#Character: CHATTY

[the-hydroxian-artblog]

Tails Intimidation (for Ancade, and other stuff)

[sebright]

Enru

[finemealprompt]

DP x DC Prompt #25

Hobson wasn’t the Fenton’s butler for long, but he was their butler long enough to become … concerned. Specifically, for a certain black-haired teenager.

However, he didn't know the best way to go about stepping in on this situation. So, instead he calls a friend. Surely Alfred will know what to do.

[squuote]

Realized how often the Narrator anthropomorphizes things in the Ultra Deluxe in order to encourage or bait Stanley. Which is so much different than how he was in the past endings, specifically the apartment ending. The way he now refers to all the different quotable and memorable objects in the game as Stanley’s friends.

There’s just something about the way the Narrator does at least deeply try to relate to Stanley’s need as a human, understanding more that we are sociable creatures. Giving us the bucket as something to cherish and playing along with the notion (despite getting very obviously upset when Stanley gets too attached to the bucket and then tries to break down that narrative). The attempt made to actually reach out to Stanley in a human-like way.

I don’t know where I’m going with this but the attempt at connection through the similar actions of a person or something like that. Acknowledgement of human needs, even if it's more or less the bare minimum effort.

[mod2amaryllis]

reminder not to go into vet med if you don't like people because brother, i have had to Talk to some People.

[spaceobloquy]

Carla's 'office' was not really what one would imagine from the word. It wasn't a particularly white collar kind of space. There was a desk—it even looked to actually be made of wood—but aside from various displays, it was covered in schematics and various finer tools, while the bare metal and workbenches of the rest of the room suggested a technical workshop. A good-sized window to one side was, curiously, entirely open, and didn't seem like it could be shut.

The woman herself sat upon a pretty cushy looking office chair behind that desk and was tinkering with some kind of circuitry with her bare hands, suggesting it was nothing particularly fancy. She didn't look up when Hayden stepped inside, and took a second to respond to his statement.

"Only just cleared to walk around again and already up and looking for something to do. Guess it's fate we happen to make a set of legs called the SPRING CHICKEN. They carry about as much as the WRECKER, which is good, because your set can be renamed to just wrecked." She finally set whatever doodad down and leaned back in her chair, looking at Hayden—sizing him up.

After a few moments her attention turned up and aside. "Chatty, did we finish our production run on those HAL parts yet?"

A disembodied voice immediately replied: "They're ready, boss."

"Great. Well then. Your AC decided to take RIP pretty literally, and after coming to rest in pieces, there's not a lot left of it. I appreciate the business, by the way." It hadn't escaped her notice that it'd had two RaD major subassemblies, and a lot of BAWS export parts—perhaps it was also fate Hayden had wound up on Rubicon 3.

Not that she believed in any such thing.

"I don't usually endorse our competitors' work, but then again I don't normally meet customers or play handler either, so you're in a real special position today." She beckoned him closer with one hand while pressing a button on the desk with another.

The surface glowed to life below various bits of paper and kit. It was clearly an inset display, and it was displaying an industry-standard AC design interface.

"A whole lot of interesting 'new' gear hit the market after the recent kerfuffle here. Play around with this for a while. Don't worry about the budget. If you've got questions, I'm right here."

He was lucky.

He had shattered several bones, pierced by broken metal, and had nearly died enroute due to Heat Stroke. But he was alive, and nothing that was broken couldn't be fixed. He supposed he owe'd Cinder his life in that she managed to get to him before the Corporations did.

The door opened to her office.

"I need an AC. If I'm to be of use."

@spaceobloquy

[ophernelia]

please humbly accept these eloise stills while i continue editing

[soulfullives]

i really want to talk about the letter lily had sent sirius (in 1981, soon after harry’s first birthday), because i think it’s pretty much the only input we have into their relationship (and a little insight into lily, as well), which to me is thoroughly fascinating.

the first thing i’ve noticed is the way she starts the letter: “dear padfoot”. we can likely assume that their relationship hadn’t been great from the start — lily considered james to be conceited, arrogant and full of himself, and, by extension, we can safely assume she believed of sirius to be the same.

however, the usage of “padfoot” and “wormy” indicates either that their relationship was close enough for her to call them that, or that they, the marauders, called each other that in her vicinity. what is to be noted is that no one, besides themselves and lily, refer to them as such; even when, in PoA, the conversation about sirius takes place, all of the parties (rosmerta, mcgonagall, flitwick, hagrid and fudge) refer to them by their names, although rosmerta mentioned the marauders frequenting the three broomsticks quite often.

lily proceeds to thank sirius for the birthday gift he sent to harry — his favourite, which means, again, that the potters and sirius remained close enough, even while in hiding, in order for sirius to be able to know, approximately, what he could buy harry. a flying, toy broomstick might not have been the most appropriate gift for such a young child, but harry was enjoying himself and, to lily, it seems like that did not matter.

lily also does not seem to mind that he (harry) “smashed a horrible vase Petunia sent me for Christmas”. despite the fact that the two sisters had not been getting along for a while, the fact that petunia had taken the time to send a present (although not a great one) is certainly interesting, too.

she also seems to be a little upset, but understanding, of the fact that sirius could not attend harry’s birthday tea. she is characterised as observant, as james tries not to show his frustration to being locked up in his own home, but lily notices, too, and tries to offer a solution (sirius coming by to visiti), as james cannot leave the house himself.

the mention of peter is also intriguing. lily might have been right about his sentiments towards the death of the mckinnons (which upset lily, too, so we can assume that even if, maybe, they hadn’t been friends, they had been on quite good terms).

she also mentiones bathilda bagshot, to whom she has taken a liking, calling her a “fascinating old thing with the most amazing stories about dumbledore”, however she quickly dismissed, in her opinion, the possibility, proposed by the older woman, that dumbledore and grindelwald had ever been friends.

she ends her letter with “lots of love”, which also is an indicator towards her closeness with sirius. despite their relationship, most likely, not having been one of mutual love and respect, which are the bases for friendship, it seems to have blossomed into something beautiful.

[yuseirra]

Kamiki's mentality- an analysis(post 162)

Hello! :) I'm back..with an analysis of what I think this character must have been feeling, I always need to come up with some type of interpretations to make fan work... some sort of base I could work with. The new chapter was really confusing, right? I've been struggling to make do of it since I encountered it, here's what I make of it, until the new chapter would drop and I get new information.

If you're fond of this character.. or want to see just what the heck he may be feeling, and what's going on in his head, I can't say my interpretations may be the best but it may help you form your own thoughts on this guy. He's a really hard nut to crack but I think I do get how he felt about Ai, and what he struggled to do to an extent. Or what they were trying to go for by having him say those things. Things can overlap with the things I already said, and I incorporate my interpretations into my fanworks too so you may see some things in common~

Really…

If we remove the contradictory descriptions and align it with the song, when trying to roughly understand Kamiki’s psyche:

About this whole idea about Kamiki feeling the "weight of life"—this may sound like some strange nonsense (I feel the same way), but when it comes to him saying such things about Ai, I feel like I somewhat understand what he means.

This isn't about worship or idolization. No, Kamiki doesn’t kill someone for the sake of making Ai an unbeatable idol. I wonder if anyone still gets confused about this. But no, that's not it. Kamiki's reasoning on this is different from Nino's;

It feels more like Kamiki wanted to truly feel Ai's existence. It's a subtle difference, but it's there. He wanted Ai to be alive, but since she isn't, he resorted into trying to feel her existence by increasing her significance and presence, by doing what he did. (I don't know how it would, but according to his belief, this can be achieved by taking down people who can surpass Ai-probably people with the star eyes-)

That’s what it seems like too, based on how it’s phrased from his own perspective.

Ai is dead, but Kamiki couldn’t bear it, so he probably wanted to feel something similar to the feeling of Ai being alive, or at least something close to it. Did he really kill them though? Really? Seriously? Well, it hasn't been fully revealed yet, so I'll hold off on judgment on that for now.

If Ai were alive, Kamiki wouldn’t have acted this way. Over time, Kamiki couldn’t accept that Ai’s presence was fading away, and he wanted to keep her memory alive within him forever, so he acted like this.

But how did Kamiki come to think this way? I don’t think he would’ve reached this kind of belief on his own. Wasn’t there someone who hinted to him that by doing this, he could get closer to Ai? Because… how would Kamiki have known to approach specific people, with those exact conditions? Someone must have told him—maybe the 'black star.' Could he have come up with this idea on his own? And to believe that acting this way would bring him closer to Ai, from the start?

When you look at the lyrics of "Mephisto," at first Kamiki was doing something that could be considered somewhat theoretically logical—he wanted to exchange his life for Ai’s. But at some point, it warped into "becoming like Ai." When did things start to twist like this? What could have driven him to this point? His original personality seemed so gentle…

It’s like he kept saying, "I want to see her, I want to see her," and when that wasn’t possible, he changed direction. That’s how the whole narrative feels concerning the song, right?

"Mephisto" is definitely not about Aqua. It’s not. Because Ruby is still alive. In fact, Aqua giving his life would take him further from Ruby, and the sentiment behind this song is completely different.

Kamiki is definitely insane, but there’s something sad about it too.

Kamiki desperately wants to keep sending something, anything, to Ai, even though she’s gone. But no matter what he does, nothing will ever reach her. So, no matter what he does, his longing remains unfulfilled.

The lyrics of "Fatal" really capture Kamiki’s feelings perfectly. I also think "Mephisto" is his song. He keeps saying, "Watch me, I want to hear your voice, I want to reach you." It’s about his feelings for the dead, so it couldn’t have turned out any other way. He misses her so much, but it’s impossible to meet her. He can't have any of these things to be fulfilled or bear fruit, but he simply couldn't stop continuing to feel this way about Ai.

After Ai died, Kamiki couldn’t live a normal life anymore. But what exactly drove him over the edge in his despair? Did he go insane by himself, or was there something else influencing him? I can’t be sure. To go this mad, it feels like the latter. Because if it were just his original personality, he would’ve probably chosen to quietly follow Ai in death on his own without harming others. But it feels like something tempted him, pushing him away from that path. Even in the early parts of "Mephisto," it seems more… moderate? But then again, you see mentions of blood, so it feels like he may have already done something quite early on. Maybe he initially believed he could bring Ai back to life, but at some point realized it was impossible—by then, though, he’d already done too much to turn back.

After Ai died, Kamiki probably felt so empty that he couldn’t feel anything at all. I actually got this right in my fancomics even before 162 came out, you know? (One example) After Ai died, Kamiki couldn’t find meaning in anything, and from then on, whatever he did, it was all for Ai. He couldn’t feel alive without her. So, he did everything he could to reach her, to get closer to her.

In the end… Kamiki just wanted to see Ai again so badly that he didn’t know what else to do. That’s what these feelings are.

Sigh… When I analyze a character and create fan art, I have to emotionally align myself with them. More than just knowing theoretically, I need to feel a bit of what this emotion is like to understand it, so that I can write dialogue, draw expressions, and bring the character to life. It’s like locking onto their emotional wavelength.

So, the characters I’m good at handling are somewhat limited by series because I need to be able to do that to draw them.

This… feels like I can almost sync up, but it’s hard. These emotions are complicated. Very painful too.

You could see this as pitiful, but at the same time, it’s such a broken emotion.

Honestly, you only just need to listen to the songs. They’re filled with Kamiki’s emotions… Once you hear them, you instinctively understand what he’s feeling.

That’s why, after hearing "Fatal" in July, I’ve been analyzing, creating, immersed all the way up to now.

Kamiki really, truly misses her… But yes, there is madness in him.

I’ve done a lot of analysis, and so I derived Kamiki was originally a really good person. That’s pretty much confirmed in canon too, but… how do you save someone like this? Is he just beyond saving now?

I feel like there was something that drove Kamiki to this level of madness. Isn’t there the issue with the black star…? The lyrics constantly mention stars, and there's darkness coming from it as said in Fatal...

The sad part is that Kamiki didn’t fall apart just because of something bad happening to him. He broke down because he couldn’t bear Ai’s death… and the extent of his destruction is severe. To break Kamiki this badly, Ai had to die. Kamiki wouldn’t have gone this far if it were just him getting hurt or dying. That’s how I see it. Now, he’s definitely lost it. He couldn’t handle the idea of a world without Ai… That’s the impression I get now. He’s completely in ruin. It’s almost like something possessed him. It feels like something took root in Kamiki’s shattered heart. He wasn’t someone who could hurt others like this.

I knew, theoretically, that he’d be deeply broken, but to this extent, it’s like he’s a completely different person. It makes me wonder if this is even possible. His original personality was really good. This was based on my hunches, but seeing him described as noble confirms that I was right about him. I can think of two reasons for him being broken this bad: 1. he adored Ai so much that the blow was enormous, and… 2. there must have been something else. Just Ai’s death wouldn’t have immediately pushed him this far—there must have been a long-term destruction of his mind. Did he REALLY make a deal with the devil? There must be a reason why a song like Mephisto exists, it may be speaking on his behalf. Could be foreshadowing you know, whatever it is discussing, it STILL hasn't been touched!!

It feels like there’s more behind this. Why are they showing us nothing? Is this really not important? We need to see Kana’s graduation concert, and we have Aqua hurting himself and falling into the water… Shouldn’t the story start moving in that direction soon? There's so much to deal with in the story even without Kamiki; Couldn’t they just reveal it already? If it’s not important, why are there two songs, and why did Ai ask to save Kamiki? It feels like this isn’t the end yet, and the real mastermind if there is one, may be connected to all this…

Kamiki wasn’t someone who would’ve normally fallen apart like this. What could it be? Am I really on the right track? I feel like I’m going to be right. I’m really good at guessing things like this.

If Kamiki is really the embodiment of Sarutahiko…

Then he’s not someone who should die, right? Does it not matter because Ai is already dead?

If this is really the case though, if someone intentionally destroyed Kamiki, they would have a lot to gain from it. The domain he governs is incredibly powerful. He governs order, guides people’s futures, he’s a god of the land and light… If there’s a being that wants chaos and irrationality, Kamiki would be the perfect target. It feels like they kept him alive just to twist him, but they wouldn’t take the plot that far into fantasy, right?

I love mythology and fantasy, so if that’s the case, I think it’d be fun to see… haha. But it would be difficult to weave that into the story well.

Anyway… the fact that I’m searching for hope in mythology is really just me. But honestly, there are so many parallels. The strange, unnatural things happening around Kamiki can be explained through mythology. Otherwise, I have no idea what’s going on.

I’ve got a rough grasp on the emotions now, so I can probably draw him better. If I can’t get a handle on it, I can’t draw things properly.

The answers are all in the songs! The more I look into them, the more I’m amazed at how accurate they are, more than I first thought… They’ve captured Kamiki’s emotions so delicately and precisely. I’m in awe! The songwriters are really amazing! Hopefully, the things in the songs do get tackled. They seem very interesting to me and I'd love to see and learn more about it~

[fumble-art]

I have been playing Sky: Children of the Light for four days straight since I started it. Larikac(Lari) and feat. Eruto who belongs to @mokki-tea

[candyheartedchy]

Like as much as I want fluff involved with my ship with Minion, and kinda also want a little angst/rivalry thing going on as well, mostly because I want to imagine him being annoyed/angry hxfjhkkl

[the-hydroxian-artblog]

Vector, comforted by Jeff the Shadow Android (ordered by Sigma, and other stuff)

[katarrinskey]

@bblues-ocs

Omg, hiiiiii

You are giving me an excuse to talk about my girl and that is very kind of you and you bet I will take it-

First of all, new art I've been meaning to post anyways

And the rest got pretty long, so I am putting it under the cut

So, the biggest thing about Menelastë Andaraimë is that she is, well, kind of a coward. But that doesn't really become relevant until a bit later

She was born into a family of pretty prominent feanorian supporters, but she was never really big on politics herself. What she was good at, is horses. Breeding them, taking care if them, riding, ofc. Which, not necessarily what one would consider glamorous enough for a kid with her background, but that's where her heart always laid, and for the whole "family legacy" schtick, she has two older (and two younger, if need be) siblings (I got thoughts on each of them, but if I am going there, this is gonna take a while, so here is just a lil bunch of lil sketches of them-)

(Which, honestly, kinda funny that she end's up as Noldor's most famous musician's wife somehow, truly, but that is also it's own story, I think)

So, she doesn't consider herself smart enough for politics, prefers her horses' company most days, and just kinda chills. And then the darkening happens. And well, nearly everyone she cares about is going and bet they gonna need someone who knows horses on the other shore and staying is about as scary as going anyways, now that they know that Valinor isn't completely safe, so she goes too.

And then the first kinslaying happens. And she had been teaching herself sword, they all were, but this is terrifying and she is not the type for heavy armor so she just. Finds an alley and prays to Varda no one finds her. And so they don't. Not until it's all over.

(Her older brother, Failareth, is the type for heavy armor. That's why he drown in the harbor when some poor Teler pushes him of the pierce)

Once they reach Beleriand, she does as she always did. When the ships burn, she makes sure none of the animals panic when they see fire. When they get into skirmishes, she tries to get out of the fray instead of charging ahead. When the major battle approaches, she hides away in the chaos if it, turning into a horse herself - trick she learned back in Valinor. It is way easier to stay alive when you are just a horse.

She stands by her husband, of course. She is the oldest woman of the First House if the Noldor now, so she does what is needed of her. For a while, in Mithrim, she is Queen, and she tries to be convincing and generous and cultivates the appropriate dignity. It's hard - she isn't charming by nature and she prefers the stables still, but she tries. In the end, she is much better at observing than she is at talking. She is much relieved when the scrutiny shifts away from her again.

She is happy in the marches, tho. Maglors gap is mostly held by cavalry, her contribution is important. She helps with things like supplies. She trains the horses. She scouts, occasionally, or delivers correspondence. She fits there, for a while.

She's still a coward. She gets used to small scale fights, finds rhythm in those, but never masters any sort of exceptional skill in it. It is not a bad thing, she thinks. Less blood on her hands makes her a better healer.

She leads the first wave of evacuations during Bragolath. That's the most useful thing she can do anyways.

In the eve of the fifth battle, she does little else, but hope and prays for bravery. She still flees first chance she gets.

She sheds tears for all they lost after - they all do. She births a child - a daughter - a few years later. To give herself a future to fight for, maybe. To keep her hope and her faith from burning out completely. Or, perhaps, just cause there is just no point in waiting for better times anymore.

(Daughter in question)

She trusts her husband and brothers-in-law when they claim the attack on Menegroth to be inevitable, even when she doesn't quite recognise them anymore, even when they start scaring her. Her older sister is full of righteous fury - Sindar never had the right to keep the stone anyways. Menelastë agrees - she knows her people's laws, she knows they tried negotiations first, she knows the Oath will leave them with no other choice.

Her daughter is still a child. She is one of maybe a dozen they still have around. There is no place for them in a fight such as this, and, chances are, once they take step on this road, there will be no place they would be able to evacuate those kids to. The darkness keeps spreading and she can't count on still having allies after they take up swords against the Sindar.

So, once the course is set, she steals the children, her own included. She takes them to Cirdan - they won't be the first Noldor kids left in his people's care. By then, the second kinslaying happens already and news spread. She herself doesn't enter the city.

She doesn't go back to her own people either. Not after going behind everyone's backs on this. Not after running away from the battle again, in a way that cannot be denied now. She is not ashamed of doing what she had to, but she can't fave the consequences of her cowardice.

She turns into a horse. Noone will recognise her this way.

And then she stays a horse for a long time. If she ever rejoins civilization in her true form, she sticks to places noone would know her face - Eru bless men for their short memories. She rarely stays for long anyways. If she needs supplies, she stumbles into traveler's paths as a horse, then takes what she needs while everyone sleeps. She gets her news by listening to their conversations. She sells her noldorin jewelry to dwarves and men. She puts in low value coins into people's bags sometimes. It's less when what she takes is worth, more often than not, but it's better than nothing and it makes her feel a little better about herself.

And that's how she lives for a very long time. Till, one day all the way in the Third Age she stumbles upon an adventuring party and things start to change their course...

[doodleduck]

Hmmmm I’ve got birds on the mind right now. Maybe if anyone want to give me a character and I’ll assign them a bird :3

[squuote]

okay on another related topic, the parable being this very much living thing that acts on its own accord very often in the game. there are characters that can directly control or alter the game/parable, but then the parable can do just as much itself when there's no one taking the reigns. and it will, it very much will do what it needs to do to keep the wheel turning. just something fun to interpret and stew on..

[rosetheocto]

Watching A Failboat Video/Stream Moodboard!! ⛵‼️

…does this make sense-