#Charlotte Armstrong
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Today's lesser known cryptid is: The Balloon Man
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Alibi For Murder, by Charlotte Armstrong (Pocket Books, 1955)
From eBay.
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Don’t Bother to Knock (1952)
On social media, there are certain actors from Golden Age Hollywood whose imagery, on occasion, seeps through the Internet’s algorithmic modern biases. Too often, those posts are from individuals who have never seen such actor’s movies. Chief among those actors are James Dean, Marlon Brando, Audrey Hepburn, and Marilyn Monroe. Against the grain, I hold that James Dean’s posthumous legacy has overshadowed three performances I am no fan of and Brando’s airbrushed reputation leaves him overvalued in the popular written histories of American cinema. By contrast, Audrey Hepburn’s standing in modern times feels just about correct (although more people should seek out her films beyond 1953’s Roman Holiday and 1961’s Breakfast at Tiffany’s). For Marilyn Monroe, a recent film like Andrew Dominik’s Blonde (2022) follows decades of works that have exploited her image – oftentimes simplifying her to a tragic sex symbol. Monroe, of the four aforementioned Old Hollywood actors who show up from posts from non-film buffs, is the only one whose talents I consider underrated.
There is no better showcase of her early-career dramatic abilities than in Roy Ward Baker’s film noir Don’t Bother to Knock, released by 20th Century Fox. Up to this point, Monroe had starred in more than a dozen films in supporting roles. In a time when actors and film crewmembers were contracted to a studio, Fox loaned Monroe early in her career to Columbia, Metro-Goldwyn-Mayer (MGM), and most recently to RKO. Fox executive Darryl F. Zanuck was still not entirely sure what to make of her, despite a strong performance in RKO’s Clash by Night (1952). Offering Monroe the lead role in Don’t Bother to Knock, Zanuck gave her the opportunity to prove herself (in addition to ascertaining British director Roy Ward Baker’s skills for his first Hollywood picture). Wary of the risks of pushing an actress to her first lead role as well as working with an unfamiliar director, Zanuck allowed a budget that, by Fox’s standards in the early ‘50s, was a trifle. Yet, because of these limitations, Don’t Bother to Knock is a decent noir and a solid Marilyn Monroe vehicle.
One night in a New York City hotel, airline pilot Jed Towers (Richard Widmark, one of Fox’s brightest stars at this time) approaches his ex-girlfriend Lyn Lesley (Anne Bancroft in her film debut), the hotel club’s singer. Lyn broke up with Jed recently by letter, and explains to her ex that her reasoning is due to his attitude. Jed, flustered, heads back to his room. On the same floor Jed is on but across the air shaft, elevator operator Eddie Forbes (noir mainstay Elisha Cook Jr.) introduces his niece Nell (Marilyn Monroe) to guests Peter (Jim Backus) and Ruth Jones (Lurene Tuttle). Nell will serve as babysitter to the Jones’ daughter, Bunny (Donna Corcoran), while the couple attend a reception downstairs. All is set in motion when Jed first sees Nell across the way.
Also in the cast is Don Beddoe as Mr. Ballew. And Disney fans might recognize Verna Felton – the Elephant Matriarch in Dumbo (1941) and the Fairy Godmother in Cinderella (1950), among others – playing Mr. Ballew’s meddling wife, Emma.
Don’t Bother to Knock’s categorization as a film noir comes from its storyline, rather than its visuals. Bar one scene involving Jed believing someone on the other side of the room to be asleep, the film lacks the shadowy aesthetic one comes to expect from noir. Shot and lit conventionally, Don’t Bother to Knock never quite escapes the fact it is obviously soundstage-bound. The small number of different locations for the film’s various scenes also does not help matters. From a perspective of style, this is a disappointing effort from cinematographer Lucien Ballard, who had ample experience in film noir by this point – see The Lodger (1944) and The House on Telegraph Hill (1951) in this collaboration with Baker.
Yet it is the two central performances that elevate the material. The audience is witnessing Marilyn Monroe before sporting her platinum blonde locks. The natural brunette keeps her natural hair color for this film; not truly transforming into the Marilyn that most casual film audiences know about until Niagara (1953). Unlike the typecast dumb blonde roles that she received later in her career, her role in Don’t Bother to Knock is neurotic, restless, and wide-eyed not in a sexual way. Monroe brings a level of internal strife strewn across her face, a measured gait, and a nervous avoidance of eye contact with Richard Widmark and other actors opposite her. To yours truly, having seen Monroe in so many other roles, it was difficult for me to connect her speaking voice – high-pitched, like a streetwise Snow White living in urban America – to this character’s neuroses. She does not attempt much modification in her delivery or register, whether in this role or others. But given that this is early in her career, this can slide. It is otherwise a solid turn that justifies Zanuck’s supposed gamble on her as a lead actress.
After his debut in Henry Hathaway’s Kiss of Death (1947) for 20th Century Fox, Richard Widmark became one of the studio’s prize actors. His role as the sneering, misogynistic, and psychopathic Tommy Udo brought instant notoriety, as well as spawning fan clubs in American colleges and universities known for their sexism. Early in his Fox career, he would largely play villains, but cinephiles knowledgeable of classic Hollywood know that Widmark was equally capable in more honorable roles. In Don’t Bother to Knock, his Jed sits somewhere squarely in the middle – deeply unlikeable, abrasive, yet with glimmers of compassion and helpfulness. That Tommy Udo sneer finds its way onto Widmark’s face, if only for a few passing moments, due to the pain of his recent separation from Anne Bancroft’s Lyn. Despite Jed’s less-than-virtuous qualities, the viewer – because of the situation that transpires between him and Nell – will find themselves rooting for that elusive happy ending in a film noir. Widmark’s performance in Don’t Bother to Knock is not as remarkable as that in Kiss of Death or No Way Out (1950), but he complements Monroe’s performance wonderfully.
Adapted from the little-read and slender book Mischief by Charlotte Armstrong, Don’t Bother to Knock received its adapted screenplay treatment from Daniel Taradash (1953’s From Here to Eternity, 1955’s Picnic). The pulpy screenplay takes place over a few evening hours, refusing to show its entire hand until a little more than halfway through. Eventually, discussion and a depiction mental illness – as it was understood in the 1950s – becomes prominent in the film. By today’s standards, the script’s understanding of mental illness is deficient. It is used more as a plot device rather than something to inspire dialogue about how the individual in question is coping or how the mental health professional have utterly failed them. Some might argue this might detract from the narrative at-large (and noir is very much a narrative-driven subgenre), but I contend that noir with a social conscience only adds depth to the noir tradition.
Director Roy Ward Baker and co-star Richard Widmark, initially frustrated with Monroe’s habits – requiring acting coach, Natasha Lytess, to be on set constantly; frequently asking to take breaks between takes; and constant tardiness – changed their minds when viewing the film’s rushes (the raw unedited footage played back for the director and editor after the film’s shoot is completed for the day). Monroe brought a rawness appropriate for her role in Don’t Bother to Knock, and her inexperience contributed to her believability in the role. As Don’t Bother to Knock made its theatrical premiere in July 1952, some of the nation’s leading movie critics only added to Darryl F. Zanuck’s unease about framing Marilyn Monroe as a lead actress. Ignoring the plaudits from the audiences, Baker, Widmark, and less-prominent critics, Zanuck instead fixated on the likes of The New York Times’ Bosley Crowther claiming that, “Monroe is being groomed by Twentieth Century-Fox for razzle-dazzle stardom… if they also expect her to act, they’re going to have to give her a lot of lessons under an able and patient coach.”
These reviews (that Zanuck spent too much time thinking about) from Crowther and his fellow contemporaries drip with condescension, misogyny, and language more appropriate for a gossip column. For Monroe – only in her mid-twenties and whose shyness and insecurity followed her through all of her life – one can only imagine how hurtful these words and Zanuck’s perceptions must have been. The crafting of the culturally dominant image of Monroe – as a voluptuous and ditzy blonde plaything with no interiority – was beginning to take shape. In the final year that any American could reasonably not have known the name of Marilyn Monroe, Don’t Bother to Knock represents the end of her status as a Hollywood afterthought.
My rating: 7/10
^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).
For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.
#Don't Bother to Knock#Roy Ward Baker#Richard Widmark#Marilyn Monroe#Anne Bancroft#Donna Corcoran#Jeanne Cagney#Lurene Tuttle#Elisha Cook Jr.#Jim Backus#Verna Felton#Don Beddoe#Daniel Taradash#Charlotte Armstrong#Lucien Ballard#Darryl F. Zanuck#Lionel Newman#TCM#My Movie Odyssey
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*People fighting about which series is the best, toxic fans pitting women against each other*
Meanwhile, the actresses:
#and the way they all support each other on social media <3#affair the series#the secret of us#pluto the series#gap the series#the loyal pin#uranus2324#cranium the series#lookmhee punyapat#sonya saranphat#lmsy#ying anada#petrichor the series#23.5 degrees#namtan tipnaree#film rachanun#namtanfilm#freen sarocha#becky armstrong#freenbecky#engfa waraha#charlotte austin#englot#milk pansa#pansa vosbein
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The Secret of Us, Affair, Petrichor, and Cranium
AKA Lingling Kwong as Dr. Fahlada, Lookmhee Punyapat as Dr. Wan, Charlotte Austin as Dr. Cherran, and now FREENBECKY?!
#if a gl has a hot doctor imma watch it#the secret of us#tsou#the secret of us the series#fahlada thananusak#lingling kwong#lingling sirilak#affair#affair the series#wanwiwa#lookmhee punyapat#petrichor#cranium#cranium the series#petrichor the series#charlotte austin#cranium series#freenbecky#freen sarocha#becky armstrong#doctor#thai gl#gl series#*tp
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i just want to thank yall for not being toxic cause most people on twitter be crazy af no matter the fandom they are in 😭😭 i just love how equally obsessed in a good way we are with our thai lesbians-
#for real#the loyal pin#becky armstrong#freenbecky#freen sarocha#princess anil x lady pin#charlotte austin#englot#petrichor the series#affair the series#wan x pleng#the secret of us series#orm kornnaphat#lingling kwong#fayeyoko#blank the series
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Boys ♥ Makeup! (J-14, October/November 2005)
#2005#2000s#j-14#my scans#gerard way#my chemical romance#joel madden#benji madden#good charlotte#brandon flower#the killers#billie joe armstrong#green day#y2kmagazines
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Ladies of the British Royal Family attended the Christmas Church Service at St. Mary Magdalene Church in Sandringham || 25 DECEMBER 2023
#british royal family#british royals#royal#royalty#kate middleton#royals#brf#british royalty#catherine middleton#duchess of cambridge#princess of wales#the princess of wales#princess catherine#princess charlotte#princess anne#queen camilla#zara tindall#mia tindall#lena tindall#lady sarah chatto#pady margarita armstrong jones#sophie rhys jones#sophie wessex#lady louise windsor#lady louise#princess beatrice#princess eugenie#royalty edit#princess charlotte of wales
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Billie Joe and Joel Madden in 2005
#green day#billie joe armstrong#joel madden#good charlotte#other celebrities#2005#american idiot era
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new alt wallpaper
all credit goes to me
(thisgirllovesbands)
#patrick stump#emo bands#all time low#peirce the veil#the maine#pete wentz#wallpaper#billie joe armstrong#mike dirnt#pop punk#fall out boy#alex gaskarth#black parade#blink 182#paramore#good charlotte
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So, I have a new fic. It’s mainly ENGLOT for now, but this is a series of collection with all of my favorite THAI GL SHIPS: FAYEYOKO, LINGORM, ENGLOT, FREENBECKY.
Check it out and let me know what you think, thanks!
These Hoes Are Irrefutable Girl Kissers - SEIZE MY LOVE (ENGLOT): 1 (on Wattpad) https://www.wattpad.com/1463985453-these-hoes-are-irrefutable-girl-kissers-seize-my?utm_source=web&utm_medium=tumblr&utm_content=share_reading&wp_uname=eatsoulsforbreakfast This is a collection of stories (one-shot, short stories, mini-fics) about my favorite THAI GL SHIPS: FAYEYOKO, LINGORM, ENGLOT, FREENBECKY. ALL RIGHTS RESERVED. Please don't convert, translate, or put my content elsewhere.
#englot#fayeyoko#freenbecky#gl#gxg#lingorm#thai#thaigk#fanfiction#books#wattpad#amreading#wp#engfa waraha#charlotte austin#faye malisorn#yoko apasra#freen sarocha#becky armstrong#thai gl#seize my love
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The wonderful Windsor ladies having their pink Barbie moments 💖🌸
#happy barbie day!#princess charlotte of wales#princess beatrice#princess eugenie#lady louise windsor#savannah phillips#isla phillips#zara tindall#mia tindall#lena tindall#lady margarita armstrong jones#lady sarah chatto
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youtube
James Harvey Blair on the Starting From The Pits podcast.
Includes such out of context gems as "if Marcus hadn't pulled my pants down" and "am I trying to get off, or do we have to just hang out?"
(oh, and the two F1 drivers in the Budapest story are George and Pierre)
#james harvey blair#clement novalak#marcus armstrong#screaming meals#starting from the pits#charlotte brown
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#royalty#british royal family#britishroyalty#brf#princess charlotte#princess bea#princess beatrice#the yorks#Sarah chatto#Sarah armstrong jones#lady sarah chatto#queen victoria
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Me: I don’t really vibe with in real ships.
Thailand: create sapphic shows based on actresses with in real life chemistry.
Me: fuck.
Ok what the heck? First you pull Freen and Becky in secret crush on you, give them the leads on gap the series and build an entire brand around them that basically every event they participate is like they are in a couple’s thing.
And then you’re telling me that Two beauty pageants queens that are rumored to be dating in real life are now the leads in this new show?
What the heck is Thailand doing?
#show me love#gap the series#mon kornkamon#khun sam#monsam#freen sarocha#becky armstrong#engfa waraha#charlotte austin#thai gl
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can i please get a show with Becky and charlotte as romantic leads
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