#Coin of Love

[runawaymarbles]

Reading Mockingjay as an adult is extra devastating because. Of course the plucky teenager and her ragtag friends aren't going to sneak into a government building to kill the president with a bow and arrow. That's absolutely ridiculous. It's the kind of thing that's only possible in the kind of propaganda that Coin developed. But she's so good at it that in some ways she tricks the reader into thinking that's the kind of story this is, too--even after 3 books reminding us that pretty much everything that Katniss does the second she volunteers is manipulated by adults pulling strings to make propaganda in some form or another.

[chuchulovelymunimuni]

In my headcanon, jason’s coin has to land heads to get the sword and tails to get the spear and just like a normal coin he has no control over which way it lands.

[judeinthestars]

New sapphic book review! Wind In Her Hair (The Coin of Love Series) by Karin Kallmaker

[kindinb00]

[kandelia-mangrove]

Can we talk about how in the show Lestat and Armand are framed as narrative foils. Armand and Lestat who are both so aggressively theater kids, but Lestat who acts, who draws in the attention and holds it, and Armand who directs, who shapes and manipulates the narrative. Armand and Lestat's obsession with Louis and his love and frustration with his melancholy over Lestat and Claudia respectively. Who both felt second in his heart. Who fear loneliness above all else. Lestat taking what he wants to excess - no impulse control, and Armand letting things happen to him and trying to manipulate situations to get what he wants but never taking it. Armand, who even in the end, so much more powerful, never physically imposes himself on Louis. Armand who seeks complete control in subtle insidious ways. Lestat who seeks control in the physical. Armand and Lestat brought into vampire life in horrifying ways tangled up with SA. Armand who still talks about his maker with reverence, Lestat who hates his maker. Armand who pours all of himself into his partner, willing to shape himself into what they desire but ultimately needing control to feel safe. Lestat who pours all of his love into his partner but unwilling to change himself and ultimately cedes control in moments to maintain the relationship. Armand who clings to his breaking apart relationship for 77 YEARs, Lestat who let Louis go. Lestat and Armand who watch Claudia die, but one as a father and one as a murderer. Lestat and Armand so intense in their love but Lestat so painfully external and Armand so painfully internal as characters. Both constantly acting and putting on a face. Lestat as Mozart and Armand as Salieri (in the flashback scene!). Armand who loves routine and structure and repetion, Lestat who craves change and excitement. The calling cards are echos, who learned from who. Armand teaching Lestat the vampire gifts, Lestat teaching Armand a new way to live. on and on....

[hawnks]

You're jealous. It makes you lash out, makes you meet Keigo with claws and teeth and cruel, irrational accusations.

You pack a bag after your last big blow up, shame dogging your every move. A week. Maybe a little more. However long it takes you to stop feeling like a monster, to rein in these dark impulses that have taken hold of you.

He stops you at the door with a firm grip around your arm. Looming over you, leaning down until he's in your space.

"Why?"

How can you even respond. Why? Isn't he angry with you? Doesn't he see how unreasonable you're being?

You tell him the truth. "I'm embarrassed, Keigo."

His hold on you tightens. "So you're running away?"

"I'm not--" You let out a long breath. "I just need to calm down. Get a hold of myself."

"You can do that here. At home."

You tug. He doesn't release you.

"I don't want you to see me like this."

His expression turns stormy.

"You want to keep secrets from me?" You can't even question this before he's continuing, eyes amber bright and sharp as he pulls you further into his space. "You don't want me to see you what --jealous? Don't I have a right to know? Don't I deserve to be with you for this? We're lovers, and you still want to hide pieces of yourself from me?"

Trembling, you let yourself be drawn back into the penthouse. You couldn't fight him even if you tried.

He sets you on the bed, so he can push you down, curl up on top of you, all around you. Caging you in.

"There," he says. "You're not going anywhere. Would it help if I told you about all the times I wanted to kill anyone who touches you? How about how I want to lock you up, forever and ever? I can show you the collar I picked out, if that would make you feel better." He leans up so he can nibble your ear, whisper, "Or you could put it on me, if you want."

[ningadudexx]

who up journeying to they west ⁉️⁉️⁉️⁉️ 🚶‍♂️🚶‍♂️🚶‍♂️🚶‍♂️🐎

the first one is a screenshot redraw of this frame cause it freaking rocks 🔥🔥🔥

the show has been out since 1986 and also the novel has been out since the 16th century.... but ill spoiler warninf just in case... anyone in audience from the 16th century tonite ⁉️🙋‍♂️🙋🙋‍♀️

[critterbitter]

The twins attempt reparations. Elesa is charmed by their wet emolga impressions and earnest earmuffs. She still can't understand their words very well but she can read between the lines of script.

A day after after this Unfortunate Sequence of Events!

For more submas content, feel free to hit up this masterpost.

[spiderzlover]

Onaga kids with their quirky names🔥🔥

[drathe]

Ten of Coins - Inquisitor Lavellan

[hinamie]

idk about yall but life is good again

[starrieisdelusional]

this is the first episode THIS IS THE FIRST EPISODE

[banana-together]

just thinking about house. just thinking about house and wilson's offices and how their decor choices reflect how they display themselves.

just thinking about how house keeps all sorts of random crap lying around his office: his guitar, his lacrosse balls, random antique-looking pieces, little trinkets. stuff to play with. he's always fidgeting or trying to master new skills like the juggling and playing lacrosse with his cane on the wall. he does it loud and obviously like with the guitar and his music on the radio. he wants his items to be seen as personal, as the things that make him up. he displays them so loudly so everyone knows that through being the best at what he does, he's earned the right to be himself as loudly as he wants. to do whatever he wants. it means he makes the right choice by sacrificing relationships, human connection, niceties, because now no one stops him from being 'free'. it's a performance to convince himself that it's all worth it.

just thinking about how wilson keeps a pretty neat office, but the 'personal' items he keeps around as decor are mostly gifts from patients. he struggles to put things around that represent himself, so he represents his relationships with his patients instead. he shows off how caring and connected he is, but doesn't show much about himself at all. he displays them to prove to himself that as long as he has all these relationships, he doesn't need a 'self'. it's a performance to convince himself it's all worth it.

tl:dr- house displays his 'self' to prove he doesn't need relationships, and wilson displays his relationships to prove he doesn't need a 'self'.

[kabukiaku]

love and appreciate your local satanic popestar!!! 🖤✨

[im-here-homie]

Been thinking a lot about @cryptidmickle 's amnesia au

[sticcmann]

Silas birchtree is far superior than Bipper and Bord as a bill cipher possession. Silas is already dead, we don’t have to feel bad for the possessed person. Silas is already dead, he smells like rotting flesh which he is. Silas is already dead, Bill influences the decomposition process, turning the skin yellow. Silas is already dead, Bill has to build his portal before the body completes the cycle of decay. He has a little cult. He married every woman in town. He goes on television and reads trapezoid smut. Final scene, Silas rambles about “this not being over” while having bullet wounds all over his body, dehydrated, burning. What a guy