#Clean Slate Films

[tumblerweeding69]

The Fog: Netflix announces new crime drama from Paatal Lok producer Sudeep Sharma

Netflix And Clean Slate Filmz on Wednesday announced a new crime series titled weeds, K Sudeep Sharma underworld The series is co-produced by writers Gunjit Chopra and Diggy Sisodia. Sharma will also serve as the showrunner with Randeep Jha as the director, said a press release. Kohra will feature actors like Suvinder Vicky, Barun Sobti, Varun Badola, Harleen Sethi, Rachel Shelly and Manish…

[spockvarietyhour]

Merry Christmas, Doctor.

Doctor Who "Twice Upon a Time"

[greensparty]

Remembering James Earl Jones 1931-2024

Sad news today that actor James Earl Jones has died at 93. He had a 60+ year in entertainment. He was an EGOT too!

He will forever be known as the voice of Darth Vader in the Star Wars movies. George Lucas wanted David Prowse (who died in 2020) to do the physical performance and Jones to be the powerful voice of the greatest villain in movie history. That's his iconic voice as Vader in Star Wars: Episode IV - A New Hope, The Star Wars Holiday Special (got my bootleg DVD!), Star Wars: Episode V - The Empire Strikes Back, Star Wars: Episode VI - Return of the Jedi, Star Wars: Episode III - Revenge of the Sith, Star Tours: The Adventures Continue, on 5 episodes of Star Wars: Rebels, Rogue One: A Star Wars Story, Star Wars: Episode IX - The Rise of Skywalker, and on the 2022 series Obi-Wan Kenobi. He was uncredited for the first two films and credited thereafter once everyone knew who it was. To say he was a tremendous part of the character and the Star Wars Universe would be a colossal understatement.

Jones and Darth Vader together in 2002

Other notable performances included Stanley Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Roots: The Next Generations, Soul Man, Matewan, the King in Coming to America (and it's lesser sequel I got to review in 2021), Field of Dreams, The Hunt for Red October, a cameo in Naked Gun 33 1/3: The Final Insult, the underrated Clean Slate, as the voice of Mufasa in the animated The Lion King and the live action The Lion King.

The link above is the obit from CNN.

[sammyloomis]

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[theoscarsproject]

Coup de Torchon / Clean Slate (1981). A pathetic police chief, humiliated by everyone around him, suddenly wants a clean slate in life - and resorts to drastic means to do so.

A moody French crime film that takes the American western tropes and surplants them to France-occupied West Africa. It works better than you'd think, and is particularly grounded by a wonderful performance from a young Isabelle Huppert! 7/10.

[clairedaring]

Plot Spoilers of GMMTV 2024 - Part 2 Series

So GMMTV accidentally???? intentionally??? spoiled the detailed plots to most of their 2024 part 2 lineup series through their public pamphlet at the Busan International Film Festival. So I'm just making this post to compile them.

WARNING: MAJOR ENDING SPOILERS

YOU HAVE BEEN WARNED. READ AT YOUR OWN RISK.

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okay enough warning. now you're on your own.

The Heart Killers

A cool tattooist who works as a spy for the police is assigned to investigate brutal gunman brothers, so he tries to flirt with the younger one to dig up their information. When his attempt is interfered with by the older brother, the tattooist has to find someone to get rid of him, someone to hit on the scary-looking gunman. He then enlists the help of his handsome friend to join in his mission to win the gunman brothers' hearts and start a new life with a clean slate.

This is a story about Kant (First Kanaphan), a handsome and talented tattooist who is part-time a police spy and part-time charming playboy. One day, he meets an attractive man at a bowling alley and has the best one-night stand of his life, only to wake up and find that the guy has disappeared without leaving him his number. All Kant can think about is that passionate night. Later, he gets assigned a new mission to Investigate two killers wanted by the police. Whether it's good or bad luck, one of them turns out to be his hot one-night stand. Kant doesn't want to do it, but the captain makes him an offer he can't say no- to clean up his criminal record of past car theft.

Kant does some research and learns that the two assassins live undercover as hamburger shop owners. He goes to have a meal there and sees Bison (Khaotung Thanawat), the man he has slept with that night. A spark happens between them and Kant starts making a move on Bison to find out who is behind everything. Even though Bison feels something for Kant, they face a big obstacle in the name of Fadel (Joong Archen), Bison's big brother who worries about his safety. Because Fadel doesn't want Bison to bond with anyone and he doesn't trust Kant, he tries to stop the two from getting together. Bison wants to start a relationship with Kant, so he suggests finding Fadel a partner to distract him, but the problem is, who would dare hit on Fadel? Kant thinks of his gorgeous and charming best friend named Style (Dunk Natachai) who is a real pain in the neck and not afraid of anything. Style is a car mechanic who has once rear-ended Fadel's car and gotten into a fight with him. Kant promises Style his car that the latter has eyes on if he can win Fadel's heart. Style says yes to the deal and begins pursuing Fadel immediately with the knowledge of Fadel's daily routines that Kant receives from Bison and forwards to him. Style persistently chases after Fadel, doing everything he can to insert himself into his life. Fadel is annoyed but secretly likes that Style is not afraid of him like the others.

While his fake relationship is going well, Kant has to finish his mission of spying on the killers. He discovers that the mastermind is Madam Lily, mother of Fadel and Bison who has adopted the two from an orphanage and trained them to be killers. Later when the two brothers make mistakes in their mission and cause some information to leak out, Bison starts doubting Kant and finds out that he's a police spy. Bison tells Fadel what he learns and the big brother is furious because he has fallen in love with Style. Bison himself also feels so angry and betrayed that he takes Kant away to kill him. Meanwhile, Fadel has to search for his younger brother as both of them are being hunted by Keen (Pepper Phanuroj), Madam Lily's other adopted child who has been jealous that the two get big assignments. Now he gets an order to kill them because they have screwed up. Fadel threatens Style to follow him and help him look for Bison. The two run for their lives and get closer, feeling both love and hatred for each other. In the end, Bison can't bring himself to kill Kant so he lets him go. However, Kant has real feelings for Bison so he refuses to leave and wants to help him get a normal life. When Fadel and Style find Bison and Kant, they tell them the truth about Madam Lily. The two brothers want revenge, but Kant and Style don't want them to kill anyone anymore, worrying something bad might happen to them. Kant and Style propose that the four of them steal Madam Lily's money and run away together. They kickstart the stealing plan by having Kant and Style enter an event by disguising themselves as waiters and escorts. They find their way to Madam Lily, catch her, demand her to open her safe, and then take something important from her. The whole gang manages to steal big cash and runs away together without killing a single soul.

Ultimately, Kant fails to clear his criminal record but he doesn't care anymore. Now he shares a new dream with Bison. The two run away to another country together while Fadel and Style decide to stay and continue running the restaurant. They're not afraid of the big boss' influence because they have taken records of Madam Lily's illegal activities to ensure that they will be able to live a normal life without anyone bothering them ever again.

Ossan's Love Thailand

The messy love story begins when Heng, a bachelor working in a real estate company whose love life is as hopeless as his work life, stumbles upon his own photos on the phone and computer of branch manager Kongdech, aka his boss. Heng certainly finds this behavior strange, and all the stranger considering that his boss has been married for 30 years.

Meanwhile, Kongdech's daughter has been trying to set her single father up for a match for years after her mother died. She finds out that her father might be in love with someone, and a little investigation leads her to believe that it is someone from the company. She then asks Heng to help her find out who the lucky girl is, only to learn that it is Heng himself who has stolen her father's heart! She is definitely taken aback at first, but after gaining her composure, she puts her whole heart into rooting for her father and hoping for the best for his new love.

When Kongdech finally confesses his love, it sends shock through Heng's world who has never liked men before, and it doesn't help either that this confession comes from none other than his amazing boss. As if things aren't confusing enough as it is, his new colleague and roommate, Mo, also falls in love with him. Heng finds himself in a messy situation, with two men fighting to win his heart. But after living together under the same roof, proximity makes him choose Mo and decides to live together as lovers.

The two men start dating, and all the while Mo realizes that Heng has never had a lover before, let alone a male one at that. But while things are looking up, Chicha, Heng's female childhood friend, confesses her love to him. Mo, who happens to hear the conversation, resolves to himself that maybe Heng actually wants to date women and have the perfect family he has always dreamed of, Mo decides to break up with him and leaves the house, ending their relationship. But instead of a new girlfriend, Heng finds comfort in none other than Kongdech, his own boss, who has slowly taken Mo's place at home, never letting Heng lift a finger around the house. They may be dating now, but Kongdech knows deep down that Heng still has feelings for Mo. On the eve of their wedding, Kongdech finally makes Heng realize just whom his heart actually belongs to. Heng leaves the wedding immediately, running to find Mo who he truly falls for.

Us The Series

Dokrak is an 18-year-old who decides to take a gap year after finishing high school to find herself. She has a part-time job at a coworking space coffee shop called "Cuf & Co." It's here that she crosses paths with Pam, a 22-year-old dentistry student, who is a regular at this cafe to hit the books. Dokrak gets to know Pam and develops a secret crush on her, until Kawee, her 24-year-old biological brother and a medical student, meets Pam by chance and falls for her at first sight. Kawee turns to Dokrak, asking her to play matchmaker. Because Dokrak really loves her brother and wants to see him happy, she agrees to help. Dokrak begins the mission of helping her brother to hit on a beautiful woman like Pam. She coaches him on wooing Pam with different techniques, including taking care of her, flirting with romantic words, and writing a love letter, but as time passes, she finds herself unable to ignore her growing feelings for Pam because of their intimacy. Even Dokrak realizes it, she has already fallen for Pam. Eventually, Pam agrees to date Kawee, so Dokrak must keep her feelings hidden, knowing she can't fall for her "brother's girlfriend."

But as Pam and Kawee's relationship progresses, they encounter challenges due to Pam's reluctance to engage in physical intimacy, such as touching, kissing, and making love. This is stemming from her past trauma as her high school ex-boyfriend once harassed her. This trauma is the reason Pam doesn't like physical touch. One day, Pam discovers that Kawee sleeps with another woman. In the end, Dokrak advises her to break up with Kawee.

Kawee explains that it's just physical cheating, which results from Pam refusing physical intimacy with him. Despite his insistence that Pam is the only one he loves, Pam is deeply disappointed in him. Pam turns to Dokrak for some advice, asking how she should handle it and whether she should give Kawee another chance. On the one hand, Dokrak doesn't want Pam to break up with her brother, but, on the other hand, she feels a good person like Pam deserves better.

Dokrak regrets giving her that advice because after Pam asks for a break up, she disappears from both Kawee and Dorrak's lives. Kawee feels really heartbroken, remaining unable to move on and desperately wanting Pam back. Meanwhile, Dokrak misses Pam, her favorite sister, a lot, hoping for a future reunion with her one day.

After several months, Pam reappears at Cuf & Co, providing Dokrak an opportunity to reconnect after having lost touch for so long. They become close again as Pam generously offers to tutor Dokrak, who plans to take a university entrance exam the following year. Meanwhile, Eak, the 27- year-old owner of Cuf & Co, who has had a crush on Pam all along, notices a close relationship between Dokrak and Pam, so he asks her to act as a matchmaker between him and Pam. Simultaneously, Peem, a 23-year-old barista known for his kindness and good looks, confesses his feelings to Dokrak.

Dokrak and Pam both have feelings for each other, but Dokrak chooses to keep them hidden because she doesn't dare to and is, deep inside, burdened by guilt over his brother's situation. Meanwhile, Pam is confused about her actual feelings for Dokrak. In the midst of her confusion, Pam decides to embark on a relationship with a tomboy named Oat, who is about the same age, hoping to clarify her feelings towards women. However, Pam eventually realizes that she has no feelings for Oat, but her affections lie solely with...Dokrak.

Acknowledging her feelings, Pam straightforwardly confesses to Dokrak, leading them to start a romantic relationship together. Pam and Dokrak both enjoy a period of happiness until Kawee discovers their relationship. Kawee seems very hurt and disappointed. Stricken with guilt and remorse for causing her brother pain, Dokrak decides to end her relationship with Pam.

Following Dokrak's decision to end their relationship, Pam disappears from her life again, leaving Dokrak seriously in pain. Witnessing his sister in misery, Kawee is filled with guilt, recognizing he's the one causing her sorrow. Eventually, Kawee manages to get over Pam. He urges Dokrak to follow what her heart desires, telling her that he supports her love because he wants his sister to be happy with the person she loves. Dokrak tries her best to win Pam's heart again, and, finally, their love is fulfilled. Pam and Dokrak now have courage to love each other.

Perfect 10 Liners

The chaotic university saga kicks off as Arm (Book Kasidet) realizes his lifelong dream of being accepted into the Faculty of Engineering. However, his moment of triumph is quickly overshadowed by mayhem. As part of a customary ritual, first-year students draw lots to determine their higher-year peer mentors. By a stroke of fate, Arm lands himself into the exclusive circle of the 'Divine Peers,' a group comprising extraordinary students from various years, with Yeepun, a captivating female student, as his second-year peer mentor. To further complicate matters, Yeepun entrusts him with the formidable task of managing the Engineer Cute Boy page, a widely popular online platform.

Despite his reluctance, Arm performs admirably as the page administrator. In response to many fans' requests, he uploads a photo of 'Ark' (Force Jiratchapong), a third-year Civil Engineering student, unaware of the prohibition against doing so, as Ark vehemently objects to such actions. Not knowing the admin's identity, Ark sends a harsh message demanding the photo be deleted. Arm immediately detests Ark's rudeness and develops a dislike for the man. Little does he know, Ark is one of the 'Divine Peers, and to make matters worse, his third-year peer mentor. Despite his reservations, Arm finds himself occasionally Interacting with Ark, not only because of their mentorship but also because many people seek Arm's assistance to connect with the blunt and private Ark.

What Arm does not know is that he is in Ark's inner circle because Ark wants him to. Ark, smitten with Arm at first sight, secretly cares for him and endeavors to better himself to become a suitable match for Arm. Despite his typically hot-headed nature and penchant for risk-taking, Ark restrains himself out of fear of endangering Arm. Meanwhile, Arm remains oblivious to Ark's feelings, Amidst the chaos and many headaches, Arm gradually begins to understand his own heart. Before they realize it, their relationship evolves from peer mentor and peer mentee to boyfriends.

On the first day of university life, disaster strikes hard for Gun (Chimon Wachirawit (t/n: Chimon has now been replaced with Santa Pongsapak). As hapless as he is, Gun accidentally breaks a bathroom faucet and finds himself soaked like a puppy. With a stroke of luck, one classmate comes to his rescue. However, amidst the chaos, Gun is too preoccupied to get a good look at the person's face, only catching a glimpse of their shoes. As he tries to navigate his new surroundings and classmates, Gun is determined to find the one who saved him from the bathroom mishap. Eventually, he tracks down Faifa (Junior Panachai) and expresses his gratitude, unaware that Faifa knows nothing of the incident. As they get to know each other, Gun realizes that it was actually Yotha (Perth Tanapon), Faifa's older Irish twin, who wears identical shoes, that he should be thanking. Despite being siblings, their personalities couldn't be more different. Faifa is friendly and approachable, while Yotha exudes an air of mystery, as if harboring secrets.

Gun suffers from a health issue: he can't sleep in darkness due to an unfortunate childhood incident. This becomes problematic when he shares an on-campus dorm with a roommate who can't tolerate sleeping with the lights on. Yotha, however, has no such issue and offers to switch places with Gun's roommate, as he rarely returns to the dorm at night. Yotha keeps his promise, disappearing after dark and returning in the morning. Gun is suspicious of Yotha's nocturnal activities; rumors swirl, suggesting he's mingling with girls or involved in illicit activities. Gun attempts to confront Yotha about it, but Yotha always avoids the subject.

Yotha is fearful of love, disappointment, and loss. He does not want to lose his mother, as he did with his father. He does not want to be abandoned as his ex-lover did to him. He does not want to see anyone betrayed by their love. So he chooses to become a third wheel in people's relationships, encouraging one party to cheat in the hopes that his actions help the person being cheated on recognize the truth sooner. He frequently gets into disputes and is beaten up by the boyfriends of the girls he charms.

As Gun and Yotha grow closer, they gradually learn more about each other. Yet, when Yotha realizes he's on the brink of falling in love, fear of loss resurfaces, prompting him to withdraw. However, with time, Yotha learns that love isn't always cruel, and Gunyukol is a risk worth taking again.

Wine (Mark Jiruntanin) becomes the latest member of the 'Divine Peers' through the lucky draw. Yotha, Wine's second-year peer mentor, is preoccupied with his boyfriend, leaving him with little time for his mentee. Stepping in, Faifa (Junior Panachai), a remarkably friendly second-year student, takes over the role and looks after his older brother's mentee.

Faifa learns that Wine recently ended his relationship with Toey, his girlfriend from before university, after developing feelings for Tor, Toey's older brother. To avoid further guilt towards Toey, Wine opted for an amicable breakup. Now with Tor's recent coming out as a man attracted to men, Wine feels hopeful but unsure about approaching him. Faifa offers his assistance, volunteering to serve as Wine's practice ground, allowing Wine to hone his approach before making a move on Tor.

From their close interaction, feelings unexpectedly blossom. Faifa finds himself genuinely falling for Wine but hesitates to reveal the emotions, fearing it might disrupt his role as Wine's coach in pursuing Tor. Meanwhile, Wine also develops affection for Faifa, though Faifa's naturally over-friendly demeanor leaves him uncertain about his own significance to Faifa.

Faifa nearly loses Wine before they both muster the courage to confess their feelings. In a bold move, Faifa, who has never been truly committed to anyone, changes his approach for Wine, abandoning his flirtatious ways and prioritizing Wine above all else. In turn, Wine becomes Faifa's singular focus, capturing Faifa's heart like no one else ever has.

Sweet Tooth, Good Dentist

Sont is a marketing student who has been single for far too long. One day, per the recommendation of his student mentor, Sont goes on a date with Jamie or Jay, an older dentistry student. But no matter how impressed Sont is by their first meeting, he can't bring himself to like some aspect of Jay's personality, especially his tendency to be a little bit narcissistic. Sont decides to not take this relationship further, and the two have been apart ever since.

Two years later, Sont is now studying in his third year and working his butt off to make his TikTok account go viral. "Sleepy Eater, Hungry Sleeper" is a two-year-old channel of his with barely more than 600 followers. His main content is food ASMR that stems from his love of desserts and snacks. Whatever dessert it is he's eating in the stream, Sont will gulp it down within minutes. He even gets snacks from his sponsors sometimes.

One day, while Sont is streaming, his toothache gets so bad that he has to stop. His best friend/roomate like Guck then has to urge him to see a dentist since this isn't the first time it happens, and not likely the last. Pestered by the pain in his tooth, Sont finally has to go to a dentist, and finds out that his mouth is no better than a dental battlefield that needs teeth cleaning, filling, and even some root canal treatment that would cost him quite a fortune. Being nearly broke as he is, Sont clearly can't afford it. That's when his dentist recommends being a case study patient for dentistry students, where they treat his dental problems for free.

The next month, Sont has become a complete case for Dr. Ming, a fifth year dentistry student. This brings him face- to-face with Ming's assistant dentist, Jay, who Sont hasn't seen since their last date. The two years have changed Jay in some ways, but Sont notices that his narcissistic tendency remains intact. Sont thinks he will never see Jay again after the treatment, but as fate would have it, Jay's family happens to own the building Sont lives in, and since the convenience store downstairs is short-staffed, Jay is now filling in as a part-timer. Now every time Sont wants to buy the snacks he craves, he has a dentist-in- training stopping him from ruining his teeth further. Jay truly is the destroyer of joy to Sont now.

Even though he's making some money from his ASMR channel, it still isn't enough to make ends meet. Sont decides to get a job at Craft Cake where he meets his new boss, Captain, an old friend of Jay who has quit his job and opened his own business. Sont has come at the right time and helped the business gain some recognition. All this while, Sont keeps running into his boss' friends like Ming and Jay who somehow always show up at the place much more often than Sont would like.

What amazes Sont is that, the more he gets to spend time with Jay, the more he sees who Jay really is. Now someone he once discarded has taken a special place in his heart. Even the narcissistic tendency now seems like a cute and silly streak. Meanwhile, Jay seems to be very private with his feelings to Sont, unlike Captain, who has been more and more obvious that he's into Sont. And as Sont moves closer to Captain, a part of him wonders if Jay still has feelings for him like two years before. He doesn't want to risk what they have now by asking, and in the end just waits for someone to be the braver person and finally asks if what they are is more than just friends.

The Ex-Morning

Pathaphee or Phee is a famous news anchor of Good Day Thailand. He is a rising star in journalism. With his bright and lively personality, he is beloved by the public. But his life turns upside down when the video of his abusive behaviors towards his co-anchor is leaked to the public. His co-anchor is injured in the incident. From a rising star, he turns into a falling star.

Pathaphee is suspended from work. He has to sell his luxurious car. He tries to get a job at other news agencies but no one wants to work with him. Due to a trauma, he has a panic attack and is unable to do a live news report from the field. Luckily, he still has Young, an exclusive news editor who has adored and been close with him since he was an intern. Young gives Pathaphee a chance to work with a talented producer who holds an overseas degree on a new show. Pathaphee feels blessed for the second chance that he gets. He is relieved that at least a good thing comes out of this turmoil. But as soon as he meets the producer, he is not sure if this chance is really a blessing. The producer is Tamtawan, his ex-boyfriend. Their breakup was so terrible that Pathaphee developed an anxiety disorder after that. He still suffers from it even now. He knows that the person who is supposed to be his savior can end his career for good.

Pathaphee and Tamtawan were dating when they were in college. Tamtawan was his senior at the faculty of journalism. They were competing in everything they did. However, they had a promise that Tamtawan would support Pathaphee's dream to be a news reporter. On the day that Pathaphee had an audition for a news reporter position at a major news agency. In the audition, he needed to give a live field report and the judges would watch it. While he was reporting news, Tamtawan's breakup message was among the keywords for the news report that the creative sent him. Moreover, his news reporting was interrupted by a group of local mafia. His news reporting ended in a disaster. He was eliminated.

Pathaphee wanted to know the reason why Tamtawan broke up with him. But the truth he found out that he stole his critique of journalism and used it to apply for a scholarship at an overseas university. He was accepted to the university because of his work. He decided to dump him.

Pathaphee worked hard and achieved his dream of being a news reporter. He loathes Tamtawan more than anything in this world. But now he is so desperate that he has no other choice but to work with Tamtawan under one condition. Tamtawan needs to help him regain his followers. He must have ten million followers in the next three months. If he fails, he needs to resign from the news agency. If he refuses his offer, he will expose that he stole his work which helped him get his scholarship.

Tamtawan dislikes Pathaphee but he thinks his offer is challenging and interesting. He accepts his offer but he also has a condition. If he successfully helps him regain his followers, he needs to apologize to him and call him "Master" for three months.

Pathaphee and Tamtawan work together as a news reporter and a producer. Their past has a major influence on the dynamic of their current relationship. Though they always a way to tease each other, flirting can also be seen between them. As they are chasing the truth, they become close. Physical touches, that accidentally occur while they are working together, reignite the spark between them. Their relationship is like unpredictable weather. It's confusing but also intriguing.

Tamtawan does not come back for his work. He has a hidden mission to help the man he cares for. He comes back to find the mafia who exposed the video that destroyed Pathaphee's reputation and put his life in danger. The ex-lovers need to work together to find the real criminal behind their case and their true feelings for each other. Will the flame in their hearts change them? Will they learn about the change together?

Revamp: The Undead Story

Punn (Prem Warut), a 24-year-old antique shop owner, is enlisted by his gallery-owning friend to restore a painting vandalized under mysterious circumstances one night. During the restoration process, Punn accidentally injures himself on a shard of mirror, inadvertently staining the artwork with his blood. This act awakens Ramil (Boun Noppanut), the last descendant of a vampire lineage, trapped within the painting for over a century. However, Ramil emerges powerless and becomes the target of relentless pursuit by the "Hunters." Tasked with aiding Ramil in reclaiming his lost powers, Punn embarks on a journey to locate Ramil's former servants, now living discreetly among humans. As they collaborate, a deep bond forms between Punn and Ramil, blossoming into love and trust. Yet, their relationship is tested when Ramil's enigmatic past becomes intertwined with Punn's own mysterious background, seemingly orchestrated by an external force. Together, they confront their doubts and fears, striving to overcome adversities before reaching their ultimate destinies.

Thame - Po (เธม-โป้) HEART THAT SKIPS A BEAT

In need of a job, 'Po' finds himself accepting an offer to make a documentary about a boy band "Mars" to make ends meet. Only he doesn't know he's not making a documentary about their success, but their disbanding, due to the leader of the band 'Thame' on the verge of signing a new contract in South Korea.

Filming Mars makes Po realize that, even with all the internal conflicts, Thame never wants to leave. And the only way to save this band is for Po to smooth out any misunderstandings between the members and Thame.

This mission to make all five members of Mars stay together has now become the backdrop of the beginning of love between Thame and Po. And Po will have to realize that dating an idol is no child play at all!

Hide & Sis

Chatfah, the youngest sister of the Buppajinda family, has just received the most share of the inheritance from her father and is about to get married. Unfortunately, Chatfah falls from the highest floor of a vacation home to her three older sisters' shocked eyes before her body disappears. The three sisters namely Baibua, Chompoo, and Picha become suspects in Chatfah's disappearance.

Baibua Boontharika is the eldest sister who is composed, wise, and has always sacrificed for her family. Chompoo Chompoonuch, the second sister, is a beautiful and confident model whose boyfriend Chatfah has stolen to get married to. The third sister, Putpichaya is a jewelry designer who is the closest to Chatfah. The three girls try to find Chatfah while a lot of mysterious things happen after their youngest sister goes missing. Putpichaya gets so violently ambushed that she almost dies. Chompoonuch falls from grace due to a rumor that she has killed her sister out of anger after she has stolen her lover to marry him. Boontharika struggles with managing her company because of the gossip and accusation that the flowers there have a curse of death!

When no one else can be trusted, the three sisters must try to trust each other. They move back to live in Buppajinda Mansion like in their childhood days to find out who is behind Chatfah's disappearance, which could very well be one of them. But what's waiting for them at the mysterious mansion is not only the truth about Chatfah's disappearance but also stories that have been hidden since the past - the rift between siblings caused by dishonesty and deceit in their parents' generation leading the girls to turn enemies and hurt each other. Eventually, the three girls discover the truth of more than one real culprit in the Buppajinda Mansion. The red color of the flowers is then no longer the color of blood, death, or curse.

Leap Day

Legend has it that male infants who are born at noon and at midnight on February 29 of a leap are destined to bring misfortune upon each other.

On February 29, 2000, at 00.00 AM, a baby boy called Midnight comes into the world, losing his mother due to a hemorrhage. This similar incident occurs again at 12.00 PM on the same day when another baby boy called Day is born.

Four years later, Day unexpectedly loses his dad in an accident, while Night's dad passes away because of cancer. Since then, their lives encounter recurring losses every four years. These losses take different forms, ranging from one losing the relative, whom he has taken care of as a result of a major car crash on the highway to the other losing the person who has taken care of him after being caught in the crossfire in the frightening shooting rampage, and so on. Every loss they endure occurs on February 29!!

Those around them start to feel scared and try to push Day and Night away because they don't want to be victims of the supposed curse. Night and Day grow up in isolation without bonding with or loving anyone until Night meets Dream, the girl who steps into his life and brings light into it. Dream turns into the only happiness he has in life.

Meanwhile, Day finds himself suddenly tasked with caring for Ozone, an autistic boy, who is the son of his elder sister, a distant relative of his. She dies in a tour bus overturned accident. At first, Ozone doesn't approve of him and doesn't open up to him because he believes Day is the reason for his mom's death. However, with effort and dedication in taking care of him, Ozone finally accepts him and starts to bond. At the same time, the relationship between Night and Dream keeps growing stronger.

As their 20th birthdays approach, both Day and Night fear of losing their loved ones. Night tries to break up with Dream, but she refuses to, while Day follows Ozone everywhere. Finally, their birthdays arrive. Ozone feels uncomfortable because Day keeps following him everywhere, so he tries to run away, crossing the road while Dream and Night's car is rushing in fast. Dream still doesn't understand why Night wants to break up with her. They are busily arguing, so they fail to notice Ozone. It's too late when they see him. Ozone is hit by their car and is so severely injured that he falls to the ground. The car then crashes into an electric post. Dream immediately passes out. Their injuries are both so severe that it seems they won't survive, but that year, it turns out they are safe. Nobody dies.

Friendshit Forever

"You're like a sister to me. You're my best friend," is what Baikhao says to Tulip not long after they first met, before both of their worlds turn upside down.

Tulip and Baikhao are supposed to be the best of friends. Their friendship looks beautiful from afar, but up close, it's ridden with envy and the tight grip of past grudges that won't let them go.

Parents make mistakes just like any other human being. It is only too bad that children must inherit those sins.

Baikhao befriends Tulip with the intention to take revenge for what Tulip's father did to her. She won't stop until justice is served for her father who killed himself and her mother who went insane after losing her younger sibling in a miscarriage. And for this sole purpose, Tulip will be used as a tool to destroy her own family.

Baikhao has help in the form of high school friend Tao, who has had a crush on her all these years and will do anything for her, including killing.

While Tulip has Namo, a classmate in the same major she mistakes for being gay, but is actually in love with her. Namo sticks around to protect her from harm. He may not be a match for her in terms of social standing, but whatever concerns Tulip, Namo is willing to put his life on the line for, and he must save Tulip from Baikhao's vile plan.

But revenge never ends well, if not straight up tragic, especially between two "best friends."

The Dark Dice

Samut, a senior in high school, is an academic achiever. He is a representative of his school competing in academic contests. But his bright future vanishes after he is involved in an altercation. He is expelled from school. He is transferred to a new school. Because of the trauma, he loses his passion for school.

Samut finds an ancient dice which brings him and seven other students into a mysterious board game. The eight students are competing, outsmarting, and backstabbing each other to stay alive in this mysterious game. Their lives are at stake. The only way to get out of the game is by defeating other contestants.

Break Up Service

Boss is a man who is destined to ruin other people's relationships. He works for Break-Up Service, a company that helps people break up with their partners. Boss meets Juet, a penniless woman who comes to apply for a job at his company. She is assigned to be his work partner. Boss prefers to go solo when he works. He keeps picking on Juet in hopes that she will resign. No matter how Boss tries to provoke her, she endures them all. She proves her worth again and again by successfully completing her tasks to break up couples.

The rookie and the veteran are working together to destroy other people's romance. Before Boss realizes, he has fallen in love with his partner.

Scarlet Heart Thailand

Nabun is a hair stylist who's on her luck slump. She's just lost her job, her life is ruined and her boyfriend cheated on her. Nabun needed an escape to Chiangmai to put her heart back together. While in the hot spring, Nabun has an intrusive thought that life can't simply be altered. Suddenly, Nabun drowns in the hot spring. After struggling against death, saved by miracle or destiny, Nabun rises in the middle of a private hot spring with naked princes who are enjoying their hot spring as well. The princes jolt to find a strange woman popping up from the hot spring. Nabun runs for her life and is shocked to find herself in the body of Chao Laila, a sickly young lady of Chiang Rung, a mysterious Lanna Kingdom dating back 300 years ago.

Nabun in Princess Laila's body has to adapt to survive in the ancient regime days. She finds herself struggling both in survival and love. Nabun meets Chao Saen Thep, her sister's fiance. Chao Saen Thep is kind to Nabun which is the opposite of Chao Mueang Fah who's stern. Nabun also meets Chao Chai Kaew, Chao Kong Thai, Chao Chom Harn, and Chao Fah Kram who all find Nabun mesmerizing as she dares think and speak differently from the other girls. Nabun brings new colors to Chiang Rung.

In the regime's grand ceremony, the crown prince is the target of assassination but Chao Mueang Fah plots a switch up and gets himself hurt as a result. Chao Mueang Fah investigates the case and finds that his mother and older brother are part of the assassination plot as Chao Chai Kaew has been aiming for the crown prince post. Naboon knows that Chao Mueang Fah is the parasite of the family as his hair has turned white ever since he was young. Everyone despises Chao Mueang Fah except Chao Hong Kham, the beautiful princess who secretly has a crush on Chao Mueang Fah but never dares reveal her heart.

Nabun becomes the center of attention of all the princes. Chao Saen Thep falls for Nabun even when he has a fiance. Chao Mueang Fah knows that Chao Saen Thep will bring troubles for Nabun so Chao Mueang Fah challenges his sibling for a boxing match to announce that Princess Laila is his. Nabun argues that she has her own life, this is because she doesn't know that Chao Mueang Fah is trying to protest her from getting bullied by Chao Hong Kham. Chao Mueang Fah is hoping to pull Nabun out of Chao Saen Thep's forbidden love.

Naboon owes her life to Chao Mueang Fah, has Chao Saen Thep as the owner of her heart, Chao Kong Thai as her advisor, Chao Chom Harn as a brother who can risk his life for her, and Chao Fah Kram as her best friend. Nabun is secretly rooting for Bua Sai, a royal dancer to win over Chao Fah Kram's heart. Chao Fah Kram whose love cuts the social hierarchy has to hide his relationship as Bua Sai could die if anyone finds out. The war of love situates itself amid the war of power. In the oath-giving ceremony, the king is poisoned and Nabun is held into custody as she works in the food preparation part for the king. Chao Saen Thep investigates and finds out that this is a conspiracy between Chao Hong Kham and Maha Dhevi (the queen). Nabun is sentenced to death while Chao Mueang Fah is trying to confirm her innocence and help Nabun out in all the ways he can. Chao Saen Thep decides to keep quiet instead of fighting for the one he loves. Nabun slips out of death when someone decides to give themselves in. Chao Mueang Fah takes Nabun to a house on the mountain to escape the chaos. Nabun gets closer to Chao Mueang Fah and realizes that behind his stern exterior is love and unconditional care.

In the ceremony to beg the gods for rain, everyone is surprised to find the black-haired Chao Mueng Fah as the one who conducts the ceremony until the rain comes. No one knows that Nabun helps Chao Mueng Fah to achieve slick black hair as well as calculate the date and time rain would come. Chao Mueng Fah becomes a rival that Chao Chai Kaew deems to get rid of regardless that he's his family. Chao Saen Thep is also hiding the rivalry against Chao Mueng Fah under the cover of a good guy. Chao Mueang Fah is sent on a diplomatic mission at Wiang Merng Marng to have Chao Pha Wiang, a cousin, kill him.

Chao Chai Kaew stirs up a rebellion but Chao Mueang Fah stops him. Chao Meung Fah stabs his brother and Chao Chai Kaew falls off the cliff. Not long after Chao Yod Lah steps up as a king, Chao Chai Kaew is not dead yet and he comes back for the throne. Chao Chai Kaew takes Nabun as hostage which forces Chao Mueang Fah to give in to save his lover's life. He reluctantly accepts when his brother steps up as the next king.

Nabun has a nightmare of Chao Mueng Fah killing Chao Kong Thai. She fears that there will be a blood bath among siblings. The king, Chai Kaew fears being dethroned to the extent that he goes crazy. He orders to have Nam Nang, a daughter of an army leader and the lover of Chao Kong Thai killed. Chao Kong Thai begs Chao Mueang Fe to kill him for he wants to die with his wife. Chao Mueang Fah has to kill his younger brother in tears. Nabun is shocked to see Chao Mueng Fah's body soaked with blood just like in her nightmare and there are lots of people who have to die because of him.

Chao Chai Kaew, as the king, rules the regime with terror to the extent that he is drugged to death in front of Chao Mueang Fah. Chao Mueang Fah ascends to the throne as the king and Nabun is the only person who knows this secret. Chao Mueang Fah speeds up his marriage with Nabun which gives Chao Saen Thep an excuse to get in the way. He holds it against them that it is against the royal family's conduct as Chao Laila does not hold the direct royal bloodline. Chao Saen Thep appoints Chao Hong Kham as the queen instead.

Chao Chom Harn couldn't stand seeing Nabun being devastated so he shows the paper from the previous king which states that he is allowed to marry Chao Laila. Chao Mueang Fah refuses to let Chao Chom Harn take Nabun away from the royal palace but Chao Chom Harn uses his power as the army leader to hide Nabun far away from King Mueang Fah.

Chao Fah Kram decides the give up his posts to live a simple life with his true love, Bua Sai. Nabun gets sick from Chao Laila's existing chronic illness, she's waiting for Chao Mueang Fah with depleting breaths. Chao Mueang Fah appears in front of her and Nabun wonders "Is this the truth... or a dream?". Nabun passes away in the arms of the man she loves with all her life. The sound of Chao Mueang Fah crying echoes in her mind.

In Chiangmai, Nabun miraculously wakes up. She became a famous influencer from her content about the Chiang Rung regime in an exhibition called "Chiang Rung, a mysterious regime waiting to be discovered". Nabun's heart beats fast when her eyes meet with a royal family descendant who's the owner of the exhibition, Mueang Fah, who's wearing a suit. He pulls Nabun in for a kiss and asks her, "Do you remember? You once said that lives can't be changed that simply except for dying and being rebom." Nabun hugs Mueang Fah and she realizes that everything isn't a dream but the destiny's twist of fate, one where they are ready to hold hands and embark on it together once again and forever.

[dontforgetukraine]

"In response to attacks and accusations being directed at our film, 'Russains at War,' and myiself, I want to be clear that this Canada-France co-production is an anti-war film made atg great risk to all involved, myself especially. I unequivocally believe that Russia's invasion of Ukraine is unjustified, illegal and acknowledge the validity of the International Criminal Court investigation of war crimes in Ukraine. The suggestion that our film is propaganda is ludicrous given that I'm now at risk of criminal prosecution in Russia. I also understand and empathize with the pain and anger that the subject matter may provoke in those who have suffered from this conflict. My mother emigrated to Canada, from Russia, so that we could live in a country that is devoted to freedom of expression and human rights. My hope is that our film can be assessed and discussed based on its scope and not agendas and assumptions beyond its frame, and that ultimately such discussions contribute to the war's end." —Anastasia Trofimova, Director/Producer, Russians at War (Source)

Bullshit. She's a director and producer for RT with most if not all of her films funded by RT. I guess she apparently wasn't vetted by the Canada-France co-producers.

Even if promoting Russian propaganda wasn't her intention, it can't be separated from the content. The damn trailer has soldiers saying propaganda narratives in it. (Kyiv Independent)

"Russia and Ukraine have always been inseparable. I miss the brotherly Union" reinforces the false narrative that Ukraine cannot exist as an independent state, that Russia and Ukrainian history are inseparable. Even Putin has said similar things.

“I came (to war) today so that my kids don’t go tomorrow,” conveying the belief that their military aggression in Ukraine is somehow just.

"An order was given. We went." Ah, yes, I was just following orders. Where have we heard that one before, I wonder. Not only that, it reinforces the narrative that ordinary Russians are powerless and blameless in this conflict. This isn't their war, but Putin's war. Fuck that. We know many sign up willingly such as for the money or a clean slate if they are a convict.

You can't separate the propaganda ordinary russians have been stewing in for decades and don't fight back against from this film, sweetheart. It's part of the damned context and you don't get to ignore that. Either she actually realizes that but doesn't want to say it, or she's a useful idiot. It doesn't matter which, because the result is the same.

"The fog of war is so thick that you can't see the human stories its made of."

Yes we can! This isn't the era of WW2. We can see it on Telegram! All the war crimes that are willingly committed and recorded and posted pridefully! All the ethnic slurs said to Ukrainians! All the interviews between journalists and POWs. The translations by volunteer translators showing what "ordinary Russians" on the street actually think about Ukrainians and the war. Even what the families of russian soldiers think. Never before have these stories been more accessible. That's not agendas or assumptions.

We. Can. See. It.

Just because you don't like what's in the information space doesn't mean it's not supremely relevant to the topic you're trying to shape into a narrative.

[youcouldmakealife]

Outtake: Robbie, Saul, confessional

This didn't fit in with SAIT, because it cannot be Robbie&Saul Hour 24/7 (though why not???) but I kept at this scene even after I cut the beginnings of it. So!

Takes place right around part 43 of still always in tandem.

“Could I get all Catholic on you for a second?” Robbie says. “Feel free to say no.”

Saul smiles. “If you’d like,” he says.

“You’re not Catholic, are you,” Robbie says.

“No,” Saul says.

“Do you know how confession works?” Robbie asks.

“Everything I know has been gathered from television and film,” Saul says. “Which I imagine isn’t particularly accurate.”

“I mean, it’s not so different,” Robbie says with a shrug. “Some places have modernized, but if your church is old school, you get the stuffy box you see in all the movies.”

Robbie got the stuffy box. Could be worse, though — some of them, you have to sit right across from the priest, look him in the eye as you recite your sins. Give Robbie the confessional any day.

“So you sit in a box,” Robbie says. “and you tell a dude all your secrets, and then they give you homework to do.”

Saul smiles.

“I know,” Robbie says. “Sounds familiar, huh?”

“A little,” Saul says.

“But you know what happens after you do your homework?” Robbie asks. “You perform your acts of contrition, say all your Hail Marys and Our Fathers?”

“Tell me,” Saul says, even though TV and movies probably told him at least that much.

“Poof,” Robbie says. “You’re absolved of your sins. Just like that. As far as God’s concerned, it’s like you never sinned at all.”

“And how do you feel about that?” Saul asks, even though how Robbie felt about that probably leaked through loud and clear.

“Better that than the religions that tell you that you could live a perfect life and still go to hell just because you live somewhere too remote for their missionaries, I guess,” Robbie says. “But me and the Vatican have a bit of a different opinion on what’s a sin, you know? Fuck knows I’m not walking into my ma’s church like, ‘hi, me again, still gay as ever, lay them Hail Marys on me’. Wouldn’t even work, if I’m not repentant about it, and I’m not.”

“I always thought that it was all kind of a cop out,” Robbie continues. “Like, okay, you can do whatever bad shit you want, and you know you can go get rid of all of it, wipe the slate clean on Sunday. Kill a dude on Saturday and you and God are good on Monday morning because you recited some magic words. What’s the point of telling people not to sin if they can just get absolved right after they do? Okay, I cheat on my math test, I tell Father Brian about it, and he tells me to do ten Hail Marys, and I get an A. Pretty good deal all around, isn’t it?”

“I sense a ‘but’,” Saul says.

“I think I missed the point, a bit,” Robbie says.

“What point is that?” Saul asks.

“The part where the whole deal only works if you actually regret it,” Robbie says. “Like, I kind of did — even as a teenager I knew confessing about a crush on my science partner wasn’t going to do shit, and not just because Father Brian definitely knew it was me in there, and I sure as shit didn’t trust him not to tell my father, supposed seal of confession or not. And even if I did, I’d just be back there next week, confessing the exact same thing, and yeah, I couldn’t help it, but I wasn’t ashamed of it either, you know?”

“But I was sort of — if I can’t help it, how’s it supposed to be a sin, you know? Why’s God setting people up to fail like that?” Robbie asks.

Saul’s quiet.

“Yeah, yeah, I know, wouldn’t exactly be God’s first rodeo, would it?” Robbie says.

Saul smiles. "No," he says, then, “Why are you telling me about the confessional?”

Robbie shrugs. “Just something I was thinking about, I guess.”

“Do you have something to confess?” Saul asks.

“I mean, not really,” Robbie says. “At least no more than the usual shit.”

“Something you feel guilty about?” Saul asks.

Robbie looks down at his hands, rubbing a split knuckle, and thinks. “No more than the usual shit,” he repeats, and it rings a little false, but not false enough to make him feel like Saul struck true.

Saul’s quiet for a moment. “Are you the one in the confessional?”

“What?” Robbie scoffs. “As opposed to you?”

“I don’t mean here in this room,” Saul says. “Or even the confessional itself, necessarily.”

Robbie snorts. “What, the confessional’s a metaphor?”

“You’re the one who brought it up,” Saul says gently.

“I don’t know,” Robbie says, pressing his fingers together. “Just something I’ve been thinking about lately.”

“Since Cleveland?” Saul asks, and Robbie looks up from his hands.

“When was the last time you went to confession, Robbie?” Saul asks.

“High school,” Robbie says. “I haven’t since high school. I tell you that I went to a Catholic boy’s school? Shit’s practically part of the curriculum. Wouldn’t have even been surprised they had graded me on my sins too.”

“Since high school,” Saul echoes, and Robbie can practically hear the rest filled in, even without Saul saying it — you haven’t been in a confessional since high school, but you just happen to be thinking about it, half a lifetime later, as you get to round one-hundred and whatever of the unforgivable.

“A bit on the nose as far as metaphors go,” Robbie tells his hands, and when he looks up at Saul he’s smiling even more gently than before, so gently Robbie kind of hates him for it.

[katerinaaqu]

Hello!!

Since I've seen that you've listened to both Epic and Paris the musical, I was curious to know what are your toughts on them! Did you like how the myths and characters where handled? What do you like best and worst? (If you'd like to share, what's your favourite song/moment in each?)

Thanks :]

My my you really wanna get me have an even bigger target on my back than the one I put already! Hahaha! Ok so be it! Hahaha If this gets waaaaaay too long or too runty forgive me! ^_^

You have noticed from many of my comments and my notifications, memes or jokes. I am not a fan of EPIC. Not at all. I believe I am one of the most disliked people on Tumblr on mythology matters because I so openly speak my dislike against EPIC and being annoying about it! Hahaha! XD The thing I absolutely love about it is of course the guy's passion with the project, the way the music works and all (undoubtedly the guy is a very talented composer and can combine the scene with music and emotions and the tricks he uses with music are great) but the way the plot of Odyssey was twisted beyond recognition and to the point that to me you can literally change the names of the characters to anything else and still have the story he presents with the Musical. Maybe that was his goal but in my head that is not what a retelling or an adaptation is about. A retelling to me is not something that seeks to change literally as much as possible from the plot to fit the modern standards or the fanbase. A retelling is something as the word says that "retells the story" aka adapts the story as loyally as possible and adapts it to the audinece by taking creative liberties that are still generic to the story as it was originally told so that it will fit more to the modern standards or ear.

I believe we have so much twisted the word "retelling" that nowadays "retelling" seems to be equivalent to "let's change the hell out of the story because the original plot is not even THAT important to be salvaged and no modern person would watch it anyways" which in my opinion is not the case at all. Unless of course one writes satire. Then it doesn't matter, as I mentioned to another ask of mine.

I lost interest and was massively disappointed from the end of second saga and the song "Storm". The first two sagas were a masterpiece. The creative liberties were amazing to make sense with the plot and give the characters motivation (for example "I'm just a man" was FANTASTIC! The way the myth from Iliou Persis that gave us only one phrase "Odysseus kills Astyanax by throwing him off the wall" is now transformed into a marvelous emotional dilemma and a painful decision). In this case the creative liberty work WITH the plot and not against it. I didn't mind it as much that they made Polites a fluffy guy for no reason to fit that stereotypical "innocence of the team" plot because Polites is a clean slate character in Odyssey. However after Storm I started seeing your typical "Hollywood film 'adaptation' logic with changing stuff at the plot". I was intrigued at how they decided to give Polyphemus an excuse to kill like the guys enter a cave that is obviously habitable and kill an animal that is obviously domesticated and they do not know someone lives there? In the original it was clear someone lived there which made Odysseus curious to interract with them. I was willing to ignore that because ok creative liberties but then Athena was there!? And she gave Odysseus every opportunity to kill him while Odysseus was just "TOO NICE?!" like since when? Odysseus was all about killing him but he had no guarantee he would plus he needed him to open the cave. And the way he revealed his name in the musical was so rush and almost "out of spite" for Athena not a result of a secclusion in a cave for days and days and then his pride speaking up when Polyphemus called him a coward (which I tried to capture to my fic, not sure if I succeeded but still). So anyways at that point I was sure we wouldn't see the last of it with the changes. Poseidon destroys the ships instead of the Laestrygonians (no surprise there, rarely ever see anyone even mention the Laestrygonians yet alone show their contribution to the Odyssey) but then Circe happened and I just knew that we would have to derail from the original more and more

Circe's role was incredibly diminished for the sakes of making her actions more mellow and pass the message of loyalty and kindness. Circe in the original gives Odysseus valid information for his trip provisions and much more. In Epic not only we do not see the importance of Odysseus selling himself to Circe and we have Circe for some reason seducing him to kill him (removing her humanity from when she got scared that her magic won't work on him, potentially thinking he is some kind of god, begging for her safety to then suggesting her bed as Hermes predicts) I mean she had lions and wolves to her disposal she doesn't need to seduce him to kill him. Then of course Jorge realized that a big chunk of plot is missing and so he made Odysseus find out about Skylla by the sirens?! Like...okay... Even Tiresias gives him almost nothing (in the original he also tells him how to break the curse) Which seems interesting how Odysseus breaks down with "Monster" in Tiresias when he has received an act of kindess before. Wouldn't it be more amazing if he had that breakdown AFTER he paid the price with Circe with his own body? That even kindess has a terrible price? Of course the most iconic scene of the Odyssey after the murder of the suitors and Cyclops, the Sirens were twisted to whatever we had there; Odysseus listening to their song was of massive importance to his natural curiocity and we didn't get that (not to mention how would the sirens spell work on him and have Penelope there if he didn't hear their song in the first place?) and of course the fact that he kills them?! Like...how that even works I have no idea and like in the original people were running for their lives. Didn't even look back. Apparently they had all the time in the world to capture them, they knew apparently exactly how many they were and then they kill them?! Like I won't even say that they used the medieval mermaid instead of the sirens and then they "leave them drown" (how you drown fish people is beyond me! Maybe they are sharks that need to keep moving lol) and of course again that scene seemed to me that it was there only to show that "Odysseus is a monster" which makes no sense Odyssey-wise for many reasons. and then of course again Skylla; Odysseus doesn't gear up to protect his men, he is the one who chooses the sacrifice out of spite etc etc

Many others got sped up like the Helios cattle but ok I guess that is expected up to one point even if it could be handled differently but of course then we have also Zeus being a jerk and again making Odysseus choose? The storm that took the lives of his men was a natural consequence, not some twisted thing to prove how "monstrous" Odysseus is. In fact Odysseus tried till the last moment to sail away and save the lives he could (see my other analysis here) and of course again as many people said on God Games and all how Zeus was twisted yet another time although in Odyssey he had zero reasons to object apart from the natural hubris nemesis sequence. He never called Odysseus "shameful" either. In fact he says he agrees with Athena that calls him the most pious.

I think the massive change that I believe is abused by modern retellings is the whole "monster to man" trope. Odysseus losing his moral compass and "becoming the monster" and the plot around revolving to it. That was never the pont of Odyssey in my opinion. Odysseus never really lost his moral compass it is just his morality was not all pure and lovey in the first place. Was he changed by his experiences to be more ruthless in general? Absolutely but he was never changed to a monster according to Homeric version (because post-homeric versions already treat him as a villain from the get-go)

As for the things I liked about it, I had made a post you can see here:

I do love the harmonies and the music in it and I love the passion and the talents of the people in it. It is just that the whole plot for me is just not it. Also maybe I am also mostly annoyed with how the "fandom logic" has taken over it. Like internet getting swarmed by it. Epic quotes or facts getting literally mixed up or associated with the original or the fact we can no longer speak on the original unless someone brings up Epic the Musical... This annoys me to no ends. Of course I recognize the passion of the fans of the musical. Is just a personal thing to me. I felt the same when people were using Percy Jackson or Miller's books to talk on mythology before. Is the same here.

Of course I need to say this all the above is my PERSONAL OPINION. I have literally NOTHING against people who love the musical and the original equally. I am just NOT one of them. Also i have nothing against the artist either. I just do not agree with his outtake. Still appreciate his hard work. However when I saw the firsttwo sagas I knew this guy KNEW his mythology which is why I feel so disappointed that his later sagas felt like "Hmm...let me use that knowledge I definitely have on Odyssey just to change the hell out of it!" And that had me very sad and lowkey annoyed because I think this guy had some real stuff to create an actual Odyssey adaptation and yet again we had your average hollywood film plot where you barely see any of the plot he ellegedly adapts

Now on Paris the Musical I had answered another ask you can see here

I will not take more space on this already huge and runty post that probably made me more annoying and irritating around Tumblr! XD Generally again has little to nothing to do with Iliad but I loved the music (it was arguably one of the most original choices for music for a musical) and the songs I mention to the ask. Apart from that I am ot ecstatic by it either (arguably stage musicals do not seem to work for me when it comes to the ancient classics to a large degree because of how much the plots need to be overly simplified to fit the time frame) but I am more happy that it din't get blasted out of proportions like Epic was so the plot of it doesn't even need to be pointed out that it is not accurate and all. It is self-evident. The fact that the creator of Epic needed to "warn the fans" on how inaccurate his work is, speaks volumes to me.

I will close this runt now because is already too long. I think both Epic and Paris musicals have little to nothing to do with the things they adapt but Ironically Paris the Musical changed less stuff than Epic in comparison to magnitude. Both are passionate projects with great potential and very good music but plot wise I am not anymore surprised that they do not follow the actual plots or character developments. I am surprised that Epic was more accurate to the character development of Eurylochus than the main protagonist Odysseus! Made me focus more on Eurylochus than Odysseus! Hahaha!

I am glad that the musicals make more people willing to read the originals though. For that I am grateful.

And if I have to pick one song from each musical I would say "Just a Man" and "Business" respectably but of course I like others as well especially from Epic such as "Horse and the Infant", "Will of the gods" and "Storm".

I hope this answers your questions! I will elaborate further on some of the points I make here if you want! ^_^

[torisxmencollection]

It's so nice to see people universally celebrating Hugh as Wolverine again. He deserves it and it's about damn time everyone understand why he is such a legend. I feel like a lot of folks either forgot or straight up didn't know due to MCU saturation. The amount of people I've run into who are only just now getting into the X-men movies astounds me. I know I'm not the only Millenial who grew up salivating over the pre-Marvel Cinematic Universe era. It was all we had, and a lot of those movies were and still are fantastic.

Even if it doesn't undo all the passive aggression and callousness us Fox-era fans received over the last five years, it's damn gratifying to know the second-biggest Marvel box-office success ever did so by honoring my childhood and having a damn good time doing it.

And now we've got Feige out here saying that there are no plans to recast Hugh right away and let me tell you, right after bringing the Fox films back and getting to see the UN cut of Dark Phoenix, is all I've ever wanted. I remember not too long ago telling some jaded older fans/friends of mine that I wanted Hugh back as Wolverine as a multiverse cameo, just to stake his claim as the first MCU Wolverine. Nobody believed it would happen. Everyone assumed Marvel wanted that clean slate, that fresh start, and bringing back an older star from a franchise that was dead and buried didn't make sense.

Looks like the power of nostalgia extends further back than 2008, eh~?

I got what I wanted. My guy, my childhood, the legend himself is back and he's here to stay for a while yet. The universe I loved so much is safe thanks to Deadpool and Wolverine--granted, if the other cameos are anything to go by, I have a feeling anything else we see of the Fox Universe will look more like X-men 97...which isn't ideal but I'll take it. Guess a world too grounded in reality doesn't stand out enough in this comic-booky multiverse.

Ah well, what does that matter? The Wolverine is BACK!

[piratefalls]

welcome back to the latest edition of biweekly fic recs! as always, mind the tags, if you can't leave a nice comment don't leave one at all, and happy reading!

masterlist.

There's No Problem That San Diego Can't Solve by @historicallysam

Alex doesn’t even bother knocking; he simply twists the knob on the door and shoves it open. His eyes narrow as the door bangs against the wall and he sees Henry on the phone. Maybe (definitely) it’s rude but his blood is fucking boiling so he doesn’t really care.

All the Ocean was Sleeping by @sparklepocalypse

The worst part about being a siren in the modern era, Henry ponders as yet another ship flies past his cove at a speed that he knows will disturb the anemone gardens below, is the yacht bros. Between the sound of their vessels’ motors and the dissonant noise the humans call music, Henry’s singing has no chance of attracting anyone’s attention.

cause you're a classic, and i'm reckless by @firenati0n

“I've, actually, uh. I've never done this before.” At this, Henry stops short, takes a second as his gaze moves up and to the left, trying to recall something. “I've seen your films. You most certainly have done intimate scenes.” Alex clears his throat. He hopes his nerves aren't completely obvious, the slight waver in his voice about to give him away. “Yeah, well. Never with a man, so. Not at this scale, anyway.” “Would it help to, er, practice?" Henry winces a little as he says it, which does not inspire confidence. But Alex is shocked nonetheless. What the fuck?

Over Land and Sea by SatinBirds

Alex and Henry come from very different worlds, and still, they manage to find each other.

Clean Slate by smc_27

“Henry.” Pez comes over, puts both hands on Henry’s cheeks and looks him dead in the eye. “You are not a sad man who’s gotten dumped. You’re in the prime of your life, and I quite desperately need you to act like it.” “The prime of my life,” Henry scoffs, more incredulous than questioning. “I’ve just gotten out of a 15 year relationship, endured a divorce, am suffering an almost impressive case of writer’s block, and your hands are like bloody icicles.” Pez grins, doesn’t take his hands away. “Explain to me how this is my prime. Please.” Pez tilts his head, and sounds entirely serious when he says, “Literally anything can happen from here.”

in bloom by stutteringpeach

Yoo, can u hook me up with some flowers?? It's the busiest day of the year for florists. Alex texts Henry with a last minute request.

here is a map (with your name for a capital) by @alasse9

That day at the Rio de Janeiro Olympics, Alex comes across the very same Prince Henry who just dismissed him having a panic attack in a bathroom. The choice Alex makes then has ripple effects neither of them could have ever expected. What's the story like, when they actually are friends all along? “So, you’re going back to England tonight, and you’ll spend the next three days pretending you two are the closest and best of friends until we can put this mess behind us.” And there are reasons he hasn’t told anybody this, good reasons, even though he’s sure June and Nora saw through him ages ago. Faced with his mom’s disappointment, though, and with the realization that the entire world apparently thinks he hates Henry and would willingly shove him into a fucking cake, he can’t stay quiet. “But we are friends,” he says, vehement and serious. “We have been for years. He’s—he’s probably my best friend, actually, along with Nora.”

thoughts of you consume by yrsonpurpose

Henry sees Alex appear on the red carpet in a blue suit that screams sex on legs and is ready to throw away all attempts at concealing their secret relationship in the name of dropping to his knees at the first available opportunity.

eyes on me by matherine

Alex’s hips buck back against Henry’s mouth the moment his tongue does more than tease, and Henry squeezes his hip in gentle consternation. But before he can say anything, Alex is already rambling. “Sorry, I’m — I’m sorry, I know you said not to move, and I’m trying, I — I’m trying to be good, I promise,” he blurts, voice shaking ever so slightly from something that certainly doesn’t sound like pleasure, resolutely refusing to turn his head so that he can meet Henry’s gaze from where he’s positioned behind him. Henry’s heart aches. “Alex — love, it’s alright. Where’s your mind?” Or: Sometimes, Alex needs a distraction. Something to take the edge off, to scrub away at the stress of the day. Some days, it works better than others. 

the evolution of intimacy by Poutini

There’s no spontaneity anymore. One might think this boring. That the novelty had worn off. The spark snuffed. Absolutely not

Want Me by OrchidScript

Henry had always been weak for a nice smile, but his was impossible to ignore. Blame it on summer heat and a fresh flush in his cheeks. Blame it on sunset painting the outdoor bar sweltering, romantic colors. Blame it on two healthy glasses of albariño thrumming in his bloodstream, or the good music floating on the air. Henry could blame it on anything liked if he thought long and hard about it, but that didn’t change much at the end. The core remained the same: he had been gone from the jump. -- Henry and Alex hook up on a vacation in Spain. Henry falls a bit deeper.

fill my lungs with sweetness by @priincebutt

Henry George Edward James Fox-Mountchristen-Windsor wakes up at 3 AM on his birthday to an empty bed. What could Alex possibly be getting up to at 3 AM the night before his birthday? The possibilities are endless.

got myself in quite a tangle by coffeecatsme

"It seems I've gotten myself in quite a tangle." "Tangle?" Henry's voice is hoarse, eyes darkened as they travel over Alex's body. They stop at his crotch, and Alex can see it even under the dim lights—Henry's growing hard too, a visible bulge pushing at his sweatpants. Alex's cock gives a desperate twitch. "Y'know, I was trying to put them around the tree," he starts, gesturing at the plain tree at the corner. It's clear he didn't even attempt to touch it. "And somehow I've managed to completely trap myself. Can't even move my hands." Henry makes a desperate noise at the back of his throat as his eyes snap up to Alex's face. Alex flashes him a suggestive grin, teeth biting down on his lip. "Seems I'm completely at your mercy."

The Forces of Chance and Coincidences by @stellarm

Bad weather leads to a late flight that leads to no one being where they wanted to be, but maybe everyone was where they needed to be.

I've never felt safer (than when I'm with you) by viciouslyqueer

Alex takes the bag and opens it slowly, careful not to rip it, and gasps quietly as he sees what’s inside. “H, you didn’t…” Strong arms wrap around his waist from behind, Henry’s chest warm against his back. “Do you like it?” Henry asks in a whisper, resting his chin on Alex’s shoulder. Alex doesn’t know what to say. Gingerly, like he might ruin it with even the smallest touch, he takes out the silky fabric and holds it up in front of them. It’s a gorgeous dress, fancy too, in a deep red color with thin straps and an open back. It’s long, almost touching the floor even as Alex holds it up and has a slit on the left side that would probably end a little above Alex’s knee.

An Amateur's Guide to Professional Gift-Giving by anincompletelist

Alex, a former-law-student-taking-some-time-off turned professional part-time gift giver, is tasked with finding a gift for the most high profile client he's ever worked with, both in and out of the world of law. It turns out finding the perfect gift for the Prince of Wales might be easier than he'd anticipated.

Love At First Bark by everwitch

“I still don’t know your name, do I?” Henry watches Alex where he’s crouched down in front of David and gently scratching David below his chin. David absolutely loves Alex. Henry can relate. “It’s David,” Henry supplies. “Cool,” Alex says. “And what’s the dog’s name?” Henry blinks at him. “... David?” “What?” Alex exclaims. He looks from David to Henry and then back at David again. “Wow, okay, that is a choice.” Henry wants to sink through the earth and never come back up again.

don't let me get drunk again by headabovethewater

Alex had never wanted to cancel plans as much as he had while watching Henry pull a pair of light wash, tight jeans over his stockinged legs and bare ass. Christ, he’s getting hard thinking about it now.

The Beginner's Guide to Floristry by clottedcreamfudge

As if there's anything romantic about it; as if it's not the most humiliating death Alex can imagine. This is why he doesn't do relationships. This is why he never will. The risk, as far as he fucking sees it, is too great. -- Hanahaki Disease is a fictional disease where the victim of unrequited or one-sided love begins to vomit or cough up the petals and flowers of a flowering plant growing in their lungs, which will eventually grow large enough to render breathing impossible.

Everything you take, you make it better. So go on, take forever by @hgejfmw-hgejhsf

It's 2024, and nobody knows they're engaged. But they will, just as soon as Alex can decide what to wear to his birthday dinner. Henry has an idea and a special gift to match.

false pretenses by rizcriz

Henry spins around, glaring at Alex. “For christs sake,” He hisses, holding a hand out between them. “Can we just not? I do not have the capacity to pretend to hate you today.” Alex splutters as Henry turns on his heel and starts to walk away. He stares after him helplessly. “Pretend?” After a beat, he starts to follow after him, “What the fuck do you mean pretend?” Three years of breathing down each others necks, fighting every time they come in contact with each other. And if Henry is saying every single thing on his end has been pretend, Alex Claremont-Diaz is going to have a fucking breakdown. Because he has been harboring this stupid fucking crush and burying it beneath false antagonism, meeting Henry where he’s at, for three years, and if Henry is implying that they’re both faking it— -- or, Alex learns better.

turn the desert to glass (you would be the one) by @taste-thewaste

Henry and Alex's domestic bliss has lead to some changes in Henry's body. Henry doesn't really mind being a little chubby, but he wonders if Alex does. Alex, it turns out, does not. Not one bit. He does not mind one bit, and he is more than eager to prove it.

coming on fast like good dreams do by cricketnationrise

When Henry recovers from his unexpected factory reset, he still can’t really breathe properly and somehow Alex is still standing in front of him with a hopeful and excited expression on his face. “Run that by me again?” he asks faintly. “I need your help.” “Right…” “I need you to edge me. Like a lot,” Alex says with a shrug. Nope, it’s not any clearer a second time around.

as always, let me know if you want to be tagged in future lists, whether you're a reader or writer!

tagging @starkfridays @stilesgivesmefeels @midnightsfp @sarahjswift @enablelove

[violetmuses]

Stark - A. Aretas 🖤

Title: Stark - A. Aretas 🖤

Fandom: “Bad Boys” Film Universe

Character: Armando Aretas

Pairing: Armando Aretas + Female Reader

Main Storyline: When Armando Aretas joins the Miami Police Department, anything can happen. 🏷 @adoresmiles

======

2024

Once Armando Aretas returned to Florida, the Miami Police Department outright exonerated his record. No drama. No grudges. New chapters.

Not only would Armando Aretas earn this clean slate, but this organized promotion landed “Detective” by his name for the very first time.

“Don't start crying again, Marcus.” Lieutenant Mike Lowrey warned his longtime partner and best friend Marcus Burnett one afternoon.

After facing many questions and encountering secrets, Mike Lowrey also stood as Armando's biological father.

“I just can't believe it, man. My nephew's growing up.” Marcus sniffled through Kleenex tears.

“I'll be working, you good?” Mike checked on Armando regardless.

“Yeah.” Armando nodded and watched his father head elsewhere. “See you.”

While Aretas took this new role, life moved on once more.

_______

By nightfall, that precinct scrambled with absolute chaos. Even red and blue overcasts brightened up the city.

And sooner than later, blaring sirens quickly waited downtown.

“Drug bust.” Mike grabbed the key to his classic Porsche and rolled out, bringing Marcus too.

“Armando might splatter everybody! Drive faster, Mike.” Taking the passenger seat again, Marcus started to worry as usual.

“Shut up.” Correcting Marcus, Mike reached the destination as streets glowed all around.

____

“Damn!” Entering this large-scale nightclub, Marcus stood flabbergasted while observing the scene.

Carnage lined up without body bags.

When the music cut off, voices protested from all directions while AMMO took charge to arrest individuals.

Drugs of choice riddled everywhere to score this problematic goldmine, but Mike couldn't find Armando in the building.

Shit! Lowrey thought.

******

Given no other choice, you still complied with law enforcement officials. Acting far too belligerent just might broaden the issues still taking place.

Meanwhile, you know exactly who stood with inquiries right now.

Various reports explained the known history of Armando Aretas. Now, after earning brand-new opportunities, this man became a detective.

“It's not my operation.” Questioned from Miami's precinct, you defended yourself while interrogated.

“Did you push anything?” Armando paced back and forth.

“No. Just celebrating my birthday in the VIP section.” You continued offering the truth. “Those dealers never bothered me. I only heard the gunshots with everyone else.”

“Fine. If anything changes, call.” Armando slipped this card to you just in case.

Taking one final glance, Armando's brown eyes pierced into your soul.

You almost hopped from your seat when the door slammed shut, leaving you alone.

Goodness! You keep thinking of the night, frightened no matter what.

[sciderman]

Yk..i feel like i would enjoy Deadpool and Wolverine more if i liked these versions of the chsracters as much as everyone else seems to. And it's not that i hate them or anything, but they're just not MY guys, Hughs Wolverine is a tall ruggedly handsome leading man who's a typical berserker, the Wolverine i am into is a short, kinda ugly feral asshole that's both the biggest badass in the room but also a weeb bookworm and an unintentional adoptive father/older brother with his dumb fucking hair and side-burns and dresses like a bisexual lumberjack/cowboy, he hates poachers and loves petting deer, and he can talk to animals making him a Disney princess too. The movies just don't give me that, it's too serious, too embarassed of itself, Logan isn't enough of an unlikeable messy asshole in the movies, he's not explosive enough, he's a very Clint Eastkwood type. And same for Wade, i like Ryans Wade well enough, but he's too clean, too marketable, too empty and dumb. I am just not into them, they're too pretty, too nice, too clean, too marketable, they're made into more typical leading types and i am not a fan.....God, sorry for that rant.

hey. i love these versions of the characters and i hated the movie. i honestly really do like movie-pool - i just hated him here. i love hugh jackman's wolverine. but this – 

i get that logan is quite a different character in the movies vs other interpretations of him, and it is downheartening that we might not ever get a more faithful to comics adaptation of logan onto the big screen but - i don't know, i'm not too sad about it because everyone always has their own version of a character in their head. my version of peter parker will never be the same as the guy on screen.

i like hugh jackman's wolverine plenty. i think hugh is great. i love his wolverine. but - this isn't even his wolverine. this wolverine is a stranger. and actually - that kind of means something. it means it's not the wolverine we've been invested in all these years, and it's not the wolverine we cried over during logan. it's not him. it's just some guy. and that's - that's not great. we don't really know this guy. i think that's the thing. the film thinks it's enough to squeeze hugh into yellow spandex and all the fans will do the heavy lifting because WOOOAAAH it's the costume we all recognise but. underneath that costume is a guy we've never seen before. never introduced to before. isn't even the guy we invested decades of films with. they're asking us to project our expectations on him, overtly. wade does it. laura does it, yadda yadda. but that's not him. it's pointedly not him. it's a blank slate in wolverine's clothing that we're meant to project our expectations on. so. you need to actually put the work in to make us care about this guy. we care about him SOLELY because of our expectations of him, based on all the familiar iconography. the suit, hugh jackman, the claws... this movie is dependant ENTIRELY on you being able to recognise things and attach meaning to them. otherwise, there's no actual substance there.

if you didn't know the yellow suit from the comics you'd probably look at it and say "that's a stupid suit" - that's it. they're just banking on you overlooking the objective stupidity of it, because you recognise it and therefore it must be important and not stupid.

i think it was a bad move to make this a different wolverine. i think it was a bad move to have this movie follow-up on the events of logan - i think it was all bad moves. it should've been our logan, of wade's era. it doesn't even make sense for this to happen after logan. logan is set after the x-men are gone. so how is colossus and negasonic and yukio there and how did wade have all those x-men shenanigans in previous movies? that's fine. who cares. no rules.

it's just maddening to me. 10000 decisions that crumble immediately under any sort of scrutiny whatsoever. can't do it. can't do it.

[johannestevans]

the thing about homophobic violence in stephen king's work is that like. he really has a good understanding of what drives a lot of homophobic violence, in that it's a desire for power and domination, and is often motivated by insecurity

esp bc like. i think he's quite good at understanding that like, out of 5 guys in a group doing a hate crime, most of them are bigoted and are either angry or want to show their power, but 1 of them might be doing it to mask his desire for their victim

idk like. i'm p sure king has talked about how the homoerotic vibes of richie and eddie aren't necessarily intentional in the original book, but obvs diff adaptations and responses over time has influenced how he feels about that reading of the text

and particularly in the storm of the century like. the detail specifically that it's the gay dude's hair that triggers the main homophobic dude's attraction to him, and therefore his desire to instigate violence against him?

and idk i'm watching apt pupil now, which is obviously adapted by bryan singer, and i think it's interesting as a jewish guy for him to focus on the themes of sexual violence, gratification through power, and internalised homophobia

esp as someone who like. is himself a violent sexual predator and has particularly sexually exploited children for so long, it makes sense that he'd identify with and focus on the idea of like. the fraught sexual dynamics between them

the fact that both denker's character and todd's are both gratified by and attracted to violence, but the fact that todd himself like. seeks out power over this man, and rather than in the short story like. his lack of attraction to his gf isn't bc she's jewish or bc he's violent

but is instead implied to be by the narrative and by her own dialogue that like. he's not actually attracted to women at all, and his fixation on denker's crimes and on nazism in general are a way to obfuscate his desire for men

and denker himself is obvs like. cognizant of that - w the gay dude he invites into his home who reads him as gay, but also just thinking of the physical intimacy between the two, the way he leans over and reaches past todd, small touches, etc

and esp the fact that the end of this film is about like. todd attempting to deny everything he's done and start over with a "clean slate", and particularly accusing french of grooming him, paralleling denker's turning of the tables on him earlier

noteworthy particularly that like. french as a jewish guidance counsellor, the way that ppl do associate jewish traits & emasculated jewish men w perpetration of sexual violence, and that todd turning the exploitation on him is gonna be influenced by his own nazi ideology

that doesn't need to be explicitly laid out for it to be true, that his desire for power & his confidence in stating things that aren't true and knowing he'll be believed - knowing it doesn't matter if he ISN'T, bc the damage to his reputation will be real - being just.

straight out of the fascist playbook, the nazi focus on controlling narratives and the flow of information, damaging reputation, etc

and the fixation on appearance of success over anything else being attached to the secreted violence

it's a strange watch today just knowing that like. bryan singer now lives in israel bc the state of israel has established itself as a safe haven for a lot of sexual predators, and knowing that he's sexually exploited so many young boys

and while i don't think he's talked about it, like. one would assume his sexual exploitation and his shamelessness in it are at least in part bc of ways he was exploited as a boy himself, and how that influences his ideas of like. this sort of power exploitation narrative

idk. fucked up! much to think about!

apt pupil adapted by singer is ultimately a narrative about like, a teenage boy's burgeoning obsessive kink and sexual domination over an older man, and obvs that makes sense as like. singer's own fantasy

but also the fact that like. singer obvs has a more sophisticated understanding of the implicit sexuality of a lot of this forced and coercive intimacy and violence - and also the fact that like. a young man like todd being So Successful is like

in part going to be attached to his focus on and obsession with nazi ideology, esp in the 1990s, SO LONG AS he keeps it subversive and doesn't say the quiet part out loud, as evidenced by rich family and how they're just cool w denker potentially being a nazi

like the grandfather asks, is obviously suspicious, but then is basically cool with it

and tbh the fact that like. his parents are basically cool with him going along and being groomed by this old man so long as it's not Obvious why and doesn't damage their reputation

bc the Nazism and white supremacist ideology embedded in WASP society is all about like. Appearances and deniability - child sexual abuse and antisemitism are both perfectly acceptable so long as no one KNOWS that's what you're involved in

[ginnyweatherby]

hi i cannot sleep and my mind is wandering to the most random places tonight. so i come with a question: what are your headcanons for the whereabouts/backstories of phineas & candace’s father and ferb’s mother? please include as much lore as humanly possible

ok goodnight

Hmm, okay to be completely honest, I haven't really spent much time thinking about this. However I do personally think that Candace and Phineas' parents are divorced, while Ferb's mom passed away.

All that said, let's see if I can come up with something here...

Linda and Mr. Flynn were married young

Linda was still in her Lindana days then, he was some up-and-coming producer at the time

They met at a party somewhere and hit it off immediately. It's called networking.

They were the hot couple in the tabloids for awhile. You could barely go a week without seeing their faces or hearing their names somewhere.

Shortly after they were married, Linda found out she was pregnant and gave up the Lindana act to stay at home with the baby

Candace was a very ugly baby.

Candace loved her daddy, she was like a little duckling that followed him around everywhere

She liked to put on his glasses and his shoes and stomp around the house doing impressions of him.

They lived as a unit of three for awhile until Phineas came into the picture

Phineas was a sickly baby (you can't tell me that head of his made for an easy birthing experience), so it was hard on the family while he spent time in the hospital

He was also an ugly baby btw.

When Phineas was around two, all the stress had reached the breaking point, and they finally admitted defeat and divorced

I hate to say it was a bitter divorce, but well, there must be some reason he's out of the picture.

Lawrence and Mrs. Fletcher were sickeningly in love

Like ooey gooey mushy wushy stuff 24/7 just the most disgusting couple to be around.

They met as teenagers and were sweethearts ever since.

They liked to go on dates to cute little restaurants as often as they could

She loved movies, practically every weekend was spent at the cinema. She especially liked old black and white films.

She got sick when Ferb was only a baby, but she hid it well from him

She didn't want him to remember her ill.

Until she couldn't hide it anymore.

She passed away when Ferb was only a toddler

It scares him that the older he gets, the less he remembers of her.

Lawrence was - understandably - a wreck.

For several months.

Ferb stayed with his grandparents for awhile

Lawrence just couldn't cope with his grief and a toddler at the same time

Especially since every time he looked at Ferb, he saw her eyes.

Eventually Lawrence picked himself up, and while still devastated, knew he needed a fresh start.

For both of them. For all of them.

Ferb once asked why they didn't see Mummy anymore, and Lawrence almost broke down again

That's when he moved them to the United States

He knew he'd miss his family, but this was a clean slate.

It was hard at first, raising a kid on his own, but he knew he had to, for Ferb's sake

It's what his wife would have wanted. He'd promised her he'd do a good job.

He was so nervous the day he enrolled his shy little boy in preschool

They had barely walked into the classroom when a little redheaded boy took Ferb's hand and said "I know what we're going to do today!"

Lawrence met the boy's mom later that day.

[peterbarnes]

Maybe: Season 2 Prologue

Summary: You work at the TVA as an analyst. Every day is the same- boring case after boring case- but your entire life changes one day when a new variant shows up.

Catch up on season 1 of the series!

A/N: Hi everybody! I can’t believe it’s been two years and some change since season 1. The response I got for the Maybe series was so overwhelming that I decided to keep it up for season 2. Plus, I couldn’t just leave you all on that cliffhanger. This is a prologue, so it’s just a little taster. But don’t worry I’m heavy into chapter 1 of the new season, so that’ll be coming soon.

You’ve seen this film before. 

“I don’t want a throne. I just… I just want you to be okay.”

This is the part where you kiss him; passionately, roughly, only to throw him out of a time door. 

But you don’t.

Instead, you took the sword gripped between your palms and thrusted it outwards - right into his heart. Loki let out something between a gasp and a groan, falling to his knees in pain. The giant sword protrudes out of chest. And without even a second of hesitation, you ripped it right back out of him. The metal was caked with the blood of a god. It ran down the sword and onto your hands.

Loki’s white shirt quickly soaked red, and blood leaked out of his mouth. He poorly gasped for breath, trying to say your name, to call out for you. Yet, you stood there, stoic, monstrous.

You watched as the blood left his body and, eventually, as the life left his eyes. 

And then you woke up. 

Your screams echoed off the walls of the citadel. You were sat in your chair - your throne now, you supposed. 

“Just a dream,” you whispered to yourself. “It’s not real, it’s not real.”

“Perhaps it is,” a voice said. 

Your head whipped to the side to see He Who Remains leaning against the windows, gazing out into Time. The world outside the Citadel was breathtaking. It was everything and nothing, all at once. The soft purple hues of space, met with the burning neon of the timeline. 

“How long was I out for?” You asked.

“We’re at the end of time, dear,” he reminded you. “Your nap is not quantifiable.”

You nodded before pausing and processing what he originally said. 

“What do you mean, ‘perhaps it is?’” 

“Pardon?”

“My dream,” you pressed. “I said it wasn’t real, and you said ‘perhaps it is.’”

“Ah yes,” he mused, walking over from the expansive windows to your desk. You had decluttered it, throwing away all his broken TemPads and unread files. A clean slate. A new era. 

“Dreams are simply windows into time. Everything you dream is another you, in another timeline,” he continued.

“But that wasn’t another timeline,” you questioned. “That just happened. Loki and Sylvie and I were here to kill you. But we just…”

“Couldn’t hack it? Betrayed one another?” He jabbed.

You glared daggers at the man before you. For the keeper of the multiverse, he sure was a pain in the ass. 

“Every decision we make - if significant enough - has the potential to create a branch. Your dream may have been about a situation you just experienced, but I’m guessing it didn’t go quite the way you remember.” He Who Remains chuckled, as if educating a child. 

You shifted your gaze to the floor, ashamed to even admit how your dream ended.

“I killed him,” you whispered, nails biting into the skin of your palm. 

“Not exactly. Another you, in another timeline made the choice to kill him.” 

“That doesn’t make it any better,” you retored weakly. 

“It’s not supposed to,” he said bluntly. 

You curled into yourself on the chair, hugging your knees and burying your head between them. Your mind screamed at the infinite possibilities, all the what-ifs. Maybe if you were stronger, better, you could’ve have found a different way out. A way where Loki didn’t have to hurt you, and you didn’t have to hurt him back. 

“But that is why you’re here,” He Who Remains said, lowering himself to his knees. He gently placed his hands on your arms, and you peaked out from between your knees. “To get rid of those timelines, those anomalies where we let the worst parts of ourselves get the better of us. You’re here to keep the peace, to protect the Sacred Timeline.”

You harshly rubbed your leaking eyes.  

Leaders can’t be weak. Don’t be weak. 

“I’m old, tired. I’m not going to be here much longer,” he said softly. “Time will take me away and I will be grateful for it. The stability of time will be up to you.”

It will be up to you.

It’s all up to you.

next chapter

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