#Concrete Imagery

[wickedzeevyln]

Reels from a Neon Midnight

The words that your Lola used to recreate a portrait of you in my mind is not how I picture you now. She often stutters when the thought slips by her. She used to say that getting knocked down isn’t the issue, life hands us a handful of fist, no it wasn’t that—it was your refusal to get back up that killed you. Unlike you, she stood there, she spoke as if she were a curator and her body a museum…

[answermywearyquery]

(almost) all instances of water in the official 4 minutes trailer

+ fire:

[thegreatyin]

current fallen london fandom experience feels like im standing at the corner of a party holding a sippy cup going. i thought firmament has been pretty fun and intriguing so far

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

[pigeonstab]

The difference between french and english is so funny to me sometimes because you call that a stick bug our most common word for it is phasme.

Dress rehearsal? The rehearsal where you put on the actual costumes? No, répétition générale. What's it general for? Idk

Fauteuil is armchair. Cause that shit has arms. I love it.

[jerreeeeeee]

hm. struck all of a sudden with the urge to write a candlenights fic. i don’t think i really have the time for that but its. really strong.

[please-picturemeintheweeds]

Starting to think too hard about “I could see you being my addiction” and now I feel unwell 😵‍💫

[peopleinpassing]

I shot for After Angels, with the owner Olivia V and another model Dulce. Lighting assistance is Elliot. Liv is selling bikinis and button downs. ShopAfterAngels on instagram :) my favorite photos! they both look so beautiful.

[phasewashere]

gripping you by the shoulders. dutch and arthur as cain and abel do you understand. abel was the slaughterer. cain tended to the plants. arthur is the enforcer and the butcher and yet brings back his finest kills first to god. dutch is the one teaches, grows up the people in the gang on his philosophies and his lies and his love. but the gang is not first. he is first. cain takes the best for himself because why should he not? when god has done nothing for him but favor his brother? the fair haired child. the kind of man dutch always tried to be but failed miserably. when asked about arthur dutch deflects the question, "you just cared for yourself," "am i my brother's keeper?"

[peach-nii]

(ㅇㅅㅇ❀)

[adrianlikesdinos]

guys fic writing is actually so hard. i love you fic authors <3

[butnotbubblegum]

there’s something so beautiful and intriguing about cigarettes. sucks that they’re bad for you. they’re so. pretty.

[mathart]

CrAIyon Literalness

[manticore239]

The Yellowing Road

I wish I could say I was as calm as I looked, but I’m not. Beneath the skin-deep poise, a tremor ripples through me—uncontrollable, panicked shaking, the inevitable result of breaking the one rule: “Don’t look down.” But it’s too late. I’ve seen it, and no amount of willing blindness can undo that revelation.

Everyone complains about the irregularities of the road we walk on. Some stub their toes and curse. Others wrinkle their noses at the ever-present stench. People trip and fall, slicing themselves open on jagged edges, their wounds oozing and festering. “It is what it is,” they say. “Don’t complain about what you can’t fix.”

But the road isn’t merely flawed. It was built from desperation and innovation, from the remains of a past too grotesque to face. Its very foundation is a concrete mixture of human remains, ground and reconstituted into something we tread on daily without thought. Beneath my feet, brittle bones crunch like dry leaves. A kicked fragment skitters ahead—not a stray walnut but an amalgam of shattered teeth and plastered dental fillings, clicking off the hollowed skulls of expired strangers.

We all know the truth, deep down. That’s why no one looks. To look down is to risk annihilation of the soul. The road is a graveyard, a monument to everything we’ve consumed to survive. A single glance is enough to rob you of sleep, of sanity, of the will to keep moving. Look long enough, and you’ll crumble under the weight of it, become bedridden, unable to earn your place above the cement. You’ll fall, and soon enough, your body will join the next avenue’s unholy mix.

I see it in the eyes of others when they catch me staring downward, their gazes flickering with recognition and dread. My expression betrays the truth they’ve repressed, shattering their fragile denial. Their fear mirrors mine, though they hide it better—for now. But reality stinks worse than decay, a stench too foul for our senses to endure.

And yet, amid this nightmare, I notice something else. Tiny shoots of green—thin, fragile tendrils forcing their way through cracks in the pavement. They seem impossible, and yet they persist, defying the weight of the road above them. They draw their strength not from denial but from the very horror we refuse to face, reclaiming nourishment from the remnants of what once was.

The others don’t notice, their gazes locked firmly forward or cast to the ground in resignation. But I see them—the first flowers of a truth too powerful to suppress. They whisper to me, their petals trembling in the foul wind: Life endures. Beauty endures. Even here.

A choice lies before me. I can keep walking, pretending not to see, preserving the illusion of stability while cracks spider-web beneath my feet. Or I can kneel—risk breaking the unspoken rules—and nurture the green shoots rising from the ashes. To touch them is to risk everything. But perhaps, in the end, it is the only way to rebuild a road that doesn’t demand our bones.

[theyearofhalloween]

You always said I was a liar

But we burn like a house on fire

No matter what

you know that to be true

And everything you gave to me

Changed everything I used to be

Much more than anyone I ever knew

Steffen Kern (German, 1988) - Burning Barn (2021)

[yannawayne]

not a weapon but a person—capable of loving and being loved.

SYNOPSIS: You get kidnapped and Damian snaps. TAGS: Graphic Depictions Of Violence! Genderneutral! Blood, Hurt/Comfort, Religious Imagery & Symbolism, Kidnapping, Childhood Trauma, My Mother is the Worst Woman Alive and I'm her Favorite Son, Damian is Eighteen.

⋅•⋅⊰∙∘☽ ♱

A heavy thud. Ragged breaths. Then the sound of footsteps.

The same hands that had ruthlessly beat your kidnappers to a pulp—the ones that had pulverized flesh with blood splattered across his knuckles, the ones that had heard the crack of bones beneath his grip, the ones that bore the scars of countless cuts and stabs—now traced your cheek with a featherlight touch.

"Beloved."

⋅•⋅⊰∙∘☽ ♱

YOUR PALMS WERE PRESSED tightly against your eyes, wrists raw and burning from the rope that had bound them just minutes ago. Sobs slipped from your lips, eyes bloodshot, and mouth parched dry.

The rotting smell of the warehouse was an assault on your senses—an acrid mix of trash, harsh chemicals, and the faint tang of gunfire that lingered in the air.

There was a hushing in your ear as you leaned against a cloaked figure—Batman. Bruce. 

His hand rubbed at your back, firm and steady, a grounding presence amid the chaos. His cape, dark and imposing, wrapped around you like a shield, blocking out the violence unfolding just in front of you.

Shadows danced erratically on the walls as Robin moved with lethal precision. Bodies fell unconscious, thudding heavily against the concrete floor. Blood splattered. Screams echoed. Each punch landed with a sickening crunch, bones breaking. Crates and debris were scattered haphazardly, wood and concrete slamming onto the floor. 

Damian couldn't see anything but red.

His vision was tunneled, focused solely on the next target, the next blow, the next scream. 

A swift roundhouse kick sent one assailant crashing into a stack of crates, the wood splintering under the impact. One punch connected with a jaw, the sickening crunch of bone breaking echoing through the air. Blood sprayed on his fist. Another one rushed toward him, brandishing a knife, but he disarmed the man with a swift twist of the wrist, jamming the blade into the attacker's palm. The man screamed, clutching his arm as red streaked his skin.

Damian's eyes flickered with a dark satisfaction as he watched the thug stumble backward, clutching at the wound.

One last man remained. One who had lunged at him from behind, grappling onto his back. Damian scowled and surged backward, driving both himself and his attacker into the wall with bone-crushing force. The man's grip loosened, a pained gasp escaping his lips as the air was knocked out of him.

"Fool," Damian spat, his voice dripping with venom. "Do you have any idea who you're dealing with?"

The thug whimpered, trying to scramble away, but Damian was relentless. He twisted sharply, dislodging the assailant and slamming an elbow into his ribs. The man crumpled against the wall, clutching his side, his eyes wide with fear and pain.

"You think you can touch those I care for and get away with it?" Damian growled. He didn't give the thug a moment to recover. He swung a powerful fist into the guy's face, the impact sending a spray of blood and teeth into the air. 

"F-Fuck you, man!" The man yanked a gun from his waistband, but before he could even line up a shot, Damian’s foot kicked out, sending the weapon flying through the air. The gun clattered against the concrete with a deafening clang. With a snarl, Damian lunged forward, grabbing the thug by the collar and slamming him into the ground.

"H-Hey! Mercy! Mercy! I'm a-already down!" the assailant wailed, his hands clawing at Robin's uniform in a desperate plea. "The Bat don’t kill! You—you ain't gonna kill me!"

Damian's expression hardened, his eyes narrowing as his voice dropped to a low, menacing growl.

"I'm not Batman," he spat, the tone amplified and darkened by the modulator. "Every breath you take is a mercy I choose to grant. By the time I'm finished, you'll be begging for death."

He raised his fist, the tension in his muscles coiling like a spring ready to snap. The thug’s eyes widened in terror, his pleas growing frantic as he braced for the blow. However, just as Damian’s fist was about to land, a hand clamped down on his shoulder, grabbing onto his hand with a vice-like grip. Before he could react, Batman—Bruce—had tackled him, pinning him firmly against his chest. 

“Robin,” Batman’s voice was firm, concern barely concealed. “That’s enough.”

Damian's struggle was fierce, his body thrashing under his father’s strength as he roared in fury.

“Let me go!” he screamed, his voice raw with anger. “I’m going to kill him for what he did to them!”

The anger engulfed Damian like a stormy ocean, dragging him beneath its violent waves. Visions of his mother’s face, his grandfather’s form, and accusing shadows surged from the depths, all condemning him. Damian’s cries erupted into a raw, guttural scream, gradually dissolving into ragged gasps as he battled the relentless tide.

Though Bruce had shaped him into a hero, a beacon of justice, and his family had offered him a fragile semblance of belonging, Damian was still his mother’s son.

The violence and anger roiling within him were like roots twisted deep within his soul. There was not a thing that could purge the primal rage and pain that had taken root before his first breath.

When he finally broke through the surface, baptized in blood and weighed down by sins that clung to him like chains, he sought you out with an urgent, almost desperate need.

A heavy thud. Ragged breaths. Then the sound of footsteps.

The same hands that had ruthlessly beat your kidnappers to a pulp—the ones that had pulverized flesh with blood splattered across his knuckles, the ones that had heard the crack of bones beneath his grip, the ones that bore the scars of countless cuts and stabs—now traced your cheek with a featherlight touch.

"Beloved."

Your hands were carefully peeled away from your eyes, and you met soft emerald eyes through a veil of tears. His hands moved to unlatch his cape, the soft fabric pooling around your form. His lips, speaking in his mother tongue, murmured a soothing litany of comfort, Arabic endearments flowing like silk. He pressed your head against his chest and you found refuge in the steady rhythm of his heartbeat. 

Bruce watched the scene with a pensive look. His son's body had dwarfed you, broad shoulders and strong muscles enveloping your form like a shield. His head was tucked into your hair, his hands raking all over your tense and sweaty skin.

Damian had momentarily shed the hardened exterior he so often wore—a soldier with a heart that, despite its armor, occasionally revealed cracks. This was a side of him that often surprised people.

Because Damian Wayne was the farthest thing from soft.

He was all sharp edges. Poisonous, scalding words that could sear through the thickest armor of patience. Rough, nearly violent in his touch, like a blade pressed against skin. There was no gentleness in his movements, no softness in his gestures, only the relentless precision of a trained killer.

From the earliest moments he could walk, his life was an unending series of tests, each more grueling than the last. Each cut and bruise was a lesson. Failure was met with harsh punishment, success with silent approval. Affection and praise were as rare as mercy. 

The League’s doctrine was ingrained in him: emotions were vulnerabilities, attachments were liabilities, and loyalty was owed only to the mission and the League. His purpose in the League of Assassins was clear—to be the perfect instrument of their will, a living embodiment of their principles. 

Emotion was his enemy, a weakness to be purged.  He was taught to suppress his feelings, to turn them off like a switch. Pain was an illusion, fear a phantom to be banished. He learned to compartmentalize his thoughts, locking away his humanity in the deepest recesses of his mind. 

By the time he reached ten, he was a finely honed instrument of death.

A living weapon in a world that knew no peace.

It had taken Bruce eight grueling years to begin undoing the damage. And even then, he had barely scratched the surface.

Then there was you.

The trembling, warm-faced student Damian had introduced during his senior year—his partner for a science project, he said. 

At first, the interactions were subtle—a fleeting glance here, a hesitant smile there. But as time went on, it became impossible to ignore the way your presence began to soften the sharp edges of Damian's demeanor.

Bruce had seen you both fall for each other over the months. And he saw hope. 

You were the opposite of every lesson Damian has ever been taught.

To him, you were soft, in every sense. Soft movements, soft features, soft voice. Everything about you exuded comfort.

You made something he had always pushed down and shut away come to the surface.

You made him feel things—things he should not.

When you touched him with your soft hands, everything in him burned. The gentle brush of your fingers against his skin ignited a searing heat, a raw and unfamiliar longing that clawed violently at the walls he had worked so hard to maintain. Each touch chipped away at the concrete barriers of his training, breaking them down and leaving him exposed, aching for something he couldn’t quite name.

⋅•⋅⊰∙∘☽ ♱

Mania. Drake had called it, a wild obsession of his that could consume and devour.

Damian's arms encircled you like a lifeline, holding you close as though he feared you might slip away. His lips brushed against your temple, warm and tender, while his biceps pressed firmly under your chest, anchoring you in his embrace. The air was thick with the mingled scents of sweat, blood, and the lingering residue of fear. 

And yet, amidst these odors, there was an underlying, almost imperceptible hint of Damian’s cologne—Arabian oudh. It was rich and smoky, with notes of aged wood, a faint earthy sweetness, and subtle undertones of leather and spice.

You buried your face into the crook of his neck, the fabric of his suit brushing against your cheek.

A Crush. Todd had chalked it up to puppy love, something that would eventually fade with time.

He lifted you effortlessly from the floor, his strength evident in his smooth, controlled movements. The way he adjusted his hold with such care to ensure your comfort spoke louder than any words could.

Warmth enveloped you—Damian had always run hotter, like a human furnace. On sweltering days, his clinginess (no matter how much he denied it) had been a nuisance, his heat making you feel as if your skin might melt off. But now, that same warmth was a comforting embrace, a welcome shield.

Infatuation. Grayson had suggested, thinking it was just a fleeting, intense passion. But there was something deeper in the way he looked at you, something that felt permanent and unshakeable.

“I am here. I am here, beloved," he spoke to you lowly. "It's alright now."

Love. His father called it.

In an instant, everything seemed to collapse around you. Tears welled up and streamed down your cheeks as you sobbed into his chest, each shudder of your body sending waves of anguish through him. Damian’s heart twisted painfully at the sight of you. 

He has seen suffering—he has inflicted suffering. But this was different. Your pain was a torment he was helpless to alleviate. 

Face twisted in guilt, he pulled you tighter against him, as though he could hold the world’s pain at bay if he just held you close enough.

A hand tapped at his shoulder, and he flinched, turning to see his father.

“The Batmobile is just by the docks. We can—”

“They're in shock,” Damian scowled. the fire back in his eyes. “Do you honestly believe they're in any state to be moved at this moment?”

Bruce’s gaze was firm. “Damian, we don’t have time to—”

“They need to be stabilized first,” Damian cut in sharply, his tone brooking no argument. He turned abruptly, striding towards the exit. “If you want them to survive this, we need to take care of them properly, not rush them into a car. I shall be outside.”

Without waiting for a response, Damian moved swiftly, the clatter of his boots echoing as he stepped into the cool night air with you. Once the warehouse door closed behind him, he turned his full attention back to you, his hand gently brushing your tear-streaked face. 

He moved to press his forehead gently against yours, the warmth of his skin meeting yours in a tender connection. He could offer no verbal comfort anymore; words seemed woefully inadequate. Your cries gradually subsided as you drew comfort from his presence.

Love.

He lifted his hand to the side of his face, pressing a button. As his mask retracted, his eyes met yours. Damian knew that more than anything else, you loved his eyes.

Time and again, you found yourself drawn to them, unable to tear your gaze away. They were hypnotic—an exquisite blend of emerald green, green as vibrant as the leather cover of his sketchbook, flecked with gold and streaked with brown paint.

His eyes were windows to his soul, offering the only genuine glimpse into the depths of his emotions. In them, you could see his anger burning like a stormy sea, joy dancing like sunlight on rippling water, embarrassment flitting like a shadow, and pain etched as deep as his scars.

At times, his eyes grew gentle, revealing something much softer—something that made your heart swell and your knees feel weak. A love so pure and unexpected that it could melt the coldest of hearts.

Damian Wayne was the farthest thing from soft.

But in these soft, fragile moments he shared with you, where his heart beat in sync with yours, Damian found an unexpected calm. It was in these rare interludes, away from the brutality and darkness that defined his world, that he could truly be himself.

Here, he was not a weapon but a person—capable of loving and being loved.

⋅•⋅⊰∙∘☽ ♱

ao3: yenwayne

NOTE: I want to delve into the line I wrote: 'Damian is still his mother’s son.'

It's just to show his trauma, I despise Talia with all my guts.

Talia's control over Damian is a textbook example of manipulative conditioning at its most extreme. In psychological development, early experiences and parental influence are crucial in shaping one's self-concept. From his earliest days, Damian was deprived of a normal childhood. His personality, thoughts, and desires have all been sculpted by the League of Assassins from day one.

His anger, protectiveness, and sense of duty are manifestations of this—a child raised to be a killer, now struggling with the fragments of a humanity that was never fully allowed to blossom.

I'm not saying he hasn't changed!!! He has turned into so much more than the weapon they intended him to be. He is genuinely good. But the impact of such deep-seated trauma cannot be easily overlooked or resolved. It’s not something that can simply be swept under the rug or fixed overnight.

So, this was my attempt at capturing his character! I’m very open to constructive criticism since I’m new to the fandom. Please be kind and gentle with your feedback :)