#Crew Messe

[kreuzfahrttester]

Sieben Tage auf See: Langweilig oder Luxus? AIDAsol Weltreise Vlog #13

AIDA Cruises nimmt uns mit auf hohe See! 🌊 Im neuesten Vlog der AIDAsol Weltreise erleben wir mit Dave sieben Seetage am Stück. Wie verbringen die Gäste ihre Zeit, wenn kein Land in Sicht ist? Wird es langweilig oder ist es die perfekte Gelegenheit zum Entspannen und Genießen? Dave zeigt uns, dass an Bord der AIDAsol keine Langeweile aufkommt. Von sportlichen Aktivitäten wie AIDA Walks und Fit 4…

[bashzzey]

I love how everyone simultaneously said same thing:

but what if

what if Odile in fact learned that from the Funny Noises Appreciation Crew >:]c

just a silly idea for "pre-sequel" comic of that comic teehee <xD

[demaparbat-hp]

The Crew is boisterous and loud, full of traitors, inside jokes, and secrets. The scum of the Fire Nation. The forgotten tiles on the Empire's Pai Sho board. The ones who change the game.

But most importantly—they're a family. And no matter how much they complain about their boss (teenage menace that he is), they'll do anything for their Prince.

Anything.

.

The Crew is the heart and soul of my fic For the Spirits. No one really knows just how important they will be to the story...how important they already are.

[dallonismysavior]

This is Ed and Stede

And this is Taika and Rhys

[ch33z33]

Wrecking Crew + extras

[artsyhamster]

Calypso knows how to throw a party

[rascal-rose]

2023: year of old man yaoi

[tevanbuckley]

ngl i think it's kinda strange we're having discourse over whether or not oliver specifically should do more to shut down toxic bddie shippers, because lbr there is no combination of words that could come out of his mouth that the worst parts of this fandom would not interpret as "bddie canon." he could spend hours a day waxing poetic about lfj tits and some wannabe body language expert would find a way to argue it's proof he secretly hates him and this storyline. even if they do eventually turn on him, i doubt that will change anyone's behavior.

I don't know when or if the penny is gonna drop for these people, but i think it's entirely reasonable for oliver to want to steer clear for as long as possible. i get why that might be frustrating for fans, but at the end of the day that's not his responsibility.

[puppetmaster13u]

Prompt 68

Danny stares up up up at the being cooing down at him, a mass of eyes and tendrils and whatever else twisting in and out of portals, shattering to sand and reforming, buckling into a smaller shape and expanding in an ever moving form. This was not what he was expecting when Clockwork offered to introduce him to Chaos, but maybe he shouldn’t be so surprised. 

Bonus DPxDC crossover: Clockwork introduced his lil baby ghostling to his old friend Chaos so they can set up playdates between their two kids. Klarion and Teekl are now being spotted with a white-haired boy and a green puppy that can go giant and monstrous like Teekle, to Young Justice’s (And the league’s) concern

[youryurigoddess]

The summer that was never supposed to end

You’ve probably noticed how in Good Omens 2 Crowley’s eyes are brighter, more saturated, as if glistening with liquid gold. We’ve already covered his hair. And it’s not only the visual aspect of him — even in objectively stressful conditions, Crowley appears mature and put together, way cooler and more protective than before. Even his faults are heavily romanticized in the past and present scenes, reminding of the S1 body swap, when Aziraphale projected his love to him on the way he played the demon in Hell.

It’s not just the demon. The whole season is more vibrant, bolder, filled with sunshine. Just like a summer that was never supposed to end. Like a memory of a loved one seen through the eyes of someone who thinks of them every day until the end of the world.

S2 seems ridiculously saturated, whimsical, and full of red and gold, just like a certain demon. Aziraphale not only painted his bookshop in his image, but literally colored the whole world in Crowley’s colors. It was such lush and saturated and blooming with warmth and hazy light.

It’s either that all the newest events are just another memory seen through a certain angel’s eyes, or said angel actively made it appear this way — as in, his feelings grew so strong that they’ve started to warp the reality around him. And it’s a well-known fact that Aziraphale has a tendency to affect his surroundings, either unconsciously, when his presence in the bookshop literally lightens up the sky seen through its windows, or very much consciously, when he takes over the position of a master puppeteer and manipulates people with or without the help of his miracles.

S1 was more dramatic and apocalyptic, but not particularly gray — at least not as much as the color grading typically used in portrayal of similar apocalyptic narratives. S2, at least as seen through Aziraphale’s own La Vie En Rose lens, is vibrant and saturated. And those colors drastically fade in the heavenly light of the elevator during the credits, suggesting that they won’t be as visible in the course of S3.

But I don’t want to ramble about the apocalypse sandwich and the three-act structure here, so let’s circle back to S2.

Good Omens 2 was really set in a summer that was never supposed to end. But it did, autumn crept in, and there was no chance of hearing the nightingales sing. They all had left by the time an angel and a demon finally kissed.

In the most literal sense: the very last nightingales usually migrate from the UK to their wintering grounds in Sub-Saharan Africa in the first days of September.

Aziraphale was right that nothing lasts forever — and the passage of time on Earth is marked by subtle details invisible to the immortal eyes.

The main thing about autumn migration is how sudden and hard to predict it is. The birds start disappearing gradually, often without notice, until at some point they are no longer here. Much like the angel leaves the bookshop — their shared nest — to spread his wings and fight.

And it was basically announced on the poster.

Can you see the migratory formation of birds up in the sky? It looks like Aziraphale is the last one to get off the ground and fly.

[saltpepperbeard]

what if we kissed,,,

beneath the times square renewal campaign billboard 😳👉👈

hahahahahaha jk

…………..unless?

[smimon]

Merry Christmas! Here is some silly art I didn't post yet 🧡

[reluctanttrabbit]

something that still drives me insane since ruins anniversary is coming up

[demaparbat-hp]

In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?

Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.

Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.

But she isn't alone.

And Zuko, as it turns out, didn't keep the best company during his search.

When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.

Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.

[anoray]

Cohesive storytelling

The beauty of Skeleton Crew (so far) is that there is clearly an overall storyline that serves as a scaffold for the ongoing character and plot development rather than a mish mosh of disparate episodes stuck together without glue. The different directors add their own flavor to each episode, and the characters take turns having their moments to shine, but the puzzle pieces seem to be fitting together in a coherent way that will result in a satisfying season finale. Another plus is that if you know very little about Star Wars, the show is still understandable, and if you're a Star Wars nerd like me, you can pick up on the various nods that are interwoven throughout (blessedly without Big Neon Signs Saying Hey Here's An Easter Egg You Guys!!!).

A very tiny example of dialogue being part of this process: In Ep. 5, the resort hostess whispers to her underlings that they may have a Waste Management issue concerning the Onyx Cinder, then in Ep. 6 it makes sense when the waste removal drones show up to haul the ship away to the trash heap. And then we get that glorious surprise when the kids manage to save the ship by blasting away the same outer armor that Tak Rennod referred to in his holo message.

Like the Onyx Cinder, the story itself is a nesting doll by providing hints and clues (some more obvious than others) of what may come somewhere down the line. So far, they've managed to keep what pops up fun and fresh regardless of its predictability. I'm hoping the last two episodes twist things in unexpected directions, yet retain the storyline cohesiveness that's been built up along the way.

I especially look forward to seeing how this space pirate and his first mate interact now that Jod is SM-33's captain. They are such a dumpster fire together, yet can be genuinely deadly at the same time!

[arsenicflame]

imagine Izzy coming back into his little room after a long day, only to discover someones been in there. his first instinct is that it was mean-spirited— someone stealing something of his, or hiding it, or ransacking the place for the sake of destroying his safe space— but then he actually opens the door the whole way and sees his room. the beds been turned over and washed, freshly made and has at least one new soft blanket. his clothes have been hung and his shelves straightened, the rooms been dusted and swept, all the empty bottles and such gone, and in the centre of his desk sits a note:

"for all you do for us, let us help you too"