#Chuck Murphy

[cubbihue]

You know? You mention about anti-fairy diete, and i suddenly remember one sharacter. Milo Merthy from spin oth of P&F. I know it strange thing to ask, but... Can you draw how anti-Fairy just cherish this optimistick family dinast and even make some plans to be shure that this family countinue to help with theyr diete needs?

(this, or i just wanna see Milo with his Anti-Fairy guard.)

MILO MURPHY?? Yeah, He'd be a Buffet for anti-fairies! They'd absolutely swarm him at any given opportunity!! Although it'd be pretty damaging for the Murphy family in the long run.

When a Fairy eats the emotion, it's taken away forever! Fairies must be careful not to consume too much from their godchildren. After all, if all your hopes keeps getting taken away, then why bother hoping anymore?

If Milo had an anti-fairy companion, they'd mostly be spending their days hissing and clawing away other anti-fairies from his family. And then getting food-coma'd immediately after. Fairies tend to be verrry possessive of who they feed off of.

Bitties Series: [Start] > [Previous] > [Next]

[lyravellas]

Murph getting croissanted at the LA live show tonight lmao

[unfunnystandup]

0.00000002% of the population will laugh at this

[possible-streetwear]

[miriam-heddy]

A REDEMPTION ARC is an ARC: Tommy Kinard & Tyler Durden.

I keep seeing this argument in defense of Tommy Kinard, and it’s bafflingly wrong,

@powersuitup wrote:

Just gonna make my own post because I keep seeing people saying the opposite—

Tommy's redemption arc happens on screen. Even when they thought he was only going to be in one episode, we see him going from being antagonistic to Hen to shaking her hand and complimenting her at the end of the episode.

When they asked Lou to come back they took that even further and deepened it from coworkers to people who spend time outside of work in Bobby Begins

Again. This is SHOWN.

It's minor, because Tommy was just a side character then. But it is very much shown on screen and intended as a redemption.

It’s wrong. A “Redemption Arc” is an ARC. It has stages. And a big part of it involves the character struggling with their own flaws and coming to recognize they hurt people, wanting to change, and then doing better, including owning the harm they did to others. On TV/Film, it cannot be done IMPLICITLY, off-screen. And the signs that others have accepted the change can’t be the result of coercion.

In the case of workplace bullying/harassment, when there are penalties to the victims speaking out and seeking justice/restitution, it’s not enough to say, “Look, the victim shook his hand at work” to demonstrate that perpetrator has done anything to redeem himself. And when coworkers spend time together outside of the office, it’s very tricky, because they remain colleagues within organizations with hierarchies.

To be more specific, the oft cited “Bobby Begins Again” (2.16)

Look at how Hen is sitting at the table with Chim and Tommy. She’s smiling, yeah, but her body language— legs outside and not under the table, body turned—is poised to leave. She’s also on the far end of the table, so the camera has to move between her and Tommy.

When Bobby arrives and pulls up a chair, Tommy says, “Didn’t expect to see you here, Cap.” And Bobby responds, “Wilson-ah-Hen invited me.”

Chim smiles and says, “Oh did she now.”

Then the waitress arrives and Hen and Chim have a wordless back and forth exchange that Tommy is NOT a part of.

Then they discuss scars. And after showing theirs to each other, Tommy says, “I don’t want to die without any scars.” When Hen looks baffled, Tommy says, “Tyler Durden” and Chim adds, “C’mon, Fight Club?!”

Heads up? Tyler Durden is NOT a good guy. He’s not a hero. He’s the embodiment of Toxic Masculinity. Yet Tommy—like a lot of men— doesn’t know that.

Notice in the book that the body before scars is a “cherry”? It’s virginal. It’s a waste till it’s been used, violently. Not by making love but by collision. Notice that someone without scars is “like a woman”? And that hazing (improperly called Buddhist) is a method of testing whether you deserve entry to the club?

Notice that in the film, the scar quote is set within a fight scene, which Tyler sees as necessary to being a man?

This is a man who still has no idea why he was wrong. You think Ryan Murphy, Brad Falchuk, and Tim Minear picked that movie accidentally?

[cillianthecryptid]

Cryptid spotted 👆

[denimbex1986]

'Margot Robbie and Cillian Murphy — she the star of “Barbie,” he of “Oppenheimer” — have shared an experience, one unique in film history. On July 21, 2023, their two movies came out, and instead of cannibalizing one another during a time when box office receipts were sluggish, they actually boosted each other, creating the global phenomenon known as “Barbenheimer.”

On paper, the two movies couldn’t be more different. Greta Gerwig’s “Barbie,” produced by Robbie’s company LuckyChap Entertainment, is the story of the world’s most popular doll, who, after going on a journey to recover from an existential crisis, becomes a woman; Christopher Nolan’s “Oppenheimer” is a biopic about J. Robert Oppenheimer, the physicist who oversaw the invention of the atomic bomb. What they have in common, though, is that their directors made wholly original films, ones guided by their inventiveness, and it was the innovative spirit of “Oppenheimer” and “Barbie” that in turn inspired audiences to be creative and participatory in their fandom for both films. The memes, the double-feature TikToks, the costumes people wore to go out to theaters again and again to experience Barbenheimer — after COVID had nearly destroyed in-person moviegoing — “Barbie” and “Oppenheimer” proved joy is still to be had (as well as profits, with the box office for “Barbie” at more than $1.4 billion worldwide, and “Oppenheimer” recently crossing $950 million).

In other words, Robbie, sporting a “Barbie”-inspired pink polka-dot shirt with matching heels, and a darkly clad Murphy have a lot to discuss when they meet for Actors on Actors — a rendezvous during which Murphy professes he now knows what a meme is, after famously claiming ignorance about them in a 2017 interview.

CILLIAN MURPHY: Congratulations on your reasonably successful film. You’re a producer on the movie as well. How did you know a “Barbie” movie would connect with audiences in the manner that it did?

MARGOT ROBBIE: Yeah, 90% of me was certain that this would be a big deal and a massive hit, and 10% of me thought, “Oh, this could go so badly wrong.” It was all about Greta Gerwig. And it was like, “If it wasn’t going to be Greta, then, yeah, this could have been an absolute disaster.”

MURPHY: She was always your first choice?

ROBBIE: I just wasn’t going to let her say no. It was about six years ago we got the property. We got it out of Sony, set it up at Warner Bros., got Mattel’s blessing to let us produce, then went after Greta. Obviously, I didn’t know it was going to be the cultural phenomenon that it ended up being.

MURPHY: When did you realize that?

ROBBIE: It was all the way along. The fact that it’s Greta Gerwig, people are like, “Greta Gerwig and a ‘Barbie’ movie, what?” And then the pictures of Ryan Gosling and me Rollerblading on Venice Beach came out and went even wider than I was expecting. I’d been thinking big for it, and it still turned out bigger than I expected.

But what about you? Did you think so many people were going to watch a movie about the making of the atomic bomb?

MURPHY: No. I don’t think any of us did. Christopher Nolan was always determined that it would be released in the summer as a big tentpole movie. That was always his plan. And he has this superstition around that date, the 21st.

ROBBIE: Do all his movies come out on that date?

MURPHY: In and around the 21st of July — they always come out then.

ROBBIE: It’s a good date. We picked that day too!

MURPHY: Yeah, I know.

ROBBIE: One of your producers, Chuck Roven, called me, because we worked together on some other projects. And he was like, “I think you guys should move your date.” And I was like, “We’re not moving our date. If you’re scared to be up against us, then you move your date.” And he’s like, “We’re not moving our date. I just think it’d be better for you to move.” And I was like, “We’re not moving!” I think this is a really great pairing, actually. It’s a perfect double billing, “Oppenheimer” and “Barbie.”

MURPHY: That was a good instinct.

ROBBIE: Clearly the world agreed. Thank God. The fact that people were going and being like, “Oh, watch ‘Oppenheimer’ first, then ‘Barbie.’” I was like, “See? People like everything.” People are weird.

MURPHY: And they don’t like being told what to do. They will decide, and they will generate the interest themselves.

ROBBIE: I think they were also really excited by the filmmakers. People were itching for the next Chris Nolan film and itching for the next Greta Gerwig film. To get them at the same time was exciting. You’ve done five movies with Christopher Nolan now, right?

MURPHY: This is six, actually.

ROBBIE: So you like the guy? A big fan.

MURPHY: It seems to work. This is the first time playing a proper lead role for him. There’d always been supporting parts over the years — it’s 20 years we’re working together. Emma Thomas, his wife, the producer, she called me because Chris doesn’t have a phone. So she put me on to Chris, and he said in his very understated British way, “I’m making this movie of Oppenheimer — I’d like you to play the part.” I had just finished something; I wasn’t doing anything. I did realize then that it was different than the other jobs I’d done with him, because it was the story of Oppenheimer’s life. And then when he eventually gave me the script, it was written in the first person, which I’d never read before, and so I —

ROBBIE: The script was written in the first person? The big print would be like, “I’m going to put the cup down and walk towards the door”?

MURPHY: Exactly, exactly. Which I’d never read before. And so it was very clear that he wanted it to be truly subjective storytelling. And that did add to the feeling of “Oh, fuck, this is a biggie.”

ROBBIE: Why do you love working with him? And why do you think he loves working with you? I know you’re going to have to maybe be really humble and be like, “I don’t know, why does he like me? I can’t understand.” Take a guess.

MURPHY: With Chris, it’s just the work. He’s not interested in anything else other than the work and the filmmaking. And he’s incredibly focused, and it’s incredibly rigorous.

ROBBIE: When he called you and said, “Movie about Oppenheimer,” were you like, “Gotcha”? Or were you like, “Who’s that? I should go read a book.”

MURPHY: I knew the very basic Wikipedia level. I knew about the Trinity tests, and I knew about the Manhattan Project and then obviously what happened in ’45. But I didn’t know what happened afterwards or anything like that.

ROBBIE: So you read a lot to prep. What else did you do?

MURPHY: Walk around my basement talking to myself.

ROBBIE: Really? I prep like a psychopath as well. Did you have a thing that would get you into him?

MURPHY: Physically, there was loads of pictures of him, and he always stood with his hand on his hip. He was such a slight man, but he always stood with this very kind of jaunty angle. So I nicked that pretty early as a physical thing. And then Chris Nolan kept sending me pictures of David Bowie, like in the Thin White Duke era, with the big voluminous trousers.

And how about you? Such a difficult character. It’s this kind of 20th-century icon, but not a real person. How did you figure it out?

ROBBIE: It was so weird prepping Barbie as a character. All my usual tools didn’t apply for this character. I work with an acting coach, and I work with a dialect coach, and I work with a movement coach, and I read everything, and I watch all the things. I rely on animal work a lot. I was maybe 45 minutes into pretending to be a flamingo or whatever, and I was suddenly like, “It’s not working.”

I went to Greta, like, “Help me. I don’t know where to start with this character.” And she’s like, “OK, what are you scared of?” And I was like, “I don’t want her to seem dumb and ditzy, but she’s also not meant to know anything. She’s meant to be completely naive and ignorant.” And Greta found this episode on “This American Life,” where it was a woman who can’t introspect, who doesn’t have the voice in her head that’s constantly narrating life the way we all do. This woman’s got a Ph.D. and is extremely smart, but just doesn’t have that internal monologue.

MURPHY: Is she happy?

ROBBIE: Yeah, totally.

MURPHY: Is she happier, do you think?

ROBBIE: Oh God, I wondered about that. She kind of thinks about exactly what’s in front of her — a spotlight to what exactly is in front of her at the time.

MURPHY: Well, that’s perfect, right? We should talk about the costumes. So you’re clearly still not sick of pink then?

ROBBIE: No, I’m not done with pink yet. Yeah, the costumes were incredible. I mean, you just can’t have a “Barbie” movie without the color pink. And everyone really got on board with that. I’d make a “On Wednesdays, we wear pink” day. Do you know that reference from “Mean Girls”?

MURPHY: I had forgotten that reference.

ROBBIE: On Wednesdays, they wear pink. And so if you didn’t wear pink on set, you got a fine. And then I’d donate it to charity. It’s always the guys, I feel like, that are like, “Oh, finally I have permission to wear pink and get dressed up!” It would get crazier and crazier until Ryan would be like, “I think I need a mink.” It would just get insane.

In my opinion, there are two kinds of people in this world. There are the people who are obsessed with “Peaky Blinders,” and then there’s the people who haven’t seen “Peaky Blinders.” I obviously sit in the first category, so can we please talk about Tommy fucking Shelby for just one minute? I mean, that was years and years of your life.

MURPHY: Yeah, it’s like 10. That was also a 10-year adventure. We started shooting at the end of 2012.

ROBBIE: Is there going to be a spinoff movie?

MURPHY: I mean, I’m open to the idea. I’ve always thought that if there’s more story to tell …

ROBBIE: Please do it. Please! Obviously, I’ve now revealed that I am a big fan of yours, not just “Peaky Blinders.” I also love your sleep story on the Calm app. But because I’m a fan of yours, I have watched a lot of your things on YouTube, and it’s out there on the internet that you are not that aware of memes and things like that. First of all, is that true? And second of all, if that is true, were you even aware of the Barbenheimer phenomenon, or were you just blissfully unaware because you use a dial-up phone or something?

MURPHY: I have two teenage boys. I do know what a meme is. Now I know that there are memes about me not knowing what a meme is.

ROBBIE: It’s a great meme. It’s like the “Inception” of memes. A meme within a meme.

MURPHY: Genuinely at the time I did not know. But people forget that was a long time ago.

ROBBIE: I might not have known back then what a meme is. I’m not that tech-savvy.

MURPHY: Exactly. And I think children started that stuff, right? Now that it’s become this sort of meme that’s eating itself, I am aware. But it’s mostly because of people either sending it to me or showing me and saying, “Look, you gotta look at this.”

ROBBIE: You see any of the Barbenheimer fan art?

MURPHY: I mean, it was impossible to avoid any of that stuff.

ROBBIE: Weren’t there some great ones? People are so clever. People kept asking me, “So is each marketing department talking to each other?” And I was like, “No, this is the world doing this! This is not a part of the marketing campaign.”

MURPHY: And I think it happened because both movies were good. In fact, that summer, there was a huge diversity of stuff in the cinema, and I think it just connected in a way that you or I or the studios or anybody could never have predicted.

ROBBIE: You can’t force that or orchestrate that.

MURPHY: No, and it may never happen again.'

[chernobog13]

The Blackhawks from Who's Who In The DC Universe #2 (April, 1985).

Art by Dave Cockrum and Murphy Anderson.

[themetalmassacrevault]

[beastofmetal666]

𝕿𝖊𝖘𝖙𝖆𝖒𝖊𝖓𝕿

𝕷𝖔𝖜

30 𝖉𝖊 𝖘𝖊𝖕𝖙𝖎𝖊𝖒𝖇𝖗𝖊 𝖉𝖊 1994

𝖃𝖃𝖃 𝕬𝖓𝖎𝖛𝖊𝖗𝖘𝖆𝖗𝖎𝖔 del sexto álbum de Testament "Low", grabado en los A&M Studios en Hollywood, California, producido por Gggarth Richardson, portada de Dave McKean, lanzado por Atlantic Records. Tras la retirada del guitarrista Alex Skolnick y el baterista Louie Clemente, Testament parece cerrar una época de éxitos, pero el guitarrista Eric Peterson y el vocal Chuck Billy aún tienen mucho por demostrar. Entran en la alineación nada menos que el guitarrista James Murphy, quien ya había demostrado sus grandes dotes con Death, Obituary y Cancer, y el bataco John Tempesta (ex-Exodus). El resultado es uno de sus mejores álbumes, un gran alarde de thrash sofisticado y potente que roza los terrenos del death metal. La voz de Chuck Billy va de lo melódico a lo gutural con fluidez y furia mostrando una gran versatilidad, de lo baladístico como en "Trail Of Tears" a lo abiertamente brutal y desquiciado en "Dog Faced Gods", donde Testament le pega duro al death metal. Una verdaderamente mortífera colección de temas brutales llenos de técnica y agresión con sus características líricas, críticas mordaces al gobierno, al orden mundial, falsas deidades, la corrupción, la descomposición del mundo, esto es verdadero thrash hasta la médula, y con una instrumental "Urotsukidóji" con estudiadas dinámicas de un gran nivel. Una verdadera obra maestra de Testament.

¡𝐒𝐢́𝐠𝐮𝐞𝐦𝐞 𝐞𝐧 𝐘𝐨𝐮𝐭𝐮𝐛𝐞! 𝐁𝐄𝐀𝐒𝐓 𝐎𝐅 𝐌𝐄𝐓𝐀𝐋

https://www.youtube.com/channel/UC2OGceA1nrP1kCdIjE64DlA

https://www.instagram.com/beast_ofmetal/

🇺🇸🤘🎸𝕾𝖙𝖊𝖕𝖕𝖊𝖓𝖜𝖔𝖑𝖋🥁🤘🇺🇸

[milliondollarbaby87]

Beverly Hills Cop: Axel F (2024) Review

Axel Foley returns to Beverly Hills after his daughter has her life threatened, which sees him reunite with John Taggart and Billy Rosewood. Managing to cause mayhem again but still manages to uncover a conspiracy. ⭐️⭐️⭐️ Continue reading Beverly Hills Cop: Axel F (2024) Review

[rabbitcruiser]

International Workers Memorial Day

Workers’ Memorial Day is an international holiday marked on April 28 annually. It is observed to raise awareness of the importance of workplace safety, as well as commemorate all the workers who have lost their lives due to work-related illnesses and those whose lives have been put on hold due to injuries that have incurred while working. According to figures, the number of people who get killed at work is higher than those who lose their lives to wars and drug abuse combined! Labor unions around the world observe this day to remember their fallen heroes and discuss measures to ensure safe workplaces.

History of Workers Memorial Day

Although it only became widely popular when the U.S. first celebrated it on April 28, 1989, Workers’ Memorial Day had been celebrated several years before then by Canada on the same day. Perhaps, the unpopularity associated with Canada’s first observation can be credited to the fact that it was celebrated under a different, albeit similar name. Regardless of who first observed it though, the day was inspired by the signing of the Occupational Safety and Health Act into law in 1970 and the formation of the OSHA on April 28, 1971.

In the early years of the signing of the OSHA into law, the celebration of the Workers’ Memorial Day was centered in North America. The holiday only attained international recognition in the last parts of the 20th and the beginning of the 21st centuries. In 1985, the Canadian Labor Congress pronounced April 28 as an annual day of remembrance — which is the anniversary of a Workers’ Compensation Act signed as far back as 1914. Progressively, the American Federation of Labor and Congress of Industrial Organization (A.F.L.-C.I.O.) declared April 28 as Workers’ Memorial Day to honor the thousands of people who have been injured or lost their lives on their jobs. The U.K. followed suit with their celebration in 1992.

Since the adoption of the holiday by the International Labor Organization (I.L.O.) in 2001, many countries are now actively participating in observing it, with some deeming it fit to confer the holiday a public holiday status. Furthermore, to add value to the holiday, from 1996, annual themes began to be assigned to each year’s celebration of the day.

Workers Memorial Day timeline

1971 OSHA is Formed

The Occupational Safety and Health Administration (OSHA) is formed.

1989 A.F.L.-C.I.O. Declaration

The American Federation of Labor and Congress of Industrial Organizations declares April 28 as Workers' Memorial Day.

1992 Introduced in the U.K.

Tommy Harte introduces Workers' Memorial Day in the U.K.

1996 Themes Begin to Be Set

The I.C.F.T.U. begins to set annual themes for each Workers' Memorial Day.

2001 New Declaration

An agency of the United Nations — I.L.O. — recognizes Workers' Memorial Day and declares it World Day for Safety and Health at Work.

Workers Memorial Day FAQs

What does a labor union do?

Among many other things, labor unions are charged with fighting for the betterment of their workers’ welfare, remunerations, and all things needed for them to work in a favorable environment and for decent financial gratification. Generally, labor unions serve as mediators between their members and authorities. Their impacts have been felt by both employees and employers over the years.

Is a labor union a good thing?

It is. This is evident in the many advantages and privileges unionized workers get over their non-unionized counterparts. Most significant changes in employees’ welfare and safety were achieved through the struggles of labor unions. They do have their setbacks though.

Why do people not like unions?

Most governments and employers detest labor unions because of their strong affection for riots and strike actions. To the unions, those two are the most effective languages employers understand, and many a time, they do succeed in pressing home their demands with the employers.

How to Observe Workers Memorial Day

Inform the public about work safety

Strive for a safer environment at work

Honor the memories of fallen workers

Go out there and educate the public on the importance of staying safe while at work. Also, tell them the possible risks associated with their various works.

If you are working in an unsafe or potentially dangerous environment, get people to rally behind you and ask for a safer work environment from your employers. You might just be a cause for a good change.

Be it a close relative, friend, acquaintance, or stranger, honor the memories of those fallen heroes, who died in the cause of their works. Pay tributes to them or their loved ones.

5 Interesting Facts About Workers’ Memorial Day

It was first celebrated in Canada

It was unpopular at first

America made it popular

It became international

It's a public holiday in Gibraltar

Canada was the first country to mark it although under a different but similar name.

The event was first known but not quite as popular as it became in the later years.

It only began to be widely recognized when the U.S. marked it.

A host of country trade unions in Europe, Asia, Africa, Australia, and elsewhere observe it.

While it is simply a national holiday in other countries, it is a government-free public holiday in Gibraltar.

Why Workers Memorial Day is Important

It reminds us of successful struggles

It increases the unity between workers worldwide

It gives workers a more amplified voice

Workers' Memorial Day reminds us of how effective calling out to authorities for good changes can be. By doing so, we may be able to save someone's life.

Whichever continent you happen to be from and whichever race you belong to, this day increases the bond and unity between workers in achieving a common goal. We love this!

Workers around the world use the day to loudly voice out their work environment and other pressing demands. Considerate employers, on the other hand, listen to the demands.

Source

[raurquiz]

#HappyBirthday @scottbakula #scottbakula #actor #archer #startrek #Enterprise #QuantumLeap #ncisnola #colorofnight #myfamily #theinformant #elsaandfred #mehimher #summertime #basmatiblues #divinity #gungho #designingwomen #murphybrown #chuck #menofcertainage #startrek57 @startrek @startrekonpplus

[dotwpod]

(281) Death: Worst-to-Best

Disciples!! Nate and I dig into some Death Metal and with the ‘Godfather of DM’ Chuck Schuldiner’s band DEATH. A small catalog, but very important for fans – and artists – in the genre. So, pull the plug on the world and plug into some Death on the Disciples of the Watch!\,,/ d(> _ <)b \,,/http://www.emptywords.org/ Lists used: Metal Hammer / Shaun Lindsley Stefan Nordström /…

[jrocksmetalzone]

THAT METAL INTERVIEW presents James Murphy formerly of DEATH, TESTAMENT, OBITUARY & DISINCARNATE  (recorded July 2022). The legendary metal guitarist chats about his time with Chuck & DEATH & why he 1st turned him down. Also talks about his health issues with a brain tumor and shares inspirational stories about when he was homeless and lost his equipment. Donate to the channel to help create new content! https://www.paypal.me/thatmetalinterv... That Metal Interview Podcast is FREE and ON DEMAND, stream now on Apple Podcasts, iHeart Radio, Spotify, Anchor, Google Podcasts, Pandora, Amazon Music, TuneIn, Deezer, Bandcamp. Listen to The #ThatMetalInterviewPodcast​​​​​: https://lnk.to/uj7sH3k4 Follow us on Twitter: https://twitter.com/InterviewThat Follow us on Instagram: https://www.instagram.com/thatmetalinterview/ Like us on Facebook: https://www.facebook.com/ThatMetalInterview Subscribe on YouTube: http://youtube.com/JrocksMetalZone Support the show

[alexpeteronoja]

Dark Petals (2022) – Nollywood Movie

The losses on Kosiso’s land could be caused by transgressions committed in the hamlet long ago. Mp4 Download Dark Petals (2022) – Nollywood Movie 720p 480p , Dark Petals (2022) – Nollywood Movie , x265 x264 , torrent , HD bluray popcorn, magnet Dark Petals (2022) – Nollywood Movie mkv Download VIDEO INFORMATION Filename: Dark.Petals.480p.mkv Filesize: 369.89 MB Duration: 02:06:10 Imdb:…