#Confessionals S4

[lipsyncforyourlife]

[getonite]

i've been busy the whole day, so i just now got around to watching s4 ep2 of black butler, and i—

hit me with it.

why do you look like a kicked puppy? my pussy's right here to make u feel better!!!

fuck me.

just go ahead and take the thing off for me hm?

PLEASEPLEASEPLEASE LOOK AT ME LIKE THAT

IDC HOW BASIC THIS TROPE IS, RAIL ME IN THE CONFESSIONAL RN. RIGHT. NOW. MY PUSSY IS WET AND READY FOR DEMON DICK.

no lube, no protection, all night, all day, from the kitchen floor to the toilet seat, from the dining table to the bedroom, from the bathroom sink to the shower, from the front porch to the balcony,vertically, horizontally, quadratic, exponent al, logarithmic, while i gasp for air, scream and see the light, missionary, cowgirl, reverse cow girl, doggy, backwards, forwards, sideways, upside down, on the floor, in the bed, on the couch, on a chair, being carried against the wall, outside, in a train, on a plane, in the car, on a motorcycle, the bed of a truck, on a trampoline, in a bounce house, in the ool, bent over, in the basement, against the window, have the most toe curling, back arching, leg shaking, dick thribbing, first clenching, ear rining, mouth drooling, ass clenching, nose sniffling, eye watering, eye rolling, hip thrusting, earthquaking, sheet gripping, knuckles cracking, jaw dropping, hair pulling.teeth jitterbug, mind blogging, soul snatching, overstimulating, vile, sloppy, moan inducing, heart wrenching, spine tingling, back breaking, atrocious, gushy, creamy, beastly, ip bitting, gravity defying, nail biting, sweaty, feet kicking, mind blowing, body shivering, orgasmic, bone breaking, world ending, black hole creating, universe destroying, devious, scrumptious, amazing, delightful, delectable, unbelievable, body numbing, bark worthy, cant walk, head nodding, soul evaporating, volcano erupting, sweat rolling, voice cracking, trembling, sheets soaked, hair drenched, flabbergasting, lip locking, skin peeling, eyelash removing, eye widening, pussy popping, nail stractching, back cuts, spectacular, brain cell desolving, hair ripping, show stopping, magnificent, unique, extraordinary, slendid, phenomenal, mouth foaming, heavenly, awakening, devils tangos, he could put a nuclear bomb inside me and i'd still ride.

I NEED HIM!!

+ bonus, a pretty boy

[daniclaytcn]

what you and the other anon said is sooo on point bc the show have these perfect setups for movement in the eddie/chris storyline, even in just eddie's, and they keep. not using them. like what y'all said about weston and his dad, and add in hen's line about eddie missing his kid. the logical and obvious storytelling next step would be to show us eddie reaching out to chris. and they just, didn't? they just, showed eddie being sad/happy, like what? and then there's the divorce scene (which was way too long for what it ended up being or doing which was uuuh nothing lbr) there's nothing at all about shannon? not even a hint? and then it's buck not eddie that talks to the wife. like. what was the point of bringing back shannon into the picture only for her and their marriage and divorce and the grief to not come up aside from dead mother in the confessional. it's so weird and frustrating to see the obvious moments where those things should've lead to them been addressed, in whatever way, and the show just. don't take the opportunity to do so. his parents snatched his kid up and moved him to texas ffs!! and it just feels so sloppy to get zero movement or progression in such a big storyline. and now it's the mid season finale and either nothing is gonna happen, or something major will that fucks eddie up again, and then we have to wait ANOTHER 3+ months for anything there and it's just like. whyyyyyy. anyway, sorry for the rant ❤ it's all just sooo stupid and it makes me mad

^^^ all of this, and especially when you remember how, pre-s7, the emergencies were always used as plot devices to further the development of the main characters and move their stories along! like, in the s4 opener, where helping that single mother deliver her baby made chimney realize that he couldn't keep letting his fears of fatherhood keep him from maddie for the rest of her pregnancy anymore. or how the plane crash in s1 caused bobby's breakdown but also caused him to open up to hen and buck for the first time. or how in s5 it was a series of emergencies in 5x14 that gave buck the idea to take eddie to see charlie, so that he could regain his belief that his work as a first responder was actually worth something. like, 8x04 ESPECIALLY seemed like such an obvious set-up for not only eddie to reach out to chris, but also for him to realize he needs to go to texas rather than letting his parents get their way. and then...nothing.

[b00bfanatic]

okay abbot s4 ep 6 live thoughts

spoilers obvi

JOB SHADOWING MR J 😭😭

EXTRA ITALIAN????

everyone believing in ava is actually so sweet 🥺

okay! pica!

was that matching lipstick on the straws...

this kid def had pica and avanine feat

this is dumb but I love when they show ava genuinely caring for the students

AVANINE AGAIN!!

Janine genuinely lifting up ava is so cute

idc ava and Janine are secretly hooking up argue w the wall

JACOB WOAH!

BARLISSA FEATURE AGAIN

"I DONT KNOW! THE INSTRUCTIONS WERENT CLEAR"

I hope ava gets this genuinely love her

I love that Mr. Johnson keeps everything 😭😭

JANINES CONFESSIONAL??? before the presentation ANOTHER great thing about her??

USING JANINE AS AN EXAMPLE???

THEY GOT THE PARACHUTE!!!

[castlebyersafterdark]

do you know any blogs that are into platonic madwheeler? i just found a clip in s4 of them whispering together that i had never seen before and wondered if anyone had seen it or wanted to discuss! i think the reveal of mike's story in s5 might have some max involved somehow, perhaps a hospital visit or even his memories of their fraught relationship that develops into a mutual understanding because theyre both depressed at the start of s4.

I actually don't know any! I really like them as good friends, but I either see it mentioned as a romance angle or complaints about liking it since they don't interact much. Which I think is silly - clearly they are friends? I love how when you pull away the snark and sarcasm, Max just wanted to be friends with Mike. The scene with the skateboard in the gym in season 2 when Max is skating around and Mike starts genuinely smiling - that's one of my favorite parts of the entire series. It shows them both so perfectly!!

We don't have to see everything perfectly spelled out on screen. It's like jokes about how little we see Will and Dustin interact in the actual show. Sure, we want more of that and sure this much is true with minimal screen time together - but that doesn't mean in the "reality" of the show's internal world, that they don't interact. They're all friends and they'd all be together a lot, using the implications by means of imagination. So - Mike and Max. Great duo. Love them! Wish I knew of anyone you can vibe with, but that has never been a focal point I can recall well. I'm only following a really small number these days and do a lot of blog and tag jumping.

But ooooh I would love some nod in season 5. Mike talking to Max bedside while she's unconscious would be cool. Maybe guilt for being involved in bringing her into the danger of their lives. Maybe a confessional for some hard truths. He wants to tell a friend whatever it is he's been going through but he can't tell anyone else who could actively judge. Maybe him upping his loyal leader arc, bedside vowing they'll save her, even after all that time. There's a lot they can do. Will they? It would be nice, but part of me feels all the storyline with Max is going to be with others, but who knows!!

[pearlypairings]

welcome to my page :)

I am Pearly_Pairings on AO3—typically I write fic for Stranger Things with the occasional dive into Twin Peaks for shits and gigs! I adore reading/writing tropes like opposites attract, tooth-rotting fluff, and tons of comfort. I've compiled most of of my fics, drabbles, and moodboards here :)

Updated 8/30/24 ✍️

Stranger Things- Eddie x Chrissy

✨so much (for) stardust stardust-inspired || mild angst to fluffy ending || 5.5k one-shot 💐 In the Shade of Aurelias  chrissy-centric || fantasy/nobility au || WIP 9/? || updated 2/2/24 ⚰️ all good dates at the cemetery chrissy POV || heavy angst, happy ending || inspired by that smallville cemetery scene || 3k one-shot 🍃 not a sound, but the wind  hurt/comfort || no vecna/upside down au || completed- 19k wc 🎨 painting (a masterpiece):  established relationship || fluff/comfort; first apartment || 4k one-shot 📜 Dear Donna,  chrissy POV || penpal letter format || canon divergent/fix-it|| completed- 8.5k wc 🧮 Meet Me at Our Spot  library meet-cute || no vecna-upside down, fast-burn || 10k one-shot 🌧️Open the Sky and Let Her Come Down  sleepover/crush confessional || pining, friends to lovers || completed- 10k wc 🤘 Do or Die  S4 fix-it || slow-burn, hurt/comfort || completed- 61k wc 

Stranger Things- Jonathan x Chrissy

📸 there is a light that never goes out  jonathan-centric || no upside-down au, slow burn || completed- 51k wc

active wip!💡 Let the Light In (sequel to TIAL ^^) chrissy-centric || still a slow burn baby, angsty, happy ending || wip ch 3/?|| 8/29/24

photocheer moodboards and blurbs:)

Stranger Things- Steve x Chrissy

🍸 The Coast is Clear - inspired by this post country club shenanigans || friends to lovers, mutual pining, fluffy first kiss || 5.5k one-shot

Stranger Things- Patrick x Chrissy

active wip!burnin' through the darkest night patrick-centric || next door neighbors, angst & a whole lot of pining babes || wip ch3/? || 6/25/24 patrick x chrissy moodboard

Stranger Things Series 🧮

Letters from Max Mayfield : collection of letters written by Max to her family & the Party based on canon S4 hellcheer word prompt series: drabbles and ficlets in response to monthly word/phrase prompts, like party crashing, tattoo, sewing

Coming Soon✨: charlie's angels au for Nancy, Chrissy and Robin 🔫💋🔊

☕Coffee and Contemplation ST x Twin Peaks || Agent Cooper POV || supernatural mystery || on hiatus; last updated 2.5.23 🔥🔥 Twin Flames Divided laura & audrey || canon compliant, complicated friendship, angst || 2.5k one-shot

Masterlist of 2024 Birthday Prompts tumblr event

various ST pairings: hellcheer, photocheer, clarkelley, stali, platonic stobin

12 days of birthday-themed prompts

drabbles, ficlets, and fics depending on the prompt :)

*will be updated as more is added!*

[pinknatural]

if you are on the outside looking in it probably looks like spnblrinas are running in circles asking why lamp or why colette or why confessional scene or why directing choices in s4 framing cas and dean together in weird intimate ways or why purgatory or why purgatory 2 electric boogaloo and the truth is. we are running in circles asking these questions. because why the fuck did they give us colette

[wheneverfeasible]

V curious about babysitter Steve Adams & Steve Wayne!

Hello! I’ve brought those up here and here respectively, but I’d love to talk more about them!

For Babysitter Steve Addams, Steve has been surrounded by kids for A WHILE. This is post s4, and he’s hanging with all the kids (including Holly and some Wheeler cousins and school friends) and he’s just trying to get them all home safely. Except he may have accidentally shoved some kids in his car who weren’t part of the group. Enter: The Addams Family *snap snap*

The Addams in my story aren’t based on any particular version of them, of course, but kind of a mixture of the different adaptations to make them fit more with Stranger Things and my story lol.

Clearing his throat, Steve looked between the two of them before letting out a small groan. Just great. He sat back in his seat and gripped his steering wheel tightly. “Right. Okay, how about I just take you two back to your guardians, hm? And hopefully they don’t call the cops on me,” he added in a slight mutter. If he got arrested for kidnapping, the others would never let him live it down.

“Are you sure you don’t want to kidnap us?” the boy, Pugsley, apparently, asked with a small wheedle to his tone.

“I’m sure,” Steve dryly replied back. “Were your guardians at the festival with you? Should I take you back there?”

“No, we were alone,” the girl replied. “It’s much more dangerous that way.”

Steve, thinking about the fact that he had apparently kidnapped them, as well as the general craziness of the town, couldn’t help but agree. He let out a heavy sigh, barely resisting the urge to slam his head back into his steering wheel. How did this always happen to him?

“Right. Okay. So, how about I take you home then? Where do you live?”

Both kids have a forlorn sigh, as though being delivered safely home was the worst thing to happen, but after a stern look at them they relented and soon Steve was following their directions to an address just outside of town.

And then we have Steve Wayne, which is just a short little thing where Steve has been hanging around with Eddie and has developed a crush on him. Also post s4. Wayne, however, doesn’t realize that Steve is crushing on Eddie, thinks only Eddie is crushing on Steve. So when Wayne warns off Steve from hurting Eddie, Steve thinks Wayne knows about his crush on Eddie and disapproves.

Steve was really getting tired of having to prove that he wasn’t the same meathead jock he’d been in high school. He hadn’t even been one of the bullies! He’d just…been friends with them. And he _had_ made his apologies about not doing better at reining Tommy in and being too full of himself. Too inconsiderate of others.

All affected parties forgave him, and even Nancy and Jonathan had apologized as well for their past actions which hadn’t taken Steve’s feelings into account either. It takes three to tango, or whatever. They were all cool now.

And Eddie…

Christ, and Eddie.

Eddie had opened Steve’s eyes up in a way he had never imagined possible. He remembered driving to the Buckley house in the middle of the night and almost getting an instrument case in his face for his troubles when he knocked on Robin’s window and scared the crap out of her.

It was no bathroom confessional, but it would do.

He didn’t tell her what or rather who had made him have “The Awakening” as she called it, just that he came to the sudden realization that…he’s a little bit gay, it turns out.

Or bisexual, rather, but he hadn’t known that was something someone could do until Robin showed him some zines she’d picked up when the school band had made a trip into Indy a ways back. In any case, she had been a bit too distracted realizing her best friend and soulmate was also like her that she never brought up what had made him fully realize he was queer.

She would never let him live it down if she knew it was Eddie Munson that had turned his worldview on its axis. Nor was he ready for her revenge in badgering him to tell Eddie.

[erikiara80]

So, that's... Henry's sister. Who is supposed to be three years older than him. Interesting. The actor who plays Henry is 18, but she looks 12. And the flashback in S4 was already sus, lol. They say she was 15 and Henry was 12 when they "died", but they cast Livi Birch, who is younger than Raphael Luce (here)

I have so many thoughts about it. Maybe Henry is seeing the past here? Their first day in the new house... in 1957?

If we're dealing with different timelines, I'm really curious to see how they will handle it in a stage play (Also, Bob and his radio show!)

Brenner angry at Henry, but Henry doesn't look afraid, hmm. I can't wait to see these two interact.

Joyce and Lonnie on a date? I knew he liked her since they were young. But for some reason, he's not a main. I wonder why (no I don't, I have a very detailed theory about his role in the story lol)

And Bob again!

This confessional scene is probably the one we saw in the leaked auditon video.

I need to see this asap

@chirpsythismorning

[atrashbearthattrashes]

Setup and Payoff

Dear Rookie writers: <clenches fist, looks out longingly onto a field of continuity> Look. I get it. You had to execute the ship. You were moved to an earlier time slot, so less risqué content. You tonally shifted to a comedy. Covid fucked your timeline, etc etc etc. FINE. I give you all of that.

But for the love of all that is good and holy can you PLEASE WRITE NORMAL FUCKING STORYLINES THAT MAKE SENSE.

Screenwriting is simple. Setup. Payoff. Like, for example:

— setup: show actively sets up friend ribbing friend about a coworker crush/romance. The PAYOFF would be said friend loses their shit when the coworkers actually get together (examples: Boyle in B99, Jacob in Abbott Elementary, Michael Scott in the Office, Schmidt for Nick and Jess in New Girl).

— setup: show actively sets up consequences to office / coworkers finding out about secret romance. PAYOFF: actual work consequences happen (ie, Ben and Lesley break up in parks and rec).

— setup: characters CONFESS THEIR FEELINGS to OTHER CHARACTERS in an ensemble cast so that the audience knows there are actual emotional stakes. PAYOFF: we get emotional insights and CLEAR emotional STAKES. (Ie, B99, Parks & Rec, New Girl, The Mindy Project).

— setup: you have two characters who want to be together but can’t due to [insert obstacles]. Unresolved tension continues to rise until characters can be together. (Ie, Castle, X Files, Alias, ER, Buffy, Once Upon a Time).

Every single move the Rookie has made this year has deflated each setup like a fucking pin in a balloon. — Lopez ribs Bradford about Lucy and in the end neither supposed bff brings up the romance again, save Lopez over some dumb radio message? (And we never get some confessional from Lucy to Nyla or anyone about how she pined for Tim in UC school, and all we get is some throwaway “*That* Bradford” one-liner?)

— Season One of Talia warning Lucy re: Nolan so they break up, to Seasons 2-4 of Lucy being a subordinate to Tim so nothing can happen, to Grey warning them about office romances, and in the end, we get ZERO reactions from any characters that they’re together and ZERO consequences to the relationship other than some mild Post-It wrangling?

— The unresolved tension that starts off with a bang in S1, ratchets up in S2 and complicates itself S3 and S4, never ACTUALLY gets addressed by Tim or Lucy confessing their actual feelings to each other? Just suddenly “if we do this” to “our kids will be xyz” in a few episodes?

I JUST DONT GET IT. I DONT UNDERSTAND setting up a storyline that could be SO FULL of juicy confessions, angst, longing, pining and just maybe ONE LITTLE SEXY SCENE FFS only to turn it into the MOST bland and milquetoast ship. I KNOW these characters can do hot and sassy and argumentative because we’ve seen it. They can definitely to angsty. But this whole we’re-going-to-dial -down-every-emotional-payoff-to-a-mild-5….like….to what end, writers? TO WHAT END?

[lipsyncforyourlife]

[kinetic-elaboration]

July 4: Princess Mechanic, Blunt

A little character study of Raven and Clarke, set somewhere in an alternate-S4-era (less Drama, more Community Building, etc. etc.).

This was written for the prompt "Blunt and its antonyms (sharp, polite, subtle, tactful)" for July Break Bingo 2023 (@julybreakbingo).

~950 words, written in about 35 minutes

*

The Engineering department has no use for politeness or tact, and Raven, steeped in this culture since her training began, has now risen to the top of its hierarchy. She sees tasks that need to be done and she gets them done. She gives orders. She is blunt.

She's found this language suits her well. No time wasted in reading between the lines or trying to gauge hidden meaning tucked away within tone. No uncertainty. More important than the efficiency is the comfort in it, how it creates something steady she can walk upon without wavering.

Recently, then, she's realized that she loves Clarke best when she is blunt, too. Usually, she drops the pretense and the politics only when her nerves are frayed, when she's particularly scared or especially frustrated, or when all her other tactics have run out and all that's left is blunt force. They've fought in those moods before. But there's a thrill in it and a clarity to the air after the emotions burn out. There's a frank and open expression to Clarke's eyes that feels like honesty and trust.

Makes Raven think they're getting somewhere, anyway.

Clarke sits on the council now. She's reached the top of her area of expertise, as Raven has, because of a unique and random confluence of tragedy and chance. Too many of the real adults are gone now. And competence matters more than age on the ground. They carry an experience that none of their elders ever will: the raw, straggling, clawing desperation of survival without resources, in the shadow of uncertainty, fear, and war. Can't make up for that with Earth Skills classes or computer simulations or instructions memorized from books. And anyway, the kids aren’t so young anymore.

So all of them are treated in a certain sense like royalty, or at least like a group set apart. The hundred. The forward guard, the remainder. Bringing on the changing of the generations a little early, heading sub-departments, departments, barking out instructions, standing in authority. She feels uncertain in the role sometimes herself, but at least when she's settled on a project, she knows her worth. From there it's not so hard to boss others around. Odder still is to see her friends, people she still thinks of as the underdogs, leading scouting teams or organizing farming projects or drawing up plans for new buildings. Making Arkadia over in their image.

When she catches sight of Clarke leaving council meetings, the oddest part is that the others are people Raven hardly knows. Yes, Clarke should be in charge. And only Clarke, and the people she trusts. She tramps down the hall with such confidence, her chin up, her expression unreadable.

In council meetings, she speaks with precision, mixed in with authority: assured but polite. Tactful, always. There's just a certain way, she's explained, that things get done, and it has to do with not making enemies. Really it has to do, Raven thinks, with playing people like fiddles. Reading their weaknesses, exploiting them. That's what Clarke's an expert in, more than anything else; Raven's seen it in her in their quietest moments, the way Clarke's eyes search hers, the long silences gathering up in the dusk, the careful way she picks out all her words. Her voice grows quiet, confessional, and soft. Time moves slow. Her hands squeeze Raven's so tightly, she's sure all the meaning in the world fits there in the press of skin against skin. Some illegible meaning in a language no one's ever taught her, because damn, it was never this complicated with Finn.

A solid week of unclouded skies and strong sun has baked the muddy paths of the settlement into cracked, hard dirt, when the latest trading mission sets out from Arkadia. Raven approaches the Rover just as Clarke is packing the last of the bags in the back. Clarke smiles when she catches sight of her, a genuine, bright smile that erases the tight furrows previously etched across her brow.

"Are you coming?" she asks.

"To talk diplomacy with a bunch of Grounders?" Raven rolls her eyes. She stops up short just next to the Rover, leans all her weight on her stronger leg, her hand against the dusty, hot metal of the back door. For a moment, she takes Clarke in as if she were trying to memorize her. "Not really my thing."

"Just wanted to see us off?"

See you off, Raven thinks. One of them should say it, but she shrugs. "I know you're not leaving yet, but I didn't want to miss you."

"We might get an early start."

Clarke's good with the Grounders, most of the time—not good like Octavia is, inserting herself, mutating herself, becoming one of them—she's not adept at their culture and she never cedes ground. But she's good at finding what the other side wants and then granting it for a price: the definition of negotiation and bargaining. If Raven could be bought, now, what would be the cost? She rolls the question around in her mind, wondering all at once if it's ever crossed Clarke's.

She reaches out her hand and slides her palm against Clarke's, and Clarke links their fingers with a tight, protective hold. Just say it. Just say it. I'll miss you; I want you. You should come, so that you can be with me.

Clarke's smile has softened, faded, the expression around her eyes now wistful and sad. Then she squeezes Raven's hand extra tight, and leans in, and kisses her once, not quite on the lips. "I'll see you," she promises, "when I get back," and the words could mean anything at all.

[autistic-robin]

s5 manifestations

henry monologues about capitalism again but this time he’s ending his reign of terror in a self-sacrificial way and they’re kinda just letting him get his final manifesto down before he kicks the bucket

byler endgame of course

platonic max and mike development (LET THEM BE FRIENDS!!! PLEASE GOD)

more steve and robin ride-or-die friendship moments

more ronance queerbait <3

a lucas-steve-dustin team-up

hop & el post-battle reunion that isn’t immediately cut short by one of them dying

joyce and will post-battle reunion

moments with joyce & jonathan bc i miss their dynamic from s1 so much dear god

more of jonathan and steve and nancy (maybe some actual resolution for them?? please???) (also stoncy nation it’s time to come out of the woodwork damn)

robin and mike convo about comphet!!!

erica and lucas sibling rivalry

will having powers would cure my mental illness actually

murray psychoanalyzing byler (respectfully and not outing them ofc)

teams i would love to see happen: (mike, will, nancy, jonathan) (steve, robin, lucas, el) (joyce, hopper, mike, will) (robin, jonathan, el, will)

hopper punches more and more people every season so i think in s5 he should get to deck at least 20 people

nancy fights monsters with her bare hands while robin operates a tank

el dyes her buzzcut pink in the wheelers’ bathroom to reclaim her agency

el and lucas heart to heart or we ride at dawn

LITERALLY platonic madwheeler

dustin lucas mike will original party teamup!!!!!!!!!!!!!!!!!! HELLO FOR THE LOVE OF GOD HELLO

argyle and murray have an isolated interaction for comedic relief that’s intercut with a super tense scene of hopper and joyce fighting for their lives in the upside down (a la pass the dutchie playing as argyle rolls up to the byers house getting raided in s4. you know the vibes)

robin and el convo. let them miss social cues and be autistic together

max wakes up and is pissed as fuck she got put on the bench (callback to steve and the party in s2 they will always be famous)

or conversely max is instrumental in helping them win against henry from the inside

joyce beats someone up (going back to her s3 town hall roots!!)

vickie and mike veiled gay confessionals while robin and will walk and talk ahead of them

i will NOT know peace until st replicates the absolute RUSH of adrenaline everyone felt during the van-flip scene in s1. the sheer excitement and vindication i felt in that scene is something i feel the show has never been able to produce again and i want them to return to that minimal style of depicting el’s (and will’s fingers crossed) powers in s5 because it feels so much more REAL

I WANT THE GRAINY DESATURATED AESTHETIC OF S1 BACK GOD DAMN IT GET THIS OVERPRODUCED CINEMATICALLY-ADVANCED FLASHY SHIT OUT OF MY GAY MONSTER SHOW !!!!! alright i’m good now

but seriously a return to season 1 is all i want and need. a GENUINE return in terms of aesthetics and cinematography and THE TONE OF THE SHOW. i love comedic relief as much as the next person but god the absolute whiplash s3-4 gave me in terms of tonality was painful. i want st to be serious again.

[allthebestcowboyshavedaddyissues]

Ben/Hurley

EYES OPENED. Ben/Hurley s4 and in s5 they're like Sawyer/Juliet...... JVSBIBIABIA

Okay but i imagine them as slowwwwww burn, after years on the island Ben develops a crush on Hurley. Hurley doesn't see it at all. Maybe a few years later Hurley is like oh Ben is kind of.....and then they're both unknowingly pining. Hurley is oblivious to Ben's crush and Ben doesn't know why Hurley gets extra sweaty around him. I don't know what would get them together because I don't think they'd have a big confessional scene...unless one of them almost died. Maybe Hurley's taking a nap and Ben thinks he's dead and starts in on a Pride and Prejudice level monologue. Maybe Michael is sick of the past 5 years of pining and tells Hurley to do something about it. Maybe Michael and Walt plot to trick them into a romantic date. I just know it happens eventually. Hell, maybe after they both die. When Ben finally comes into the church, watching Alex grow up for the five hundredth time. Hurley's just glad to see him, and the I Love You So Much stumbles out. And it's a ridiculously long wait, but it's finally happened.

[endlesstwanted]

Darcy Lewis, Avengers' Intern

This story was inspired by prompts given in the Darcy Lewis Bingo January Party for the Drabble Game, which were Hurt/comfort, Chocolates and Domestic. I added some more characters into the mix and voilá. Enjoy!

Read here on Ao3 or skip to chapter 1, chapter 2 or chapter 3.

Rating: Teen And Up Audiences Pairing: Darcy Lewis & Tony Stark, Darcy Lewis/Thor, Darcy Lewis & Loki Tags: Canon Divergence, Injury, Hurt/Comfort, Avengers Family, First Kiss, Darcy Lewis-centric, Drabble Sequence Summary: Darcy's first week working with the Avengers has been … interesting. Wordcount: 900

Created for: · @darcylewisbingohq prompts: Megacard prompt D2 — Doctor (chapter one) + minicard #A017 C3 — “Brought you some get-well flowers” & Megacard prompt I5  — Comfort  (chapter two) + Megacard prompt E7 — Agent (chapter three) · @tonystarkbingo prompts: S4 — The End (chapter one) + K3 — Takeout / pizza (chapter two) + T3 — U (Bot) (chapter three) · @thorbingo​ prompt — Confessional kisses (chapter two) · @lokibingo prompt — Mind Reading (chapter three)

[pearlypairings]

Welcome to my page, I’m Pearly🦪 (updated 2/2/24)

A bit about me first, since I’m tumblr-illiterate, I’m a:

romantic at heart

happily married to my high school sweetheart

absolutely adore the opposites attract trope & lots of fluff and comfort

I write as Pearly_Pairings on AO3, typically for the Stranger Things fandom with occasional dives into Twin Peaks for shits and gigs.

Masterlist of fics below the line :)

On Tumblr:

Masterlist of 2024 Birthday Prompts event

ST pairings: hellcheer, photocheer, clarkelley, stali, platonic stobin

On AO3:

Stranger Things- Eddie x Chrissy

✨so much (for) stardust stardust-inspired || mild angst to fluffy ending || 5.5k one-shot 💐 In the Shade of Aurelias  chrissy-centric || fantasy/nobility au || WIP 9/? || updated 2/2/24 ⚰️ all good dates at the cemetery chrissy POV || heavy angst, happy ending || inspired by smallville || 3k one-shot 🍃 not a sound, but the wind  hurt/comfort || no vecna/upside down au || completed 6/6 || 19k wc 🎨 painting (a masterpiece):  established relationship || fluff/comfort; first apartment || 4k one-shot 📜 Dear Donna,  chrissy POV || penpal letter format || S4 fix-it || completed 15/15 || 8.5k wc 🧮 Meet Me at Our Spot  library meet-cute || no vecna-upside down, fast-burn || 10k one-shot 🌧️Open the Sky and Let Her Come Down  sleepover/crush confessional || angst to fluff, friends to lovers || completed 2/2 || 10k wc 🤘 Do or Die  S4 fix-it || canon typical violence || slow-burn, hurt/comfort || completed 16/16 || 61k wc 

Stranger Things- Jonathan x Chrissy

📸 there is a light that never goes out  jonathan-centric || no upside-down au, slow burn || completed 13/13 || 51k wc

photocheer tag for art and blurbs:)

Stranger Things Series 🧮

💌Letters from Max Mayfield : collection of letters written by Max to her family & the Party based on S4

Twin Peaks- Gen 🌄

☕Coffee and Contemplation ST x Twin Peaks || Agent Cooper POV || supernatural mystery || on hiatus; last updated 2.5.23 ❤️‍🔥 Twin Flames Divided laura & audrey || canon compliant, complicated friendship, angst || 2.5k one-shot

Thanks for reading and being so supportive of my writing :) every interaction has been absolutely delightful! Feel free to chat in my dms or ask inbox💕

xoxo

*this post will be updated as I go as fics are added or updated :)*