#Creating Tension

[ancientroyalblood]

The Dos and Don'ts of Writing Action Scenes

Action scenes are the pulse-pounding, heart-racing moments in a story where characters face danger, make split-second decisions, and confront conflict head-on. Whether it’s a thrilling swordfight, a high-speed car chase, or a tense standoff, writing action scenes can be a challenging but rewarding endeavor. In this exploration of the dos and don’ts of writing action scenes, we’ll share best…

[thedailydungeonmaster]

Creating Tension: Building Suspense and Drama in Your Campaign

Dear Readers, welcome back to our Dungeons & Dragons (D&D) blog! Today, we’re diving into an essential aspect of storytelling that can transform your campaign from a simple adventure into a gripping narrative: creating tension. Building suspense and drama in your campaign keeps players on the edge of their seats, eager to see what happens next. It’s the secret ingredient that makes your game…

[poorly-drawn-mdzs]

When in doubt, Soup it out.

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[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[sweetlywriting]

Allegiance

Feyd Rautha x Reader

Part one Part two

Warnings-Dune II spoilers, minor violence, enemies to mutual respect to fiancés(?)

Synopsis- Your planet is rich in horticulture and resources but faces the growing fear of imperialism from other houses. A solution presents itself when you are offered to marry their heir to house Harkonnen, Feyd Rautha.

You entered into the colosseum-esque arena, fascinated with the way the sun cast a veil of black and white onto everything within its grasp. It was subduing, and you felt as though you were in an old imperial painting-where all was colorless but the expressions of the people in them.

“I’m sure you’ll enjoy this. Feyd Rautha wanted you to arrive today so you would be able to see the show” The Baron said in his mangled voice, gesturing a pale hand towards you.

“I am honored to be in attendance Baron, especially on such an important day.” You said, musing on how it was rather generous for the Na-Baron to allot your visit on his own birthday.

You were excited, no one had told you quite what the entertainment was but you could imagine great performances and exotic animals in the Na-barons name. A lighter part of you also wished to see what he looked like, how he held himself, the tone of his voice-though surely upon the prospect of marriage it was rational to take into consideration.

A crease began along your mouth as three staggering men in chains were pushed into the arena along with who you could only assume was the Na-baron. Your temperament quickly changed realizing the entertainment was a fight to the death. The discontent grew seeing that two of the weren’t even truly conscious, stumbling and flailing. ‘A cowards move’ you thought pursing your lips.

You felt more foreign than ever, closely observing the calm and jovial nature of the Harkonnens around you, cheering at the calamity. It frustrated and confused you deeply, unable to stand the senseless violence. The intense smell of blood lust made your eyes water and their rims turn a bloodshot red. Why would your house choose you for him? Your home planet and house was far smaller than Geidi Prime but held traditions of peace and neutrality strong. Yet your family wanted you to marry this man? Live on this planet? With these people?

You turned to your attendant and motioned them to sit beside you.

“What were they thinking sending us here?” You whispered softly in your foreign tongue to them.

“The future of our planet my lady.” They whispered back, head down.

You felt uneasy, but understood that without some influence or power your house would soon slip into irrelevance or face threat from stronger houses. You wore the duty only for the love of your people.

You were snapped out of your reflection when the crowd started to roar again, the bodies of three atreides prisoners lay limp on the floor while the Na-Baron raised his bloodied weapon in victory. Bile rose to your throat. ‘How very difficult this will be’ you thought.

***

A banquet was held for the Na-Barons birthday and you were glad that there was no loss of life involved in simple meals and dance.

You roamed in a corner of the large room, dreading having to present yourself and your gift to the Harkonnens, wary of their violent nature, but it seemed the Na-Baron had beat you to it.

“Lady y/n” The Na-Baron said as he approached you. Up close you couldn’t deny that he was frustratingly handsome with sculpted features, tall gait, and skin like the white marble only seen in Kouros sculptures.

“Na-baron” You said, bowing lightly and offering your hand.

He took it, but rather than shake like on your home planet he kissed it. A polite gesture, but a bit rougher than you would have liked. His teeth grazed your hand, and left light marks. You tried to smile and brush the thought of getting some painful infection on foreign planet over something this irritatingly trivial.

“Call me Feyd. I heard you made it in time to see the Arena festivities” he said with a wolffish grin.

“Yes.” You said curtly, knowing if he asked how felt about them you would not be able to lie.

“Did you enjoy them?”

“I . . . thought it was rather brazen, an unecessary power play. All know your house is very strong and affluent, why spill more blood to reinforce something all know to be true.” You said this slowly, choosing your words carefully and hoping to sound more flattering than judgmental and unhappy with the injustice.

His smile dissipated and you could tell this was not the answer he wanted or expected, and a part of you feared the same fate of the Atreides prisoners would befall you. Luckily he seemed to find it humorous and laughed.

“No one has ever told me such an odd thing. Pity for prisoners! Very curious lady y/n, very curious.”

Perhaps he was interested, but you could still see venom where you hurt his pride and aroused his anger. You didn’t miss his arm clutching the sheath of his dagger as he laughed, and the way his smirk was more of a snarl now.

“I do not mean to disdain your traditions, I simply don’t quite understand them.” You said mildly when his laughter had faded.

“It’s alright. I like honesty and I like you too.” His eyes glimmered with malice and charm.

“It is true you have come as a prospective bride, yes?” He said.

“Yes. . . I have brought you a gift” You said, firmly thinking of the kind but worn face you your people as you rehearsed the proposal speech in your head. You motioned for one of your attendants to bring a sachetel with a cluster of flowers inside. You felt less reassured about your gift knowing Feyd’s character but presented it nonetheless.

“This is a heliolaris flower, it blooms yellow even in extreme conditions and without the light of the sun. It will hold its color even through the conditions of your planets black sun. Its species was created specifically for you and Giedi Prime. My planet is minor but we have plants that hold powerful miracles and arable land beyond compare. If you went through with our alliance . . . All of that would be yours too”

He peered inquisitively at the plant. He seemed unsure by the gift and your proposal but it only took a minute before his snake-like manner returned.

“I will plant these flowers. If they bloom in color as you say before the fortnight I will marry you, if not you will surrender your life to the arena that you so seem to despise.”

[hellinhawkins]

even when i was a mileven i had to admit that, yeah, mike and will’s relationship is completely different than everyone else’s. and they show this over and over. and so to me, the most significant byler evidence that we even have is that they do this. that they repeatedly single them out.

“oh no, mike and will are arguing again!” or “oh, look, mike and will are having yet another tender moment!” and it’s just- why them? why would you show them, over and over, even make one in love with the other- parallel their “different” dynamic to the other canon couples, just to make one say- “oh, actually, i’m not in love with you.”

because these scenes take a lot of time and work to film and set up- you don’t just do all that for fun unless you planned on doing something with it.

[tomurakii]

I like bloodweave. Okay. But I DON'T like the version of them in fanfic where Astarion is a dick and Gale is like. Whining and pleading for him to be emotionally vulnerable (or just. Nice to him) prior to the relationship being established. Because that is just not accurate. Gale needs the player to express interest in him during his weave-teaching scene before he even considers hitting on them properly. Gale is entirely resigned to his fate and needs someone else to pull him away from it. Gale only starts being sweet and romantic and devoted after you accept his love confession and give him hope for the future. Gale says fuck all and then slinks away to cry privately if you break up with him.

Like he isn't chasing after people lmao. He isn't dropping to his knees and crying about anything much less this dickhead he met a week ago. He is overwhelmingly passive about literally everything personal to him up to and including his own death (provided there are no casualties/there is a good reason) until after the player expresses that they care about him. Astarion is not doing that in any of these fics.

Like Gale is friendly and a dork and doesn't wanna get murdered but he fully has a suicide plan. He thought the artefacts would help him survive but he didn't believe he'd ever truly live again. If Gale confessed and Astarion said/did like one (1) mean thing afterward Gale's romance is closed off forever. He's wandering into the forest to cry. He's killing himself immediately. His fragile ego and self worth can't take it. You have to understand that when we joke about him being pathetic it's not bc he's like. Sopping wet and chasing people down and begging for a scrap of attention. It's because he craves affection but would literally rather die than ask or even hope for it until someone else forces that hope back into his serotonin-deficient tadpole brain.

[sagaduwyrm]

The reason I refuse to acknowledge any other batfam death other than Jason is because, narratively, none of the others mattered.

Jason's death shaped everything that came after it in how the batfam responded to his death and handled it, and completely shaped his character.

I don't even know about most of the other "deaths" because they were so comparatively unimportant.

[beguilingcorpse]

baby kiriona au where g1deon recovered wake’s baby in their final battle and instead of being raised on the ninth the girl who would have otherwise been named gideon nav is raised by the first house, joint parented by the lyctors + john gaius. did i say au i meant sitcom. did i say sitcom i meant soap opera

[cannibalchicken]

[thinwhitedoc]

CARGO | Martin Freeman as Andy Rose

[fictionadventurer]

I'm fascinated by the ways in which the things a creator is good at making don't necessarily line up with the kind of art that they respect or even enjoy.

This has haunted me ever since I saw a Youtube video about the downfall of The Band Perry, a country band that I had liked until their music got weird and they kind of fell off the face of the earth. Well, it turns out that they tried to reinvent their image and their style of music several times before the band finally fell apart. When they started, they had this weird Southern Gothic homeschooler style that really worked for them and was reasonably popular, but then they tried to switch to a cooler type of pop music--a style they supposedly admired and enjoyed--and it just did not work at all. They failed because they chased what they wanted to make instead of sticking with the style that they were good at.

It's a tension that's present in all creative work. At one point does "going outside the box" go too far? Can one be happy making good work even if it's not the kind of stuff they like or admire? Are the techniques and styles that are most appealing to us appealing because they're things that we can't create ourselves? As in, our minds don't work that way, so seeing these things from other creators is exciting, but the fact that our minds don't work that way is exactly why we can't imitate those things. Where's the line between creative integrity--pushing yourself to make better things--and pride--wanting to make something more prestigious and impressive instead of humbly making the type of art you're best suited to make? Can one even clearly see what they're best at making, and appreciate the good that's there rather than chasing after styles and techniques that seem better? There are no solid answers, which is why I'm going to be endlessly thinking about this.

[agentboulder]

is it just me or did the chokehold give stone a slightly more...homicidal type vibe? not saying there's going to be major stobotnik conflict or anything but i do wonder if he's going to have a bit more of a backbone/be more expressive in this movie

[occidentaltourist]

bbc: Some sweet #Silvacre content for your FYP ❤️

[saiainopresai-v3]

im with saihara on this one (which one? take your best guess before checking tags!)

[leavemeal0newithmym0ss]

*Literally less than 1 second later*

🤨 📸