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#Century 21 Productions
vintage1981 · 2 years
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UFO S.H.A.D.O. Technical Operations Manual Standard and Special Edition (Hardcover Book) | Available Now! 
The Official Gerry Anderson Store is excited to offer this manual which has been created to feel like the manual given to each recruit as they join S.H.A.D.O. to take on the dangerous role of defending the Earth from alien invaders.
If you are holding this manual then it means you have been invited to one of the largest undertakings mankind has ever attempted. The Supreme Headquarters Alien Defence Organisation is tasked with the defence of the planet in the face of a significantly more advanced alien menace all while maintaining absolute secrecy from the general population.
This Technical Operations Manual will:
– Help you learn the history of S.H.A.D.O.
– Introduce you to the vehicles and equipment you will be using through extensive illustrations and blueprints.
– Offer you an overview of everything we know about the Alien threat.
Welcome to S.H.A.D.O...
Cover: Hardback
Number of pages: 208
Dimensions: 230 x 300 mm x 25 mm
Weight: 1.5kg
PLEASE NOTE THAT THIS IS A PRE-ORDER ITEM AND IS ESTIMATED TO BE AVAILABLE AND DISPATCHING ON OCTOBER 31ST 2022
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miravayl · 4 months
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02.06.24
#Mira-Marathon | Night at the Museum
Film Name: Night at the Museum (2006); Production Studios: Twentieth Century Fox, 21 Laps Entertainment, Ingenious Media, Dune Entertainment, 1492 Pictures, Sun Canada Productions; Director by: Shawn Levy; Screenwriters: Robert Ben Garant, Thomas Lennon; Starring: Ben Stiller, Jake Cherry, Carla Gugino, Robin Williams, Steve Coogan; Genres: Fantasy, Adventure, Comedy, Family; Running Time: 1 hour 48 minutes;
"Night at the Museum" (2006) is a comedy with Ben Stiller, where museum exhibits come alive at night. The film is distinguished by light humor, good acting and visual effects. Although the plot is predictable and the secondary characters are weakly developed, the film is ideal for family viewing.
My rating:
⭐⭐⭐
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Nightwish - The Phantom of the Opera 2002
"The Phantom of the Opera" is a song from the 1986 stage musical of the same name, based on the 1910 French novel of the same name by Gaston Leroux, which tells the tragic story of a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, masked musical genius living in the subterranean labyrinth beneath the Paris Opéra House. The song was composed by Andrew Lloyd Webber, with lyrics written by Charles Hart and Richard Stilgoe, and additional lyrics by Mike Batt. The song was originally recorded by Sarah Brightman and Steve Harley, which became a UK hit single in 1986, prior to the musical. Listen to it here! In its theatrical debut, it was sung by Brightman and Michael Crawford in their roles as Christine Daaé and the Phantom. Listen to it here! The Phantom of the Opera was the longest running show in Broadway history, and celebrated its 10,000th performance on February 11, 2012, becoming the first Broadway production in history to do so. It is the second longest-running West End musical, after Les Misérables, and the third longest-running West End show overall, after The Mousetrap. The original West End production at Her Majesty's Theatre, London, ended its run in 2020, its run cut short by the COVID-19 pandemic.
Nightwish is a Finnish symphonic metal band from Kitee. The band was formed in 1996 by lead songwriter and keyboardist Tuomas Holopainen, guitarist Emppu Vuorinen, and former lead singer Tarja Turunen. The band soon picked up drummer Jukka Nevalainen, and then bassist Sami Vänskä after the release of their debut album, Angels Fall First (1997). In 2001, Vänskä was replaced by Marko Hietala, who also took over the male vocalist role previously filled by Holopainen or guest singers.
In 2002, Nightwish released Century Child, along with the singles "Ever Dream" and "Bless the Child". Century Child was certified gold two hours after its release, and platinum two weeks afterwards. It set a record on the Finnish album charts of most distance between a first place album and the second place. An enduring favorite of fans is the band's version of "The Phantom of the Opera". The song was routinely played in concerts until October 21, 2005, when vocalist Tarja Turunen was fired from the band and later replaced with Anette Olzon, whereupon the band announced that they would never play the song live again. This would hold true for 17 years until November 27 and 28, 2022, when Nightwish was joined by Dutch singer Henk Poort on stage at the Ziggo Dome in Amsterdam to perform the song. Marko Hietala joined Tarja Turunen at a couple of her solo shows in 2023 to sing "The Phantom of the Opera" with her. They are set to tour together in Spring 2024 in Latin America on Tarja's "Living The Dream – The Hits Tour".
"The Phantom of the Opera" recieved a total of 82,7% yes votes!
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Zuck’s gravity-defying metaverse money-pit
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Tomorrow (Oct 31) at 10hPT, the Internet Archive is livestreaming my presentation on my recent book, The Internet Con.
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Think of everything that makes you miserable as being caught between two opposing, irresistible, irrefutable truths:
"Anything that can't go on forever eventually stops" (Stein's Law)
"Markets can remain irrational longer than you can remain solvent" (Keynes)
Both of these are true, even though they seemingly contradict one another, and no one embodies that contradiction more perfectly than Mark Zuckerberg.
Take the metaverse.
Zuck's "pivot" to a virtual world he ripped off from a quarter-century old cyberpunk novel (reminder: cyberpunk is a warning, not a suggestion) was born of desperation.
Zuck fancies himself an avatar of the Emperor Augustus (that's why he has that haircut) (no, really). The emperors of antiquity are infamous for getting all weepy when they run out of lands to conquer.
But the lachrymosity of emperors has little causal relationship to the anxieties of tech monopolists! Alexander weeps because he just loves a good conquest and when he finishes conquering the world, he's terminally bored. That's not Zuck's problem at all. When Zuck attains monopoly status, his company develops an autoimmune disorder, as his vicious princelings run out of enemies to destroy and begin to knife one another.
Any monopoly faces these destructive microincentives, but tech is exceptional here because tech has the realtime flexibility and speed that brick-and-mortar businesses can never match:
https://pluralistic.net/2023/02/19/twiddler/
Sociopaths with tech monopolies are worse for the same reason that road-rage would be worse in a flying car: adding new capacity to indiscriminate self-destructive urges turns ordinary car crashes into low-level airburst warfare:
https://pluralistic.net/2023/07/28/microincentives-and-enshittification/
The flexibility of digital gives tech platforms so much latitude to break things in tiny increments. A tech platform is like a Jenga tower composed of infinitely divisible blocks. The Jenga players are the product managers and executives who have run out of the ability to grow by attracting new business thanks to their monopoly dominance. Now they compete with one another to increase the yield from their respective divisions by visiting pain upon the business customers and end users their platform connects. By tiny increments, they increase the product's cost, lower its reliability, and strip it of its utility and then charge rent to restore its functionality:
https://pluralistic.net/2023/10/24/cursed-bigness/#incentives-matter
This is the terminal stage of enshittification, the unstoppable autocannibalism of platforms as they seek to harvest all the value created by business customers and end users, leaving the absolute minimum of residual value needed to keep both stuck to the platform. This is a brittle equilibrium, because the difference between "I hate this service but I just can't stop using it," and "Get me the fuck out of here" is razor-thin.
All it takes is one tiny push – a whistleblower, a livestreamed mass-shooting, a Cambridge Analytica – and people bolt for the doors. This triggers the final stage: the "pivot," which is a tech euphemism for "panic."
For Zuck, the pivot got real after a disappointing earnings call triggered a mass sell-off of Facebook stock, history's worst one-day value incineration, which lopped a quarter of a trillion dollars off the company's market cap:
https://www.bloomberg.com/news/articles/2022-12-19/dramatic-stock-moves-of-2022-led-by-meta-dive-nordic-flash-crash
This was when the metaverse became the company's top priority.
Now, in my theory of enshittification, the step that follows the pivot is death: "Finally, they abuse those business customers to claw back all the value for themselves. Then, they die":
https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys
Many people have asked me about the conspicuous non-death of Facebook! That's where I have to fall back on Stein's Law: "Anything that can't go on forever eventually stops." Facebook can't continue to annihilate value, alienate its workers, harm the public, hemorrhage money in support of a mediocrity's cherished folly forever. Can it?
Admittedly, it sure seems like it can. Facebook's metaverse pivot has thus far cost the company $46,500,000,000. That is: $46.5 billion. That's even more money than Uber torched, seeking to maintain the illusion that they will be able to create monopolies on both transport and the labor market for driving and recoup the billions the Saudi royal family let them use for the con:
https://pluralistic.net/2022/02/11/bezzlers-gonna-bezzle/#gryft
Don't worry: the Saudi royals are fine! They cashed out at the IPO, collecting a tidy profit at the expense of retail investors who assumed that a pile of shit as big as Uber must have a pony under it, somewhere:
https://pluralistic.net/2023/05/19/fake-it-till-you-make-it/#millennial-lifestyle-subsidy
Uber has doubled the cost of rides and halved drivers' wages, using illegal gimmicks like "algorithmic wage discrimination" to squeeze a little more juice out of the nearly exhausted husks of its workforce:
https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men
But Stein's Law hasn't been repealed. Drivers can't drive for sub-subsistence wages. Do that long enough and they'll literally starve: that's what "subsistence" means. We lost a decade of transit investment thanks to the Uber con, at the same time as traditional taxi drivers were forced out of the industry. Uber can't be profitable and still pay a living wage, and the fantasy of self-driving cars as a means of zeroing out the wage-bill altogether remains stubbornly, lethally unworkable:
https://pluralistic.net/2022/10/09/herbies-revenge/#100-billion-here-100-billion-there-pretty-soon-youre-talking-real-money
Which means we're at the point where you can get off a commuter train at a main station and find yourself stranded: no taxis at the taxi-queue, no busses due for an hour, and no Uber cars available unless you're willing to pay $95 for a ten-minute ride in a luxury SUV (why yes, this did happen to me recently, thanks for asking).
As more and more of us are exposed to these micro-crises, the political will to do something will increase. This can't go on forever. "Don't use commuter rail" isn't a viable option. "Walk three miles each way to the commuter rail station" isn't viable either. Neither is "Pay $95 for an Uber to get to the station." Something's gotta give…eventually.
"Eventually" is the key word here. Remember the corollary of Stein's Law: Keynes's maxim that "markets can remain irrational longer than you can remain solvent." Sure, anything that can't go on forever eventually stops, but that is no guarantee of a soft landing. You can't smoke two packs a day forever – but in the absence of smoking cessation, the eventual terminus of that habit is stage-four lung cancer. Keep hammering butts into your face and your last smoke will come out a crematorium chimney.
Zuckerberg hasn't merely blown a whole-ass Twitter on the metaverse with nothing to show for it – he's gotten richer while doing it! In the past year, his net worth increased by 130%, to $59 billion, thanks to an increase in Facebook's share-price, driven by investors who stubbornly remain irrational, keeping the Boy Emperor solvent long past any reasonable assessment of his performance.
What are these investors betting on? One possibility is that the rise and rise of Facebook's share-price represents a bet on technofeudalism. Since the Communist Manifesto, Marxists have been predicting the end of capitalism. That end seems to have come, but what followed capitalism wasn't socialism, it was the return of feudalism, an economic system where elites derive their wealth from rents, not profits:
https://pluralistic.net/2023/09/28/cloudalists/#cloud-capital
Profit is the income you get from investing in capital – machinery, systems, plant – and then harvesting the surplus value created by workers who mobilize this capital. Capitalism produces massive returns for its winners – in the Manifesto's first chapter, Marx and Engels just geek out about how productive and dynamic this system is.
But capitalism is also a Red Queen's Race, where the winners have to run faster and faster to stay in the same place. Capitalism drives competition, as other would-be winners pile into the sector, replicating the systems that the current winners are using and then improving on them. This is why the prophets of capitalist end-times like the FBI informant Peter Thiel say that "competition is for losers."
Capitalism's "profits" stand in contrast to the feudalist's "rents." Rents are income you get from owning something that other people need to produce things. The capitalist owns the coffee-shop, but the feudalist owns the building. When a rival capitalist opens a superior coffee-shop and drives the old shop out of business, the capitalist loses, but the rentier wins. Now they can rent out an empty storefront in the neighborhood everyone's coming to because of that hot new cafe.
Feudal and manorial lords also made their fortunes by extracting surplus value from workers, but these rentiers don't care about owning the means of production. The peasant in the field pays for their own agricultural equipment and livestock – control over the means of production is necessary for worker liberation, but it's not sufficient. The worker's co-op that owns its factory can still find the value it produces bled off by the landlord who owns the land the factory sits on.
The jury's still out on whether American workers really see themselves as "temporarily embarrassed millionaires," but America's capitalists have a palpable, undeniable loathing for capitalism. The dream of an American "entrepreneur" is *PassiveIncome: money you get from owning something capitalists and/or workers use to create value. Digital technology creates exciting new possibilities for rent-extraction: a taxi-operator had to buy and maintain a car that someone else drove. Uber can offload this hassle onto its drivers and rent out access to the chokepoint it created between drivers and riders, charging all the traffic can bear. This is feudalism in the cloud – or as Yannis Varoufakis calls it, cloudalism.
In Varoufakis's Technofeudalism, he describes Amazon as a feudal venture. From a distance, Amazon seems like a bustling marketplace of manic capitalism, with sellers avidly competing to offer more variety and lower costs in a million independently operated storefronts. But closer inspection reveals that Amazon is a planned economy, not a market.
Every one of those storefronts pays rent to the same landlord – Amazon – which determines which goods can be offered for sale. Amazon sets pricing for those goods, and extracts 45-51% of every dollar those sellers make. Amazon even controls which goods are shelved at eye-height when you enter the store, and which ones are banished to a dusty storeroom in a distant sub-basement you'll never find:
https://pluralistic.net/2023/06/14/flywheel-shyster-and-flywheel/#unfulfilled-by-amazon
Zuck's metaverse is pure-play technofeudalism, Amazon taken to the logical extreme. It's easy to get distracted by the part of Zuck's vision that will convert us all into legless, sexless, heavily surveilled low-resolution cartoon characters. But the real action isn't this digitization of our fleshy wants and needs. Zuck didn't spend $46.5B to torment us.
The cruelty isn't the point of the metaverse.
The point of the metaverse is to rent us out to capitalists.
Zuck doesn't know why we would use the metaverse, but he believes that if he can convince capitalists that we all want to live there, that they'll invest the capital to figure out how to serve us there, and then he can extract rent from those capitalists and start earning "passive income." It's an Uber for Cyberpunk Dystopias play.
Zuck's done this before. Remember the "pivot to video?" Zuckerberg wanted to compete with Youtube, but he didn't want to invest in paying for video production. Videos are really expensive to produce and the median video gets zero views. So Zuck used his captive audience to trick publishers into financing his move into video. He fraudulently told publishers that videos were blowing up on Facebook, outperforming boring old text by vast margins.
Publishers borrowed billions and raised billions more in the capital markets, financing the total conversion of newsrooms from text to video and precipitating a mass extinction event for print journalists. Zuck kept the con alive by giving away (fewer) billions to some of those publishers, falsely claiming that their videos were generating fortunes in advertising revenue. These lucky, credulous publishers became judas goats for their industry, luring others into the con, the same way that the "lucky" guy a carny lets win a giant teddy-bear at the start of the day lures others into putting down $5 to see if they can sink three balls in a rigged peach-basket.
But when we stubbornly refused to watch videos on Facebook, Zuck stopped spreading around these convincer payouts, and precipitated a second mass-extinction event in news media, as the new generation of video journalists joined their predecessors in Facebook-driven unemployment. Given this history, it's surreal to see publishers continue to insist that Facebook is stealing their content, when it is so clearly stealing their money:
https://www.eff.org/deeplinks/2023/04/saving-news-big-tech
Metaverse is the new Pivot to Video. Zuckerberg is building a new world, which he will own, and he wants rent it to capitalists, who will compete with one another in just the way that Amazon's sellers compete. No matter who wins that competition, Zuckerberg will win. The prize for winning will be a rent increase, as Zuckerberg leverages the fact that your "successful" business relies on Facebook's metaverse to drain off all the value your workers have produced:
https://pluralistic.net/2022/12/18/metaverse-means-pivot-to-video/
This can't last forever, but how long until Zuck's reality distortion field runs out of battery? That's the $46.5B question.
The market can certainly remain irrational for a hell of a long time. But the market isn't the only force that regulates corporate outcomes. Regulators also regulate. Europe's GDPR is now seven years old, and it plainly outlaws Facebook's surveillance.
For nearly a decade, Facebook has pretended that this wasn't true, and they got away with it. Mostly, that's thanks to the fact that Ireland is a corporate crime-haven with a worse-than-useless Data Protection Commission:
https://pluralistic.net/2023/05/15/finnegans-snooze/#dirty-old-town
But anything that can't go on forever will eventually stop. Facebook has finally been dragged into EU federal jurisdiction, where it will face exterminatory fines if it continues to spy on Europeans:
https://pluralistic.net/2022/12/07/luck-of-the-irish/#schrems-revenge
In response, Facebook has rolled out a subscription version of its main service and its anticompetitive acquisition, Instagram:
https://about.fb.com/news/2023/10/facebook-and-instagram-to-offer-subscription-for-no-ads-in-europe/
For €10/month, Facebook will give you an ad-free experience across its service offerings (it's €13/month if you pay through an app, as Facebook recoups the 30% #AdTax rents that the feudal Google/Apple mobile duopoly extracts).
But this doesn't come close to satisfying Facebook's legal obligations under the GDPR. The GDPR doesn't ban ads, it bans spying. Facebook spies on every single internet user, all the time. The apps we use are built with "free" Facebook toolkits that extract rent from the capitalists who make them by harvesting our data as we use their apps. The web-pages we visit have embedded Facebook libraries that do the same thing for web publishers. Facebook buys our data from brokers. Facebook has so many ways of spying on us that there's almost certainly no way for Facebook to stop spying on you, without radically transforming it operation.
To comply with the GDPR, Facebook must halt surveillance advertising altogether. There's no way to square "spying on users" with "you can't surveil without explicit consent, and you can't punish people for refusing."
And of course, "not spying" isn't the same as "not advertising." "Contextual advertising" – where ads are placed based on the thing you're looking at, not who you are and what you do – is hundreds of years old. Context ads underperform surveillance ads by a slim margin – about 5% – but they're vastly more profitable for publishers. That's because surveillance ads are feudal, controlled by rentiers like Facebook, who own vast troves of the surveillance data needed to run these ads. Traditional ad intermediaries (agencies, brokers) took 10-15% out of the total advertising market. Ad-tech companies – the Google/Facebook duopoly – take 51% out of every ad dollar spent.
Eliminate surveillance ads and you torch their feudal estates. Facebook will always know more about someone reading a news article than the publisher – but the publisher will always know more about the article than Facebook does:
https://www.eff.org/deeplinks/2023/05/save-news-we-must-ban-surveillance-advertising
There are rents under capitalism, just as there are profits under feudalism. The defining characteristic of a system is what happens when rents and profits come into conflict. If profits win – for example, if productive companies beat patent trolls, or if news publishers escape Facebook's rent-extraction – then the system is capitalist. If rents win – if investors continue to bet large on the metaverse as its losses pass $50 billion and head for the $100 billion mark – then the system is feudal.
Anything that can't go on forever will eventually stop. The question isn't whether the platforms will eventually become so enshittified that they die – the question is whether they will go down in an all-consuming fireball, or whether they'll go down in a controlled demolition that lets us evacuate the people they've trapped inside them first:
https://pluralistic.net/2023/07/09/let-the-platforms-burn/
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/10/30/markets-remaining-irrational/#steins-law
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Image: Diego Delso (modified) https://commons.wikimedia.org/wiki/File:Puente_de_las_cataratas_Victoria,_Zambia-Zimbabue,_2018-07-27,_DD_10.jpg
CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/
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reasonsforhope · 4 months
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"Starting in July 2024, California will be the first state to charge an excise tax on guns and ammunition. The new tax – an 11% levy on each sale – will come on top of federal excise taxes of 10% or 11% for firearms and California’s [7.5]% sales tax (x).
The National Rifle Association has characterized California’s Gun Violence Prevention and School Safety Act as an affront to the Constitution. But the reaction from the gun lobby and firearms manufactures may hint at something else: the impact that the measure, which is aimed at reducing gun violence, may have on sales.
As a professor who studies the economics of violence and illicit trades at the University of San Diego’s Kroc School of Peace Studies, I think this law could have important ramifications.
One way to think about it is to compare state tax policies on firearms with those on alcohol and tobacco products. It’s not for nothing that these all appear in the name of the Bureau of Alcohol, Tobacco, Firearms and Explosives, also known as ATF...
The ATF focuses on those products because, while legal, they can cause significant harm to society – in the form of drunken driving, for example, or cancer-causing addictions. They also have a common history: All have been associated with criminal organizations seeking to profit from illicit markets.
Alcohol and tobacco products are thus usually subject to state excise taxes. This policy is known as a “Pigouvian tax,” named after 20th-century British economist Arthur Pigou. By making a given product more expensive, such a tax leads people to buy less of it, reducing the harm to society while generating tax revenue that the state can theoretically use to offset those harms that still accrue.
California, for instance, imposes a US$2.87 excise tax on each pack of cigarettes. That tax is higher than the national average but much lower than New York’s $5.35 levy. California also imposed a vaping excise tax of 12.5% in 2021.
Of the three ATF product families, firearms have enjoyed an exemption from California excise taxes. Until now...
How Much Will the Policy Help?
It’s unclear how the new tax will affect gun violence. In theory, the tax should be highly effective. In 2023, some colleagues and I modeled the U.S. market for firearms and determined that for every 1% increase in price, demand decreases by 2.6%. This means that the market should be very sensitive to tax increases.
Using these estimates, another colleague recently estimated that the California excise tax would reduce gun sales by 30% to 44%. If applied across the country, the tax could generate an additional $1.5 billion to $1.9 billion in government revenue.
One possible problem will come from surrounding states: It’s already easy to illegally transport guns bought in Nevada, where laws are more lax, to the Golden State.
But there’s some evidence that suggests California’s stringent policies won’t be neutralized by its neighbors.
When the federal assault weapons ban expired in 2004, making it much easier to buy AR- and AK-style rifles across much of the U.S., gun murders across the border in Mexico skyrocketed. Two studies show the exception was the Mexican state of Baja California, right across the border with California, which had kept its state-level assault weapons ban in place.
Gun seizures in Mexico show that all four U.S. states bordering Mexico rank in the top five state sources of U.S.-sold guns in Mexico. But California contributes 75% less than its population and proximity would suggest.
So, California laws seem to already be making a difference in reducing gun violence. I believe the excise tax could accomplish still more. Other states struggling against the rising tide of guns will be watching closely."
-via The Conversation, May 21, 2024
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ausetkmt · 1 year
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Pharmacist Lunsford Richardson made Vicks a household name throughout the nation, but his popular product did not do the same for him.
Even in his native North Carolina, where his most celebrated of chemical concoctions has been right under our stuffy noses and on our congested chests for generations, the mention of Richardson’s name elicits blank stares from all but those who study and cherish history.
Richardson’s salve, Vicks VapoRub, helped the world breathe easier during the devastating influenza pandemic of 1918 and during the countless colds and flus of our childhoods, yet most of us couldn’t pick Lunsford Richardson out of a one-man police lineup, much less a who’s who of medical pioneers.
Why didn’t Richardson — by all accounts a creative inventor and smart businessman — ever become as famous as those vapors packed into the familiar squat blue jar?
Because his name wouldn’t fit on the jar.
That’s one version of the story. According to company and family lore, Richardson initially dubbed his promising new product Richardson’s Croup and Pneumonia Cure Salve. Realizing that this name didn’t exactly roll off the tongue nor fit when printed on a small medicine jar, Richardson changed the name to honor his brother-in-law, Dr. Joshua Vick. Another account suggests the inventive druggist plucked the name from a seed catalog he’d been perusing that listed the Vick Seed Co.
The truth may never be known. What is known, though, is that Lunsford Richardson created a medicinal marvel for the ages, the likes of which may never be equaled.
Croupy beginnings
A Johnston County native born in 1854, Richardson loved chemistry and hoped to study it at Davidson College. The college’s chemistry program at the time wasn’t as strong as he’d hoped it would be, so he studied Latin instead, graduating with honors in three years. He returned to Johnston County and taught school, but it wasn’t long before the young man’s love of chemistry got the best of him. In 1880, he moved to Selma to work with his physician brother-in-law, Dr. Vick. It was not uncommon in those days for doctors to dispense drugs themselves, but Vick was so busy seeing patients that he teamed up with Richardson, allowing him to handle the pharmacy duties for him. Richardson relied on his knowledge of Latin to help him learn the chemical compounds required to become a pharmacist, and that’s when he began to experiment with recipes for the product that would become Vicks VapoRub.
It wasn’t until Richardson moved to his wife’s hometown of Greensboro in 1890 that his magical salve and other products he created began to take off.
“He was a man of great intellect and talent,” says Linda Evans, community historian for the Greensboro Historical Museum, which has an exhibit devoted to Richardson and Vicks.
“Druggists at the time fashioned their own remedies a lot, and he created a number of remedies, in addition to his magic salve, that he sold under the name of Vick’s Family Remedies. He was obviously a man of such creativity.”
In Greensboro, working out of a downtown drugstore he purchased (where he once employed a teenaged William Sydney Porter, the future short story writer O. Henry), Richardson patented some 21 medicines. The wide variety of pills, liquids, ointments, and assorted other medicinal concoctions included the likes of Vick’s Chill Tonic, Vick’s Turtle Oil Liniment, Vick’s Little Liver Pills and Little Laxative Pills, Vick’s Tar Heel Sarsaparilla, Vick’s Yellow Pine Tar Cough Syrup, and Vick’s Grippe Knockers (aimed at knocking out la grippe, an old-timey phrase for the flu).
These products sold with varying degrees of success, but the best seller in the lineup of Richardson’s remedies was Vick’s Magic Croup Salve, which he introduced in 1894. And by all accounts, necessity was the key to its success.
“He had what they referred to as a croupy baby — a baby with a lot of coughing and congestion,” explains Richardson’s great-grandson, Britt Preyer of Greensboro. “So as a pharmacist, he began experimenting with menthols from Japan and some other ingredients, and he came up with this salve that really worked. That’s how it all started.”
Another version of the story suggests that all three of the Richardson children caught bad colds at the same time, and Richardson, dissatisfied with the traditional treatment of the day, which included poultices and a vapor lamp, spent hours at his pharmacy developing his own treatment.
Richardson’s salve — a strong-smelling ointment combining menthol, camphor, oil of eucalyptus, and several other oils, blended in a base of petroleum jelly — was a chest-soothing, cough-suppressing, head-clearing sensation. When the salve was rubbed on the patient’s chest, his or her body heat vaporized the menthol, releasing a wave of soothing, medicated vapors that the patient breathed directly into the lungs.
Vicks in the mailbox
In 1911, Richardson’s son Smith, by now a successful salesman for his father’s company, recommended discontinuing all of the company’s products except for Vick’s Magic Croup Salve. He believed the salve could sell even better if the company stopped investing time and money in the other, less successful remedies. He also suggested renaming the salve Vicks VapoRub, according to the company’s history timeline, to “help dramatize the product’s performance.” Richardson agreed, and a century later, the name’s still the same.
Meanwhile, Richardson intensified his marketing efforts by providing free goods to druggists who placed large orders and publishing coupons for free samples in newspapers. He also advertised on billboards and sent promotional mailings to post office boxes, addressed to Boxholder rather than the individual’s name, thus earning him the distinction of being the father of junk mail.
In 1925, Vicks even published a children’s book to help promote the product. The book told the story of two elves, Blix and Blee, who rescued a frazzled mother whose sick child refused to take nasty-tasting medicines. Their solution, of course, was the salve known as Vicks VapoRub.
Expanding and experimenting
As successful as the marketing campaign was, nothing sold Vicks VapoRub like the deadly Spanish flu outbreak that ravaged the nation in 1918 and 1919, killing hundreds of thousands of Americans. Loyal Vicks customers and new customers stocked up on the medicine to stave off or fight the disease.
According to the company’s history timeline, VapoRub sales skyrocketed from $900,000 to $2.9 million in a single year because of the pandemic. The Vicks plant in Greensboro operated around the clock, and salesmen were pulled off the road to help at the manufacturing facility in an effort to keep up with demand.
As the flu spread across the nation, Richardson grew ill with pneumonia in 1919 and died. Smith took over the company. Vicks continued to grow, buying other companies until Procter & Gamble bought it in the 1980s. Through the years, Vicks continued adding new products to its arsenal of cold remedies: cough drops, nose drops, inhalers, cough syrup, nasal spray, Formula 44, NyQuil. And whatever success those products attained, they got there standing on the broad shoulders of Richardson.
Richardson will never be a household name, but his salve has held that status for more than a century — and may do so for the next hundred years. And for Richardson, were he still around, that ought to be enough to clear his head.
A cure-all salve
Vicks users have claimed the salve can cure and heal many maladies. Even though Vicks doesn’t say the salve works for these problems, people still believe.
Toenail fungus: Rub the salve on your toenails, cover with socks, and sleep your fungus problems away. Cough: For a similar fix to a nagging cough, some believe rubbing Vicks on the soles of your feet can fix the problem. Dandruff: Rub Vicks directly on the scalp, and your flakes may just disappear. Chapped lips: Petroleum jelly is one of the ingredients in Vicks, and some say the ointment can help heal cracked lips. Mosquito bites: If you smooth Vicks on the red bumps on your legs and arms, it can supposedly take the itch right out. Warts: Dab Vicks on the wart, cover with duct tape, and it may fall off in a few days.
Greensboro Historical Museum 130 Summit Avenue Greensboro, N.C. 27401 (336) 373-2043 greensborohistory.org
See historical Vicks VapoRub bottles and learn about Lunsford Richardson.
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thelibraryghost · 5 months
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A Young Person's Guide to 18th-Century Western Fashion
unabridged version at blogspot
General info Cox, Abby. "I Wore 18th-Century Clothing *Every Day for 5 YEARS & This Is What I Learned (Corsets Aren't Bad!)." YouTube. May 10, 2020. Cullen, Oriole. “Eighteenth-Century European Dress.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2004. Glasscock, Jessica. "Eighteenth-Century Silhouette and Support." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2004. Accessories Banner, Bernadette. "Women's Pockets Weren't Always a Complete Disgrace | A Brief History: England, 15th c - 21st c." YouTube. April 10, 2021. Colonial Williamsburg. "#TradesTuesday: Men's Accessories." YouTube. June 13, 2021. Murden, Sarah. "The Georgian era fashion for straw hats." All Things Georgian. December 6, 2018. Cosmetics & hygiene Cox, Abby. "I Followed an 18th-Century Moisturizer & Sunscreen Recipe & it kinda worked??." YouTube. February 21, 2021. Cox, Abby. "We tried making *5* different 250 year old rouge (blush) recipes || [real] regencycore makeup." YouTube. August 29, 2021. JYF Museums. "Hygiene in the 18th Century | From the Farm to the Army." YouTube. August 21, 2021. Décor Heckscher, Morrison H. “American Rococo.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2003. Munger, Jeffrey. “French Porcelain in the Eighteenth Century.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2003. Formal wear SnappyDragon. "This dressing gown changed fashion forever : the feminist history of going out in loungewear." YouTube. April 15, 2022. Stowell, Lauren. "The Many Types of 18th Century Gowns." American Duchess. March 15, 2013. Zebrowska, Karolina. "Cottagecore Style Is Much Older Than You Think." YouTube. June 30, 2021. Hair care Cox, Abby. "I made 250-year-old Hair Products Using Original Recipes (and animal fat...)." YouTube. November 7, 2021. Cox, Abby. "I tried a 300-year-old hair care routine for a year & this is what I learned (it's awesome!)." YouTube. January 23, 2022. Cox, Abby. "What's the Deal with 18th Century Wigs? (and why Bridgerton really messed this up)." YouTube. June 1, 2023. Laundry Cox, Abby. "Making 300 Year Old SLIME for Laundry Day." YouTube. June 15, 2023. Townsends. "Historical Laundry Part 2: No Washing Machine, No Dryer, Hit It With A Stick?" YouTube. June 3, 2019. Outer- & working-wear JYF Museum. "Getting Dressed | Clothing for an 18th Century Middling Woman." YouTube. March 18, 2021. Major, Joanne. "The practicalities of wearing riding habits, and riding ‘en cavalier’." All Things Georgian. March 12, 2019. Rudolph, Nicole. "What did Pirates ACTUALLY Wear? Fashion at Sea in the 18th c & Our Flag Means Death Costumes." YouTube. May 8, 2022. Shoes Chin, Cynthia E. "Martha Washington's Shoes." George Washington's Mount Vernon. No date. Murden, Sarah. "18th-century shoes." All Things Georgian. December 15, 2015. Rudolph, Nicole. "Real 18th century Shoes? Historical Shoemaker Examines an Antique." YouTube. December 13, 2020. Textiles Cox, Abby. "18th Century Printed Cotton Do's & Don't's." American Duchess. December 23, 2019. Stowell, Lauren. "Fabrics for the 18th Century and Beyond." American Duchess. June 14, 2021. Townsends. "Oil Cloth - Waterproof Coverings for Your Campsite." YouTube. July 30, 2018. Undergarments Major, Joanne. "Quilted Petticoats: worn by all women and useful in more ways than one." All Things Georgian. November 20, 2018. Rudolph, Nicole. "Making 18th century Stays for the Ideal Body Shape : Historical Undergarments." YouTube. August 12, 2023. SnappyDragon. "RUMP ROAST : Ranking historical fashion's wildest fake butt pads." YouTube. October 27, 2023. Townsends. "Sewing Histories' Most Popular Garment - The Fabric Of History - Townsends." YouTube. September 3, 2022.
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exercise-of-trust · 8 months
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seemingly cool fiber arts person i followed a little bit ago just put radfem shit on the dash, anyway the blanket statement that the only contributions of men to textile production are capitalist/exploitative and the only contributions of women are household-centric/victimized is patently untrue. while less of a documented presence, women in medieval europe [1] absolutely participated in weaver's guilds and commercial cloth production [2], and men have been participating in household knitting in all parts of europe for as long as knitting has been a thing there [3]. like i'm not trying to say women haven't been deeply excluded from economic opportunities in the textile trade for centuries but you cannot be making sweeping statements like that about everyone in every part of the world through all of history and expect them to be true. do, like, a basic level of research and have a basic understanding of nuance, i beg of you [4]
footnotes/sources/etc under the cut, sources are a bit basic because i just grabbed whatever was nearest to hand but they should suffice to prove my point:
[1] i'm only referring to western europe here because that's the only region i feel comfortable talking about in any detail without embarrassing myself. systems of medieval cloth production in european guilds are not gonna look anything like the systems of hundreds of servants employed to do textile production for a household in china. don't make categorical statements about everyone everywhere all at once, you will end up with egg on your face.
[2] quotes from "when did weaving become a male profession," ingvild øye, danish journal of archaeology, p.45 in particular.
england: "in norwich, a certain elizabeth baret was enrolled as freeman of the city in 1445/6 because she was a worsted weaver, and in 1511, a riot occurred when the weavers here complained that women were taking over their work" + "another ordinance from bristol [in 1461] forbade master weavers to engage wives, daughters, and maids who wove on their own looms as weavers but made an exception for wives already active before this act" germany: "in bremen, several professional male weavers are recorded in the early fourteenth century, but evidently alongside female weavers, who are documented even later, in 1440" -> the whole "even later" thing is because the original article is disputing the idea that men as weavers/clothiers in medieval europe entirely replaced women over time. also: "in 1432-36, a female weaver, mette weuersk, is referred to as a member of the gertrud's guild in flensburg, presently germany" scandanavia: "the guild of weavers that was established in copenhagen in 1500 also accepted female weavers as independent members and the rules were recorded in the guild's statutes"
[3] quotes from folk socks: the history and techniques of handknitted footwear by nancy bush, interweave press, 2011, don't roast me it was literally within arm's reach and i didn't feel like looking up more stuff
uk/yorkshire dales: "...handknitting had been a daily employment for three centuries [leading up to 1900]. practiced by women, children, and men, the craft added much to the economy of the dales people." (p.21) uk/wales: re the knitting night (noson weu/noswaith weu) as a social custom practiced in the 18th/19th c.: "all the ladies would work on their knitting; some of the men would knit garters" (p.22) uk/channel islands: "by the early seventeenth century, so many of the islands' men, women, and children had taken up the trade of knitting that laws were necessary to keep them from knitting during harvest" (p.24) -> this one is deeply funny to me, in addition to proving my point uk/aberdeen: "the knitters, known as shankers, were usually women, but sometimes included old men and boys" (p.26) denmark: "with iron and brass needles, they made stockings called stunthoser, stomper, or stockings without feet, as well as stockings with feet. the men knit the legs and the women and girls made the heels" (p.32) iceland & faroe islands: "people of all ages and both sexes knit at home not only for their own use but for exportation of their goods as well" (p.35)
[4] actually? no. i'm not begging for shit from radfems. fuck all'a'y'all.
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amechyofsorts · 5 months
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The conversation around Toshiro sorta also makes it clear how people tend to keep expecting modern understanding of racism and xenophobia in a medival fantasy setting, one with fantasy races running around to further complicate things.
And like yeah, I doubt Kui was going for any manner of authenticity regarding medival race and national relations either, but it does feel weird to discuss how certain characters act through the lens modern racism and xenophobia, or at least only through that lense. "Microtransgressions" would not have been a concern to world travelers back then. One would very fast learn they would draw extreme curiosity or fear/discomfort from people, all of whom looked and acted entirely different from anyone you had ever seen before, and that almost no social standard from back home would work as you had learned it to all your life. There was no worldwide means of communication or information sharing that could properly prepare you for any of it.
Specifically what im trying to share here is that Toshiro was likely pretty used the kind of curiosity and social insensitivity Laios had displayed toward him, and wouldn't have thought too much of it, if not for his persistance and wanting to be his bff's as well. Laios isn't the racist white dude harassing a foreign student in college canteen about how weird and funny he looks and acts, despite living in the 21'st century and having all the means available to avoid that manner of behavior, he's a medival dude from bumfuck nowhere who was genuinely just extremely interested at the world being a bigger and more varied and interesting place then he was ever aware of, and also he's autistic as fuck on top of that.
But again, probably not the medival mindset what Kui specifically was shooting for, but even then, a fantasy world's understanding off all these matters would likely still be fairly different from ours anyway. Viewing, and judging the characters, strictly from the perspective of our modern day of understanding of these matters isn't likely very "productive" if you're trying to understand the characters.
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anderwater · 1 year
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I LOVED They Cloned Tyrone (2023). it was so freaking fuuuuuuun. It's a mystery case, it's a satire, it's a sci-fi thriller, it's an Erykah Badu song, it's a conspiracy plot, it's a whole overplayed joke, it's perfect. 
[spoilers] I loved how it played into the conspiracy theories of mind control through consumerism of products targeted to black american communities and toxic cycles of placing and allowing some businesses and crimes in those areas, all of those to describe how the circumstances/the system can make you into these archetypes. and I loved how these archetypes had this whole growing out off their identity plot while still serving the stereotypes of their characters, in a positive way (the slick of the pimp or the wig, amazing.) I loved how the context is set up so confusedly, with the late 20th century fashion and hair but the 21 century pop cultures references and the obvious in-role characters ; so original in the mix of genres but so familiar in the depiction of those that it keeps you wondering what’s up what’s real what’s fiction what’s anormal from the start. People compared it to They Live and Get Out but most of it, and especially the ending, brought me back to Sorry to Bother You. Big mentions to the cinematography and color grading. So fuuuuuuun, I really enjoyed it.
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psychotrenny · 1 month
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On a more serious note, the Islamic Revolutions of the 19th Century West Sudan (region) are interesting because they provide a relatively early example of holistic ideologically-motivated revolution that follows a deliberate plan of societal renovation. This contrasts with the many less directional revolutions that sought to solve very specific issues or merely change the individuals/associations who held power in society without changing the social structures themselves.
Like the backbone of these Islamic revolutionary movements derived from the West Sudanese intelligentsia and associated strata. Usman dan Fodio, Seku Amadu and Al-ḥājj 'Umar were all prominent scholars with close ties to the regional Islamic mercantile community, while much of their initial following derived from their students and the relatives of students. These movements also had very clear ideas of how they wanted to restructure society both socially and economically. While rallying against the specific misdeeds of local rulers (abuses of power, unfair taxation), each of reformers also had their sights set higher than the replacement of bad individuals with good ones.
Instead of merely removing the morally corrupt and religiously syncretic rulers, the reformers strove to expunging all pagan elements from broader society while establishing a stronger education system to more permanently spread and maintain orthodox Islam within their territories. And instead of merely lowering the taxes as new rulers they changed the basis that taxation laws were founded on; employing Maliki school Sharia instead of going entirely off the whims of worldly rulers. There were institutional changes to the very nature of Statehood in the region too. States were no longer ruled by kings who were divine personages themselves; they were replaced by Amirs who functionally first among equals with the other governing scholars. This meant that many formerly powerful institutions were either rendered impotent (Palace Slave officials) or eliminated altogether (the office of Queen mother/sister). Like through their study of Islamic literature and analysis of the societies they lived in, these scholars came up with a plan to change their societies and to one extent or another put it into action. The changes the wrought went far far deeper than the names of the rulings families
Mind you it's important not to exaggerate the extent of these changes. They may have deliberately altered the nature and mechanisms of culture and politics, but the mode of production did not receive similar treatment. There were certainly economic changes in the region throughout the 19th century but these were driven more by international trade relations than any domestic political programmes*; a decline in demand for slaves and increase in demand for the agricultural products from the region (Kola Nuts, Peanuts, Palm Oil etc.) meant a region wide decrease in the export of slave as more of them were retained locally for employment in agriculture. However this was a process that occurred throughout West Africa rather than being confined to the Islamic Sudan; it was not a result of deliberate effort by Islamic Reformists. These were revolutions of the Superstructure, not the Base. To put it in European terms they had much more in common with the Liberal revolutions of the 18th century than the Communist ones of the 20th.
Still the fact that there was any kind of genuine ideological program at all, complete with its share of well known thinkers and an entire library of relevant literature, certainly makes it more recognisable to the modern revolutionary than many of the other civil wars and succession disputes given such a title. Even ignoring how important this process was for the West Sudan specifically, it's a very interesting slice of history that more people should be at least aware of. This post was largely based on volume 6 of the UNESCO General History of Africa (mainly chapters 21-3) and I'd highly recommend reading the whole thing if you're curious. At bare minimum it should be remembered that this sort of history is not unique to Europe
*I've definitely read a paper (which I cannot for the life of me find in my notes so if anyone knows something relevant it would be greatly appreciated) that suggests these processes aided the Islamic Reformers as many of the Pagan/Syncretic rulers relied mostly on slave raiding and sale while the more orthodox Islamic communities were already more involved in plantation production. However I've seen nothing to suggest this was a direct influence on or result of Islamic Reformist politics and a similar process occurred in the Pagan kingdoms to the South and East too
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stevebattle · 2 months
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Wakamaru communication robot (2003) by Toshiyuki Kita, Mitsubishi Heavy Industries, Tokyo, Japan. "Wakamaru" was so named because the two sensors on its forehead resemble the eyebrows of the Heian Era Yoshitsune Minamoto, whose childhood name was "Ushiwakamaru."
"The design concept of Mr. Toshiyuki Kita, who designed "wakamaru", was to create "a humanoid robot that can approach its user." "wakamaru" is designed in the image of a human being, not merely as a "machine" or a "computer terminal," but rather as an "independent personality." Its familiar facial expressions and body appearance make it feel friendly to everyone from children to elderly people." – "Wakamaru" Design, MHI.
The three stages of Wakamaru are seen in the 6th image, from first concept in 2000, through Toshiyuki Kita's blue sleeved prototype, to its final form in 2003. "The first inkling of "wakamaru" lies in a company project titled "MHI Frontier 21," started in 2000. In order to start a new product/project with a 21st century theme, ideas were canvassed from all employees. Then, one of the proposals summarized by the investigation team, mainly consisting of younger employees was, the "Service Robot Project." ... "wakamaru" was born. A robot that can live with human beings, enriching the quality of life." – Who is "Wakimaru"?, MHI.
"Wakamaru, the multi-function service robot developed by Mitsubishi Heavy Industries close to a decade ago has never seemed to gain much traction or use outside of research labs and universities. While Wakamaru is extremely cute, most observers agreed that it didn’t really address a compelling customer need, especially at its USD$14,000 price point. A tweet earlier today by @rani_chocobreak seems to provide visual confirmation [see 7th image] that Wakamaru may have reached the end of its rope. According to the tweet, there are quite a few Wakamaru robots stored in the garbage collection area at an unnamed Japanese university." – Is Wakamaru Alive and Well, or…?, robots dreams, 2014.
Yet Wakamaru keeps on giving (see video). "Under MHI's "wakamaru gift" initiative, based on the number of handshakes the MHI Group makes monetary donations to support the earthquake and tsunami recovery effort in the Tohoku region. … To date, the number of handshakes with wakamaru [based at the Company's showroom on the second floor of the Shinagawa Head Office] has resulted in donations totaling 2.4 million yen. The money is being put to good use to fund various events supporting Tohoku's recovery, a project to cultivate seedlings for creating green spaces as a disaster-prevention measure, and activities to help nurture the next generation. Many people who have cooperated in this campaign have expressed their joy at being able to help in the Tohoku recovery effort." – "wakamaru gift" Campaign Reaches 8,000 Handshakes!, MHI, 2016.
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fatehbaz · 2 years
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In 1901, Liang Qichao, a prominent Chinese journalist, wrote an essay entitled “The New Rules for Destroying Countries” (“Mieguo xinfan lun”).
In it, he presented what he had come to understand were the patterns of nineteenth-century Euro-American colonial-imperialist world domination into which China was being drawn. Egypt is the first among five examples he cited of a people and a state crushed by these “new rules.” No simple military invasion or despoiling occupation, the new rules proceeded under a subtler logic. According to Liang, English financial advisers had inserted themselves into the Egyptian court, inducing the state to indebt itself so completely that international bankers could take over from within. This ingenious mode of domination constituted what Liang called “formless dismembering,” hardly detectable as it proceeds, and announcing itself suddenly once it has taken place. Without quite articulating it, Liang was theorizing the advent of finance capitalism in relation to colonialism, with Egypt at its core. [...]
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Aaron Jakes [...] takes up the relation between imperialist domination through the financialization of capitalism in the colonies [...] in his comprehensive account of the British occupation of Egypt from 1882 to 1914. [...] The [financial] crises, produced in the metropole [London, Paris, New York, etc.], were analytically and practically worked out by yoking colonies as productive places and colonials as laboring and culturally marked/racially othered bodies to metropolitan concerns over empire [...], making Egypt a “laboratory in which to settle those greater questions of the Empire” (25). [...] [T]he original goal of British colonial governance was to enhance [...] cotton-growing for export to the global market and capital investment/speculation. [...] The British restructuring of rural space and agrarian social relations [...] severely constrained the room for maneuver of the Egyptian peasantry, who had long used the porousness of the relations among land, property, labor, and power to gain whatever advantages they could. Peasants were now locked firmly in place, and when [...] [financial] crisis hit, their indebtedness left them relatively defenseless. By 1905, superficial prosperity hid roiling discontent with economic development but also with colonial legitimacy. [...]
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[T]he Egyptian journalist Ahmad Hilmi recognized the British discourse of development as “gilded speech” that created an economistic reality without accounting for the lived complexity of actual Egyptians. As Jakes puts it: “despite the occupation’s command over the means of representation, the shared sentiments and experiences of the Egyptian people were irreducible to the charts and tables that adorned the pages of Cromer’s annual reports” (118).
In comparing Egypt’s poverty to the British-produced poverty of Ireland, for example, the economic boom of gushing capital investment was revealed to be a mechanism of wealth accumulation for the few. [...] [T]he gap between rhetoric and reality [...].
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All text above by: Rebecca E. Karl. “Review of Egypt’s Occupation: Colonial Economism and the Crises of Capitalism.” Jadaliyya online. 21 June 2022. [Bold emphasis and some paragraph breaks/contractions added by me.]
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Adele - Rolling in the Deep 2010
"Rolling in the Deep" is a song by English singer-songwriter Adele from her second studio album, 21 (2011). It is the lead single and opening track on the album. The song was composed by Paul Epworth and Adele in a single afternoon following Adele's breakup with her boyfriend. It was her reaction to, "being told that my life was going to be boring and lonely and rubbish, and that I was a weak person if I didn't stay in the relationship. I was very insulted, and wrote that as a sort of 'fuck you'."
"Rolling in the Deep" received widespread critical acclaim with praise drawn towards the song's production, its lyrics, and Adele's vocal performance. It represented a commercial breakthrough for Adele, propelling her to global superstardom. The song topped the charts in twelve countries and reached the top 10 in over twenty territories. It was Adele's first number-one song in the US, reaching the top spot on many Billboard charts, including the Billboard Hot 100 where it was number one for seven weeks. By February 2012, "Rolling in the Deep" had sold over 8.7 million copies in the US, making it the best-selling digital song by a female artist in the US, the second-best-selling digital song in the US and Adele's best-selling single outside her native country, topping her previous best-selling "Chasing Pavements". Worldwide, it was the fifth-best-selling digital single of 2011 with sales of 8.2 million copies. As of 2019, with sales of over 20.6 million copies worldwide, "Rolling in the Deep" is one of the best-selling digital singles of all time.
Its music video received a leading seven nominations at the 2011 MTV Video Music Awards, including for Video of the Year, and won three other awards: Best Editing, Best Cinematography and Best Art Direction. "Rolling in the Deep" was also the Billboard Year End Hot 100 Number One Single of 2011. At the 54th Annual Grammy Awards, it won awards for Record of the Year, Song of the Year, and Best Short Form Music Video, making it just the second song in Grammy history to win all three awards after "We Are the World" in 1986. Various critics and music publications ranked it as the best song of the year on their end-of-year lists with Rolling Stone ranking it at number 8 spot on its list of "The 100 Greatest Songs of the 21st Century". In 2021, the song was ranked at number 82 on the list of Rolling Stone's 500 Greatest Songs of All Time.
"Rolling in the Deep" received a total of 87,7% yes votes!
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boinkingbattlemechs · 21 days
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Catapult
The Catapult is an offense oriented, second-line fire-support BattleMech initially produced from 2561 to 2563 on a limited contract for the Terran Hegemony. Representing Hollis Incorporated's first foray into the 'Mech market, the Catapult was produced in record numbers over its initial three-year period from the company's brand-new, state-of-the-art factory. However, when the contract came up for review in 2563, the Hegemony decided not to renew it; while the Catapult had performed adequately at its role, it was not quite what they wanted. With large numbers of the 'Mech still in the field, the Catapult would continue to see use in the Star League Defense Force with second-line and specialist formations such as mountaineering regiments. When the factory constructing them switched over to the more-successful BattleMaster, Hollis' limited production of spare parts couldn't keep the design's numbers from dwindling.
When the Star League fell, many of the remaining Catapults joined Aleksandr Kerensky on his Exodus. The Capellan Confederation collected most of the Catapults that remained in the Inner Sphere, and the Hollis factory on Corey briefly produced new models and spare parts. At the same time, the Draconis Combine managed to seize a sizable force in their capture of Dieron. The renewed production ended when the Corey factory was destroyed at the onset of the First Succession War, ensuring the rarity of the Catapult during the rest of that bloody era. Entire invasions were commenced simply to seize the remaining number of these 'Mechs, particularly those launched by the Federated Suns against the Confederation.
Many variants of this venerable design were produced through its lifetime, and the Catapult's rarity began to reverse in 3033 when Yori 'Mech Works was contracted by the DCMS to restart production of the CPLT-K2 on Al Na'ir. The greatest change to the chassis came later, with the introduction of the CPLT-C3, which swapped out the original's LRMs for much larger and more powerful artillery missiles. These models were put to excellent use, especially when paired with Ravens, and paved the way for new design advancements.
In the years prior to and after the Clan Invasion, the Confederation and Combine retained the largest number of existing Catapults, though many Periphery realms would field some of the centuries-old models, and more variants would be produced for decades.
The primary weapons of the Catapult are two Holly LRM-15 launchers which allow the Catapult to give friendly units fire support at ranges of over 600 meters. In case an enemy closes to within the LRMs' minimum range the 'Mech carries four Martell medium lasers, which are usually enough to dissuade most light and medium 'Mechs from closing with the Catapult. Since the Catapult was designed to stand well behind the main line of battle, it lacks anti-infantry weapons or arms for close-quarters combat. Its greatest weakness though is ammunition: only one ton, or eight reloads, for each launchers gives the Catapult a level of endurance which is barely acceptable.
Ten tons of armor, fifteen heat sinks and a cruising speed of 43.2 km/h serves the Catapult well in its mission of launching Long Range Missiles on the enemy from great distances while minimizing the risk of return fire. The use of four jump jets in the left and right rear torso gives the Catapult a jumping distance of one hundred and twenty meters and the ability to pace faster units over broken terrain. The original Anderson 21 model jump jets tended to break down over prolonged use, venting into the machine's interior and overheating the 'Mech. A general recall in 2566 to replace the 21s with improved Anderson 25s solved the issue, though some Catapults never received this retrofit. The 'Mech is also unique for having a sideways ejection system which, while generally safe, can be quite a surprise to new Catapult pilots.
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psychics4unet · 2 months
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20 Simpsons Psychic Predictions That Came True 🚀
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Hey there, fellow Simpsons fans! 🎉 If you’ve been following The Simpsons, you know that this iconic show isn’t just about laughs and donuts (though we love those too). It’s also about some eerily accurate predictions that have left us all scratching our heads. 🤔 How did this cartoon get so many things right about the future? Grab a seat, grab a donut 🍩, and let’s dive into some of the wildest psychic predictions from The Simpsons that actually came true! 🚀
🌟🔮✨ Curious about what the future holds for you? Just like The Simpsons predicted some mind-blowing events, you too can uncover what’s in store for your life. Click the link below for your own personal psychic reading and get insights that might just amaze you:
1. Donald Trump’s Presidency 🇺🇸
Season 11, Episode 17 (“Bart to the Future”)
In this episode from the year 2000, Lisa becomes the president and mentions that they inherited quite a budget crunch from President Trump. Fast forward to 2016, and Donald Trump becomes the 45th president of the United States. What the what?! 😲
2. Smartwatches ⌚
Season 6, Episode 19 (“Lisa’s Wedding”)
During a future vision of Lisa’s wedding, her fiancé uses a watch to make a phone call. This was in 1995, way before smartwatches became a thing in the 2010s. Talk about being ahead of the curve! 📱
3. Disney Buys 20th Century Fox 🏰🦊
Season 10, Episode 5 (“When You Dish Upon a Star”)
In 1998, there’s a scene showing the 20th Century Fox sign with a subtitle “A Division of Walt Disney Co.” In 2019, Disney actually bought 21st Century Fox. Coincidence? I think not! 🎬
4. Video Chatting 💻
Season 6, Episode 19 (“Lisa’s Wedding”)
Again in Lisa’s Wedding, we see video calls being made. This was years before Skype, FaceTime, or Zoom became part of our daily lives. The Simpsons were definitely on to something here! 🖥️
5. The Shard in London 🏙️
Season 6, Episode 19 (“Lisa’s Wedding”)
In the same episode (wow, it’s like a crystal ball!), we see a skyline that includes a skyscraper eerily similar to The Shard, which wasn’t built until 2012. 👀
6. Lady Gaga’s Super Bowl Performance 🎤
Season 23, Episode 22 (“Lisa Goes Gaga”)
In 2012, The Simpsons showed Lady Gaga performing at a concert, suspended in the air. Fast forward to 2017, and Gaga did exactly that at the Super Bowl halftime show. Fly, Gaga, fly! 🎇
7. Nobel Prize Winner 🏅
Season 22, Episode 1 (“Elementary School Musical”)
Milhouse predicted that Bengt Holmström would win the Nobel Prize in Economics. And guess what? Holmström did win it in 2016. Way to go, Milhouse! 📊
8. Ebola Outbreak 🌍
Season 9, Episode 3 (“Lisa’s Sax”)
In this 1997 episode, Marge suggests that Bart read a book titled “Curious George and the Ebola Virus.” Years later, in 2014, there was a significant Ebola outbreak. Chills! 😬
9. Siegfried and Roy Tiger Attack 🐅
Season 5, Episode 10 (“$pringfield (Or, How I Learned to Stop Worrying and Love Legalized Gambling)”)
The show depicted a white tiger attacking entertainers similar to Siegfried and Roy. Tragically, in 2003, Roy was indeed attacked by one of their white tigers during a performance. 😥
10. U.S. Wins Olympic Gold in Curling 🥌
Season 21, Episode 12 (“Boy Meets Curl”)
Homer and Marge compete in curling and win a gold medal. In real life, the U.S. men’s team won the gold medal in curling at the 2018 Winter Olympics. Sweep that, skeptics! 🥇
But wait, there’s more! Let’s keep this prediction train rolling with some honorable mentions that didn’t make the top 10 but are still pretty mind-blowing. 🚂💨
11. Horse Meat Scandal 🐴
Season 5, Episode 19 (“Sweet Seymour Skinner’s Baadasssss Song”)
Lunchlady Doris used “assorted horse parts” in the cafeteria food. In 2013, a scandal erupted in Europe when horse meat was found in various beef products.
12. FIFA Corruption Scandal ⚽
Season 25, Episode 16 (“You Don’t Have to Live Like a Referee”)
The episode features a storyline involving corruption in the World Football Federation. In 2015, several FIFA officials were arrested amid a corruption investigation.
13. Farmville 🚜
Season 9, Episode 12 (“Bart Carny”)
In this 1998 episode, kids are seen excitedly playing a yard work simulator game. Fast forward to the 2000s, and Farmville became a massive hit on Facebook.
14. Faulty Voting Machines 🗳️
Season 20, Episode 4 (“Treehouse of Horror XIX”)
Homer tries to vote for Obama in the 2008 election, but the machine keeps changing his vote to McCain. In 2012, there were real reports of voting machines changing votes.
15. Beats by Dre 🎧
Season 8, Episode 14 (“The Itchy & Scratchy & Poochie Show”)
In a scene from 1997, we see a character wearing what looks like modern-day Beats by Dre headphones, years before they existed.
16. Mutant Tomatoes 🍅
Season 11, Episode 5 (“E-I-E-I-(Annoyed Grunt)”)
Homer grows mutant tomatoes after using nuclear power on his crops. In real life, scientists created genetically modified tomatoes that glow in the dark.
17. NSA Surveillance 🕵️
The Simpsons Movie (2007)
The movie depicted the NSA spying on citizens. In 2013, Edward Snowden revealed that the NSA was indeed conducting mass surveillance on American citizens.
18. Shard Building in London 🏙️
Season 6, Episode 19 (“Lisa’s Wedding”)
We see a tall building in the London skyline that resembles The Shard, which was completed in 2012.
19. Michelangelo’s David Censorship 🗿
Season 2, Episode 9 (“Itchy & Scratchy & Marge”)
The episode shows Springfieldians protesting against Michelangelo’s David being exhibited. In 2016, Russian campaigners did try to cover the statue.
20. Autocorrect Fail 📱
Season 6, Episode 8 (“Lisa on Ice”)
Dolph writes a memo that says “Beat up Martin” which gets autocorrected to “Eat up Martha.” Apple’s iPhone autocorrect has had many such hilarious fails.
It’s wild, right? How does a cartoon get so many things right? Well, it’s probably a mix of clever writing, sharp observation, and maybe a bit of that Springfield magic. ✨
And it's not just us hardcore fans who are intrigued. Thanks to the internet, more and more people are discovering the spooky accuracy of The Simpsons' predictions. Social media platforms are buzzing with theories and speculations. Reddit threads are filled with fans dissecting episodes, and YouTube is packed with videos analyzing every prediction. It's like a virtual treasure hunt where every frame might hold a secret clue to our future! 🔮
Some folks even believe that the writers have a time machine or some sort of psychic ability. While that’s probably a stretch, it’s fun to think about! One thing’s for sure – The Simpsons will keep surprising us with their uncanny knack for predicting the future.
Whether you’re a longtime fan or just curious about the show’s “psychic” tendencies, it’s clear that The Simpsons is more than just a TV show. It’s a pop culture phenomenon that continues to influence and amuse us, while also making us think twice about what might come next. So, next time you’re watching, pay close attention – you might just be getting a sneak peek into the future! 🕵️‍♂️✨
Stay curious, my friends! And remember, the truth is out there… or maybe just in the next episode of The Simpsons. 🌟🚀
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