#Colin Gill

[random-brushstrokes]

Colin Gill - Portrait of Winnifred Knights (1921)

[sexypinkon]

Sexypink - From the Facebook page of Colin Gill. Fibreglass, wire, bamboo and pure unadulterated passion.

Stage costume photographed by Anthony Keung Fatt 

From the Facebook page of Antourage Production

KING :     JOSEPH  LEWISPORTRAYAL:   UDEVELI OLUHLAZA - THE HAUNTED JAB OF CANBOULAYCATEGORY:     FANTASYBAND:     ANTOURAGE PRODUCTIONSDESIGNER:     VARMA LEO LAKHANBAND LEADER:     SHELDON LEWISBUILT BY : COLIN GILL, SHELDON LEWIS, JOSEPH LEWIS, LEO LAKHAN AIR BRUSHED BY: RONALD RAMDINBorn from the tears of slavery, from eyes reddened and ready to seek revenge, he appears - summoned by the cries and rhythm of a nation. Seeking justice and payment for the enslavement of his people, he charges forth with a rage like the flames of cannes brulee. Although the haunted Jab is feared by many, he is most certainly and rightfully respected from all. The drums start to beat, the horn start to… It is time to celebrate freedom. Our freedom! The freedom of the people in Trinidad and Tobago. The spirit of the Jab is all around us. Give your dues to the devil or suffer his wrath for there is no other way to quell his vengeance. "Pay the devil JAB JAB" ... or pray he has mercy on your soul.This magnificent Creation was designed by Varma Leo Lakhan and Built by Colin Gill, Sheldon Lewis and Varma Lakhan. Colors used are Blue, Red and Gold.  Carried on three wheels, the costume stands at a height of 35ft, width of  30ft and a length of 20ftq. Materials used on this Dynamic Costume are fiber glass, aluminum rods, cane, wire, sequins, fabric, foam, metallic foil and plastic Molding. Ladies and Gentlemen, this is Joseph Lewis back to defend his title as the King of Carnival with his portrayal of "Udeveli Oluhlaza" - the Haunted Jab of Canboula

https://www.youtube.com/shorts/UGvw9M2CY04

[master-missysversion]

I'm obsessed with doctor who bts right now

[sofieflee]

Frosty mushrooms <3

I just think they were neat

[sconesfortea]

Happy 60th Birthday Doctor Who!!

I've been a fan for 34 years, child of fans for 60 years. Been watching longer than I can remember, I was born between episodes 3 & 4 of The Greatest Show in the Galaxy (both the story & show!)

I've been going to conventions longer than I can remember, was lucky enough to met Jon Pertwee (though the autograph has now faded quite a bit!) and have met (almost) every Doctor since.

I actually can't put into words how important this funny little show is to me. Here's to 60 more years (at least!)

[dizzyizzystiddies]

The centenary special was really just a test of who is a true whovian

[naileklegacy]

Colin married Gill and Gill is expecting a baby. It was quite a shock for Colin to find out that she is actually an alien!

Double Life achieved! (+ On a Whim a while back).

Total achievement points: 3665 points

[laderniereseancedecedrique]

UN P'TIT TRUC EN PLUS (2024)

Poursuivis par la police, Paulo et la Fraise son père et fils en cavale de leur dernier casse et doivent trouver refuge, il la trouve, une colonie de vacances pour personnes de toute âge en situation de handicap ou il se font rapidement passer pour un pensionnaire et son éducateur spécialisé ils se prennent au jeu mais ce ne st pas dit qu’il y arrive seul réuni dans cet expérience.

[human-antithesis]

Oathbreaker - Mælstrøm (July 5th, 2011) Country: Belgium Genre: Hardcore Punk

Lineup: Caro Tanghe - Vocals Lennart Bossu - Guitars Gilles Demolder - Bass Ivo Debrabandere - Drums

Guest/Session: Colin H. Van Eeckhout - Additional Vocals (Track 5) Mathieu J. Vandekerckhove - Additional Sounds (Track 5)

Tracklist:

Origin - 02:38

Hierophant - 03:20

Fate is Nigh - 03:55

Sink Into Sin - I - 01:48

Sink Into Sin - II - 03:33

Thoth - 02:48

Black Sun - 02:58

Glimpse of the Unseen - 06:02

Mælstrøm - 04:02

[drwhotht]

... And All That Yaz

… And All That Yaz

It’s a pity, sometimes an inevitable one, that Doctor Who, even in one of these scattershot years which have become all-too-common of late, does not align with the other obligations of life.  Oh, the work on The Power of the Doctor for Tour purposes got done, and to our exacting Tour standards, but by the time we got our thoughts together about it, we felt the ‘moment’ had passed and opinions,…

[oceanusborealis]

Doctor Who: The Power of The Doctor – TV Review

Doctor Who: The Power of The Doctor – TV Review

TL;DR – While this episode looks back to the past, I feel it might have the ability to steer the show into the future while also getting to be a romp in its own right. ⭐⭐⭐⭐ Rating: 4 out of 5. Disclosure – I watched this on ABC iView. Doctor Who Review – When it comes to Doctor Who, well, it is a history of highs and lows. Some of those early memories of the show linger in my consciousness.…

[dollypopup]

that 'have you ever been punished as a child?' line Pen drops hits different when you realize that in the books, Colin was horsewhipped by his father the morning before he died and then went to Eton where they literally had something called 'flogging Fridays' during the time he attended

like Julia, Miss. Quinn, what do you mean you just threw that information in as a random throwaway line that is never mentioned again? do you not realize how WILD that makes Colin's background?

He was twelve years old??? His dad saw him hitting Eloise and then horsewhipped him, and after horsewhipping his twelve. year. old. son. he then goes to comfort Eloise by taking a walk with her and the bee stings him and he fucking dies

Colin would be out here blaming himself for that death forever are you kidding me???? Wondering if he didn't hit his sister (when they're children playing together), would his Dad still be alive? Would he still have gone on that walk? Would he still have passed away as Colin sat sobbing in the stables, hurt by his hand?

And then he goes to Eton where the only time he had off was 3 weeks around Christmas, but still has to stay there, and 3 weeks in the summer when he can finally go home to Aubrey Hall?

This timeline is BONKERS. Like. . .we know Edmund dies not too long before Hyacinth is born, and she's born May/June. Colin's birthday? Yeah, it's in March. So you mean to tell me, the order of events of all this mess could be as followed: Edmund horsewhips Colin when he's 12 years old (sometime before March), he DIES that same day, Colin turns 13 (in March), Hyacinth is born (in June), and not a few months later Colin has to go to Eton (after the summer break. Social season is Spring and Summer, and ends either July or August, so let's be merciful here and say he leaves in August) and doesn't come back for an entire year?

You mean to tell me this boy has had what? Half a year to get over his father's death after he whipped him for a minor infraction and then he's waltzing into an institution where canings and whippings and floggings and bullying are the norm when he's a teeny tiny little boy?

How is this man not filled to the GILLS with trauma???? No wonder he's so close to his mum and listens to the women around him more than the men and never talks about his dad. And he still turns out so nice and empathetic and kindhearted? He still listens so much to Pen and is so gentle with her and has a good sense of humor and cares so deeply?

That man is never raising a hand to their children. He probably won't even raise his voice at their children. Oh my god.

[beansprean]

Happy Mer-May!! Why not an extremely loosely interpreted Little Mermaid au? Starring Guillermo as a harbor seal who dreams of living in the deep, Wallace as an opportunistic mimic octopus, Colin as a parasitic lamprey, Laszlo as a lazy little snaggletooth, Nadja as a vicious sloane’s viperfish, and Nandor as a spiny black dragonfish. Deep sea fishes truly the vampires of the sea.

"Betcha down there

that they don't care

Bet they don't

mind a couple slaughters..."

(ID in alt and under cut)

ID: 1a. Underwater full body shot of mermaid Guillermo swimming past. He has the tail of a light brown harbor seal, webbed fingers, and small floppy ears that are held closed. He has a line of kelp tied around him like a bandolier and is looking around determinedly, brandishing a wooden stake in one hand. 1b. Full body of Guillermo lounging on his side on a flat rock above the water, one arm tucked under his head and the other held to his side like a flipper. He sighs forlornly. 1c. Full body of Guillermo on an algae-covered rock sticking above the ocean's surface, waves cresting around him as he lifts up his torso little-mermaid style and sings out "part of your world".

2. Full body of mermaids Colin, Laszlo, Nadja, and Nandor floating in a line, the ocean behind them very dark. Colin has the slick beige and cream tail of a lamprey, webbing beneath his arms, and gill pores dotted down each side of his torso and neck. He grins and wiggles his webbed fingers at the viewer in a wave. Behind him is a smaller shot of Colin with his mouth open, revealing multiple circular rows of sharp teeth around a sucking maw. Laszlo has the tail of a snaggletooth or stareater, his anterior side patterned in teal and black scales up to his chest, lighter teal scales dotting up his neck and shoulders, and brighter teal fins. He has a pair of gills on either side of his neck, sharp black claws on each webbed finger, and green bioluminescent spots running from wrists to tailfin on either side. He floats with a smug grin, arms crossed and back-to-back with his wife. Nadja has the tail of a Sloane's viperfish, her anterior side patterned in dull garnet and black scales up to her chest, lighter dull garnet scales dotting up her neck and shoulders, and brighter rose fins. Her fins and tail are similar to Laszlo's in style, but larger and longer with a posterior barbel. She has a pair of gills on either side of her neck, sharp red claws on each webbed finger, long fangs poking up from her lower jaw, and double lines of red bioluminescent spots running from wrists to tailfin on either side. She is grinning to show off her fangs, floating back to back with her husband. One of her webbed hands is raised to bare her claws, long black hair swirling in the water around her. Nandor has the tail of a black dragonfish, his anterior side patterned in dark blue and black speckling up to his chest, lighter blue scales dotting up his neck and shoulders, and black spines with translucent blue webbing over his shoulders and down either side of his long winding tail, ending in a small forked fin. He has a pair of gills on either side of his neck, sharp claws on each webbed finger, and gold bioluminescent spots running from wrists to tailfin on either side with double lines on his torso. he is floating nervously, looking around and twiddling his hands together.

3a. Mermaid Wallace, with the tentacles of a mimic octopus below the waist, floats underwater next to mermaid Guillermo. They are wearing a woven vest studded with shells and pearls, a black doppa hat with puka shells, a pearl necklace, a pendant with a claw, and several rings on unwebbed fingers. Their tentacles are relaxed, colored in the usual brick and cream stripes, and they have black claws and small horns above each eye. Wallace grins slyly as they wave their arms mysteriously and dangle a necklace in front of Guillermo’s face. It is a simple braided string with a snail shell on the end, which is glowing bright blue and burping out shiny bubbles. Guillermo, wearing a kelp bandolier with two stakes tied into it at his hip is staring at it with wide, fascinated eyes, one hand reaching up slowly for it. He says, “So…this will let me survive in the Trench?” Wallace replies, “Guaranteed.” 3b. Repeat. Wallace suddenly snatches the necklace back into their hand, cutting off the glow, their other hand planting itself on their hip. Their tentacles darken into black and bright crimson stripes and fan out threateningly in the water as they clarify, “For 72 hours only. And $350 cash.” Guillermo snatches his hands back to hold them protectively against his chest, head sinking into his shoulders in shock as he frowns back up at Wallace.

4a. Mermaid Guillermo and mermaid Laszlo float side by side in the deep, Guillermo wearing his kelp bandolier and Wallace’s magic snail shell necklace, which continues to burp out small glowing blue bubbles. Laszlo bares his fangs upwards and tosses up his hands as if to amplify his voice, shouting, “Fish!” Startled, Guillermo jerks back, one hand half-raising in a readied fist and the other clutching a stake behind his back. 4b. Repeat. With a poof of bubbles, Laszlo transforms into a brightly glowing dark teal snaggletooth fish with bulging eyes, a chin barbel, an unhingeable jaw full of long sharp teeth, and bioluminescent green spots down each side. He looks to be about four inches (or 10cm) long. Guillermo immediately relaxes, unimpressed, and drops his arms while staring at the tiny fish with a “you’ve got to be kidding me” expression. Fish Laszlo squeaks, “Not so tough now, eh??”

5a. Close up of mermaid Nandor in hunting mode, rushing left across the screen, his bioluminescent spots and glowing red eyes streaking light behind as he goes. He has one arm rushing forward as if to snatch whatever he’s chasing and the other held braced and ready at his shoulder, claws bared. He has spiny webbing like a bat’s wing underneath each arm, a spiny fin for an ear,and the webbed black spines at his shoulders have lengthened and spread out like an angry frilled lizard. His jaw has unhinged and gaped open, morphing and stretching his face into something monstrous and revealing dozens of long, sharp, thin teeth snarling and ready for the kill. 5b. Mermaid Guillermo floats nearby watching, eyes bulging out and face blushing bright red as he clutches the snail shell necklace in his laced fingers as if it were a rosary. He is fully into this. /end ID

[snailsnfriends]

friendship among girls

west wind (mary oliver) / a good love (charlotte ager) / twin stars (clairel estevez) / sex education (laurie nunn) / derry girls (lisa mcgee) / water serpents (gustav kilmt) / ribs (lorde) / anne of green gables (lucy maud montgomery) / the friends (max ginsberg) / in the company of women (january gill o'neil) / graceland too (phoebe bridgers) / wicked (winnie holzman) / fleabag (phoebe waller-bridge) / silhouette (janice lobo sapigao) / x / juno (jason reitman) / black iris (leah raeder) / jennifer's body (karyn kusama) / the art of loving and losing female friends (rachel vorona cote) / clothes swap/brooklyn 2008 (hope gangloff) / mabel (becca de la rosa & maybell marten) / twin stars (clairel estevez) / friends (colin bootman) / my little pony: friendship is magic (lauren faust)

[colinodonoghue]

222aghoststory & colinodonoghue1: 🚨 MEET YOUR DUBLIN CAST 🚨 @shonabmx @birdspotting @colinodonoghue1 @thewhitmore will be taking #222AGhostStory to Dublin’s @3olympiatheatre this Summer, 21 June - 11 Aug. For a strictly limited run 🚨Do you dare to join us? Book your tickets now! Link in bio 👻📸 @seamusphoto

Colinodonoghue1: Woohoo!! So excited to be a part of this show!!

[Get your tickets here!!!]

Runaway Entertainment in association with 3Olympia Theatre presents

2:22 - A GHOST STORY

Shona McGarty, Jay McGuiness, Colin O’Donoghue, Laura Whitmore, Announced for The Very Special, Standalone Irish Production

The smash hit play by Danny Robins Makes Irish Debut At 3Olympia Theatre This Summer For a Strictly Limited Run

Directed by Matthew Dunster & Isabel Marr

“A slick, chilling, romp of a play” The Guardian

‘A modern classic’ Sunday Times

Producer Runaway Entertainment is delighted to announce the stellar cast for the critically acclaimed, smash hit, supernatural thriller 2:22 - A Ghost Story opening at Dublin’s 3Olympia Theatre this summer for its debut Irish performances.

Shona McGarty (Eastenders) will play Jenny, Jay McGuiness (The Wanted, BIG! The Musical, Rip It Up), who is currently on the UK tour in 2:22 - A Ghost Story, will play Ben, Colin O'Donoghue (Once Upon A Time, The Tudors, The Right Stuff, The Gray House) will play Sam with Laura Whitmore (Love Island, Finding Joy, Queenie, and Jenny in 2.22: A Ghost Story in her West End debut) stepping into the role of Lauren.

The very special, standalone Irish production, produced for Dublin’s 3Olympia Theatre, will open on Thursday 20th June 2024 with performances until Sunday 11th August 2024 - for a strictly limited run only.

Full list of performances below. Age Suitability: 12+ 

Tickets priced from €26.50 including booking fee and €1.50 restoration levy on sale now with Ticketmaster Ireland

2:22 - A Ghost Story began in summer 2021 at the Noël Coward Theatre, starring Lily Allen, Julia Chan, Hadley Fraser and Jake Wood, and where it won the WhatsOnStage award for Best Play. It then transferred to the Gielgud Theatre for 10 weeks from 4 December 2021. The production there starring Stephanie Beatriz, James Buckley, Elliot Cowan and Giovanna Fletcher completed its run on 12 February 2022. For the first season at the Criterion (May - September 2022) the cast was Tom Felton, Mandip GIll, Sam Swainsbury and Beatriz Romilly. In late September Laura Whitmore, Matt Willis, Felix Scott and Tamsin Carroll took over. 

The box office record-breaking run at the Lyric starring Cheryl, Jake Wood, Scott Karim, and Louise Ford, concluded its run on 23 April. The West End season at the Apollo Theatre starred Sophia Bush, Frankie Bridge, Ricky Champ, Clifford Samuel and Jaime Winstone, and set off on its UK tour in Autumn 2023 with Joe Absolom, Charlene Boyd, Nathaniel Curtis and Louisa Lytton in the cast. Current cast on the UK tour: Vera Chok (Lauren); Jay McGuiness (Ben); George Rainsford (Sam); Fiona Wade (Jenny).

2:22 is written by award-winning writer Danny Robins, creator of the hit BBC podcast The Battersea Poltergeist, and is directed by Matthew Dunster and Isabel Marr; it’s an adrenaline-filled night where secrets emerge and ghosts may or may not appear…

Danny Robins said: ‘I'm really looking forward to seeing how Dublin audiences respond to 2:22 this summer. The tour continues to be a great success and I can't think of a better place to round off the journey in 2024 than here with a brand new cast to be announced soon!'

What do you believe? And do you dare discover the truth?

“THERE’S SOMETHING IN OUR HOUSE. I HEAR IT EVERY NIGHT, AT THE SAME TIME"

Jenny believes her new home is haunted, but her husband Sam isn’t having any of it. They argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening, and that something is getting closer, so they’re going to stay up... until 2:22... and then they’ll know.

2:22 - A Ghost Story features set design by Anna Fleischle, costume design by Cindy Lin, lighting design by Lucy Carter, sound by Ian Dickinson for Autograph Sound and illusions by Chris Fisher. Casting by Matilda James.

2:22 - A Ghost Story is produced by Tristan Baker and Charlie Parsons for Runaway Entertainment, Isobel David and Kater Gordon.  [source]      

[ghelgheli]

Stuff I Read In July 2024

bold indicates favourites

Books

Nazi Literature in the Americas, Roberto Bolaño

Antwerp, Roberto Bolaño

Parable of the Sower, Octavia Butler

Parable of the Talents, Octavia Butler

In an Abusive State, Kristin Bumiller

Short Fiction

Founding Father, Isaac Asimov

Exile to Hell, Isaac Asimov

Key Item, Isaac Asimov

Queer &c.

Science Fiction Double Feature: Trans Liberation on Twin Earth, B.R. George & R.A. Briggs [link]

King’s Member, Queen’s Body: Transsexual Surgery, Self-Demand Amputation and the Somatechnics of Sovereign Power, Susan Stryker & Nikki Sullivan

Much Ado About Nothing: Unmotivating "Gender Identity", E.M. Hernandez & Rowan Bell [link]

We Are All Nonbinary, Kadji Amin [link]

An Orientalist History of Transmisogyny, Julianna Neuhouser [link]

Where Is My Place in the World? Early Shoujo Manga Portrayals of Lesbianism, Fujimoto Yukari [link]

Alice in Monsterland, Gilles Dauvé [link]

Manchester Medieval Society: Guest Post: ‘Weaponed’ men, impotent men, and ‘not-men’: sex and manhood in Anglo-Saxon England, Chris Monk [link]

Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color, Kimberlé Crenshaw [link]

Man Child: A Black Lesbian Feminist’s Response, Audre Lorde [link]

Palestine

‘I’m bored, so I shoot’: The Israeli army’s approval of free-for-all violence in Gaza, Oren Ziv [link]

We Volunteered at a Gaza Hospital. What We Saw Was Unspeakable. Mark Perlmutter & Feroze Sidhwa [link]

Elements of Anti-Semitism, Jake Romm [link]

Paradoxical Modernity: Pasolini and Israele, Nicola Perugini [link]

Pol/History

Unknowable: Against an Indigenous Anarchist Theory, Ya’iishjááshch’ilí [link]

The Street, the Sponge, and the Ultra, Paul Amar [link]

Camatte: A propos capital, Jacques Camatte [link]

Enslaved Children in Portuguese India, 1550-1760, Patricia Souza de Faria [link]

Kamala Harris’s “American Journey”: Caste, Global Mobility & State Power, Tanvi Kohli [link]

"What, To The Slave, Is The Fourth Of July", Frederick Douglass [link]

Dev Bio

The attention span myth, Maria Panagiotidi [link]

Innateness and Canalization, André Ariew [link]

An evaluation of the concept of innateness, Matteo Mameli & Patrick Bateson [link]

The Vernacular Concept of Innateness, Paul Griffiths & Edouard Machery [link]

Other

Nihei Tsutomu and the Poetics of Space: Notes Toward a Cyberpunk Ecology, Keith Leslie Johnson [link]

Speculative Architectures in Comics, Francesco-Alessio Ursini [link]

In Defence of Critique: Let People Enjoy Not Enjoying Things, Charlie Squire [link]

Nietzsche is Dead, Meredith Hindley [link]

Hegel on the Kant-Laplace Hypothesis and the Moral Postulates, Colin Bodayle [link]

Let's Ride: Art history after Black studies, Huey Copeland, Sampada Aranke, & Faye R. Gleisser [link]