#Christopher Maher

[religion-is-a-mental-illness]

Christopher Hitchens: Let me give you an example. From Mr. Jefferson - since you asked me to mention my book, which I'll happily do - in 1788, when the United States was barely a country, it was having its sailors taken as slaves by the Barbary states, the states of the Ottoman Empire in North Africa.

Bill Maher: Tripoli. The shores of Tripoli.

Christopher Hitchens: Tripoli. And its ships stopped, and its crews carried off into slavery. We estimate one and a half million European American slaves taken between 1750 and 1850, Jefferson and Adams went to their ambassador in London and said, "why do you do this to us? The United States has never had a quarrel with the Muslim world of any kind. We weren't in the crusages, we weren't in the war in Spain. Why do you do this to our people and our ships? Why do you plunder and enslave our people?"

And the ambassador said very plainly, "because the Qu'ran gives us permission to do so. Because you are infidels. And that's our answer."

And Jefferson said, "well, in that case, I will send a navy which will crush your state." Which he did. And a good thing too.

Islamic fundamentalism is not created by American democracy. It's a lie to say so. It's a masochistic lie, and it excuses those who are the real criminals, and it blames us for the attacks made upon us."

--

https://en.wikipedia.org/wiki/First_Barbary_War

"It was written in their Koran, that all nations which had not acknowledged the Prophet were sinners, whom it was the right and duty of the faithful to plunder and enslave; and that every mussulman who was slain in this warfare was sure to go to paradise. He said, also, that the man who was the first to board a vessel had one slave over and above his share, and that when they sprang to the deck of an enemy's ship, every sailor held a dagger in each hand and a third in his mouth; which usually struck such terror into the foe that they cried out for quarter at once."

https://en.wikipedia.org/wiki/Barbary_slave_trade

Robert Davis estimates that slave traders from Tunis, Algiers, and Tripoli enslaved 1 million to 1.25 million Europeans in North Africa, from the beginning of the 16th century to the middle of the 18th century.

==

Islam doesn't hate the west because we're "imperialists" or "colonizers." That's the excuse, not the reason. It hates the west because we're kuffar, and it has a divine mandate to destroy us. Starting with the Jews.

https://quranx.com/Hadith/Bukhari/USC-MSA/Volume-4/Book-56/Hadith-791/

Narrated `Abdullah bin `Umar: I heard Allah’s Messenger (ﷺ) saying, “The Jews will fight with you, and you will be given victory over them so that a stone will say, 'O Muslim! There is a Jew behind me; kill him!’”

Islamic fundamentalism is not caused by the west. It's caused by Islam. It's endemic to Islam. It's the entire point of Islam.

Stop faffing around, making up stupid, self-flagellating excuses for why we deserve to be attacked. There's nothing we could ever do to make Islam happy and still resemble the west. The only acceptable response is unconditional surrender and submission.

https://quranx.com/Hadith/Bukhari/USC-MSA/Volume-4/Book-52/Hadith-196

Narrated Abu Huraira: Allah 's Apostle said, " I have been ordered to fight with the people till they say, 'None has the right to be worshipped but Allah,' and whoever says, 'None has the right to be worshipped but Allah,' his life and property will be saved by me except for Islamic law, and his accounts will be with Allah, (either to punish him or to forgive him.)"

It's not bigotry to hold Islam responsible for its actions; it's only bigotry to refuse to.

[christophfanalways]

What a wonderful interview/show!  Christoph and Bill Maher had the best chemistry. 

Christoph was so witty, fun, charming, and so handsome.  He even talked about his beard.  His laugh.  ❤️️

[justinspoliticalcorner]

Judd Legum at Popular Information:

In 2020, Bari Weiss quit her job as an editor and writer at the New York Times editorial page in a huff. In her public resignation letter, Weiss argued that she was forced out because the paper had become "illiberal" and her more conservative beliefs made her "the subject of constant bullying by colleagues." 

In January 2021, Weiss launched a newsletter, Common Sense, with her partner, Nellie Bowles. Weiss billed Common Sense as the antidote to "cancel culture," which she argued was the practice by progressives of seeking to punish and ostracize anyone who diverged from their ideological orthodoxy. "The fact that cancellation tales have become an everyday feature of American life should do nothing to diminish how shocking they are, and how damaging they are to a free society," Weiss wrote in October 2021. "Everyone… of conscience needs to start saying no to the mob." Whether or not Weiss' core critique is true, it is lucrative. In 2022, Common Sense rebranded itself as The Free Press to reflect its growing ambitions. It now reportedly employs about 30 people and generates millions in revenue annually. The rebranded publication continues to rail against "cancel culture." Bowles recently published an excerpt from her new book in The Free Press in which she describes the "pleasure" she used to get from helping "cancel people" — before she saw the light and embraced intellectual freedom.

Ironically, as Weiss cashes in on her critique of "cancel culture," The Free Press has become a central part of a sophisticated right-wing ecosystem that seeks to tear down anything and anyone who diverges too far from their ideology.  The latest effort began on April 9, 2024, when NPR editor Uri Berliner wrote in The Free Press that his employer had "lost America's trust." Using a formula that is typical for The Free Press, Berliner describes himself as fitting the liberal mold — admitting that he was "raised by a lesbian peace activist mother" and "eagerly voted against Trump twice." But Berliner says that NPR has gone too far. NPR, according to Berliner, has abandoned its "open-minded spirit" and is too focused on catering to the left. 

One of the core pieces of evidence Berliner cited was NPR's coverage of allegations that the "Trump campaign colluded with Russia." Berliner said NPR "hitched our wagon to Trump’s most visible antagonist, Representative Adam Schiff." He complained that Schiff was interviewed 25 times and, during those interviews, "alluded to purported evidence of collusion." But an NPR spokesperson told Washington Post media critic Erik Wemple that between January 2017 and December 2019, NPR conducted 900 interviews with congressional lawmakers, including stalwart conservatives like Jim Jordan (R-OH) and Paul Ryan (R-WI). In other words, Schiff did not dominate the coverage. Overall, Wemple describes Berliner's critique of NPR's Russia coverage as a "lazy… feelings-based critique of the sort that passes for media reporting these days."

Another central component of Berliner's critique is this statistic: "In D.C., where NPR is headquartered and many of us live, I found 87 registered Democrats working in editorial positions and zero Republicans. None." There are a few problems with this. First, Berliner doesn't disclose that there are 662 employees at NPR producing content. It's unclear how or why he selected a subset of just 87 people. Second, in DC, voters have the option of registering as independents. That's how Berliner and other NPR employees who live in DC, like host Steve Inskeep, have registered. Finally, many NPR employees live in places like Virginia, which does not have voter registration by party. 

[...]

That is when the effort to punish NPR and Maher intensified. Chris Rufo, a right-wing operative, has been featured in The Free Press as a contributor and a podcast guest. Rufo began examining Maher's 29,400 tweets and highlighting examples that "exposed" her as liberal. (He later summarized his findings in a piece published by City Journal.) Rufo objects to tweets in which Maher discusses "structural privilege," "non-binary people," and "toxic masculinity." He also highlights that Maher's daily routine included "yoga, iced coffee, back-to-back meetings, and Zoom-based psychotherapy." In another tweet, Maher calls Trump — who rose to political prominence by falsely claiming that the nation's first Black president was illegitimate because he was born in Africa — a "deranged racist psychopath." For Rufo, Maher is but one example of a growing problem: a "rising cohort of affluent, left-wing, female managers."

For Rufo, expressing liberal views at any point in your life is a fireable offense. “If NPR wants to truly be National Public Radio, it can’t pander to the furthest-left elements in the United States,” Rufo told the New York Times. “To do so, NPR should part ways with Katherine Maher.” NPR, however, stuck by Maher. The organization noted that the tweets in question were written while Maher "was not working in journalism… and was exercising her First Amendment right to express herself like any other American citizen." NPR further noted that Maher, as CEO, was not involved in the editorial process. 

[...]

The incoherence of the argument underscores the reality of the political moment. There is a relentless right-wing operation seeking to inflict pain on their ideological adversaries. Some, like Rufo, are the political equivalent of street brawlers, willing to say or do anything to achieve their objective. Others, like Weiss and The Free Press, give the movement a more journalistic and professional sheen. But no one involved is a supporter of free expression or an opponent of cancel culture. Rather, they are the cultural force aggressively pursuing cancellation.

This Popular Information piece goes hard on the right-wing’s BS obsession with “cancel culture.” In reality, right-wing polemicists such as Bari Weiss and Christopher Rufo are the ones who got to where they are by practicing cancel culture on ideas that don’t align with their worldview.

[thebuhonerodazorrow]

Hellcat #5 (2023)

Marvel

[star-reyes]

Hellcat #1

Writing: Christopher Cantwell

Art: Alex Lins

Colors: KJ Diaz

Letters: VC's Ariana Maher

[graphicpolicy]

DC Pride 2023 is another great anthology with a lot to celebrate and entertaining

DC Pride 2023 is another great anthology with a lot to celebrate and entertaining #dcpride #lgbtq #comics #comicbooks #lgbt

DC Pride is back again with a brave and bold and all-new collection of stories starring DC’s fan-favorite stable of LGBTQIA+ characters–many of whom will find themselves in thrilling team-ups the likes of which you’ve never seen before! Story: Grant Morrison, Jeremy Holt, Leah Williams, Mildred Louis, Rex Ogle, A.L. Kaplan, Josh Trujillo, Nicole Maines, Christopher Cantwell, Nadia ShammasArt:…

[bob-the-movie-man-film-reviews]

The Beekeeper (15): Ludicrous Statham Action Flick... Which Actually Gave Me a Buzz.

#OneMannsMovies #FIlmReview of "The Beekeeper". #TheBeekeeper. Mindless action nonsense with Jason Statham... but actually quite fun! 3.5/5.

A One Mann’s Movies Film Review of “The Beekeeper” (2023). In terms of ‘leave your brain at the door’ cinema, “The Beekeeper” is high up there on the list. Sometimes this type of film can leave you weeping into your popcorn. Amazingly, this one felt like a fun ride. (But, I mean, it’s still not bloody Shakespeare). Bob the Movie Man Rating: Plot Summary: When widow and charity-coordinator…

[gryficowa]

Boycott!

Remember how people believed for years that Keanu Reeves was Jesus? Well, we stopped believing it when he turned out to be a Zionist, and Jesus would 100% be against Israel and its crimes because Jesus was exactly that kind of person

Now that I have your attention:

[beardedmrbean]

NPR defended embattled chief executive Katherine Maher against "online actors with explicit agendas" on Wednesday as her old social media posts continue to go viral for exposing her personal left-wing ideology. 

What seems like a never-ending supply of social media messages Maher posted before running NPR have been unearthed in recent days by critics of NPR, including Manhattan Institute senior fellow Christopher Rufo. 

Maher, who served as the CEO for Web Summit and Wikimedia Foundation prior to taking over NPR last month, showed her support for Hillary Clinton in 2016 and Joe Biden in 2020 while regularly sharing liberal talking points and criticizing Donald Trump. Many feel that someone with such blunt partisan views running NPR on the heels of veteran editor Uri Berliner penning a scathing takedown that detailed the "absence of viewpoint diversity" at the organization could be troublesome, but the organization chalked up the resurfaced tweets as "bad faith" attacks. 

"This is a bad faith attack that follows an established playbook, as online actors with explicit agendas work to discredit independent news organizations," an NPR spokesperson told Fox News Digital. 

"In this case, they resorted to digging up old tweets and making conjectures based on our new CEO’s resume," the spokesperson continued. "Spending time on these accusations is intended to detract from NPR’s mission of informing the American public and providing local information in communities around the country is more important than ever."

Rufo has also unearthed old video of Maher saying the First Amendment makes it too difficult to censor "bad information." But much of the controversy surrounding her is the result of posts on X, the platform previously known as Twitter. 

Before taking over NPR, Maher tweeted essentially whatever was on her mind. For example, she once shared details of a dream where her and Kamala Harris were on a road trip together "comparing nuts and baklava from roadside stands" before she "woke up very hungry." 

Others were more political. 

Maher wrote on X in May 2020 that while "looting is counterproductive," it was "hard to be mad about protests not prioritizing the private property of a system of oppression founded on treating people's ancestors as private property." In another post on the thread, Maher said that property damage was "not the thing" Americans should be upset over. 

In another 2020 post, Maher is seen donning a Biden for president hat and said it was the "best part" of her efforts to get out the vote.

"I can’t stop crying with relief," she wrote after Biden won. 

Maher also took issue with the infamous New York Times Tom Cotton op-ed in 2020, saying it was "full of racist dog whistles." She argued it was based on the "false premise that the country is in a state of ‘disorder.'"

Several of her old posts that have resurfaced reference concern over White privilege and "White silence."

In June 2020, Maher declared "White silence is complicity." 

"If you are White, today is the day to start a conversation in your community," she continued. 

Maher identified herself as an "unalloyed progressive" supporting Clinton in the 2016 election. However, Maher had some criticism for Clinton at the time, saying she wished the then-Democratic presidential nominee "wouldn't use the language of ‘boy and girl,'" because it was "erasing language for non-binary people."

In 2018, she wrote, "I’m angry. Hot angry, slow angry, relentless angry. This anger is going to fuel and burn for a long time, and it will deliver back exponentially," during Christine Blasey Ford's testimony accusing Supreme Court nominee Brett Kavanaugh of sexual assault.

Rufo joined Fox News on Tuesday to explain why he’s been busy circulating Maher’s old tweets. 

"I spent the last day or two digging through her tweets to show people exactly what she believes. It’s actually incredible. It is the most vapid, left-wing propaganda imaginable," Rufo said on "Jesse Watters Primetime."

"She’s been at it for year. She’s a supporter of BLM, she believes in the pseudo-science of White privilege, White fragility, she criticized her own Whiteness," he continued. "It’s like Mad Libs for left-wing women." 

In addition to the deluge of old social media messages being resurfaced, NewBusters reported on Wednesday that Maher has donated to Democratic candidates such as Stacey Abrams. NPR did not immediately respond to a request for comment about her donations.  

Berliner, who resigned after blowing the whistle on NPR’s liberal bias, doesn’t think Maher is fit for the job. 

"We're looking for a leader right now who's going to be unifying and bring more people into the tent and have a broader perspective on, sort of, what America is all about," Berliner told NPR media reporter David Folkenflik prior to quitting. "And this seems to be the opposite of that."

Berliner also scolded Maher when he stepped down. 

"I am resigning from NPR, a great American institution where I have worked for 25 years. I don’t support calls to defund NPR," Berliner wrote in a statement published on X. "I respect the integrity of my colleagues and wish for NPR to thrive and do important journalism."

"But I cannot work in a newsroom where I am disparaged by a new CEO whose divisive views confirm the very problems at NPR I cited in my Free Press essay," Berliner continued.

[religion-is-a-mental-illness]

By: Christopher F. Rufo

Published: Apr 17, 2024

Katherine Maher has a golden résumé, with stints and affiliations at UNICEF, the Atlantic Council, the World Economic Forum, the State Department, Stanford University, and the Council on Foreign Relations. She was chief executive officer and executive director of the Wikimedia Foundation. And, as of last month, she is CEO of National Public Radio.

Mere weeks into this new role, Maher has stepped into controversy. Long-time NPR senior editor Uri Berliner published a scathing indictment of the self-professed “public” media service’s ideological capture. Rather than address the substance of these criticisms—which will ring true to anyone who has listened to NPR over the past decade—Maher punished Berliner with a five-day unpaid suspension. (Berliner announced his resignation from NPR earlier today.)

But Maher has another problem: her archive of 29,400 tweets.

I have spent the past few days exploring Maher’s prolific history on social media, which she seems to have used as a private diary, narrating her every thought, emotion, meeting, and political opinion in real-time. This archive is a collection of her statements, but at a deeper level, it provides a window into the soul of a uniquely American archetype: the affluent, white, female liberal—many of whom now sit atop our elite institutions.

What you notice first about Maher’s public speech are the buzzwords and phrases: “structural privilege,” “epistemic emergency,” “transit justice,” “non-binary people,” “late-stage capitalism,” “cis white mobility privilege,” “the politics of representation,” “folx.” She supported Black Lives Matter from its earliest days. She compares driving cars with smoking cigarettes. She is very concerned about “toxic masculinity.”

On every topic, Maher adopts the fashionable language of left-wing academic theory and uses it as social currency, even when her efforts veer into self-parody. She never explains, never provides new interpretation—she just repeats the phrases, in search of affirmation and, when the time is right, a promotion.

Maher understands the game: America’s elite institutions reward loyalty to the narrative. Those who repeat the words move up; those who don’t move out.

Next, you notice the partisanship. Maher was “excited” about Elizabeth Warren in 2012. She “just [couldn’t] wait to vote” for Hillary in 2016. She once had a dream about “sampling and comparing nuts and baklava on roadside stands” with Kamala Harris. She worked to “get out the vote” in Arizona for Joe Biden but slightly resented being called a “Biden supporter”; for her, it was simply a matter of being a “supporter of human rights, dignity, and justice.”

Donald Trump, on the other hand, is a “deranged racist sociopath.”

If you read Maher’s tweets closely, you also get glimpses of the human being. She spent much of her time in airports, taxis, meetings, and conferences. She expressed anger over the fact that most first-class flyers were white men, then noted that she went straight “to the back of the bus.” In her thirties, unmarried and without children, she felt the need to explain that “the planet is literally burning” and that she could not, in good conscience, “bring a child into a warming world.”

Behind the frenetic activity and the moral posturing, you wonder. Maher once posted her daily routine, which involved yoga, iced coffee, back-to-back meetings, and Zoom-based psychotherapy. She resented being served maternity advertisements on Instagram, she said. She was not “currently in the market for a baby” and would not be “tending her ovaries” according to the dictates of American capitalism. 

Americans, even CEOs, are entitled to their opinions and to their own life decisions, of course. But the personal and psychological elements that suffuse Maher’s public persona seem to lead to political conclusions that are, certainly, worthy of public criticism.

The most troubling of these conclusions is her support for radically narrowing the range of acceptable opinions. In 2020, she argued that the New York Times should not have published Senator Tom Cotton’s op-ed, “Send in the Troops,” during the George Floyd riots. In 2021, she celebrated the banishment of then-president Donald Trump from social media, writing: “Must be satisfying to deplatform fascists. Even more satisfying? Not platforming them in the first place.”

As CEO of the Wikimedia Foundation, Maher made censorship a critical part of her policy, under the guise of fighting “disinformation.” In a speech to the Atlantic Council, an organization with extensive ties to U.S. intelligence services, she explained that she “took a very active approach to disinformation,” coordinated censorship “through conversations with government,” and suppressed dissenting opinions related to the pandemic and the 2020 election.

In that same speech, Maher said that, in relation to the fight against disinformation, the “the number one challenge here that we see is, of course, the First Amendment in the United States.” These speech protections, Maher continued, make it “a little bit tricky” to suppress “bad information” and “the influence peddlers who have made a real market economy around it.”

Maher’s general policy at Wikipedia, she tweeted, was to support efforts to “eliminate racist, misogynist, transphobic, and other forms of discriminatory content”—which, under current left-wing definitions, could include almost anything to the right of Joe Biden.

The new CEO of NPR, then, is a left-wing ideologue who supports wide-scale censorship and considers the First Amendment an impediment to her campaign to sanitize the world of wrong opinions.

Maher is no aberration. She is part of a rising cohort of affluent, left-wing, female managers who dominate the departments of university administration, human resources, and DEI. They are the matriarchs of the American Longhouse: they value safety over liberty, censorship over debate, and relativism over truth.

Each social gambit is designed for smothering the institution in ideology. Maher says that she knows “that hysteric white woman voice.” She has “done it.” And while she might not be proud of it—she is aware that she has “a big fat privilege pass”—she is willing to do what it takes to move the dictates of conventional left-wing opinion into a position of domination.

It didn’t begin at NPR, and it won’t end there.

--

==

The First Amendment being viewed as an impediment to what she wants to do, is not a good look for the CEO of a publicly (i.e. government, i.e. taxpayer) funded broadcaster.

[fundiepredictions]

Happy anniversary

Steve&Teri Maxwell celebrate their 50th anniversary today.

Their family:

Nathan (47), married with Melanie Maher (48), with Abigail (16), Bethany (14), Christina (12), Andrew (10), Benjamin (7) and Deborah (5)

Christopher (45), married with Anna Hamilton (38), with Joshua (12), Ruthanne (10), Lydia (9), Daniel (8), Elizabeth (6), Simon (4) and Esther (0)

Sarah (42), married with Kody Bollinger (45)

Joseph (35), married with Elissa Frost (32), with Calia (8), Kyle (6) and Caleb (4)

John (33), married with Chelsy Bontrager (33), with Axton (5), Elliot (4) and Madeline (3)

Anna (31)

Jesse (29), married with Anna Craig (24) with baby (1)

Mary (27), married with Samuel Hook (24)

[thebuhonerodazorrow]

Hellcat #5 (2023)

Marvel

[chillingcinemachronicles]

Top 5 Sci-Fi Movies on Netflix

5. Predestination (2014)

Genre: Science Fiction, Thriller

Actor: Alicia Pavlis, Annabelle Norman, Arielle O’Neill, Ben Prendergast, Carolyn Shakespeare-Allen, Cate Wolfe, Christopher Bunworth, Christopher Kirby, Christopher Sommers, Christopher Stollery, Dennis Coard, Dick York, Elise Jansen, Eliza D’Souza, Eliza Matengu, Ethan Hawke, Felicity Steel, Finegan Sampson, Freya Stafford, Giordano Gangl, Grant Piro, Hayley Butcher, Jim Knobeloch, Katie Avram, Kristie Jandric, Kuni Hashimoto, Lucinda Armstrong Hall, Madeleine West, Maja Sarosiek, Marky Lee Campbell, Milla Simmonds, Monique Heath, Noah Taylor, Noel Herriman, Olivia Sprague, Paul Moder, Raj Sidhu, Rob Jenkins, Sara El-Yafi, Sarah Snook, Sophie Cusworth, Tony Nikolakopoulos, Tyler Coppin, Vanessa Crouch

Director: Michael Spierig, Peter Spierig, The Spierig Brothers

Rating: R

One of the most original time-travel thrillers since 12 Monkeys. A brilliant subversion of the Time Paradox trope, with enough plot twists to keep you entertained until well after the movie is finished. Predestination is an amazing movie with great performances from Ethan Hawke and Sarah Snook. It’s a movie that will feel like Inception, when it comes to messing with your mind and barely anyone has heard of it. It is highly underrated and unknown, sadly.

4. Train to Busan (2016)

Genre: Action, Adventure, Drama, Horror, Science Fiction, Thriller

Actor: Ahn So-hee, An So-hee, Baek Seung-hwan, Cha Chung-hwa, Chang-hwan Kim, Choi Gwi-hwa, Choi Woo-shik, Choi Woo-sung, Dong-seok Ma, Eui-sung Kim, Gong Yoo, Han Ji-eun, Han Sung-soo, Jang Hyuk-jin, Jeong Seok-yong, Jung Seok-yong, Jung Young-ki, Jung Yu-mi, Kim Chang-hwan, Kim Eui-sung, Kim Jae-rok, Kim Joo-heon, Kim Ju-hun, Kim Keum-soon, Kim Soo-ahn, Kim Soo-an, Kim Su-an, Kim Won-Jin, Lee Joo-sil, Lee Joong-ok, Ma Dong-seok, Park Myung-shin, Sang-ho Yeon, Seok-yong Jeong, Shim Eun-kyung, Sohee, Soo-an Kim, Soo-jung Ye, Terri Doty, Woo Do-im, Woo-sik Choi, Ye Soo-jung, Yeon Sang-ho, Yoo Gong, Yu-mi Jeong, Yu-mi Jung

Director: Sang-ho Yeon, Yeon Sang-ho

Lights, camera, VPNaction! Elevate your movie nights with NordVPN. 🎥🔒secure your connection and Download NordVPN . Click now to unlock global cinematic thrills!

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

3. Serenity (2005)

Genre: Action, Adventure, Science Fiction, Thriller

Actor: Adam Baldwin, Alan Tudyk, Carrie ‘CeCe’ Cline, Chiwetel Ejiofor, Colin Patrick Lynch, David Krumholtz, Demetra Raven, Dennis Keiffer, Elaine Mani Lee, Erik Weiner, Gina Torres, Glenn Howerton, Hunter Ansley Wryn, Jessica Huang, Jewel Staite, Linda Wang, Logan O’Brien, Marcus Young, Mark Winn, Marley McClean, Matt McColm, Michael Hitchcock, Morena Baccarin, Nathan Fillion, Nectar Rose, Neil Patrick Harris, Peter James Smith, Rafael Feldman, Rick Williamson, Ron Glass, Ryan Tasz, Sarah Paulson, Sean Maher, Summer Glau, Tamara Taylor, Terrell Tilford, Terrence Hardy Jr., Tristan Jarred, Weston Nathanson, Yan Feldman

Director: Joss Whedon

Rating: PG-13

Lights, camera, VPNaction! Elevate your movie nights with NordVPN. 🎥🔒secure your connection and Download NordVPN . Click now to unlock global cinematic thrills!

Serenity is a futuristic sci-fi film that serves as a feature-length continuation of the story-line from the TV program Firefly (2002–2003). The story revolves around the captain (Nathan Fillion) and crew of the titular space vessel that operate as space outlaws, running cargo and smuggling missions throughout the galaxy. They take on a mysterious young psychic girl and her brother, the girl carrying secrets detrimental to the intergalactic government, and soon find themselves being hunted by a nefarious assassin (Chiwetel Ejiofor). The first feature-length film from Joss Whedon (The Avengers), Serenity is a lively and enjoyable adventure, replete with large-scale action sequences, strong characterizations and just the right touch of wry humor. An enjoyable viewing experience that stands alone without demanding that you have familiarity with the original program beforehand.

2. Sorry to Bother You (2018)

Genre: Comedy, Fantasy, Science Fiction

Actor: Armie Hammer, Danny Glover, David Cross, Ed Moy, Forest Whitaker, James D. Weston II, Jermaine Fowler, John Ozuna, Kate Berlant, Lakeith Stanfield, Lily James, Marcella Bragio, Michael X. Sommers, Molly Brady, Omari Hardwick, Patton Oswalt, Robert Longstreet, Rosario Dawson, Steven Yeun, Teresa Navarro, Terry Crews, Tessa Thompson, Tom Woodruff Jr., Tony Toste, W. Kamau Bell

Director: Boots Riley

In the year of the Netflix TV Show Maniac, another absurdist title stole critics’ hearts. Sorry to Bother You is a movie set in an alternate reality, where capitalism and greed are accentuated. Lakeith Stanfield (Atlanta) is a guy called Cassius who struggles to pay his bills. However, when at a tele-marketing job an old-timer tells him to use a “white voice”, he starts moving up the ranks of his bizarre society. A really smart movie that will be mostly enjoyed by those who watch it for its entertaining value, and not so much for its commentary. It is like a Black Mirror episode stretched into a movie.

1. Ex Machina (2015)

Genre: Drama, Science Fiction

Actor: Alex Garland, Alicia Vikander, Chelsea Li, Claire Selby, Corey Johnson, Domhnall Gleeson, Elina Alminas, Gana Bayarsaikhan, Oscar Isaac, Sonoya Mizuno, Symara A. Templeman, Symara Templeman, Tiffany Pisani

Director: Alex Garland

Rating: R

Lights, camera, VPNaction! Elevate your movie nights with NordVPN. 🎥🔒secure your connection and Download NordVPN . Click now to unlock global cinematic thrills!

Ex Machina is the directorial debut of Alex Garland, the writer of 28 Days Later (and 28 Weeks Later). It tells the story of Caleb (Domhnall Gleeson from About Time), an IT developer who is invited by a billionaire CEO to participate in a groundbreaking experiment — administering a Turing test to a humanoid robot called Ava (Alicia Vikander). Meeting the robot with feelings of superiority at first, questions of trust and ethics soon collide with the protagonist’s personal views. While this dazzling film does not rely on them, the visual effects and the overall look-feel of Ex Machina are absolutely stunning and were rightly picked for an Academy Award. They make Ex Machina feel just as casually futuristic as the equally stylish Her and, like Joaquin Phoenix, Gleeson aka Caleb must confront the feelings he develops towards a machine, despite his full awareness that ‘she’ is just that. This is possibly as close to Kubrick as anyone got in the 21st century. Ex Machina is clever, thrilling, and packed with engaging ideas.