#Charlotte Elizabeth McKay

[stackumbrellayamini]

Top 10 Extremely Hot WWE Divas

 

World Wrestling Entertainment (WWE) is extremely popular among young people. Whether it is female or male wrestlers, both are equally responsible for the sport’s success. Female wrestlers were referred to as “divas” in the early days of WWE.

This term was later changed to “women superstars” in 2016. When it comes to women, they are equal to men. Hot WWE divas have become the reason why many people are compelled to watch this sport over time.

We’ve all heard of popular male wrestlers like the Undertaker and Triple H. However, in this article, we will discuss the top hot WWE women wrestlers. The women rose to the top thanks to their incredible wrestling and promotional abilities. Also, know about 10 unknown facts about the Undertaker.

Top 10 hot WWE divas

Here is a list of some of the most attractive and hot female wrestlers. Who is extremely popular among WWE fans.

1. Stacy Keibler

Stacy Keibler is a well-known American model, dancer, and retired professional wrestler. She is the WWE’s most well-known and hottest female wrestler. This beautiful personality was known as the” legs of WWE” as she has long legs. She was known for her work with WWE and World Championship Wrestling.

2. Charlotte fair

Ashley Elizabeth Flair, also known as Charlotte Flair, is among the top hot WWE diva of 2022. She is the daughter of WWE icon Ric Flair. She is an American professional wrestler.

Flair was named Women of the Year in 2016. She is currently performing in WWE under the Raw Brand.

3. Mandy Rose

Mandy Rose, who was born on July 18, 1990, is a professional American wrestler and one of the hot WWE divas. Rose began her career in 2016 and quickly rose to prominence as a popular and successful female wrestler.

4. Billie Kay

American professional wrestler Jessica McKay is famous by her ring name Billie Kay. With her personality and beauty, WWE fans are crazy about her. Born in June 2007 she is now performing under Raw Band. kay is popular for her charming and extremely attractive personality.

5. Carmella

Leah Van Dale is popularly renowned by the ring name Carmella. This professional female wrestler is Well- known for her fitness and personality. Along with it, she is among the extremely hot WWE divas.

6. Alexa Bliss

This hot female wrestler, who was born on August 9, 1991, is known for her perfect body and blond hair. Her ring name is Alexa Bliss, but her real name is Alexia Kaufman. She began her WWE career in NXT in 2013.

7. Nikki Bella

Stephanie Nicola Gracia-Colace is now by her ring name Nikki Bella. Nikki was the most successful WWE female wrestler of all time. She started her career with FCW then signed by WWE. This hot wrestler has won the WWE Divas Championship two times.

8. Peyton Royce

Petyon has a large fan base due to her attractive appearance and charm. She began her professional wrestling career in 2018 with NXT. With the perfect look and body, Petyon is among the extremely hot WWE divas.

9. Lana

Lana is one of the most mentioned names in the list of hot WWE divas. Lana’s real name is Catherine Joy Perry, but she goes by Lana. Her WWE career began in 2016. In 2023, this American beauty is still a diva.

10. Becky Lynch

Rebecca Quin is better known as Becky Lynch in the ring. She began her professional wrestling career in 2002. Lynch is the sexiest WWE diva, thanks to her brown hair and perfect body. Also, read some interesting facts about triple H.

[marvilus-magpie]

Hubflowers are her favorite.

Charlie never knew quite who she was before the war. She went to law school but never really wanted to be a lawyer. She got married and had a child, but she wasn’t content to be a housewife.

It wasn’t until the world fell apart and she emerged into the wasteland over 200 years later that she found purpose. She had to lose everything to find herself.

[marvilus-magpie]

Oh Max!!! I’m crying! This is amazing...absolutely perfect! Same ❤️❤️❤️ Thank you so much my friend!!

Charlotte Elizabeth McKay 

Happy Birthday, @marvilus73  

You are a great friend and I’m so glad I’ve gotten the chance to get to know you ♥ Hope you are having a wonderful day!

[ifreakingloveroyals]

19 September 2022 | Camilla, Queen Consort, Prince George, Princess Charlotte, Catherine, Princess of Wales, Meghan, Duchess of Sussex, and Sophie, Countess of Wessex after the State Funeral of Queen Elizabeth II in London, England. Elizabeth Alexandra Mary Windsor was born in Bruton Street, Mayfair, London on 21 April 1926. She married Prince Philip in 1947 and ascended the throne of the United Kingdom and Commonwealth on 6 February 1952 after the death of her Father, King George VI. Queen Elizabeth II died at Balmoral Castle in Scotland on September 8, 2022, and is succeeded by her eldest son, King Charles III. (c) Hannah McKay - WPA Pool/Getty Images

[papermoonloveslucy]

A WOMAN OF DISTINCTION

March 16, 1950

Directed by Edward N. Buzzell 

Produced by Buddy Adler for Columbia Pictures

Written by Charles Hoffman; additional dialogue by Frank Tashlin; story by Ian McLellan Hunt and Hugo Butler

Synopsis ~ College dean Susan Middlecott thinks there's no room in her life for romance until she meets Professor Alec Stevenson, British lecturer on astronomy, who is in possession of a keepsake of Susan's that he wants to return. Desperate for publicity, lecture bureau press agent Teddy Evans magnifies this into a great romance. The efforts of both dignified principals to quash the story have the opposite effect.

PRINCIPAL CAST

Rosalind Russell (Susan Middlecott) is probably best remembered as Auntie Mame, a role she played on Broadway and in the film and a role Lucille Ball would film in the 1974 musical version of the play. She was nominated for four Oscars. This is her only appearance with Lucille Ball. 

Edmund Gwenn (Mark Middlecott) is probably best remembered for playing Kris Kringle in Miracle on 34th Street (1947), which also featured William Frawley. He won an Oscar in 1951 for Mister 888. This is his only appearance with Lucille Ball. 

Ray Milland (Alec Stevenson) won a 1945 Oscar for The Lost Weekend. This is his only appearance with Lucille Ball.  

Janis Carter (Teddy Evans) also appeared with Lucille Ball in Miss Grant Takes Richmond (1949). 

Mary Jane Saunders (Louisa) was a seven year-old child actor who also appeared with Lucille Ball in 1949′s Sorrowful Jones. 

Francis Lederer (Paul Simone) makes his only appearance with Lucille Ball. 

Jerome Courtland (Jerome) makes his only appearance with Lucille Ball.

UNCREDITED CAST 

Lucille Ball (as Lucille Ball) plays herself in a cameo appearance in her 73rd motion picture. Leaving an airplane holding a lapdog, movie star Lucille Ball stops to pose for photographs. 

Gale Gordon (Station Clerk) was Lucille Ball’s co-star in every one of her radio and television shows: Rudolph Atterbury on “My Favorite Husband,” Alvin Littlefield on “I Love Lucy,” Theodore J. Mooney on “The Lucy Show,” Harrison Otis Carter on “Here’s Lucy,” and Curtis McGibbon on “Life With Lucy.” Whether bellowing or turning a cartwheel, he was Lucy’s perfect comic foil!  

Gail Bonney (Woman) also appeared with Lucille Ball in The Fuller Brush Girl (1950). She re-teamed with Lucy in as Mr. Hudson in “The Amateur Hour” in 192, a 1965 episode of "The Lucy Show”, and a 1968 episode of "Here’s Lucy.”

Harry Cheshire (Stewart) also appeared with Lucille Ball in Her Husband’s Affairs (1947), and Miss Grant Takes Richmond (1949). He played oil tycoon Sam Johnson in “Oil Wells” (1954).  Mary Ellen Kay (Background Performer) later played Mrs. Taylor, who rents the Ricardo apartment in “Lucy Hates to Leave” (1957). 

Norman Leavitt (Earl, Hotel Desk Clerk) also appeared with Lucille Ball in The Long, Long Trailer (1953). He made three appearances on the “The Lucy-Desi Comedy Hour” after which he was in The Facts of Life (1960) and two episodes of "The Lucy Show.”

William Newell (Bartender) played the Nome hotel desk clerk in “Lucy Goes To Alaska” an episode of “The Lucy-Desi Comedy Hour” featuring Red Skelton.

Hans Moebus (Background Performer) was a German-born actor who appeared as an uncredited background performer in hundreds of movies and TV shows, including the Lucille Ball films DuBarry Was a Lady (1943), and The Facts of Life (1960). On “I Love Lucy,” Moebus was seen in “Bon Voyage” also in two episodes of “The Lucy Show.”

Reporters: Larry Barton, Richard Bartell, Harry Strang, Donald Kerr,  Charles Jordan, Ted Jordan

Members: Lelah Tyler, Mira McKinney

Conductors: William E. Green, Robert Malcolm

Alex Gerry (Herman Pomeroy) Charles Evans (Dr. McFall) Charlotte Wynters (Miss Withers) Clifton Young (Chet) Jean Willes (Pearl) Wanda McKay (Merle) Elizabeth Flournoy (Laura) Harry Tyler (Charlie) Harry Harvey, Jr. (Joe) Maxine Gates (Goldie) Walter Sande (Officer) Marie Blake (Wax Operator) Napoleon Whiting (Porter) John Smith (Boy) Charles Trowbridge (Jewelry Salesman) Dudley Dickerson (Waiter) Lucille Browne (Manicurist) Lois Hall (Stewardess) Myron Healey (Cameraman) Edward Keane (Sergeant)

TRIVIA OF DISTINCTION

In Spain the film was titled The Teacher’s Scandals.

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on October 23, 1950 with Rosalind Russell reprising her film role. Coincidentally, Lucille Ball took over for Rosalind Russell when Screen Directors Radio Playhouse presented “A Foreign Affair” in March 1951. 

Rosalind Russell and her husband Fred Brisson were in the studio audience the night “I Love Lucy” filmed “Be A Pal” on September 21, 1951. 

Eddie Buzzell also directed Lucille Ball in Best Foot Forward (1943) and Easy to Wed (1946).  His name was mentioned as a going away party guest in “Drafted” (ILL S1;E11). 

[marvilus-magpie]

AAAAAAHHH! This is amazing!

Thank you so much, she’s absolutely beautiful!!

Uhm, so... I have just started to learn to draw digitally. Never done that before. It's fun! I use Ibis paint on my phone. Don't have any pen so I paint with my finger, but it works.

Aaanyways... This is my second attempt, first was just a sketch of a bunny face to try out brushes and stuff. I got inspired to try and make a portrait of Charlie the other day when it was her birthday, but it took a while to finish it. But here it is finally!

Happy belated birthday Charlotte "Charlie" Elizabeth McKay!

Hope you like her @marvilus-magpie ❤

[weirdletter]

Into the London Fog: Eerie Tales from the Weird City (British Library Tales of the Weird), edited with notes by Elizabeth Dearnley, British Library Publishing, 2020. Cover art by Enrique Bernardou, info: shop.bl.uk.

‘Outside, where the air was foggy, the square was noiseless, save for an occasional hoot of a motor passing into the streets. By degrees I found the light growing rather dim, as if the fog had penetrated into the room��’ As the smoky dark sweeps across the capital, strange stories emerge from the night. A séance reveals a ghastly secret in the murk of Regent’s Canal. From south of the Thames come chilling reports of a spring-heeled spectre, and in Stoke Newington rumours abound of an opening to another world among the quiet alleys. Join Elizabeth Dearnley on this atmospheric tour through a shadowy London, a city which has long inspired writers of the weird and uncanny. Waiting in the hazy streets are eerie tales from Charlotte Riddell, Lettice Galbraith and Violet Hunt, along with haunting pieces by Virginia Woolf, Arthur Machen, Sam Selvon and many more.

Contents: Introduction by Elizabeth Dearnley Temple – The Telegram by Violet Hunt Regent’s Park – In the Séance Room by Lettice Galbraith Kensington – The Demon Lover by Elizabeth Bowen Mayfair – The Truth, the Whole Truth, and Nothing but the Truth by Rhoda Broughton Piccadilly – The Dressmaker’s Doll by Agatha Christie Soho – War, an extract from London In My Time by Thomas Burke The Strand – Street Haunting by Virginia Woolf Holborn – Pugilist vs Poet, an extract from A Long Way from Home by Claude McKay Stoke Newington – N by Arthur Machen Whitechapel – The The Lodger by Marie Belloc Lowndes Waterloo – My Girl and the City by Sam Selvon Crystal Palace – The Mystery of the Semi-Detached by Edith Nesbit Vauxhall – The Old House in Vauxhall Walk by Charlotte Riddell Putney (and Bloomsbury) – The Chippendale Mirror by E.F. Benson Peckham – Spring-Heeled Jack by Anonymous

[atomheartmagazine]

New Post has been published on Atom Heart Magazine

New Post has been published on http://www.atomheartmagazine.com/premi-oscar-2022-ecco-tutte-le-nomination/25717

Premi Oscar 2022: ecco tutte le nomination

Durante la diretta streaming sui canali dell’Academy, sono state rese note tutte le nomination ai Premi Oscar 2022. Eccole di seguito.

NOMINATION PREMI OSCAR 2022

MIGLIOR FILM – Premi Oscar 2022

“Belfast” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers

“CODA” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers

“Don’t Look Up” Adam McKay and Kevin Messick, Producers

“Drive My Car” Teruhisa Yamamoto, Producer

“Dune” Mary Parent, Denis Villeneuve and Cale Boyter, Producers

“King Richard” Tim White, Trevor White and Will Smith, Producers

“Licorice Pizza” Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers

“Nightmare Alley” Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers

“The Power of the Dog” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, Producers

“West Side Story” Steven Spielberg and Kristie Macosko Krieger, Producers

MIGLIOR REGIA

“Belfast” Kenneth Branagh

“Drive My Car” Ryusuke Hamaguchi

“Licorice Pizza” Paul Thomas Anderson

“The Power of the Dog” Jane Campion

“West Side Story” Steven Spielberg

MIGLIOR ATTORE PROTAGONISTA – Premi Oscar 2022

Javier Bardem in “Being the Ricardos”

Benedict Cumberbatch in “The Power of the Dog”

Andrew Garfield in “tick, tick…BOOM!”

Will Smith in “King Richard”

Denzel Washington in “The Tragedy of Macbeth”

MIGLIORE ATTRICE PROTAGONISTA

Jessica Chastain in “The Eyes of Tammy Faye”

Olivia Colman in “The Lost Daughter”

Penélope Cruz in “Parallel Mothers”

Nicole Kidman in “Being the Ricardos”

Kristen Stewart in “Spencer”

MIGLIOR ATTORE NON PROTAGONISTA

Ciarán Hinds in “Belfast”

Troy Kotsur in “CODA”

Jesse Plemons in “The Power of the Dog”

J.K. Simmons in “Being the Ricardos”

Kodi Smit-McPhee in “The Power of the Dog”

MIGLIORE ATTRICE NON PROTAGONISTA

Jessie Buckley in “The Lost Daughter”

Ariana DeBose in “West Side Story”

Judi Dench in “Belfast”

Kirsten Dunst in “The Power of the Dog”

Aunjanue Ellis in “King Richard”

MIGLIOR LUNGOMETRAGGIO ANIMATO – Premi Oscar 2022

“Encanto” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer

“Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Luca” Enrico Casarosa and Andrea Warren

“The Mitchells vs. the Machines” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht

“Raya and the Last Dragon” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

MIGLIOR FOTOGRAFIA

“Dune” Greig Fraser

“Nightmare Alley” Dan Laustsen

“The Power of the Dog” Ari Wegner

“The Tragedy of Macbeth” Bruno Delbonnel

“West Side Story” Janusz Kaminski

MIGLIORI COSTUMI

“Cruella” Jenny Beavan

“Cyrano” Massimo Cantini Parrini and Jacqueline Durran

“Dune” Jacqueline West and Robert Morgan

“Nightmare Alley” Luis Sequeira

“West Side Story” Paul Tazewell

MIGLIOR DOCUMENTARIO – Premi Oscar 2022

“Ascension” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell

“Attica” Stanley Nelson and Traci A. Curry

“Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Summer of Soul (…Or, When the Revolution Could Not Be Televised)” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein

“Writing with Fire” Rintu Thomas and Sushmit Ghosh

MIGLIOR CORTOMETRAGGIO DOCUMENTARIO

“Audible” Matt Ogens and Geoff McLean

“Lead Me Home” Pedro Kos and Jon Shenk

“The Queen of Basketball” Ben Proudfoot

“Three Songs for Benazir” Elizabeth Mirzaei and Gulistan Mirzaei

“When We Were Bullies” Jay Rosenblatt

MIGLIOR MONTAGGIO

“Don’t Look Up” Hank Corwin

“Dune” Joe Walker

“King Richard” Pamela Martin

“The Power of the Dog” Peter Sciberras

“tick, tick…BOOM!” Myron Kerstein and Andrew Weisblum

MIGLIOR FILM INTERNAZIONALE – Premi Oscar 2022

“Drive My Car” Japan

“Flee” Denmark

“The Hand of God” Italy

“Lunana: A Yak in the Classroom” Bhutan

“The Worst Person in the World” Norway

MIGLIOR MAKEUP E HAIRSTYLING

“Coming 2 America” Mike Marino, Stacey Morris and Carla Farmer

“Cruella” Nadia Stacey, Naomi Donne and Julia Vernon

“Dune” Donald Mowat, Love Larson and Eva von Bahr

“The Eyes of Tammy Faye” Linda Dowds, Stephanie Ingram and Justin Raleigh

“House of Gucci” Göran Lundström, Anna Carin Lock and Frederic Aspiras

MIGLIOR COLONNA SONORA ORIGINALE – Premi Oscar 2022

“Don’t Look Up” Nicholas Britell

“Dune” Hans Zimmer

“Encanto” Germaine Franco

“Parallel Mothers” Alberto Iglesias

“The Power of the Dog” Jonny Greenwood

MIGLIOR CANZONE ORIGINALE

“Be Alive” from “King Richard” Music and Lyric by DIXSON and Beyoncé Knowles-Carter

“Dos Oruguitas” from “Encanto” Music and Lyric by Lin-Manuel Miranda

“Down To Joy” from “Belfast” Music and Lyric by Van Morrison

“No Time To Die” from “No Time to Die” Music and Lyric by Billie Eilish and Finneas O’Connell

“Somehow You Do” from “Four Good Days” Music and Lyric by Diane Warren

MIGLIORE SCENOGRAFIA

“Dune” Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos

“Nightmare Alley” Production Design: Tamara Deverell; Set Decoration: Shane Vieau

“The Power of the Dog” Production Design: Grant Major; Set Decoration: Amber Richards

“The Tragedy of Macbeth” Production Design: Stefan Dechant; Set Decoration: Nancy Haigh

“West Side Story” Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo

MIGLIOR CORTOMETRAGGIO ANIMATO – Premi Oscar 2022

“Affairs of the Art” Joanna Quinn and Les Mills

“Bestia” Hugo Covarrubias and Tevo Díaz

“Boxballet” Anton Dyakov

“Robin Robin” Dan Ojari and Mikey Please

“The Windshield Wiper” Alberto Mielgo and Leo Sanchez

MIGLIOR CORTOMETRAGGIO – Premi Oscar 2022

“Ala Kachuu – Take and Run” Maria Brendle and Nadine Lüchinger

“The Dress” Tadeusz Łysiak and Maciej Ślesicki

“The Long Goodbye” Aneil Karia and Riz Ahmed

“On My Mind” Martin Strange-Hansen and Kim Magnusson

“Please Hold” K.D. Dávila and Levin Menekse

MIGLIOR SUONO

“Belfast” Denise Yarde, Simon Chase, James Mather and Niv Adiri

“Dune” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett

“No Time to Die” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor

“The Power of the Dog” Richard Flynn, Robert Mackenzie and Tara Webb

“West Side Story” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

MIGLIORI EFFETTI VISIVI

“Dune” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer

“Free Guy” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick

“No Time to Die” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould

“Shang-Chi and the Legend of the Ten Rings” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver

“Spider-Man: No Way Home” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

MIGLIORE SCENEGGIATURA NON ORIGINALE

“CODA” Screenplay by Siân Heder

“Drive My Car” Screenplay by Ryusuke Hamaguchi, Takamasa Oe

“Dune” Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth

“The Lost Daughter” Written by Maggie Gyllenhaal

“The Power of the Dog” Written by Jane Campion

MIGLIORE SCENEGGIATURA ORIGINALE

“Belfast” Written by Kenneth Branagh

“Don’t Look Up” Screenplay by Adam McKay; Story by Adam McKay & David Sirota

“King Richard” Written by Zach Baylin

“Licorice Pizza” Written by Paul Thomas Anderson

“The Worst Person in the World” Written by Eskil Vogt, Joachim Trier

Qui tutte le nomination ai Premi Oscar 2022 sul sito dell’Academy.

[shanandwords]

These are the 100 best young adult books, according to Time. How many of these have you read?

The Absolutely True Diary of a Part-Time Indian by Sherman Alexie

Harry Potter (series) by J.K. Rowling

The Book Thief by Marcus Zusak

A Wrinkle in Time by Madeleine L'Engle

Charlotte’s Web by E.B. White

Holes by Louis Sachar

Matilda by Roald Dahl

The Outsiders by S.E. Hinton

The Phantom Tollbooth by Norman Juster

The Giver by Lois Lowry

Are You There God? It's Me, Margaret by Judy Blume

To Kill A Mockingbird by Harper Lee

Roll of Thunder, Hear My Cry by Mildred Taylor

Anne of Green Gables by L.M. Montgomery

The Chronicles of Narnia by C.S. Lewis

Monster by Walter Dean Myers

The Golden Compass by Philip Pullman

The Diary of a Young Girl by Anne Frank 

From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E.L. Konigsburg

Looking for Alaska by John Green

The Curious Incident of the Dog in the Night-Time  by Mark Haddon

Little House on the Prairie by Laura Ingalls Wilder

The Miraculous Journey of Edward Tulane by Kate DiCamilo

Wonder by R.J. Palacio

The Sword in the Stone by T.H. White

The Catcher in the Rye by J.D. Salinger

Little Women by Louisa May Alcott

The Adventures of Huckleberry Finn by Mark Twain

The Hobbit by J.R.R. Tolkien

The Wonderful Wizard of Oz by Frank L. Baum

Lord of the Flies by William Golding

Charlie and the Chocolate Factory by Roald Dahl

Alice’s Adventures in Wonderland by Lewis Caroll

Bridge to Terabithia by Katherine Paterson

The Call of the Wild by Jack London

A Separate Peace by John Knowles

Harriet the Spy by Louise Fitzhugh

The Chocolate War by Robert Cormier

Jacob Have I Loved by Katherine Paterson

A Series of Unfortunate Events (series) by Lemony Snicket  

Hatchet by Gary Paulsen

The Lord of the Rings by J.R.R. Tolkien

Feed by M.T. Anderson

The Alchemyst by Michael Scott

The Princess Bride by William Goldman 

Beezus and Ramona by Beverly Cleary

Tarzan of the Apes by Edgar Rice Burroughs

Johnny Tremain by Esther Forbes

The Westing Game by Ellen Raskin

The Wind in the Willows by Kenneth Grahame

Speak by Laurie Halse Anderson

Mary Poppins by P.L. Travers

The Fault in Our Stars by John Green

A Northern Light by Jennifer Donnelly

The Yearling by Marjorie Kinnan Rawlings

The Hunger Games (series) by Suzanne Collins

For Freedom by Kimberly Brubaker Bradley

The Wall: Growing up Behind the Iron Curtain by Peter Sis

A Monster Calls by Patrick Ness

Percy Jackson and the Olympians (series) by Rick Riordan

The Illustrated Man by Ray Bradbury

A Wreath for Emmett Till by Marilyn Nelson

Every Day by David Levithan

Where Things Come Back by John Corey Whaley

Number the Stars by Lois Lowry

Blankets by Craig Thompson 

Private Peaceful by Michael Morpurgo

The Witch of Blackbird Pond by Elizabeth George Speare

Dangerous Angels by Francesca Lia Block

Frindle by Andrew Clements

Boxers and Saints by Gene Luen Yang

The Graveyard Book by Neil Gaiman

City of the Beasts by Isabel Allende

American Born Chinese by  Gene Luen Yang

The Lost Conspiracy by Frances Hardinge

Dogsbody by Diana Wynne Jones

The Pigman by Paul Zindel

Alabama Moon by Watt Key

Esperanza Rising by Pam Munoz Ryan

The Knife of Never Letting Go by Patrick Ness

Boy Proof by Cecil Castellucci

Fallen Angels by Walter Dean Myers

A High Wind in Jamaica by Richard Hughes

The Tiger Rising by Kate Dicamillo

When You Reach Me by Rebecca Stead

Saffy's Angel by Hilary McKay

The Grey King by Susan Cooper

Mrs. Frisby and the Rats of NIMH by Robert C. O'Brien

The Thief Lord by Cornelia Funke

The Mysterious Benedict Society by Trenton Lee Steward

The Invention of Hugo Cabret by Brian Selznick

Sabriel by Garth Nix

Tiger Lily by Jodi Lynn Anderson

Secret (series) by Pseudonymous Bosch

The Wizard of Earthsea by Ursula K. Le Guin

Tales of Mystery and Imagination by Edgar Allan Poe

Whale Talk by Chris Crutcher

The Chronicles of Prydian (series) by Lloyd Alexander

Danny, the Champion of the World by Roald Dahl

Twilight by Stephenie Meyer

P.S. Want to make a little more progress on this list? You can get two free audiobooks here

[marvilus-magpie]

Today is an especially good day to kiss your favorite ex-paladin.

My sole Charlie and Danse <3

[ifreakingloveroyals]

19 September 2022 | Camilla, Queen Consort, Prince George, Princess Charlotte, Catherine, Princess of Wales, Meghan, Duchess of Sussex, and Sophie, Countess of Wessex, seen after the State Funeral of Queen Elizabeth II in London, England. Elizabeth Alexandra Mary Windsor was born in Bruton Street, Mayfair, London on 21 April 1926. She married Prince Philip in 1947 and ascended the throne of the United Kingdom and Commonwealth on 6 February 1952 after the death of her Father, King George VI. Queen Elizabeth II died at Balmoral Castle in Scotland on September 8, 2022, and is succeeded by her eldest son, King Charles III. (c) Hannah McKay - WPA Pool/Getty Images

[susierpt]

hello susie! do you have any name ideas for an elle fanning and hannah murray fcs please? (theyd be sister if that helps?)

Here are some names I think would be nice as names for sisters, as well as some possible last names.

FIRST

Kelly / Kennedy

Regina / Reagan

Rose / Lily

Stella / Astrid

Minerva / Miranda

Juliet / Rosaline

June / April

Star / Sky

Skylar / Stella

Daisy / Ivy

Guinevere / Ginevra

Brooklyn / London

Ruby / Rosalie

Dahlia / Desdemona

Faith / Charity

Azure / Ruby

Vivian / Valerie

Charlotte / Cheryl

Serena / Grace

Joy / Hope

Blair / Bella

Shelly / Cheryl

Cecily / Gwendolyn

Elizabeth / Jane

Margot / Molly

Keegan / Kaitlyn

LAST

Bentley

Roth

Whitaker

King

Banks

Gates

Hamilton

Erickson

Campbell

Underwood

Sanford

McKay

Snow

Horton

Cole

Dodgson 

Royce

Lloyd

Orson

Rose

Vega

Mack

Sharp

Harmon

Mosley

Briggs

Powers

Herring

Flowers

Moon

Bunch

Birch

Harris

Barber

I hope some of these work for you!

[annerbhp]

For @bethanyactually, the queen of fandoms and beta extraordinaire: 4, 6, 8, 9

4. Favorite pairing?

Well, that’s a rude question. Would you like them alphabetically, chronologically, or by emphasis? ;) Harry Potter/Ginny Weasley is my big focus these days, though often it is more Ginny/Her Own Awesomeness. And, strangely, that is not a pairing I read a lot. Also, of course, Sam Carter/Jack O’Neill will always be the great ship of my life. They are happily together and living their happily ever after in my head, which is probably why I have stopped writing them. But as far as pairings I root for, that I will never pass by a fic about them? Lizzie Bennet/William Darcy. Darcy Lewis/Steve Rogers. (Though I am open to Darcy/Anyone, really) Phryne/Jack. Gen/Attolia. CJ/Danny. B’Elanna/Tom. Rodney McKay/Jennifer Keller. Lindsey Novak/Evan Lorne (Though Novak/Anyone is awesome. SGA was just full of amazing, endless rarepairs.) GSR was a big one for me. Jason Bourne/Marie Kreutz. (Buffy/Angel was my original ship, methinks, though I’ve never really read any fic about them!)

Oh, I was only supposed to pick one?

6. Favorite fic (or one of them)?

Lord, Bethany, you are an evil one. I’m just going to go off the top of my head.

For Sam/Jack: it will always be @pepperf‘s storage closet series which started with Out Go the Lights.

For the Harry Potter verse: honey_wheeler’s and yes i say yes I will yes, Ron/Hermione, Harry/Ginny, particularly fabulous Molly and Arthur. 

Marvel verse: waketosleep’s It’s Electrifying, which is Darcy/Clint from the original Thor. I’m more of a Darcy/Steve girl these days, but THIS FIC.

Lizzie Bennet Diaries: Independent Study by glamaphonic (Lizzie/Darcy with excellent Charlotte.)

I have to stop there or I never will.

8. Do you read WIPs?

Oh my god, in possibly the greatest act of hypocrisy EVER, NO, I DO NOT. As a serial offender, I just generally don’t touch WIPs. BUT, in my defense, I don’t expect anyone to read my WIPs either if that isn’t their cup of tea. Really. Lol.

9. What is the longest fic you’ve read?

Oh, boy. I’ve read some epics. I remember a REALLY long retelling of the Pirates of the Caribbean movies where Elizabeth becomes the Pirate King. I think also the fab Miss de Bourgh in Bath fic (120,000 words). Which, now that I think on it, I DID follow as a WIP. So, there! But mostly I don’t think I read a lot of fic over 50,000 words. Maybe there aren’t that many?

[jessicakehoe]

All the Women Who Weren’t Nominated For an Oscar This Year

The Oscar nominations are out, and there’s plenty that’s noteworthy about this year’s crop of nominees: Black Panther became the first superhero film to be nominated for Best Picture; astoundingly, this is Spike Lee’s first Oscar nomination for directing (for BlackKklansman); Lady Gaga became just the second person (after Mary J Blige) to be nominated in both acting and song categories in the same year; and Yalitza Aparicio, star of Roma, is the first indigenous Mexican actress nominee.

Also noteworthy: the absurd lack of women across most major categories, including directing, screenwriting and cinematography.

No woman nominated for Best Director. No woman nominated for Cinematography. No woman nominated for Editing. No woman nominated for Music. One woman nominated for Adapted Screenplay. One woman nominated for Original Screenplay.

My Academy fam, we must do better. #OscarNoms

— Amber Tamblyn (@ambertamblyn) January 22, 2019

Just as at the 2018 Golden Globes, where only male directors were up for the Best Director award—a fact scathingly called out by Natalie Portman—this year the Academy nominated five men: Yorgos Lanthimos, Spike Lee, Paweł Pawlikowski, Alfonso Cuarón and Adam McKay. Women were similarly shut out of many other key categories. Aside from Nicole Holofcener (who was nominated alongside Jeff Whitty for Can You Ever Forgive Me?) and Deborah Davis (nominated for co-writing The Favourite with Tony McNamara), they were absent from both screenplay categories, as well as from cinematography. Read on for all the incredibly deserving women the Academy overlooked this year.

Debra Granik, Leave No Trace You may know Debra Granik’s name from when she directed Jennifer Lawrence to an Oscar nomination for 2010’s Winter’s Bone, securing nods for Best Picture and Adapted Screenplay too. Her next feature—yes, eight years later–is Leave No Trace, a quiet and haunting film about a father and daughter living off the grid in a forest in Oregon, who are forced to reintegrate into urban life. The film holds a 100% rating on Rotten Tomatoes and also made it to Barack Obama’s list of his favourite films of 2018.

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Rachel Morrison, Black Panther Rachel Morrison was the first (!) female cinematographer to be nominated for an Academy Award for the 2017 film Mudbound, directed by Dee Rees. She first collaborated with director Ryan Coogler on his debut feature Fruitvale Station back in 2013, and continued that partnership with last year’s Black Panther. How she was overlooked for her work on this ambitious film is mind-boggling, because she brought a fictional world to life with richness, texture and an exacting eye for detail. Oh, and she’s also the first female cinematographer the Marvel Cinematic Universe has ever had.

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Josephine Decker, Madeline’s Madeline In what world does a film hailed by critics as “one of the freshest and most exciting films of the 21st century,” and “the most originally and boldly edited film… seen in a while” fail to generate Oscar buzz? In our world, that’s where. This film by Josephine Decker (with an all-female team, to boot) is about a young theatre artist whose personal and theatrical lives begin to careen dangerously towards each other. Starring Miranda July, Molly Parker and newcomer Helena Howard, whose work the New Yorker’s Richard Brody deemed “one of the great teen performances in film history,” the film is exhilarating, complex and wildly inventive.

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Marielle Heller, Can You Ever Forgive Me? Marielle Heller’s debut film The Diary of a Teenage Girl (2015) was a refreshingly frank (and hilarious) coming-of-age story starring Bel Powley, Kristin Wiig and Alexander Skarsgard that premiered to critical acclaim at Sundance. Her latest film, based on a true story, stars Melissa McCarthy in a rare dramatic role as an acerbic, friendless, struggling writer who gets into forgery to earn a living in mid-90s New York and Richard E. Grant as her unscrupulous, game-for-anything partner in crime. The result is a deeply moving narrative motivated by morally-dubious impulses but with heart, humour and human complexity at its core.

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Gillian Flynn, Widows This film—starring Viola Davis alongside a crew of formidable women including Michelle Rodriguez and Elizabeth Debicki—may have crash-and-burned at the box office, but its intricate plot, full of twists and turns, was superbly adapted for the screen (from a novel) by Gillian Flynn and director Steve McQueen.

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Charlotte Bruus Christensen, A Quiet Place How does a movie without dialogue manage to create an atmospheric world for audiences to lose themselves in? Through visuals and sound effects, both of which are handled deftly and lovingly in John Krasinski’s cult hit. Rather than a bleak, dystopian vision, the film contains a richness and warmth, the better to convey the intimacy between the family at the centre of the narrative. Shot on 35mm film, we get both stress-inducing close-ups of the terrified family as well as wider shots of the lush countryside in which this nightmare is unfolding. (While we’re on the subject, it’s criminal that Emily Blunt didn’t score a nom for her wordless but heart-stopping performance.)

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Chloe Zhao, The Rider This under-the-radar film made the Top 10 lists of dozens of film critics in 2018, including those at Variety, the Hollywood Reporter, Vulture, the Atlantic and NPR (and also Barack Obama’s). Directed by Chinese filmmaker Chloe Zhao, the film tells the story of an injured rodeo cowboy in South Dakota’s Sioux community. Based on real-life events—specifically the lives of the Jandreau family living on the Pine Ridge Reservation—the film is a quasi-documentary, with the actual Jandreau family members playing fictionalized versions of themselves. “[Zhap] blends narrative with documentary seamlessly, giving the audience a glimpse into a way of life rarely seen on the big screen, without exaggerating its difficulties,” writes David Sims for the Atlantic.

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Lynne Ramsay, You Were Never Really Here This big-screen adaptation of Jonathan Ames’ novella received a seven-minute standing ovation at Cannes, earning its writer/director Lynne Ramsay a Best Screenplay award and its lead actor, Joaquin Phoenix, a Best Actor prize. Ramsay—whose last feature was the harrowing We Need To Talk About Kevin in 2011—has crafted a disqueting psychological thriller about a hitman who rescues girls from sex trafficking. “A stark, sinewy, slashed-to-the-bone hitman thriller,” concluded Guy Lodge for Variety; “brutal, brilliant,” proclaimed Peter Travers at Rolling Stone.

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All the Women Who Weren’t Nominated For an Oscar This Year published first on https://borboletabags.tumblr.com/

[lindyhunt]

All the Women Who Weren’t Nominated For an Oscar This Year

The Oscar nominations are out, and there’s plenty that’s noteworthy about this year’s crop of nominees: Black Panther became the first superhero film to be nominated for Best Picture; astoundingly, this is Spike Lee’s first Oscar nomination for directing (for BlackKklansman); Lady Gaga became just the second person (after Mary J Blige) to be nominated in both acting and song categories in the same year; and Yalitza Aparicio, star of Roma, is the first indigenous Mexican actress nominee.

Also noteworthy: the absurd lack of women across most major categories, including directing, screenwriting and cinematography.

No woman nominated for Best Director. No woman nominated for Cinematography. No woman nominated for Editing. No woman nominated for Music. One woman nominated for Adapted Screenplay. One woman nominated for Original Screenplay.

My Academy fam, we must do better. #OscarNoms

— Amber Tamblyn (@ambertamblyn) January 22, 2019

Just as at the 2018 Golden Globes, where only male directors were up for the Best Director award—a fact scathingly called out by Natalie Portman—this year the Academy nominated five men: Yorgos Lanthimos, Spike Lee, Paweł Pawlikowski, Alfonso Cuarón and Adam McKay. Women were similarly shut out of many other key categories. Aside from Nicole Holofcener (who was nominated alongside Jeff Whitty for Can You Ever Forgive Me?) and Deborah Davis (nominated for co-writing The Favourite with Tony McNamara), they were absent from both screenplay categories, as well as from cinematography. Read on for all the incredibly deserving women the Academy overlooked this year.

Debra Granik, Leave No Trace You may know Debra Granik’s name from when she directed Jennifer Lawrence to an Oscar nomination for 2010’s Winter’s Bone, securing nods for Best Picture and Adapted Screenplay too. Her next feature—yes, eight years later–is Leave No Trace, a quiet and haunting film about a father and daughter living off the grid in a forest in Oregon, who are forced to reintegrate into urban life. The film holds a 100% rating on Rotten Tomatoes and also made it to Barack Obama’s list of his favourite films of 2018.

Rachel Morrison, Black Panther Rachel Morrison was the first (!) female cinematographer to be nominated for an Academy Award for the 2017 film Mudbound, directed by Dee Rees. She first collaborated with director Ryan Coogler on his debut feature Fruitvale Station back in 2013, and continued that partnership with last year’s Black Panther. How she was overlooked for her work on this ambitious film is mind-boggling, because she brought a fictional world to life with richness, texture and an exacting eye for detail. Oh, and she’s also the first female cinematographer the Marvel Cinematic Universe has ever had.

Josephine Decker, Madeline’s Madeline In what world does a film hailed by critics as “one of the freshest and most exciting films of the 21st century,” and “the most originally and boldly edited film… seen in a while” fail to generate Oscar buzz? In our world, that’s where. This film by Josephine Decker (with an all-female team, to boot) is about a young theatre artist whose personal and theatrical lives begin to careen dangerously towards each other. Starring Miranda July, Molly Parker and newcomer Helena Howard, whose work the New Yorker’s Richard Brody deemed “one of the great teen performances in film history,” the film is exhilarating, complex and wildly inventive.

Marielle Heller, Can You Ever Forgive Me? Marielle Heller’s debut film The Diary of a Teenage Girl (2015) was a refreshingly frank (and hilarious) coming-of-age story starring Bel Powley, Kristin Wiig and Alexander Skarsgard that premiered to critical acclaim at Sundance. Her latest film, based on a true story, stars Melissa McCarthy in a rare dramatic role as an acerbic, friendless, struggling writer who gets into forgery to earn a living in mid-90s New York and Richard E. Grant as her unscrupulous, game-for-anything partner in crime. The result is a deeply moving narrative motivated by morally-dubious impulses but with heart, humour and human complexity at its core.

Gillian Flynn, Widows This film—starring Viola Davis alongside a crew of formidable women including Michelle Rodriguez and Elizabeth Debicki—may have crash-and-burned at the box office, but its intricate plot, full of twists and turns, was superbly adapted for the screen (from a novel) by Gillian Flynn and director Steve McQueen.

Charlotte Bruus Christensen, A Quiet Place How does a movie without dialogue manage to create an atmospheric world for audiences to lose themselves in? Through visuals and sound effects, both of which are handled deftly and lovingly in John Krasinski’s cult hit. Rather than a bleak, dystopian vision, the film contains a richness and warmth, the better to convey the intimacy between the family at the centre of the narrative. Shot on 35mm film, we get both stress-inducing close-ups of the terrified family as well as wider shots of the lush countryside in which this nightmare is unfolding. (While we’re on the subject, it’s criminal that Emily Blunt didn’t score a nom for her wordless but heart-stopping performance.)

Chloe Zhao, The Rider This under-the-radar film made the Top 10 lists of dozens of film critics in 2018, including those at Variety, the Hollywood Reporter, Vulture, the Atlantic and NPR (and also Barack Obama’s). Directed by Chinese filmmaker Chloe Zhao, the film tells the story of an injured rodeo cowboy in South Dakota’s Sioux community. Based on real-life events—specifically the lives of the Jandreau family living on the Pine Ridge Reservation—the film is a quasi-documentary, with the actual Jandreau family members playing fictionalized versions of themselves. “[Zhap] blends narrative with documentary seamlessly, giving the audience a glimpse into a way of life rarely seen on the big screen, without exaggerating its difficulties,” writes David Sims for the Atlantic.

Lynne Ramsay, You Were Never Really Here This big-screen adaptation of Jonathan Ames’ novella received a seven-minute standing ovation at Cannes, earning its writer/director Lynne Ramsay a Best Screenplay award and its lead actor, Joaquin Phoenix, a Best Actor prize. Ramsay—whose last feature was the harrowing We Need To Talk About Kevin in 2011—has crafted a disqueting psychological thriller about a hitman who rescues girls from sex trafficking. “A stark, sinewy, slashed-to-the-bone hitman thriller,” concluded Guy Lodge for Variety; “brutal, brilliant,” proclaimed Peter Travers at Rolling Stone.

[harryandmeghan0-blog]

Catherine, Duchess of Cambridge gives birth to Royal baby, Prince William 'very excited' - ABC News

New Post has been published on https://harryandmeghan.xyz/catherine-duchess-of-cambridge-gives-birth-to-royal-baby-prince-william-very-excited-abc-news/

Catherine, Duchess of Cambridge gives birth to Royal baby, Prince William 'very excited' - ABC News

Updated April 24, 2018 09:08:42

The Duchess of Cambridge has given birth to a son at the Lindo Wing of St Mary’s hospital in London.

Key points:

The prince is now fifth-in-line to the British throne, behind his siblings, his father Prince William and grandfather Prince Charles

Bookmakers have Albert, Arthur, James and Philip as the favourite names for the prince

The Duchess left hospital seven hours after giving birth

The baby boy, who was born weighing 8lbs 7oz (about 3.8kg), is the fifth-in-line to the throne.

Kensington Palace said he was born at 11:01am (8:01pm AEST), a few hours after Catherine was admitted to hospital in labour.

The Duchess smiled at hundreds of well-wishers and assembled journalists as she left the hospital clutching her baby just seven hours after the birth.

William, who was present for the birth, later put the boy, strapped into a car seat, into a waiting car.

Photo: Princess Charlotte waves as she joins her dad and brother visiting the hospital. (Reuters: Hannah McKay)

“Thrice the worry now,” William told reporters, holding up three fingers with a smile, as he got into a car to take his wife and newborn back to Kensington Palace.

“We didn’t keep you waiting too long this time.”

External Link: Royal Family tweet: “A notice has been placed on the forecourt of Buckingham Palace following the announcement of the birth of The Duke and Duchess of Cambridge’s third child. @KensingtonRoyal”

He told onlookers he was “very happy, very excited, thank you”.

When asked about a name for the boy, William said: “You’ll find out soon enough.”

Bookmakers have made Albert, Arthur, James and Philip the favourite names.

Princess Charlotte, 2, turned and waved to the gathered well-wishers as she joined her brother George visiting their newest family member at the hospital.

The Queen, Prince Charles and other members of the Royal family were “delighted with the news”, Kensington Palace said.

“Her Royal Highness and her child are both doing well.”

The new prince is Queen Elizabeth’s sixth great-grandchild and fifth-in-line to the throne behind siblings Prince George, 4, his two-year-old sister Princess Charlotte, their father William, and grandfather and heir Prince Charles.

A 2013 change to the law means the boy will not supplant older sister Charlotte in the line of succession.

“That would in fact be the first time that has ever happened,” royal historian Hugo Vickers said.

William’s younger brother Harry, who marries US actress Meghan Markle next month, falls to sixth on the list.

Photo: Unofficial town crier Tony Appleton announces that the Duchess of Cambridge has given birth to a baby boy. (AP: Kirsty Wigglesworth)

British Prime Minister Theresa May congratulated Prince William and the Duchess.

“I wish them great happiness for the future,” she said.

In keeping with tradition, the official announcement of the birth was made by placing a notice on an easel in the forecourt of the Queen’s London home, Buckingham Palace.

William and Kate met as students at St Andrews University in Scotland. They were married in Westminster Abbey in April 2011.

The couple now lives at Kensington Palace, and last year William gave up his day job as an air ambulance pilot to concentrate full time on Royal duties on behalf of the Queen.

He has been determined to play a hands-on role in bringing up his children while also protecting their privacy, an issue close to his heart after the death of his mother, Princess Diana, in a 1997 Paris car crash as her limousine sped away from chasing paparazzi.

Photo: Prince William and the Duchess of Cambridge leave St Mary’s Hospital with their healthy baby boy. (John Stillwell/Pool photo via AP)

As in her previous pregnancies, Kate suffered from hyperemesis gravidarum, a severe form of morning sickness.

Officials announced both her previous pregnancies before the traditional 12-week mark because she was too unwell to attend public engagements.

Photo: A notice announcing the prince’s birth was placed on an easel outside Buckingham Palace. (AP)

The birth was overseen by a team of doctors including consultant obstetrician Guy Thorpe-Beeston and consultant gynaecologist Alan Farthing — who were also called in for the births of George and Charlotte — as well as the hospital’s midwives.

Television crews, journalists and royal fans had set up camp outside the hospital for the “royal baby watch” since early April in anticipation of the arrival.

Photo: Terry Hutt (left) and John Loughery (right) are royal family super fans. (Reuters: Henry Nicholls)

ABC/wires

Topics: human-interest, royal-and-imperial-matters, children, family-and-children, united-kingdom

First posted April 23, 2018 22:11:52

Source: http://www.abc.net.au/news/2018-04-23/duchess-of-cambridge-royal-baby-son/9686694