does have longevity. I still bump “Funky Friday” more than two years later, although to be fair that did hit #1. This won’t, but is it good? Yeah, this appeals to the part of me that just wants bars over a pretty solid, atmospheric trap beat, and Dave does sound checked-out at times but that’s always been a part of his casual, sliding delivery. There is a lot of empty space in his verse but it’s always played out for comedic effect I feel and while this is a flow he’s definitely used before, the sheer length of this verse means it would be difficult for him to have more hits and misses and yeah, his delivery makes nearly all of these lines hit. Compare the amount of Genius annotations on his verse to how many are on Giggs and you can see why I like this guy a lot more. He may be blunt but it has layers and layers of charm to it, and some of these bars are more than they look to be on the surface. Even his opening line about taking orders can be explained in various different ways: he knows about taking orders but he “doesn’t know” about taking orders, suggesting he doesn’t like taking orders, but what are these orders? They could be taking orders from a boss and now he’s a boss but they could also be about drug trafficking or sending out hits, and then he really “doesn’t know” about taking orders, if you catch my drift. Other than that, he uses his “Streatham” flow to mostly flex but there’s tons of wordplay and I appreciate that more than the boring matter-of-fact structure of verses that half of these other UK rappers have. He’s just effortlessly spitting here and I’ll take that any week but especially this week. Welcome back, Dave, I’m excited to see what you’ve got in store for your next album. Oh, and Giggs is here but who gives a –

#23 – “Confetti” – Little Mix

Produced by TM5

Surprisingly, no Little Mix songs penetrated the top 20, or at least no new ones. In fact, this is our only new song from the girls thanks to silly UK chart rules, and, really, it’s just here because it’s the title track. I can’t say much about Little Mix because I feel there’s nothing to discuss. The new album is something I have not bothered to listen to out of pure disinterest, and this title track... doesn’t seem like a title track. You’d think a title track would be a bit flashier than some dated DJ Mustard hyphy-like beat with pretty pitiful trap percussion and plastic vocal production that makes the girls sound admittedly less inhuman than usual. In fact, they sound more human here than ever, maybe because they’re surrounded by one of the stiffest R&B instrumentals I’ve ever heard, and partly because some of the background vocal melodies are actually pretty catchy, even if the chorus makes it clear that none of it matters since the non-existent pay-off is not worth any of the similarly void build-up. This is a fine, rather understated song where the girls mostly just flex – which is pretty unheard of for a dance-pop track – so I have no issue with it but this could have actually been good... and was once again watered down by manufactured factory-sealed production. Speaking of talented women being let down by production...

#22 – “pov” – Ariana Grande

Produced by Oliver Frid, TBHits and Mr. Franks

So we got the obviously planned pop smashes out of the way from Positions so now it’s time to see what the fans are really gravitating to and to my surprise, it’s the closer. This is the fan favourite from the record and is just now charting because “motive” dropped out and it’s clear why this one is the preferred track. It takes somewhat of an introspective outlook but very much through an immature, lovestruck tone running through the track and its really sweet lyrical content, where she just expresses how much her partner loves her to the point of her even feeling some bizarre envy in the chorus, as she wants to reach a level of self-love comparable to how her partner feels about her. She wants to see why her partner loves her this much despite what she perceives as tragic flaws. By the bridge, she reaches a conclusion that there isn’t any emotional baggage coming with this relationship anymore, a natural book-end to her “leaving her baggage at the door” in the opener of the album. I love the vocal melodies here, with her multi-tracked cooing really shining beautifully amongst the flourishes of strings and more subtle pianos, with trap-adjacent snapping percussion that is actually well implemented and adds a sense of casualness to the song that would otherwise perhaps seem too melodramatic for Ariana. Also, the last line in the chorus is admirable and it works as a perfect closer to the record.

Conclusion

So there is a single good song here, and that is “pov” by Ariana Grande which snags Best of the Week, and, sure, while I like Dave on “Straight Murder (Giggs & David)”, Giggs royally screws up so it can only get the Honourable Mention. For Worst of the Week it’s going to The Kid LAROI just in general for both “WITHOUT YOU” and “ALWAYS DO”, with the latter only being slightly more tolerable. I guess I can give the Dishonourable Mention to Giggs as well for whatever “Buff Baddies” is. Sigh... here’s this terrible week’s top 10.

Thank you for reading my uncharacteristically cynical and just mean ramblings on pop music this week. You can follow me @cactusinthebank on Twitter, I promise I’m not as angry on there. See you next week for hopefully something better than this.

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stargleeksil-blog · 7 years ago

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Criminal Minds s04e08 Masterpiece - or that episode where I realize that Jason Alexander can also be a dramatic actor :O

Episode 08 – Masterpiece

Hey guys! So last time we were introduced to Henry Lamontagne! So happy! He’s so cute! Also, apparently Jordan is now officially taking over JJ’s post till she comes back from maternity leave … god, I have a bad feeling about this.

Let’s just see what happens.

I don’t like this.

I don’t like this at all.

There are bugs (the insects), and cameras, and then underground forgeries. That look like they belong in the Louvre, but I don’t get it.

I’m so confused here.

“Most of us have done extensive post-graduate work in areas such as abnormal psychology and sociology, as well as intensive study of relative case work and existing literature …”

“But that’s after selection to the unit. First you have to be an agent, work in the field, and that’s what we’re here to talk about.”

Aw, my poodle and Rossi are giving a seminar.

Wait. Is that Jason Alexander or am I conditioned to assume that any fat Jewish guy with a round face that looks like the moon is George Costanza?

“What did you study?”

“Criminal justice. But sports appreciation was all full up at my community college.” Oh my god, I love you so much, Rossi, he got his degree from a community college??? SO AMAZING!

“I hold doctorates in chemistry, mathematics, and engineering, as well as B.A’s in psychology and sociology.”

Oh my god!

“How old are you?” Oh my god! “Uh, I’m 27. As of last month, I turned 27.”

I love you, Spencer!

“I’m – I’m also completing an additional BA in philosophy. Which reminds me that I have a joke.”

“How many existentialist does it take to screw in a light bulb?”

Rossi whispering: “Don’t.”

“Two. One to change the light bulb and one to observe how it symbolizes an incandescent beacon of subjectivity in a netherworld of cosmic nothingness.”

Oh god, that was hilarious!

How can no one but me and Spencer get it????

“Um, an existentialist would …”

“Okay, before he does his quantum physics knock-knock joke …”

Oh god, I actually had to pause this cuz I laughed so fucking hard.

Oh my god, this show is literally the best thing out there. I don’t know why people at my job diss this.

Maybe cuz I’ve gone back in time, and it’s in season thirteen in the real world, but I don’t give a shit.

Their silence after the guy ask if they shot anybody. Oh my god.

Ha. Jordan is messing up. You can’t top JJ, sweetie.

Whoa. Derek just stepped to the rescue? I love you, but back off. You need to go to Penelope, baby.

Whoa. He’ll call the guy personally? Awesome.

Hey! Whoa! Back off bitch!

My angelface was just trying to help you, and you go after him like he just stepped on your turf like you’re in some West Side Story bullshit flick? Uh-uh. Back off.

Whoa. Okay. That just came off gangster. I’m sorry.

I’m a white girl from Israel, whose only connection to anything remotely “African” is that my late grandfather came from Egypt. Sorry, guys.

“Well, from now on, Supervisory Special Agent Morgan, if I need your help, I’ll ask.”

Bitch.

I really don’t like Jordan Todd. Not one bit.

“You do know we want them to actually join the bureau?” “What?”

“Existentialism?” oh god, Rossi making fun of Reid is the funniest thing ever.

And did that girl just seriously try to hit on Reid? Wow.

“I tell them I shouldn’t – they keep on sending me here.”

Oh my god.

“Wouldn’t they sit in the dark and hope that the bulb decided to light again?” “Excuse me?”

Yeah, excuse you, dude with a girl’s hair.

“An existentialist would never change the bulb. He would allow the darkness to exist.”

And that is definitely Jason Alexander and my excitement level just skyrocketed for this episode.

Reid’s impressed face, and Rossi’s all like, oh shit, who’s that guy? I’ll never get him down from the tree after this bozo.

So the guy lathers him with flattery, and is like, “I wanna show you something” and Reid’s like, sure.

And a second earlier Rossi was looking at his watch and he’s like, dude, we don’t have time for this shit. Come on.

Wait. Why did he just hand them a dossier with seven homicide victims’ pictures? What’s going on?

Wait. I’m sorry. But I can’t take Jason Alexander seriously if my life depended on it, yet here he is in one of, what I am assuming, his rare dramatic roles. What the fuck? How can you cast that shlump in a dramatic series? I’m dying here.

Acid?

“Are you saying that you killed these women?”

Wait what?

“There is still time to save the others, though.” WHAT?

“Others?”

“Five more.”

Oh my fucking god.

This just became the most awesome episode ever.

HAVE I MENTIONED THAT I FREAKING LOVE JASON ALEXANDER???? BECAUSE I FUCKING DO!

Mark Twain: “Let us consider that we are all insane. It will explain us to each other. it will unriddle many riddles.”

Have I also mentioned that I fucking love Mark Twain? BECAUSE I DO!

“You’re my boss, correct?”

Er. Yes. But why are you being so aggressive, bitch?

“I report to you.”

Yup.

“Has my job performance been to your satisfaction, sir?”

“It seems fine.”

And yet you bitched at my honeybuns, so back off.

“And if it weren’t to your satisfaction, you’d tell me?”

No, I’d kick your tiny badonkadonk out of here.

“I can promise you that.”

“Because I can do this job.”

Nope.

“I’m sorry, has somebody suggested that you can’t?”

And lady, better check yourself, before I wreck yourself. Hey! No need to be a bitch to Prentiss, she only said hi.

“I’m missing the coroner’s supplemental for victim 3.”

“That’s supposed to come in this afternoon. I just turned that in last night. When do you sleep?”

I’m with Prentiss here.

Hahahah oh my god, I’m so with Hotch on this one, even to me it sounds ridiculous that he turned himself in and challenged Reid and Rossi. Lol.

Oh my god, David Rossi said “Something hinky”.

“It’s obviously tank girl.”

“Tank girl?” “Absolutamundo.”

Shit. Lynch is back. I hoped they broke up. Fuck.

“Is she even a good guy?” WHAT?

Lynch the Bitch, listen to yourself, ‘she’ and ‘guy’ don’t go in the same sentence, you idiot.

“Um, A. She’s not a guy at all. Big plus.”

“B. She is all about wild hair dye, flatulence, nose picking, spitting, explosive vomiting, occasional random sex, and more than occasional drunkenness.”

“And she has a tank.”

“And that, mon ami, is girl power.”

You said it, lady.

“Superman can fly.”

SO WHAT?

Oh god, this is going to be long. Fuck.

I’m so sorry, guys! Apologizing in advance.

“Thank you for the help with the … uh … stuff thing.”

See, that’s why I hate Lynch the Bitch, he’s trying to be all smooth, but it ain’t natural, and he’s trying to lie about being there, when everyone knows they’re together. And he’s being a douche. Fuck you.

“Kevin, you don’t have to lie.” See?

“Possible?”

Yup, your gorgeous ears heard correctly, lady.

“Kevin?”

“Yes, sir?”

“She’s busy now.” So get the fuck out.

So he isn’t a professor at the university they lectured at okay.

“Your degree in philosophy surprises me, Dr. Reid. It doesn’t fit with mathematics and engineering.”

“I kind of like it because there’s no right or wrong answers.”

“Without right or wrong, how would we recognize perfection?”

What?

“Are you having fun?”

“It’s quite a bit more complicated than that.”

How?

“You wouldn’t understand.” “Try me.”

Hey! Not nice, Jason! Why assume Rossi’s an airhead?

“I’ve read your books, David. You’re not of the intellectual capacity to grasp what’s going on here.”

WHAT? Oh my god, that was one major burn.

“If you’re trying to piss me off, it’s not gonna work. But if you killed seven women without leaving a trace of evidence, why turn yourself in?”

So much for ‘not of the intellectual capacity to grasp what’s going on here’ XD

“Imagine what the world would have missed if Da Vinci never showed his work.”

So he sees himself as an artist? Oh god, I wanna barf.

“Hey, how’s it going?”

“Why?”

FUCK YOU BITCH!

I’m about to slap that bitch in the face so hard, her brown, gorgeous skin would literally turn purple. I’m not kidding.

Fuck. The five Jason mentioned were the daycare lady and the four kids. Fuck.

“Are you pissed off yet, David?”

Oh god, I love this man so much, even if he’s the bad guy here.

“It’s not your fault, you know. Your IQ is your IQ. It’s not education, David, it’s genetics.” Oh my god, does he ever stop?

“What’s this?”

“I need to explain what a pendant it?” “What does it mean?”

“You have the right to remain silent. Anything you say can be used against you.”

“You have the right to have an attorney present. If you cannot afford an attorney, one will be appointed for you.”

“Do you understand your rights …”

And then Jason keeps on interrupting to make fun of Rossi and provoke him. Love it.

BAM.

“Do you understand your rights?”

He doesn’t want a lawyer? Oh boy.

“Harming a person weaker than you doesn’t take any special ability.”

“Neither does slamming your fist down on a table.”

WHOA.

“Bring Dr. Reid back with you.”

Now you’re making demands?

“I never have any normal fans.”

Oh honey.

“This guy loves the attention.” Ahem.

“He has a god complex.”

Well, that’s true.

“We need a button to push.”

Oh god, I love it when the real good actors get to be the most prominent. Amazing.

What’s reverse profiling?

“From the unsub to the victim.”

Oh boy.

Crap. Morgan didn’t get anything. Fuck.

“You have to be fingerprinted to be a teacher.” Why?

Sounds sketchy.

“What kind of professor doesn’t teach?”

“A researcher? Someone on a grant, maybe.”

God, I hate that woman.

“There must be some sort of central grant database. I can’t imagine the government just handing out money and not ….” Looks around. “I’ll look into it.”

I love you!

“Psychopath.”

To say the least.

“Be nice to them.” HA.

Wait. Did Hotch just pair up Morgan and Jordan? FUCK.

Ah. So Rossi is a genius. He wants to play with Reid’s mind, so they’re not gonna let him have what he wants. Awesome.

“Ok, how far could he have gone from Loretto and make it back to Fredericksburg by noon? There must be some sort of mathematical equation to do this.”

“Should have paid more attention in algebra.”

“Note to self, get Dr. Reid in here ASAP.”

I love you so much.

An incoming email?

Oh shit.

Penelope just got an email with a video of the victim. Fuck.

“You have something going on more important than me?”

“My dry cleaning is more important than you.”

Oh burn.

“I think you’re just a big-mouth wannabe who doesn’t have the guts to do anything at all about this.”

LOL

Wait. Did he just admit he was at it for five years? DAMN.

Did he just flinch away from Prentiss?

“A god like you doesn’t have a problem with women, does he?”

Oh crap.

They got him.

“Hiding in the weeds like a snake.”

Yup.

When it comes to women, he’s just a nervous bunny.

“Rules?”

Oh boy.

“Two o’clock.”

“And then there were four.”

WHAT?

Wait what?

“Every two hours, one of them will die.”

SHIT.

“Is there something else I need to know?” “Only that I’m rooting for you, David.”

Oh, Jason is a GENIUS actor! Fuck! He’s literally scaring the shit out of me.

And yes, I’m aware that I’m only 20 minutes into the episode. And no, I’m not sorry for making this the fucking longest review ever.

“There were four when I went to go get you.” Fuck.

“Well, maybe the gas provides another purpose.”

“Such as?”

Oh my innocent honeybun.

“It’s a chess game, he’s two moves ahead.” Shit.

Wait. David thinks he’s making progress? Then that’s good, right?

Hey! Whoa!

David. Calm down.

Hotch was just making a suggestion. Not a slight at your intelligence. Baby, relax.

Calmate.

Yeesh. Chillax.

I really don’t like Jordan. I really fucking don’t.

She just puts herself apart from the team and it’s not right.

And then Morgan tries to show her that she is now, and it’s fucking driving me insane, because she’s one bitch that I can’t stand. And I don’t normally do this to members of the FBI who join the team. Well, okay, I did it with Lynch, but once again, only because he was in my ship’s way.

“Do you know that I was born with an extra y chromosome?”

So?

“It means… I was born to be a killer.”

WHAT?

That makes no sense.

No wonder Rossi finds this funny.

“That’s junk science, a joke. It was debunked years ago.” I love you, Rossi.

“If those people die, it’s because you chose to make it happen.”

Word to mouth!

So that lady is an airhead, like I assumed.

Morgan just talked to her in the car, and she took nothing from it? REALLY?

He wants to talk to the husband, because men respond better to men. It’s basic. Ugh.

Hells yeah. It’s a fucking weird position to leave toys in.

My lovely genius.

“I know where to find them.”

WHOA!

“It’s an irrational number known as ‘phi’.”

“It’s based on the ratio of line segments to each other and of the whole.”

What?

“It’s called the golden ratio.”

“Golden rat.”

Yup. That’s the website.

“It’s a ratio found all through life. In fact, many people that we find conventionally attractive are proportioned based on that ratio.”

Damn.

“He made a reference to Leonardo Da Vinci, remember this?”

“Da Vinci used it in a lot of his paintings. As matter of fact, the Last Supper …”

“Reid, Reid, how do we find them?”

Yup. Hotch once again stopping my genius poodle’s tirade of infinite knowledge to get to the point XD

“The whole concept is represented by this pendant, including the logarithmic spiral created using a Fibonacci sequence. Follow me on this.” XD

“He’s subconsciously counting off the Fibonacci sequence in his head over and over again.”

Oh crap.

I love it when Spencer goes off on explanations that eventually prove he’s the most genius of geniuses to ever genius this earth, and then they find the victims.

WHOO!

Whoa. Hey. Hotch is taking Reid and Prentiss? Not Rossi? Weird.

“There’s still something bugging me about this.”

Why?

“Do you know what homo sapiens sapiens mean? It means man, wise, wise …”

“We named ourselves doubly wise.” Wow.

“Humans are a blight.”

What? “You hate humanity?”

“Every bit as much as you do.” What?

I’m really confused here. It was all because Rossi’s books mentioned that there is pure evil out there? Oh dear.

“Any man who feels that the only way to have power or purpose is to hurt others deserves pity.”

Wow.

“You may have your vengeance, as I am about to have mine.”

WHAT?

“They’re never going to make it out of that house, David.”

Oh dear.

“It is about your team.”

WHAT? NO!

Fuck you, asshole!

“The minute they stepped into that house, they were dead.”

Oh god no.

“You lose.”

Oh god.

Oh shit. The man Rossi called “the face of pure evil” is actually that fucker’s brother? Oh god.

So he had a fiancé, who broke it off with him, because of that fucking brother. Oh boy.

“Vengeance.”

Oh god.

“I killed twelve people, ‘cause of you.”

Wow. Okay, this review is long, and the finale is going to be long too. Prepare thyself.

“You took my family. I take yours.”

Oh dear.

“Did you get all that?” WHAT?

“Every word, boss.”

Oh snap!

They fucking recorded him! Oh my god.

Wait. Hold up. So they knew it was all a ruse? Reid figured out everything? They saved Kaylee and the kids? Derek is still alive? Oh thank fucking fuck!

“You’ll only face murder charges on the original seven women.”

“With no evidence.”

‘Yeah. You, uh, mentioned that when we first met, that we would never be able to get you on those. But I think you’ll discover that the videotaped confession has the power to move a lot of jurors.” BOOM.

YOU DO NOT SNEAK UP ON ROSSI!

Crazy Henry. Ugh.

“I’m going to be there when they strap you down for that lethal injection. And just before they hit the plunger, I’m going to lean in really close and tell you to say hello to your scumbag brother.” DAMN.

So Jordan apologizes to Derek, and he takes the blame? OH MY GOD THIS MAN IS IMPOSSIBLE!

Oh my god, this woman is driving me up the walls! Someone kick her in the shins!

“This is going to be interesting.”

Uh, no, poodle. It’s going to be annoying as fuck.

Jason looks so majestic here. Even though he’s being led to the execution. Damn.

Martin Luther King Jr.: “Man must evolve for all human conflict; a method which rejects revenge, aggression, and retaliation. The foundation of such a method is love.”

LOVELY!

Okay. Whew. That was fucking intense. Holy shit.

Okay, so first off the bat, I HATE JORDAN TODD SO MUCH! Just had to put it out there.

Now, about Jason Alexander, holy shit that man is amazing, I can’t believe such an actor actually exists, where he can be this genius comedian on the one hand, and then this brilliantly dramatic actor who can assume any persona of the role he’s undertaking, and it was just breathtaking to watch him and Joe Mantegna working together. I was literally on the edge of my seat.

I literally cannot wait to see what else this season has in store.

So, I’m gonna cut this short, because this review has just exceeded the 3,000 word mark, and that is seriously long – I haven’t written fanfiction chapters this long in a while. Yikers.

So, I’ll leave it here, say THANK YOU because you are all amazeballs. And enjoy the photos that didn’t make it into the post above XD

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