#Class: Unknown

[wanderlust-in-my-soul]

Random loving acts of service (Part 3/?)

A Breeze Of Love

Hidden Agenda

Unknown

Egoist

Tokyo in April is...

Love Class 2

Our Skyy 2

Cooking Crush

My Personal Weatherman

To My Star

Favorite acts-of-service as part of my favorite bl-tropes-collection in no particular order.

[puppetmaster13u]

Prompt 209

Now Jason was planning on, well, a lot of things, when he came back to Gotham. He had a lot of plans, several of which had to do with the old man and even more that had to do with cleaning up Crime Alley, making it safer and all that. 

What he was not planning on was to find some sort of lab in the basement of where he was planning on setting up a safehouse. Nor was he planning on finding several literal children in cages inside said lab. Oh and Lazarus Waters- but children! With muzzles! Being experimented on!

Now he’d like to say he had a plan in what happened next, but if he’s honest everything had gone Green and he didn’t remember what happened next, only that he’s back home with said children and covered in blood. Oh and everything smells of smoke. 

… And apparently there’s more of these things dotted around Crime Alley with the rest of these kids, er, siblings? Family? Fright does mean family? Okay kids, he’s not turning into Bruce but you can stay here while he deals with this… however long that takes. 

He better not be turning into Bruce he swears-

[chimeride]

[shrimpchipsss]

professor shen qingqiu, the most confusing man in academia

(redraw of that indiana jones scene)

[adam-trademark]

Sixth Grade Science Class

(Unknown Date, 2016)

[bibibbon]

Chap 429 made me realize I can't stand Class 1A anymore, I like individual students like Tokoyami but as a whole I can't stand them. Their bond is so artificial especially when none of them gave any concern about Izuku's well-being throughout the first year and took Bakuhoe's word immediately. Plus, they are mostly flakes riding off of Izuku's heroism and hard work during the Villain Hunt arc. None of them doing were jackshit about the criminals including "Symbol of Victory" Bakuturd until they remember that Izuku exists. The fact that Hori never lets the students addresses or think about Izuku's quirkless nature after the OFA reveal is something I will never forgive Hori for.

Hori tries so hard to glaze them as this unbreakable team of heroes, but he cheats using plot armor and plot contrivances to make his point seem valid but most of these kids would be dead if the villains were allowed to kill them instead of Hori holding them back with puppet strings. I hate to sound deranged but if some of the students had actually died during the first battle then I could see 1-A actually building a bond and realizing how precious life is and the dangers of being a hero then their concern for Izuku's well-being would seem more valid after all of the other crap they were ignoring about.

Lastly, I hate that damn poem that Hori claims was the inspiration for Deku because it feels like an excuse to justify his narrative abuse of Izuku and deny him any moment of confidence or pride in his achievements. This was supposed to be the story of the Greatest Hero not Class 1-A nobodies. Meanwhile he is too busy celebrating Bakuhoe's moments for during the bare minimum and fans on reddit and elsewhere eat up like its pure cinema or something.

Fair enough it's not that I actually hate class 1A but for some reason I can't simply believe that their dynamic is one of a little happy found family. I just can't and its probably because there's too many characters and we don't get the screentime needed for them to develop such a dynamic.

That is to say I don't hate class 1A like I love the individual characters like tokoyami, iida, jiro and I even love the little groups they have or at least the potential that was in those groups and dynamics.

It doesn't help that it's class 1A that gets the whole we are all heroes thing and the whole we will be there for you Izuku in the vigilante arc. I don't know it falls flat and becomes underwhelming simply because their dynamic isn't well built neither is it well developed. Also them saying they care for izuku seems like it's quite difficult to believe considering that we haven't seen them voice concerns over Izuku's injuries or even visit him during the first war arc when he was in a coma but maybe that's me saying too much because they were in a war and everyone was busy with stuff and trauma.

When it comes to the whole thing with bakugo I personally think that he was supposed to be a minor character for izuku to surpass but him being Izuku's symbol of victory and all of that shows us exactly that izuku hasn't DEVELOPED AT ALL IN THE SERIES!! izuku has continually been an incredibly static character and the ending shows that. Izuku still thought of OFA as a gift from all might instead of his own quirk, he literally never understood the wrongs of the hero system and he never stops viewing all might as this big hero who does so much. Like ugh this could of been things that izuku develops from and becomes a better person but I guess not.

Realistically many 1A members should either be

1) expelled (how is mineta and bakugo still there)

2) dropped out (Iam sorry you're telling me all of these kids parents let them contribute in this bs like are your parents that bad)

3) dead (you're telling me in a field of naive and not properly trained first years none of them have died really?!?!)

These factors would definitely make 1A closer to eachother and would show that they would care a lot more because of what they experienced and what they might blame themselves for what happend previously and it would be realistic/make sense within the series.

Also less 1A members would show just how competitive and tiring the hero course can be (proving aizawas words right) and it would also make the characters big moments that hori gave them have more actual suspense and impact within the narrative and plot.

I have mixed feelings about the poem and the post "the uselessness of izuku midoriya" while I do think it's a good post that shines a different perspective onto things Iam also just not a fan of the concept. I suppose it's because I don't think MHA was built in a way where it's story is a tragedy, like I don't believe tragedy suits the plot of MHA especially when it's not being treated as one.

However, I do think that it could be used as something that izuku starts with at the beginning and then develops into something much more. I think that having izuku choose the name deku and then developing into the name deriku would be fitting just how I would of liked for him to develop from someone whose acknowledgements and influence aren't recognised to someone whose achievements are recognised but not overly praised or anything of the sort something like having him be somewhat of a myth someone whose influence is known but works in the shadows (not literally) but he isn't directly known and isn't like all might. Ugh I don't know how to word it but I hope you understand. I suppose the closest example I can think of is Kim dojka (minus the angst)

(for context this is the poem I assume you're talking about)

Edit

I suppose this maybe better phrasing to what I was trying to say last paragraph.👇

[visionsofgideontheninth]

R.I.P. Charles Dickens, you would have loved Unknown (2024)

[dareduffie]

[taylor swift voice] that's my man

[incorrect-dnd-classes]

Warlock: When I said I’m a morning person I meant I sit in my bed communing with fiends at 3am in the morning

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[password-door-lock]

“Boss,” you approach Unknown, obviously ready to complain to your heart's content. He knows this game very well by now, for all the times you've made him play it. Actually, when Unknown thinks about it, he supposes that you’ve never really been in any position to make him do anything. If he didn’t want to listen to you, then he wouldn’t have to. 

“What?” he spits, humoring you regardless of his disinterest in wherever you think this conversation is going. After all, sometimes your rambling turns out to be quite entertaining, and occasionally, you want to bring his attention to something which is actually relevant to his revenge. 

“I'm bored of working,” you announce, as if that means anything. “Do you wanna see how much I got done?” 

He narrows his eyes, making one final click before he resigns himself to stepping away from his revenge for a moment. It's annoying that you keep on distracting him— Unknown never expected this when he decided to keep you as his assistant. If he'd known you'd be so rowdy, maybe he wouldn't have held onto you this way, but as it is, he's kind of stuck with you. He can't send you back to where he got you from— even though he's fairly certain that you wouldn't intentionally breathe a word about him to anybody, there's always the possibility that those liars could find you and torture the answer out of you. After all, if the benevolent Savior is willing to try something like that on her believers, Unknown shudders to think about what sorts of things might go on in the world of the RFA. He can't cleanse you, either— with your general weakness and anxiety, which he doubts would be eliminated by the elixir of salvation, Unknown gets the feeling that you wouldn't last an hour as a believer. Ultimately, he has no choice but to keep you here.

Strangely, he finds he's more productive now that you force him to take these little breaks, as you call them— probably because he has to work even harder to catch up in between, but more productive is more productive. Unknown would do anything to be able to bring that redhead to ruin faster, though that doesn’t mean he’s pleased to be wasting his time on something so inane as your fragile feelings. 

“You're bored?” He coos, continuing to humor you. Inane or not, those feelings of yours are fun to play with.“Oh, you poor thing. Then come here, and I'll make it better, hm?” Unknown turns to face you now, making sure that you get a good look at his wolfish grin. 

You must know that it's a trap. You're probably not the smartest person in the world, but Unknown is familiar enough with you by now to know that you’re nowhere near as foolish as he initially expected you to be. “Mmm,” you hum, slipping into his embrace and clinging to him like you actually think you're going to get anything out of this. Maybe Unknown should consider revising his assessment of your intelligence, after all. Or maybe... you know it's a trap, but you like it anyway. Strange. “Thank you.” You really sound like you mean that, like you actually think that Unknown is going to let you off the hook so easily. He saved you specifically so that you could help him with his work, and you don’t get to quit on him just because you’re sick of it. 

Now that he has you in close proximity, Unknown leans in to whisper in your ear, “You don't get to be bored of working, cutie. Since you can't do it on your own, I guess you can just help me with my task instead, hm? What a handful you are.” He feels you smile against his chest, and, not for the first time, Unknown wonders whether he is actually the one in control.

“You want me to just look at the screen?” You ask, clearly trying to restrain your excitement. You really are strange, if that’s something you’re looking forward to. 

“Yes,” Unknown replies, “Turn around and look at the screen.” You do as you’re told, and Unknown feels relieved. He’s still the only one in charge here— of course he is, and he wouldn’t have it any other way.

[patrocles]

sara snow. daughter of a lord, sister of another. a bastard she-wolf. a keeper of the old faith.

[kaiserouo]

maybe i shouldn't draw them before even knowing what this game is about

[classpector-bizzarly]

Okay I know I talked about not taking character classpecting requests and I still don’t but I do wanna make one myself

I think Junice from Prisounebound might be a Sylph I don’t know of what yet maybe Breath?? She’s definitely a meddler and cares a lot about the people she’s around and she also helped Korpus which I’d consider emotional healing but she doesn’t have the like?? Heart player passion if anyone’s the Heart player it’s probably Renity and if she’s anything it’s a Seer I’m sure anyway Junice is definitely chill and laid back which gives me a Breath vibe because of the flexibility of Breath players but I don’t know because she doesn’t really heal through Breath?? She just heals emotionally like a Heart player

Gif made by me