#Crown Heights North

[wanderingnewyork]

Houses in #Crown_Heights, #Brooklyn.

[damneddamsy]

second sight | cregan stark x oc (part v)

a/n: on this episode of Stark Fluff, claere gets a visitor, and cregan has mixed feelings about threesomes. also, cregan learns the harp.

Winterfell wore the slow creep of winter like a familiar cloak. The skies had grown paler, casting the looming walls of the castle in a sallow light, while the cold nipped steadily at its people, urging them to quicken their preparations. From the kitchen to the stables, grain stores were replenishing, the last of the harvest before frost could claim the fields. Blacksmiths hammered iron, the women mended at worn cloaks and men bundled hay for the livestock. Winter was not yet here, but its shadow lingered on the wind, always whispering its warning.

In the heart of the keep, the Glass Gardens had begun to take shape. The towering structure Claere had envisioned stood as a defiant tribute to life in a place where death crept so close. As the days passed, the curved iron frames of the brilliant garden grew taller, and panes of glass steadily fitted into place, though fewer hands worked than before. Claere's journey to the Wall and the ominous silence she had shared upon her return had compelled many away. And yet, those who remained—the builders and labourers still assigned to the task—seemed to grow fond of her, drawn to her quiet kindness, the way she listened with impossible patience to the complications.

But today, the hour she usually spent overseeing the glass gardens came and went. Claere was nowhere to be found.

Cregan noticed her absence first, though no one else seemed to. He strode through the courtyard, determined footsteps echoing through the Great Keep as he searched for her. He had asked the guards, the servants—none had seen her. There was concern in his chest, though his outward manner remained calm, and controlled. His pace eased when he finally came across a group of children playing by the kitchens. They must know something.

He crouched to their height and asked, “Have you seen Lady Stark?”

One of the girls, with red cheeks and tangled braids, blinked up at him. "She must be in the crypts, my lord. She's there on the third day of every sennight."

“The crypts?” Cregan frowned, his confusion evident. “Why?”

The girl only shrugged, her young eyes widening with uncertainty. “My lady says it’s of great benefit.”

A vague answer, but there was little else to go on.

The cold air within the cavernous crypts was still, undisturbed by the world above. As Cregan descended into the darkness, his eyes adjusted to the flickering glow of torches, casting long shadows over the stone effigies of his ancestors. He passed the statues of old kings and queens of the North, of Starks long gone, their direwolves carved faithfully at their feet. Their vigilant, stone eyes seemed to follow him as he walked deeper into the crypts, past his forefathers and mothers, the ancient guardians of Winterfell’s legacy.

It was then that he saw her, like a blossom of blue satin and grey furs in the black earth.

Claere sat on the cold stone floor by the statues of his parents, Lord Rickon Stark and Lady Gillianne Glover, her small form dwarfed by the towering effigies. Candles burned softly around her in quiet vigil, casting a gentle glow over the garlands of winter roses she cradled in her lap. A sea of wilted, woven flowers lay swept to the side—a ritual she had tended to every night, and with a pang in his gut, he realized her abnormal habit had all been for his bygone parents.

His breath caught, a warmth spreading through his chest. She had been honouring them. His own parents. In a way that even he had long forgotten to do. Though why would she, of all people, care?

As he approached her, he heard her familiar song, her voice faint, carrying a resonant yet soothing melody through the crypt. They never rhymed anymore; just lines scrambled and sung to confound.

A rose of blue in the cold earth lay, A fire burned bright, Silver threads in the night. A crown of dreams, A heart of flame, Forgotten now, Yet still the same.

"Claere," he called softly, his voice echoing against the stone walls.

But she didn’t answer. She stayed motionless, her fingers deftly weaving the garlands, her eyes distant, lost in a trance-like reverie. Cregan stepped closer and gently cupped her shoulder.

“Love?” he murmured again, more intent.

This time, she stirred, blinking slowly as if emerging from a dream. Her gaze shifted up to him, soft and dazed. She rubbed at her eyes, her fingers stained with the petals of the roses.

As Cregan crouched beside Claere, the silence was thick, broken only by the distant drip of water echoing somewhere in the depths of Winterfell. He took her bare hands into his, startled by how frigid they were. The touch of her skin was like ice as if she'd been sitting there for hours. He blew gently into her fingers, trying to warm them.

"What are you doing down here alone?" he asked, concern lining his voice.

“They like to speak to me,” she whispered, her voice calm, distant, as though her mind were adrift in another realm. “I heard them the moment I crossed the threshold of the castle. They spoke your name.” She waited, eyes wide. "Did you hear that?"

Cregan's brow furrowed. "There is no voice but ours, love."

She looked away, mumbling, "I heard it."

There was a time when her words, her abnormal ways, would have unsettled him deeply. It was woven into their lives like her rose garlands, a constant. Her peculiar way of seeing the world was no longer alien to him—it had become familiar. Still, he couldn’t help but feel a quiet unease stir in his chest.

“Go on then. What else do they say?” he asked, more to humour her than out of belief, but the curiosity in his tone was real.

“I think they're calm,” she replied, her gaze drifting to statues of his parents. “Content. Now that you're here.”

Cregan exhaled, surprised by how much those words affected him. It was comforting in a way he hadn’t expected, though he didn’t believe in such things—spirits, voices from beyond. He wasn’t a man of superstition, but the idea that his parents might be at peace warmed a part of him he didn’t realize had gone cold.

“What do they say about their son? Do they kick up a big fuss?” he asked, his lips curving into a faint, teasing smile. He carefully balled the long garland she had weaved into a neat pile on her skirt.

“They’re proud,” Claere murmured, her voice gentle, as though the words had floated to her on the breeze. “Your mother—she calls you her little wolf. She wants to hold you once more.”

His heart stilled at that. Little wolf. His mother had called him that, when he was still small enough to crawl into her lap after a long day, his face buried in the scent of her hair. His chest tightened, the ache of loss rising up in his throat. Could Claere really hear them? Was there truth in her words, or was it all part of her unconventional mind?

Cregan lifted his gaze toward the stone faces of his parents, his father's chiselled jaw and his mother's serene expression were immortalized in cold marble, watching over him as they had in life. Claere's soft hum floated through the still air, and something in her melody seemed to stir the memories of those long gone. He couldn’t bear the weight of their unblinking eyes. His throat thickened, and he looked away quickly, the familiar ache of loss sharper than he’d prepared for.

“And my father?” he asked, his voice rough now, bearing apprehension now, the question almost catching in his chest.

“He knows you’ve transcended him,” she replied, her tone soft, as if the words were delicate things. “But he’s glad. He wishes he could be here to see you rule the North as he did once."

That broke something in Cregan. He felt the sting of tears behind his eyes, and before he could stop it, one escaped, rolling down his cheek. His father had always been a stern man, proud but distant, and those words, even if he believed they weren't real, cut deeper than he expected. He had been alone since three and ten, sparing no effort in being a man where he should've been a boy. Such was the duty of an early heir, he had grown up between burdening winters and blades.

Cregan blinked rapidly, turning his cheek to her, trying to clear his vision, but Claere saw it. Her expression shifted—confusion flickered across her features. She reached out, her fingers brushing the tear away with the lightest touch.

“Have I hurt you?” she asked, her voice uncertain, innocent in its concern.

Cregan shook his head, sniffing back the rest of his tears. He smiled softly at her, a smile that was half sorrow, half joy. "No, of course not."

"No?" she echoed.

“I’m grateful. I’m very happy.” His voice cracked as he laughed, almost in disbelief at the way she had managed to stir emotions long buried. "Although I'd rather be gelded than have you see me cry again."

Claere tilted her head, watching him with that dream-like gaze, her mind always half elsewhere. “Tears are the sign of a good heart,” she said simply, though there was still a hint of hesitation in her voice.

As Cregan's deep laugh trailed off, Claere’s gaze slipped to the flickering candle before her. She watched the flame, her fingers hovering near its light as though she could shape the glow with her will alone.

“They’ve gone silent,” she murmured, her voice barely more than a breath. “Since I returned from the Wall… the voices, they’re almost gone now.”

Her words chilled him in a way that had nothing to do with the cold of the crypts. He watched her fingers dance in the flame’s heated tip, and something about the way she spoke—so distant, so lost—made his chest constrict.

“I keep seeing these things. Awful things.” She still wouldn’t look at him, her eyes fixed on the candle’s flame as though it held the answers she sought. “Visions, riddled with frozen fire, no men of women born, blue flames that burned cold, dragons—dead dragons—and spilt blood. Endless dark, unending night.”

Her voice was soft but steady as if recounting some terrible dream. The Wall, the omens, whatever visions or feelings had driven her—they had unsettled her in ways she wasn’t used to conveying.

Cregan swallowed, unable to suppress the shiver that ran through him. Claere rarely expressed her visions with such transparency, yet this time there was something raw in her tone, a dread he had never heard before. If only these people could truly see what she had to bear.

“I believed the lands past the Wall would show me the days of yore,” she continued, her words slipping from her lips like a confession. “I thought it would reflect what I see, but it didn’t. None of it. So now I think—”

She stopped herself, her voice catching in her throat, and for a long moment, she said nothing.

Cregan waited, his heart solemn with tension. Finally, Claere’s gaze lifted from the flame, and when her violet eyes met his, there was a tremor of fear in them, an emotion so unfamiliar in her usually distant, dream-like gaze that it struck him silent.

“I think it is things not yet come to pass,” she whispered, her voice tight, as though it pained her to say it. “I think… they’re coming. I don't know what to do. No one else can see." She shook her head, almost violently, and her hands trembled, her calm veneer fracturing before him. Tears welled at the corner of her eyes. “I cannot stop it, Cregan. It terrifies me.”

The vulnerability in her voice, the aching helplessness, shook him to his core. Claere, who had always been silent and intangible, now stood before him utterly mortal, fragile, and afraid. He had never seen her like this, not in all the time they’d been together. It was as though she carried a brewing storm on her shoulders, and she didn’t know how to face it alone.

Cregan’s instinct was immediate. He gently pulled her toward him with a shush, enfolding his arms around her, and gathering her into his chest.

“No, my love,” he whispered into her hair, his voice soothing. "I'm here. It's alright. They're just dreams."

She melted into him, her body trembling against his, her head resting against his chest. He stroked the side of her head gently, feeling the rapid rise and fall of her breath. Her hands clung to the front of his cloak, desperate, as though his warmth was the only thing tethering her to the present. He pressed a kiss to the top of her head, his lips lingering there, as though willing his strength into her.

“The North has weathered long nights before,” he said quietly, his voice steady, filled with the same resolve that had been passed down through generations of Starks around them. “Stark blood runs deep in these stones. We’ve stood through the darkness, through cold that could break men’s bones. And yet, we stand. Every time, Claere.”

She looked up at him, her wide eyes searching his face, her breath still uneven but slowing.

"What are our house words?" he asked, as if reminding her.

"Winter is coming," she answered breathily.

“Winter is coming,” he echoed, his voice assertive yet tender. He cupped her face gently, his thumb brushing against her cheek as he looked into her eyes. “We will do what we must to defend the realm, through whatever comes. As we always have. You have nothing to fear.”

His words sank into her like warmth, thawing the icy fear that had gripped her. She exhaled, long and slow, her body finally relaxing into his arms. Cregan kissed her cheek, softer this time, feeling the shift in her, the tension ebbing away.

For a long moment, neither of them moved, holding each other in the flickering candlelights, surrounded by the silence of the crypts. The dead watched over them, but their presence no longer felt foreboding—it felt calm and peaceful, as though the ancient Starks could see and approve.

She nodded, her face resting against his chest once more, her breathing finally even. He could still sense the undercurrent of fear that rippled through her, but the worst of it had passed. His mind worked quickly, searching for a way to guide her thoughts away from the darkness she had spoken of.

Softly, he murmured against her hair, "There’s news from Dragonstone."

Claere shifted in his arms, lifting her head to look at him. The mention of Dragonstone sparked a flicker of curiosity in her gaze, enough to break the hold of the haunting visions.

"A raven arrived last night," he continued, his voice casual, as though easing her into something lighter. "Prince Jacaerys flies north on his dragon. He’ll be here within a fortnight."

Her lips parted as if she wanted to say more, but the thought seemed to drift away before she could grasp it. Something was grounding in the knowledge of Prince Jacaerys’ arrival—something beyond the shadows she had seen, a thread of the present to hold on to.

He gave her a slight squeeze, his thumb brushing a strand of her silver hair behind her ear, a playful glint in his eye. "We'll find out soon enough. But for now, let's get you warm. You'll turn into a sculpture yourself if you're here any longer."

Claere’s lips quirked, a touch of amusement flickering through the lingering shadows in her eyes. “A lady of ice.”

Cregan smirked. “Not on my watch.”

X

The fruits of labour are often hard-won, and in Claere’s case, it was quite literal. A month past, she had flown on Luna, disappearing into the night for three days. Although it had endlessly upset Cregan, upon her return, it was with the spoils of her journey—seeds from distant lands, collected with care and intent. These seeds were her gift to Winterfell’s glass gardens, her quiet revolt against the fatty northern diet.

Among them were golden beets from the Reach, hardy winter squash, and sweet, bright carrots from Highgarden. She’d also returned with seeds of hearty cabbages and turnips, the kinds of food that could survive even in the harsher climate of the North. And now, after weeks of tilling and patience, some of the plants had finally sprouted, tiny green shoots peeking through the soil like fragile promises of life.

But her project had not remained hers alone for long. Claere, with her quiet strangeness, had drawn the children of Winterfell into it, gradually involving them in nurturing the new glasshouse. The saplings became theirs as much as hers, and the little Northerners guarded them as fiercely as they did their direwolves. Though they laughed and played around her, tending to the glass gardens with dirt-smeared cheeks and eager hands, the adults stood back—watching with cautious, measured eyes.

Now, it called for a celebration. Claere had returned from an early morning flight on Luna, bringing with her the largest haul yet—sacks of ripe persimmons, plucked from the orchards of the Vale. The children gathered around her, eyes wide and filled with excitement. Persimmons were rare in the North, almost unheard of past the Twins, and to them, this was a treasure trove.

She stood there, composed and aloof, while the children crowded at her feet, clutching at her skirts.

"My lady," one small boy asked in awe, peering into the sack, "what kind of fruit is this?"

“Persimmons,” Claere told them. “From the Vale. If honeycomb were a fruit, it would be this.”

One of the girls hesitated, looking up with wide, curious eyes. "Persimmons. But why do they look like little jewels?"

Claere glanced down at the fruit in the child’s hand. “They are… in a way,” she mused, her fingers brushing the leathery skin of a persimmon. “Jewels of the trees. Careful not to crack your teeth on them.”

The children giggled, their awe unabashed. But from the edges of the courtyard, some of the adults watched the scene with guarded expressions. One of the mothers—an older woman with a stern face—made her way toward them, half-heartedly pulling her child back.

"My lady," the woman began cautiously, her tone respectful but wary, "your kindness knows no limit… but persimmons, foreign fruits—are they not better suited for lords and ladies’ tables? Perhaps the children ought to…?"

Claere turned her gaze to the woman, her eyes calm, as if considering the unspoken reluctance. She did not speak at first, only handed the sack to one of the boys who held it up for the others to reach.

“They’re fruits of the earth,” she said softly, “not gold meant to be hoarded. What grows must be shared. It's why the Glass Gardens are being built.”

There was a pause, tension still lingering in the air. A few of the men exchanged glances, unsure of this Targaryen's ways—so different from the daughters of the North they knew.

Then one of the fathers, a grizzled man with a thick beard, broke the silence with a short laugh. “As long as my son doesn’t bring more seeds to my house, we’ll thank you, my lady.”

His words loosened the air, drawing chuckles from others. The children cheered as they dug into the fruit, but the adults, though warmer now, still watched her carefully. In small, deliberate ways—through her gifts, her gentle efforts to nurture life in this land—she was inching closer, bridging the invisible divide between herself and the North.

"Come now, pups," a young lady led the children away with their happy squalls, "one for each. Share it with the others."

"Arrys took three! Fatty!"

"Hey, that's mine!"

"Mine's a little green!"

It was subtle, this shift. Like the first, almost imperceptible thaw after a long winter, when the snow begins to soften at the edges, and the hard ground yields just enough to suggest that spring might, one day, arrive.

Claere’s eyes lingered on the adults for a moment longer, as though she understood. She wasn’t sure she could ever be loved like one of their own. And while they still watched her warily, with eyes that carried centuries of cold caution, there was a slow, begrudging acceptance in their gaze. The kind of acceptance that wasn’t born out of understanding, but out of recognition—recognition that, for all her strange ways, she was not giving up.

“My lady!” A breathless guard stumbled toward her, his face flushed with urgency. He dropped into a quick bow, his words fumbling as they spilt out.

“Scouts have spotted a dragon. We believe... it’s your brother, the prince.”

Her brother. Jacaerys.

The news sent a ripple through Claere’s thoughts, pulling her out of the quiet reverie she’d fallen into. She nodded, dismissing the guard and strolling away from the castle entrance, and soon turned her gaze skyward, watching as Vermax circled in the distance, preparing to land. Luna twitched behind her, growling low, sensing another dragon’s presence but remaining calm as Vermax descended.

Jacaerys landed some distance away from Luna, cautious not to provoke the larger dragon. Vermax was a mere hatchling in comparison to Luna, poised by her rider protectively.

As her brother dismounted, Claere observed him from afar, her emotions a tangled web. She hadn’t seen him in many long months. The boy she remembered had been full of vigour and promise, but now, standing before her, Jacaerys had grown in ways she hadn’t fully anticipated.

The man who approached her was taller, his shoulders broader, his gait that of a prince who had known the significance of command. His dark hair, tousled by flight, framed a face more serious than it had once been. There was a formality to him, a distance that felt almost like the expanse between them, even though they were blood.

Their relationship had not always been like this—distant, formal. He was once her buffer against her vengeful uncles, Aegon and Aemond, and her safest confidante in the Red Keep. He only happened to sour to her presence after their mother, Queen Rhaenyra, had blissfully betrothed them when they were children of nine, for the strengthening of their bloodline and her irrefutable claim to the throne. It was declared null when her mother faced the threat of dispersion from Lord Corlys on Driftmark that she joined Laena Velaryon's daughters to her prince sons in holy matrimony.

Where Claere had somewhat bonded with her younger brothers Lucerys and Joffrey, Jacaerys had remained like a stranger thereafter. He had never been unkind to her, never prodded at her oddities, only stayed apathetic, their connection one of duty rather than affection. He had always seemed uncertain of how to approach her, and she had never sought him out. They had lived like shadows, passing by each other but never truly meeting.

“Sister,” Jacaerys greeted her upon reaching her, his voice polite, measured. He dipped his head, ever respectful, the heir to the throne. "How you've grown in mere moons. And so has Luna."

She imparted a brief nod. "Brother," she greeted back quietly. Her eyes darted to Vermax, his green-scaled dragon, beady eyes watchful of his rider. "Vermax has come to be formidable."

"Indeed," Jace said, sounding proud of himself, peeking back at his dragon. "You'll also be pleased to know that Tyraxes has finally taken to wing. Ought to see Joff instead of me next time."

Slightly hesitant, she asked, "And this time?"

"I've come to see how you're faring," and quickly included, "upon mother's request. As her envoy."

His eyes flashed down to her flat abdomen for a split second, possibly gauging the extent of a prosperous marriage. So far, he was not convinced. It had nearly been six moons, yet no cries of a Stark lordling sounded in the halls.

“I am well,” Claere answered, her tone just as restrained as his.

His dark eyes flicked toward the great castle, then back to her. “There have been… rumours. Whispers from the North that have reached the Queen’s ears. She was concerned.”

Rumours. She knew what he implied—the discontent among the Northerners, their ever-growing suspicion of her, the whispers of a Valyrian witch who crossed the Wall and lived to tell the tale. It had been expanding slowly, like frost creeping across the ground before winter.

“They matter little,” Claere replied, her voice barely above a whisper.

Jacaerys didn’t respond at first, his gaze sharp as he studied her. Then, with the smallest hint of reluctance, he responded, “I am still your brother, Claere. Marriage cannot dissolve that. I rule over Dragonstone with Baela and if you wish it, I will gladly have you back home or with our brothers in the Red Keep."

It wasn’t quite an offer, more like a suggestion left hanging in the cold air between them. A way out, should she want it. Simply renounce a vain, hopeless marriage and move on.

Claere’s eyes met his, and for a moment, she wondered if he meant it. Did her dear brother truly want her back, or was this merely a way to ease his guilty conscience? To not have suspected the consequences beforehand, before she was ever traded off to the unaccepting North? She glanced at Luna, standing watch behind her, and then back to Jacaerys.

A brief silence passed between them before he spoke again, his voice lighter, though still formal. “I'd like to speak to Lord Stark. Perhaps he'd have a response for the crown.”

X

The Great Hall of Winterfell felt colder than usual that evening. The large hearth blazed, but the warmth seemed to be swallowed by the heavy silence hanging between the three nobles seated at the long table. Cregan sat at the head, his posture relaxed yet every muscle tensed beneath the surface, his eyes occasionally drifting toward Claere on habit, who sat beside him, ever the silent enigma. Across from them, Jacaerys Velaryon sat straight-backed, his dark eyes flicking between his hosts, clearly working up to something but holding back—for now.

The tension was palpable, thick enough to slice through with a blade, but neither man addressed the looming unspoken questions yet. Claere seemed unconcerned, as she picked at the modest fare before her, her pale eyes focused on nothing in particular. She was present yet did not seem so, lost in her world.

Cregan noticed her silver crown of braids, how they were styled in the manner of a Southern lady, perhaps to butter up to her brother. He never thought he would infuriated over something as foolish as hair, and ought to chastise those handmaidens of hers who only worked around his cause.

Jace cleared his throat, breaking the silence as he reached for his goblet, swirling the golden ale inside. He offered a polite smile, though it didn’t reach his eyes.

"This beverage is excellent, my lord," Jace began, a tentative olive branch. "And the pie—'tis the heartiest I've had. Sustains the North, I’m sure. Though I can imagine it’s difficult for... some to thrive on such fare."

His gaze dashed briefly to Claere, lingering on her thinner frame. It wasn’t a pointed stare, but the implication hung in the air. Her weight loss, her difficulty sustaining herself on the limited northern diet—it was not lost on him.

Cregan’s jaw clenched, though his smile remained courteous. "We manage well enough," he said, his voice patient. "The Glass Gardens have begun to yield fresh crops. Our granaries our vast. We make sure every Northerner has everything they require come winter."

There was a subtle challenge in Cregan’s words, a quiet assertion of his control over his household and his care for his wife. The implication was clear: I’ve got it covered.

Jace gave a tight nod, his lips pressed thinly together. The conversation lulled back into awkward silence, the crackling of the fire and the clinking of cutlery the only sounds between them. Claere remained as she had been—detached, her pale eyes drifting from the flames in the hearth to the fruit on her plate.

Jacaerys hesitated before speaking again, as though weighing his next words carefully.

"Has Claere ever told you," he drawled, his tone lighter but carrying an undercurrent of something more, "that she and I are twins?"

Cregan’s gaze shifted to Jace, then to Claere, and back again. It rattled him, if only for a moment. Twins? It seemed impossible. Jacaerys, with his dark ringlets and strong build, bore the hallmarks of House Velaryon though, some whispered, his true father, Ser Harwin Strong. Claere, on the other hand, was the image of Old Valyria—silver hair, pale skin, violet eyes, as if fire and ice had mingled to create her. The stark contrast between them had always been striking, and now it seemed even more so. He simply deemed it unlikely at first glance.

"Yes, we were inseparable," the young prince continued, his tone cautious. "We shared the same womb, weaned from the same breast, and learned together as children. We were even betrothed for a time, like our ancestors before us."

Jace's eyes narrowed slightly as Cregan's fingers fisted, and though his tone remained neutral, there was an edge to his words. "But even after all that, there are things about my sister I still cannot begin to comprehend."

Cregan’s eyes darkened, understanding the implication. Jace wasn’t just talking about family ties; he was probing, testing for weaknesses, for fractures in the foundation of Claere’s place in Winterfell. It was a subtle attempt, cloaked in brotherly concern, but Cregan was no fool.

"Aye, that may be," Cregan replied evenly, leaning back in his chair, his fingers tapping against his goblet. "But what man can claim to entirely understand a woman, even one he’s known all his life? Claere may be... finding her feet, but that doesn’t make her any less at home here."

Jace raised an eyebrow, his lips curling into a faint, sardonic smile. "You speak as if she’s already oriented herself here, Lord Stark. Though from what I’ve heard, not all in the North share your sentiment."

The jab was delivered mildly, but it hit its mark. Cregan’s expression hardened slightly, his palm tight around his fork, though his tone remained calm. "Winterfell is nearly frozen over. It takes time for new blood to warm itself to these halls. But we’ve had Targaryens here before, and they’ve got by just fine."

"Mm," Jace hummed into his glass, "dragonblood runs hotter than you can imagine."

"Makes it easier then."

Jace leaned forward, setting his goblet down. "That’s just it, isn’t it? Claere is no mere Targaryen. She’s my twin. She has just as much claim to our mother’s throne as I do."

The implicit tension snapped into something sharper, more dangerous. The Iron Throne. The claim. It hung between them like a storm on the horizon, unstated but ever-present. Should sides be drawn in the future, blood could be spilt—not over affection, but over power, the oldest and most treacherous currency. He could imagine it: Queen of the Seven Kingdoms, Claere Targaryen, and her king consort, the King in the North, Cregan Stark. It tasted foul on his tongue, withered to ashes as soon as it appeared. Claere was queen, here. She was the winter's queen, a fire that would burn a beacon in the North.

Cregan’s eyes narrowed, though his expression remained stoic. "Are you suggesting something, my prince? Sowing seeds of war in my soil, possibly?" he asked, his voice low, enduring as a mountain before the storm. "Because it sounds as though you’re questioning my lady's fealty to her home."

Jace’s eyes flashed, but he didn’t back down. "I’m simply reminding you of who she is. And that, as much as you may think you understand her, there are parts of Claere that no one can reach." His gaze drifted to Claere then, who sat as still as stone, her eyes on the flickering flame. "Not even me."

Cregan studied Jacaerys for a long moment before turning his gaze to Claere. She had been a quiet, odd presence throughout this verbal sparring match, content to let the two men duel with words over her head. But now, as Jace’s words hung in the air, she finally looked up, meeting Cregan’s eyes with her own.

Cregan leaned back in his chair, a calculated look forming as his hand rested on Claere’s thigh.

His voice lowered, carrying an undercurrent of challenge but framed in civility. "It seems we find ourselves at an impasse. Perhaps a better question, my prince, is not who has known Claere through six moons or sixteen years, but who has tried to understand her the most."

Bitterness flickered in Jace's gaze. He leaned forward, not willing to be outdone. "It’s not the little things that bind people. It’s blood, shared history. We came into this world together."

Cregan’s lips curved into a cold, knowing smile. "Aye, you did. But who stands by you in the darkest hour matters, not who was there when the sun first rose."

Jace’s face flushed with frustration. He glanced at Claere, who sat impassive as ever, and then back to Cregan, clearly at a loss. It seemed like he wanted to argue for a moment, but nothing came. The Stark lord's words had landed.

"Jace is right," she said quietly, her voice soft but collected. "He doesn't know me fully, nor do I know him as I should." Her eyes shifted toward her brother, a faraway sorrow touching her expression. "We've spent years apart—fates pulling us in different directions. He's not wrong about that."

Jace straightened up, a gleam of triumph surfacing in his expression, but before he could speak, Claere turned her gaze back to Cregan, her voice clearer, firmer.

"But that doesn’t imply I am not where I am meant to be."

Jace's smile faded. Her words were simple, undefined as ever, but they carried the gravity intended. It was a quiet reminder that she had chosen Winterfell, that she had chosen Cregan. And though her ways might be unconventional, she was committed to that choice.

Cregan’s expression softened slightly as he looked at her, the tension in his stance easing. Every inch of him swelled with pride at her words.

"I belong here now, Jacaerys," she declared to him.

"These people whisper at you like cravens, sister," Jace told her irately. "They have no regard for the power at your helm. Seven hells, you ride the White Dread. Yet they disparage you and hail you a witch."

"I will not have her leave her home for it," Cregan cut in sharply, his words slicing through the thickening tension.

Jace’s lips pressed into a thin line, his earlier confidence ebbing into frustration. "Home?" he repeated, the word laced with disbelief. “She is of the blood of Old Valyria. She belongs in a throne room, with her dragon soaring over Blackwater Bay—not wasting away in the most forgotten corners of the realm.”

"Wasting away?" Cregan’s voice dropped to a deadly stillness, his eyes narrowing. “She flourishes here, despite whatever Southern comforts you think she’s lost.”

Jace’s gaze sharpened, unwilling to back down. "Look at her, Stark. She's barely a shadow of—"

"Stop."

Claere’s voice cut through the rising tension, abrupt and shrill, though her tone was calm. Both men fell silent.

For a heartbeat, neither Jace nor Cregan moved, their stances locked in defiance, accusations hanging gravely in the air. The room seemed to shrink, the air charged between them as if the two men stood on the brink of war than the moment itself.

Cregan’s jaw tightened, his gaze darkening as he regarded the prince. His voice dropped to a dangerously calm whisper, more powerful in its restraint.

“You speak of power as if it is the only thing that holds this realm together. But it’s not power that keeps this castle standing. It’s hard work, loyalty, honour. Do you think strength alone carried Winterfell through the long winters and centuries?”

Jace’s eyes flicked to Claere, then back to Cregan, the frown on his face deepening. “Loyalty?" he said, his voice tinged with scepticism. "Yes. But loyalty can break as easily as ice, especially when those in the shadows do not see strength."

“They see what I choose to show them,” Cregan shot back, his voice steady, unflinching. “And they see a queen standing beside me. She is spoken for in my name. That’s all they need to know.”

The silence that followed was thick and heavy as if the very stones of Winterfell had taken a breath and held it. Jace’s brow furrowed, his jaw tight as he tried to digest what Cregan said. Queen? The word hung in the air between them, a title not formally bestowed, yet it carried a deeper truth.

Jace’s gaze flicked between them—Cregan, with his unyielding confidence, and Claere, with her quiet, ethereal presence. He tried to grasp it, to make sense of how this odd, reserved sister of his had become something more in the eyes of these Northern people. For all their whispered words, all their doubts and suspicions about her, they still regarded her as something more than a mere consort. She had carved out a place here, without needing to raise a sword or a dragon in her defence. She was no longer a pawn at their mother's behest.

Jace exhaled, his hands resting on the table, his earlier edge of confrontation slipping away.

"I have only wanted what's best for her. And to my mother, it was to bring her back to Dragonstone. Live out her days as she wished, rid off calumnies." Finally, he nodded, settling into a reluctant acceptance. “Now I see... she's not alone."

Cregan’s gaze was unflinching as he spoke. “She never was.”

Jace looked between them, Cregan’s words settling over the table like a thick winter’s snow. Claere’s eyes met her brother's in a fleeting but meaningful look.

Jace, for all his formality, nodded, understanding more than words could say. "Then we place our trust in your hands, my lord, and the princess' peace of mind."

And the Stark, ever the wolf in his den, would guard her with teeth bared if need be. Cregan’s hand tightened on Claere’s, his voice low and relentless.

“You’ll leave Lady Stark in the only hands she needs.”

X

Claere stood in the doorway of Jace’s chambers, her presence barely announced by the soft scrape of her shoes on stone. In her arms, a basket, small and modest, yet unmistakably precious—the glint of warm dragon eggs nestled within.

Jace looked up from his desk, startled by the sight of her, and rose slowly, his brow furrowed in confusion. "Sister."

“For the new princess,” she announced, her voice low, measured.

She offered the basket, her fingers lingering on the handle for a moment before retreating into the folds of her gown. Her gaze remained fixed on the gleaming eggs as if their presence alone carried the message.

Jace blinked, surprise flashing across his face before he laughed, though the sound lacked true mirth.

“Of course. You always seem to know more than most,” he said, shaking his head in disbelief. “No one’s spoken of the babe—not even to the Queen.”

Her lips barely moved as she responded, her tone distant, almost cryptic. “The winds carry luck and warnings alike.”

"We've named her Laena."

She inclined her head ever so slightly. “An auspicious name. May she prosper.”

Her words were curt and formal, as though there was nothing more between them than this exchange. The air between them felt colder, stretched thin by years and decisions not their own. He had always hoped for more—some kind of familiarity, some bridge between their shared past—but that hope had been dashed time and time again. The rift, born of their mother's scheming and expectations, had only deepened over the years.

“I wish you good fortune, brother,” Claere said finally, her voice flat, the words of courtesy hollow.

Jace sighed, the weight of lost years heavy on him. He had wanted to speak with her, to find some common ground, but she had always been like this—elusive, indistinct, a world apart even when she stood in the same room. Time had slipped away, and no ravens sent across the vast expanse of that distance could ever reclaim what was lost.

"Lord Stark seems quite fond of you," he tried to say, softening his tone. "I am glad you've found someone to treasure. I also hear that you crossed the Wall alone—"

"The hour grows late. I should leave you to your rest." So blunt, a blade cutting through any illusion of warmth between them.

"Claere, wait," he muttered as she turned to leave.

His sister paused, though her back remained to him, her silence stifling. She did not look at him, and yet he felt her eyes upon him, offering no solace, only the unyielding distance that had grown between them.

Jace hesitated, searching for the right words. “The throne… it’s a cage, not a crown. You know that as well as I. You don’t need it. You don’t want it.”

Claere turned, her gaze indistinct, as if she were dissecting his meaning without revealing any of her own. He took a breath, willing her to understand.

“We were born the same. But only one of us can sit up there. And you’ve never belonged in its shadow. You’re beyond it.”

The silence that followed was thicker, heavier than before. His words hung in the air, an unspoken plea for her to step aside, to yield something that, by all rights, was hers to claim.

She said nothing, but her silence screamed louder than words, and in that void, Jace felt the weight of all that had passed between them, the years lost, the closeness forsaken.

"I'm sorry, sister," he admitted, his voice a soft plea. "For all of it. I wish it did not come to this."

She raised her brows, her eyes sharp as violet shards. "Come to what?"

Jace faltered, caught off guard by the calmness of her tone, the way her words sliced through his own hesitation. He swallowed hard, searching for something to grasp onto. "This anonymity. Our own mother's ambition has turned us into strangers."

Claere's lips lifted to a bleak smile. "Our mother did not do that, Jacaerys. You did."

She stood there, her face unmoving, the silence thick between them. There was no anger in her eyes, but neither was there forgiveness. Just that same cool, detached calm. And with that, she turned and left, leaving him alone in the echo of his apology.

He stared after her, the basket of eggs still warm in his hands, and the cold truth of her departure settling like frost, realizing that whatever bridge he had hoped to build between them had crumbled long ago.

X

As night closed in, Cregan and Claere's bedroom was bathed in darkness, save for the pale glow of moonlight sloping through the windows, casting long shadows over the stone floor.

Cregan lay awake, his mind restless, replaying the tension of the evening with Jace. He’d handled it as he always did—with authority and force. But had he thought of her? Claere had said little at dinner, her quiet presence always hard to read. Yet Cregan couldn’t shake the feeling he should have asked her, should have drawn her into the conversation instead of battling it out alone.

Beside him, Claere stirred. He watched her wake from the pillows, her bare feet silent against the cold floor as she moved, a familiar routine. Her nightdress clung to her form, delicate and flowing, the pale fabric shifting with each step. She drifted toward her harp—a massive, exquisite instrument that seemed to be attached to her as much as her dragon did. He'd watched her do this countless times, slipping into her world of music as if it were the only place where she could find peace.

Cregan’s eyes followed her as she sat, the harp resting between her legs. She flicked her long, silver hair over her shoulder, tucking the loose strands behind her ear before her fingers found the strings. Each pluck sent a soft note into the air, a lulling melody filling the room, soothing and haunting all at once. Her eyes stared unseeingly at the carpet as she hummed, a low, wordless tune that rose and fell with the notes. Her fingers danced across the strings effortlessly, creating music that seemed to be born of the night itself.

She was the vision of every man’s dream—stunning, elusive. And yet, even as she sat there, calm and poised, Cregan could feel her unease, buried beneath that impassive exterior. He knew her anxieties, could sense them in the way her shoulders tensed, in the small tremor in her breath. He should have asked her, should have given her the space to speak her thoughts, to let her feelings surface.

Quietly, he pushed off the furs and moved toward her, sitting behind her on the long bench. His broad hands slid over her waist, firm yet tender, grounding her as he drew closer. Claere’s fingers continued to dance over the strings, but he felt the stillness in her body, the way her breath caught as his presence nudged against her. He straddled her from behind, thighs sweeping hers, his chin resting on her shoulder, carefully sweeping her hair aside to expose the pale curve of her neck. Soft, lazing kisses followed—his lips grazing her skin, teeth teasing in between. The touch was enough to break her concentration; her fingers faltered, missing the next note. Her humming stilled, but she didn’t pull away.

"It's as if you were made to indulge me," he murmured against her skin, the words low and warm as he kissed her ear, drawing her closer to him with every word.

A soft smile tugged at Claere’s lips. "Not long ago, this used to scare you witless."

Cregan chuckled, a low sound that rumbled against her back, his lips pressing more firmly into her cheek. “Maybe earlier,” he admitted, his breath hot against her skin, “but now. Now I think of immensely bold acts I'd like to see play out.”

His hands slid up her sides, pulling her in closer, as though she was the only thing that could still his thoughts. He pushed another kiss at the seam of her jaw, teeth sinking in to tug at it.

"Do you want it, love?" he rasped.

Her fingers idly plucked at the gold strings. "You?"

"You already have me. I meant the Iron Throne."

Claere’s fingers stilled on the harp strings, the delicate melody faltering, as though his offer had reached even the instrument.

Cregan had always been a man of ancient power, cold winds, and the endless stretches of the North—they were in his blood as much as his duty to his people. He had never wanted the games of the South, the crown’s politicking, the endless pursuit of power. All he had ever wanted was to serve his house and to care for the woman he had sworn his heart to.

But as he held Claere close, her warmth seeping into him in the quiet of the room, his mind was at war with itself. For her, he would march on King’s Landing, he would challenge any lord, any crown, if she asked it. And that thought ate at him, for it wasn’t a war he desired—it was her. Only her.

“I'd give it to you when the time comes,” he whispered again, reluctance carefully concealed. He pressed another kiss into the soft curve of her jaw, his breath heavy against her skin. “If you said it, I’d rally all the houses under my yoke, raise my banners and claim what’s rightfully yours. I'll lay all of Westeros at your feet.”

Her body tensed beneath his touch, but she said nothing at first. The silence stretched, and it unsettled him. He felt her thinking, felt her calculating in that quiet way she had. She always had a way of making him question himself without uttering a word.

“You would march south for me?” she finally asked, her voice low, like a ripple across still water.

Cregan's hands gripped her waist more firmly as he processed her quiet words. She hadn't given him a direct answer, not about the Iron Throne, not about power or the realms beyond the North. But there was something in her silence, the way her fingers had resumed their light plucking at the strings of the harp, her eyes half-lidded in thought. His heart clenched, torn between duty and desire.

His voice was a low rumble, roughened by the cold and tension. "Aye."

"Then what?" she mused.

He was evidently thrown. "You... you could have it all—power, praise. No one would ever question your place. They’d fear you, respect you. The entire realm."

She paused, her hands resting against the harp strings, but her face remained unreadable. After a moment, she tilted her head slightly, her silver hair brushing his chin.

"And what would you do then?" she asked. "Once we have seized the Red Keep, and slain my brother and his heir, would you rule by my side, or would you abandon me in that gold cage with bloodstains?"

His jaw clenched as the simplicity behind her cruel words settled.

"There must always be a Stark at Winterfell," she claimed in a mumble, her tone unyielding, almost teasing. "Would you leave me to be poisoned by the court of vipers while you return home?"

He swallowed, his throat tight. The truth of her question was too clear. The North was in his blood, a responsibility that was older than any crown. And yet, for her, he had entertained the unimaginable. He could see it in her eyes now—the depths of her meaning, the question he hadn’t fully understood.

“You fit in here, with me," she said softly, her fingers brushing over his wrist, still resting on her waist. "This is the only place I’ve ever truly felt at peace. The North may whisper against me, but it has been kinder to me than any throne ever was."

Cregan let out a slow breath, his hand sliding up to her throat. The magnitude of her words pulled at him, grounding him in a way no talk of crowns or power could. He urged her cheek against his forehead, seeking warmth in her closeness.

"Here is good," she murmured, cupping his jaw. "Here, where the cold is real and not the cruelty of men."

And for the first time since he had offered her the world, he understood the answer. It was never about gold, crowns, or kingdoms. It was about the home they had made together, in the harsh, unyielding North.

Cregan pressed a lingering kiss against the pulse of her neck as if drawing strength from the steady rhythm beneath her skin. “You’re my queen, always,” he whispered, the words no longer about crowns or thrones.

At that moment, he knew he needed no banners, no throne to claim. He had already won the greatest battle of all—he had her.

Claere's lips curved, her hand tracing the shadow of his beard.

"A queen without a crown," she murmured, more to herself, the playful glint still present. "And without subjects, save perhaps you."

He laughed deeply, the sound rumbling against her skin before he glanced at the harp resting before them. With a grin tugging at his lips, Cregan reached for it, his large frame seemed out of place with the delicate instrument, but he was undeterred.

“Or I presume,” Claere teased, her back leaning against him, feeling the warmth of his chest. "The King in the North who fancies himself a minstrel?"

Cregan plucked a string awkwardly, the sound that followed more of a discordant twang than music. He winced but smiled, undaunted.

“There’s more to me than swords and axes, you know," he pointed out. "I am quite the bard myself. Listen to this."

He cleared his throat to sing out in a low-pitched voice, fumbling with the strings and producing another off-key note. Claere listened eagerly, holding all the stars in the sky captive momentarily.

Claere, oh, sweet Claere, She plays like a queen, Every note is like a spell, And here I am, A loopy fuckin' fool, Breaking her strings Oh, she hides her laugh well!

Claere burst into laughter, hiding her face behind her hands, a rare sound that filled the hushed space between them, and Cregan looked even more pleased with her reaction than his musical attempt.

“You’ve got that laugh locked away like a prize, don’t you?”

“I don’t laugh at just anything,” she said, her voice warm but with that familiar edge of wit.

Cregan arched a brow. “I’m special then?”

"Very much."

Moving close and her hands over his, she guided his fingers to the proper strings, her touch gentle, her movements graceful. Together, entwined, they coaxed a soft, sweet melody from the harp.

Cregan barely cared for the music. His focus was entirely on her—her warmth, the way her fingers danced across his own, the rare smile that hadn’t left her lips for a long time. How wondrous would it be to be stuck here, this way, with nothing but time to keep them apart?

“I admit defeat,” he murmured, his voice low, amused. “I think the harp is yours, love.”

Claere’s smile softened as she continued to guide his hands. "A queen with a harp," she mused, her voice low and warm. "Perhaps that’s all I require."

Cregan, eyes crinkling with a smile, leaned in closer, his breath against her ear. “That, and me.”

"Perhaps..."

Claere laughed, a soft, clear sound, and kissed him, her warmth banishing any lingering tension. He moved his grinning lips with hers, holding her safe in his palms, now truly untouchable.

"I’ll settle for just you," she whispered.

X

I'm opening my inbox for asks for one-shots on Claere and Cregan! I'm not sure how that works, but I'll learn as I go :)

a question for my kind ones: if Cregan and Claere had a date night, what do you think that would look like? go as wild as you can!

[ taglist: @pearldaisy , @thatkindofgurl , @theadharablack , @cherryheairt , @beingalive1 , @oxymakestheworldgoround , @tigolebittiez , @cosmosnkaz , @justdazzling , @lv7867 , @piper570 ] -> thank you for your endless support everyone!

[distant--shadow]

The Witch and the Widow – Chapter One – The Lake

Laudna Bradbury had murdered her husband.

Maybe murdered. Apparently. That is what brought Imogen here - indirectly, at least.

Not that she's with the law enforcement or anything. Not that, definitely, though ironically being an officer - an interrogator - would suit her well, at least on paper. Passion and enthusiasm would be a different question - and that's why she's here. Sorta. Indirectly, again, for a different question. Words travel, by means of mouth or ink or thoughts (apparently, she had found out), even though thoughts should not travel past the head that they were made in. But they did, and continue to do so, and Imogen had heard enough accounts about the man himself (the Lady’s husband, when he was alive and after the fact), had seen enough women squashed under the boots of the men they were tied to to intimately know and understand a flash decision made in a moment for self-preservation-

all too often women tempered their instincts to allow themselves to become the soil underfoot rather than the sole of the shoe

so much as to say that Imogen does not care much if Laudna Bradbury had murdered her husband.

She cares more about what the words whispered and weaved and waded in the time after wrote:

Laudna Bradbury had used witchcraft to murder her husband.

The only utterances of magic Imogen had heard of, had seen, had unexplainably received taken telegraphed by inner voice and grey matter before that rumour, were her own.

Imogen needs answers, desperately, as though a necessity purely imperative like breathing and eating, and so she brought herself to the source of the lake before it divided and weakened and meandered from river to muddy stream to drink directly from her-

(it.)

Laudna Bradbury is a widow, a widow who continues to live on the estate her husband’s heraldry and wealth had afforded them, company kept by a small team of housemaids and gardeners and the like.

and it is a large estate, a lot to look after, for sure, certainly, with its couple hundred maybe more years in age and just as many acres. There's hairline cracks in the stucco, a missing roof tile here and there

but there is no denying that it is a fine example of architecture, certainly was the highest of fashion at the time. A grand country house with an East Wing and a West, bay windows and towers and pleasing ratios between alcove and doorways and arches and walled topiaried gardens that extend from north to south, illustrations in stained glass ornately framed with flowering climbing ivy

statues that step out from domesticated bordering jungles, now appearing more as gargoyles thanks to the decay of time, noses eroded like they have rotted off, birds’ nests of briars thorned crowns or horns

rosemary bushes skirt the main building’s façade, perfuming the sometimes hot-and-humid, more often brisk-and-grey air carried through the opened lead-lined boiled sweet coloured window panes into the dark mahogany-panelled and silk-embroidered tapestried interiors.

Off of the West Wing there is an extension nearing the height of the gargoyled walls that surround the estate. This is the wall that fortifies the Lady Bradbury’s private garden; with doors adjoining directly to her study - both of which are off limits. Imogen doesn't know much of pretty and imported flowers, but she knows local common sense, knows what berries to pick and which weed’s sap causes a blister that will never heal again should it brush her skin.

Through small cracks in the masonry delicate tendrils curl out; leaves crawling, surfacing, small purple flowers with yellow tear-drop centres blooming.

Deadly nightshade.

She wonders what else grows behind the wall, patiently biding its time until the decay of such allows it through. 

It is in the stables that Imogen spends most of her own time; her years of experience working under Master Faramore awarded her an earnest recommendation, and it sure helped that a couple of the Lady’s mares and a stallion were from his own livery, that they had been raised and trained by Imogen's own hands before they left them.

She needs answers, so she has taken herself to them, to the lake to drink from. She observes from a distance, listens to any whisperings and wonderings that bed with her in the servants’ quarters.

The days are long, mostly spent between mucking and feeding and exercising and grooming the horses and watching the Lady Bradbury taking a walk around the herb garden with knees as muddied as the kitchen staff’s, or cutting bark segments from off of the trees that dot the grounds as if she were operating in front of an amphitheatre of flora and fauna students whilst Imogen brushes down one of the horses or shovels hay

and despite the distance and Imogen's best efforts to remain subtle, the Lady Bradbury’s eyes would sometimes catch hers observing (staring, admittedly), and she would smile, and perform a barely perceivable curtsey (one of many behaviours outside of expectations), and Imogen would tip her brimmed suede hat in return, and would think of how despite the fact that the Lady’s practices of class and boundaries and what is proper were different, a bit odd, nothing of the woman's behaviour suggested that of a killer - only the situation that she stood in - the peculiarly beautiful widow with a walled off poison garden. And so maybe the same is to be said of her magic, should she even be harbouring or practicing any (although admittedly her appearance certainly is bewitching…)

and it's like the instances before but unlike them - Imogen stealing glances of the Lady Bradbury as she potters about her estate (she probably really does potter, she fills so much of her time with crafting and making. Imogen wouldn't be surprised to see her pale skin elbow-deep in caked-on terracotta pigment digging out clay rich soil into old whisky barrels to have carried by willing hands to a throwing room with a secret kiln.) but on this day, when their eyes in new routine now inevitably meet across the wildflower-speckled field (that in itself is unusual, highly out of vogue, it isn't the acres of well-kept uniform lawn and paths laid with talking-point pebbles imported from the coast that the other estates boasted and Imogen had glanced when ferrying Master Faramore’s horses elsewhere) the Lady Bradbury takes pause, before she starts to make her advance towards Imogen.

shit.

She's been brushing the same patch of short thick hair on Foie Gras’ shoulder for so long that she's surprised there isn't a bald patch. Maybe the Lady Bradbury is worried as such. Maybe Imogen has been too obvious in her observing (admitted staring). Maybe she has been found out.

She feels her brow start to perspire, the muscles in her limbs wishing to move erratically and awkwardly and restlessly and to carry her to stand out of sight hidden behind the thick neck of the horse like an obvious child playing hide and seek behind a tree trunk, or to flatten the creases in her breaches and her linen tunic and pick out the strands of hair and hay that have lodged themselves into their weave, untwist the grasp of her suspenders over her shoulders - but she practices restraint - is trained and cautious and intentional and thorough she was only being thorough with the mare, casts her gaze in iron like the blacksmith hammering the horseshoes and steels herself for the Lady Bradbury’s approach.

Her skirts are full and structured and plumed by many layers of petticoats that hide the movement of her feet across the wildflower lawn, causing her to appear to be drifting like the bees do from petal to petal, pollen dusting her pleats though ghostly her skin in contrast to the fine fabrics that she dresses for the part, black in mourning, still, bodice tight and sleeve leg of mutton, an ornate decorative layer of black lace laying over each yard of textured textile like spider webs on porcelain patterns, her husband's tableware collecting dust in the kitchen cupboard.

real impractical for how tending towards practical the Lady dares to be, hands on, too busy for errant hairs in piano key ivory and ebony windswept and loose from the high bun she pins in place with a cameo broach, a memento mori engraved in silver and inlayed with ruby eyes and tied with red ribbons. Her skin also proudly displays the age and perhaps trauma that her hair does, lines from laughter and furrowed brows and the feet of the crows that cry from the top of the chimney pots

Imogen has heard her call them her children (the birds that is, not the wrinkles) - has heard her talk to them as if they are responding, oftentimes giving her own tampered voice to do so (and to Imogen’s amusement)

The Lady never had children of her own; those are their own rivers of rumours within themselves. Imogen did not care for that stream of gossip at all.

The Lady steps closer, and the yet-to-be familiar fog of her mind cocoons Imogen, water transmuted into mist against jutting rock at the plummet of rapids, relief from the laborious work and humidity, her previous restraint to keep her body in check breaking as she visibly swallows and licks her lips, suddenly aware of how dry they had been.

The Lady Bradbury rests her hand on the back of Foie Gras’ neck, fingers long and pale and decorated in black lace like mother of pearl inlay and marquetry on a lacquered curious curio cabinet that perhaps Imogen had eyed through a stained glass window standing in the corner of the out-of-bounds office.

“Good day. It's Imogen, correct?” her delicately veiled fingers comb through the mare’s mane, her dark mahogany eyes seeming to look over the gloss of Foie Gras’ coat to inspect the way the late morning sunlight rests upon its sandy hues before turning her attention back to Imogen with a smile.

She hadn't spoken much to the Lady since she was hired a few weeks back - not much being that this is the third time, after her interview and a brief acknowledgment when being shown around by one of the housemaids the day she started.

The Lady Bradbury’s lips are painted a deep purple, an unusual colour for sure; Imogen had only seen illustrations and paintings of the dignitary from era’s passed in shades of peach and pinks and reds, stencilled in exaggerated shapes, and as with the landscaping of grounds, to wear such obvious make up itself is frowned upon, old fashioned, conveniently equated with providing false fronts.

The Lady’s teeth are bright, especially in comparison to the purpled dark lips.

and sharp

especially in comparison to how soft-

“You must pardon me, have I got it wrong?”

shit, fuck-

“Oh! n-no-” Imogen was staring, definitely “I apologise m’lady. You are right, it is Imogen.”

God dammit - she’s gonna get herself fired, fired for daydreamin’ and giving the horses receding hairlines and ignoring the Lady of the Manor when she addresses her-

The Lady chuckles to herself delicately, an act displaying a markable absence of frustration and bewilderment.

“From Master Faramore’s, yes? How are you finding the new environment? I am sure the stables here pale in comparison to his, but I do not believe that they afforded such space and the opportunity for frequent walks around such a beautiful lake…”

“Certainly, m’lady. There are less of them so they get more attention, they can be well looked after-”

“Indeed, plenty of grooming at the very least-”

Imogen can feel the hot blood rush to the surface of her cheeks, unable this time to wrangle her body’s motor reflexes.

“I have yet to visit the lake m’self, I am sure they enjoy bein’ taken by you though, they always seem happier when they come back.”

“Is that so? Well, I must insist you see the lake for yourself, if not only to relish the fact that you took great part in an amount of their contentedness.”

The Lady Bradbury looks to her expectantly, Imogen expected to have a reply for the unexpected.

“Would you accompany me this afternoon?”

Imogen can read thoughts. She can read thoughts but what if the Lady Bradbury can too? Or what if she can tell that she is imposing? Would she find herself in the bottom of that lake on her very first visit? A drink more filling than what she had wanted, her lungs full and void of buoyancy. Imogen can read thoughts but she dares not to read the Lady’s.

She can feel them, though, that first and second and now third time in her vicinity, feel how they are different, an audible silence amongst the swarm of bees wings and small talk and anxieties

At some point the Lady had stepped around Foie Gras’ head to stand beside Imogen

She smells like sage and gunpowder

On the day of her interview she had smelled of eucalyptus and raw animal fat-

“You’re quite the thinker, aren’t you?”

Of that she is guilty, though usually she can argue that the majority of the thoughts that weigh her down are not her own.

“Apologies m’lady, I wasn’t sure I had heard you right. Did you want a horse saddled for you for this afternoon?”

Imogen had never thought that her accent sounded particularly thick or clunky, but it felt as heavy as her mind tends to be around other company when speaking with the Lady, her tongue all thick tangled muscle swelling against the roof of her mouth and her teeth.

Perhaps this is some sort of witchery. She waits for the molasses to take a hold on her muscles and limbs, for the her skull to be crushed concave from the inside

But it doesn’t happen.

The Lady smiles (again)

“Almost. One for you and one for me, if you would accompany me around the lake - there isn’t a cloud in the sky today and it would be a shame to keep the clear reflections of the mountains to myself and Foie Gras here.”

Imogen is thrown. Yes, y’all could argue that this is exactly what she came here for; time alone with the Lady Bradbury, the opportunity to form a rapport or to subtly pluck at her brain but there is something in the way that she carries herself, how she talks to Imogen with ease and lack of formality that is alarmingly disarming, and leaves Imogen cloudy on why she came here in the first place-

“C-certainly, if it’s what the Lady wants-” she chuckles (again, again) waving her hand dismissively before catching herself and laying it over the patch of hair on the mare’s shoulder that surprisingly hasn’t thinned from all of Imogen’s enthusiastic (distracted) brushing.

“I will take Ceviche; you seem to have formed quite the bond with Foie Gras.”

Imogen can only nod with lips parted in silenced protest as she feels her cheeks flush again.

~

The walls of the stable are thick and stone, absent of windows save for the upper halves of the handful of wooden doors that allow for the horses to pop their heads out in eager greeting to Imogen as she walks towards them with their buckets of feed.

It is a clear day, as the Lady Bradbury has said, hot and humid and Imogen is grateful for both the surroundings and the company of the stable.

As she rakes the trodden-in and dirtied hay across the flagstone floor she allows the earthy scents of the dried grass to remind her of the smell of the sage, the crumbling mortar imitating gunpowder.

She wipes the back of her shirt sleeve across her brow, skin also sweating at the wrist where the gloves wrap work-beaten leather over shielded skin

Soft skin, mostly - save for where her fingertips appear to be frost-bitten.

A fairly visible reminder of why Imogen is here, should she forget again in the Lady’s presence-

Not that she would dare to take off the gloves.

That would only lead to questions.

‘Jammed in between horse-drawn carriage and stable door’ - she used to say, before the purple bruised tips started to migrate further, splitting out like surfaced capillaries that encompassed her fingers one knuckle at a time

They mark half-way over her palms now – like someone had dipped fine dense vegetable roots in an inkwell and struck them in lashings across her hand, punishment obfuscating her palmistry.

She hears one of the horses whinny – Ceviche most likely, a little restless, the black stallion not having been let out onto the fields yet today, as Imogen was now preparing him for his ride to be taken shortly.

The Lady’s saddle is very ornate, the leather finely tooled and decorated with organic flowing arrangements that resemble leaves and petals and insects with patterned wings or many many limbs

Its material and stitching is kin to the other saddles, the ones for notable guests and stablehands alike, brands the same maker’s mark

After a short amount of time observing (staring), Imogen suspects that the Lady tooled it herself.

~

The Lady does not ride sidesaddle – she straddles the stallion proper.

Imogen can only assume that she changes from her garden-strolling undergarments to allow for this, having never worn a crinoline herself - that would both be out-of-class, and, more importantly (to Imogen at least) - real impractical.

She had noted as such about the Lady on the first day she had seen her taking one of the horses (it was Carpaccio, a black and white paint) out of field.

It was the first instance of out-of-expected behaviour that she had witnessed.

Imogen can admit to herself that such a small thing had ignited her warming to the widow.

~

Imogen allows the Lady Bradbury and her steed to take the lead, pace set by the older woman’s enthusiasms making themselves known in short enough time from pointing out ��notable’ forms in the sloping rock faces lining the well-worn path, covered in blankets of moss and ferns and tall stems of bell-shaped pink and white foxgloves and pomanders of wild thistles.

“I just can’t help but imagine what tiny creatures would love to make home between the cracks in the rock and the tree-stumps.”

“’lotta mice and rats I imagine, probably squirrels-”

“Well, yes, certainly…”

Ceviche’s slow walk carries on ahead of Foie Gras’, and the Lady sways with his gate in the saddle, though despite this Imogen could just about read the slight deflation in her shoulders when she had replied to the Lady’s statement.

Her head turns over her shoulder, gaze searching and challenging Imogen’s, caught staring (again), dark eyes hollows of homes burrowed in rocks, the high sun exaggerating high cheekbone architecture, pleasing ratios of brow to bridge of nose.

“…I refuse to believe that there are no imps or fairies when the land is so perfectly carved for them.”

“I can only say I’ve heard stories…” Rumours, rivers.

“Certainly, else you would not be here, would you?”

The Lady holds her gaze a moment longer, as if expecting Imogen to have an answer worth vocalising for that. Imogen feels her pulse begin to thud at her temples, the sweat returning to her hairline and underneath the cuff of her gloves.

The Lady giggles melodically and dismissively, returning her attention to whatever catches its fancy on the path ahead.

“How ugly it is that we must quarry and build. I have thought more than once about leaving the manor to the animals and the girls and making my home in the cave by the lake- oh, I am so very thrilled to show it to you.”

Her excitement cuts the atmosphere, spring back in her step transposed through the steed’s, one hand off of his reins and gesturing in the air.

“You can see it from the upper floors of the house – though that is rather rude of me to say, isn’t it? If you will allow that injustice to fall upon the architect and how societal structure seems to love its walls and assigning basement dwelling.”

Imogen finds herself inadvertently allowing Foie Gras to fall at a pace beside the Lady and Ceviche.

“That’s alright, most nights I tend t’lodge in the stables; eases my mind that I’ll be near the horses should anythin’ happen.”

“Plenty of wild animals around, yes? They do get spooked so easily.”

“I like how you’ve named ‘em – it’s fun.”

“Oh!, You do? I am so glad! You are the one who has to be calling their names most often after all.” Imogen may be in early days (hours) of learning the Lady’s tells, but the smile that creases the skin around her nose and mouth and deepens the wrinkles at the corners of her eyes feels genuine.

“It does often make me chuckle, I assume you’re fond of raw meats?”

“I suppose you would think so, wouldn’t you?”

“Are y’not?”

The Lady takes pause, her look introspective.

“Have you ever eaten horse?”

“w-what? Of course not – do people actually do that?”

“Mmhmm, across the waters – in all directions. It is certainly a common custom. What makes horse any different from beef?”

“I could never – we share a bond, they let us- they give us-” Imogen's tongue is too thick and heavy again, blubbering with words that do not come easily to it as they do her head. She allows herself a deep breath, collects what little face she has, remembers the presence she is in (a Lady regardless of murder or witchcraft) “-in all honesty I rarely eat any meat, the more time ya spend with animals the more guilty ya feel about doing so.”

“How peculiar…maybe you need to spend more time around carnivores.” The Lady laughs at her own joke this time, hand patting at the side of Ceviche’s neck, the horse unaware of what words have been said. Imogen is thankful, in this instance, though she will admit she has tried more than once to see if her mind reading extended to her four-legged friends.

“But they’ve got no choice, that’s how they were made.”

She mimics the Lady’s movements, lovingly patting Foie Gras at the same spot on her neck.

“Made…yes…You have incisors don’t you? Canines?”

“I do, but I don’t have a mouth full of ‘em. Most of our teeth are as flat as these fellas over here…” she ruffles the mare’s mane “-though I won’t deny that gettin’ bitten still hurts something fierce.”

“Makes you wonder what sort of damage you could do if you so chose to, after all, your eyes are not on the sides of your head.”

~

The lake is beautiful.

Of course it is. It displays itself naturally basined, wrapped in the embrace of the mountains surrounding draped in forest cloak, walls both man-made and much older obfuscating its view from the ground floor of the estate.

The lilac and blue hues of the pebbles are familiar, lining the vegetable patch borders in the garden, larger stones used for holding stable doors open.

It is quiet over the lake. The terrain raised around it shutting out the winds, only the quiet breeze that drifts through the canopies on the mountain crests giving a gentle whistle to the waters below, an enjoyable confusement between what is wind and what is the crashing of the tender tides.

The waters are clear blue with a hint of turquoise, green given by either the surrounding plant life’s reflection or by the ones that live underwater.

It reminds Imogen of the lakes in the mountains from her childhood. It is something else new.

Their horses slow to a stop, on the Lady’s cue.

“Magnificent, isn’t it?”

“It really is - no wonder why the horses come back so happy.”

“And will you be as such on your return?”

“Certainly m’lady, thank you for allowing me such a privilege”

“It is not mine to give, though I will make it explicit that you may come down here whenever you wish – providing the horses are happy, of course. That is what I ask of you.”

Imogen thinks she is blushing again, but the feeling is further inside her than her veins, a warmth radiating.

“You take good care of the servants at the estate, don’t you?”

For the first time, the Lady seems thrown by what Imogen offers, a step behind instead of two larger-horsed paces ahead.

“They take better care of me.”

“I don’t think I’ve ever heard someone wish to leave their home to the help.”

“It would be the very least I could do.”

“You give ‘em food and a roof over their heads-”

“They sow the seeds, they tend to the animals, they butcher their meat and harvest the wheat to bake the bread. I have been so lucky that they have yet to poison me.”

“I can only say from ma short experience that I’d find that hard t’understand.”

Her face softens again. It feels both comforting like a blanket but then uneasing like having the lights blown out.

“Funny thing, perspective…”

Lady Bradbury slides off of her horse, heels of her fine boots falling into the gaps between the pebbles, though her footing remains certain, experienced.

On the surface of the lake the trees grow downwards, the birds fly with their bellies exposed to what lies in the waters.

The Lady halts, dropping to one knee as she makes short work of the laces on her shoes.

Imogen isn’t sure if she should be offering to remove them for her, jumps down from Foie Gras and jogs clumsily on uneven surface towards the Lady regardless. 

“There are old stories of this lake, you know-”

Lady Bradbury confesses a little breathlessly, lung capacity limited by the press of her thigh into her stomach. She swaps her knee for the other on the ground, starting on the other lace.

“I won’t tell of them just yet, I would hate for them to be off-putting.”

She stands straight again, the sieved remnants of harsher winds that have made it over the mountains’ embrace wishing to make field mouse nests of her hair, spiderwebs of the lace collar around her neck, footprints of birds’ feet fossilised in the marble cornering her eyes.

She looks at home at the lake, certainly a natural thing - flesh and blood and bones cocoons to silk cotton to yarn to lace – Imogen wonders what a marvel the Lady could paint and chisel into the mouth of an open cave.

Balancing, she pulls each shoe free, grin knowing, slightly manic, intensely catching Imogen before she gathers the length of layers of skirts into one hand and steps into the clear waters.

Imogen swears she sees something conjure beneath its surface to greet her.

Laudna Bradbury had (maybe) murdered her husband – (maybe) with witchcraft, most importantly - but Imogen has bigger questions that require her answers, and so she follows the Lady into the lake.

[becausegoodheroesdeservekidneys]

Hello I am going on a holiday to Eryri next month & I like to read up about an area before going there... do u have any reading or documentary or podcast recs? I'm particularly interested in the ecology & minority language activism & like. Peoples history & rural lives! I know this is stuff u know about in Wales but idk if north Wales is ur region! Míle buiochas ón Eireann!

Fáilte go dtí an Bhreatain Bheag! Or croeso i Gymru. Exciting! Keep an eye on the notes for others chiming in with good recs for documentaries and the like, I'm going to just give a super quick guide

Okay, pronunciation guide for place names and that is here in written form and here in video form. I cannot recommend strongly enough that you try to use the Welsh place names rather than the English translations. Duolingo is flawed but serviceable if you want to hear and learn some basic phrases. If you can at least throw out a 'bore da' to people you pass/shopkeepers, you'll be very well liked. You don't need to be fluent by any means, but Making An Effort is seen as, like, the nicest and politest and most wonderful thing in Wales, and particularly in regions like Eryri.

Because! It's one of the biggest remaining Welsh language strongholds. If you look at language maps over time in Wales, a pattern emerges:

And the current (2021) figures show this:

And you are going to this bit:

So you're heading into the Welshest bit in all of Wales! And the bit with the strongest and longest history of Welsh, too.

Which also means there's a lot of activism-related stuff in that area. It's probably worth you reading up on the history of Tryweryn (which was a bit further east, but sets the scene well); there was also a BIG thing a couple of decades ago where activists would burn down English-owned holiday homes (while they were empty in winter, not, like, with the English in them). This is because, in addition to the usual issues with the social impacts of holiday homes (driving up prices meaning locals can't live there, eroding communities, etc), holiday homes in Welsh language heartlands are a significant and tangible threat to the language. Even today, the issue of holiday homes is an extremely touchy subject, as is the issue of (mostly-English) people moving into the area because "It's so pretty!!!" and then not learning the language.

(Yet another reason they will love you if you Make An Effort)

Historically speaking, you'll be in a chunk of the country that was the ancestral seat of the last kings of Wales (Gwynedd). The final one, Llywelyn ein Llyw Olaf, was ambushed and murdered in 1282, which was the beginning of the end for fighting off English rule. In fact, Owain Glyndŵr later crowned himself king of Wales for about two years, but weirdly, no one acknowledges this as real kingship for some reason - if you google his name, he's always listed as a soldier or military commander, which really opens up a whole "Who gets to say when someone is royalty" debate, but he did actually claim descent from the House of Aberffraw anyway, so ultimately it still links back to Llywelyn.

Ecology! Temperate alpine. There actually isn't a global scientific distinction between hill and mountain, but most countries set an arbitrary height standard. This means it varies from country to country depending on how tall their topology is. Wales, however, bucks this trend, and instead decides based on what is formally referred to as 'land use' and colloquially referred to as 'Vibes'. If it's a hill, it's tamed - if it's a mountain, it's wild. This means Eryri is fairly short by the standards of tedious foreigners who regard mountains as a sort of geological dick waving competition, but it's in fact a whole mountain range; it's also older than Saturn's rings. And, crucially, it's very much sufficiently above sea level to have an alpine ecosystem.

There are three endemic (i.e. not occurring anywhere else in the world) species in Eryri, to whit:

The Snowdon lily. A small and delicate flower growing in protected and inaccessible spots on yr Wyddfa (formally known as Snowdon). Excessively vulnerable to trampling, so the national park keeps sections where it grows fenced off.

The Snowdon beetle. RAINBOW BEETLE.

The gwyniad. A sub-species of whitefish until recently exclusively found in Llyn Tegid (Bala Lake), trapped there after the ice age and now developing its own genetic profile distinct from other whitefish. Some dickhead in the 80s introduced the ruffe to the lake for fishing, and the ruffe eats the gwyniad's eggs, so they've now transplanted eggs to Llyn Arenig Fawr nearby as a conservation measure.

There's also feral goats. And Welsh mountain ponies. Ooh, and, red kites - in the UK red kites were so heavily persecuted they eventually fell to just 7 breeding pairs in Wales. We established a protected zone and hired Nepalese Gurkhas to guard the nests and thus saved it from extirpation so successfully they later translocated Welsh birds to other spots in the UK. It's a big conservation success story, and now red kites are considered to be the national bird of Wales. They have a very distinctive silhouette, too, look for the forked tail.

Oh, and, we have a unique habitat type called ffridd, which you see a lot of in Eryri.

Final wildlife pictures to close:

Anyway - have a great time! Enjoy muchly.

[the-fiction-witch]

Oaths

Media - House Of The Dragon Character - Cregan Stark Couple - Cregan X Reader Reader - y/n Targaryen Rating - 12 Word Count - 877 Requested - i NEED cregan stark oneshots

The snow gracefully floated down from the sky, creating a serene and otherworldly scene, while the colossal wall of ice dominated the horizon with its sheer magnitude. A blanket of grey clouds stretched endlessly overhead, casting a sombre atmosphere over the vast expanse of land.

As Princess Y/n made her way through the ancient corridors of Castle Black, her elegant black gown swept the ground, gathering traces of mud along its hem. Accompanied by Lord Cregan Stark, who was clad in rugged leathers and winter furs, she ascended a creaky wooden lift, her presence commanding attention and respect amidst the stoic members of the Night's Watch.

“Are we sure this is safe?” Y/n asked,

“Fear not my princess, the men of the Night’s Watch maintain all their equipment well. No harm will come to you,” Cregan nodded,

As the lift creaked and groaned, it gradually started to ascend. The wooden structure swayed gently, causing the lanterns to emit soft squeaks as they swung back and forth. As the lift continued its ascent, the imposing silhouette of the castle gradually receded from view, giving way to the expansive and undulating landscapes of the northern realm stretching out in all directions.

Y/n slightly trembled tightening her grip on his arm,

“One wouldn’t think a dragon rider would be afraid of such heights?” he teased her,

“No, it is not the height that bothers me.” she answered, “More the lack of control I suppose,”

“I understand, it can be hard to relinquish such things.” He said, “Come,” He told her As the elevator reached the top, he gently guided her through the winding passages that were meticulously carved into the massive wall. They passed by numerous guards stationed along the way until they finally arrived at an outpost overlooking the expansive landscape beyond the wall.

“It is beautiful… in a terrifying sort of way,” she says,

“Winter is coming My princess, and we must stand ready,” he told her,

She scoffed, “Coming? Surely it is here, no? Else tell me, what is this that falls from the sky and shivers me so?”

“This is but a late summer snow, in the depths of winter it will cover all you see. And the feelings of the warm sun will fade to distant memory.”

“My father brought King Jaehaerys and Queen Alysanne to see the wall, his grace stood this very outlook and watched as their dragons the greatest power in the world, refused to cross it.” he explained,

“It pleases me to know.” She nodded, “Our families share such history, that our ancestors over a century ago treated in this very place, The Conquer and the king in the north.”

He chuckled, “You my princess, at least had the grace and the mercy not to threaten me with your dragon,”

“True.” She smiled, “I wonder…”

“Of what?”

“From the word and histories I have read, The great Torren Stark would rather have died than bent the knee. Much less to the conquer unless he truly believed in unity for the kingdoms.”

“I fear you right My princess,”

“We know why I am here, we both know I have come because that unity… now is under threat.” she explained, “The realm is at risk of tearing itself apart like a dog chewing off its own tail.” she said, “If the men of this kingdom do not remember the oaths sworn before my grandfather King Viserys and his rightful heir my mother Queen Rhaynera,”

“I assure you, Starks do not forget our oaths my princess, Nor do any house under me. There are many in westeros who support your queen… quietly,”

“Quiet support is the same as silence, my lord Stark.”

“You must understand my princess, I like many others have a gaze torn. Between north and south, the matter of the crown and throne is a matter to you and your family I do not deny, but our matters are just as crucial, during winter the oath I owe to the wall and my people is even more than any I owe to kings landing.”

“War is coming my lord,” she said the shiver obvious in her voice,

“That it is.” He nodded, He gracefully removed his fur-lined cloak and gently draped it over her shoulders, ensuring that she was enveloped in its warmth and softness. “We must be united as one… to hold the claim of your mother together.”

Her eyes met his with playful suspicion, “Why do I feel the support of your Northmen comes with a cost beyond the oaths once sworn?”

“Our oaths are held dear, but what you ask would require our houses to have a strong union beyond just oaths.” He explained, “My princess?”

“Is this a proposal my lord?”

“It is. My princess.” He nodded, a gentle smile forming on his lips as he softly took her hand in his, delicately lifting it to his lips and pressing a tender kiss against her cold, delicate skin. The warmth of his breath mingled with the chill of her touch, creating a moment of tender connection between them.

“… for the sake of my mother's cause, and the kingdom. I must agree.” she softly smiled trying to hide her blush,

“Come we will discuss matters in more detail besides the fire.” He told her, “Before you freeze my princess.” he cooed tugging her away from the outlook.

[tribbetherium]

'Stagotaurs, large herbivorous podotheres equipped with elaborate branching antler-like horns and originating from the grimhogs of Mesoterra, have become Arcuterra's primary large browser throughout the Early Temperocene. This clade has become even more widespread on the continent as time went on, with the Middle Temperocene seeing the stagotaurs extend their reach well into the temperate zones of the far north, where conifer trees holding over from the forests of the Glaciocene still continue to thrive, hosting a wide variety of the local herbivores.

One of the larger species of the north forests is the hambaro (Wapitipodotherium dicolorum), a conifer-preferring specialized browser standing to about six feet in its typical horizontal stance and even more as it rears up to maximum height to reach the tender young stems of younger or smaller trees. Its extensive feeding quickly strips the lower branches of small trees, eventually prompting larger bulls to push over the trees entirely to access their topmost branches. This feeding behavior of the hambaro has shaped its ecosystem, creating areas of sparsely-forested temperate grassland and scrubland, with the surviving conifers being selected for larger, sturdier stems, a higher fecundity of cones, or a faster rate of growth in their first few years to quickly grow too heavy to tackle.

The hambaro, browsing persistently as it roams, often finds itself followed by small herds of the grey oxnard (Moschoceromys diminutus), a much smaller species of stagotaur that seeks the company of their larger relative for protection, as well as the leftovers of felled trees left in the hambaro's wake, with their palatable crown branches now within reach. The larger stagotaurs, in turn, seem unbothered by their smaller relatives, as they do not directly compete with them for food, and thus tolerate their presence, with breeding females even actively protecting and defending the smaller oxnards as if percieving them to be young of their kind. This behavior is reminescent, though not to the same extent, to the calfmimes of Austro-Easaterra, perhaps even mirroring an earlier stage in the evolution of the calfmime before it specialized into a mimic species.'

----------------

[talonabraxas]

RA ∆.∆∆ Talon Abraxas

A HYMN TO RA, WHEN HE RISES IN THE EAST.

Hail, thou Aten, thou lord of rays, who risest on the horizon day by day! Shine thou with thy beams of light upon the face of the Osiris Ani, the truth-speaker, who sings hymns to thee at dawn, and adores thee at eventide. Let his soul appear with thee in heaven. Let him sail out in the Matet Boat and arrive in port in the Seqtet Boat, and let him cleave his way among the stars that never vanish.

Homage to thee, O Her-aakhuti, who art Khepera, the self-created!

When thou risest and sendest forth thy beams upon the lands of the South and the North, thou art beautiful, yea beautiful, and all the gods rejoice when they see thee, the King of Heaven.

Nebt-Unnut (a goddess) is on thy head, her serpents are on thy head, and she takes her place before thee. Thoth stands in the bows of thy boat to destroy thy foes.

The denizens of the Tuat (Underworld) come to meet thee, they bow before thee in homage at the sight of thy Beautiful Form.

I would come before thee daily to be with thee and to behold thy Beautiful Aten (Disk). Let me be neither prevented nor repulsed.

Grant that when I look upon thy beauties my members may be made young again, even as are the members of thy favoured ones.

I am one who worshipped thee on earth. Let me enter the Eternal Land in the Everlasting Country. O my Lord, I beseech thee to decree this for me.

Homage to thee who risest as Ra on thy horizon and restest upon Maat!

Thou passest over the sky, every face watches thy course, thou thyself being unseen. Thou showest thyself at dawn and at eve daily.

The Seqtet Boat of thy Majesty goes forth mightily, thy beams fall upon every face, thy variegated lights and colours cannot be numbered, and cannot be told . . . .

One by thyself alone didst thou come into being from the primeval waters of Nunu (or Nu).

May I go forward as thou dost advance without pause, and dost in a moment pass over untold leagues and as thou sinkest to rest even so may I.

Thou art crowned with the majesty of thy beauties, thou dost fashion thy members as thou dost advance, and dost produce them without the pangs of labour in the form of Ra, and dost rise up into the heights.

Grant that I may come into the everlasting heaven and the mountain where thy favoured ones dwell. Let me join myself to those who are holy and perfect in the divine Underworld, and let me appear with them to behold thy beauties at eventide. I lift my hands to thee in adoration when thou the living One dost set. Thou art the Eternal Creator and art adored at thy setting in heaven.

I have given my heart to thee without wavering, O thou who art the mightiest of the gods . . .

[aestheticpebbles]

Saturday October 19th,2024 New York Comic Con

So I took a solo trip to NYCC and attended, let alone dressed up for such an event, for the first time. (I literally assembled my cosplay within a week bc I got my hair dyed the previous Friday, and my best friend pushed me off the ledge out of my comfort zone and encouraged me to dress up!).

Somehow, one of the absolute WORST weeks of my life due to major personal life issues between my car engine exploding in the middle of the woods in north carolina, being forced to stay in georgia until literally 5:30pm THE NIGHT BEFORE (FLEW up I-85N to the closest airport when I could finally leave. delta literally saved my life when I managed to catch a flight leaving at 7pm to go back home where ALL of my cosplay outfit pieces)straight up $🔥🔥🔥 hurt so bad but I was NOT missing this event for anything)) landed at 11:30pm and ended up just pulling an all-nighter to get ready and drive 3 hours back to nyc. my layover was in laguardia and it hurt so bad to know I had to turn around and drive right back past it LOL. however, the week I was PRAYING for to end, still ended off to be an incredible first-time experience thanks to these two, and everyone else I met who attended!

Someone sedate me. How am I supposed to sleep at night knowing the very first words he said were “wow, look at you”, and then “I’ll sign whatever you want” at the table? talk about giving me a free lobotomy on the spot bc I couldn’t formulate a single sentence. Matt was so nice too!! I wish I was able to interact w him more but im so thankful that I was able to get a duo picture.

tom autographed a copy of our solo pic together, and I didn’t even make it out of nyc on saturday night before running to the first target I saw to grab 4 8x10 photo frames.

I circled back around the line after realizing he was willing to sign my crown too and he had his white pen out and ready!! 😭😭 I was so excited and awkwardly laughing bc I was flustered as hell that I walked right by the swau booth. completely forgot that I added the up charge to have them authenticate it, but I guess it doesn’t matter all that much because this crown will only be pried from my cold, dead hands.

Jokingly told my mom to bury the crown with me and a few other trinkets like a pharaoh’s tomb if you will. I got an odd side glance from her. Reminded me of Penguins of Madagascar’s “smile and wave boys… smile and wave….😬😀”

I didn’t even realize Tom wasn’t feeling well and had to leave early because of how bright his smile was, and how responsive he was both when taking pictures and signing autographs.

Dream come true! 💚💚 blushing, giggling, swinging and kicking my feet.

gotta lock it in, im literally yapping right now… not done yet though :)

spay me for saying this— i cant tell what i enjoyed more about meeting him: seeing his toothy smile, or smelling his cologne, or learning what the IRL height difference is? 🤤🫠

okay yall imma shut up now but OMG!!! im obsessed with how good these pictures came out! im so excited to receive more. I hope everyone who attended had an amazing time!!

[your-average-art-dealer]

Cult of the Stars AU - Height Chart + Info

Might change some things here and there later but overall this is it!

Some info about the squad in the AU below the cut:

Siffrin (The Lamb): The Vessel of The King (The One Who Waits). Was brought back from The End (because they were forgotten along with all the rest of the sheep, who are the residents of The Island North of Vaugarde basically) to aid The King. Their Mission is to create a following for The King and to slay the bishops who banished him for trapping the island in a plague of darkness. But they aren't as faithful to The King as they first appear...

Bonnie, Bishop of the Green Crown (Leshy): Doesn't know how to run a cult properly, but the others are helping them. Their sister was originally the Bishop of the Green Crown after their parents were martyred, but because The King trapped her in darkness, the crown fell to Bonnie. Before the crown was corrupted, it was The Crown of Order, but it has been changed to Chaos. Still trying their best to be strong.

Mirabelle, Bishop of the Blue Crown (Kallamar): A pathetic wet thing (affectionate). Euphrasie was the Bishop of the Blue Crown before Mirabelle and like Bonnie, got it after Euphrasie was trapped. Before the crown was corrupted, it was The Crown of Healing, but it has been changed to Pestilence. Barely holding on to be honest, but she's got her friends to lean on.

Odile, Bishop of the Purple Crown (Shamura): The only one who's had their crown since before The King. Teaching everyone else how to run cults properly. Before the crown was corrupted it was The Crown of Concord, but it was been changed to War. The group mom, as always.

Isabeau, Bishop of the Yellow Crown (Heket): Same story as Bonnie and Mirabelle, Someone else had the crown, they got trapped, and he has it now. May or may not have a massive crush on The Lamb and would be totally okay with them killing him if it didn't mean The King would be closer to being freed. Before the crown was corrupted it was The Crown of the Bounty, but it has been changed to Famine. Built like a fridge and has the flirting skills of one too. Very nice though.

Loop (The Goat): A version of The Lamb who rose up against the king and failed. They are now relegated to helping Siffrin on their quest (which they do NOT care for)

And that's it! again some things might change but honestly, I'm pretty proud of it!

[also want to thank one of my friends, who listened to me blabber on about this and also gave some ideas as they too are an ISAT and COTL fan, love ya bro (platonic) ]

[labuenosairesfrancaise]

Burton Constable Hall

Hi guys!!

I'm sharing Burton Constable Hall. This is the 19th building for my English Collection.

I decorated most of the house ground floor, for reference.

History of the house: Burton Constable Hall is a large Elizabethan country house in England, with 18th- and 19th-century interiors.

Despite its apparent uniformity of style, Burton Constable has a long and complicated building history. The lower part of the north tower, built from limestone, is the oldest part of the house to survive and dates to the 12th century, when a medieval pele tower served to protect the village of Burton Constable from the time of the reign of King Stephen. In the late 15th century a new brick manor house was built at Burton Constable, eventually replacing Halsham as the family's principal seat. In the 1560s Sir John Constable embarked on the building of the Elizabethan prodigy house that stands today. This incorporated remains of the earlier manor house along with the addition of the new range containing a Great Hall, which rose the full height of the building and was top-lit by a lantern, along with a Parlour, Chambers and South Wing.

By the 18th century, the Great Hall must have seemed old fashioned, and a surviving design of c. 1730 suggests that Cuthbert Constable intended to completely remodel the interior. However, it appears that remodelling was not undertaken until the 1760s when his son William Constable commissioned a number of architects for designs. These included John Carr, Timothy Lightoler and Capability Brown. The decorative plasterwork was executed by James Henderson of York. At this time, Constable also acquired the plaster figures of Demosthenes and Hercules with Cerberus, and plaster busts of the Roman emperor Marcus Aurelius Antoninus and the Greek poet Sappho, from the sculptor John Cheere. Above the fireplace is a carving of oak boughs and garlands of laurel leaves, crowned by the Garter Star, surrounding the armorial shield of the Constable family in scagliola by Domenico Bartoli.

The dining room was substantially remodelled by William Constable in the 1760s, who commissioned designs from Robert Adam, Thomas Atkinson, and Timothy Lightoler (who won the commission). The ceiling draws on contemporary interest in the excavations at Pompeii and Herculaneum, with plasterwork by Giuseppe Cortese. The overmantel plaque of Bacchus and Ariadne riding on a panther was modelled on famous antique cameos illustrated in Pierres Antiques Gravées, published 1724 by Philip, Baron von Stosch and Bernard Picart. This room was again redecorated in the 19th century.

Link: https://en.wikipedia.org/wiki/Burton_Constable_Hall

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This house fits a 50x50  lot.

I only decorated some of the important rooms. All the rest of the house is up to your taste to decor.

Hope you like it.

You will need the usual CC I use:

all Felixandre cc

all The Jim

SYB

Anachrosims

Regal Sims

King Falcon railing

The Golden Sanctuary

Cliffou

Dndr recolors

Harrie cc

Tuds

Lili's palace cc

Please enjoy, comment if you like the house and share pictures of your game!

Follow me on IG: https://www.instagram.com/sims4palaces/

@sims4palaces

Download: https://www.patreon.com/posts/112319879

Public: 21/10/2024

[wanderingnewyork]

Windows and sculpture in #Crown_Heights, #Brooklyn.

[whensilencespeaks]

Hello Everyone! My name is Elizabeth, or just Liz for short.

In When Silence Speaks, you'll be taking on the role of an MC that isn't part of the human world but wishes to explore it. Sound familiar? This IF is a mixture of themes from The Little Mermaid with the twist of having the classic soulmate trope etched within-- the first words your soulmate says to you is tattooed onto your body.

The only catch? You've traded in your voice to be able to walk on land, but four distinct individuals have their greetings tattooed onto your skin... Will you have theirs?

🔱 Features 🔱

You can play as a mermaid, merman, or merperson. Choose your sexuality, appearance, facets of your personality, an oceanic friend, and your own special reason for wishing to go to the surface world. This story will be filled with a mixture of sweet moments, angsty dramatic ones, potentially steamy ones, as well as many more! Spend time with your potential soulmate while discovering that your deal wasn't as you once believed it to be.

The game, as one may expect, is heavily focused on relationships and romance. However, you'll be able to decide if your soulmate is a romantic one or more of a platonic one-- of course, you'll also be able to befriend anyone else you choose to! All four of the ROs are gender-selectable (male or female)!

🔱 The Romantic Options 🔱

Miran/Mira -- "The Heir"

The heir to the seaside nation of Semprya. An individual with a gentle smile and compassionate nature, with a deep fascination and love for the sea-- respecting it as it should be respected. They're slightly feared within the Court, despite their overall soft-spoken demeanor, because of the sharpness of their tongue and the keen nature behind their gaze.

With fair skin, despite the overall sunny climate of Semprya, and ice blue eyes, reminiscent of the frozen oceans of the North, they command respect with their presence alone. They stand at 6'2" with an athletic physique due to their combat training, but they still maintain an air of slender elegance as well.

Hair as golden as the sun's warm rays bring their look together, being softly curly. Miran keeps his hair semi-short, brushing his ears, and Mira keeps hers to the small of her back.

Caspian/Cassia -- "The Captain"

The infamous Captain of the dreaded ship The Leviathan is known across the seven seas. Stories follow in their wake, a living legend to all, and many believe they search the seas to find the soulmate that always seems just out of their grasp. Of course, others think they just enjoy the bloodshed that always seems to follow in their wake.

Years of life on the open ocean have given them a golden-tan complexion, that offsets the piercing green of their eyes. They stand at 5'11" with a muscular physique that still retains a sense of agility-- always being able to move from one place to the other with the greatest of ease.

Their hair is a rich golden brown that's as wavy as the place they call their home. Caspian keeps his hair to his shoulders, while Cassia keeps hers to just beneath her shoulder blades. The only thing keeping the locks in place is the classic hat denoting their position on their ship.

Evan/Eva -- "The Scholar"

The most trusted advisor, despite their young age, to the Crown Heir of the seaside country of Semprya. With a thirst for knowledge, that has pushed all thoughts of soulmates from their head, they see you as another puzzle in a world of infinite ones-- wanting nothing more than to figure you out.

They have a rich dark-skinned complexion, with a warm undertone, that brings out the brilliance of their light hazel eyes-- that look almost gold. Standing at around 5'4", what they lack in height they make up for in presence alone. With a lean body, from years of lugging around heavy tombs and scripture, they can be quite formidable when out of their usual robes.

Their hair is a rich ebony black that falls in gorgeous ringlets. Evan has his to his jawline and Eva's just barely brushes the top of her shoulders.

Alexius/Alessia -- "The Guard"

With a surly attitude, that only softens for specific people, they don't make it a secret that they don't believe in soulmates, that they don't wish to find their own-- not after what they've seen. A deeply protective nature is paramount to who they are, who they have always been, and it's only grown while in their service to the royal family.

Tanned skin brings out the silver quality of their hardened gray gaze. Standing at around 6'7", they're quite the imposing figure and don't try to be anything else. With a muscular physique, that's built for strength, they're normally seen within their armor-- you never know what could be coming after all.

Auburn hair brings out the cool undertone of their skin. Alexius keeps his hair short and Alessia keeps her to just past her shoulders, but she always has it in either a simple plait or a low ponytail.

🔱 Links 🔱

DEMO (TBA)

[batmanlovesnirvana]

— Absentee Empires: The Absence of Ottoman Influence in the Grishaverse and Its Potential Depth and Complexity

@aleksanderscult @siriuslyobsessedwithfiction @stromuprisahat @black-rose-writings Please share your thoughts on this—I’d love to hear your opinions!

One aspect of the Grishaverse that truly frustrates me is the absence of a nation inspired by the Ottoman Empire and the Arab world.

We have six well-defined nations—Ravka influenced by Imperial Russia, Fjerda drawing from Scandinavia, Shu Han reflecting elements of China and Mongolia, Kerch resembling the Netherlands, Novyi Zem based on the Americas, and the Wandering Isle inspired by Celtic cultures. But somehow, there’s no representation of the Ottoman Empire? It feels like a significant oversight, especially considering the empire's substantial power during the 16th century and its enduring influence into the 18th and 19th centuries, even amidst its decline.

While the Grishaverse hints at other “colonies” beyond the main nations, that doesn’t quite make up for the lack of an Ottoman-inspired culture. Just think about the richness it could have added! An Ottoman-inspired nation could have been filled with intricate politics, vibrant culture, and a fascinating history of diplomacy—especially with Ravka as a neighbor. The Ottomans had a complex and often contentious relationship with Imperial Russia, which included both trade and warfare. Imagining Ravka’s brooding intensity interacting with a nation influenced by Ottoman culture could have created such a thrilling dynamic, rich in both conflict and collaboration.

At first, I thought maybe some elements of Ottoman culture were reflected in Shu Han. But it’s pretty clear that Shu Han is primarily inspired by Mongolian and Chinese influences, making that connection a bit of a stretch. This feels like a missed opportunity, considering the Ottoman Empire was vast and influential, controlling significant parts of Southeast Europe, Western Asia, and North Africa. At its height, it was one of the world’s most powerful empires, playing a crucial role in European and Middle Eastern politics.

The potential for conflict between Ravka and an Ottoman-inspired nation would have been especially compelling. The 18th and 19th centuries saw numerous wars between the Ottoman Empire and Russia, primarily over territory in Eastern Europe and the Black Sea. These Russo-Turkish Wars significantly shaped the geopolitical landscape of the region. Instead of a straightforward narrative, we could have seen intricate power dynamics where alliances constantly shifted, leading to moments of both tension and unexpected cooperation. Imagine the political intrigue and skirmishes we could’ve witnessed…Instead of a simple “Good vs. Evil” narrative, we could have had layers of complexity, like “Who’s backstabbing whom today?” or “Are we trading grain or are we going to war?!”

But despite their military conflicts, the Ottoman Empire and Imperial Russia maintained a complex relationship that involved significant trade. As neighbors with intertwined economies, they exchanged goods like grain and textiles while competing for influence. A similar relationship in the Grishaverse could have added depth, showcasing how economic interdependence can exist alongside rivalry.

Additionally, the relationship between the Ottoman Empire and Fjerda could have been more diplomatic and friendly, especially given the historical context of increased interactions between the Ottomans and Scandinavian powers. The Danish and Swedish crowns sought to establish formal relations to protect their trade interests and gain support against regional rivals like Russia and Poland. For example, during the Great Northern War, Sweden sought support from the Ottomans against Russia. Although no significant military alliance was formed, the prospect of cooperation was explored. Diplomatic missions often resulted in the exchange of knowledge about military tactics, geography, and culture, enriching both sides’ understanding of each other. The relationship between the Ottoman Empire and Scandinavian countries was multifaceted, involving trade, diplomacy, and cultural exchange that could have deepened the tension between Ravka and the Ottoman-inspired nation. You know the saying, "the enemy of my enemy is my friend"? The Ottoman nation would have taken that to heart!

Finally, an Ottoman-inspired nation might have treated Grisha in a way that reflects the Ottoman Empire’s approach to its minorities, offering some autonomy under a millet-like system but with enough restrictions to keep everyone on their toes. You know, like “You can have your own laws, but only if you don’t annoy us.”

In conclusion, the absence of an Ottoman Empire or Arab-inspired nation in the Grishaverse represents a missed opportunity to enrich the narrative with the complex dynamics and vibrant cultures that characterized these historical realms. The interplay between an Ottoman-inspired nation and Ravka could have introduced captivating political intrigues, cultural exchanges, and historical rivalries that would elevate the storytelling. The rich history of the Ottoman Empire—its intricate relationships with neighboring powers, its approach to trade, and its treatment of minorities—offers a wealth of material that could have added depth and complexity to the Grishaverse.

Ultimately, incorporating such a nation could have not only enhanced the world-building but also provided a platform to explore themes of power, identity, and coexistence in a compelling way, making the Grishaverse an even more engaging and multifaceted universe.

Any comments or opinions are appreciated it !!!

[cherryheairt]

Maybe down the line, a little special snowflake Stark-Targ is born that rides a dragon and tamed a direwolf 👀 wink wink

I believe that this child must have heterochromia, having one grey eye and one violet eye as a symbol of the duality that lives in him/her.

If Daenys does decide that she wants children, Cregan would not leave her alone ever again. Their two-week long honeymoon is spent solely in his chambers, while they take no duties the entire time.

I already want to see Cregan falling in love with the princess, that giant man (to me that man is taller than anyone) would turn into a teddy bear for his wife.

They would def be the parents surrounded by irish twin siblings, perhaps even blessed with twins or triplets.

For God's sake, give the woman a break! 🤣 A pregnancy where you have one baby is already risky, now add to that having triplets and more in Asoiaf's world in the Targaryen family whose women have a long history of miscarriages, stillbirths, infant deaths and death in childbirth. If you want her to have multiple babies give her a set of twins and that's it 🤣🤣

I also think, after having kids and growing up to be more sure of herself, Daenys would be even more protective and outspoken when it comes to her children.

I think this would be wonderful as it would show a clear, realistic and consistent evolution of the character. Just as Cregan is softened by being close to Daenys' influence, she would become assertive and strong due to his influence.

Since becoming the Lady of the North would make Daenys unable to delegate tasks because of her shyness (although she seems more like an autistic person to me, as I am one myself and see many of the characteristics I have in her, but I assume nothing). She will have to toughen her temper to overcome obstacles to make her voice heard so that her opinions are taken into consideration and her orders obeyed.

More so as a mother because her babies depend on her and Cregan to protect them. Daenys would become a full dragon to defend her husband and children.

She will not sit and watch her kids be bullied like Rhaenyra did (she loves her mom, but admits that she could've done more).

I believe that if Rhaenyra had not been so negligent in protecting her children from rumors of bastardy, Daenys would not be so pathologically shy. Her shyness could be due to a very deep trauma from the many years of bullying she was subjected to by Alicent and Aegon while living in the Red Keep. When they call you a whore and accuse your children of being illegitimate bastards that you (the mother) say they are not, being the crown princess, logic dictates that you ask for a formal investigation to see who is defaming you and press charges against that person. You should not run elsewhere, that only adds to the rumors and subtly gives reason to the gossip. For nothing the wise old men say that a person who owes nothing, has nothing to fear.

"to me that man is taller than anyone" YOU GET ME. I know tom taylor is average height, around 5'8-5'9, but in my mind the Stark genes are soo tall and broad I gotta change it up a little bit 🤭

she takes after her mama, always wanting more kids from her handsome lovers 🙂‍↔️

in chap five, her character evolution is finally starting, now that she is away from society and its pressure. the things i have planned for her, poor girl

I did indeed give her traits like that, but I do not officially put labels on her due to not being fully educated on that topic and never writing of it before. So glad you made it out tho!

the last statement is so true, I feel like Rhaenyra did all of the Strongs dirty with not defending them clearly enough. She never complained to Viserys when he was still in good health, letting Alicent walk all over her even though Alicent was only Queen Regent and she was heir. If Rhaenyra stopped Aegon instead of just asking Harwin to look out for her, Daenys would have stayed the outgoing and extraverted girl she once was. I think Rhaenyra deeply regrets her mistakes that she made when she was younger, having Daenys when she was 19 and dealing with her own internal struggles. Sending her to the north, a less courtly place, seemed like a healthy option for her daughter (matchmaker Rhaenyra over here).

love hearing your opinions, I get so many ideas from awesome feedback like yours

[unneededscript-if]

Unneeded Script

Demo - Prologue

A self-indulgent interactive fiction

You died in a car accident, congratulations!

Now, it's time to try again in a fantastic setting, but oh wait!

You are a villain!

Good luck!

Synopsis;

As far as you were concerned, you were a normal college student. That was until you died in a car accident.

However, that was not the end of your life as you find yourself in the body of the youngest child of the Duke of North.

That wouldn't have been a problem if the youngest child wasn't a villain of the story.

What will you do now?

Comments and asks are welcome

Characters;

A/N - most of the ROs are undecided

Alaric Solaria - Crown Prince of Solaria/RO

As the oldest son and heir, you would expect him to be a serious type. Instead, he is known for his charming and playful personality. Yet behind all those smiles hides a vicious player in the game of politics and Crown.

Physical description;

Alaric is a tan man with dark brown hair, short and messy, and golden eyes that represent the Imperial family of Solaria. He is a well-built individual, thanks to his constant training with his knights. He is 6.2 in height.

Cornelia Douglas - Saintess/RO

Daughter of Count Douglas, Cornelia is a well loved young woman by both her beloved people and those outside of her close circles.

Once it was said she was a quiet and meek girl, now she is an outspoken and charming lady. The sudden change has not gone unnoticed by masses.

Physical description;

A fair lady with fair skin and bright green eyes. As a lady of a Douglas house, she is born with straight pink hair that goes down her waist.

Simone - White Lilly, Mage of Moon Goddess

Simone is a cold young lady and mage of Moon Goddess. She was once a commoner who joined the Followers of Moon Goddess.

Not much is known about her.

Physical description;

Simone, like many female followers, wears a white or silver veil that covers her face as well as long dresses and white gloves. Her appearance is not known to those who are not close to her.

Karl Blackwell - Spymaster

Karl is Crown Prince’s right-hand man. He is much more mellow than the Crown Prince when it comes to his personality. Quieter and invisible to those outside his close friends.

Physical appearance;

Brown hair and brown eyes, Karl is of an average appearance.

More Characters TBA

Features;

- Choose your gender (male or female), personality and sexuality

- Choose if you will be a knight (type of weapon), mage (type of magic), or a strategist

- Make choices and deal with consequences

- Romance one of the RO's

[hexitca]

When love beckons to you, follow him,      Though his ways are hard and steep.      And when his wings enfold you yield to him,      Though the sword hidden among his pinions may wound you.      And when he speaks to you believe in him,      Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning.      Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, so shall he descend to your roots and shake them in their clinging to the earth.      Like sheaves of corn he gathers you unto himself      He threshes you to make you naked.      He sifts you to free you from your husks.      He grinds you to whiteness.      He kneads you until you are pliant;      And then he assigns you to his sacred fire, that you may become sacred bread for God’s sacred feast.      All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life’s heart.      But if in your heart you would seek only love’s peace and love’s pleasure,      Then it is better for you that you cover your nakedness and pass out of love’s threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.      Love gives naught but itself and takes naught but from itself.      Love possesses not nor would it be possessed;      For love is sufficient unto love.      When you love you should not say, “God is in my heart,” but rather, “I am in the heart of God.”      And think not you can direct the course of love, for love, if it finds you worthy, directs your course.      Love has no other desire but to fulfil itself.      But if you love and must needs have desires, let these be your desires:      To melt and be like a running brook that sings its melody to the night.      To know the pain of too much tenderness.      To be wounded by your own understanding of love;      And to bleed willingly and joyfully.      To wake at dawn with a winged heart and give thanks for another day of loving;      To rest at the noon hour and meditate love’s ecstasy;      To return home at eventide with gratitude;      And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.

On Love Kahlil Gibran (1883 –1931)