#Coloring Admixtures

[nnctales]

Types of Admixtures in Concrete: Enhancing the Performance and Versatility of a Building Material

Concrete is the lifeblood of modern construction. Its adaptability, strength, and durability make it a cornerstone of the built environment. But to achieve specific properties and improve performance, various additives known as admixtures are used. Admixtures are materials other than cement, water, and aggregates that are added to concrete either before or during its mixing. They offer an array…

[hellsdisneyprincess]

Weddings and Funerals in Hell

I like to imagine that every Ring has its own traditions and values, and therefore cultures that affect major life events such as weddings and funerals. The anthropologist in me wanted to talk about ideas I had in this regard. I was going to write it out better and include more things (births, expressions if love, birthdays, milestones, etc) but it got way too much so I'm sticking to just weddings and funerals since I had those written down for most Rings anyway. Even still some are likely to be more fleshed out than others. Not everything that goes on in the wedding/funeral is listed, but I do go over unique features. I MAY edit this as I think of things.

Also, I say "bride and groom" a lot, but these are really not gender specific, really. I just find it less confusing to show who I'm referring to rather than "the couple."

Obviously, these are just my headcanons for flavor (though people can certainly pull from them if they like), but another important note is that these are only traditions. That doesn't mean that every individual in any given ring follows these to the letter or can't do anything from other Rings. Such is the way of an ever-evolving society with lots of admixture like there is between the Rings. Especially with ideas brought in by Sinners.

Also, for the purposes of this, the Pride Ring discussions will be for the Goetia since the Sinners is an insane melting pot of traditions that will more reflect their original time and location of their living days and how they navigate those after death, etc etc. So instead of a discussion on what is essentially an urban diaspora of EVERYONE across all time, I'll focus on Goetia for Pride Ring discussion.

General

Weddings

They are vaguely Judeo-Christian in structure since the initial origin point is from that religious base (also in true anthropologist fashion I acknowledge my biases in knowledge and experience here)

The officiant typically makes references to all the Rings in Hell in their speech when the couple joins together. Usually these entail how the various sins of each Ring are to bolster the couple in their marriage. Some do this more eloquently than others but there are standard versions that get used.

The couple, instead of wearing white and/or black, typically wear their Ring's colors in some shade. For couples of different Rings, they usually either wear from their home Ring, or both wear a mix of the two.

Funerals

There are no burials. There is no belief in an afterlife for Hellborn so burials or other practices that entail preservation of the body are not present. Funerals, yes. Honoring the dead after they've past, yes. But no rituals that implicate an afterlife since there is none to be found. (As a mun note this made it really interesting to try to find unique traditions that would be specific to each Ring but still all adhere to this.)

Pride

Weddings

Large emphasis on family lineage and honoring the families being brought together.

Ceremonies incorporate traditions from previous generations and then are encouraged to add something of their own, putting a mark on the ceremony going forward and preserved through time. As one can imagine, Goetia ceremonies get more complicated and ritualistic with each successive generation.

If for some reason there are no traditions found, either due to lost knowledge, establishment of a new family, or family disowning, etc, the bride/groom can ask to use another family's traditions, but that's akin to asking to be considered part of that family. It is taken very seriously as a result.

Funerals

Most of the eulogy is spent on the deceased's accomplishments in life.

Private cremation. An elaborate urn either of the deceased's design or a depiction of their accomplishments (often both) hold their ashes. This urn is placed in an above-ground crypt so that future generations can honor the prior generations. These urns are often accompanied by trinkets valuable or personal to the deceased.

The upkeep and decoration of these crypts are indications of wealth and status. It is encouraged that if a family member moves up, that they renovate the family crypt to reflect this and elevate the rest of the family with them. That said, the family member this reflects oftens gives themselves a place of honor within the crypt, so organization within said crypt is often a matter of one-upmanship.

Wrath

Weddings

There often are competitions wherein each family proves their worthiness to the other before the ceremony. These are usually days-long festivals where the bride and groom side with their families in various activities.

Once the wedding ceremony is done, there are more games but now it is couples against the rest of the family. Depending on how competitive the families involved are, they may let the bride and groom win, but not always.

If there isn't some sort of injury, it's considered a boring wedding.

Weddings that then result in someone's death definitely happen and each family usually has some sort of story about it occurring.

Funerals

The deceased is tossed into a volcano.

Individual family tradition decides who gets the honor of throwing the deceased into said volcano, such as it being next if kin, witness to the death, predetermined by a will, determined by contest, etc.

If the deceased died of anything other than a battle, a member of the family will symbolically wrestle or otherwise defeat them so they can have that good death of a send-off.

Gluttony

Weddings

The bride and groom prepare or arrange a great wedding feast. Recipes are often passed down through generations for this purpose.

Funerals

Ritualistic cannibalism and none of the deceased goes to waste. There are plenty of recipes for using bones as stock, different cuts of meat, etc.

If the individual cannot be eaten directly (or anything is leftover), they are created and their ashes used to make a special flour used to make a traditional death cake that is presented at the funeral. This cake is usually baked either by next of kin, dearest friend, or a type of bakery/kitchen that specializes in death feasts.

Greed

Weddings

There is a great show if haggling dowry/bride price. These negotiations can go on for a long time and the wedding cannot take place unless this is resolved. These are often mediated meetings. Bribing this mediator is also part common.

While these negotiations go on, it is common for the bride (or groom) to be stolen in the meantime. This also factors into the negotiations.

Appearance of wealth during these weddings is important. There are whole industries surrounding appearing wealthy at a budget, but it's a balancing act for discerning eyes.

Funerals

Wills are highly emphasized. Since they cannot be taken to the afterlife (as there is none), every item must be carefully bequeathed. The reading of this will during the funeral is a major part of the ceremony. It also functions as a list of all the wealth the deceased acquired in their lifetime.

Funeral pyres echoing Goetian cremation. But public to make sure the deceased is actually dead and not just faking it to escape debts.

Lust

Weddings

Smaller than one would think. There is a great focus on the families becoming one rather than just the bride and groom. The couple give special attention to each and every guest to express love and thanks. More than just a quick hug, etc. So smaller weddings make this more manageable. That said, there are often second parties purely to celebrate, especially in more modern times.

Funerals

The deceased is cremated but their ashes are pressed into colorful beads. Colors chosen by the deceased if they are able to do so. Otherwise it is usually their favorite color, blue (for the Lust ring), or an assortment of colors. One of these beads is added to a large family string while the rest are passed out among loved ones.

Due to the potentially complex nature of relationships, sometimes these strings can become complicated. There are craftsmen dedicated to this work.

Envy

Weddings

They are fairly scripted, but not in call-response, but more in telenovela-style drama. Friends and family take on specific roles such as the former lover, the disapproving parents, etc (not all weddings have the same roles but you get the idea), regardless of actual feelings. Sometimes professional actors are hired for these.

The two roles that ARE present, even if there aren't any other are the Objector and the Advocate. They go back and forth to argue why the bride and groom should or shouldn't get married. The Objector includes general arguments against marriage as well as individual flaws and slights and insults towards the bride and groom. The Advocate has a response for each and every one of these. The Advocate always wins.

Funerals

Prior to their death, they are encouraged to write out their dirty laundry to be read out at the funeral. Typically these are worked on their whole lives. If the deceased doesn't have one or it cannot be found, friends and family will write one for the deceased instead.

In return, guests are encouraged to say or write nice things about the deceased, but it is common to make these witty or backhanded in nature.

The deceased are given over to the creatures of the depths to be eaten.

Sloth

Weddings

The bride and groom's friends and family take care of all arranging and organizing. The couple don't lift a finger. They're even carried into and out of the venue, are fed by others, etc. Some families might have traditions on who does certain parts (such as either parents or the most recently married couple feeding the bride and groom, etc) but the main thing is that the bride and groom are fully taken care of.

Funerals

Sky burial. There are platforms for the bodies to rot and decompose naturally. They are usually placed in serene poses, adorned in their favorite clothes and colors and flowed, etc. These are usually kept a good distance from the more populated areas so accidental dropping of parts doesn't happen. After they are reduced to just bones, caretakers collect the bones, pulverize them, and either scatter them to the wind or incorporate them into medicines.

[vestaignis]

Бирюзовая Катунь достопримичательность Горного Алтая.

Turquoise Katun is a landmark of the Altai Mountains.

Самая длинная и полноводная в Горном Алтае река Катунь начинается с ледника Геблера у подножия Белухи, и заканчивается в месте слияния с Бией и впадения в Обь. Протяженность — 668 километров. Вода всегда холодная, в жаркие дни ее температура поднимается до 15 градусов. 

Особенностью этой реки считают смену цвета в течение года. Так в весенний и летний периоды воды имеют грязный молочный оттенок, что связывают с примесью мелкой породы из-под ледников, питающих реку. Осенью же вода становится прозрачной с бирюзовым оттенком из-за зелено-каменных включений от песчанников в верхнем и среднем участках Катуни.  Самая прозрачная, чистая и бирюзовая вода в реке бывает зимой. Большая часть реки зимой замерзает, но на порогах бурные воды Катуни выдерживают серьёзные морозы.

Место слияния Катуни и реки Бии славится своей красотой. Это связанно с тем, что воды Катуни имеют зеленоватый или бирюзовый цвет, а Бии — белый. Смешение воды в летнее время на определенном участке не происходит и выглядит как «полосатое течение». В месте впадения одной реки в другую расположен остров, который носит статус особо охраняемой природной территории.Также месту слияния рек придают мистическое значение старообрядцы, cчитая, что именно здесь состоится последняя битва добра и зла.

The longest and deepest river in the Altai Mountains, the Katun River, begins from the Gebler glacier at the foot of Belukha, and ends at the confluence with the Biya and the confluence with the Ob. Length - 668 kilometers. The water is always cold; on hot days its temperature rises to 15 degrees.

The peculiarity of this river is the change of color throughout the year. Thus, in the spring and summer, the waters have a dirty, milky tint, which is associated with the admixture of small rock from under the glaciers that feed the river. In autumn, the water becomes clear with a turquoise tint due to green-stone inclusions from sandstones in the upper and middle sections of the Katun. The most transparent, clean and turquoise water in the Katun River occurs in winter. Most of the river freezes in winter, but the rapids can withstand severe frosts.

The confluence of the Katun and the Biya River is famous for its beauty. This is due to the fact that the waters of the Katun are greenish or turquoise, and the Biya is white. Mixing of water in the summer does not occur in a certain area and looks like a “striped current”. At the confluence of one river and another there is an island, which has the status of a specially protected natural area. Old Believers also attach mystical significance to the confluence of rivers, believing that this is where the last battle of good and evil will take place.

Источник://itonga.ru/russia/reka-katun/,

//usadba2.ru/look/reka-katun-legendy-i-krasoty-gornoy-reki,

//sportishka.com/turizm/17422-golubaja-katun-gornyj-altaj.html,

/www.vpoxod.ru/page/toponym/katun,

/akkem-tur.ru/stati/reki-altaya/reka-katun/, http://www.sayanring.ru/guide/city/view/44/.

[scarlet--wiccan]

I have a friend that is half Roma and she explained to me that Romanis are a very diverse population with different ethnics groups having completly diferent traits. How do you think is the best way to tackle that in the comics without being stereotypical ? For example we have Wanda who is dark-skin but we have Nightwing who is probably 1/4 Romanichal (which is considered "white passing" ?) But is portrayed as a dark-skin Roma is many fan arts because this is the steryotype that people associate the Roma's with.

So, I just want to clear up some of the vocabulary here-- first, Wanda and Pietro are not "dark-skinned," by an measure. In current Marvel comics, their skin color usually ranges from an olive tone to like a medium brown, at most. Second, being brown is not a "stereotype." We usually use that word to describe images or pre-conceived notions which are harmful, reductive, or simply not factual. Racial caricatures, which may include skin tone, are offensive, but there is nothing inherently wrong or harmful about drawing people of color with brown skin.

Brown-- and Black-- Romani people are actually underrepresented in American media, and have been for a very long time. This is exclusionary, and it contributes to the manufactured ignorance that American audiences have towards Romani people. The push to depict more Romani characters as visible people of color is about inclusion and authenticity. It is a net positive.

There are a lot of Romani characters in Marvel and DC comics, and most of them are not from the same countries or vitsi. So, ideally, there should be a lot of diversity in how these characters look, sound, and identify. Currently, there is almost none-- the majority of them are white-presenting, which is limiting and harmful, and most references to their heritage and upbringing conform to recognizable tropes. That's the real stereotype here. Should some of these characters have lighter skin or be white-presenting? Yes, but they have to exist alongside a variety of characters who are not.

You are correct that the Romani diaspora is very diverse. It is comprised of distinct groups with distinct histories, which each hold their own identities, speak their own dialects, etc. A lot of people don't realize this, but the Romani communities in Europe did not all arrive at the same time, or by the same route, and of course we've been settled in different parts of the continent for centuries, and in fact live all over the world. So you can imagine that there is a lot of variety when it comes to racial admixture. It's also important to understand that, within the culture, Romani identity is not determined by one's racial makeup. We exist in every part of the world and intersect with every race, and we are Rom because we are Rom, not because of what we look like. We can look like anything.

[vedimin]

I finished the sketch with Hua Cheng

🖇A few of my thoughts🖇

I thought about who he could be in my universe, spent quite a long time rummaging through different sites with mythical creatures and decided to settle on the “Tiefling” race.

A person with partial demonic blood, who is often an outcast and a loner, is very suitable for Hua, don’t you think?

In my AU, Hua Cheng is strong in both magic and braininess, so I think he is still the very first discoverer of robotics and its compatibility with the body, but he uses all his developments only for his own purposes and purely for himself.

Dachshunds, features:

- the right eye is an artificial one, which Hua himself created and developed for a long time.

- Hua often collects thin plates of magic on top of the robot eye to increase the abilities of her eye.

- since he is mixed with a demon, he has small horns, clawed hands with black fingertips and nails, and a tattoo of lines on his body.

- the skin is grayish and always cold.

- with strong outbursts of emotions, the hair becomes enveloped in a black haze, the eyes light up scarlet, just like the tattoo on the body.

- scarlet with an admixture of black flashes is the distinctive color of his magic.

Hua also has, so to speak, pets, which he also created himself, butterflies, with the help of which he often monitors what is happening around him or collects information.

I’m still thinking about what to do with Emin and how he can be included here. Perhaps also some kind of robotic beast, or maybe a magical familiar like Xie Lian’s.

Well, that’s all for now, next will be his husband, of course😋

Я закончила набросочек с Хуа Чэном

🖇Немножечко моих мыслей🖇

Я поразмыслила над тем кем он мог бы быть в моей вселенной, довольно долго шарилась по разным сайтам с мифическими существами и решила остановиться на расе "Тифлинг"

Человек с частичной примесью демонической крови, который зачастую является изгоем и одиночкой, очень подходит к Хуа, не думаете?

У меня в АУ Хуа Чэн силён и в магии и, в мазговитости, поэтому думаю, он все-таки самый первый из открыватилей робототехники, и ее совместимости с телом, но все свои разработки он использует только в своих целях и чисто для себя.

Такс, особенности:

- правый глаз является искусственным, который Хуа сам создал и долго разрабатывал.

- поверх робоглаза Хуа зачастую собирает тонкие пластины магии для увеличения способностей своего глаза.

- так как он с примесью демона, у него имеются небольшие рожки, когтистые руки с чёрными кончиками пальцев и ногтей, а на теле тату в виде линий.

- кожа сероватого оттенка и всегда холодная.

- при сильных всплесках эмоций волосы обыолакиваются черной дымкой, глаза загораются алым как и тату на теле.

- алый с примесью чёрных всполахов отличительный цвет его магии.

Так же у Хуа имеется, так сказать, питомцы, которых он так же создал сам, бабочки с помощью которых он частенько отслеживает что происходит вокруг или собирает информацию.

Еще думаю что сделать с Эмином и как его можно сюда вписать. Возможно тоже какой нибудь робо-зверь, а может и волшебный фамильяр как у Се Ляня.

Ну и пока что все, следующим будет конечно же его муж😋

[carterashofficial]

So, what is the difference between concrete and cement? I genuinely didn't know there was one.

Okay so 1- I'm not sober right now and 2- Concrete was one of my top 3 favorite college classes (along with botany and architectural history from early gothic to 1700s-ish. yes i had a concrete class. it was required for my major)

So *Cement (the OG stuff) is like. old as balls. its been used since the dawn of time and is like. water+ chalky rock stuff. it's got the structural integrity of a saltine cracker, so if you touch it wrong it crumbles, much like my self esteem.

Then the Roman came along, looked at *Cement, and thought "i wanna make it better" and then went and invented Concrete. The One True Big Deal OverPowered Concrete recipe used in Ancient Rome has unfortunately been lost to time. However- we know the basics. Cement + Water + Fly Ash + Aggregate (you might be thinking "hang on, cement is in concrete?" it always has been). So what are these things?

Cement: the basic ingredient. its cement.

Water: H2O preferably in liquid form

Fly Ash: well-done charcoal in a Supremely Fine Powder

Fine Aggregate: sand, essentially.

Coarse Aggregate: small-medium gravel

So you mix all of these things together and you get Concrete. Unlike the fragile cement, Concrete doesn't give a damn how you touch it unless you're a jackhammer. if cement is the crumbly saltine cracker, concrete is a graham cracker. Stronger, heavier, and overall better.

back to Ancient Rome.

So Concrete has been Invented and those Romans use it to build the Colosseum, because they could and no one could stop them. deep at the bottom of the Colosseum are concrete walls like 9 feet deep. Because their structural engineering can be summed up as "lets make it an arch" and that was it. It was the only way to hold up all those wall and different levels above.

You might now be thinking "hang on Carter, why don't other giant modern buildings not have 9' deep concrete walls. b/c thats ridiculous" It's because the Romans excelled at a lot of things, however they did not use rebar. rebar in concrete started in the 1800s, which led to the boom of Tall Buildings across the globe. Like the first Skyscraper was only 10? stories.

So now we have Concrete + Rebar. just about all Concrete you see in the wild has rebar in it. your sidewalk? rebar. Driveway? rebar. the in-ground pool? Rebar.

But in that below ground pool, its not just concrete. it's Concrete + Additives/Admixtures.

Additives/Admixtures: fancy schmancy chemically engineered compounds to change various things about the concrete, such as:

Concrete cures slower

Concrete handles the expansion/contraction of ice/water better

Concrete has a different Heat of Hydration temp

Colored Concrete (i've seen red for fire lines, aka STOP DIGGING)

Before I continue, i need to explain Heat of Hydration. when the cement, the primary ingredient in concrete, cures (goes from gloop to solid), it lets off heat. it gets hot. Spicy Cement. This is why when you get cement/concrete on your clothes or skin, you're supposed to wash it off ASAP. its corrosive AF and will give you a chemical burn. which like, no bueno. supremely no bueno.

So now you know of Cement and it's better, stronger child: Concrete.

Cement is the flour of the cake that is concrete. Flour + Water? sad saltine cracker. Flour + Water + Sugar? Graham Cracker. Flour + Water + Egg + Sugar? Cake.

You mix your cement with water and aggregates and fly ash and then you've got your concrete. to make it Extra Strong, pour it over rebar. And then wash off wherever it splashed.

Now my final note: in stores across the US you can find bags of lies called 'Quikcrete'. these are not concrete. these are cement. There is no aggregates. no admixtues or additives. Despite the wrong name its a decent product. holds up fence posts really well even when you have a dog that spent 11 years trying to become one with the fence.

Now next time someone complains about the 'cement' or whatnot being chipped, you can turn to them, the soul of an ancient roman engineer in your eyes, and go "its concrete"

[blackbackedjackal]

theres coyote subspecies? neat. whats your favorite?

I can't pick a favorite child

I'm really partial to the Great Lakes/Northeastern coyotes (C. l. thamnos). They're a really unique looking subspecies that also come in a beautiful array of color morphs. A lot of people mistake the morphs for high-content coydogs, but similar to Eastern coyotes, they just have dog admixture that shows up in their coat colors. Genetically they're (mostly) coyotes. They're pretty well documented by different researchers in Chicago and the surrounding areas and are surprisingly well adapted to the city and urban environments even though they're one of the larger subspecies. A lot of them live in cemeteries in the middle of the city and by the lakefront areas, then travel around the city at night. It's estimated that around 4000 of them in and near Chicago!

Some other faves as well. I can't pick one ;o;

Northwestern coyote (C. l. incolatus)

Mexican coyote (C. l. impavidus)

Wetlands coyotes (not officially documented but they're my local guys and I love them <333)

[maxparkhurst]

From the recordings of M. Park Experiment ID: 3475 Date: Aug. 25th, 41 L.C.

The clip begins with a few beats of silence. It is quiet enough to hear the bubble of admixture and the scribble of quill upon parchment. A woman’s voice, low and rich, breaks the quiet. She speaks in a subtle accent, Tirisian. There is no frivolity, only a scalpel-sharp introduction.

MAX: The date is August twenty-fifth, year forty-one of the Lotharian Calendar. My brother, Augustine Parkhurst-

A young man’s voice chimes in. It is much brighter than the woman’s and also much quieter. He shares the same subtle accent.

AUGUSTINE: C-can it just be Auggie? Is that fine?

An audible sigh from the woman is followed by another beat of silence. The woman continues.

MAX: My brother, Auggie Parkhurst, and I, Max Parkhurst, begin trials on the unknown toxin numbered thirty-four seventy-five.

AUGUSTINE: Otherwise known as “Breathing Putrescence.”

MAX: No one is calling it that. That is not its name.

AUGUSTINE: It’s profound.

MAX: It’s really not.

AUGUSTINE: It’ll be easier to remember than-

The woman steamrolls over the man, continuing her previous introduction.

MAX: We begin our trials on this unknown toxin. It was brought in by Unit Eight Director, Kat Hawke. Agents in the field extracted a sample from the secreting blister of one Zion Tindall’s victims. No cadaver presented. Further background information limited upon delivery. What we do know is that victims have been found in the Westfall region. No particular genotype. They are found with abscesses and severe chemical burns, both internal and external. We theorize administration to be injection.

AUGUSTINE: The toxin is kept in a vial of treated glass.

A faint chime rings, like someone tapping on a window pane. The man chitters a laugh.

AUGUSTINE: It is quite sturdy. Such quality is often reserved for volatile substances. An excellent example is Alchemist Fire. The mixture composing Alchemist Fire ignites when exposed to air, thus they require a double-chamber vial made of treated glass. This toxin uses much the same design. From that, we can infer that it is highly reactive to air. Now, the question is whether its reaction mirrors Alchemist Fire. Erm- Would you like the honors, Max?

MAX: You’re capable. Go on.

AUGUSTINE: R-right. Of course.

The vial uncorks with deft ‘pop’. More silence is followed by a peal of uncertain laughter from the man.

AUGUSTINE: I-it appears not! First observation- the toxin can be exposed to open air.

MAX: Excellent. Go ahead and s- Augustine. Please. Don’t shake it.

AUGUSTINE: Hm? Oh. It’s fine. See? Look at that reaction. Feels rather warm to the touch. No particular odor. A slight change in color. Oh. Hrm. Th-that’s…. Huh. It’s actually hot to the touch.

MAX: Set it down, Auggie.

AUGUSTINE: Y-yeah. Okay. Let me- Oh my stars. It’s moving in there. Why is- AH!

Glass shatters. A throng of curses is drowned out by the shifting of furniture and a cacophony of feet. The man’s shrieks are almost too high for the tape to record. Barely audible in the background, a subtle hiss akin to that of a viper.

AUGUSTINE: WHY IS IT LIKE THAT?!

MAX: I-I don’t know… Stay calm. Don’t. Touch. It.

AUGUSTINE: I-I don’t plan on it.

MAX: I’ll just. Let me grab- SHIT!

More scrambling. Another glass shatters. The hissing grows in volume. The woman barks an arsenic-sharp laugh. She sounds further away. There’s panic in her voice.

MAX: IT SPITS! THE F- IT SPITS!

AUGUSTINE: It’s going under the counter! G-grab it!

MAX: Me?! You’re closer!

AUGUSTINE: YOU’RE OLDER!

MAX: WHAT DOES THAT HAVE ANYTHIN-

The tape abruptly cuts off. It continues to roll, silent. Then, the woman’s voice plays. She sounds calmer, if not more weary. The hissing from before is muted. Contained.

MAX: It is still August twenty-fifth. Toxin thirty-four seventy-five has been captured and contained. Second observation- the toxin becomes aggravated when aerated, taking the form of…Uh. Ah…Shit. Auggie, what would you call it?

The man pipes up. His voice warbles, close to the tears it sounds.

AUGUSTINE: Evil?

MAX: Yes. But- Th-the shape, Auggie. What shape did it take? It was- Ah. Yes. A centipede. … Of sorts. It spits its own toxin. Highly corrosive. Handle with care. We…We will continue to observe and proceed with the trials. Tomorrow.

[ @kat-hawke for mentions]

[pleistocene-pride]

The Large White is a British breed of domestic pig, which is derived from the large Yorkshire breed, a long-legged and heavy-boned pig from the county of Yorkshire, in northern England. In the nineteenth century this was crossed with pigs imported from China, giving rise to three distinct types or breeds: the Small White showed the greatest Asian influence, small and fat with a markedly foreshortened snout; the Middle White also showed some foreshortening of the face; the Large White was the least obviously influenced by the Chinese admixture.  It may also have been influenced by the Cumberland and Leicestershire breeds. With the large white being recognized officially as a breed in 1868, and a herd-book was started in 1884. In turn the large white is itself the ancestor of the American Yorkshire breed. With sows reaching around 573 to 661lbs (260-300kg), and boars reaching around 772 to 838lbs (350 to 380kgs) in weight, the large white pig is big yet lean breed which is distinguished by their picturesque bearing, erect ears, slightly dished faces, white color, pink skins, and long deep sides. The large white is highly valued for its quality bacon and ham production. The Large White is regarded as a rugged and hardy breed that can withstand variations in climate and other environmental factors. Their ability to cross with and improve other breeds has truly made them a factor nearly everywhere commercial swine are produced. They are also well known for there large litter sizes of around a dozen piglets, quality milk production, and excellent maternal instincts. Under ideal conditions and large white pig may live up to 20 years.

[dawn-of-worlds]

The Sun-Divers

On Turn 7, Corobel starts with 11 points: 5 (roll) + 3 (nonhoarding) + 3 (left over)

Question: what does the candle desire from the moth?

Answer: the same thing it desires from everything else.

One version has it that the Sky made them in a failed attempt to create a human being capable of learning; another, that the admixture of the butterfly was intended to replace the ophidian and simian content of their forms, and discourage the sinful consumption of flesh; another, that their metamorphosis purged them of original sin. Whatever the case may be, it is acknowledged to have failed, wholly or in part; nevertheless, those who cut themselves free from their own skins and drop, gasping, from the branches of the Great Flowering Tree and onto the shores of the lake of blood—the many-colored, the Sun-Divers, they who have eaten and digested themselves—are something new. Thus:

Sun-Divers grow from eggs, which, though somewhat smaller than human infants, are born in largely the same way. They have a reduced rate of maternal mortality, but the eggs must be kept safe for about six months, after which they hatch into a caterpillar the size of a small child; these do almost nothing but eat and sleep for about five years, and then form a chrysalis.

The chrysalis is bare, hardened skin, traditionally swaddled in protective cloth, apotropaic eyes, and hope (and the skin hardens around them, and the flesh devours itself, and the soul devours itself, and the brain keeps forming memories for a startlingly long time; in the vivid, terrible dreams that accompany the delirium of dissolution, they see the sun calling them away, away, away from a white mountain and a cold plain, back to the agony of birth and ecstasy of color).

New adults appear around 20 years old, and acquire the power of speech in less than a week. Upon emergence, they bear a single claw, quite sharp, on their dominant hand, which is used to open the cocoon. This is normally shed within a few months.

Adult skin and hair are vividly colored, either iridescent black, some color of the rainbow, or silvery white. Their body hair is a sparse coating of feathery scales; they shed colored dust. Their tongues, through which they eat and drink, are hollow tubes, coiled inside the mouth, nearly a foot long and narrowing to the width of a finger.

An adult lives for about 60 years, barring death by disease, starvation, injury, or violence, and then metamorphoses into another adult, retaining a similar personality, some memories, and an accretion of wisdom. About half of all eggs reach a second incarnation.

This is not necessarily the end of their development, or at least not the only route that it can take. Certainly, some take on more insectile forms after many incarnations—the body becoming slighter and growing wings, the mind becoming more alien. These cases are called Imagoes. There are stranger stories yet, of Ultimate Imagoes, of implacable powers inhabiting human-shaped cocoons, of final flights into the sun, of souls and memories paid in tribute to a world yet unborn.

The influence of Naakrsh is, perhaps, lessened in the Sun-Divers: their eyes are lidded, and their pupils and irises round; they treasure color and beauty above all things; some of them are even right-handed. And, though they still dream of grandfather Naakrsh and the world before, they dream also of losing themselves in the sun, in which their souls become molten, radiant, and renewed; and they dream of another world, a clockwork world of laws and orbits, born in vast and universal light.

But they also shed their skins and devour themselves, and their souls still curl around a great void, for they are made from human beings, and they came from the fruit of the Great Flowering Tree, and what watered the roots of the tree but the blood of the great snake?

On the moon-dust shores of the red lake, around the Wanderer’s Bridge and the Great Flowering Tree, they build the city of Azimuth, which contains the distance between earth and heaven. The Tree is their holy of holies, and haughty Azimuth their Delphi or Jerusalem. Reflections are unruly here, there is an ever-present sense of being watched, and wood sometimes sprouts flowers of its own accord.

That the sun may look upon the depths below, they begin a great work, a rounded stepwell with walls of pale granite, reaching into the underworld. This is the Well of the Omphalos, which links the underworld to the world and the Moon, and conveys the sun to the night below—or, at least, to one corner of it.

What of the Prophetic Twins? Their gifts—the crown, Law, and the veil, Prophecy, still lie on the pearly shore. They have not come down from the tree; two chrysalises still hang in its highest boughs, shot through by rays of evening sun—and some, in the right kind of darkness, may see a third, there, beside them.

Command Avatar to Create Race (-1): the Great Flowering Tree bears the Sun-Divers.

Command Race (-4): the Sun-Divers build the city of Azimuth, around the Tree.

Command City (-4): in Azimuth is dug the Omphalos, an entrance to the underworld.

2 points remain.

[To clarify the avatar situation, because I reread my last post and think it was a bit unclear: the Avatar was the Twins, who have “merged” with the Tree. Also, I’m not sure whether these guys are “really” a race or a subrace of humans; it doesn’t matter, points-wise, since it’s an avatar action. Image source.]

[divinejhonson]

A Complete Guide to Using Ready Mix Concrete in Karachi

 In the fast-paced world of construction, efficiency, durability, and cost-effectiveness are crucial for success. One of the most innovative materials revolutionizing the industry is Ready Mix Concrete in Karachi. This pre-mixed solution ensures consistency, saves time, and improves the quality of construction projects. Whether you are working on residential, commercial, or industrial construction, ready mix concrete (RMC) is the go-to solution for builders and contractors.

What is Ready Mix Concrete?

Ready mix concrete (RMC) is a specially prepared mixture of cement, aggregates, and water that is produced in a batching plant and delivered to construction sites in a ready-to-use form. Unlike traditional on-site concrete mixing, RMC is precisely formulated to meet specific construction needs, ensuring uniformity, strength, and reliability.

Components of Ready Mix Concrete

Cement – The primary binding material in the mix.

Aggregates – A blend of sand, gravel, or crushed stone that provides strength and durability.

Water – Activates the cement to form a paste that binds the aggregates.

Admixtures – Chemical additives that enhance properties such as setting time, workability, and durability.

Why Choose Ready Mix Concrete in Karachi?

Karachi is a rapidly developing city with numerous infrastructure and real estate projects underway. Using Ready Mix Concrete in Karachi offers several advantages:

1. Time-Saving

Unlike traditional methods that require on-site mixing, RMC is prepared and transported directly to the construction site, eliminating delays and speeding up the construction process.

2. Consistent Quality

Each batch of RMC is produced in a controlled environment, ensuring consistent quality and meeting required industry standards.

3. Cost-Effective

By reducing wastage, minimizing labor costs, and optimizing material usage, RMC proves to be a more cost-effective option than traditional concrete mixing methods.

4. Improved Strength and Durability

Precision mixing ensures that the concrete has the ideal ratio of components, resulting in a stronger, more durable structure that resists weathering, cracking, and other environmental impacts.

5. Eco-Friendly

RMC reduces on-site pollution, minimizes dust and noise, and optimizes resource usage, making it a more sustainable construction material.

Types of Ready Mix Concrete

There are various types of RMC available to meet different construction needs:

Standard Ready Mix Concrete – Used for general construction projects, such as buildings and pavements.

High-Strength Concrete – Designed for structures that require superior durability and load-bearing capacity.

Self-Consolidating Concrete (SCC) – Flows easily and fills gaps without the need for vibration.

Fiber-Reinforced Concrete – Contains fibers that enhance strength and crack resistance.

Decorative Concrete – Used for aesthetic applications, such as stamped or colored concrete.

How to Choose the Right Ready Mix Concrete Supplier in Karachi

Selecting a reliable Ready Mix Concrete in Karachi supplier is crucial to ensuring the success of your project. Here are some factors to consider:

1. Reputation and Experience

Look for a supplier with a proven track record in the industry. Check customer reviews and past projects to gauge reliability.

2. Quality Standards

Ensure the supplier follows industry standards, such as ASTM and ACI, to guarantee high-quality RMC.

3. Delivery Efficiency

Timely delivery is crucial to preventing construction delays. Choose a supplier with a strong logistics network.

4. Customization Options

Some projects require specialized RMC formulations. Ensure your supplier can provide customized mixes based on your needs.

5. Technical Support

A good supplier should offer technical guidance on the proper use and application of RMC to maximize efficiency and durability.

Application of Ready Mix Concrete in Karachi

1. Residential Projects

RMC is commonly used in home construction for foundations, driveways, patios, and flooring due to its strength and easy application.

2. Commercial Buildings

High-rise buildings, shopping malls, and office complexes benefit from the strength and consistency of RMC.

3. Infrastructure Projects

Bridges, roads, and highways in Karachi require durable and long-lasting concrete solutions, making RMC a preferred choice.

4. Industrial Facilities

Factories, warehouses, and manufacturing plants utilize high-strength RMC for enhanced load-bearing capacity and durability.

Best Practices for Using Ready Mix Concrete

To maximize the benefits of RMC, follow these best practices:

Plan Ahead – Ensure the required volume of RMC is calculated accurately to avoid shortages or excess material.

Proper Site Preparation – Have the site ready before the RMC arrives to ensure smooth application.

Use Skilled Labor – Employ trained professionals to handle and pour the concrete correctly.

Ensure Proper Curing – Follow the recommended curing process to enhance strength and durability.

Monitor Weather Conditions – Avoid pouring concrete during extreme weather conditions, as it can affect setting time and strength.

Future of Ready Mix Concrete in Karachi

With the rapid expansion of Karachi’s construction sector, the demand for Ready Mix Concrete in Karachi is expected to grow. Innovations such as eco-friendly concrete, self-healing concrete, and smart concrete technologies will further revolutionize the industry. Builders and contractors must stay updated with these advancements to maintain a competitive edge.

Conclusion

Ready Mix Concrete in Karachi is transforming the construction industry by offering a high-quality, time-efficient, and cost-effective solution. Whether you are developing residential, commercial, or infrastructure projects, choosing RMC ensures superior durability and strength. To guarantee the best results, work with a trusted supplier like Allied Materials, known for delivering premium-quality RMC with precision and reliability.

[polishedconcreteexpertsbrisbane]

What Are the Best Techniques for Achieving a Smooth and Stylish Concrete Finish in Brisbane?

Concrete is versatile and long-lasting, widely applied in a myriad of uses-from residential floors to commercial areas, and even to outdoor settings. To obtain an excellent and glamorous concrete finish in Brisbane, appropriate techniques, tools, and skills are required. Polished, honed, or decorative, the process to achieve such durability, aesthetic value, and durability involves a couple of key steps. The best techniques to attain a perfect concrete finish in Brisbane are discussed here.

Correct Surface Preparation

The best, high-quality finish of the concrete material depends entirely on proper surface preparation. It is necessary to clean the concrete surface, removing all loose debris and making the surface structurally sound before applying any finishing technique. This includes:

•Removing dust, grease, or any contaminants that may interfere with adhesion •Repairing cracks, holes, or uneven surfaces to create a smooth base. •Grinding or leveling uneven parts for consistency in the finished appearance.

A well-prepared surface helps better adhere to the coatings or polishing compounds; the result of the process leaves it looking better for longer and has an appealing aesthetic finish.

Proper Choice of Concrete Mix

It goes without saying that the nature of the mix affects the eventual finish and hardness of the finished surface. One has to opt for high-grade material, ensure right proportioned cement, aggregate, and the proper amount of water. Here are some:

•Use finer aggregates for a smooth and fine appearance.

•Ensure the water-to-cement ratio is adequate to avoid shrinkage and cracks.

•Additives or admixtures can be added to the mix to make it more workable and to improve durability.

A good balance in the mix is necessary for an excellent and professional finish to concrete that could resist Brisbane's climate and usage conditions.

Screeding and Floating Effectively When the concrete has been poured, screeding and floating techniques help to create an even and leveled surface.

•Screeding: A screeding tool is utilized to remove excess concrete so that the surface can level out before it sets.

•Floating: The bull float or hand float is applied after screeding to remove imperfections and to get fine aggregates to the top surface.

This process is essential to eliminate as many inconsistencies as possible and render the concrete ready for further finishing processes.

Troweling for a Smooth Finish

One of the most important techniques to provide a smooth concrete finish is through troweling. This helps to polish the surface using a hand or powered trowel. The surface might require several passes depending on whether a glossy, burnished, or very smooth finish is required. Concrete Finishes Brisbane offer various options to achieve the desired look. Timing is crucial: troweling too early causes surface imperfections, and waiting too long makes the operation more challenging.

Applying Decorative Concrete Finishes

To enhance the aesthetic appeal of concrete surfaces in Brisbane, various decorative finishes can be applied:

•Polished Concrete: Achieved through progressive grinding and polishing using diamond abrasives. This technique results in a reflective, glossy surface that is both stylish and durable.

•Honed Concrete: Similar to polished concrete but with a matte, satin-like finish, ideal for outdoor areas.

•Stamped Concrete: A technique in which stamps are imprinted on the surface to resemble stone, brick, or wood.

•Exposed Aggregate: The top layer of concrete is removed to reveal decorative stones and aggregates, creating a textured and slip-resistance finish.

•Stained or Colored Concrete: Using dyes, stains, or pigments applied to add color and depth to the surface for a unique, vibrant appearance.

These decorative techniques allow homeowners and businesses to customize their concrete surfaces to match their aesthetic preferences and functional needs.

Curing for Strength and Durability

Curing is an important step that should not be overlooked when aiming for a high-quality concrete finish. Proper curing ensures that the concrete develops its full strength and durability while minimizing surface defects such as cracking and shrinkage. Common curing methods include:

•Use curing compounds to maintain the moisture in the concrete.

•Use plastic sheets or wet burlap to cover the surface for retarding evaporation.

•Apply water over the surface periodically throughout the curing period.

Curing should be performed for at least seven days. Longer curing times enhance overall strength and performance.

Sealing for Protection and Longevity

Sealing is the final step in achieving a smooth and stylish concrete finish. A high-quality sealer enhances the surface's appearance while protecting it from stains, moisture, and wear. Different types of sealers include:

•Penetrating Sealers: Absorb into the concrete to provide long-term protection against moisture and stains.

•Acrylic Sealers: Offer a glossy finish while enhancing the color and texture of decorative concrete.

•Epoxy and Polyurethane Sealers: Provide an extremely durable, high-performance surface that can support high-traffic areas.

Sealing not only extends the lifespan of the concrete but also facilitates easier maintenance. This ensures the surface remains both stylish and functional for years to come.

Regular Maintenance for Lasting Appeal

The smooth and stylish concrete finish is maintained through regular upkeep. A few of the essential maintenance practices include:

•Regular sweeping and cleaning of the surface to prevent the buildup of dirt.

•Resealing every few years to maintain protection and enhance appearance.

•Avoiding harsh chemicals that can degrade the concrete surface.

•Repairing minor cracks or damages promptly to prevent further deterioration.

By following these maintenance steps, homeowners and businesses can keep their concrete surfaces looking elegant and well-preserved over time.

Conclusion

Achieving a smooth and stylish concrete finish in Brisbane requires a combination of proper techniques, high-quality materials, and careful execution. From surface preparation and troweling to decorative finishes and sealing, each step plays a vital role in ensuring durability, aesthetic appeal, and functionality. By implementing these techniques, property owners can enhance the visual appeal and value of their spaces while enjoying long-lasting concrete surfaces tailored to their preferences.

[jodantittle01]

Ready Mix Concrete Companies Punta Gorda, FL

Punta Gorda, FL, a charming city with a mix of historical architecture and modern development, relies heavily on ready mix concrete for its construction needs. Whether you're working on residential, commercial, or municipal projects, ready mix concrete companies Punta Gorda fl are known for delivering top-notch products that cater to the area's specific requirements.

These companies specialize in providing pre-mixed concrete tailored for various applications, such as driveways, patios, foundations, and decorative concrete. By offering pre-measured and mixed concrete, they ensure uniformity, strength, and reduced material waste, making them a cost-effective choice for contractors and homeowners alike.

Punta Gorda's ready mix concrete providers also understand the importance of timely deliveries to keep projects on track. Many of them offer advanced services like admixture options for enhanced durability, colored concrete for aesthetic purposes, and fiber reinforcement for increased structural integrity. With their expertise, these companies play a vital role in the area's construction industry, helping to build durable and visually appealing structures.

Ready Mix Concrete Companies Bonita Springs, FL

Bonita Springs, FL, a coastal city celebrated for its scenic beauty and luxurious homes, relies on high-quality ready mix concrete companies for its diverse construction projects. From enhancing the aesthetic appeal of outdoor spaces to constructing durable foundations, these companies provide a range of concrete solutions tailored to meet the unique demands of the region.

Ready mix concrete companies in Bonita Springs fl focus on delivering fresh, high-quality concrete that’s pre-mixed to precise specifications. This ensures a consistent mix that can be customized for various applications, including seawalls, pool decks, driveways, and more. Their expertise extends to producing concrete blends that resist the corrosive effects of saltwater and humidity, critical for coastal environments.

Contractors and homeowners in Bonita Springs value the reliable service these companies provide. Timely deliveries, professional consultations, and access to advanced concrete technologies make them an essential part of the local construction landscape. Whether you're planning a small project or a large-scale build, Bonita Springs’ ready mix concrete companies are equipped to meet your needs with precision and efficiency.

[winterfashioninbangladesh2024]

Winter Fashion in Bangladesh

Winter Fashion in Bangladesh

Although winter is short in Bangladesh, it is the most favorable season to play with textures, layers, and colors without the burden of heavy clothing, as is the case in colder regions. Dreamweave by Simi presents a winter collection that highlights both traditional and contemporary elements of Bangladesh’s fashion industry. Here’s your guide to the season’s most stylish essentials.

Sarees: The Definition of Classical Chic

Sarees are interlaced into the very core of the Bangladeshi community and, therefore, are familiar items of clothing found in the closets of nearly all women. Consider, for instance, the Bangladesh winters, when silks and velvet are the order of the day due to their warmth and elegance. Dreamweave by Simi offers beautiful jamdani banarasi and katan sarees that include stunning designs in many colors, ideal for complementing the warm, colorful attire worn during the winter holidays.

Wearing a saree along with a warm shawl or a tight-fitting jacket can provide a contemporary look with respect to traditional dressing. Jamdanis, a medium of Daksina Kanara known for its airy weave, can also be paired with a velvet blouse that provides warmth and style at the same time.

Style Tips: While wearing your saree, consider donning a high-neck blouse or a long-sleeved undershirt for warmth. Use seasonal colors such as burgundy, navy, and forest green. Try adding a bold belt to the waist to enhance the look by providing a clean, tailored look. Finish off this look with strong jewelry, such as earrings or layered bibs filled around the neck, to accentuate this area of the body.

Day-to-Day Comfort with Kamijs

Kamijs are a common item in the Bangladeshi apparel section primarily because they are easy to wear. The winter season offers an opportunity to wear kamij made of thicker materials such as wool, velvet, or brocade, which keep warm and feature beautiful prints and designs. Kamijs in Dreamweave by Simi are winter-based and modern, with faith motifs, and are available for casual and formal dresses.

In winter, a long-sleeved kamij worn together with fitted pants or churidar leggings of suitable size is very pleasant and fashionable. For more elegant wear, a soft cardigan or a traditional shawl is used along with the bodice to provide a warm layer, turning the whole attire into a complete one.

Style Tips: If you want to look seasonal and warm, you can try cinnamon brown colors, charcoal, and full red in winter. Much vibrant look is also created by admixture of embroidered shawl or a contrasting colored dupatta, which can be warm ethnic wear for casuals and occasions as well. Also, pretty jhumkas and bangles can be worn which are traditional so as to enhance the beauty of the kamij in a fashionable way according to the season.

Stylish Kaftan for The Set of Events

Kaftans are simple, with a light and forgiving shape that can be worn for both an informal as well as a formal event. The collection of winter kaftans in Dreamweave by Simi is composed of garments made of wool-blend and heavy cotton with embroidery and detail while enhancing the elegantly finished look. Like many tops, kaftans may be self-contained or worn with a close-fitted top underneath, making them versatile enough for a variety of places and occasions. 

To create a polished look, wear ankle boots, a statement necklace, and a kaftan. Warming up the look, adding a soft shawl or long scarf is lovely, which also gives an ethnic appearance as well.

Style Tips: Choose darker-colored kaftans with metallic or silk-thread work motifs for embellishment to look more opulent. Try belting the kaftan to bring attention to your waist and create a frame around your figure. Finish the look with a pair of traditional bangles or layer a few bracelets on one wrist to add to the elegance.

What to wear Salwars: Traditional and Warm

In Bangladesh, salwar suits are worn every day, and they are versatile, making them suitable even during cold seasons. Dreamweave by Simi’s collection comprises salwar suits made using winter-friendly materials such as brocade, silk, and velvet that are appropriate for wedding occasions and even for stylish day outs. The churidar sides and fitted-cut bottoms create warmth, and the kameez top can be cut to fit any type of figure perfectly.

Embroidered shawls are fabulous for winter as they provide extra protection and also further the traditional look. A festive spirit is added when, for instance, a salwar suit or a shawl with zari or sequins coverage is worn, such as during special occasions.

Style Tips: When it comes to the winter season, darker shades like plum, midnight blue, and deep maroon are suitable and enhance the look—constructed the entire look with Kurtis or embellished sandals and chandelier earrings or a statement ring to the outfit for a more clean, put-together look. This look is so good that for evening purposes, a less ornate shawl can easily be replaced with an elaborate embroidered or embellished one.

Palazzo and Kurta Sets: Stylish and Purposeful

Palazzo and kurta sets have ingeniously modified the stereotypical heavy winter wear; they are fashionable substitutes for salwar suits. As part of the winter collection of Dreamweave by Simi, the palazzo sets come available in heavier materials, such as wool-blend and thick cotton, to provide structure and warmth to the garment while retaining the fluidity typical with palazzos. Worn with a slender kurta, the design is both fashionable and practical. It can be worn to the office, casual outings, or family functions. The final look can be complemented with a long coat or scarf for warmth. Fitted kurtas are also beautifully accented with wide-legged palazzos that create an even look ideal for all shapes.

Style Tips: Palazzos in warm and neutral shades like camel, olive, or navy are best paired with bright jeweled-colored kurtas. Statement earrings and a soft wool shawl will give this look a finish that can be easily worn from day to night. To accessorize more, wear a scarf around the neck in a loose-fitting manner or wrap it around the shoulders for a warm feeling.

Shawls and Scarves: Crucial Accessories for the Winter Season

Scarves and shawls are particular wearers’ must-haves and are perfect for every outfit since they provide warmth and peace in the cold weather. Within the Dreamweave by Simi collection mix are handsaws that are embroidered shawls and engineered scarves made to complement ethnic wear, including sarees, salwar kameez, and kaftans. Ideally, this season is the season of motif shawls, zari work pashmina, and winter woolen shawls, which are the elements of your airport fashion that keep you warm and stylish at the same time. Shawls and scarves, whether casually thrown over the shoulder or stylishly wrapped around the neck, create a color and texture contrast to the outfit.

Style Tips: Harper and Shawl always go together regardless of the variation or colors they come in, e.g., one can throw a brightly colored shawl on a dull-colored dress or pick up a dressing shawl with embroidery that goes hand in hand with the colors of the dress being worn. However, those who want a trendy look should go for a long scarf with embellished ends, wrapped around, or hanging loose. There is also the option of winter chic scarves, which are prints and color-blocked winter scarves that serve the purpose of completing the winter wear.

Long Over Coats, Cardigan And Traditional Attires

In Bengali societies, people tend to wear long coats and cardigans to keep warm and improve the overall outline shape of a winter-style dress. Dreamweave by Simi has a worked-in collection of cardigans and wool-blend coats that are ideal for wear made from sarees, salwar suits, palazzo sets, and the like. The clever layering enhances the classic aesthetic but empowers it with a functional modernist aspect.

It is very possible to achieve a fashionable look by wearing a long coat on a saree or a kurta, which is perfect for chilly evenings or official occasions. Under sweaters and cardigans, coats can be cinched to the wearer’s waist or left free for an easy, worn-in appearance.

Style Tips: Choose coats in unfussy colors such as beige, gray, or black, as they fit the mood and several outfits. A belt helps break the monotony of a coat, thus ensuring the waist is structured. The collar of the coat can have embroidery or statement buttons. To avoid being too heavy and informal, wear a coat or cardigan as the last item of clothing or accessorize with ethnic jewelry.

Velvet and Silk Skirts: Naturally Customary and Contemporary

Silk and velvet skirts are warm and luxurious, making them very handy in the winter season. Dreamweave by Simi’s range of products includes richly colored velvet skirts that beautify evening or festive dresses such as wedding or matric dresses. Teaming these skirts with a well-fitted kamij, tuna, or even a blouse makes them more suitable for weddings, parties, or any special occasion.

The inherent luster of velvet and silk fabrics adds an element of celebration to the attire, making these skirts suitable for winter formal occasions. 

Style Tips: A velvet skirt can be matched with a high-neck or embroidered blouse to add grandeur to the entire look. Rich colors like emerald green, royal blue, or burgundy should be chosen. Finish the dressing with bangles, a statement clutch, high-heeled shoes, or embellished flat shoes.

Working Towards Layered Styling with Chic Ponchos and Capes

In Bangladesh, ponchos and capes are functional winter wear that act as a fancy replacement for coats and shawls. Dreamweave by Simi ponchos and capes are available in wool and heavy cotton with light embellishment suited for wear with sarees as well as casual wear. 

Such items can also be worn around the back when warmth is required, as they do not limit motion and are therefore appropriate for outdoor celebrations or evening occasions. 

Style Tips: Black, grey, or cream are the most popular colors and suitable for various outfits. To achieve a smart casual appearance, wear the poncho with a thin belt at the waist to create a silhouette and add some trendy jewelry. Ivory and maroon-colored ankle high-heel shoes go well with this look as they are stylish and comfortable.

Winter Fashion with Dreamweave by Simi

Simi’s Dreamweave winter wear collection explores the very best of Winter wear with styles that possess warmth, beauty, and culture at the same time. From extraordinary sarees and Kamijs to fashionable palazzo sets and jackets, this winter collection has it all for warmth while being stylish during the winter season.

Find your winter style at Dreamweave by Simi and create and cherish every moment wearing our stunning dresses made by skilled artisans in the country.

How about considering winter look transformation with Dreamweave by Simi collections?

We have a wide range of beautiful winter sarees, kamijs, kaftans, etc, which are all designed for stylish and warm purposes. Visit dreamweavebysimi.com to view new arrivals Or access our Facebook page for more information on the activities.  For a more immersive experience, we invite you to visit our outlet at 1st Floor, 138, Concord Niharika Tower, Road-4 Kemal Ataturk Ave, Dhaka 1213. Now Visit Dreamweave by Simi and upgrade your winter closet!

FAQ

Which winter wear fabrics are best suited to Bangladesh?

In the context of Bangladeshi winter, cross the line, where the fabrics are warm but not very heavy should be worn. Wool, velvet, silk, and brocade fabrics are very comfortable and stylish. The winter collection of Simi’s Dreamweave includes ladies’ garments in these fabrics to keep the ladies stylish as well as warm.

Can you wear kaftans in winter?

Absolutely! Kaftans made of thicker fabrics, such as wool-blend or heavy cotton, are winter’s best friends. Dreamweave by Simi designed appropriate kaftans for winter functions, casual or formal, with beautiful embroidery and designs. Add a scarf or a shawl for extra layering, which can also provide warmth and style.

How do I accessorize for winter without going overboard?

I believe that winter wears accessories such as scarves, shawls, and statement adornments. For instance, if you wish to provide a wrap for your dress, you can offer a matching or contrasting shawl. Avoid all stylish yet heavy jewelry and focus on wearing a few pieces, a few that will be, for instance, dangling earrings or a heavy around the neck that will not create a heavy impression because it is winter dressing.

Is it possible to wear salwar suits during winter, and what is the styling of a salwar suit?

Yes! A salwar suit made from warmer materials such as brocade fabric, velvet fabric, or thick cotton material will do well during winter. Top it with an embroidered shawl for extra warmth. There are dark shades such as plum, navy, and maroon, which are in season and go well with the layering of the dress with matching or contrasting dupattas.

What are some winter color compliments for outfits?

Winter is the best season for embracing brighter, deeper colors, such as emerald green, burgundy red, and navy blue. These colors are great for creating warmth in your look that is suitable for the season. The winter collection by Dreamweave by Simi also incorporates these colors to help you be fashionable and classy even in the winter season.

Would you like to offer a dress code for winter fashion?

Who says one cannot be stylish even in winter bearing traditional Bangladeshi attires? Bear in mind that it’s all about wearing layers. If you have got a saree or a kamij or kaftan, then wear things like shawls, scarves, and woolen coats that would go along with them. Approach with dark colors, fabrics such as velvet and wool, and other bold and beautiful pieces of jewelry. Dreamweave by Simi presents a winter collection that features classic designs in a variety of colors and patterns. Thus, you are able to layer without stepping outside the traditional look.

How can I maintain my fashionable status come winter? 

Winter fashion is concerned with how one does dressing in layers and the fabrics used. Also, wear brocade and silk fashions, try wearing a woolen overcoat or a shawl, and dress in warmer clothes. There is a contrast of warm but soft materials and thick but less warm materials in one outfit, for example, a velvet kaftan and a wool shawl. Dreamweave by Simi has even more beautiful designs that are warm and delicate.

Which is the best type of footwear to wear with ethnic winter wear, especially in Bangladesh?

During winter attire with ethnic wear, a well-covered pair of footwear is advised, such as kurtis, ballet flats, and ankle boots, which are quite ornamental in construction, even simple but warm in nature. This works well with colors such as black, tan, or metallic shades, as these fit most outfits. Dreamweave by Simi’s winter collection is well suited to the type of footwear mentioned above, especially when the set is further adorned with the corresponding accessories.

[realjaysumlin]

Leveraging ancient DNA to uncover signals of natural selection in Europe lost due to admixture or drift | Nature Communications

I will use the false narrative that Europe is a continent just to provide real information about the original humans who lived 7000 years ago would be considered as Black People today. Agriculture within the human population would be considered as being Black due to the irrefutable truth that we were lactose intolerant and we humans couldn't digest milk and sugar which along with climate change our dark skin to becoming lighter.

This makes all humans living on earth today as Black People globally. Remember, it's the fuck-ups who invented race based on skin colors.

[maxparkhurst]

As Within, So Without

Below was truly an enchanted place. 

 Nothing like the Above. 

The Above was messy with its blinding opulence and dazzling decorum. Glasses clinked in time to an unspoken rhythm, a sea of color shifting to the orchestra’s deafening lull. The guests paraded around in their elaborate attire. Bright colors and high-contrast patterns attract the eyes of suitors and ward against the gaze of predators. They smiled through venom-dipped tongues and laughed the rage from their eyes. They spoke of power and how it wore down their soles. They spoke of wealth and how heavy it weighed around their throats. They did not hear the whipping in their voices when they talked. They didn’t hear the fear and doubt.  They didn’t know the truth.

In the Above, contradiction was law. 

Look at me. 

Don’t perceive me. 

The Alchemist preferred the simplicity of the Below. Lanterns marked the long descent into the manor’s underbelly. An eternal fire kept alive through alchemical intervention burned within them, stretching her shadow into something far larger than reality. Its presence loomed as it trailed her heels down the creaking steps. The stairs whispered comfort in her ears. And the walls, pressed so close, swallowed the chaotic din of the Above. Down, down, down. Deep underground, where the sun could not see, lay the Below. 

Unbeknownst to the partygoers Above, the Malakhov estate housed an extensive, well-furnished laboratory. The stairwell opened onto an expansive room. Shelves lined the walls from floor to ceiling, holding enough books to qualify a library of its own merit. Any book that could not fit on the shelves lay in towers around the single desk nested in the center. The study fed into an antechamber that branched into three main rooms, each connected to the other by a secret passage.  First was the drying room, where exotic plants were propagated, stored, and dried for future elixirs. Next, the distillation room and its work tables clustered with alembics and crucibles, mortars and pestles,  and vials of coalescing liquids. The final room was a testing room. Concoctions in their late stages were stored there, casting a preternatural glow across a line of cages. Beady eyes gleamed between the metal rungs. Watching. Waiting. Craving more. 

The Alchemist found comfort here. Comfort in the clatter of glass, in the chirp of rats, or in the gentle boil of admixture. The ceiling occasionally groaned, and boisterous laughter from the Above rolled down the steps. But nothing ever came down the stairs. No one to interrupt. No one to judge. Only she, the rats, and her dark shadow. Just as she liked it. 

Time passed differently in the Below. It felt more like a blended haze than a clear-cut delineation. Hours spent and lost circling the chambers - study, drying, distillation, test, and back again. Her path settled on a culture of mushrooms inside the drying room.  

Their propagation began with decay. A tree that lay rotten for weeks in the manor’s grounds provided the mycelia grains. From that, she prepared the grains and loaded them into jars. Fed them sugar and water. They spent several days under the artificial light of alchemical globes until they were ready for sterilization. Afterward, she inoculated the spores. Transferred into a still-air box to cultivate immunization. Only then could she plant them in a mineral-infused substrate. Weeks upon months of labor resulted in pock-marked fungi. With the hard parts over,  all she needed to do now was give them a gentle mist.

She watched them glisten under the lamp’s glow with a sense of fondness. Death from life. And life from death. A continuous, predictable cycle. An equal exchange. That was the law of the Below. 

But it was not its simplicity that made it an enchanted place. 

She heard it. Faint but growing strong. The rats settled in their cages, and the simmering brews spoke in hushed whispers. Alchemical lanterns flickered, and the shadows receded under the tables. All of the Below waited with bated breath. From Above came the muffled clop of heels. They rolled over the aged stairs like the soft hush of rain, pooling in the niches of the laboratory's crevices. The moment spanned for eternity until a stunning river of maroon fabric spilled through the drying room’s threshold. A woman built with a generous frame leaned in, dark hair cascading over her shoulders. Her smile, sweet as honey, devoured the dark like the dawn of a new day. Too bright. Too much. The Alchemist averted her eyes. Tried to focus her attention on misting the mushrooms. 

“There you are.” 

The woman’s voice traveled free through the air, unbound by law or gravity as it heralded her sweeping hem across the chamber. Her crimson-dipped heels hovered in the Alchemist’s peripheral. A sudden dryness coated the chemist’s tongue. It made it hard to swallow. 

“My little fox.” 

A chill raced down the Alchemist’s spine as the woman’s warm breath brushed her ear. She drew in a sharp breath. And held it as she felt a hand cupping either hip. She closed her eyes and savored the subtle warmth. 

“Lady Malakhov,” was all the Alchemist managed to pull from her chest. 

The Lady’s hands quested upwards. Along her hips. Across her ribcage. Over her fluttering heart and past her collarbone. Up, up, up. The Alchemist’s veins were hot, and her lungs were cold by the time she felt slender fingers caress her scarred cheek. She choked back a hiccup. And leaned into the touch, peeking her eyes open

Even in the dark Below, Lady Malakhov shined so bright with her golden smile. The Alchemist found it hard to look at the Lady without squinting- as if she were staring into the sun. So, she listened to the warmth in her lady’s palm and fed on the sweetness of her words. 

“Please, Maxinora,” - She made her name sound so beautiful- “There is no need for formality here.  Just Vallory.” 

“Vallory,” Max echoed on the back of a quivering sigh. 

And Vallory rewarded her with an eye-wrinkling grin. “Thank you,” she purred, thumb stroking Max’s cheek, “Now then, my dear little fox, why have you burrowed?  There are guests waiting upstairs. They’ve traveled from all across Kul’tiras for you.”  

Max pursed her lips, gaze skittering to the floor as she receded into herself. There was a momentary silence before Vallory tutted. Those gentle hands fell from Max’s cheeks, leeching all her warmth with them. She swallowed hard. And tried not to shiver. 

 Vallory always managed to bring the scrutinous light into the Below, shrinking Max and her shadow into their actual size. The Lady shot the culture of mushrooms a cursory glance before humming. “Do you prefer the company of fungi best?

“No!” Max blurted. 

Their eyes met, and a wave of discomfiture burned Max’s cheeks. The disappointment in Vallory’s gaze gleamed brighter than a sunburnt sky. Max found it hard to breathe. Found it hard to speak. The words clawed at her throat, begging to be spoken, but all she could manage were breathless gasps. 

Finally: “I’m sorry.” 

Max huddled in the thin strip of shadows, hugging her stomach. Little by little, she tore her voice from her chest. “People are complicated.” Her gaze darted to the culture and their pock-marked caps. “Mushrooms are not.” 

Vallory inclined her head back. Peered down her nose at Max. Then breathed a laugh void of humor. Her smile fell short of her eyes. “Alchemists are such eccentric creatures.”

“If it would please you,” Max murmured, “I’ll go back upstairs.” 

A subtle shush and slender fingers raking through her hair silenced Max. 

“You look positively pale when you say that.” 

Max squeezed her eyes shut as Vallory tipped her chin back. Even then, she could still see the woman’s silhouette dancing behind her eyelids like sunspots. She swallowed hard. “It terrifies me.” 

“If you’re scared,” - She spoke in such a quiet hush that coaxed Max closer- “Then don’t go.” 

“But if I don’t…” 

Closer. 

Closer.

Closer… 

“... You’ll leave.” 

Max never heard the next question. Rather, she felt it against her own lips. 

“Do you want me to stay?” 

The Above was bright and loud. 

The Below was dark and quiet. 

But when a bit of the Above seeped into the Below… 

… It became a truly enchanted place.

“Yes.”