#Coin of Love

[runawaymarbles]

Reading Mockingjay as an adult is extra devastating because. Of course the plucky teenager and her ragtag friends aren't going to sneak into a government building to kill the president with a bow and arrow. That's absolutely ridiculous. It's the kind of thing that's only possible in the kind of propaganda that Coin developed. But she's so good at it that in some ways she tricks the reader into thinking that's the kind of story this is, too--even after 3 books reminding us that pretty much everything that Katniss does the second she volunteers is manipulated by adults pulling strings to make propaganda in some form or another.

[judeinthestars]

New sapphic book review! Wind In Her Hair (The Coin of Love Series) by Karin Kallmaker

[kindinb00]

[kandelia-mangrove]

Can we talk about how in the show Lestat and Armand are framed as narrative foils. Armand and Lestat who are both so aggressively theater kids, but Lestat who acts, who draws in the attention and holds it, and Armand who directs, who shapes and manipulates the narrative. Armand and Lestat's obsession with Louis and his love and frustration with his melancholy over Lestat and Claudia respectively. Who both felt second in his heart. Who fear loneliness above all else. Lestat taking what he wants to excess - no impulse control, and Armand letting things happen to him and trying to manipulate situations to get what he wants but never taking it. Armand, who even in the end, so much more powerful, never physically imposes himself on Louis. Armand who seeks complete control in subtle insidious ways. Lestat who seeks control in the physical. Armand and Lestat brought into vampire life in horrifying ways tangled up with SA. Armand who still talks about his maker with reverence, Lestat who hates his maker. Armand who pours all of himself into his partner, willing to shape himself into what they desire but ultimately needing control to feel safe. Lestat who pours all of his love into his partner but unwilling to change himself and ultimately cedes control in moments to maintain the relationship. Armand who clings to his breaking apart relationship for 77 YEARs, Lestat who let Louis go. Lestat and Armand who watch Claudia die, but one as a father and one as a murderer. Lestat and Armand so intense in their love but Lestat so painfully external and Armand so painfully internal as characters. Both constantly acting and putting on a face. Lestat as Mozart and Armand as Salieri (in the flashback scene!). Armand who loves routine and structure and repetion, Lestat who craves change and excitement. The calling cards are echos, who learned from who. Armand teaching Lestat the vampire gifts, Lestat teaching Armand a new way to live. on and on....

[ningadudexx]

who up journeying to they west ⁉️⁉️⁉️⁉️ 🚶‍♂️🚶‍♂️🚶‍♂️🚶‍♂️🐎

the first one is a screenshot redraw of this frame cause it freaking rocks 🔥🔥🔥

the show has been out since 1986 and also the novel has been out since the 16th century.... but ill spoiler warninf just in case... anyone in audience from the 16th century tonite ⁉️🙋‍♂️🙋🙋‍♀️

[hawnks]

You're jealous. It makes you lash out, makes you meet Keigo with claws and teeth and cruel, irrational accusations.

You pack a bag after your last big blow up, shame dogging your every move. A week. Maybe a little more. However long it takes you to stop feeling like a monster, to rein in these dark impulses that have taken hold of you.

He stops you at the door with a firm grip around your arm. Looming over you, leaning down until he's in your space.

"Why?"

How can you even respond. Why? Isn't he angry with you? Doesn't he see how unreasonable you're being?

You tell him the truth. "I'm embarrassed, Keigo."

His hold on you tightens. "So you're running away?"

"I'm not--" You let out a long breath. "I just need to calm down. Get a hold of myself."

"You can do that here. At home."

You tug. He doesn't release you.

"I don't want you to see me like this."

His expression turns stormy.

"You want to keep secrets from me?" You can't even question this before he's continuing, eyes amber bright and sharp as he pulls you further into his space. "You don't want me to see you what --jealous? Don't I have a right to know? Don't I deserve to be with you for this? We're lovers, and you still want to hide pieces of yourself from me?"

Trembling, you let yourself be drawn back into the penthouse. You couldn't fight him even if you tried.

He sets you on the bed, so he can push you down, curl up on top of you, all around you. Caging you in.

"There," he says. "You're not going anywhere. Would it help if I told you about all the times I wanted to kill anyone who touches you? How about how I want to lock you up, forever and ever? I can show you the collar I picked out, if that would make you feel better." He leans up so he can nibble your ear, whisper, "Or you could put it on me, if you want."

[critterbitter]

The twins attempt reparations. Elesa is charmed by their wet emolga impressions and earnest earmuffs. She still can't understand their words very well but she can read between the lines of script.

A day after after this Unfortunate Sequence of Events!

For more submas content, feel free to hit up this masterpost.

[spiderzlover]

Onaga kids with their quirky names🔥🔥

[dcxdpdabbles]

Not sure if you’ve ever done something like this, but I think a miraculous ladybug style love square featuring Danny would be absolutely hilarious. It can be with literally any bat (I’m partial to either Damian or Tim, but honestly any would be amazing). But literally just Danny coming to Gotham and going out as Phantom, running into the bat of choice and BOOM instant crush. And then Danny running into that same bats civilian ID and BOOM another instant crush going the opposite direction. Not particularly picky about who has the civilian crush, and who has the vigilante crush, but we would definitely need to see interactions between all four identities a la Miraculous.

Danny Fenton loathes Bruce Wayne. It's not because Sam's parents have often attempted to pawn off their daughter onto the guy or that Danny, as her once boyfriend, felt threatened by him. He can see the intelligence in Bruce's eyes, and the man still acts the way he does.

What's worse is that they are the same age, which means when Sam's parents started pushing for her to attend galas at age fifteen, Danny had been forced along to help deflect annoying rich boys. He met Bruce hiding behind curtains, making faces at his butler when the older gentleman attempted to push fifteen-year-old Bruce back onto the dance floor.

He would have felt sympathy for the wealthy heir—being an orphan so young with everyone around him foaming at the mouth for his wealth and titles was rough on anyone—were it not for how he spoke to poor Mr. Pennyworth.

Bruce acted like Mr.Pennyworth was an accessory to his image, as if the man wasn't treating him with the obvious care and attention one would a son.

Danny found his feet, leading him to Wayne just as the teenager instructed Mr.Pennyworth to wait in the car—four hours, four hours, in the freezing cold!

The first words he ever said to Bruce Wayne were, "You do not talk to him like that, you self-centered jerk!"

Then he had to dodge a fist because apparently Wayne had anger issues, but Danny had been dodging ghosts for an entire year. He sidesteps and pushes the boy on his ass. Mr.Pennyworth seemed frozen by the wall, and Wayne dared to stare up at him like someone standing up to him was such a wonder.

Sam had called him away, so with a long look down his nose at the rich boy, he spun around and strutted away.

___________________________________________________________

Bruce Wayne adored Danny Fenton.

Ever since the firecracker appeared in his life, with a grace that rivaled even his best of masters, Bruce has been infatuated with him. Fenton came from a small town in Illinois as a guest of the Manson family.

The Manson were new money, having only developed their wealth two generations ago. They had no real social connections and lived in the middle of nowhere. Mr. and Mrs. Manson were eager to pair their daughter off with someone with better standing, but it is evident that they only pushed a little for her to find a rich husband.

They wouldn't have allowed Fenton to tag along if they genuinely wanted their daughter to build connections through marriage. The couple just seemed to want their daughter to stop being goth.

The teenager was unapologetically middle-class, and Bruce found himself watching Fenton move about Galas with a defiant air that left him breathless. He insulted people to their faces, returned passive aggression tenfold, and someone tried to talk down to him; Fentn had the brain to quickly turn the tides.

The Manson's standing shouldn't have shielded him, not when they barely had any social power, yet somehow no one dared to bother Fenton outside of events. It was all so fascinating.

Fenton didn't often come to Gotham, as the Mansons mainly stayed in their own little part of the world, but every year, without fail, they were there for the Charity event in Spring and the Halloween Fest. The dark-haired, sharp-eyed eye, blue-eyed boy would be at Miss Manon's side, muttering into the goth girl's ear.

Bruce's heart constantly fluttered when the days were approaching the two high society events because it would mean seeing Fenton again. Years passed with Alfred attempting for Bruce to strike a friendship with Fenton, but something always made Bruce nervous.

Excited and nervous, like he was about to hit the drop of a rollercoaster. It was a rush whenever their eyes locked, even if Fenton's hardened into a dangerous glare.

Eventually, Bruce went off to do his training, finally getting close to his goal of making the rot of Gotham pay. He didn't see Fenton for a while, and the angry teenager lingered in the back of his mind until Bruce rocked back to Gotham with his new Brucie persona.

Only to have his jaw drop the moment he caught sight of Fenton. The boy was now the CEO of VladCo. after his godfather had taken a sabbatical for medical reasons. Fenton was still unapologetic about his roots and seemed enraged whenever Bruce brought out his playboy persona.

"Cut the crap," Fenton hissed into Bruce's face, unaware of the swarm of butterflies in his stomach. "We both know you're not dumb. I can see your intelligence, and how you're downplaying it is sickening."

Bruce fought the urge to fan himself, heart racing, as he smiled absentmindedly. "Whatever do you mean?"

Fenton made a screech of outrage before turning and stomping away. Bruce hated watching him go, but he loved to watch him leave.

"Sir," Alfred muttterd as he stepped up behind him. Bruce snapped out of his staring, turning his head slightly to pick up the man's whispered words better. "A break-in at Gotham Bank. Nine hostages"

"Understood." He made a show of diving into the fountain with Fenton, looking like he would pop a blood vessel as an excuse to leave. As he drives, Bruce Wayne fades into Batman in more ways than a costume change, and his mind races with plans to save the hostages.

He just hopes that Dofus Phantom doesn't get in his way again. The ghost would pop up randomly in his city, and no matter how many times Batman threatened him, the idiot came back again and again.

Phantom had no detective mindset. He stopped crimes right before him without considering the bigger picture. Dofus probably died in a small town with low crime rates. He didn't understand the complications of deep corruption, power vacuums, or gang violence.

Out of all the people who could have turned into a poltergeist, it had to be the clumsy fanboy Phantom.

[drathe]

Ten of Coins - Inquisitor Lavellan

[nenoname]

stan spending their childhood trying to make ford's polydactyly something positive in ford's life and genuinely believing its super cool....

[royalarchivist]

Pangi: [In chat] fit what team are you gonna join btw, or have you not thought about that

Fit: [Responding in chat] "I am a lone wolf"

Fit: [Deleting the message] No– that's not true, I have a Brazilian boyfriend on this server. In RP, so technically that's not true.

[hinamie]

idk about yall but life is good again

[starrieisdelusional]

this is the first episode THIS IS THE FIRST EPISODE

[monsters-demons-and-ai-oh-my]

Viktor: “How can you still care after all I’ve done?”

Jayce (Probably): “BITCH in our timeline I literally DOOMED our world by shoving the hexcore in you because I couldn’t cope with the concept of living in a world without you in it. WHAT ARE YOU NOT GETTING. For a genius you can be one dense mfer!”

[banana-together]

just thinking about house. just thinking about house and wilson's offices and how their decor choices reflect how they display themselves.

just thinking about how house keeps all sorts of random crap lying around his office: his guitar, his lacrosse balls, random antique-looking pieces, little trinkets. stuff to play with. he's always fidgeting or trying to master new skills like the juggling and playing lacrosse with his cane on the wall. he does it loud and obviously like with the guitar and his music on the radio. he wants his items to be seen as personal, as the things that make him up. he displays them so loudly so everyone knows that through being the best at what he does, he's earned the right to be himself as loudly as he wants. to do whatever he wants. it means he makes the right choice by sacrificing relationships, human connection, niceties, because now no one stops him from being 'free'. it's a performance to convince himself that it's all worth it.

just thinking about how wilson keeps a pretty neat office, but the 'personal' items he keeps around as decor are mostly gifts from patients. he struggles to put things around that represent himself, so he represents his relationships with his patients instead. he shows off how caring and connected he is, but doesn't show much about himself at all. he displays them to prove to himself that as long as he has all these relationships, he doesn't need a 'self'. it's a performance to convince himself it's all worth it.

tl:dr- house displays his 'self' to prove he doesn't need relationships, and wilson displays his relationships to prove he doesn't need a 'self'.