#Consider this like a bad ending

[hinamie]

domain expansion

[bixels]

The more I think about it, the more I question Arcane S2's politics and themes, which were so foundational to S1. Like, a tiny example [SPOILERS AHEAD]:

Singed wins. He gets exactly what he wants in the end. All his "efforts" are rewarded. What does that say about people who share his ideology of eugenics? He is the source of nearly every horrible thing and conflict that happened (Shimmer, the factory deaths, Jinx, Vander as Warwick, the corruption of Viktor), and he gets a happier ending than any other character. Not even a 'he got what he wanted but he has become completely unrecognizable/monstrous to his daughter' tag at the end. You can say they're setting him up and need to open his daughter to future shows, but the way you end a character's story says something about what you think about that character. What does it say when the eugenicist war criminal gets the happy ending he doesn't deserve?

[deep-space-lines]

uh......... yeah, sorry about this one

lyrics are from Rejoice by AJJ

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[naamahdarling]

Labor, on its own, has no inherent value. The willingness or ability to labor does not translate to virtue. It can confer financial value, since everyone should be compensated for their labor, but it absolutely does not have inherent moral value.

Disabled people are not obligated to perform for you. They are not required, morally, to break themselves in order to earn some sort of personal value and prove their "worth" to society. They do not need to exhaust every possible means of survival to warrant aid, or spend the entirety of their existence pursuing the same amount of production as others even though it takes everything they have and leaves no room for anything else. They are not obligated to push their limits.

If that pisses you off because YOU have to work to the limit, or beyond, your problem is that you are not being paid enough or you are being asked to do the work of more than one person. Not that disabled people get help for "nothing".

You deserve better, too, you lovable dingus! Every single thing that benefits disabled people will benefit you and the ones you love, either immediately, or eventually. All of it!

[somegrumpynerd]

Horror's nightmare

Horror doesn't think much on his past anymore, but his nightmares often resurface the guilt he's buried about the idea that he could have prevented it all somehow, even if it came at the cost of his own life.

Thankfully, Nightmare is here to make him a hot drink to calm his nerves and promise him a visit to his brother when the sun is up, because Papyrus will always be very glad to see his brother alive and visiting (and as sleepy as ever).

[pnfc]

its hot when they make an au where heinz is explicitly amoral and has disregard for ppl's lives (willing to kill/kidnap) but still has the same flirty thing going on with perry. like star wars au is the best for this, juatchadoon is good too, guy has a woman and child shoved in a pit and p's just doing a big gay dance about it

[bonefall]

It's a shame Tree is so poorly used because playing Clangen made me think about how much drama a mediator could cause even if they have good intentions. Like trying to get two cats to get along but only making their relationship worse or committing a big political faux pass with a rival clan when they need their support at the brink of war. Conflict through diplomacy can be fun if you commit to building tension and consequences with it.

Do you think mediators will eventually become a thing in all the BB!Clans?

Mediators are a great game mechanic in Clangen. Absolutely fantastic design choice, giving you better influence over the relationships between cats in a game all about managing relationships between cats. The people who came up with that one should be kissed on the mouths.

I'm not sure how much I'd get out of them as a storytelling element for BB, though.

It's not a complete no-- Clangen's mediators are pretty close to that "Therapy" rework I floated. Making their role more about interpersonal conflict, giving advice, helping individual cats work through their issues.

At the same time though, I find that the sense of community is so much stronger when that isn't someone's "job," but just something someone in the Clan can relate to.

Jaypaw could have had some sessions with a hypothetical therapist to confront his internalized ableism-- but isn't it more interesting for him to realize that by calling himself worthless for his disability, he's directly insulting his mentor Longtail too? And that Longtail will invoke his Battle Cat right to FIGHT for his honor?

They could consult elders, find a surprising connection in a Clanmate they'd never paid attention to, reignite an old friendship they thought they lost forever. There already feels like so many possibilities, and all of them feel more intriguing than "goes to the designated therapy guy."

If there's anyone like a political diplomat in BB though, it feels like it should evolve from Merchants. Ive got some stuff about trading and bartering in the works, and I think there's more space for interesting ideas there.

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

[lokh]

also i think if roleswap laios and canon laios met theyd immediately start fighting.

[daisybell-on-a-carousel]

Still very wild to me when people try to gotcha Jason with the whole "if you can kill other people for being evil why can't they kill you" when jason is like. One of the most passively suicidal characters I've ever seen. What if man

[shadow0-1]

Just a stranger without the mask

[zxal]

3 extra people in your head = 4x the hairstyle opportunities

[dykedvonte]

Of all the themes in Mouthwashing, I think the themes of punishment and virtue are the most subtle.

It’s so odd because it’s a subversion where all the characters are punished for their virtues more than their flaws except Jimmy. Curly sees the best and people and tries to do right by all parties whether deserving or not. He is then forced to see everyone fall to their worst states while he can’t do anything. Daisuke is optimistic and hopeful, playful to a fault and a big morale. He dies in agony the one time he is forced to act in a serious event. Anya is kind and capable, knowledgeable in her field. Yet, she is treated like a dunce and does being treated like a dead weight.

The only characters who aren’t punished per se are those without direct virtues. Swansea is ornery and rude the moment we meet him, Jimmy is self explanatory. Yet, Swansea is still punished with Daisuke’s death, while Jimmy escapes in a way. Not having to face the final aftermath or even acknowledging how he could never really fix it. He suffers and is tormented, but he doesn’t really care because in his mind he didn’t fail in his head of proving something to Curly.

This is rambling y really but it really is the theme of no good deed but to the extreme. Good people punished for their attempts at virtue while the bad person victimizes themself over their suffering.

[vaguely-concerned]

in his and davrin's banters, lucanis exhibits a certain little shit energy I don't think we see him have with anyone else other than illario and honestly I am living for this

[jackass-jones]

Akihiko becoming a cop is something that simply doesn’t happen in the coma route cuz Shinji would see that shit and be like Aki what the actual hell is wrong with you