#Considering what we know from the lore it would have made more sense for me to have drawn Tyrant screaming ''Don't f***ing lie'' but

[cripplecharacters]

Hello! Do you have any advice on how to handle an inherently fictional facial difference (that was caused by a fictional reason and while may have some partial crossover/parallels with elements of real world FDs, ultimately is a fictional one and is specific to the world/lore) in a way that would not come off as harmful to real facial differences? I also have some characters with actual real life FDs in the story, but maybe there's something else I should consider?

Also, what is your opinion on fictional disabilities in general? Not when the story just has a vague disability that can't be strongly connected to anything specific from real life, but when author specifically develops a fictional condition/disability/chronic disease etc in context of/based on elements of their fictional world?

Hello!

A fictional facial difference has basically the same potential pitfalls as any other fictional disability. You can take a look at this post where we talked about what not to do, TLDR: make sure it's actually a fictional disability and not just one you haven't heard of yet and be mindful of what real conditions it could be reminiscent of (and avoid stereotypes accordingly).

It's good that you also have characters with actually existing disabilities, it honestly annoys me to no end when people boast about their "disability rep" while all they have is 20 different "magic character can't do magic" characters. So this is definitely a big plus.

The only thing you need to keep in mind is to not split the two (character with fictional FD vs characters with IRL FD) into separate categories, consciously or not. Don't treat the one with a made-up FD as better or as inherently prettier than "those other people". Ideally they're all just treated the same in the story since that's the only option that makes logical sense.

Also, it was mentioned already in the post I linked, but unless you have some very specific scenario you purposefully want to do and actually comment on, avoid making the cause of her FD either 1) result of her parents doing Evil Drugs or black magic or whatever or 2), contagious. Very little FDs have those origins, but many are stereotyped or downright accused of being such.

Other than that, think of the same stuff as you would with IRL facial differences existing in a story. How does society treat them? What is the acceptance level? Are the majority of people knowledgeable (a person can know exactly nothing about being disabled and still be kind and accepting; it's not exclusive)? Are FDs more common because medicine is less advanced?

For the last question; it depends. If it has symptoms that real people have, there are gonna be real people who will relate to it (if done well) and real people who might be offended by how it's portrayed (if done badly).

Let's say your setting has a magic toxic flower that causes lower limb paralysis and/or weakness after someone steps on it - that's fictional, but there are many real world disabilities that share similar symptoms, even if the cause is obviously very different. If this was the fictional disability, the characters who have it would probably share the same community as characters with SCI, neuropathy, MS, etc.; it's based in fantasy but it's easy to imagine that it could be real.

In this context you should be researching the symptoms - leg paralysis and weakness - and potential treatments - physical therapy, learning how to walk with orthoses/crutches, painkillers, etc. Real readers with real symptoms will be able to relate to this kind of fantasy disability.

But let's say the fictional disability mainly presents as chronic pain and muscle spasms caused by the person not using magic enough. This on the other hand, doesn't work as a (respectful) fantasy disability. The main "accusation" people with chronic pain get is that we are lazy and if we just did more of [usually exercise] we would be cured - it doesn't work like that, and it would be frankly offensive to make a whole illness where the chronic pain is caused by someone not waving their wand enough or whatever. No one will be relating to this because it's not based on how stuff works, it's based on a stereotype. "It's fantasy" isn't a get out of jail free card, you still have to be conscious of what you are implying.

As long as you do research and keep in mind which real things your fantasy disabilities resemble (e.g. Hansen's disease and ALS will have very different stereotypes attached to them) so you can avoid making a connection you don't want to make.

Hope this helps,

mod Sasza

[thatonecrookedsmile]

Break in your burdens. But make sure you wake up with a finger in the sky. Don't f***ing lie.

-----

I forgot to post this before lol.

S.O.S Resurrection released last month. I was very happy that day. S.O.S has always been my favorite HOAA song,so having a remake of it whose quality equals recent DAGames/IRIS material is not only kind of a mini-dream come true but also puts a smile on my face. My baby has grown up to be a man. It makes me even more excited for HOAA: Resurrection and shows how far Will's music has evolved since 2018 (and that maybe,really,this remake album makes more sense to come out now than in 2019). I ended up doing it at the time. A test that turned into something more complete, so to speak.

First it was an exercise to practice drawing skeletons,more specifically, skulls. Trying to draw them less cartoonish,a little bit more realistic,and at the same time, make them expressive. I want to draw more Post-Explosion Goliath,and for that,I'll have to practice more on drawing skeletons.

Second was testing an interpretation of Goliath without the visor,specifically,with the IRIS embedded in his right eye. Despite knowing this information for 3 years, I don't think we've ever seen the Goliath without the visor before. I'm sure Will will show this image one day, but in the meantime, I wanted to try my rendition of this look.

In the end, I ended up choosing to use the skull exercise and make it something more complete. Which was the end result. I decided to play around with the colors and try to replicate the lyric video aesthetic. I think it turned out nice. 👍

And overall, this drawing turned out nice. I hope I can do a few more drawings with this guy before Resurrection comes out. (but I don't promise anything, tho)

Now go listen to S.O.S Resurrection (or not, it's up to you man)

(Also, yes, I'm posting this on the eve of DOTD's anniversary, I'm way too late to post this haha)

[luludeluluramblings]

Bruce Wayne's Obsession with Smalltown!Reader - Revised

A/N: I honestly have no idea where this came from. I just wanted to revise it and then I spiraled. I'm just trying to keep the creative juices flowing and attempted to add dialogue. Next thing I know, I wrote this. Maybe it's the on coming fall? Fall is my time of year. Still might make some more revisions to this and other's. Especially if I keep putting off the main story.

A/N: Consider this a test of me adding more lore to Reader. It'll help Smalltown make sense when we get there in the next two parts. Or, at least I hope it will.

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

Link to Original

Yandere Type: Platonic Father

Reader’s Momma is Adeline

Reader’s step-father, Daddy, is Samuel

Bruce was obsessed with Reader as soon as he saw the little bitty picture of them in that tiny hospital crib. And, for a while, that single picture was all he had of them. 

Imagine the surprise he felt to come back for a six month long mission off planet to find out that the brief relationship he had with a woman from outside of Gotham had produced something. 

He’ll admit, he hadn’t been that careful with Adeline. She was a gorgeous and charming woman, with just a hint of a wild side. She had been just a bit too sweet for his taste. Sweet enough he wasn’t too concerned about any lasting consequences. She had been quite understanding when he had ended things. Perhaps a bit too understanding. 

He had to find out through court papers that sweet Adeline had actually been more his type than he expected. Bruce didn’t expect her to even have a bitter side. But, apparently, she could be petty and spiteful, and had some damn good lawyers. 

Bruce hadn’t expected to get Adeline pregnant. He understands how it happened, and he made sure to lecture both Jason and Dick about being cautious after the whole ordeal, but he hadn’t expected it. And, he most certainly hadn’t expected Adeline to keep the whole thing under wraps before filing for full custody with no child support or visitation. 

To say Bruce was pissed was an understatement. The Wayne lawyers had dropped the ball on this matter, and subsequently been fired. They had wrongly assumed this was some revenge publicity stunt, and that Reader probably wasn’t his. 

But, he saw that little picture. That sweet face laying in the hospital cradle. Those were his mother’s eyes on that little baby. His mother’s eyes. 

Of course, Bruce tried to do damage control. Claiming he hadn’t known about the court date (which was true). But, Adeline had some damn good lawyers and had made sure to do all the court procedures out of state and out of his circle of influence. 

He did manage to get one thing. The DNA test. Not because he doubted that Reader wasn’t his. But, so Adeline couldn’t win completely. She could remarry. She could leave the birth certificate blank. She could fill their child’s head with lies about him. But, that child was his. His baby. 

Naturally, the results came back with absolute certainty. Reader was his. And, he had to fight himself to not drag Adeline back to court. 

Hell, he had debated on proposing to her. Forcing her to marry him. He was willing. Adeline was sweet and gentle, and this side of her, despite how much it was pissing him off, was quite attractive. The pettiness, the cunning, the protectiveness, weren’t exactly turn offs for him. 

Luckily, Alfred had pointed out to him that he was being irrational. Sure, it wouldn’t have been the worst idea he had, but Bruce wasn’t going to give up being Batman. Not at this time. Not yet. 

Would he really be able to handle a newborn and a pissed off wife on top of Gotham’s crime? What if something happened to them in Gotham? What if history repeats itself once more? 

Reasonable and both unreasonable questions. 

That being stated, Bruce concluded it would be best to let Reader grow up outside of Gotham. He couldn’t give up being Batman for them, but he could at least let them grow up without Gotham’s smog sinking into their bones and marrow. 

Not to say Bruce didn’t just let Reader linger in the back of his mind as a spare thought. He thought about them often. But, he was always careful. 

His enemies grew bolder and more numerous every year. 

Bruce had resigned himself to one day a year to dedicate all his time to checking on Reader. One day where he would hack anything and everything for information about his child. Adeline’s phone and social media for pictures of Reader. Milestone updates for Reader’s pediatrician. Preschool footage to see his child toddle around and make friends. Researching those friends and their parents to make sure his child was safe. One single day a year.

He nearly lost it when he found out Adeline had met another man and introduced him to Reader. It enraged him further to see the wedding pictures. To see this man holding his child in his arms with such a loving smile and pressing a kiss to their cheek while holding Adeline in his arms. 

He had done background check after background check into this man, Samuel. As much as Batman and Bruce Wayne could without arousing suspicion. 

And, he was clean. A good ol’ boy. Focused on family and minding his business. And, he was good at business.

Samuel owned a massive regional construction company. Not as wealthy nor diverse as Wayne Enterprises, but stable and steady. He had a secure income, not a negative thing written about him ever. In fact, if Bruce had met the man under different circumstances he probably would appreciate Samuel’s practicality. 

But, his first introduction to this man was from watching a video that Adeline had filmed of Reader having a birthday party. Of Reader making a wish, blowing out the candles on their birthday cake. 

“What did you wish for, baby?” He could hear Adeline’s voice in his mind. A warm loving voice that was the prelude to his heartbreaking. 

“I wanna little brother!” Bruce watches as a sweet grin forms on a frosting covered face, every time. He’s watched this video over and over. Memorizing the words. Memorizing the smile. Memorizing the sprinkles on the half eaten cake.

“Oh? What if you get a little sister?” 

“Nah, it’ll be a brother. I know it.”

“And, how do you know it, sweetpea?”

“Cause last year I wished for a Daddy and now I got one.” 

Those words are what breaks Bruce every time. Every single time. 

It should have been him being called that.

That was his child. That was his baby. He loves them. He’s done so much to keep his distance. To keep them safe. 

Now, he’s resigned to watch as another man treasures his most precious thing. Probably the only innocent thing that will ever come from his existence. 

Alfred had a hard time convincing him that this was for the best. That he needed to let it go. 

Until now, he had accepted that it was necessary. Gotham needs Batman. For a moment he was ready to give it up.

But, then Jason died. (Temporarily.) Something broke when that happened. Bruce realized if Gotham could take Jason, it would’ve taken Reader, too. 

So, even though he hates it. Even though he is so bitterly jealous of Samuel, living a peaceful life with his child. Even though he would do almost anything to hear his child call him Daddy. He keeps being Batman. 

He has to at this point. Gotham took his family, and he won’t let it take anymore. Not ever again.

[tobi-smp]

you know, with hindsight now what it is I really do think a more literal reading of c!techno's chat would have helped his characterization a Lot

and mind you, this was originally intended to be the case, and very well may have been intended all along even if it wasn't usually emphasized within the lore

and don't get me wrong, I Get why it fell out of favor within the fandom. it coincides with a Very storied ableist trope that demonizes DID and disorders adjacent to it, and Can be spoken about in a way that is essentially indistinguishable from it depending on the word choice.

but the thing is ! not only does it not Have to be an allegory for DID, I straight up don't think it is At All.

because we Know what it's an allegory for. It's His Chat. there's technoblade playing the game, and there's the thousands of people watching with expectations and wants that he's compelled to meet (or, at the very least, pacify through Entertainment).

and this makes much Much more sense when conceived of as Supernatural. be that spirits, gods, demons, or anything that could fill that role. separate entities that, for whatever reason, only techno can sense the presence of and be affected by.

and of course, to an extent this is true for all creators. everyone had an audience that they were meant to entertain and the choices they made were influenced by that fact.

but technoblade came in with a Very distinct set of expectations that heavily impacted the choices he was Expected to make and the kinds of stories that he could tell. he was more or less a living legend in real life just as much as he was in roleplay, and these things were inherently connected.

and it's like !

when c!technoblade says he was peer pressured into killing tubbo at the red festival he Is technically talking about what happened within the roleplay. schlatt was demanding it from him, there's a sort of pressure there. but schlatt was also the dictator they were set to kill, and techno has never had any trouble fighting people he considered a dictator before, and certainly not Schlatt of all people.

but he WAS being peer pressured By His Audience. by thousands of people, most of which were demanding blood Because It Was The Expectation, because it'd be Fun.

out of universe technoblade made the decision he thought would be the most Entertaining, and he was right! consistently he made choices that would let him do the most bombastic Spectacles possible. And It's Great. he's Excellent at pulling dramatics and making a compelling scene that give other people room to work off of. in that sense I'd consider techno an Excellent actor, and I have to imagine that he was fun to work with.

the problem is when you then have to justify it from an in character perspective, grounded in those mushy things like Feelings with characters that can be traumatized and sustain lasting damage, Especially Without acknowledging the out of character incentive.

mind you, it's not Impossible to Create a backstory that could justify it. why a character as consistently powerful and feared as technoblade would feel pressured to kill an ally by someone he not only Can kill but Wanted To Kill. why a character as seemingly secure and in control as technoblade would lash out the way that he does to perceived betrayal, and yet consistently puts no weight onto having killed and permanently scarred an ally that trusted him.

what that'd need is tragedy. a storied history of being hurt and having to survive. building up To an untouchable god from a much much more vulnerable position. Long Lasting trauma that's lead to this deep insecurity and paranoia. and that's Possible and that's Compelling.

but it's just not in the text.

not only did we never learn basically Anything that c!technoblade was up to pre-series, we actually know Less by the end than when we started because of the sbi retconning.

it's a Theoretically Possible interpretation that's technically never Contradicted by canon, but would have to be created by scratch. it's a compelling idea for a fan fic (and one I'd like to read) and it's compelling for a theoretical recontextualization of the character, but it's just not In The Text.

meanwhile, we have the video above.

we have the Objective Fact that technoblade's decision making was often subject to the rule of cool (very Very effectively) to entertain his audience.

and most compellingly, these concepts Don't Need To Be Separate. in fact, in my opinion they're Stronger when you put them together.

because the thing is. it's Difficult to imagine techno as ever being in a vulnerable position. he is just Objectively more powerful than everyone else on the server, both in real life And within the lore. How could he have ever been afraid when he was stronger than anyone and everyone combined? when we saw with our own eyes that techno could face nearly the whole server at once and win.

but he Is a tragic character, at least he's meant to be. and that tragedy makes much Much more sense as something Inward.

technoblade as a character who Needs connection, who Needs stability, who Needs security, who Needs friendship and community and Love. but Lashes Out, Obliterates to the core of the earth, because of something that's not only out of his control but that other people Cannot Understand.

how do you explain to a child that you killed their best friend because a chorus of the undead called for his blood and you (in all the glory that he'd idolized) were unable to do anything but comply? how do you explain to that child that you beat him senseless in a pit as the restless dead jeered and laughed?

That's interesting. That's Compelling.

technoblade is idolized like a god, feared like a force of nature, and in an instant cut himself off from nearly everyone who'd considered him an ally. and that seems to be a pattern, over and over and over again. he's left isolated, and in return he faces retaliation, and in return he's always Waiting for retaliation.

and what do you say to someone who wants to kill you for being a monster? that it's Fine Actually because you only did what you did because you have a curse that compels you to? that the supernatural guided you to destroy their homes and kill their people? (rip jack manifold you will be missed)?

That Doesn't Quite Help Your Case.

technoblade as someone who is beholden to this literal cycle of violence and Loses those things that could ground him, community, stability, People, as a result. who Tries to overcome this very fact (to become a better person, in his own words as per the clip above), but is pulled back into it as a consequence of his own actions.

that's a tragedy !! that Makes Sense. that allows him to be Both this force of nature that other characters have to survive And A Person Who Is Hurt By The Same Conflict.

"I'm a person!" that fear of dehumanization makes So So Much More Sense when you see technoblade as someone who Already fears himself. who fears being a monster, who fears losing control, who has faced isolation again and again and again.

and, importantly, it doesn't have to be anyone else's Fault.

by making the source both Internal and Completely External (something that none of the other characters have any awareness or control over), you can Have techno as a tragic character without demonizing anyone else Or erasing the impact that c!techno had on them.

and in that sense, it Can be an allegory for mental illness, but not in that direct "oooooh how scary he hears voices" kind of way that people fear it looks. but in that sometimes people Will do things that can hurt others while not feeling in control. anger and mania and paranoia, things that you can't always Control and yet that impact that you have on other people still Matters.

and the answer to that is, often, vulnerability and accountability.

I think a lot about technoblade isolating himself so near entirely from the rest of the server, and slowly gathering a support system Back by the end. and I Really Do think that framing of it through this lens is a Very impactful way of breaking it down.

tubbo, tommy, wilbur, ranboo, niki, I think they'd All understand not feeling in control. lashing out, maybe even feeling justified in the moment, but hurting people they care about and furthering their own isolation.

There's Something There, and it's already In The Text. it just needs to be expanded on.

and why not do that ourselves now?

[raven-at-the-writing-desk]

Hello! It's me again. I'm probably pestering you, lol. I think a lotta people give flack for the Octavinelle trio being ruthless and "behaving like a Mafia." But I think considering where they live it makes sense? They live in the ocean. And the ocean is a kill or be killed environment, where you have to the strongest and toughest. If not? You at least have to be quick witted and unable to be seen, otherwise you'll be dead. If the trio become too soft they'll be fish meat.

I think the fandom is pretty divided when it comes to perceptions of what the Coral Sea is like. On one hand, you have the people who think of it as like living in Atlantica, which is basically just like living in a peaceful and pretty city (but underwater). Then you have the people who think the environment would be so different it would shape its inhabitants to behave differently as well. The second one tends to be a darker or grittier interpretation which aknowledges dangers such as other undersea creatures and treacherous living conditions.

Personally, I lean on and enjoy the latter, since TWST rarely ever designs purely for the aesthetic of it; one example of this is how the twins are confirmed to be bioluminescent in the Magical Archives. This is a decision that was not made “because it would look cool��, but because many deep sea creatures rely on this trait to intimidate potential predators. It would make more sense for the cold waters of the Coral Sea to change its people rather than merfolks’ cities simply being civilizations moved several leagues under, especially seeing TWST time and time again really consider the geography and history of each new location and how those inform the cultures that form there.

However, I want to state that the Coral Sea would be very different depending on which area you’re in, just like how there are nice parts and bad parts of a city. It’s not ALL nice or ALL bad. For example, the Atlantica Museum in book 3 appears to be in a more photic zone, so there’s more sunlight and it appears pleasant to be in. Even the merpeople there seem to be different than the Octatrio; they less so resemble specific sea creatures and are much more akin to being human-like. We have yet to really see how the benthic zones are—but we do know they must be harsher, since Floyd has mentioned exploring shipwrecks and various dangers there (like sharks).

I also want to point out that there are subtle signs in dialogue which could imply merpeople prefer traits that promote survivability and adaptability in the ocean. Azul’s bullies are noted to taunt him for his weight, but also for his bulky tentacles and inky tears. Now why those traits specifically??? Because these impede his ability to swim swiftly (making it harder to escape danger) and easily give away his location (if he’s in hiding or camoflauging).

I’ve seen others suggest that maybe these comments are because of racism against octopus merpeople, who are a rare kind of merfolk. This is entirely possible, yes! But thinking about it like that… Isn’t it also possible that there aren’t a lot of octopus merpeople at the moment because it’s more difficult for them to escape or to hide from predators? Which then informs and perpetuates preexisting prejudices. In this context (plus the bullying), it makes sense why Azul may have “hardened” as a defense and survival mechanism. The same goes for the twins, who were explicitly taught how to defend themselves (although this also goes into the Leech mob family theory, which is a whole separate matter) and have often made references to fighting others in the Coral Sea. Their upbringings also play a part in their personalities, but so does the environment they grew up in. Like Azul and the twins, you’d have to harden mentally or physically to some degree to ensure your survival through tough circumstances.

It’s hard to say for sure though! A lot of this is speculation based on current but infrequent lore, and the Octatrio themselves are a very small portion of all merfolk. They may not be representative of the behaviors of all other merpeople, and we should keep this in mind when referring to them as our exemplars. That’s why I’ve been hoping for a Coral Sea hometown event so we have a more concrete idea of what life under the sea is like 😭

[st-hedge]

I said a while ago that for totk’s one anniversary I would write a weird little review of the game in which I throw roses at it while simultaneously slandering it. So I made an attempt which is very abbreviated

Disclaimer: I’m not telling u how u should feel about totk or what’s the right way to feel about it, I’m just trying to make sense of why the game frustrates me and putting it into words. It’s completely fine if u disagree with me, I’m not pitching an argument but just putting words on paper

Totk is one of the best games I’ve ever had the opportunity to play. The mechanics, the music, the designs, the revised world of hyrule, makes me want to curl up on the floor and cry. It is stunning and done with so much love. Where botw had lacked, totk has improved and gone above and beyond. It had frustrated me that botw only allowed us to explore the ground surface, but botw was an exploration into open world games which allowed for totk to happen. The caves, the boats, the islands, and the depths add so much to already such a vast world. I only wish there was also diving but beggars can’t be choosers beh

Although it still doesn’t make too much sense to me why all weapons are suddenly corrupted, I do love the new weapons system. I love how it gives more variety to explore. Materials which previously sat unused in the inventory are now key and nothing feels like a waste to collect. Even rupees have found another use. I’m not the biggest fan of the zonai devices but the addition feels like a love letter to the creativity of the fan base and it feels at place. They help to traverse an otherwise huge and intimidating world. But at times I feel like they give too much leverage and break down too many boundaries and leave little to solve and explore. What im basically saying is fuck the rockets.

I feel that totk doesn’t have enough progress boundaries that make u pause and explore what u have at hand. I found myself just pushing and pushing, forgetting and leaving behind areas I barely touched. It felt too easy getting into the sky and returning to the islands and they lost some of their mystery to me. I think this would have been a great opportunity to reintroduce the loftwings from skyward sword. I’ve talked before about how much this would make sense for totk. The loftwings could be a means to cross boundaries and explore new territories, but it takes time to catch and tame one as a companion. But like horses they should have their limits, presenting new boundaries u need to overcome again

Where the totk’s hyrule begins to confuse and disappoint me goes hand in hand with my main issue (confusion?) with the game. Although botw felt incomplete (the world was a little sparse and one dimensional), the story was comprehensive and clear. Meanwhile, totk has a complete and lively world but it doesn’t have a story to carry

Totk’s story doesn’t have an identity I can grasp and understand. It’s like it doesn’t know what it wants to tell the player, what story it wants to direct them to. On one hand, it seems to want us to know about the origins of hyrule and the mysterious landmarks and characters that are permanent fixtures in this world (castle, ruins, dragons) but at the same time it suddenly wants to do a retelling of OoT and about the sages and these secret stones. But the game never completes any of these stories. Maybe it wants to tell us these stories through the environment, but there is just not enough embedded into the world to grasp and tie together into a narrative. Which is ironic considering how big the world is

We begin to be told the story of the dragons, we suddenly understand how they came to be (the secret stones). But we are never told about the events of their creation (an act of desperation, like Zelda’s) and we are never close to understanding them. Then we are told about the sages, but meeting them tells us nothing new. No new cutscenes, no new items or lore directly related to them. The new sages are found, but didn’t we just discover the divine beasts with them? Suddenly another layer of importance is added to them which makes the ties between legacy and the current sages muddier. I wish there had been focus on them creating their own legacy instead

I think totk could’ve had a very interesting story to tell if it chose what it wants to focus on. Maybe the secret stones were introduced just as a way for Zelda to become a dragon? I dunno

There are so many new places that feel like fantastic opportunities for moments of pause and to uncover lore, unearth memories. But instead they’re brisk puzzles or empty sites. Like the graveyard underneath the desert, the forge islands, the factories, and the fucking poe statues. Tell me as much as u want that I can’t read environmental story telling, but I’ll just keep saying there’s nothing to read into cuz the game doesn’t know what it wants to say. There’s no thread to follow in the way there was with, for example, the graveyard at the spirit temple in OoT. We could’ve been just left with a strange well and a graveyard and told to figure it out, but a thread is laid down that these are the skeletons in the royal family’s closet.

Totk does have amazing moments, like Zelda meeting her ancestors and giving up her identity to become a living legend to revive the master sword, the discovery of the ancient temples, the story of the zonai and their origins. But these are just pieces with many loose ends around them that go nowhere. Even Ganon is left as a loose end where there was so much opportunity to say something worth saying. He seems comically evil with bogstandard bah I want to rule the world lines. If u want to make a case for evil for the sake of evil, u can at least show me a character repeatedly making horrible choices which lead them to the current predicament. Just like totk’s hyrule, he is lovingly designed but he tells absolutely no story

If the reason behind the lack of story is that the devs/writers wanted us to make our own story out of this, then I think this is a case where it was a poor choice. The fans can make theories, hcs, pick up pieces and make AUs, but we also love the stories told by the games and it’s what inspires us to uncover more stories (hey wanna talk about tp and why we hear Malon’s song at night, or what’s up with the empty desert)

I’d love to see totk from the perspective of someone who had never played or known botw. Did it really help to remove any traces of sheikah tech besides the labs and the guardian limbs in the towers. Although the zonai devices and the sheikah tech are from different time periods, totk was a perfect opportunity to marry the two elements together. The shrines and the divine beasts could’ve collapsed into the depths, but instead they have just vanished like erased history

Totk’s story doesn’t have an identity in the same way botw’s does. Even though botw’s hyrule was much smaller and emptier, we found stories there cuz we knew what that game was trying to tell us. If totk is about making sacrifices, then this message feels obsolete by the end. U should make sacrifices, but u will only be happy again if it all goes back to exactly how it was before

As happy and sweet the ending is, it made all the worry and sadness I felt seem pointless cuz of course everything would reset back to the norm cuz how else would this game have a happy ending. What was there to worry about. Yeah so what that Zelda became a dragon losing herself, she was just asleep the entire time and effortlessly she becomes her normal self. So what that link lost his sword arm, of course he would miraculously get it back even though it took him 100 years to recover from a mortal wound. No trace of the things they withstood and lost, no mark, nothing.

I loved the final battle and spectacle of the dragons struggling against each other in the sky. The battle went from the deepest depths to the highest reaches of the sky and I thought it was perfect. But once again how the story concluded and the logic behind it me made me feel like I was chewing on sand and the idyllic ending just made me look about in confusion

TLDR; totk is an amazing game with a stunning world that lacks a comprehensive story to tell

I hoped that I would get a better understanding why I’m so frustrated by totk, but instead I just feel even more confused by it and I think that’s just how I’ll have to leave it

[chimggukchim]

Share our @s so we can be bullied in our inboxes till kingdom come and be ostracized by you lot? No, thank you. I'm a Jikooker too and I've seen it happen to other Jikookers too many times just because their view of Jikook isn't "they are 100% together and practically married and monogamous towards each other for more than 10 years now"

Unfortunately this space has become too cult-like where one just can't have a slightly differing opinion about Jimin and Jungkook's relationship or express how they personally truly observe it without Jikookers losing their minds or accusing them of things, the way you guys are doing right now.

There's literally no difference between this community and the Taekooker community anymore - I've seen that crazy side turn on their own just because they had the audacity to point out the ITS talk made sense to them because for a while prior to that even they felt things weren't the same between Taekook anymore. And now it's Jikookers doing the same to other Jikookers🤦🏻‍♀

People can believe that Jikook is real while still pointing out the things they feel contradict that belief, or they can believe they were together and no longer are but still think they are special to each other, or they can believe they aren't together in what one would consider the "conventional, traditional" sense.

Taekook can never be real. That is a ship that has no real substance and was literally formed on aesthetics and vibes and had a whole false narrative attached to it that became lore over the years. A lot of people say just Jikook's existence alone cancels out Taekook, but I think even if Jimin and Jung kook didn't have the kind of dynamic they have and/or they didn't exist as a duo, Taekook still wouldn't be real. Please there's fuckall there.

I am someone who believes there's something more than platonic between Jimin and Jungkook and that Jungkook is deeply in love with Jimin, but still I agree with everything the last anon's(s') said. They *are* different from how they were before and the last few years make it hard to believe in the kind of image of them that Jikook shippers have painted for years.

We are Jikookers, we are here, we exist. Accusing us of being Taekookers won't make that shit true. We don't have to be a monolith.

First thing's first - YOU may not be a taekooker in disguise, but the other anon most likely was. And most with dumb takes are as they have a knack of using the SAME rhetoric and examples every single time, not to mention, always managing to slip in Tae somehow. Let's get that out of the way.

Now, here's the thing, anon.

I understand completely, the feelings of confusion and second-guessing whether jikook are really together or not. I have been there before, on multiple occasions. There were things in the past as it happened that made me doubt whether my suspicions about the true nature of their relationship was right. I get it.

So don't go putting words into my mouth and think that you can assume 'what kind of jikooker' I am.

Cause like I've said on multiple occasions now, I did not start out in the ARMY fandom space either as a jikooker or as a shipper. I had no clue what shipping was. And til this day, I remain an ARMY supporting all of our boys as a group before any sort of shipping enters my mind. Whenever I watch BTS content, jikook as a couple is never at the forefront of my mind. I watch them as a part of Bangtan.

There are certain moments that jikookers put on a pedestal as concrete 'proof' of a relationship, that I side-eye and hence, make no post or comment on because it does not make sense.

If tomorrow, Jimin and Jungkook were to announce they were both dating other people, I would still be happy for them because before anything, I want them to be happy. If that's with other people, so be it.

So I know me and how I perceive Jimin and Jungkook's relationship. I trust my objectivity of their relationship over yours, thank you.

Now to what you have accused most in this community of...I have honestly yet to see to the extent that you have indicated. Harassing? Bullying? Cult-like? Well, I've got news for you. You're in the wrong side of town, deary. And people who go looking there, clearly want to find what they're looking for. (toxicity, by the way)

And the way you spoke of taekookers and knowing how they behave and treat each other?...Honey, the 'normal' jikooker would NEVER EVER find themselves anywhere near taekooker spaces willingly. But you have apparently. That says a lot.

You're looking for trouble. You're going to find it.

Also...my sympathy for you lessened when you compared jikookers to the cult. Because the last time I checked, jikookers didn't go around literally harassing Tae's and JK's FAMILIES AND FRIENDS in real frigging life. So miss me with that similarity nonsense. Point out all you want about SOME jikookers not being able to handle different takes of others all you want, that's fair. I'm sure there may be the immature ones like that in this community, I'm not denying it. I assure you, they're in the minority. But the minute you go comparing any shipping community's behaviour to THAT CULT...it clearly shows loose objectivity.

So with my sincerest heart, I would advise you to change your space. You're clearly in toxic spaces, jikook and taekook-wise. This is bound to influence how you view not only jikook but more importantly, the jikook community.

There is a reason why I don't answer or comment on toxic asks. It's because it brings negativity to the jikook space. And I don't want that. I have found myself probably treading on that territory these days with this discourse. But I'll work it out to bring back the space to positivity and just focusing on Jimin and Jungkook.

Anyway, the final thing I'm going to bring up is that you all keep speaking about Jungkook and Jimin's relationship changing with no actual evidence. You all simply point out things happening now but fail to actually show a proper comparison to the past to highlight the 'CHANGE'. That's not how that works.

For instance, I can say their relationship changed in that Jungkook became a lot bolder with JImin publicly as opposed to years ago. He actively flirts with Jimin on stage when, for instance, during the Red Bullet Tour (back in 2014-2015), he didn't. Jimin did. See how easy that is? Comparison.

If you have any sound comparisons...with proper context, by all means, share. I'm up to hearing it.

PS. This does not include "they don't see each other as much" because we are not privy to how much they actually saw each other back then nor how much they did in 2022/2023.

Anyway, that's all from me. Peace!

[coriphallus]

DA: The Veilguard Spoiler review pt1 - Blood Magic

alright let's do this. let's write an in-depth review of veilguard. this will be long and this will be negative and i might eventually say some good things but everything i say will be undermined with a 'BUT'.

its now been around a week since i finished the game and had some time to parse my thoughts and this is why i didnt enjoy the game; NOT why you shouldnt.

so dragon age has a very special place in my heart and i am %100 the kind that has DAO as their favourite game. i have played these games religiously, and let me prefix this by saying i was not hyped for this game, i wont lie and say i wanted bw to succeed or i hoped the game would be good etc etc. if i liked the game, it would be a surprise. alas.

so theres multiple reasons for that, but the canary in the mine for me had been the announcement on blood magic, and yeah i was not shocked after DAI but i was still disappointed. so lets start with blood magic:

Blood Magic

DA lore has changed alot over time, and just like the media it took inspiration from (ASOIAF) i was under the impression that it used unreliable narrators deliberately, just as theyve poked fun at the concept with bethanys tits. it made sense then that the people telling these stories didnt know much about blood magic therefore they couldnt explain it fully but we've known some things for certain, from the text. blood magic uses blood as its source of power instead of lyrium (blood=life force), what constitutes as blood magic is open to interpretation (i.e phylacteries), multiple groups outside of the 'civilised society' such as chasind are not so staunchly against it, knowledge on it can be passed down from a mentor and that mentor usually happens to be a spirit. it can be used to enact control over people in a literal sense and thats considered by the narrative of all DA games to be more reprehensible than burning someone alive.

now i will derail this but i swear im going somewhere with it. i grew up in a country with majority white people, some blond, most with exposed hair who lived in big cities with cobblestone roads and snowy winters and starbuckses, and who would consider themselves westerners. some religious practices i know less about than most christians know about their holidays.

where my grandma lived was at the bottom of a high slope, and once a year when we went to visit her id see a thick trail of blood trickle down from the waterway to pool on her street, and at that dinner the family (and neighbours, sometimes) would bring a myriad of dishes and we'd feast. i would see butchers shops clean their curbs with buckets of water, mopping red tinted liquid down a drain. when i grew older and we were visiting my mothers village i watched the men subdue and kill a cow that we were going to eat that night. i watched them skin it and separate the meat from its bones, explaining what parts of an animal is used for which dishes because it was their craft and a young girl showed interest. as people we always live with the knowledge that our lives depend on death, whether it be a plant or an animal. existence is not moral and clean, and death is messy. getting blood stains out of a fabric once a month is the lived reality of more than half the human population.

i was not raised religious, nobody in my close family were, i didn't feel any sort of way when those men started to pray around the cow but i knew why they did it, even if it was performative for some, for the rest they had to show respect. the cow was meant to represent somebody you cared about, offering it in their stead symbolically. it needed to be respected, it needed to be butchered without pain. save from one serving of meat, as was tradition, were donated to the food banks.

now im sure some of you are thinking 'no matter how you slice it, its still a brutal act. made more brutal by the audience deriving some form of moral superiority' and yes, i used to think that too, because what is a religious practice for them is a show to me. but it is the norm where i grew up, and in the end a cow is dead regardless because we need to eat. and some people who needed to eat more than us got to eat too.

somewhere in germany news break out that some immigrants were practicing unethical and unsanitary butcherings, you see the footage of men in kufi and puffy pants and women covered completely in black sheets get ushered out by police. they shout some things in a foreign language, speaking the name of their foreign god. they show a censored room covered in blood and gore.

so i have to ask now, when you play veilguard and see venatori torturing and exploding a halla into a puff of red smoke which image does it bring to mind, what do you think of when you hear 'ritual sacrifice'? you may not have noticed this parallel but your brain sure did, as it has been noticing for your entire life and counting, the same reason you cringe at the barbarity of people consuming raw flesh, painting their foreheads with blood, killing animals you would pet. its alien, its gross, its wrong.

i cant play this game and take it seriously with its mask yanked off, gloating about its lack of nuance every step of the way. when you hit people red stuff comes out, red stuff bad. killing bad. murder bad. that it extends more sympathy to a fantasy deer than it ever allows for living breathing people of its universe, faceless and primitive.

in other DA games there were people over there somewhere who enslaved others, built their entire civilization on the ruins of gods they cannot comprehend, practiced bloody sacrifices and rituals that doomed the world for their own power, and even in their homeland they are nothing but canon fodder to be murdered and gawked at. their traditions, religion, entire culture is less than a set dressing, because whatever grosses you out are the bad apples, because the good ones cant be anything else and still derive sympathy from the audience.

and its true, you need to be an exceptional writer to make that work, especially if you dont have any real life experience to pull from. you need to stain your hands a little, and be prepared to be called dirty.

but i see it, i see those news reports everywhere i look in the game, i see the streets being cleaned and scrubbed so the tourists wouldnt call them backwards people, unclean, less than.

ive never played a game so repulsed by and is uninterested in its own universe than DAV, in every line of dialogue i can feel it trembling in fear. my companions tell me i dont need to watch a deer getting butchered, i can look away and proceed to electrocute hundreds of masked men some of whom are talking about comically evil things like patricide.

this has always been a point of contention in the medium of video games as the most prominent way to engage with the world has been through violence, and for me the DA franchise has always managed to tackle this by allowing its main character to be messy. yes, hawke cleaves thru countless faceless raiders but theyre also an illegal immigrant trying to get by with nothing to offer to the world than their violence. warden is deliberately recruited for that same violence, the only purpose of their existence is to fight as theyre made to shed everything else from their old life. and still, still you play these characters as they are allowed to grow, heal, carve out a little space for themselves where they can laugh and joke with their peers. it is juxtaposed to that darkness in their lives that makes those moments precious.

'what is good?' the games asked, and they answered 'doesn't matter, the world can be a better place with them in it'

veilguard asks 'what is good?' and answers 'you are.'

it doesnt matter whether blood magic is bad lore-wise (and that discussion is irrelevant to this decision made by the devs), because it needs to be narratively. like tabloid news the entire premise of the story is built on it. it needs to be inaccessible to and shunned by your party and rook because they need to be 'good' and in contrast, your enemies need to be 'bad'

and like dominoes it retroactively reframes the moral stance of every game in the franchise.

so, yes, i just laughed when i saw that announcement. i didnt know what else to do. but hang on to your knickers because it gets so much worse...

[kingjasnah]

i slept on it but im trying to pull my thoughts together. overall i had a good time reading wind and truth and it's just nice to finally get lore based answers on stuff from like a million years ago, this is the first stormlight book that didn't leave me with more questions than answers. i felt like the lack of distinct chapter povs was a choice i didn't love but i guess it made sense to get that feeling of like. what do you guys call it. like the book was a 1300 page no breaks sanderlanch. lots of first time info on the shards in the epigraphs. i feel like one of the only points of contention i had was the lack of gravitas given to characters like el and yeah actually moash who were hinted to have some insane stuff coming down but like. el fell flat for me man idk. adolin chapters were great. szeth backstory was great it really gave video game rpg energy. jasnah vs taravangian felt like a welcome return back to what i considered the crux of the series. may aladar surprise dark horse MVP of the book. shallan/ren/rlain was also great and i wasn't expecting to like the shallan chapters. sigzil stuff was devastating. maybe slightly too much reliance on reprising iconic lines from the previous four books but i was clapping and cheering so they did get me lol. more than anyone i was happiest with the way shallan ended up, it was almost exactly the time skip ending i foresaw for her even if it is a little sad. oh at least TWO major theories that have existed since oathbringer were CONFIRMED. i don't know how i feel about the ending at all tbh because it was something i feel like we all guessed would happen back in words of radiance and then. well it happened. and it kinda sucks but well it also felt very inevitable. genuine highlight of the book was adolin's candelabra

[from-the-coffee-shop-in-edoras]

“All your words are but to say…when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more.” – Éowyn

We all love this line, where Éowyn is really giving it to Aragorn over the unjustness of her exclusion from battle with imagery that is jarringly evocative. But what if she isn’t just painting a powerful rhetorical picture but is referencing the life of an ACTUAL WOMAN: Aerin of the House of Hador and kinswoman of Húrin (seen in the Silm/Children of Húrin)? What if Éowyn’s language is letting us know that these stories and legends of First Age communities of Men are still alive and well in Third Age Rohan’s oral history traditions?

I love this idea, which made its way to me from @outofangband (who shares a love of Aerin but also knows WAY more about her than I ever will!♥️). For those who don’t know, Aerin lived in Hithlum and was forcibly married to the Easterling leader Brodda after Hithlum fell in the Nirnaeth. She suffered greatly but didn’t let Brodda’s abuse stop her from secretly aiding the remnant of her people who were living then as beggars and thralls. Túrin eventually came to make a bloody mess of it all (as is Túrin’s way) and ran off with many men of Aerin’s community after stirring the Easterlings to wrath. Then Aerin, among the women left to deal with that wrath, lit Brodda’s hall on fire and perished in the flames. Sound familiar???

I simply can’t read Éowyn’s words now without thinking that she knew the story of Aerin and had it in mind as she spoke to Aragorn. There’s already some evidence the Rohirrim are familiar with the history of First Age humans even as they don’t know much high elven lore (I refuse to accept that they got the name “Haleth” by coincidence!), and this seems like an even more direct and natural connection, especially because the Rohirrim are distantly related to Aerin’s Hadorian people.

The thought that the Rohirrim have songs and oral poetry – their means of “documenting” and transmitting history – about these First Age figures is lovely to me. Tolkien makes such a big deal out of how much the elves and Gondorians love and revere lore, how they have libraries full of texts, etc., while positioning the Rohirrim as less sophisticated in comparison (they’re called “unlearned” and Aragorn suggests they barely remember things that pre-date the founding of Rohan itself!). They’re treated as though their lack of books and the fact that they don’t happen to be interested in the exploits of the Númenoreans or the Noldor means that they’re ignorant of everything or don’t care about history at all. But that’s not true!!

They’re absolutely invested in and take care to preserve the history THAT MEANS SOMETHING TO THEM. And what is that? Well, it’s not Fëanor or Tar-[Insert King Here], but apparently it is Haleth and Aerin – women who found different but equally impactful ways to lead their people and resist oppression. And for those to be stories that resonated in Rohan enough to be remembered and passed on from generation to generation makes a lot of sense to me. It’s a land of shieldmaidens, a land where women are still looking for and creating ways to resist and defy, a land where both women and men sometimes have unexpected views about gender roles.

Those are people who would be interested in the experiences of Haleth and Aerin, even as (and maybe especially because) those women aren’t particularly remembered and celebrated by folks like Aragorn or the Gondorians and the elves. Húrin is the man of legend from that time and place to most of Middle Earth, and Aerin lives in the margins of the history just as she lived in the margins of life. But an underdog people will love an underdog story and keep it alive while others have forgotten.

It’s also interesting to consider what “lesson” the Third Age Rohirrim are taking from Aerin’s tale. On the face of it, you might read Éowyn’s words as being scornful of Aerin, as she points to Aerin’s situation as one lacking honor. But I don’t think that means she thinks that *Aerin* is lacking honor. Their situations are very different – Éowyn lives in an unconquered land that is going to battle now to stave off their fall; the main events of Aerin’s story take place in a post-war environment, where there is no battle to be had but just the daily grind of living under brutal occupation. Aerin does everything courageous and meaningful that can be done in her scenario (other characters in the Children of Húrin basically say this, confirming that Aerin is good, strong of heart, and the very essence of righteous defiance), and I don’t think Éowyn finds any fault with Aerin’s choices or behavior. What Éowyn finds dishonorable and inglorious is the circumstance of being forced to live under occupation in the first place. She wants to go to battle so that she is never faced with the life that Aerin had to live. She learned from Aerin’s tale that she’d rather not be the resistance to oppression but instead the conqueror of it.

Anyway. Now I’m just rambling (as is my way!). But if even a hint of this was interesting to you, I urge you to check out @outofangband ‘s blog for all kinds of additional context and detail about Aerin and the infamous firing of Brodda’s hall, expressed in a more articulate way than here! Thanks for sharing this very cool connection with me, friend!

[writerfae]

Here’s a proof that I am capable of writing Aiden interact with people that are NOT his brother or Talon xD Feat Maya cause she deserves more content (plus a little lore drop)

“So, why are your freckles white?” Aiden blushed slightly. “Excuse me if this is rude to ask,” he added, scratching the back of his neck.

Maya laughed. “Don’t worry about it. I’ll tell you why. You know, I’m not a typical fae. I wasn’t born normally like Talon or Halea. I am what people call a wishling…”

Aiden raised a brow. “A wishling?” He never heard about that before.

Maya nodded. “A fae born from a wish. It’s made possible by an ancient ritual. For generations, those who could not have children on their own used it to get a baby. Childless couples or people that didn’t have a partner but still want a child. Just like my mom.” Her voice softened at the mention of her mother. Aiden understood all too well.

“As you know,” Maya continued, sweeping a stray lock of hair behind her ear gently.

“She was human, but back in the old days even humans made use of this kind of magic. And since my mother was a follower of the old ways - something the people you and I grew up with would call a witch -“

She chuckled. “She knew about that ritual. She didn’t feel the need for a partner, but she wanted a daughter more than anything. Someone she could raise and teach her all she knew, like it was tradition in her family, daughter passing on knowledge to daughter. Someone she wouldn’t be so alone with.”

Aiden nodded. He could understand that. Who didn’t want to drown out loneliness with love, no matter what kind of love?

“And how did she do it?” he asked quietly.

“How exactly this ritual works I don’t know. Just that it requires your blood and… an already existing form of life, like a young animal or a plant, that the life of the child you want can sprout from.”

Aiden’s eyes widened. That sounded kinda ominous. But also really intriguing. So he remained quiet, letting Maya continue.

“In my case it was a fawn that was under my mother’s care. Mother performed the ritual and the next morning, instead of the fawn it was me lying in the hay, a baby that had her mother’s hair and her grandmother’s eyes.”

She smiled fondly at the last sentence.

“So…” Aiden wasnt quite sure if he understood this right. “You were once a deer?”

Maya laughed. “Yes and no. My life had its source in that of a deer, but it wasn’t a life I lived. It is… like a previous life. A rebirth, if you will.” That made sense. Kind of. Aiden couldn’t deny that he was curious.

“And do you remember it? Your previous life?”

“No. Most people don’t remember their previous life. Or do you remember yours?”

That question took Aiden aback. He had never thought about this before, hadn’t really considered that he had lived a life before this one. “No, I don’t…”

Maya smiled. “That’s what I thought. I don’t have memories of what was before. But, and this leads us to your question, a small part, a mark of the life a Wishling was born from remains visible, a reminder of the sacrifice. In my case, it’s the white freckles.”

“Like the white spots on the body of a fawn.”

She smiled. “Like the white spots on the body of a fawn, yes.”

“That’s pretty cool,” he said. “It looks nice on you.”

Maya’s cheeks colored a little at that. “Thanks, Aiden.”

Aiden returned her smile. “Thank you for telling me. And not being offended.”

That made Maya laugh. “No problem.”

*

tag list: @andifthestarsweretodie @bloodlessheirbyjacques @bluehourskyeli @deadlycupid @dustylovelyrun @justafrogandherumbrella @ladywithalamp @magic-is-something-we-create @myhusbandsasemni @my-cursed-prince @phantasticdomains @rhikasa @sleepy-night-child @soupopoireau @theguywithnonickname @vampywriter @vsnotresponding @writing-is-a-martial-art (if you want to be added or removed from the tag list let me know!)

[astronomodome]

What’s Up With Those Title Cards, Anyway: An Analysis

Now that Mumbo’s second episode is out I find myself thinking about these title cards again. And as much as I realize that they’re meant to be a fun nod to previous Hermitcraft seasons and Mumbo’s place in them, the items included and the context of their presence raise a whole lot of questions for me.

First of all, these aren’t blocks, they’re real items. Many of them don’t even have equivalents in the world of Minecraft (or even in Hermitcraft). Think about that. Are the blocky forms that we see on screen mere representations of a larger, more high-resolution world? A world with stickers and stamps and keys? A world where a ticket to Hermitcraft is a physical object you can hold in your hand? This certainly seems to imply so.

What is the context for these items? Where are they? Where are we? The stylistic choice was made to have them sort of resting on a solid-colored background. The selection of items makes me feel as though this is a representation of a desk of some kind, items important enough to Mumbo for him to keep around, lots of paperwork and stuff that you might find in a private office drawer. Which just raises even more questions. How does Mumbo keep these items from season to season? Where are they right now? Do they actually exist at all? (Not to mention smaller timeline questions. When did Mumbo receive the Grumbot message? When was it sent? Does the Grumbot left in Season 7 have a different consciousness than the one in Season 9, which last saw its dads only a month or two ago?)

If you follow the Rendog school of Hermitcraft lore, I guess you could say they’re kept on the Hermetheus along with all the other season-to-season holdovers and souvenirs. But that is one interpretation of many, canon to Rendog but never really canonized on a server-wide scale. Plus… if we take that interpretation in its entirety, how do the items from season 8 even exist, given that their entire world was canonically a simulation?

I also notice the relationship between the real world and the Minecraft world, the distinction between Mumbo the youtuber and Mumbo the block man. The ‘Official Rich List’ certificate mentions a ‘screenshot of a Minecraft chest’, implying that whoever wrote this certificate knows what Minecraft is from an outside perspective and finds Minecraft diamonds to be meaningless as a measure of wealth. And yet the certificate is addressed to one Mumbo K. Jumbo. The middle initial, having its origin in a highly in-character storyline during season 8, makes me feel like it could be more of a character Mumbo thing, but there’s no hard evidence.

How does Mumbo even have a picture of real-life Grian? Is this redstone incident report out-of-universe too? Who is he reporting this damage to, anyway?

And yet these are placed alongside items that are definitely from inside the world of Hermitcraft, if only the more fleshed-out version of it. A key to a mechanical car-horse would be functionless unless it was actually used, in-universe, by Mumbo the character. The ODEA manual was an idea considered but rejected by Mumbo during Season 7 in favor of tutorial videos, but perhaps this would make sense as an alternative for a world where the characters live in their Minecraft world as reality and have no capability to access the ODEA website.

Perhaps, in Mumbo’s view, there is little distinction between what we in the fandom call c!Mumbo and cc!Mumbo. We see both in-universe and out-of-universe items side-by-side, contradictory, because they are interchangeable here.

I doubt we’ll ever get any answers to these questions because obviously Mumbo made these title cards as fun little references instead of serious or purposeful lore, but I still think it’s fun to think about. Neat little worldbuilding details like this are few and far between in most mcyt content so I was foaming at the mouth when I first saw these. Well done Mumbo!

[thatonecrookedsmile]

I decided to finally color and post this thing I made a few months ago since we're getting close to BATDR's anniversary.

Consider this a fun concept based on a few things at the very least,or a Headcanon Based On Nothing At All at most. The "basis" for this comes from the fact that the Keepers' body and head are some kind of suit, with the zipper and "lens" being the most notable details of this. Which I found interesting.

Now,could the fact that they look like suits just be a side effect of them being offshots of the Machine? Yeah,yes it could. At the end of the day,the fact that they look like that can only be summed up as "they were created that way". Wilson just accidentally created cool-looking OCs. I doubt we'll get any kind of lore drop for the Keepers in the future beyond what we already know about them (but I could always be wrong).

The moment of inspiration that led me to do these sketches was when I was reading FTB and I was thinking about Gent and their experiments for a bit. The Keepers ended up getting into those thoughts at some point,which resulted in me doing… this!

So,yeah,what if the Keepers, before the Dark Revival,were old GENT containment suits?

Essentially,in my head,when JDS closed its doors,Gent continued the ink experiments in its own workshop,and the suits above were worn by the company's scientists while conducting some of these experiments. While we don't know what else the guys at Gent were doing beyond what we saw in BATDR and FTB,I don't think it's far-fetched to say that not even their scientists would want to touch the damned ink,which,as we know,is best kept away from. So,the suits are used.

In 1952,the workshop was condemned and closed. Eventually,the location and by extension - the technologies,the experiments and things like the suits - ended up in the Ink Realm. Fast forward to 72/73,the whole thing about Wilson finding out and taking control of the Cycle happens. When it came to creating his own "guards" to help with his plans in the Cycle,I guess he just. Took stuff from the Gent workshop like the suits and other stuff like gears and pipes,threw it all through the Ink Machine and uhhhhhhh,boom,the Keepers are created.

Again,I wouldn't take this as a serious theory/speculation,and as said,more as ideas and concepts based on so little that I decided to put on paper. (Might as well consider all of this potential AU stuff)

Additional stuff:

- I didn't make the outlines and the helmet's lens glow in the first 2 sketches because I realized that it wouldn't make much sense in the suits? The Keepers,sure,make sense,but for the suits themselves? Not so much. So I left them "switched off",with the exception of the third sketch,done at the time when I hadn't thought about this detail any further.

- The idea for the fourth sketch,the gas mask,came to me while looking at reference images of real-life hazmat suits. I thought it might be intriguing to have Gent scientists wear these masks under their suits,so I sketched it out to get a better idea. The mask itself was based on one of the scrapped Keeper designs, the ones that had the more "alien" feel to them. I don't know if it would fit inside the Keeper suit,but it's still something I wanted to consider.

I also like this whole concept of the suits for two other reasons. First, it gives the Keepers an origin that predates Wilson and the Dark Revival. Second, reusing old Gent suits to create his own guards isn't that far-fetched for a man whose entire rise to power within the studio and plan to overthrow the Ink Demon has depended on the work (and existence) of others to come to fruition. So that wouldn't be so absurd.

Also,here's 2 bonus sketches. The second one has nothing to do with what I've said so far, it's just something I was playing around with at the time.

[beauty-and-passion]

Why you should listen to Chonny's Charming Chaos Compendium

I didn't expect to truly write a post about this album.

Anons introduced me to its genesis, production and themes and they seemed interesting... but was there enough food for thought?

I had no idea. My expectations were positive, so I imagined I would listen to something good: I just didn't know if this album had enough for me to talk about and say something new - considering that the CCCC fans already did a great job analyzing every detail of the songs.

But when I listened to them (and read more theories/explanations), I noticed some interesting things. Things that stirred my brain and made me think. Things I wanted to talk about.

So here I am, writing a post about Chonny's Charming Chaos Compendium Volume 1. I am not pretending to explain the lore or the songs in detail and I don't want to bother you with an extremely long post. All I want is to give you some material to decide if CCCC is worth a try.

And, if you've never heard about it before, I hope my words will spark your interest, because this album deserves more attention.

One last thing: please be aware I will talk about all sorts of themes, from love to suicide, because those are also the themes of the album.

_______________________________

A simple plot

I can hear you, fans who have listened to the whole album: simple story?! It's complicated! It's open to interpretations!

And yes, you're right. But if we consider the core foundation on which the songs are built... well, that's quite straightforward. With this album, Chonny Jash is telling us about his struggles and how they led to a psychological split inside him into Mind, Heart and Soul. Then these three parts start fighting, until they find a way to reunite again.

And yes, we can also add that this is a time loop and things are destined to repeat themselves, but the structure is still simple, clear and concise. As clear as the tripartition of the album into Calamity, Cacophony and Concord, three parts that correspond to the story's three main points: the split, the fight, the reunion.

And this simplicity isn't a bad thing, oh absolutely not. This is perfect.

There's a common misconception that a good story should be complicated. The plot should be complex and convoluted and the more complex and convoluted it is, the better the story will be. I made this conceptual mistake too and it took me years to realize how wrong it was: the better stories are not the most complicated ones, but the simpler ones.

Why?, you may ask. Isn't a simple story proof of amateur writing - or even worse, lack of creativity?

Actually, it's quite the opposite and there are four reasons why:

If a story has a simple, clear foundation, it will be easier to build on it: a simple foundation is stable and strong, it won't break down too easily. You can add layers and metaphors and hide your plot points behind different interpretations, but your public won't get lost, because the foundation would still be clear: there are three figures, they fight, they reunite. Everyone can understand it.

If everyone can understand your foundation, your story is universal. Everyone can approach and experience it, from an old person to a child, and everyone will find something inside: a message, a feeling, a piece of advice, anything.

If your story is universal and the foundation clear, your vision is also clear. And if your vision is clear, you know what you're doing. And if you know what you're doing, your story will be much more organized too: there won't be dull/useless parts, filler, or moments in which you're just dilly-dallying, waiting for the right idea to strike.

Since your story will be more organized, the flow will be better too and the events will make sense, the public will be more prone to welcome the suspension of disbelief and immerse themselves in the story. People aren't stupid, they can subconsciously feel when an artist is confident and the story is strong. And once they feel it, you win. The public is yours now, you can guide it into your world and show your vision as you intended. And people will let you do it, because they know they're in good hands.

This is what I experienced too, the more I progressed with my listening. There was a lot of care behind every word, the lyrics kept explaining and expanding the plot and everything showed the confidence of an author who knows what he is doing and how to do it.

And there's nothing better for a story, than a confident author.

_______________________________

Clear elements despite the ambiguity

Even if the foundation of CCCC is very simple, the story is enriched by a ton of ambiguities and things purposely left very vague. They may be better explained when/if Volume 2 comes out in the future, they may be left open to interpretation forever. It doesn't really matter: having a full understanding is good, but leaving everything behind a veil of mystery is a good choice as well. It depends on Mr. Jash's choice - and if my previous point wasn't clear enough, I trust this guy's choices.

However, despite the ambiguity, I also really appreciated how there are a lot of extremely clear elements in this story, starting from some events, to specific details of the main characters involved.

Some examples?

Heart tried to shoot/kill/destroy Mind

Heart's breakdown is due to something love-related

The whole series of events is stuck in a loop

Mr. Jash threatens suicide if the parts of himself don't reconcile

Mr. Jash frequently talks about how he keeps making covers of songs others made before him

And what about the details? For example, we know that every character has a specific set of elements associated with them:

an object: a blindfold (Heart), a crown (Mind), a trident (Soul)

a name: Artemis/the moon/Juno (Heart), Apollo/the sun (Mind), Atlas (Soul)

a color: black+purple (Heart), blue+white (Mind), gray+red (Soul)

And those are all elements we get from the songs and they get stuck with you, while you progress with your listening.

Again, this is a very clever choice: considering everything is open to interpretation, having some clear elements serves as "anchor points" in a sea of ambiguities. By doing that, the listeners won't get lost in a maelstrom of possibilities, but they will keep being guided down a clear path - the one traced by the main points of the album (breakdown, fight, reunion).

Also, having some fixed elements keeps everyone's attention too: some people might like to get lost in pure ambiguity, but most lose interest in a too-vague story. Even if the author had a clear plan, if everything is too obscure, people will inevitably think: "It's incomprehensible, so the author had no idea what they were doing" and ditch the story entirely.

Mr. Jash handled the ambiguity aspect very well, by balancing the obscurities with the clear elements. And this proved, once again, how clear, strong and detailed his vision is.

_______________________________

Favorite character?

Ooof, that's hard.

Each character has a specific personality and that alone proves how carefully Mr. Jash planned every element related to them.

Heart is sad, desperate, apathetic, prone to self-pity, sick and tired of everything. But he's also strong enough to try and oppose Mind out of fear of what he could do. He tried to attack someone as powerful as him and take him down, just to preserve the Soul and save their vessel.

And that proves he's not weak at all: he's a lot more powerful than he seems. And, as he said, he's not a child: he felt Mind could've been a threat, so he took the matter into his own hands and tried to find a solution.

And it makes sense his solution was so drastic, because it was dictated by feelings. Because the Heart is influenced by feelings. It's perfectly coherent with the kind of character he is.

Same goes for Mind: he's cold, harsh, a threatening figure because of his design/nature. He takes control of the situation, he appoints himself as the new leader, he wants to react, do something, move forward and ignore the element he sees as the weak link.

And he definitely doesn't hold a grudge towards Heart, nope nope: my bro spent a whole song saying "Look at Heart, he's an idiot". And then, if this isn't enough, he ended his song, by calling Heart "akaryocyte": which is a cell without a nucleus. Hence, a virus.

I'll admit it: this sick burn is the sickest burn that ever burned and probably the most clever insult I've ever read and that made Mind top #1 best character of the album - sorry Heart, but Mind is too sick. (Also, I am a cold logical person too, so I ended up thinking the guy wasn't so bad after all.)

Last but not least, we have Soul. And Soul is basically shut down all the time by these two motherfuckers arguing, to the point he looks more like a shadow, rather than a real character... until he decides that you know what, time to show how confident he actually is:

You must be so arrogant to think that either of you Can control The Soul so wholly When to be one whole you can't hold solely

One song was enough to show Soul's true colors. He's stronger than the other two, he's more in control than them and he's the only one able to draw a line and make an actual threat: if they do not find a way to reunite, he will kill them both.

A couple words and Soul's picture got flipped: he's not just a background voice anymore, he's the leading figure now. And if he is sick and tired, then these three are facing the real shit.

But just like the other two, Soul isn't just that and we see it in The Bidding.

Here happens something incredibly beautiful: once Heart and Mind find a way to harmonize, Soul immediately rejoices: with the impatience of a child, he asks them to do it again, "One more time, go again/No, this can't be the end". Soul, this powerful figure who threatened suicide one second ago, begs them to try again, to do it "for me", because they can finally harmonize, because "I don't know how much more I can take".

Once again, with a couple sentences, we learn how heavy this whole situation has been on Soul and how eager he is to try again, once the other two find a possible harmony.

This doesn't just show how deeply Soul has been affected by the whole situation, but also (on a higher level) how strong hope is.

Soul was ready to commit suicide: a few verses before he said this was the day "we'll tie the rope". But one small step in the right direction, despite being flawed and made out of spite and resentment, was all he needed to change his mind and drop the idea of suicide entirely.

That also proves how human Soul is. Because this is what humans feel too, especially when they play with the idea of suicide. Most of the time, this idea is the result of desperation and inability to find a way out of a situation that seems impossible to overcome. But once these people find even a teeny tiny fragment of hope, the will to live overcomes desperation and people latch to said hope, no matter how small it is. And, just like Soul did here, they try to have it again, to repeat it, to feel that spark again.

Because the will to live is always much, much stronger than the desperation that leads to suicide.

_______________________________

The choice of a time loop

These three characters are stuck in a time loop: things are destined to repeat themselves. And believe it or not, but this is extremely human too - and a clever choice as well.

From a psychological perspective, Mr. Jash can "break" again anytime. Life is full of stuff and events, so... who knows? Maybe in the future, he will face another heartbreak and his Whole will break down into three once more. Or maybe it won't be because of a heartbreak: maybe something else will happen and lead to a new split, a new fight and a new reconciliation. Maybe even the lack of confidence that starts to shine in Concord is proof of a future split.

But if we think about it, the time loop works from another perspective too: a meta one.

Every time you listen to the whole album, every time to replay the songs, you are relieving the split. Every time you listen to them, Whole splits into Heart, Mind and Soul. Every time you trace their history, they split, fight and reconcile.

In other words: every replay is a new loop, a loop in which these characters are stuck - not just because of their humanity, but because they're characters and this is their story. They cannot escape from it, because that's their entire world.

I don't know if Mr. Jash thought about that while making this album... but he gave me this thought and that's just another proof of what I said at the beginning of this post: if a story is very well made, everyone can find a message inside it. And I'm sure you will find something too.

EDIT: You will find the whole analysis of CCCC Vol. 1 starting from HERE

(How about a coffee? ☕)

_______________________________

TAGLIST:

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[thefirstknife]

I wasn't aware of the discussions around Eramis being that rancid, personally (although I tend not to look at online discussion around media in general, thanks to how skin-deep at best much of it tends to be).

But the way you've talked about it makes me wonder how much of the people complaining about Eramis's character development are coming at it from a dislike of the idea of that redemption being a thing at all- the perspective that Doing Bad Things makes someone A Bad Person who can no longer be A Good Person, essentially. Seems like that mentality has grown... if not more common, at least louder, over time.

(Although your comment about not seeing why they'd 'pull a shocking twist for the sake of pulling a shocking twist to spite the audience' is a little funny in a sad way, considering how many people seem to think "outwit the audience and surprise them" is more important than "tell a coherent story as well as possible", even changing things if a twist is leaked, even if whatever they change it to makes no damn sense.)

It's really bad out there and it's strange for the exact reason you listed, because the same communities have previously entertained redemption ideas about characters like Calus and even Clovis; characters who have never expressed any wish to change or any beliefs that they may be in the wrong, no regrets and no remorse for what they've done.

So I can't even figure out if this with Eramis is about not wanting redemption stories. I think it's more about Eramis herself; not only is she a female character, but she's very largely and easily misunderstood. A lot of people's interaction with Beyond Light was... not entirely invested (a lot of the community was at the time mad about vaulting and hated everything new on principle), and her other storylines are in seasonal content that's gone now and that was almost universally hated; she was brought back in Plunder and then reappeared briefly in Defiance. A lot of people approached her from the get-go as "just some villain we will kill in the campaign" and then that didn't happen and these people were confused because they never paid any attention to her story. And then by the end of it, it just kinda slipped them by.

I don't know honestly. I may be overthinking it, but I definitely think that a lack of understanding of her story plays a huge role. Whether that's because they missed her story or just didn't pay attention to it or just had no interest in it - and nobody online they interact with offered any insight into her character (lore youtube) - they just don't get what's the fuss and they don't care about her. Some might say this is because the game didn't make people want to care, but I simply disagree. While I enjoy Eliksni stories, they're by far not at the top of my list of favourite things in Destiny so I don't have any special attachment to Eliksni characters, I didn't know Eramis before BL and I was never a diehard fan of her, but I understood her story and what they wanted to do with her for the past 4 years.

And I was happy that she got her character arc completed as was intended. I saw where it was going and this solution is the only one that made sense to me. So I don't think the whole "the game didn't make me care enough because it was badly set up" really holds water. The game can't put thoughts into your brain, sometimes you have to actually think about characters for yourself. Like, we shouldn't have to be spoon-fed that hard. Her arc and the setup was clear and it was written into the game's story, a lot of it even outside of lore books ("It was just in the lore books!" is a major complaint a lot of the time, and one I personally find baffling. You're in the Lore Books The Game. If you don't like lore being in lore books, you're in the wrong place).

We could honestly discuss this to no end, and everyone who dislikes Eramis or the conclusion to her story would probably have a different reason for it, or there would at least be a couple of them, not wanting redemption included. Could also be a combination - not understanding her story will lead a lot of people to think that her being redeemed makes no sense and that it wasn't supposed to happen.

I think it's also a case of people having a really hard time understanding that a character can be our ally while still hating our guts. I've seen plenty of comments from people saying they're annoyed about Eramis constantly being antagonistic towards us. This is baffling to me, because again, it makes sense that she doesn't like us. And it would be bizarre if all Eliksni were now suddenly fans of humanity like a hivemind. Some will never like us. This is good. They will still help us because there's bigger fish to fry, but they don't have to like us.

Eramis was a delight this episode to me and she was a really interesting character. She wasn't a huge deal overall and some of her story was fairly on the sidelines, but she was a very unique "villain" and antagonist to us since she was introduced and I think that her character arc was very well done all things considered. This amount of resistance and dislike for her from the wider community is something I simply can't see as anything other than a lack of understanding of the story (personal reasons and stuff like "I get it, I just don't really care that much" not included).

[gold-rhine]

What the guard dogs are for

There are some things you never want to hear your secret years-long crush saying, such as “I’m getting married,” “I think we should stay friends” or “I’m the destroyer of the present order, the one who shall judge all gods, and the foe of humanity.” Wriothesley’s very bad, no good day of trying to unravel conspiracy theories, fumbling a tea party with Chief Justice and learning Teyvat’s ancient history and vishap lore from the leading expert lector.

Genre: angst and misinformation campaign

Characters: Neuvillette\Wriothesley, Enjou

Warnings: sfw in a sense that nothing even remotely sexy happens, but there is dissociation, ptsd episode, brief mention of self-harm, and Enjou doing same thing he does in canon, which is not quite gaslighting? Anyway, let me know if you feel any other warnings need to be added.

Chapters: 1 out of 2. Wordcount: ~8k

With his morning tea, Wriothesley riffled through the reports as usual. Nothing was marked urgent, so he started with the most boring part, - the official ones. The production numbers, coupon consumption statistics, everything is prepared for Neuvillette’s upcoming inspection, which was mostly a formality, but he would want it to go as smoothly as possible. 

Reports from the surface informants. Traveler stirring up a ruckus with the research institute… Well, about time, that pit couldn’t go on forever pretending that massive explosions are just a part of science routine. 

Next, creatures called “vishaps” appeared recently in Erinnyes Forest. These vishaps are apparently a lesser form of dragons, and connected to Liyue vishaps, also lizard-like creatures, though in Liyue they are aligned with geo, not hydro. Non-hostile to humans, aside from one accident. But in that one they fought back against the hunters sent by nobles to capture them as novelty pets. So the only regrettable part was that they didn’t get the nobles, only their lackeys. For shame. 

Next, there are gangs with new lingo going around, which generally was a good thing to pay attention to as they usually ended up in Meropide. Wriothesley frowned, reading the lingo translations, as he suddenly felt old. “Trendy Zaytun Peach” was something he’d got called for taking it up the ass a lot in his days, but now it’s a hip and cool nickname with the youngsters. 

Informal internal reports. Victims of beret society are rehabilitating fine, preparations for the wedding are underway. Good. Albert, a new guy from the shop, is sending him tea. Quite good tea at that. Obviously a bribe attempt, though he didn’t ask for anything as of yet, so it was basically free. Everything was fair in love and bribes as far as Wriothesley was concerned. You could throw everything at the feet of your beloved as to the feet of your targeted bureaucrat, and receive nothing and you would have no claim to complain. Now, the fact he wouldn’t take it into account when making decisions about their proposals, and sometimes would even consider it a negative, was a different matter altogether. 

He perked up reading the last report. There was a new conspiracy, whose agenda was not very clear, as they were more careful than the others, but the gist was something against Neuvillette, so Wriothesley was tracking it for some time. It was hard to get anything concrete though, as they were pretty good at keeping a low profile, but now apparently one of the members by the name of Jacque got into the Fortress on unrelated charges, and he was reportedly not the brightest shank on the block. 

Wriothesley made the arrangements. 

Half an hour later, he happened to stroll by when Jacque was being beaten up by three guys in the shadowy corner. 

“Hey, what’s going on here? Leave him alone!” he said, walking up to them.

“Oh yeah?”, said one of the bullies, turning to him. “Well, make me!”

They were paid double for the pretend fight. It might have been an overkill, usually Wriothesley would go for just scaring them off without combat. Especially because anyone who’s been in the Fortess for some time or had a head on their shoulders would understand that nobody would try to openly fight the Duke outside of the fight club arena. But Jacque was as fresh as they get, allegedly stupid, and it was Wriothesley’s first chance at any info in two whole months, so he decided to make it as impressive as possible.

He went as easy on the guys as he could, they theatrically threw the fight and retreated. 

“Hey, are you okay?” he asked, kneeling next to the guy in the corner and putting his hand on his shoulder for emphasis. 

“Yeah, yeah, I think I’m fine,” Jacque muttered, shaking his head. 

“Why did they attack you?”

“They don’t want me to spread the truth...” Jacque said with heavy emphasis. “But uh, thanks for helping me out.” 

“No need to thank me. I feel bad enough that honest folk like yourself get picked on in MY Fortress. That’s not how I want to run my place, so it’s only natural that I stand up for you.”

It took a moment, but finally the guy gasped.

“Your fortress? Are you… the Duke?”

At least he knew what “Duke” is.

“Yeah,” Wriothesley grinned, turning up the charm. “And allow me to get you a couple of drinks to compensate for the rude welcome you’ve received so far.”

He got them to the Coupon Cafeteria, where best meals were already arranged, and generously poured alcohol into the poor guy, listening to the story of his life and misfortunes that brought him to the Fortress, nodding empathetically. He didn’t ask about Neuvillette at all, to not spook the target, trusting that he will come to this anyway, and finally his patience was rewarded. 

“You know, you’re good!” the guy said drunkenly after some time, clasping his hand on Wriothesley's shoulder, which he beared stoically, grinning with all friendliness in the world. 

“You know, they say we can’t talk to you because you’re bought by that lizard, but I think you’re a good guy. You just don’t know all the facts!”

“Which are?”

The guy leaned closer to him and lowered his voice to a dramatic whisper. “Neuvillette is an evil dragon!”

Wriothesley choked on a laughter, which was way too obvious to turn into cough even for the dunce this stupid. 

“No, you don't understand! Dragons were enemies of humanity that Celestia conquered. But they come back when killed! They reincarnate! He is a hydro dragon who was reborn in a human form so he could more easily trick us!”

Wriothesley blinked, remembering Neuvillette standing under the rain, and the old children’s song. “Hydro dragon, Hydro dragon, don’t cry….”

“He put our rightful archon Furina on that trial, right? No one else saw the verdict, so he pretended she was declared guilty. He forced her to abdicate and took the power for himself!”

Wriothesley realized long ago that Neuvilette, of course, was not human. It was clear to any idiot who talked to him for longer than a minute in an informal setting, not to mention a lifespan of at least five hundred years. But there were a lot of options other than “evil dragon”. There were old gods who did not receive archonhood, but instead decided to serve the archon, like Liyue’s adepti, and he always assumed Neuvillette was of the same kind. But the idea that Iudex was some kind of evil monster with a grudge against humanity was ridiculous. Especially when he showed up at the Fortress and saved the entire Fountaine and Wriothesley’s own hide from the flood.

“Really?”

“Yeah! We should restore our true archon Furina to her rightful throne!”

Furina’s insurrection? Interesting. Wouldn’t peg her for someone capable of this type of conspiracy.

“And did Furina herself give us her blessing?”

“She can’t speak publicly, as this monster threatens her.”

Hmm, inconclusive on Furina’s involvement.

He spent more time with the drunk Jacque, trying to get more details, but couldn’t get much more than unhinged ramblings on how evil the dragons are and how insidious it was for a dragon to pretend to be a human. He had to leave to prepare to Neuvillette's arrival the next day.

_____

Neuvillette stepped out of Opera Epiclese into the rain and slowed down his pace to prolong the sensation. It was a bit of what humans called guilty pleasure, as he felt guilty from inflicting rain on humans for his own pleasure. Though from his understanding, humans felt guilty because they saw this pleasure as something bad for themselves. Even if often this supposed harm made no sense to Neuvillette. Eating too much food until a human's stomach hurt was at least understandable to see as such, but he heard one of palais’ secretaries say that romance novels were her guilty pleasure. How could humans feel guilty for something as simple as reading? He stopped and asked her why she would feel guilty for reading, because melusines kept telling him that socializing with humans is very easy, you just need to ask them questions about themselves and let them talk about what they like. Well, it didn’t seem to work, as the secretary stumbled, started hyperventilating and emanated levels of panic and anxiety comparable to someone in the defendant’s chair. Sensing human emotions did not actually help Neuvillette in communicating with them, as he could not discern the reasons. He asked her if she perhaps came into possession of any cursed texts? He could generally sense the stench of corruption and there was nothing on her, but there was always a possibility that it was a curse he could not register. She panicked even more and vehemently denied. At this point he decided to give up on socializing, as it was obviously very distressing for humans, but felt obliged to tell her that if she ever did read anything she felt was cursed, to inform him. He hoped it would assuage her fear of reading. She thanked him, stuttering, and after that day avoided him at all costs. 

The rain was a compromise solution in any case. Neuvillette always felt a bit strained and uncomfortable in his body, but after obtaining full dragonhood and most of the memories of past lives, the human shape felt downright stifling. He now remembered thousands of years of being something much bigger, long coils that could easily crush the spire of Opera Epiclese. Now, when he looked at his own reflection, it was hard to comprehend that this small and ridiculous frame was actually him. In addition, all of his memories and instincts called him to be submerged in water. But even with his poor understanding of humans, he realized that seeing the Iudex floating in the river would alarm humans much more than him standing under the rain. So rain was the closest solution he could get at his position. 

He summoned rain instinctively, to be as close to engulfed in water as possible. It was a bit embarrassing that even humans noticed it and composed a rhyme, even if that rhyme was inaccurate. He didn’t cry, as vishaps didn’t cry at all and even his current human shaped body didn’t have tear ducts. The closest he could pinpoint to human experience, as he understood it, was being stressed and desire to be comforted, for which water was his best remedy.

And currently he was quite stressed, looking over the Fontaine laws in an attempt to revise them. The current system that treated justice as theater was clearly imperfect, which he realized long ago. But he never saw himself as authorized to change it, as humans were the responsibility of the archon and even without it, he was well aware he didn’t understand humans, so he knew it wasn’t his place to question the human justice system, to which he was only a temporary guest. But now, as fontanias became part of Teyvat after his decision, and so, a part of his responsibility as Teyvat’s god of life, even if the usurper tried to deny him, he couldn’t ignore the need for change any longer. The problem was that he did not understand humans any better, so it was very stressful to try and restructure their systems of governance. 

He extended a hand, catching raindrops on his palm, when he noticed a silhouette near the elevator to the Fortress, and stopped himself from visibly controlling the weather. 

Wriothesley caught his eyes and grinned, approaching him at brisk pace, umbrella over his head.

“Greetings, Monsieur.”

“Good morning, Your Grace.”

Wriothesley always somehow managed to make a “Monsieur” sound more impactful than Neuvillette could “Your Grace”, despite one being a noble title and another just a polite greeting. 

“Would you like to…?” Wriothesley extended his arm with an umbrella, without actually covering Neuvillette with it. In the past, as a part of playing a role of “normal human”, Neuvillette accepted such offers, though there were not many aside from Wriothesley who dared to approach him with it. But now, as he was a full-fledged dragon, at the height of his power and influence in this land, surely he could afford to discard this role? Surely he could afford to be himself at least in this?

“No, thank you,” he said, smiling and trying to sound as cordial as possible, so that Wriothesley would not think it was a slight against him personally. “Don’t take it as offense, but I actually like being under the rain.”

The Duke smiled back, shaking his head.

“No offense taken, but why didn’t you say it last time? I felt like an idiot forcing you under an umbrella.”

“Really?” Neuvillette perked up, falling in step with the human. “You could tell that I…”

“Hated it? Yeah, for sure.”

“....prefered not to have an umbrella.”

Wriothesley let out a low, guttural bark of laughter that somehow got to the dragon despite him not being interested in humans in general.

“Not only I could tell I disturbed you, but I had to walk on the flowerbed to get to you, and then I trailed dirt in the Palais while everyone here glared at me for the audacity. Meanwhile you walked on the same dirt, but stayed pristine!”

“I’m sorry for…”

“Hey, don’t apologize. I’m just kidding, don’t worry.”

Neuvillette met the greyish blue eyes of thawed ice directly and sensed that he was truly not bothered, which didn’t make much sense. But Wriothesley was one of the very few humans who was not scared in the dragon’s presence. He was, probably, the only one who emanated only positive emotions at their meetings. Neuvillette mostly encountered negative reactions in his daily life at the trials, so he could not tell apart which positive feelings exactly that he read from Wriothesley due to the lack of exposure. But perhaps…

“I wouldn’t want you to feel unwelcome at the Palais,” Neuvillette said after a short pause.

Wriothesley grinned with a careless shrug.

“Then I will be there, even if the rest of your bureaucrats make faces. As I said, don’t worry.”

Neuvilette frowned, but didn’t see much point in pressing this further. After a confrontation with Navia, the dragon realized that his lack of understanding of humans hindered him, instead of making him truly impartial. Especially now that he was de facto in charge of the entire Fontaine government. And practice showed that only direct interaction with humans could give valuable experience, as watching from the Iudex seat did not allow him a nuanced understanding. 

So perhaps, if Wriothesley was a rare human who was not scared of him, and he proved rational and trustworthy in the years they knew each other, Neuvillette could confide in his true nature and maybe ask for advice in understanding humanity?

“Perhaps staying for some tea would make up for this past offense?”

Wriothesley stumbled for a moment.

“Seriously?” He sounded as casual and ironic as usual, but the surprised burst of positive emotions from him was bright and obvious. “After all these years you finally decided to deign my humble office with your presence?”

“It’d be a completely unofficial visit, of course.”

“Sure, sure. It was never my secret plot to bribe you with a tea party, trust me, even I realize my tea is not that good.”

His voice was ironic, but for a moment Neuvillette could see his crooked grin turn into a genuine smile. So, reassured that he was not imposing, Iudex nodded and followed the human into the Fortress’ entrance.

_________

The inspection itself was mostly a formality. The Court of Fontaine technically had no direct authority over Meripode, but it provided guards and substantial resources, and so it had a right to oversee the use of these assets. The actual budgeting was done on the regular in behind the scenes reports though, as the data was not visible in the in person visit. Still, it was a time honored tradition that got Neuvilette to show up regularly.

“Take a seat. It will take me a minute to make tea.”

Neuvilette gracefully sat down on the visitor’s chair In Wriothesley office, folding his hands on the cane. He still sat with a ramrod straight back and perfect posture, but there was a certain lightness to him today, which was hard to put into words. 

“The inspection is over, yet you are still nervous.”

Wriothesley knew he had a poker face good enough to cover it, yet Neuvillette saw it anyway. He had theorized for a long time that the Iudex could sense emotions, but usually he would not acknowledge it directly like this. “I wasn't nervous about the inspection to begin with. But inviting a high and mighty Iudex himself to the tea for years and then disappointing him when he finally accepts would be a devastating faux de pas. They will mock me on the first pages of all the papers tomorrow.”

Neuvillette frowned slightly.

“I must underline that I’m not here in any official capacity, and I would hope I’m talking to Wriothesley, not the Warden or the Duke. If you agree, I would ask that we leave the titles at the door.”

“No, of course,” Wriothesley, who had fantasized about leaving titles at the door and then clothes on the floor for actual years, said quickly, frantically recalculating how he could turn the tea party to wine tasting, which best wines he had confiscated in his storage and how he could make turning on the gramophone and then maybe leaning against the edge of the table in front of Neuvillette look natural and smooth. “Absolutely. I was just joking anyway, don’t mind it.”

“Ah, I see. I apologize, I’m unfortunately prone to missing humorous intent, so I appreciate your clarification.”

With how far the Iudex went out of his way to assure people of his good intentions in informal situations, Wriothesley really didn’t understand how everyone found him so intimidating. Especially because he very often had to interact with assholes in positions of power who did try to intimidate him on purpose and the contrast was very apparent. Neuvillette projected an aura of power without really wanting to, and then tried to over-explain himself to make others feel at ease. His earnest awkwardness was something like the clumsiness of a huge beast like an elephant trying not to step on the gaggle of kittens at his feet.

“In any case, there is nothing to be nervous about. After all, tea is liquid, and it’s really hard to make liquids unpleasant. So far I think only Fonta truly managed it.” Neuvillette drummed his fingers on the table and glanced at Wriothesley. “To be frank, if crimes against water could be prosecuted, Fonta would receive life in prison.”

Wriothesley snorted. “So no sugar in your tea, I take it?”

“No, thank you,” Iudex said politely and then, after a short pause, “And to clarify, I was not serious. There is nothing wrong with people liking sugary drinks, of course. I was just making an attempt at a joke.”

He really was horrendously bad at pretending to be a human. How could anyone hear him talk and still believe he’s a scheming manipulator was beyond ridiculous.

“No, I got it. It was a good joke,” The Duke grinned, placing a teacup in front of Neuvillette and sitting down across the table with his own.

Neuvillette gave him a graceful nod with a little smile and picked up his cup, giving it a swirl before tasting.

“Hmm. Interesting. Poignant. Bitter,” he said thoughtfully, tilting his head. 

Wriothesley was about to mention that this sort was not usually bitter, but Iudex continued. 

“Not by nature, but forced by circumstances. Not nearly enough water to be nourished, so it had to adapt and conserve strength, letting leaves seen as unimportant to die and concentrate on survival of the main branches. But there is not just hunger… there is a dream of rain. An ache of something not ever known, but yearned, longed for, without realizing what it is. But then…” Neuvillette closed his eyes for a moment. “It happened. There is a memory of luminous joy of water not gathered by mere drops, but drank in full, overwhelming, a feast after a life of fighting for scraps of morning dew. It had tasted rain at least once in the end.”

Wriothesley put his own cup down, leaning forward in disbelief.

“No way. This was a harvest from a drought year and it’s normally a mild sort, considered unusually strong in this season. How could you know this? Are you cheating?”

“You’re welcome to test me with other samples,” Neuvillette said with an air of a magnanimous ruler granting a boon and put the teacup down with a delicate clink. 

“Oh, I’m taking you up on your word, trust me,” the Duke grinned, but then paused. He didn’t want to spoil the mood, but he remembered how strongly Neuvillette felt about the perceived melusines conspiracy. Wriothesley had to tell him about the evil dragon idiots just to make sure he’s not thrown off balance later. That’s what the guard dogs are for, after all.

“Actually, before we move forward with testing your psychic tea reading abilities, there is something concerning official business that I think you should know. And then we can forget it completely.”

Neuvillette inclined his head with a small smile.

“There is a small group of conspirators, - and I must reiterate, it’s very small - who operate on the ridiculous idea that… uh, that you’re some kind of an evil dragon who schemed to overthrow Furina.”

Neuvillette's smile froze.

“You don’t have to worry about it, really. It’s negligibly small, and well, anyone with a working brain would not believe that you’re a monster in disguise.”

Iudex was silent for some time, not meeting Wriothesley’s eyes.

“Are melusines implicated in this?” he said finally.

“No. No, there’s no connection to them in this stupid theory.”

“Good. That's good. They do love living with humans so much.”

Wriothesley suspected that Iudex was taking things kind of out of proportion again.

“Listen, it’s really nothing…”

“No, no, I understand. It would be so unacceptably horrifying for humans to learn their ruler is a… monster.”

Neuvillette's voice wavered, but his face was impartial, strict, previous lightness gone completely. Wriothesley saw his hands tighten their grip on the handle of his cane a moment before he abruptly stood up.

“I must apologize for impropriety, but I have important business in the Palais which was inappropriate for me to neglect for so long. I must beg your leave to depart.”

Wriothesley stood up too, scraping to understand what he did wrong.

“Wait, it’s not…”

“Thank you for your time, Your Grace.”

Wriothesley shut his mouth, the title feeling like a slap for the first time in his life. The formality and politeness somehow only made it worse. He took a deep breath and willed himself to sound calm.

“I hope you have a nice evening, Monsieur Iudex.”

Neuvillette left in what for his usual dignified pace could be considered a hurry. Wriothesley followed him without being seen, partly to make sure he doesn’t get bothered by inmates and partly on an instinct to investigate. 

At the Fortress’ entrance, he watched Neuvillette walk under the rain, lifting his head upward. The blue strands of his long hair glowed and so did his coat-tails. They extended, shining brilliant bioluminescent blue, trailing behind the Chief Justice, in a moment looking like fish’s fins, then the next - as colossal snake’s coils. Sea waves crashed against the ridge without any wind, rising high, reaching to a lonely glowing figure of Iudex. With bated breath, Wriothesley watched Neuvillette extend a hand, as if catching raindrops - and rain stopped mid-flight in the air, lingering over his palm, waves frozen cresting over the earth. The raindrops gathered in a shuddering spheres, and then stretched upwards, against all laws of gravity.  Wriothesley’s heart skipped a beat as Neuvillette closed his fist and the rain flew backwards to the skies.

Wriothesley stormed back into his office and frantically searched through the reports, pages flying about, until he found the one about vishaps. He looked at the photos, seeing similarities he would never look for before. The dark blue color of vishap’s hide was nearly identical to Neuvillette’s attire, but that was small beans, easily written off as coincidence. Their eyes, bright magenta with white vertical slice of a pupil, resembled Iudex, but there was room for debate, as his eyes were much paler, lilac merging into gentle blue instead of a bright pink, even as white vertical pupil was so similar. What really struck Wriothesley after all this, was actually the little blue feather at the side of the head of both vishaps and Neuvillette. It was identical and looked so… deliberate. It had to be chosen and placed precisely like this. 

Still, this was not enough. He needed more evidence. He needed… he needed answers.

He walked to Jacque's block as quickly as he could without alarming inmates, but when he got to the conspirator’s room, Jacque was sleeping on the bed and a man was sitting on the chair next to him, reading a book. He looked up when Wriothesley walked in and stood up, clumsily dropping the book. He was tall and gangly, had dark hair, Inazuman features and light brown eyes behind the glasses. 

“Who are you?” Wriothesley was really not in the mood for playing games.

“Well, my organization caught wind that you are interested in learning some… historical information, and our poor Jacque is really not the best source, which is why I’m here to answer any questions you have,” the man gave him a groveling smile. “You can call me Enjou.”

“Not here. In my office. Follow me.”

When they got there, Enjou whistled musingly.

“Uh, what a nice office! Must be a pretty sweet gig. I wish I had an office instead of slinking in dump ruins all the time.” He sighed theatrically. “So, I assume your main questions are on the vishap situation. I…”

“Wait,” Wriothesley said, walking up to one of his wall cabinets. “You can’t expect me to just believe you on your word.”

“Oh, of course, of course! You’re free to rough me up a bit first. Maybe a little bit of torture? But only a little bit, I’ve got a glass jaw, haha!”

Wriothesley didn’t live so long as an undisputed champion of fight club to not recognize a freak who gets off on pain. He grimaced, walking up to the table where Enjou was already trying to rifle through the papers. He stopped with an apologetic grin and put his hands up. Wriothesley put a glass vial on the table.

“Drink.”

Enjou raised his eyebrows.

“Are we dining and wining first or?...”

“It’s a truth serum,” it was a secret project of the Sumeru Akademiya, before the sages were overthrown. Dendro Archon reportedly could read the thoughts of people, and sages were trying to replicate the effect at least partially. Wriothesley came into possession of it after using his network to get the sages connected to the needed people in Fontaine institute, as Fontaine was at the cutting edge of mech technology and the sages were apparently building an artificial god. Didn’t pan out for them, but the serum worked. Wriothesley was sure of it, because he tried it on himself first.

“Oh! How exciting! How does it work? Will it perhaps burn my insides in agonizing pain if I lie?”

“Drink,” Wriothesley said through gritted teeth.

Enjou smiled and drank the vial in one shot.

“Well, nothing is burning so far, but the evening is young, haha,” he said, smacking his lips.

Wriothesley took a deep breath.

“Why are you here?”

“Huh? What do you mean? To explain the history to you, as I said.”

“Because of the goodness of your heart? What’s your agenda? Your goal?”

Enhou cleared his throat.

“Well, first of all, I do believe in uncovering and spreading so-called “forbidden” knowledge. But with your particular case can you really question my agenda? I didn’t come to you first. You were the one who sought us out. I didn’t even want to be here! I was doing my own thing without knowing about you, to be honest! But, well, I am in an organization with some unfortunate morons who thought that recruiting a convenient idiot and then sending him into underworld prison to make sure he isn’t heard is a great plan. And then when the Warden takes note of the idiot and gets him to blabber, these same morons go, Enjou, you have to get there, because you’re a vishap expert! Ugh.” 

Enjou shook his head in seemingly sincere frustration.

“But um, yeah, I’m not trying to recruit you or anything. We know how you’ve disposed of House of Hearth agents and how you generally obstruct Fatui’s activity, and we just don't want you to do the same to us. Because we’re not your enemy! So I’m here to provide you with the necessary context to see that.”

Wriothesley drummed his fingers on the table.

“Okay. Start talking about Neuvilette and vishaps.”

“Well, Neuvilette is a Hydro Dragon, that should be obvious. To clarify, Hydro Dragon here means Hydro Dragon Sovereign, because technically all hydro vishaps are hydro dragons. If you didn’t know, which is understandable, as you’re more of a fighter type and not a bookworm like myself, haha, vishaps are primordial elemental creatures, original rulers of this land and mortal foes of humanity. Long before Archons, there were Dragon Sovereigns in charge of each element. Then there was a war with Celestia, specifics of which are not widely known, but we do know that Celestia won, dragons were largely eradicated and the huge chunks of powers of Sovereigns were taken from them and given to the Archons. Hydro Sovereign was killed.” 

Enjou made a dramatic pause, before leaning forward with a grin. “But you see, vishaps reincarnate. Neuvillette is a Hydro Sovereign reborn in a human shape. There was actually an Inazuman prophecy about it, recorded in the Byakuyakoku Collection. That Hydro Dragon will descend in a human form, and it specifically mentions a cane. This really baffles me, to be honest. How could they predict the cane? Why does he even need a cane? Surely not because of any weakness, he’s an immortal dragon, 500 years is very young for him. And the records say when Neuvilette took his position as the Iudex some 400 years ago, he already had a cane. Was he born with it? Like, had he sprung fully formed, with a cane? Did he pick it up as, I don't know, honorary agreement with a prophecy? Or were his fashion choices actually predetermined to the degree that the prophecy knew them millenia ago?”

“Get back on track,” Wriothesley growled.

“Oh, sorry. Hmm, this serum works by forcing you to spell your thoughts out loud, yes? Well, then it’s not my fault I’m even more blabbering than usual!”

Wriothesley clasped his hands together and said slowly, carefully watching Inazuman’s reaction. “Even if he is a hydro sovereign dragon, as you say, this alone does not make him evil, as your conspiracy claims.”

Enjou fixed his glasses. He really had the hands of a bookworm, no work calluses or fighting scars. But there were spots of reddened, peeling skin that looked like burns that didn’t get to fully heal before getting burned again.

“Did you miss the “mortal foe of humanity” bit? But okay, sure. This is Fontaine after all, presumption of innocence and all that. I mean, I can’t read his thoughts to tell you under oath that he’s evil, so don’t take me to court, hehe!” Enjou grinned, clearly pleased at his own joke. “But I can tell what I know and ask some questions. My first question is why, after losing a war and presumably being killed by Celestia, would an ancient dragon god want to serve a servant of Celestia? The Archon, who rules with what is actually his own power? Unless he had some sort of agenda, perhaps? And come to think of it, why would Hydro Archon put a mortal foe of humanity into a position of such institutional power?”

“Are you implying Neuvilette forced Furina to give him the position of Iudex?”

“Well, I wasn’t here!” Enjou raised his hands defensively. “But why else would he become the Iudex?”

“There are higher beings and gods serving archons in other nations. Like Liyue adepti serving Rex Lapis.”

“Morax was known as the prime of the adepti. None of them could compare with him at strength. Same with yokai and Baal in Inazuma, she was the strongest by far. It’s natural that they would accept servitude. But here…” Enjou glanced at Wriothesley with a sly smile. “If you had to make a bet on a direct fight between Neuvillette and Furina, who would you bet on? Come on, I know tales that her own court would not listen to her until the Iudex tapped his cane.”

Wriothesley couldn’t really argue with this. When the Primordial Sea started breaking out, he himself sent for Neuvillette and didn’t even think to ask the actual Archon.

“In that case, why didn’t he just kill her immediately? Why would he play the judge?”

“Well, you see, he would not get his power back from just killing her. It would just pass to the next Archon. No, the Hydro Archon had to destroy her own throne. And running out the ruler requires a long game, as you know very well yourself, You Grace.”

Wriothesley kept a calm face, but something must have given him away, as Enjou grinned predatorily.

“Next set of facts and questions. You know of the infamous Archon trial, of course? When it was revealed that fontanian people are actually oceanids, given human shape by the previous hydro archon, Egeria? And the prophecy of the flood works because Primordial Sea waters dissolve fontanians into their oceanid forms. Well, the flood actually came. Why were fontanians not dissolved?”

“I’m sure you’ll tell me that.”

“Hehe, yes. It was because Neuvillette turned them into real humans with his powers of Hydro Sovereign. How generous of him, yeah? The question is, why did it take him so long? It’s been 500 years, and yet fontanians were made human only minutes before the flood.”

Despite a feeble bookworm posturing, there was a shadow of unhinged madness in his eyes, dangerous enough that in any other case Wriothesley would cut contact. But the stakes were too high right now. He needed to get all the information he could out of this lunatic.

“You might also remember that on the same trial it was proven that Furina is not a Hydro Archon. And I can tell you that the actual Archon, Focalors, was in the Oracle machine the whole time. Sorry, I’m not even trying to pronounce that full name, haha!”

The urge to punch this bastard was overwhelming, but Wriothesley kept himself in check, mostly because he could tell he was being baited into it and he didn’t want to give the piece of shit the satisfaction.

“Anyway, Neuvilette had an audience with her right after a trial, and as result she killed herself and gave him power back. You see, Hydro Archon doesn’t have the ability to turn oceanids into real humans. All of you were just… things, playing at being humans,” Enjou said with a smirk that looked more fascinated than mocking. “But Hydro Sovereign, the original god of life, does have the power to do so. And he also, conveniently, has control over the Primordial Sea, which you, Your Grace, already know as he stopped the flood in your own Fortress.”

Wriothesley raised an eyebrow and Enjou smiled with a shrug.

“Again, I was not there! But I do know Hydro Sovereign controls the Primordial Sea, and that there is an entrance to the Sea in the Meripode Fortress. I also know that there was some emergency in the Fortress, where inmates were told to run as close to the surface as possible, and then Monsieur Iudex visited and the disaster was somehow avoided.”

Wriothesley frowned. 

“If he was really a mortal enemy of humanity, why wouldn’t he just let the gates of Meripode break and the flood happen right there and then? We would all be gone and he wouldn’t need to lift a finger. Instead he ran to help when I… when the Fortress called.”

“And what would that achieve? He still wouldn’t get his power back,” Enjou shrugged dismissively and then smiled, almost wistfully. 

“No, you know what I would do if *I* was the Hydro Sovereign with an ability to take human form? And if the Archon who held my power hostage was relatively weak AND had the prophecy involving a flood of the Sea I control? Well, I’d infiltrate human society, take a position of high authority and make sure the humans not only see me as the personification of law and justice, but also respect me more than their own Archon. And when the prophecy deadline is coming up, I’d make sure I have people loyal to me in some key positions. Such as Royal Duelist… and the Warden of the Fortress.”

“He didn’t make me the Warden,” Wriothesley gritted out. 

“No, but he did make you the Duke, didn’t he?” Enjou smirked with a wink. “Our sources say the Court was not thrilled to give the highest noble title to you. And if the Iudex did not throw his own weight behind it, it would have never come to pass. How generous of him.”

It was true, Wriothesley’s own informants reported that the Court loathed to give him a title, let alone as high as the Duke. Neuvillette was the only one who fought for him and fought hard, because usually Iudex’s one word was enough to make a decision, but here the stalemate lasted for two months. They wanted to compromise and give him the viscount, but Iudex wouldn’t budge, so in the end, they caved.

Wriothesley never asked Neuvillette for the title. Neuvillette never mentioned what he did for the Warden and never dropped anything even as close as a hint of asking anything in return.

Unless you see it as a part of centuries long game, where mundane favors didn’t matter, but being called first to the access of the Primordial Sea did.

“Ah, you’re starting to get it, don’t you?” Enjou sensed blood in the water, like a proper shark would. “Then I would orchestrate a public court hearing to absolutely discredit the current ruler and corner the actual Archon. And when Focalors is forced to talk to me…. I would make a bargain. Saving the lives of all fontanians in exchange of getting my full power back and Focalors dying. Isn't it ironic that the dragon playing human was the one to turn human-shaped water things into actual humans?"

Enjou leaned back against his chair, grinning with satisfaction.

“And then I’d have an entire country loyal to me as a ruler, which would make a great foothold to use for attacking Celestia.”

Wriothesley took a deep breath.

“You really expect me to take you on your word? You might believe it yourself, which will pass the truth serum, but the word of a lunatic is not evidence.”

“Oh, of course not! I would never expect you to take my lowly word for it. Instead, why don’t you take Monsieur Iudex’s word?”

Enjou made a dramatic gesture of spilling a heap of conches onto the table. Wriothesley raised his eyebrows, when the other man poked one of them awkwardly.

“Now that I have reclaimed one of the Seven Authorities from the hands of the usurpers, I have regained my true form,” a calm voice that was undoubtedly Neuvillette, said out of nowhere. “I am now a fully fledged dragon, powerful enough to judge the rest of the gods. My final destiny is to judge the Usurper-King in the heavens above.”

“This could be faked,” Wriothesley said automatically, just to argue, but his heart already fell.

“You wound me! These are his words, and I spent an entire night fishing them out for you, I’ll have you know. It’s quite hard to capture this. You’re welcome to listen to all of them and see for yourself.”

Almost against his will, Wriothesley reached out and touched one of the conches.

“…I shall fulfill my vow to judge all of The Seven in turn, even if the sky should fall and the ground give way.”

Wriothesley took an abrupt breath through his teeth. Enjou sighed and stood up.

“I think it’s better for you to listen to this alone. After, you’re welcome to reach out to us, but please don’t make any hasty decisions. I’ll see you soon, Your Grace!”

Enjou walked down the stairs, and by the time Wriothesley got to them, there was no one there. The Duke couldn’t bring himself to focus on that though. Instead, he walked up to one of the wall cabinets and took out a bottle of whiskey he was saving up as a possible gift.

He didn’t bother with the glass. He fell down into the chair in front of the conches and clenched his fingers on the bottle, icy veins springing up from under them. He took a sip and touched another conch.

“…my grievances with the usurpers have yet to be settled... They owe a debt of blood that shall not be forgotten.”

He drank, staring blindly into the distance, and listened, and the quiet words burned worse than whiskey sliding down his throat. He caught himself on a familiar thought. “This can’t be happening. This is too monstrous.” The same feverish thoughts he had when he discovered the truth about his foster parents.

As if by now he shouldn’t have learned that nothing is too monstrous in this world.

“As a survivor of the dragon race who has regained my full dragonhood, I must fulfill my oath and obligations even if it means returning all the water in the oceans back to the heavens.”

It really did sound exactly like Neuvillette. Wriothesley tried to find the lie, something that sounded fake, but not only the voice, but the cadence and word choice fit. And it sounded calm, impartial as usual too. And then there were hydro vishaps appearing in Erinnyes…

Fuck, was it really that easy to fool him? Was he really this big of a fool? He learned to distrust sweet words and warm smiles, and he was so sure that he wouldn’t get caught in the same lies ever again, even if he sacrificed his ability to love for this. But all it took was a seeming opposite, direct and harsh, too cold and intimidating to appear manipulative, but endearingly awkward just sometimes, just enough to make him believe that… That there was something true and clear in this rotten world. That he could trust in *someone*.

“Nothing will stop me from rendering judgment on each of The Seven.” 

He went through all of the recordings, frantically at first, wanting to find contradictions, then, when none were found, numbly re-listening to the few that hit the worst.

“…also the destroyer of the present order, the one who shall judge all gods, and the foe of humanity. “

Wasn’t it too obvious in hindsight? Why would the Iudex stake his own reputation on Wriothesley’s title? How could you not see it coming? Oh, because you thought you “deserve” it for turning this dog-fighting pit of a prison into something with a modicum of fairness? Because you thought he recognized your redemption? Gods, what are you, fucking fourteen again, did you learn nothing, why would anyone ever care about you, you naive goddamn idiot?

Soon, the bottle was somehow almost done. At this point he was running one recording on repeat, mindless and purposeless except for repeating slashes of pain, familiar rhythm like the knife on his wrists years ago.

"Hydro Dragon, Hydro Dragon, don't cry." Whoever had penned that rhyme, as well as the Fontainians who came to believe in it, must not have known the Hydro Dragon all that well, considering that they thought the Hydro Dragon could cry. What did they take said Dragon for, some sort of bleeding heart who grieved for humans and the heavens alike?”

If this was true… If this was true, then Wriothesley didn’t just get fooled himself. Then he helped a monster take control of the country and potentially use it in war against heavens. 

He clenched his hand and it took him a moment to realize he broke the bottle he was holding in it. That pain from glass pieces in his palm felt small and distant now. But at last, it spurned him into action.

If this was true, he only had one shot. He’d already told Neuvillette of the dragon conspiracy, like a good little idiot eager to please. And any tyrant worth his salt would make sure to take him out after his, especially now that he outlived his purpose in giving access to Meripode vaults. He might have some time because of how oblivious he was, dismissing the conspiracy openly, but it couldn’t be long. 

He couldn’t take his time. He couldn’t hope for the better. He had to act like it’s the worst option possible. More than anything, he needed to confront Neuvillette, dragon Sovereign or not. He had to fix this, no matter the cost.

He realized he needed leverage. Brute strength was out of the question. Even before the flood, Neuvillette absolutely destroyed Fatui Harbinger in one flash, quicker than anyone in the audience could see what happened. Wriothesley would put himself against Harbringer with no hesitation, but he wasn’t an idiot. If this was how powerful Iudex was before, then after allegedly gaining his full power, there was no way Wriothesley could threaten him. No, he needed something else.

He took out the paper and wrote a note, taking care to not stain it with blood. Fortunately, he held the bottle in his left hand, so he could keep it out of the way.

“....and so confess that I, Wriothesley, Warden of the Fortress of Meripode, killed Chief Justice, Iudex Neuvillette.”

He finished the note and carefully put in his signature, then folded the paper into an envelope and closed it with his personal seal. Then he walked up to a safe, one of the hidden ones, and punched in a code. When the safe opened, he rummaged in it for a moment, until finally taking out two vials.

This was sold to him as the poison that could kill a god.