#Character Interview: Past Influences

[improbable-outset]

📂 𝐊𝐞𝐧𝐣𝐢 𝐒𝐚𝐭𝐨 𝐒𝐅𝐖 𝐀𝐥𝐩𝐡𝐚𝐛𝐞𝐭.𝐟𝐢𝐥𝐞

I don’t think there’s any trigger warnings needed for this. But I just wanna give a heads up that I did not write these in order so there might be some HC that looks rush— I couldn’t elaborate on some, sorry 😢

𝐔𝐥𝐭𝐫𝐚𝐦𝐚𝐧 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

📄 𝐀𝐟𝐟𝐞𝐜𝐭𝐢𝐨𝐧.𝐝𝐨𝐜

Kenji’s past experiences and personality traits shape how he shows affection. Having lived in America for most of his life, his way of showing love blends both American and Japanese elements

In America, people are generally more direct with their affection, and public displays of affection (PDA) are more socially acceptable, or at least not that frowned upon, including hugging, kissing, and hand-holding. While gift giving is important in American culture, it doesn’t carry the same significance as in Japan (cuteeeee).

In contrast, Japanese culture often values subtle and indirect expressions of affection, with intimate gestures usually kept private. Kenji’s approach combines both culture seamlessly

Kenji might express his love in a mix of direct and indirect ways. His approach to PDA might vary depending on his surroundings. As a star baseball player that’s constantly in the public eye, he might save more intimate gestures for private moments. However, he won’t shy away from holding your hand or giving a quick peck on the cheek

Drawing from Japanese culture, Ken will give gifts as a way of showing his love— and given that this man is loaded, they do tend to be pretty extravagant. He might also embrace more grand gestures typical in American culture

Though he appreciates your thoughtful gestures too. Whether it’s leaving small gifts or notes in his duffle bag before a game or making him breakfast, he cherishes these moments with you

Overall, Kenji is grateful that you love all aspect of him, appreciating the different ways he shows his affection and your understanding and acceptance of his unique blend of cultural influences

📄 𝐁𝐞𝐬𝐭 𝐅𝐫𝐢𝐞𝐧𝐝.𝐝𝐨𝐜

I’m glad that there are more people acknowledging the struggles Kenji faced as a Japanese person newly moved to LA. In his first interview with Ami, he stated how he was made fun of for the way he looked and talked, indicating he had a hard time making friends in America. This was a difficult adjustment period for him.

But if you thought that was bad, moving back to Japan presented its own set of challenges. Despite returning to his home country, Ken struggled to fit in with the Japanese crowd. We’ve heard the unwarranted comment from the catcher: “We’re waiting for the Japanese version of this guy,” highlighting his continuing struggle with acceptance.

So it is canon that this man is lonely. Given everything he has been through, you would expect him to have a bitter attitude and be more closed off. However, that’s not the case.

Ken can be sociable when he wants to be. He often masks his internal struggle with his cocky exterior, which might add another difficulty in making friends, but it doesn’t define his character entirely.

Beyond his bravado, Ken has the potential to be a great friend. We’ve seen the way he warms up to Ami later on in the story. He can be fiercely loyal when he wants to be and stand by those he cares about and be there when they need them.

The real question is: will he let you be there for him? How long will it take for him to let you in his psych? This is a complex layer of his character that we’ll explore later on in the alphabet

📄 𝐂𝐮𝐝𝐝𝐥𝐞𝐬.𝐝𝐨𝐜

Oh, this man definitely needs to be held. At the start of your relationship, Kenji would always be the one holding you close. His arms would wrap around you while you nestled on his chest. He found comfort in the role and didn’t think much about needing to be held himself, until you gently asked him about it

He was reluctant about it at first but eventually he relented, allowing you to hold him close. Feeling your heartbeat near his ear and your arms around him, he quickly grew enamoured and melted into your touch.

It took him a few cuddle sessions for him to adjust to this new dynamic, but once he did, he embraced it fully (all puns intended)

As your relationship deepened, Kenji became more comfortable with initiating cuddle sessions himself. He’s not shy about expressing when he needs to be held

I can see him climbing into bed and nuzzling into your neck, seeking closeness. From being the one who held you, Kenji appreciates the reciprocity of being held by you. Knowing someone cares for him deeply gives him a sense of contentment

📄 𝐃𝐨𝐦𝐞𝐬𝐭𝐢𝐜.𝐝𝐨𝐜

Over time, Kenji’s desire to settle down grows stronger the more he spends time with you. Seeing the stability and fulfilment a settled life can bring, he envisions a secure, private home environment where you both can unwind away from the public eye

Kenji’s cooking skills are basic but heartfelt. He learned to cook out of necessity while living in the America, often preparing meals with his mother as a way of spending quality time together.

He sees cooking together as a way of bonding and creating lasting memories. Despite having an advanced automated delivery system in his home, he often prefers to cook with you, valuing the personal touch. He is open to learning new recipes and techniques, often taking lead in the kitchen

While Kenji prefers to keep his living space organised, he isn’t fond of the labour of cleaning. He relies on his high-tech home and Mina to handle most of the household chores efficiently. He appreciates the comfort and peace that a well-maintained home provides

He utilise the technology in his home to make his life easier, ensuring that everything is kept in order.

📄 𝐄𝐧𝐝𝐢𝐧𝐠.𝐝𝐨𝐜

The way he handles your break up really depends on the situation, but he would always prefer to do it face-to-face for clarity and honesty

If it was you at fault, it might be because he feels like there’s a lack of support from you or because you betrayed his trust.

He may seem resentful on the outside but is shattered on the inside. After you both go your separate ways, you’ll never hear from him again, but you won’t know that he’s holding back from contacting you and forgiving you. However, his pride won’t allow him to.

But if you do something seriously bad, like continuously disrespect him or, worse case-scenario, cheat on him, he’ll be colder towards you. Don’t expect him to give you another chance after that

If he’s the one that’s at fault here, it’ll probably be because he prioritise his career and baseball over your relationship and has unintentionally neglected you. He’ll be upset and pissed off.

He’s not angry at you, but more at himself for not being better. He’s already dealing with his mother’s absence and now he has lost another important person in his life.

But unlike his mothers disappearance, he had control over the situation, and it could’ve been avoided if he changed

In this case, he won’t beg you to stay but rather wish you well for your future and would seek to provide closure

📄 𝐅𝐢𝐚𝐧𝐜𝐞.𝐝𝐨𝐜

Kenji take’s commitment seriously, especially given everything he has been through while moving the the US and back to Japan, often feeling lonely. Despite his loneliness, he won’t make a move unless he’s fully committed to building a future together, and ensure that you’re both are emotionally ready for the next step

However his career in being in the spotlight and having eyes on him might impact his decision. He has already mastered separating his personal life concealed from the media, but having a partner might spark some unwanted attention and an uproar of press conferences asking about his love life.

Kenji is acutely aware of the intrusive nature of the media. He wants to protect his partner and any future children from unwanted attention. Kenji will find a way to navigate through the chaos and maintain a balance with his career and his personal life

He’ll openly discuss with you how you could balance his career and future together. This includes talking about the timelines for your marriage so it won’t clash with his professional commitment

He values your input when making decisions and wants to ensure that you’re both are on the same page

📄 𝐆𝐞𝐧𝐭𝐥𝐞.𝐝𝐨𝐜

Kenji’s gentleness shines through both in action and his protective nature. We’ve seen the way he cradled and soothed Emi at Tokyo Tower after he accidentally fractured her arm, all while trying to keep himself calm after she got tranquillised by the KDF. Despite his strength as Ultraman and his athletic build, he still takes great care not to cause harm.

His physical gentleness extends to his interactions with you. Whether it’s the tender way he holds you or his carefulness during physical activities, Kenji ensures that his doesn’t go overboard with his strength

However, the same can’t be completely said for his emotional gentleness. While he has a good heart, he struggles to find the right words for reassurance. He tries emulating what his mother would say when she comforted him, hoping it would have the same effect on you as it did to him, even as an adult

He draws from his mother’s influence, replicating her warmth and security she provided, hoping it would bring you the same comfort

📄 𝐇𝐮𝐠𝐬.𝐝𝐨𝐜

Okay, we’ve seen how Kenji was literally running and jumping around with Emi outside of his cabin, you can’t tell me he doesn’t love hugs. After watching that scene, I can definitely see him sweeping you off your feet and spinning you around in his embrace during a moment of celebration or excitement (maybe when he finally wins a championship or when you accept his marriage proposal hehe)

His hugs have a grounding effect, making you feel safe in his arms. Given his athletic build, it’ll be a mixture of firmness and softness. And with his height, his hugs would be a full-body embrace, where you would be completely held

📄 𝐈 𝐋𝐨𝐯𝐞 𝐘𝐨𝐮.𝐝𝐨𝐜

He’s not shy when it comes to verbally expressing his love to you; however, it was definitely you who said it first before he had the confidence to say it back. As your relationship deepens, he starts to initiate it too and uses other affirmations more freely, especially in private

Phrases like “aishiteru” are used sparingly and are usually reserved for serious committed relationships. He’ll probably use that every once in a while but not always, so he won’t overuse it and it’ll still hold its value

📄 𝐉𝐞𝐚𝐥𝐨𝐮𝐬𝐲.𝐝𝐨𝐜

Kenji doesn’t have a lot of relationship experience. This is the first time he has build an emotional connection with someone (if you don’t count Ami, though I wouldn’t call that a true connection) so if he feels like the relationship is threatened by anyone, it’s only natural for him to feel some jealousy

Not saying that he doesn’t know how to act or handle his emotions— rather, he just doesn’t want to lose you. His relationship with you represents a huge step from his lonesome life, and though he does trust you deeply, there’s still some underlying doubt and insecurities.

Despite his confidence in many areas, when it comes to the matter of heart, he’s still navigating uncharted waters. However, as your relationship strengthens and he becomes more secure with your love, these jealousy moments become less frequent

📄 𝐊𝐢𝐬𝐬𝐞𝐬.𝐝𝐨𝐜

According to the wiki page trivia, Kenji is approximately 6 feet tall (no surprise). So forehead kisses are a given, especially if you are shorter than him. He loves doing it at the most unexpected moments, it’s not too intimate for the public yet still tender.

He adores your kisses too, even if they aren’t as passionate— good luck kisses before his game, before bed, and surprise kisses.

You shared your first kiss at his place, alone together. He appreciated the privacy and having you to himself that night without any watchful eyes. You were the one that held his face and guided him, since he doesn’t do this often, or at least not in this scenario

📄 𝐋𝐢𝐭𝐭𝐥𝐞 𝐎𝐧𝐞𝐬.𝐝𝐨𝐜

Before Emi stumbled upon his life, the thought of having children never really crossed his mind. His initial reluctance and emotional breakdown when he had to take care of Emi shows how unprepared he felt for the role of fatherhood. Despite eventually embracing the role and finding joy in caring for Emi, he still feels a bit iffy about having his own children (biological or adopted)

A human baby is much smaller and more delicate than a kaiju. Human infants are more vulnerable, and this amplifies Ken’s insecurities.

Every new parent will have the typical fear of not being good enough or making mistakes, and I think Ken’s insecurities stem from his past.

Ken’s strained relationship with his father, even though it was eventually resolved, left a lasting impact on him. As a child, he felt abandoned when his father stayed in Japan while he moved to America with his mother.

I feel like the sense of abandonment is a deep-rooted fear he carries into his own potential parenthood. He’s anxious that his double life as a star baseball player and Ultraman might leave his own child to feel the same way he did— confused and abandoned.

However, this might give him determination not to repeat history and ensure his child never feels the same way he did. Furthermore, the thought of his child watching him play, whether through TV or in person, might inspire him to excel in his baseball career.

He hopes that his kid will look up to him with admiration just as Emi did when she watched him practice and supported him

📄 𝐌𝐨𝐫𝐧𝐢𝐧𝐠.𝐝𝐨𝐜

Unless you’re an early riser, he’s usually up before you, around 5:30-6am. He quietly gets out of bed to avoid disturbing you. His morning starts with either a run or a home workout (That scene of him jump-roping in front of the rising sun will forever be etched in my mind). He probably uses his simulation to replicate the workout scene, just like how he does with the baseball pitch

Once he completes his workout, he showers and changes into his casual clothes. By now, you would definitely be awake. He loves these little moments with you, so he puts effort to make breakfast together instead of relying on Mina to use the automated delivery system— just as he did in the scene when he was trying to feed Emi for the first time

After breakfast, Mina provides his schedule for the day and updates him on any threats, just in case he needs to leave for an unexpected mission. By 8:00 he’ll leave for his baseball training facility

📄 𝐍𝐢𝐠𝐡𝐭.𝐝𝐨𝐜

Every night is not the same when it comes to living with Ultraman. Some nights, Kenji will come home late after another mission, protecting Tokyo. But if he doesn’t need to be out, he’ll be home by 6pm and will greet you with a tired smile

He will take a few minutes to unwind on the couch before he showers and changes to his loungewear. You’re always on your toes, checking for any injuries, and maybe even give him a massage if he needs it

He might rewatch some of his old video with his mom with you and share those special memories. This is significant because you’re one of the important people in his life, and sharing these moments means a lot to him

You’ll have dinner at around 7/8pm, sharing stories about your day. If he did have a good game, be prepared to hear him ramble and boast about it like you didn’t just watch his game on the TV

By 9pm, you both start to wind down, taking it slow and turning off any screens and by 10pm you’ll head to bed, cuddling together

📄 𝐎𝐩𝐞𝐧.𝐝𝐨𝐜

Kenji won’t open up to you immediately, especially regarding his vulnerabilities about his mother and how he doesn’t fit in. At first he’ll come off with his blasé attitude, brushing off or downplaying sensitive topics to make them seem less significant

But with your efforts, you create a safe space for him to express himself and his fears, something he’s still getting used to. You offer him constant reassurance (and trust me, be patient with him), reminding him that he can lean on you

After several sessions of you healing his wounds from a baseball game or another mission and constantly checking if he’s okay, he slowly warms up to you and grows more comfortable in opening up

You’re gonna make him weak on the knees if you keep on doting him like that and encourage him to take care of himself. He’ll have no choice but to spill everything to you because he knows you won’t think of him differently

📄 𝐏𝐚𝐭𝐢𝐞𝐧𝐜𝐞.𝐝𝐨𝐜

Even before you got together, we’ve all seen how he was with Emi, teaching her baseball and her rehabilitation training after she got injured. He never gave up on her, his patience blooming naturally.

He’s never the type to get easily angry unless you really do something that genuinely pisses him off or constantly doing something that you bothers him

After everything you’ve done for him, it’s only fair that Kenji give you the same level of patience as you do with him. The way you treat him inspired him to be better in your relationship

📄 𝐐𝐮𝐢𝐳𝐳𝐞𝐬.𝐝𝐨𝐜

Having an AI assistant that helps him keep track of his schedule and special dates makes it easier to remember anniversaries and other important events. But beyond that, Kenji is quite sentimental and has a keen eye for the little details about you.

He keeps momentous from your time together similar to how he treasures videos of his mother. These trinkets might include small souvenirs from places you’ve always wanted to visit

He uses his keep memory to choose thoughtful gifts that show how well he knows you. He might surprise you with something that reminds you of a special day you shared

Overall, Kenji’s attention to detail means he remembers and cherishes little things about you, making you feel truly seen

📄 𝐑𝐞𝐦𝐞𝐦𝐛𝐞𝐫.𝐝𝐨𝐜

One of his favourite memories in your relationship is when you came to watch one of his games live. Although he couldn’t see you in the audience, the thought alone of you being there gave him the boost to perform better. He probably flaunted a little just because he knew you were watching and wanted to impress you

Another memory he loves is when you made him his favourite green tea when he was sick. It sounds mundane, but it felt good having you take care of him and knowing you’d be by his side, even at his lowest. Also you tea-making skills is impeccable

📄 𝐒𝐞𝐜𝐮𝐫𝐢𝐭𝐲.𝐝𝐨𝐜

Kanji’s Ultraman duties include protecting the city from any threats. When the baby kaiju egg hatched in his hands, his protective instincts kicked in when the KDF were actively searching for it. He brought it home without thinking about the consequences (fuck around and find out)— so it’s only natural that he’s protective over you too

There are different ways Ken would be protective over you. He would physically shield you by placing himself between you and the threat. I don’t know if he had any special ‘training’ as Ultraman but he is well-versed in combat and because of his athletic physique, he can handle physical threats effectively

He will probably teach you some basic self-defence techniques or emergency protocols, like having Mina track your location, just in case he’s not around

But even with all of this, he still respects your independence and personal space, the last thing he wants is to smother you. He trusts that you can handle situations on your own but always makes it clear that he’s there when you need him. He just wants to make sure you’re safe

📄 𝐓𝐫𝐲.𝐝𝐨𝐜

Having never been in a real relationship before, Kenji finds himself making an effort to make every moment special. Because he’s never had a deep connection with anyone like this, he will tend to ensure his partner feels valued and appreciated. Though he will go overboard as his fear of losing you drives him to go above and beyond

For dates and anniversaries, Kenji will plan every detail, from the venue place to the different activities. He booked a rooftop dinner that gave a view of the city for your first anniversary. His gestures can sometimes be grand and extravagant, as he wants to make you happy and create memorable moments

His dedication and efforts partly stems from people-pleasing tendencies that are shaped by his past loneliness and desire for acceptance. There’s a lingering fear of falling short and being left behind because he didn’t do enough which leads to him overextending himself, even if it is with good intentions (poor Ken…)

However, you remind him that he doesn’t need to do all of that to make you happy; you love him for who he is, not for his grand gestures. It’s an added bonus, but not a foundation of your relationship

While Kenji does struggle to maintain a balance of his grand gestures with the simplicity of his affection, his heart will always be in the right place. Your reminder that his love and presence is enough gives him a peace of mind and helps him enjoy your relationship more organically

📄 𝐔𝐠𝐥𝐲.𝐝𝐨𝐜

We all know that at the end of the film, Ken sheds some of his arrogance from the beginning, but that doesn’t mean he’ll be completely free from it immediately. Sometimes his cockiness can get in the way, making him seem dismissive.

It’s not that he’s intentionally doing it, but he’s still learning to break away from his habits, especially if it’s harming your relationship. The last thing he wants is to ruin things because of his old character that he’s trying to fix

Just as mentioned earlier, he has never had this kind of connection with anyone, so he’s also new to being emotionally available. He struggles to communicate his feelings openly since he is used to concealing them, especially from the press and the public.

This might lead to misunderstandings and unaddressed issues. But together, you work through it, and slowly, he warms up to it

📄 𝐕𝐚𝐧𝐢𝐭𝐲.𝐝𝐨𝐜

This man has a whole car collection in his crib so he is definitely loaded. You can’t tell me that he doesn’t spend his money on his outfits, looking the best of the best. Kenji is fully aware of his good looks and he knows how to use them to his full advantage

He takes great pride in his appearance, not only because he’s often in the spotlight as a professional baseball player but also as way of expressing himself and his achievements

We’ve seen his outfits when he was in that interview with Ami— the blazer with the necklace. His confidence shines through in every aspect of his appearance, whether through his sharp outfits, that are perfectly coordinated, to his sleek jewelry collection

In your relationship, you appreciate his confidence and the way he takes care of himself. His vanity and fashion sense become a shared joy, with you sometimes helping him pick out outfits and new accessories. It adds to the charm and closeness to your relationship

All in all, Kenji’s vanity is a blend of his confidence and self-expression— it’s a reflection of his personality and journey.

📄 𝐖𝐡𝐨𝐥𝐞.𝐝𝐨𝐜

Although Kenji does value his independence, and even though he sometimes gets lonely, there are elements in your relationship that make him feel complete and fulfilled. Having a human companionship to come to, rather than just an ai assistant (sorry Mina, still love you), means a lot to him

Your presence provides Kenji the emotional support he craves. After a tough day, he knows you’re always there to listen to him. You both celebrate his victories, whether on the field or in his Ultraman duties. Same goes with challenging times, you both lean on each other for support

Your relationship has contributed to personal growth for both of you. Kenji has learned to be more open and expressive with his feelings. You both encourage each other to be the best version of yourselves

📄 𝐗𝐭𝐫𝐚.𝐝𝐨𝐜

Ken is definitely a foodie. While living in America, he found comfort in food and developed an appreciation for various cuisines. Because he struggled to fit in, he often turned to food as a source of solace.

He particularly loves Hispanic and South Asian food (<<self indulging here, can’t tell me he doesn’t like pani puri) for their rich traditions, even if they differ from the Japanese cuisine

When you’re together, Kenji enjoys replicating these dishes and sharing them with you. They hold a special place in his heart. His love for food isn’t just about the different flavours but the memories they bring

📄 𝐘𝐮𝐜𝐤.𝐝𝐨𝐜

One thing Kenji can’t stand from his partner is someone who always broadcasts everything about their relationship. He would prefer to keep matters like that private, especially when he has an image to maintain. The only reason he shared his mothers message at the end of the film with Ami was because it was a memory he cherished deeply

Speaking of family, after reconciling with his father, Kenji values his relationship with his family immensely. Having a partner who doesn’t respect or get along with his family would be problematic for him

Finally, one of the most important aspects is his passion for baseball and his duties as Ultraman. A partner who belittles or doesn’t support his career or responsibilities would not work out. Ken needs someone who understands and respects his dedication to both his professional and personal missions

📄 𝐙𝐳𝐳.𝐝𝐨𝐜

Okay we all know that it’s canon that Kenji sleeps shirtless :)))) yeah I don’t have to elaborate on that

I feel like he was a heavy sleeper before his Ultraman duties has taken a toll on his sleeping habits, he has to be more alert so he’ll probably become more of a light sleeper

𝐓𝐚𝐠𝐬: @clonedrone @f3r4lfr0gg3r @aise-30 @luneariaa @prettygirleli

@trasshy-artist @beabadobeee @doodlenoodleboi @just-me-and-my-world @mitski9328373

@ilovehobi101 @moonjellyfishie @unhingedsillygod @stfuchaase @myrootsgrowdeep

@mitskicain @graham-mckrackers @coinduck @n4muqr

I was surprised to see how many ppl asked to be tagged in this 🥹🥹 hopefully we have the same energy with the nsfw version

[dunmeshistash]

Interview to celebrate the opening of the Ryoko Kui Exhibition

About Delicious in Dungeon: Story making

Q1. Your first long-running series has lasted for about 9 and a half years. Has it been different from your previous experience drawing short stories?

A1. Compared to short stories, the series has been easier because the same characters appear each time. But I was surprised to find that I got tired of drawing the same characters too many times.

Q2. You have said before that the overall structure of the story was decided before serialization began, but how much of that had you communicated to your editor? Also, what kind of communication did you have during the series production?

A2. The goal was something we discussed and had decided on from the beginning. The goal itself was simple, but the path to get there was more difficult and took longer than imagined.

Q3. Regarding the overall story concept and development, did you write out or put anything down in writing (such as the plot)?

A3. I did, but it was simple.

Q4. Did you come up with the dishes based on the monsters you wanted in the story? Or did you come up with the monsters based on the dishes?

A4. It depended on the story, but usually the story came first followed by the monsters or food. I feel like that was most often the order.

Q5. As you progressed in drawing the series, what elements of the characters, story, or world expanded or grew in the most unexpected way?

A5. Nothing particularly unexpected perhaps. When I used to draw web manga, I tended to think up inconsequential settings. So, from the beginning I tried to restrain myself as much as possible and not expand too much. I was surprised when my editor said "Let's expand it more," in the second half of the series.

Q6. "Delicious in Dungeon" starts with a relatively simple setting, but as the series and the labyrinth exploration continues, the map slowly expands little by little in the readers' minds. It becomes more three-dimensional, revealing the secrets of the world, and taking on a multilayered structure. Are there any sources that you used as a reference, or which influenced you in creating this multilayered structure?

A6. A long time ago, when I was working on my personal web manga (fantasy), I drew it however I wanted, thinking that "Only people who can read this will read it," but I regularly received feedback that it was "unreadable", so I tried to make it as easily. accessible as possible.

Q7. The series combines many elements, including "fantasy", "gourmet", "battles", and "puzzle solving", but I think it's also important that it is a "comedy" which makes people laugh. Could you let us know if you have a creative commitment towards depicting humor?

A7. My hopes are that I can make it fun for people to read.

[page 5]

About Delicious in Dungeon: Drawing manga

Q1. Please tell us about the drawing tools you currently use, both digital and analogue.

A1. In terms of analogue tools, I use a light box, a G pen, a round pen, and a brush pen. And for digital, I use CLIP STUDIO PAINT and a Wacom LCD tablet. Screentone pasting is always done on the computer, so ultimately it all ends up as a digital manuscript.

Q2. Do you have any rules or reasons for using digital and analog separately?

A2. I'm always looking for ways to draw better and save time, so the exact approach is probably different for almost every chapter. Personally, I feel that analogue methods create more appealing lines, but I feel like digital saves time, so maybe I'll do a digital rough sketch and do the inking by hand… I might have been using a G pen, and maybe I'll try out a turnip pen, or this time I'm short on time so I'll draw it entirely digitally, but with digital I can redo it over and over, so maybe analogue is still faster, and so on and so forth. I'm indecisive in this way and so haven't developed a consistent process.

Q3. I understand that you prepare 3D data for your assistants to draw the backgrounds. What kind of data did you make for "Delicious in Dungeon" ?

A3. You could call it 3D, but it's not a proper model, just something to help with the rough sketching. I line up cubes to share the perspective and sense of scale, and they use it as a reference.

Q4. At the beginning of the series, the characters and backgrounds were somewhat simply drawn, and it seems like they became richly detailed over the progression of the story. What was your intention behind using these different styles?

A4. It's simply that my technique isn't stable. I thought I'd put a lot of effort in at the start. I remember being confused when my editor asked me to add more in to the drawing, and I wondered "Where…?"

Q5. Thinking about the food, were there any menu illustrations that you were particularly satisfied with, or which you struggled with?

A5. I've never liked my own food illustrations. But the times when I read other people's manga and thought "That looks delicious," I think it's been more an influence of the movement, the staging, and the situation than the drawings.

Q6. For the world maps and the terrain of each continent, did you refer to any maps of the real world? I feel like the shape of the 'island' is similar to the shape of Fukuoka Prefecture or Kyushu.

A6. I didn't reference any specific geography, but I did try to put thought into things like whether a developed city would be near a river or the sea, and what the coastline would look like. I'm pleased if it feels similar to a real place, because it means my interpretation was pretty accurate.

About Delicious in Dungeon: Other

Q1. Which is your favorite monster?

A1. Nightmare.

Q2. I'm sure you have received a lot of feedback from readers in countries and regions outside of Japan. Please tell us if there was anything from them that made you happy, was unexpected, or which made a lasting impression on you.

A2. When you play foreign games, there are times when you think "Why did they translate it into Japanese like that?" But having been on the side of having something translated, I've realized some things are unavoidable, or endless, and there are many things that don't matter either way from the author's perspective, so it was interesting.

About Ryoko Kui's short story collections and herself

Q1. Dragons are a consistent and important motif in your work. Was there any particular work or experience which inspired this? Also, are there points about drawing dragons which you find interesting or have had to work hard on?

A1. It's less about liking dragons, and more that I'm interested in the worlds in which dragons exist. When I draw dragons, the depiction in itself has a sweet feeling to it. I have never had a pet reptile, so I don't have a very good understanding of them.

Q2. Unomiya University in your story "The dragon's school is on top of the mountain" has a Faculty of Dragons, Department of Environmental Studies, and Department of Technology Studies, and a Faculty of Veterinary Medicine. If you were to enroll in the university, which department or faculty would you like to enter?

A2. I probably wouldn't be accepted….

Q3. The collection includes a short story staged as an essay manga. Are you a fan of essay manga? Please tell us about any genres of essay manga that you like.

A3. I love all kinds of essay manga. I read them often.

Q4. If you were to make your own game, what kind of game would you like to make?

A4. I prefer being a player when it comes to games.

Q5. When did you first start drawing illustrations (doodles)?

A5. I don't exactly remember when I first drew a picture, but I think I started drawing manga around the fourth or fifth grade of elementary school. in my notebooks and had my friends read them.

Q6. What is the most fun part about drawing manga?

A6. Every part is fun and hard in its own way.

Q7. Please tell us if there is anything you "just can't stop no matter what".

A7. My procrastination habit.

Q8. Could you please tell us if there's something you want to draw now?

A8. I've been working continuously since the serialization, so I'd like to take about 2 to 3 months to just draw whatever I want.

[maybe-boys-do-love]

Peaceful Property went ahead and picked one of my special interests to explore this week. For queer history nerds like me, some of the most prominent questions in the field are whether and how to connect to those in the past who did not have the same conditions and language for queerness as we do in the present.* Forcebook gave us two characters, Phoom and Vicha, who failed to name or live their queer feelings in the past. Instead, they had queer gestures to offer across time. What do these queer gestures and failures offer to the main conflict between Peach and Home, and what do they offer to us as an audience debating whether Peaceful Property is a BL or queer-baiting?

That ghost story spanned and blurred time into a time immemorial. Using the venue of Thai traditional dancing gave the story a sense of deep Thai history and traditions that are kept up to the present, while Phoom's home indicated early twentieth century Western influences, and a television (alongside Phoom's age in the modern-day setting) suggested the beginning of the global information age of the 80s or 90s. Then Force and Book, finally getting the opportunity to show their true acting capacities (let Force be as queer, emotive, and silly as he is in his interviews, GMMTV!!!), took us on a heart-shattering journey that blended those eras together.

In front of the TV, Vicha teaches Phoom the gesture for love before they kiss. It's not a pronouncement, and no one's recording. It's just a movement between two men tucked away in a private place. Vicha records later, but he doesn't put it into words. He carves tallies into a tree waiting for Phoom to return. Then Phoom does, but he's so cold toward Vicha that the latter can't even bear to look as Phoom tries to explain his sadness through dance. Phoom's mother is looking on as Phoom repeats the the move to signify "saddened," in the face of the instructor's demands for "happy."

The dance is interspersed with scenes of Phoom's mother berating him for being "gay"--she uses the English word! and as @absolutebl explains that's important!--across a locked palatial door as Phoom collapses in tears. Edit: @lurkingteapot giving me the Thai language lesson in the notes to explain, “Phoom's mother does not use the English word for gay. she says มีลูกผิดเพศอย่างแก mii lûuk pìt pêet yâang gɛɛ, where the gɛɛ is a familiar term for "you" -- "to have a child who gets gender wrong, like you!" ("gets gender wrong" as in, directs affections/attraction at the wrong gender).”

With just one chance to return to the dance studio that she believes to be the cause of his queerness, all Phoom can do is subtly cue Vicha about his queer experiences through dance. Jose Esteban Munoz says in Cruising Utopia: The Then and There of Queer Futurity,

"Queer dance is hard to catch, and it is meant to be hard to catch--it is supposed to slip through the fingers and comprehension of those who would use knowledge against us. But it matters and takes on a vast material weight for those of us who perform or draw important sustenance from performance. Rather than dematerialize, dance rematerializes. Dance, like energy, never disappears; it is simply transformed. Queer dance, after the live act, does not just expire. The ephemeral does not equal unmateriality. It is more nearly about another understanding of what matters. It matters to get lost in dance or to use dance to get lost: lost from the evidentiary logic of heterosexuality.

Phoom's mom, the representative of compulsory heterosexuality, watches on, but she either can't see the coded evidence, or she recognizes its ephemerality and bears it knowing its lack of impact. Even then, she ends Phoom's dance before Vicha can look up and see the queerness that might affirm his own queer feelings. Phoom fails to live as a representative of queerness, unable to resist the pressures of heterosexuality.

With Phoom locked away, Vicha can't bear the loneliness. Queer suicidality has been haunting Peaceful Properties since the first episode, and the reason Peach keeps his blinds closed in his apartment returned this episode if we didn't recall. But we've had other subtle references, too. Vicha's death, though, was visceral and vivid as he slit his wrists with the same tool he used to count down the days until the return of the person who could affirm his queer feelings. Then, he documented his feeling in poetry with blood. While, Phoom failed to materialize his queerness for others, Vicha could only materialize his queerness through tragedy.

Much of queer history and fiction has focused on these tragic queer figures. In fact, they've been quite productive political tools for advancing queer goals. In the past ten years or so, the culture has turned on tragic queer figures and their narratives, though. Emotionally, I feel like that's for the better, but there's a fine line I'm always attentive to between welcoming empowering histories and turning our backs on those who don't or can't achieve them. It's also a fine line between welcoming ensured happy endings for queer characters and refusing to engage with those creators past and present who use other narrative tools to explore queer themes.

Relatedly, using a branded pairing for Peaceful Property while not advertising it as a BL, nor committing to that status even by episode 7, seems intentionally designed to invite the conversations about whether its queer-baiting or a BL. It feels so old-school to engage in the kind of queer subtext reading that much of the fandom is doing currently. Sure, people do fantastically detailed metas about body language, color theory, and everything else you can think of for BL series. When queerness is not a given, however, the analysis of queer subtext serves the purpose of liberating the characters and the text from the binds and blinds of an otherwise heterosexual context.

There's a generosity in that work. It certainly can't erase the failures to fully live-out one's queerness, nor the problems and behavior that suffering and suppression can lead one to commit. However, sometimes you absolve people out of empathy rather than anything they do to make-up for their harm and futility. Sometimes people are transformed by that initial love, mercy, or understanding, whatever you want to call it, like the ghosts in the series finally being seen. The basic tenets of humanism, a philosophy so disruptive to the rigid class structures the show's simultaneously exploring, and Buddhism, the Thai beliefs which the show's been explicitly exorcising the ghosts with, depend on understanding people at that level, beneath the trappings of social status, symbols of wealth, and even language.

Peaceful Property has taken us on the journey for Home and Peach to understand each other at this level. They, like the audience, have been looking beneath the cloaks of class and patriarchal defensiveness that separate them for the meaningful ephemeral queer gestures that can offer them release from the endless cycles of grief and guilt they're stuck in. That the series keeps finding ways to find peace for these ghosts suggests that the we'll also find peace and love from the alienation haunting Peach and Home. They just need each other to perform that exorcism on their hearts.

*Thailand, specifically, is unique site for queer historians and anthropologists--like director P'Jojo!--because of this question. Its one of the few places that maintained a non-binary gender system into the present, whereas many others were suppressed by Christian colonial law or influence.

[thealogie]

picture this. you're michael sheen, beloved queer-friendly welsh actor and recent twilight saga vampire. you want your favorite book to become a tv show, and you want to be the lead. so what do you do? you befriend the author. he wines and dines you, you become a confidant in the scriptwriting phase. and in the process of the GO script you decide you don't want to be crowley, actually, you want to be aziraphale. you put in the work for months to influence the author to the same conclusion. so when neil gaiman comes to you one day saying, "i know you joined on to be crowley... but how would you feel about playing aziraphale?" you say, what a novel idea! i was feeling the same way, i just didn't want to say anything! let's do it.

you're michael sheen, the lead in the adaptation of your favorite book. you meet david tennant as your leading man, a rising star (and vocal fan of yours) you've had a few vague interactions with in the past. on set you immediately find the closest friend you have ever and will ever find in your life, and you know this. the romance you have in your (yes, your) show is ambiguous, but you're michael sheen. you think that romance needs to be explicit. so what do you do? you become a nightmare on set. you get really hands-on; you make costume choices, you make story decisions, you tell your author friend at the very end of filming: aziraphale is in love with crowley and realizes it in 1941. now go do it again.

so the author goes and does it again. you get a season 2. you get 1941 part 2. you're michael sheen, and you are the lead of the adaptation of your favorite book, and the romance you littered into the character you built from the ground up has become unambiguous. everything goes according to plan. but, you see, you have a problem: the author you have baby trapped is acting a FIEND on twitter and tumblr. he's saying everything he can to imply aziraphale and crowley aren't sexually attracted to each other. he's getting a bit too bold with his character assumptions, is all i'm saying. so here's what you're going to do: you play it up with your pal david tennant. you made a show with him during lockdown. you're going to depict your lives as even more intertwined and homoerotically codependent as previously possible. you grow even closer. your wives become best friends, too, because how could they not? this has been the plan since the beginning, too. your lockdown show ends. it wasn't enough.

so you, michael sheen, of course you put in the work. if david tennant's there, you're damn sure you're there physically, spiritually, biblically, in whatever capacity you can be. it's not hard. david tennant is a big fan of yours, after all, so he MAKES SURE you're always in the conversation. you have him wrapped around your little finger, this lovely little boy, and so you know what you do next? you become neighbors. you make your directorial debut casting your best friend's wife watching her husband and male neighbor initiate sex with each other. you play into the swinging rumors (that you, michael sheen, had started). you create a narrative that you and david tennant are two homoerotic besties, and is there more going on in the background there? any deeper conspiracy? who really knows, but what you do know is that the world is talking about it.

and you, michael sheen, your entire acting career has led to this moment, your gay quips, your oscar wilde sex scene (and the interviews following), all of your queer roles, EVERYTHING has brought us to this conclusion. you have created the lab perfect conditions where season 3 must have an explicit gay sex scene. i'm sorry neil, my hands are tied! the people are clamoring for me and david tennant to have sex-- i mean aziraphale and crowley to have sex, the public decided this all on their own! i really don't think you have much choice. but of course, i would never deign to tell an author how to practice his veritable craft. i concede to whatever version of series 3 you create, and i will happy to bring this beloved character to his deserved ending.

and why do you say this? because you're michael sheen. you're just an actor who incidentally stumbled his way into leading the queer romance adaptation of your favorite book that wasn't a romance, and you just read the script the way that it was given to you. and if series 3 means an explicit sex scene between you and your best friend david tennant, then what a lovely coincidence that you had absolutely no part in making happen. because what power do you really have?

This is my favorite book I’ve read so far this year. A rare occasion where the author pulls off use of the second person pov. I really felt like I was a beloved welsh actor crossed with Machiavelli when I read this

[literaryvein-reblogs]

Writing Notes: Dangerousness

Dangerousness—the state in which individuals become likely to do harm either to themselves or to others, representing a threat to their own or other people’s safety

Grisso (1998) notes that areas of dangerousness to be assessed are as follows.

Past Behavior: Chronicity, recency, frequency, severity, and context.

School Problems: Truancy, dropout, and so forth. This is more critical the earlier school problems began.

Substance Use: The use of substances by juveniles who have engaged in violent behaviors increases the risk of future violence.

Peers and Community: Violent peer groups provide a social norm that encourages violence, increases the likelihood the youth will find themselves in violent situations, and provides greater access to weapons.

Family Conflict and Aggression: This creates present and future stress, makes violence more acceptable, contributes to an antisocial attitude, and increases the likelihood that children from these families will engage in aggressive and violent behavior.

Social Stressors and Supports: Divorce, serious illness, and financial stress tax coping abilities and increase feelings of insecurity, threat, and loss that can in turn lead to aggressive behavior.

Personality Traits: Anger, impulsivity, and lack of empathy increase the risk of future violence.

Mental Disorders: Individuals with past aggressive behavior are at greater risk of future aggression if they have certain mental disorders (depression, attention and hyperactivity disorders, Schizophrenia, other psychotic disorders, trauma disorders, and brain syndromes).

Opportunity: Availability of victims and weapons.

Future Residence: Secure, nonsecure, or community.

Whenever possible, it is suggested that clinicians attempt to gain collateral information by reviewing available records and interviewing collateral contacts. The more sources of information available to the clinician, the better they may be at determining risk/dangerousness.

Assessing dangerousness requires that the examiner be familiar with the factors that affect the level of risk, such as:

Prior history of violence

Exposure to violence

Mental health disorders

History of victimization

Impulsivity

Need for arousal

Access to weapons

Family role models

Capacity for empathy

Presence of cognitive impairment

Substance abuse

Alienation

Conduct disorders

Positive influences such as engagement in school and with family should also be factored in as these tend to be associated with a better prognosis (Schetky, 2003).

Sources: 1 2 ⚜ More: Writing Notes & References Writing References: Worldbuilding ⚜ Plot ⚜ Character

[super-oddity]

IRON FLAME SPOILERS theories & shit

okay violet’s second signet!! ry confirmed that it did manifest in this book… theories I’ve seen:

andarna’s linked to the gods, meaning her capabilities and violet’s signet defy established norms.

communicating with or resurrecting the dead. stems from her conversation with liam, though ry did say in an interview that liam was, in fact, just a hallucination. others theorize that even if that were the case, maybe sawyer was truly beyond saving had violet not intervened.

soul mender/something to do with healing venin. from the emphasis on “balance”; violet can both destroy and save the venin.

amplifier for other signets. mira’s shield, rhi pulling the dagger through a wall, dain seeing specific memories…

foresight. seeing the future; the way andarna was sure they would bond before she even hatched

time travel. linked to andarna’s power to stop time as a feathertail, the idea is that violet will ultimately go back and influence characters in the past

truth-sayer. “The only signet more terrifying than an inntinnsic is a truth-sayer.” Violet has an incessant need for the truth, and Xaden says he will always answer honestly so long as she asks the right questions.

more theories!! bc i need to consolidate these somewhere:

naolin turned venin and is still alive (poor brennan & tairn); it’s never says explicitly that he dies, just that saving Brennan “cost him everything”— much like Lyra’s words when talking about sharing the knowledge and protection of the wards

xaden’s mom turned venin and is still alive

violet’s dad turned venin before Violet was born/conceived

if resurrection/communicating with the dead is gonna come into play, burning a person’s belongings severs any potential connection/makes it impossible

either Violet and Xaden have been having the same nightmares and were both targets or one of them is seeing the other’s dreams

“recovered correspondence” could simply mean that it was recovered from a destroyed location, or that it was for a time believed to be lost… i’m more worried about the seemingly static ranks…

[abarero]

"Magia Record Puella Magi Madoka Magica Gaiden" Review Dialogue | Director x Main Scenario Writer

This is a quick overview of this article featuring a dialogue interview between Taguchi, Director (COO) and Director of f4samurai, and Mori, who served as the main scenario writer for MagiReco.

- MagiReco has been in development since 2015. Some of the staff have worked on it for 9 years.

- Originally, only 3 members were assigned to work on it. This included Taguchi and Mori.

- Taguchi continued to work on the project up until the release of Last Magia / the end of Arc 1. Mori continued to work on it until the end.

- The first Azaleas event (our first branching event that had “bad ends”) was not planned at the start of release. This event type was developed in the 2 months prior to appearing in game.

- Arc 2 (which completed in 2022) was something they’d been working on for three years.

- Roughly speaking, the total of MagiReco is 8,390,000 characters. Mori probably wrote about 3 million characters directly, including events and Magical Girl Stories.

- That word count is estimated to be about 70 light novels (80,000~120,000 character books) worth of content for the entire game.

- In regards to Puella Historia, Mori said, “I started with the idea of portraying magical girls who appeared in history as they appeared in the original work, but in the end it became a completely new approach to portraying magical girls from other past eras, which was fresh and interesting as a scenario writer. As expected, it was not possible for one person to do the historical research alone, so it was great that we were able to share the scenario with everyone.”

- They remark that given the nature of gacha games, it’s uncommon to write about character death. Mori notes it made Main Story a little more predictable since they were limited by this to some degree.

- Including spin-off characters, there were more than 150 characters represented in MagiReco.

- Mori notes that there were fans who supported each character, so when he could he made an effort to explore them in events.

- Taguchi asked if there were any scenarios that Mori thought had a particularly strong response. Mori noted, “The storyline with Sena Mikoto, the last boss of Part 2, received a great response and left a strong impression on me. As some users may have noticed, Mikoto was originally not intended to be the last boss at all. We were very excited and happy when we were able to show her off at the event.”

- The two comment that the release of Ultimate Madoka for first Anniversary did so well and got them number 1 rank on the App Store in sales at that time.

- Mori notes that the final story had a lot of influence from the publisher (Aniplex) on how it should play out.

- In regard to Magia Exedra, they note that MagiReco will be tied to it.

- Mori was responsible for the design and scenario behind Namae and the Lighthouse, but will be working on other projects. However, there are people on from the original scenario team who continue to be involved in scenario production for Exedra.

[danlous]

"Armand is Alice and Daniel's wife/s and kids aren't real" has become a popular fan theory (even Luke Brandon Field said he liked it!) but i'd be surprised if it was right. I think it's definitely possible that Devil's Minion will be adapted in the show (though probably not exactly like in the books), but i personally think this whole imaginary family thing would be a poor way to handle the storyline for a variety of reasons. I think a twist like that would probably come across convoluted and (as Daniel might say) like something from a telenovela.

We see children's toys in Daniel's house and he's public figure who many people know with an autobiography and everything. Creating decades worth of false memories for Daniel and somehow also maintaining that imaginary life story for decades wouldn't be enough, Armand or whoever did it would also realistically have to have an absurd level of control over the physical world, public records and many other people's minds to sustain an illusion like that. I also frankly think it would be difficult to avoid having some sexist and biphobic undertones to the idea that Daniel's relationships with women were unreal and meaningless and only his relationship with a man matters.

However, the most important reason why i think Daniel's wives and children should be real is that they make him a richer, more nuanced character and are actually central to understanding him and his motives. He has lived a full and complex life that has been influenced and to some extent defined by his encounters with vampires, but those vampires still weren't his whole life. I think it's more interesting to see Daniel's human life and his relationship with Armand and Louis as something connected and overlapping that both affect each other. We actually learn quite a lot about Daniel from what he says about his partners and children.

This scene - as well as how Alice in general is discussed - reminded many people of how Daniel in the books talks about Armand, such as this famous passage:

Parallels between Daniel's relationships with Alice and Armand in the books are obvious but i think they're just that, parallels. Both the sweet little scene where Daniel is talking about Alice's eyebrows and the book scene where he's talking about loving Armand not despite but because he's a monster reflect in different ways who Daniel is as a person; he feels drawn to unconventional and strange and sees beauty where others might not. He ended up in this situation with vampires too because he wanted to interview people who're rejected by the society.

If Daniel already had some sort of relationship with Armand in the past it makes sense that it would be associated with Alice in his mind. There may be an overlap between the timelines of those relationships. A memory of Armand rises when Daniel is reminded of Alice rejecting his marriage proposal, in the books Armand rejected his wish to be turn him into a vampire, which would've been something akin to marriage. I think Alice being real is much more compelling for Armand's character too, with Armand expressing surprising understanding and sympathy toward Daniel's wife rather than just speaking about his own experience through an imaginary woman.

Completely putting aside Devil's Minion and is it a thing in the show or not, i think Daniel's family is particularly important to Louis' and Daniel's relationship. Something that hasn't technically been explicitly said but to me seems obvious is that Louis and Daniel strongly relate to each other as fathers. Many scenes where we see Louis and Daniel show vulnerability in front of each other have something to do with their partners and children. In 1.02 as one of the earliest examples of this Louis replicates the dessert Daniel had with Alice, trying to connect with him and his humanity through it, Daniel shares personal memory and they eat together in companionable silence.

I would argue that Claudia, her memory, and Louis' relationship with her is the heart of the story in these first two seasons. Claudia entering the story in 1.04 marks the shift in the interview and Daniel's approach; he becomes both more combative and more emotionally invested. He has a strong reaction to reading Claudia's diaries, and it's not difficult for any parent to guess that he's also imagining her own daughters in similar circumstances to Claudia.

I think this conversation at the end of the episode (alongside Louis' speech to Daniel in San Francisco and them remembering it in 2.05) is the most important scene between Louis and Daniel. They share the understanding what it feels like to have children and love them so much you don't even have words for it, but still fail them. It's not a coincidence that in the original interview in San Francisco what leads to Louis attacking Daniel is Louis telling the story of Claudia leaving alone and Louis going back to Lestat, and Daniel acting dismissively and clearly not understanding why this is so painful memory to Louis. Daniel was young, stupid and high - and he didn't have children yet. Daniel now wouldn't act like that when hearing this story, and he doesn't in 1.06 when hearing it again. And notably when Louis says that he would now agree to turn Daniel, Daniel says he doesn't want it anymore and specifically mentions his daughters as one of the reasons. Having to watch your children die before you is the most horrifying thing in the world. It's something Louis had to go through and Daniel wishes he never has to, even if vampirism still intrigues him.

Daniel realizes quickly that it all comes down to Louis' feelings of guilt and shame about failing Claudia and his inability to protect her, because he has similar feelings about his own daughters. Louis' story unravels in s1 finale because Daniel recognizes that Louis' more palatable narrative around what happened with Claudia isn't fully true. Daniel carefully read through Claudia's diaries and tried to learn to understand her, and he positions himself as someone who's trying to defend her integrity and reveal the injustice that was done to her. This is again about Daniel's own children as much as it's about Claudia. He knows that he's a bad father, his daughters don't talk to him anymore and it's implied that he neglected them when focusing on other things that interested him more. When Daniel defends Claudia he's on some level trying to rectify his own mistakes and when he calls Louis out he's also voicing his own self-loathing.

Eric Bogosian remarked that the scene in 2.01 where Louis cries and thanks for Daniel for helping him to remember that Claudia could dream is another shift in their dynamic. Daniel looks at Louis with genuine concern, and after that he tones down his usual sarcasm and jabs significantly. Daniel, again, can sympathize with how important this is for Louis. There's a new sincerity and empathy in their interactions. Sometimes the audience forgets that this story is ultimately about Claudia, but Daniel hasn't forgotten it since he first realized it. They're trying to understand together what happened to Louis' child and everything that led to it. I think if Daniel wasn't a father he would've acted differently, and Louis wouldn't have trusted him in the same way either and been able to share his and Claudia's story. I think this shared sorrow, love and guilt they feel as fathers is one of the most crucial parts of their connection.

[dinarosie]

Beyond the Fan Theories: Insights from J.K. Rowling’s

I see bizarre fan theories and headcanons about Severus Snape every day that never happened in the books. The problem is, these headcanons are repeated so often that some Harry Potter fans believe them and forget that they are just fan fiction and not the truth. Therefore, I am sharing this old interview with Rowling to remind of some facts.

1. Like many insecure, vulnerable people (such as Wormtail),Snape craved membership in something big and powerful, something impressive: It’s interesting that 17 years have passed since Rowling's response, yet many people still believe Snape joined the Death Eaters because he was a sadistic, racist, antisocial person who wanted to harm people and use dark magic to destroy Muggles and Muggle-borns.!!! However, the writer believes Snape's goal was not to kill and torture Muggle-borns, nor was it racism. He was a poor, insecure, and damaged youth who had never known security or peace in his life. His childhood was a nightmare, and his adolescence was filled with humiliation and bullying. He was seeking acceptance and thought that becoming a Death Eater would give him power, attractiveness, and a family that he never had. However, it is clear that these factors led him to make a big mistake.

2. He never really understood Lily's aversion: Severus Snape didn’t want to harm or retaliate against her. He was simply blinded and misled, so foolish and ignorant that he didn’t realize how deep and serious Lily’s hatred for dark magic and the Death Eaters was. He believed that becoming a Death Eater would make him so powerful and captivating that Lily would be influenced and change her beliefs, convinced that dark magic was extremely attractive, potent, and intriguing.

3. Given his time over again, he would not have become a Death Eater: This sentence shows that he has truly changed. Rowling claims that if Snape had a second chance, he would never join the Death Eaters again. Snape's genuine regret is that, starting at the age of 20, he attempted to make amends for his past actions until the time of his death. He refused to make the same mistake again, unlike Wormtail, who eagerly returned to serve Voldemort when given the opportunity.

4. Like Snape, Harry is flawed and mortal: Do those who see Snape as the story's villain and an unforgivable character understand that, in the author's opinion, Harry is also like Snape? Do they understand that Harry can be flawed and potentially harm others? Harry is never described as a saint. He tortures someone and uses unforgivable curses; he can be arrogant and aggressive while remaining brave and heroic. Snape is flawed and mortal, just like Harry. He makes many mistakes, but in the end, he remains brave and self-sacrificing, and, like Harry, he saves many people's lives.

5. James always suspected Snape harbored deeper feelings for Lily, which was a factor in James' behavior toward Snape: Listen, this is one of the reasons James Potter had for bullying Severus Snape for seven years. Please refrain from saying things like, “Snape was bullied because he joined the Death Eaters” or “because he was interested in dark magic,” as none of these reasons are canonical. These reasons belong to James Potter’s fans, not James Potter himself. The author of the book has clearly explained James Potter’s motives. James Potter just had two reasons for bullying a person for many years:

_He existed (in a way that was ugly and poor). _He was close friends with Lily Evans.

6. It was Voldemort's attempted murder of Kreacher that really turned him: Isn't a change to save a living being's life familiar? I don't understand why Snape's change for Lily's salvation is seen as demonic motivation, whereas Regulus's change for Kreacher is considered epic. Recently, in fan fiction, Regulus has become the little knight of the Black family, whose parents tortured him so much that he is forced to join the Death Eaters and then rebel against Voldemort's ideology to eradicate racism in the wizarding world. But Snape's efforts, sacrifices, loyalty, and spying over the course of 19 years are reduced to being a loser obsessed with a dead woman!!! Such double standards are embarrassing.

I'm curious: If Regulus Black were not Sirius Black's brother and not from a pureblood family, and Voldemort had killed Kreacher while Regulus survived and fought Voldemort, how would fans react to Regulus? How ridiculous would it be to say, "Oh, Regulus Black? He is simply a deviant who was obsessed with his dead elf"?

"Please do not change the characters based on personal preferences and instead see them as written. The writer uses Lily's and Kreacher's salvation as symbols of redemption to demonstrate the characters' growth and maturation. If the concept of love, loyalty, and friendship has changed over time among new generations, this is not the fault of Severus Snape."

[sodapopper]

I can’t find the video but there’s an interview somewhere of Jason Schmidt talking about Soda dying in Vietnam and how it influenced his portrayal of the character because he realized that this is it for Soda, there isn’t anything past this story, and what he’s portraying is the climax of this boy’s life.

I can’t express how heartbreaking that is. To play a character you know is doomed. To breathe as much life into him as you can because this is all he gets. 18 years of pure glory and then he’s gone.

Nothing gold can stay.

[mrs-stans]

Sebastian Stan Appreciates Taking Things 'A Little Less Seriously'

The actor caught up with L'OFFICIEL at the CFDA Fashion Awards to discuss wearing Thom Browne and his transformative roles in A Different Man and The Apprentice.

by Carrie Wittmer

Sebastian Stan in Thom Browne for the CFDA Awards 2024

Photography: Ryan Lowry Stylist: Michael Fisher Grooming: Amy Komorowski

On camera and off, Sebastian Stan is always aware of what he is wearing, whether he's suited up as the Winter Soldier in Captain America or sporting jeans and a T-shirt on a day off. The actor— who stars in and is winning over buzz for his transformative performances in A Different Man and The Apprentice—represented Thom Browne at the 2024 CFDA Fashion Awards on October 28 in New York City at the American Museum of Natural History. For the event, Stan wore a full Thom Browne look: a classic ticket pocket tuxedo with self-tipping in black, 3-ply mohair; a knit vest in black cashmere; a classic button-up shirt in white oxford; a necktie in black silk faille; and penny loafers in black patent leather.

In A Different Man, Stan plays an aspiring actor with neurofibromatosis who has facial reconstructive surgery that dramatically alters his appearance. In The Apprentice, Stan plays former President Donald Trump in a film that follows his rise to power, focusing on his mentor-mentee relationship with lawyer Roy Cohn, portrayed by Jeremy Strong from Succession. Stan received critical acclaim for his performances in both films, and is now a likely contender for the upcoming awards season.

At the CFDAs, Stan told L’OFFICIEL about his look for the night, his connection to Thom Browne, and how clothing and costumes impact his performances. Read on for the interview.

Sebastian Stan in Thom Browne for the CFDA Awards 2024

Sebastian Stan in Thom Browne for the CFDA Awards 2024

Sebastian Stan in Thom Browne for the CFDA Awards 2024

L’O: Tell me about your look for the CFDA awards.

Sebastian Stan: Thom Browne’s take on black tie-not traditional, polished in a new way and comfortable while being structured. I appreciate taking things a little less seriously, especially during awards season. I love my straight tie and knit vest—less serious, but certainly not less appropriate.

L'O: How would you describe your off-duty style? What do you wear on a day off?

SS: Jeans and a tee shirt.

L’O: What character that you’ve played is most likely to wear Thom Browne?

SS: Carter Baizen would wear the hell out of a Thom Browne suit.

Sebastian Stan in Thom Browne for the CFDA Awards 2024

Sebastian Stan in Thom Browne for the CFDA Awards 2024

L’O: Your roles in A Different Man and The Apprentice are very physical performances... and so is Bucky Barnes. How do you approach creating a character’s physicality?

SS: It all actually starts from the inside out. Muscles have memory. We wear our pains, our pride, our truth: the ones we project and the ones we keep hidden from the world. It all depends on what’s driving somebody…The need for love, the need to be heard, the need to prove, the need to hide, etc. Everything influences how you move and you walk. Obviously when you’re playing real people the clues are already there to study. Like an instrument. With something like A Different Man, there’s a backstory and the prosthetics influenced everything. Similar with Bucky Barnes. His past is always in his body.

L’O: How do clothes and costumes enhance your performance?

SS: I love costumes because they speak for themselves. When you walk in a room immediately people look at you and what you’re wearing tells a story. The choices one makes in terms of portraying themselves to the world are very revealing. So costumes are a big piece of the character before any words are even said. They also influence the way you walk. I’m particular about shoes. What kind of shoes a character wears. Sneakers make you walk a certain way boots a totally different way. Maybe you stand up taller as a result and so on. Same with clothes. A suit affects everything. So does a pair of jeans you’ve lived in for a decade.

Sebastian Stan in Thom Browne for the CFDA Awards 2024

Sebastian Stan in Thom Browne for the CFDA Awards 2024

[six-eyed-samurai]

YUUJI ITADORI’s whole family is in the movie business, but he’d only starred in minor roles before the directors were looking for someone to play the main character in Jujutsu Kaisen and his uncle Sukuna, who was already cast, recommended him and his brothers. Was quite psyched about dying his hair (because Kaori wouldn’t let him before) but he spent a hell of a long time having to learn fighting techniques and complained about the pain but definitely bulked up a little. One of the most social of the cast, he’s sort whose social media is bursting with photos of him on set, fellow actors and fans. And yes, real life Yuuji is just as clueless as his on-screen persona.

MEGUMI FUSHIGURO brought his actual dogs to filming - originally there were only supposed to be one Divine Dog but he didn’t want to bring one without the other. The stylists love him because they never have to do anything with his hair as it’s already naturally spiky and messy. He and Yuuji’s on-screen interactions are a hundred per cent genuine as they get on pretty well. Off-screen Megumi looks and acts emo as his character, but more playful and judgmental. Nobody knows or suspects it was actually him that stole Gojo’s sunglasses, Momo’s broomstick and Noritoshi’s arrows. As he’s the one with the most experience with filming, having played secondary rules in teenage TV series or a cameo in his dad’s movies, Yuuji and Nobara actually look up to him a lot but do not trust his “advice” for acting. Tsumiki was going to play a bigger role alongside Megumi but with other projects coming up she decided to just play his character’s sister.

NOBARA KUGISAKI is, on the contrary to character, a city girl. One thing she does share with her Jujutsu Kaisen character however is the impulsive urges to over shop but for exotic food. Nobara is the most Internet famous actors on set due to being a part time social influencer rating restaurants. A running joke amongst the cast is how Nobara arrived to the auditions: getting directions wrong for another audition, Resonance, and ending up at Jujutsu Kaisen but decided to ball and go along with it. Sadly she eventually decided to leave Jujutsu Kaisen for Resonance when they called her back so the directors had to kill off her character; everyone will deny it but they all cried during her leaving party. She still hangs out with the JJK cast though.

CHOSO KAMO is no stranger to the movie industry, having played a few cameos in movies like Wing King, Blood and Supernova or some ads; he was so hyped and proud when the directors announced not only would they be casting Yuuji as the main role but Eso and Kechizu would be voice acting he wouldn't stop crying or taking photos (he and Jin, actually). He had to grow his hair out for the role but after that decided to keep it long, delighting his mother and all his female co-stars as Choso's very okay with them playing or styling it. He's definitely the big brother to the entire cast, splitting up Nobara and Yuuji’s arguing, chasing after Megumi’s dogs and even trying to protect everyone from Gojo’s pranks. That scene where his character started sobbing at being called big bro? When asked how he pulled it off so realistically in an interview Choso admitted he just thought of when all his younger brothers started walking and crawled to him instead of their parents. Then proceeded to bawl his eyes out again.

GOJO SATORU is a doofus both off and on screen. Some joke he barely has to act at all, seeing as his behavior never changes, varying between entertaining the younger actors with his boasts of being the best sensei ever and impressions of past characters played in Infinity, Hollow Purple and Six Eyes or annoying all his co-stars by pretending he can’t see through the blindfold despite the thinness and bumping into everyone and everywhere. One of the first people cast in Jujutsu Kaisen, he “persuaded” the directors to also star his best friend Geto, claiming they had never ever ever done a project without each other before and wasn’t going to start now. Absolutely the sort to sign everybody’s autographs and wink at the ladies at fan events but a menace to reporters as he’d just shout “Teleporting!” and run off with his long ass legs ever since JJK started. In response to people grieving over the death of his character he only posted “They think its Gojover, I’m offended”.

GETO SUGURU was originally going to play a role on the good side - the role Nanami took, actually, before the directors decided he was better as Kenjaku and Gojo decided it would be funny if the both of them were enemies. Geto is looked up to by his younger co-stars (Gojo complains that it isn’t him) for support and advice due to his even longer experience in acting in Cursed Spirit and Night Parade of a Hundred Demons. The only time he’s ever caused trouble was when he somehow found a megaphone and nobody could stop him from shouting exaggerated instructions - “Sojo Gatoru, again!” “Punch harder, IIIITADORIIIII!” “Cleave! Cleave! I said cleave, Ryomen!” - at everyone currently acting. During an interview he said the only time he couldn’t stay in character was when Kenjaku popped open his brain; he was rather grossed out by the whole thing.

KENTO NANAMI’s makeup takes about as long as Sukuna’s and that’s because it takes forever to sharpen his face and cheekbones and is not actually a blond. Is as fed up with Gojo’s antics as he is on screen, but off-screen Kento is quite relaxed and the one to post a lot of those “I’m about to get ready for filming and you’re coming with me” tours behind the scenes. He’s one of those underrated actors who don’t get the main roles but whatever they do they do well - Kento only got his big hit in Seven to Three that led to his role in JJK. They had to retake his death scene many times since everyone couldn’t stay in character, sad that he would be leaving so soon; Kento joked about going to Malaysia after his role was done in Jujutsu Kaisen.

RYOMEN SUKUNA was one of the first the directors hired for Jujutsu Kaisen, thanks to his fame from his long acting as villains in Malevolent Shrine, Divine Flame and Disgraced One. He wasn’t too happy about dying his hair pink but the tattoos did grow on him over time, as did the habit of calling all his co-stars “brats”. He’s absolutely terrifying when filming but at most he’s just old-man cranky off screen; if you see any photos of the cast they uploaded on social media, he’s the one who’s always caught off-guard and face frozen in some scowl at being suddenly photographed. Also a complete dumbass when it comes to social media, so his account is pretty much handled by his brother and manager Jin Itadori or recently his nephew Yuuji.

[bekolxeram]

I know there's been plenty of "Lou gets me in the divorce" posts already. Like this one by @peppermintquartz. But I want to write my own for maximum reach.

I don't really follow actors. If they do a good job on screen, I watch it, that's it. I don't dig through their social media to find out more stuff about their personal life. That actually makes me uncomfortable. I spent a good amount of my life dodging questions about my private life anyway.

Now, the Cameo thing. I don't know what shows you're all watching, but I've been a Star Trek fan for years. Plenty of old Star Trek actors do Cameo right now, because this hyper-capitalistic society doesn't reward artistic ventures accordingly. Hollywood is always about what makes the most money, not about what's the best story to tell. Cameo is a lifeline for many seriously talented actors who don't have the luck to become a breakout star. It's not just a fantasy making your Ken dolls kiss, there are real people doing their jobs for salary behind the scene.

You have to choose one between "Lou is a nepo baby who has his career mapped out for him" and "Lou is trying to cling onto relavency because he needs the money". Tell me you think a restaurant waiter being a sweetheart for extra tip is exploitative, then I'll know who you actually are. Most celebrities on Cameo don't even respond to the $5 messages, they don't make a lot from it after service fees, and it's not refundable anyway, but Lou did reply, because he's grateful for our support.

Then, I know people have been digging up posts from his past to frame him as this unforgivable bigot. Obviously I don't know him personally, but just by reading interview from the cast, he has the most "character growth" in and out of universe. People apologize all the time, out of obligation, due to backlash, but it's not always from a place of true understanding. Yeah, Lou has never apologized for the things he posted over a decade ago, before he was even a public figure, but he also expressed the struggle he experienced in the athletic world and under the influence of his father, how he came out of his trauma stronger and healthier mentally.

I still presume celebrities to be assholes, until proven otherwise. They're simply flying too high up from earth. In this whole fiasco though, Lou is the only one who's shown a shred of care.

I take people for who they are right now. That doesn't mean I absolve them of their past mistakes automatically. I just judge people as they come. If they're clearly not their past self anymore, if they speak of regret from the past, yeah, I'll give you some leeway. But if you tell me I should boohoo get over it, I'll take you for who you are right now. I'll believe you the first time around.

[dickgraysonsptsd]

christ. counterterrorism operations officer. for the cia. for 7 years. in the 00s. overseas. and if you do read tom king's comics it is very clear that he reflects a lot on the idea of Being Someone Who Did Terrible Things, because he is constantly writing about characters grappling with doing bad things while operating within corrupt and/or evil organizations (spyral, gotham city pd). and that is why he writes those characters so well.

like based on having read multiple comics by him and interviews with him i believe tom king as a comics writer is inextricable from his past employment by the cia. we CAN'T talk about him as "just a comics writer." he is always going to be "tom king, who writes comics influenced by his willingness to work for cia counterterrorism for 7 years." he needs to be put in a plexiglass enclosure and kept out of normal comics writer comparisons because most of them did not do the fucking things they write about!!!!!

[picturejasper20]

How Vlad’s arc is going to be post A Glitch in Time?

A few days ago @pedanticat released an interview with the author of A Glitch in Time graphic novel, Gabriela Epstein, in it they cover a lot of things about the novel and the original series but what i want to focus on is in the part they talk about why Vlad was given a redemption arc in this book and some hints on how his character arc is going to move forward from here. (From around 26:50 minutes time to 33:00 minutes)

Gabriela says that she doesn’t see Vlad as exactly ¨redemmed¨, which it is interesting because it can mean a lot of things on the direction his character can take. In the context she later adds that ¨characters involved would probably not forgive him¨, so i think this means that Vlad has a lot to make up for and he is only just starting to realize what he did wrong.

Another aspect that Gabriela talks about is that Vlad ¨created his own prison¨ in a way that ¨everyone now hates him¨ and that his life is in ¨complete shambles¨ and he has to start all over again. I wonder if this indicates that post AGIT he doesn’t longer have the same power and influence he had during the series and he is likely seen as someone who isn’t trustworthy in the eyes of the public. If that’s the case, i think it would be a good direction for his character to take, since he would still be facing certain consequences for his actions and it would make him less likely to fall back to his older bad habits.

One thing that is talked about in this segment is that Vlad could use this opportunity ¨to grow and learn… or get a lot worse¨ which it is intriguing on its own but it kinda makes sense given what we know about Vlad and how he deals with his own problems.

For starters, we know that Vlad has a lot of emotional baggage to deal with on his own. This is something that has been growing bigger and bigger over many years. All these issues aren’t just going to away because he has realized he was in the wrong: Now he has to deal with them and find a way to move from there. The problem is that this man in general has… really bad ways of coping with his own problems. He has a bad history of dealing with them, choosing the worst possible ways that end up hurting others and on his own self destruction.

And considering what i mentioned earlier about how he is ¨stuck¨ in a prison of his own making, he might have lost a lot of the power and influence he originally had… i think he is very likely to fall into other bad habits that don’t involve controlling people like he did in the past but they are still quite self destructive.

In his own extreme loneliness combined with his new sense of guilt (which it what drives his ghost purpose now) i think he is going to become very quickly ¨attached¨ to Dan in a way. He would try to have some form of connection with him by trying to giving him what he wants or find any way to make amends with him just to get some form of affection from Dan back. However, he would eventually realize that he can’t get what he wants from Dan back (or at least for the momento) and that would make him feel more depressed… or look for that affection in other places.

In the interview Gabriela says she has ¨very specific plans¨ for Vlad and Danielle’s relationship. Now that on itself could mean anything- still, following the rest of her wording, i believe this dynamic could involve Vlad desperately trying to get that form of affection he can’t get from Dan from Danielle. With this i mean that Vlad may try doing a similar thing he did with Dan: Trying to make Danielle happy or giving her whatever she wants. To find anyway he can to make it up to her.

Dani would likely take advantage of this first (being in part in her right to do so) but i think all these things that Vlad does would eventually lead to Danielle lashing out to him and telling him that she can’t bring herself to forgive him for what he did to her.

I don’t know where Vlad is would go from there. Nevertheless, if he is supposed going to have growth from all this- he is probably going to have to realize that he won’t be forgiven by certain people, and while he can try making amends, there are certain relationships he left so broken that it won’t be possible for him to ¨fix¨. This could be an interesting route for his character to take, involving him realizing better how badly her hurt certain people and that are some things that just too broken to change them.

….This is just one speculation of how his character could go though. I can also seeing having doubts over if all this redemption stuff is really worth it, maybe falling back in previous habits until he learns that he is going to have to work really hard to be better and repair all the damage he has done. Or maybe having a general crisis of what he is supposed to be and do post AGIT. It is still interesting to analyse and trying to guess based on new things revealed on this recent interview. I’m certainly intrigued to see what is going to happen to Vlad and how that is going to have an impact on his relationship with other characters.

[sy-on-boy]

(Potentially) new information from the Spy x Family exhibit book!

Okay, I’ve done some digging around and not gonna lie, some information in there has me excited. I can’t read Japanese so I took photos and put them through translate, so it’s not the most accurate, and please take this post with a grain of salt. Here we go!

Translations are more than welcome! Feel free to use these photos and feel free to DM me for clearer photos. I would also love to know what this all means haha. Japanese “raw” text is taken from Google translate and may be inaccurate to what is actually shown in the photos.

✩ The SxF world apparently has no Christmas!

I’ve heard claims of it, and here’s a picture I took.

“遠藤達哉先生 コメント

こちらは冬の休載イラスト です。 電飾一個一個を北斗 神拳ばりに連打して描きま した。 クリスマスっぽい雰 囲気を出していますが、 『SPY×FAMILY』の世界に クリスマスはありません。”

Google translate tells me that there’s no Christmas in the SxF world but he tried to create a Christmas-like atmosphere? Not sure but it would align with other people’s claims.

✩ Yuri apparently had a girlfriend in a rough draft!

This is Endo’s handwriting so the machine can’t recognise the words easily, but I think the woman in the bottom of Yuri’s sheet is his “girlfriend”? And Google translate tells me she’s Yuri’s “weakness” and Twilight might use her against Yuri / take advantage of the girlfriend? This is a very interesting idea that didn’t get used in canon (yet?). I think in canon, Yuri is popular but he’s too devoted to his sister. A new significant other of a prominent character would shake things up. Especially when it comes to Yuri, a member of the SSS.

By the way, Yuri’s potential designs are kind of cool. I like the ponytail.

✩ Apparently “Oscar” was one of Twilight’s potential names! + Early Twilight designs

I think we know Yor was originally short for Yorlanda (this is in the upper sheet). There’s a whole list of names beside Twilight and the name Oscar オスカー appeared frequently. There are also more names that I can’t decipher.

✩ Designs of some potential WISE agents! (And early Fiona)

Fiona’s sheet (next to Yuri’s) was titled “WISE spy (female)” and now we have a sheet titled “WISE spy (male)”. Was Fiona a placeholder spy that made it to the main cast? Or will this “male spy” end up having significance too? The two smaller heads at the left are apparently Twilight’s associates. Also, a Melinda sketch. Not gonna lie, the male spy feels kinda cute. Hope he’s not completely scrapped.

✩ Endo’s interview!

I feel like I should put this earlier but I was distracted with the Christmas / Yuri’s potential girlfriend thing. This is at the very end of the book. Apparently Endo was influenced by the invasion of Ukraine in 2022. This interview was apparently taken in March 2023. I think it’s fairly important so I’ll wait for a proper translation before saying anything else.

✩ Comments on Donovan, Melinda, Redacted, and Sylvia!

These two pages are together and I found it significant because Endo discusses the SxF themes. (My notes are not direct translations.) Apparently:

Sylvia’s scene in Mission 20 is Endo’s favourite scene, and he was looking at materials related to war for a long time and wondered if he could make use of it. [JP below]

とてもお���に入りのシーンです。 「SPY×FAMILY」の連載とは関係無し 昔から戦争に関する資料は色々見て いたので、多少はこの作品にも活かせ ているのかなーと。

Donovan’s statement of “in the end, people will never understand each other” (rough paraphrase) is the theme of the work. And Endo wanted to create a feeling of Donovan being the final boss. He didn’t plan on arranging it from the beginning, but he thinks the Desmonds are a good contrast to the Forgers. (Does this mean the Forgers think people will understand each other?) [JP below]

作品のテーマでもあるセリフ ですね。 少しでもドノバンの ラスボス感を醸し出せればい いなーと思いながら描きまし た。最初から意図して配置し たわけではないですが、デス モンド家はフォージャーと 良い対比になっているのかな と思います

The chapters on Twilight’s past coincided with the anime so Endo thought it was a good idea to explore Twilight’s past. [JP below]

アニメが始まるタイミングな のもあって、黄昏〉という人 物を掘り下げる良い機会かな と思い過去編を入れました。 あまり重たくなりすぎないよ うに、でも伝えたいことは最低限伝えられるように、自分 なりにバランスを取って描い たつもりです。

Melinda is described as “friendly” (?) even though she is dignified. A positive description of Melinda… interesting. What’s also interesting is that after she learns that Yor is the mother of the child who got into a fight with Damian, she “shows interest”. Melinda, what do you want with Anya? [JP below]

ダミアンの母で、東国元首相夫人。気品に溢れつ つも、気さくな性格。 ヨルが息子と喧嘩したアー ニャの母親と知り、興味を示している。

I personally think these two pages contain hints about the mystery of the featured characters and would love to know what it means :D

✩ Early Yor and Bond!

There’s a lot more Yor but again the image limit is constricting me. I really like the Bond designs, they’re funny and he’s just a chonky little boi :)

✩ Comments on the panel of Twilight’s head in Yor’s lap!

“珍しいイチャイチャシーンです。 ヨルさん は一年中酔っ払ってればいいのに”

Which apparently means: “a rare flirting (?) scene, I wish Yor was drunk all year long”

?!??! Twiyor?!! Hello!! I cannot resist mentioning this one, this is one of my favourite Twiyor / SxF scenes. Are we gonna get more drunk Yor? More Twiyor? More flirting? I’m excited now.

I’ve reached the image limit, so here’s all for this post for now! Translations are totally welcome and again I would love to know what this all means. I’m sorry if I accidentally said misleading information, so please tell me so I can correct it. Once again, don’t take my words as complete fact. The Yuri girlfriend thing is really surprising to me haha.