#Category 2014 films

[courseyoulovemeyoudontknowme]

The Book of Life (2014, Jorge R. Gutierrez)

21/07/2024

[just-some-random-blogger]

Tear In My Heart

Aemond never cared for tourneys, for hunts, nor for any sort of pageantry; he supposed marriage fell in that category. To be frank, he never cared for you either, but then he heard whispers about you and his brother, and then thought, maybe he somehow did.

Aemond Targaryen x Baratheon!Reader x Aegon Targaryen | 2k+ | cw: fem!reader, reader has baratheon feature (dark hair), wife!reader, arranged marriage, jealousy, possessiveness, infidelity, men being men, angst, violence/hunting for sport/death, typos, etc.

A/N: mind the tags! This is part of my graduation celebration 🩷🩷🩷🩷 slayed college. Let's pretend I posted this on schedule lmao. The hotd trailers really brought me to life. Part of this fic is inspired by the 2014 french beauty and the beast film.

Tagging: @pinksirensong @aralezinspace @delicious-xx @deniixlovezelda @targaryenmoony @risefallrise @slavyanskiyahui @thebullship @sa3losa @lxdyred

Brother.

What was he?

The word was a stone, heavy but worthless. Nothing ever came from a brother besides bluntness, brashness, and bludgeoning burdens.

No kindness befell Aemond from his brother Aegon. Likewise, Aegon long knew to expect nothing but vexation from Aemond.

Yet even the most broken of bonds are bound back under the great unifier— Death.

Never before had the brothers worked towards a common goal so fast, so easily, and all without needing to utter a word. Together, they carry their game back to their camp, equally ignoring the burn of their arms.

Aemond loathed hunting expeditions. He loathed it then, he wholeheartedly abhorred it now. He regrets forcing himself into this godforsaken trip. He should have let you go on it alone, like always.

He regrets letting his slimy older brother getting under his skin. He regrets listening to all the rumors about Aegon and you. But in his defense—

"I MAY BE BLIND IN ONE EYE," Aemond snaps, causing you to flinch. He had never raised his voice at you like this before. He despises how shocked you look, how your bright eyes accused that he was wrong. It makes him fume, "but I see clearer than most."

Aemond is further irritated when your eyes began to water.

You, who was otherwise so well-kept and pristine, were falling apart in front of him. The wayward strands of dark hair framing your face irked him. The momentary thought of his children inheriting this trait added fuel to his anger. If, that is, whatever child you'd bear was even his to begin with.

"You are whoring yourself to my bovine brother!"

Your chest heaves heavily beneath your nightgown, "you would happily believe any slander to my name."

He scoffs when tears begin to fall from your cheeks. He paces towards the bed, unbothered if the issue is left unresolved. He'd rather sleep than watch you sob. The latter left a rather bitter taste in his mouth.

"What have I been but docile and serving?"

"Serving?" Aemond turns back, one eye narrowed, "to whom? Your greed and lust?"

"TO YOU!"

Aemond slightly pulls his head back, not expecting you to scream. He watches a spirit take over you. It was similar to that of the one that sometimes causes him to stare at you from across the room.

You suck in a breath, "do you not complain about Aegon day in and day out?" You blink rapidly and point harshly, "do you not wish him away and want him out of your hair, husband?"

"Don't you twist the truth for your-"

"I played his keeper so that you wouldn't have to," you motion, "I kept him in check so that you could do your errands, help your grandfather, go on your dragon rides, and yet you say you see clearer than most?"

"I saw you," he hisses, grabbing your shoulders.

You gasp and go rigid.

"I saw you embrace him in the cloak of night, in the corner of the gardens, where you thought no one could see."

You catch betrayal in his words, but it only causes you to chuckle dryly, "had you not lurked in the darkness, you'd have known he vomited on my shoulder and nearly passed out. Perhaps you would have felt compelled to help me drag him to his chambers."

Aemond clenches his jaw. He does not believe you.

You swat his hands away. You shake your head, "you're just a man. You're bored of what you have and want what you cannot."

"Ha. You are delusional if you think I want you."

You cannot help the sound that leaves your lips. You cannot help how you slap a hand to your mouth.

In that split second, Aemond spots the hurt on your face before you walk past him to your side of the bed.

You pull the covers down, "worry not. I've long accepted you will never want me."

"Oh," he growls, grabbing your arm before you can sit down, "and is that why you turn to my brother? Or why you leap at every chance to leave?'"

You wince as you turn to him.

"Now that I think about it, why is it you're invited to hunting expeditions so often?" Aemond demands under an angered breath, "d'you seek refuge in the-"

"I RUN INTO THE FOREST!" you hiss, shoving him away. His grip left a sting on your flesh and you rub it as you continue to burstp, "I run into the forest and let my instincts take over! I let myself shift into a beast and I run wild like a deer, begging to be shot down."

Aemond expression sours at your reaction.

"I live my curse as a Baratheon woman and morph into a doe, bullied by stags and dragons alike," you shudder, tears running down your face.

"Don't you play the victim here," he rebuts, "your family offered you to mine for power."

"Then why is it that I am so powerless, husband?"

Aemond doesn't bother watching you walk away, slamming the door shut on your way out.

Aggravation spills from his mouth through screams when silence drowns him. There is an ache in his chest that intensifies. It doesn't take long for him to question why he felt so hurt when what he was is angry, angry at you.

He then finds himself imagining you throwing yourself at Aegon, weeping on his lap. He imagines Aegon brushing your dark tresses back and drying your tears. It infuriates him more.

And as he convinced himself whilst in fumes that the reason why he hated your leave was how rudely you left, parts of his nightmares where coming true.

Aegon saw you storming down the hall in nothing but a nightgown, a cloak, and tears. He was too drunk to actually ascertain if you had no shoes on, but he was partially sure that there were truly tears running down your neck.

He was shocked by how shocked you were when he grabbed you by the arms and stopped you in your tracks. He knew you to have eyes that could spot a needle in a haystack, or real jewels from fake ones ten paces away. How could you not have noticed him when he wasn't even trying to hide how he staggered down the halls on his way back to his room?

"Spooked, kitty cat?" Aegon furrows his brows.

Your skin definitely had a damp sheen to it. Your gaze upon him somehow always hurt his thorax but it was amplified now with how puffy and red your eyes were.

"Where 'r'you storming off to?" he slurs.

You push him away, but even then you managed to offer consideration, as it was clear he was one shove away from dropping. You say, "unhand me, Aegon. I have no time for you tonight."

He pouts, blinking slowly, "and here I thought we were friends now."

You laugh. Your laugh has always had the power to make his spine tingle, but it was different this time. You shake your head, "the enemy of my enemy is not my friend."

Aegon slowly releases you. He clenches his jaw and sighs, "so it's Aemond who did this."

You scoff as you break away from him, "oh, spare me."

He watches you walk away from him. He feels hurt by your coldness. How quickly Aemond reaps your warmth. He calls out, "from what?"

You stop and snap from over your shoulder, "from whatever it is you think you can do!"

He was sober now, and his throat was dry at that.

"My burden is mine. I am his wife."

"And am to be king," he whispers, taking a step forward. He watches as you heave. He's long wondered what it would feel like to hear it as you did so beneath him.

"But you are not king," you reply, stepping back to maintain the space between you, "and you have your sister wife."

"Who would deny me?" he peers his face closer to you, "even a fool would deny me nothing."

"I would," you rebut.

He freezes.

"I am prize to you," you muffle out. Your manage an even voice even as hurt baptizes your cheeks, "meat between your teeth. You and him are cut from the same cloth."

"I AM NOT MY BROTHER, " Aegon snaps.

You flinch, just as you did Aegon. You shake your head and force a smile, "of course not, your grace."

The next moment, Aegon realizes he may not have been as sober as he thought, considering how quickly you fled him and how delayed his reaction to it was.

But then again, it was probably just you and your effect on him. After all, he managed to evade the incoming attack from behind, albeit momentarily; Aemond's senses were far shaper than Aegon's.

He grabs his older brother by the collar and shoves him against the wall. "All my life, I watched you be spoon-fed your desires, yet still you covet my bride," the younger Targaryen rages.

Aegon grins in challenge. He chuckles, "as it appears, you covet your own wife from me, brother."

Without warning, the first born is hurtled to the ground. He lets out an undignified grunt after he collides with the stone. He gasps when Aemond lunges at him.

It was only at this moment, he realized his brother without his eye patch. Dare he say that the sight of the sapphire added to the madness in is functioning eye.

Aemond produces a dagger and presses it to Aegon's neck. The former seethes, "I have every right to demand satisfaction from you."

Aegon groans when the cold steel kisses his skin too tenderly.

"You wouldn't last a second against me," the prince spits with venom, "brother."

"Do it then," Aegon screws his eyes shut, "and watch your marriage crumble before your very eyes."

Aemond throws his dagger to the side and slams Aegon once, "DO NOT TRY TO TRICK ME! I saw her reel from your touch."

"Oh," he utters through pain, "just as she reels from you, I bet."

Aemond releases him with a growl and heaves while looking down at him. He paces around; Aegon props himself up on his elbows, slowly coming to a stand.

Before Aegon can goad him on any further, Aemond grabs his dagger and pushes past him.

Both of them anxiously await your return that night. Aegon falls asleep whilst waiting for word from a servant, Aemond fights sleep whilst waiting for you to return to bed.

Yes, in Aemond's defense, the rumors about you and his brother was enough reason to pick a fight. In his defense, it was his right.

And for the first time, when you received invite for that hunting expedition with your cousin, no longer did he send you off on your own. He was keen to keep you at his side at all times, especially because Aegon weaseled his way into joining.

Aemond did not know why your cousin was so against the idea of hunting a stag. He was, in fact, offended by the Baratheon's adamant decline. The lesser lord dared even imply such a beast was beyond his caliber. He wasn't surprised you sided with your him, imploring Aemond to try his hand another season. What spurred him on was how Aegon agreed with you and how you looked at him when he smiled your way.

Yet, the spite he bore for his brother was the same thing that led to cooperation with him.

That night, when you thought he was sleeping, Aemond followed you outside. When you were nowhere to be seen when he got out of your shared tent, he stormed to his brother's, sure to catch you in the act.

All he got was a startled brother, cuddling up to a pillow when he ripped his blanket off, a naked one at that.

And after a bit of arguing, Aemond saw a shadow of a deer passing outside the tent. That was how the brothers ended up in the forest. Aemond was intent to hunt that stag and Aegon was intent to watch him fail.

Again, in his defense, it was dark. In his defense, of course he wouldn't believe Aegon when he said that they were stalking a doe and not a stag.

Aemond was satisfied with his shot when he heard the beast cry out in pain. Aegon was satisfied when they found the writhing deer to be, in fact a doe.

It was common knowledge not to hunt the female of a species, yet the two debated whether or not they should let the injured animal go free or put it out of its misery. They thought they received the answer when the animal dropped in agony, but instead they received horror that would last them lifetimes upon witnessing the beast morph into a bride.

Your bare body laid before them, stomach pierced with an arrow. No traces of a doe was left, there was only pain and you. Tremors took over your body. Yolur tears flowed as steady as the blood from your gaping wound.

Aemond fell to your side, eye wide as he reached out to you. He thought a touch of your trembling flesh wake him from this nightmare, but it didn't. His mind raced, but he had a moment of clarity when he felt your blood dampen his knees.

He took off his shirt and covered you. You screamed in pain when he tried to carry you by himself, and he glared at his brother when he tried to help.

Aemond does not stop him however, thus, the brothers carried your body back to camp.

When you were laid on your shared bed, Aemond ordered Aegon to wake everyone and ready a carriage back to the city. His brother runs off to do just that.

"This will hurt," Aemond tells you, "but I must cut part of the arrow and bind your wound."

Before he can do so, you wet his face with the blood on your hand as you whine, "why do you weep for me?"

Aemond's brows furrow.

You swipe your thumb on his cheek with great difficulty. "Soon you will have the freedom you desire," you mumble, eyes slowly closing, "as will I."

The pain that courses through you when your husband breaks off part of your arrow prevents you from passing out.

As an extra precaution, Aemond taps your cheek, "keep your eyes fixed on me."

Your sad eyes open. Your tears gush down like rain.

"Is this why you're invited to hunt so often?" he cups your cheek, shaking you slightly, "does your cousin, himself, turn into a stag?"

Your reply does not come easy. You speak between your breaths, "it is a curse from my father... for hunting so many of them..."

There is commotion from outside your tent.

Aemond has the mind to grab some fabric to press on your wound. You cry out again because of this.

"Why didn't you tell me of your affliction?" he speak in panic.

Stabbing pain cuts off the laugh you meant to laugh. Your breath shortens, yet you manage a response, "would you have listened?"

He must admit, all the prayers he ever prayed were only uttered to please his mother, but as Aemond held half your body in the carriage back to King's Landing, as he watched Aegon's tears fall onto you while he held your other half, he prayed as earnestly as any pious man would. He claimed he would be better, he would even share you, if that is what it took to keep you.

And just as easily as Death unified the Targaryen brothers, she collected your soul the same night.

[canmom]

Animation Night 189: Nonphotorealistic

There is a funny trend in animation-related terminology to define things by what they aren't. Animation is any technique for creating film that isn't live action. Limited animation is any style of 2D animation that doesn't follow the conventions of Disney's 'full animation' on 1s and 2s - a category that includes a wildly diverse range of approaches and techniques, as this wonderful history by Animation Obsessive describes.

In 3DCG circles, there is a similar term: nonphotorealistic. Which describes, naturally, anything that isn't trying to look like a photograph of a real scene. There has been a real boom in this of late, and just like the other terms, it really doesn't narrow it down very much. Other terms like 'hybrid animation' add a bit more hints.

Of course, if you've been anywhere near animation in the last few years, you'll probably know another term: 'Spiderverse style'.

There is no denying that Spider-Man: Into the Spiderverse (2018) by Sony Pictures Animation was an absolute landmark for animation. (I wrote about it way back on AN21, focusing more on the cultural angle.) The ludicrously stylish film pretty much set the direction for animation in the 2020s - making a bunch of money and awards and thus finally throwing open the door to 3DCG animation that doesn't look like the style set by Pixar/Dreamworks in the 2000s. Its sequel, Across the Spiderverse (2023), was even more ambitious and successful (despite a troubled production involving a lot of needless crunch). We'll be showing that soon in a Spiderverse double bill so look forward to it!

So perhaps not surprising that when people see the use of graphical styles, 2D elements, limited framerates and the like in 3DCG these days, Spiderverse comes to mind. In its wake have come various films and series that apply these and related techniques: 3DCG animation is more varied than ever, and it's cool.

It isn't really a style, tho.

Here I'm indebted to youtuber Camwing who has made a nice video overview breaking down the animation of recent movies in this vaguely defined paradigm. Among them we have The Mitchells vs the Machines (2021, also Sony), Puss in Boots: The Last Wish (2022, Dreamworks), and Teenage Mutant Ninja Turtles: Mutant Mayhem (2023, animated at the French/Canadian studio Mikros animation), and of course over on Netflix you got the wildly popular League of Legends spinoff series Arcane (2021, Fortiche Productions), and the romance film Entergalactic (2022, DNEG), tying in with an album of the same name.

None of these films has exactly the same style, but they all pull from a related bag of tricks. The core techniques are animating on reduced framerates for a 'snappy', high-clarity feeling, the combination of 2D and 3D elements in some fashion, and taking inspiration from traditional media such as paintings or comic books.

For example, Arcane and Entergalactic both use the trick of 2D backgrounds/projecting paintings onto 3D geometry, inhabited by 3D characters with a stylised shader. Arcane is dripping with 2D visual effects. Puss in Boots drops the framerate during its action scenes - the opposite of the old paradigm of full animation, where fast actions would get more frames. Spiderverse draws 2D expressions onto its 3D models to push them further, and is full of all kinds of colourful stylised rendering - screentone effects, kirby dots, outlines, the works.

It's tempting to link this to 2D-in-3D animation, and certainly many of these films apply this technique - this is the major niche where Blender has found its way into industry pipelines. But using 2D isn't mandatory to count here. For example, TMNT Mutant Mayhem has an incredibly striking storybook-painting style, accomplished largely by clever shader work and a strong sense of graphic design. Genndy Tartakovsky's canned 2014 Popeye project was planning to use a ton of 2D-style posing and squash-and-stretch, accomplished largely with rigged 3D models. There are many paths to take!

And mind you, I haven't even covered one of the biggest angles here. Search for nonphotorealistic 3DCG on Youtube and what you'll probably find most is information about cel-shading - aka 'anime style'. This has also advanced considerably in the last few years, with the techniques pioneered by Arc System Works in Guilty Gear such as editing the normals of characters for more precise control over shading, and minute adjustments to break up the mechanical feeling of 3D, becoming widely copied in both games and films. (And particularly, animated porn.)

Vtubers in particular have really run with this technique, generally speaking using cel-shaded models with edited normals, inverted eyes, etc. etc. to try and get the feeling of an anime character come to life. [You can see a lot of these state of the art techniques if you download Pixiv's free VRoid Studio software and import the model into Blender using the VRM plugin.]

Naturally this kind of cel-shaded approach has found a particular home in Japan. In anime, the biggest champions of it are certainly Studio Orange, whose hybrid approach involves planning out shots with 2D animation before matching them with the rigs. We've covered their adaptation of Houseki no Kuni in great detail on Animation Night 97; their Trigun reboot was perhaps even more popular. But cel-shaded techniques, 3D previs and the like have also made their way into big films like Eva 3.0+1.0 (AN66).

Although this type of rendering aims to recreate the look and feel of 2D animation as much as possible, it always ends up being something new: character models that would be too complex to draw, an ease to 3D movements and camerawork that would be challenging in 2D, and generally a new hybrid style. This is good! 2D animation is already very good at being 2D animation - it's fascinating to see what 3DCG becomes with that inspiration.

So with that brief overview, where does that take us tonight?

I'm not quite ready to do a Spiderverse double bill tonight, so instead the plan is to check out a couple of recent American franchise films that are taking on the new suite of techniques. I've mentioned them up above, but let me introduce them more fully here.

Puss in Boots: The Last Wish is a sequel to a fairly unpopular spinoff about a side character of the Shrek franchise (AN75). Not, on its face, very promising - which is why it is all the more striking that I was told on all sorts of sides that I must watch this movie. I'm finally going to make good on that.

The title character is a kind of feline musketeer type, now facing the end of his swashbuckling career as he's lost 8 of his 9 lives. Not wanting to hang up his hat, he goes on a quest to restore them. What makes it stand out its the action scenes, which go all in on the anime-influenced, extreme perspective and lighting, limited framerate style that we're discussing above. Apparently it looks sick as shit.

Teenage Mutant Ninja Turtles: Mutant Mayhem is a fresh reboot of the venerable TMNT franchise, which pretty much describes itself in the title: four turtles (named after Renaissance painters, of course!) live in a sewer as ninjas, led by their aging master who is a rat. Starting as a comic book, it became one of the iconic toyline-driven TV shows of the 80s - but it's still going! Indeed, Turtles has been on a roll of late (at least going by animator scuttlebutt), with Australian studio Flying Bark Productions turning a lot of heads with their neo-Kanada School style (and for really stretching the definition of 'storyboard').

This new film takes a different approach to the bombastic action of Rise. It focuses on a new origin story for the turtles, telling a kind of coming of age story - but what makes it unique is the animation style and cinematography. Cinéma vérité is not a phrase you really expect to be associated with ninja turtles, but the film seems to really go all out in a way you wouldn't really expect from a franchise movie, shooting the young turtles in a handheld style and focus heavily on character. Marcel Reinhard's shader work, allowing the animators to isolate lights to specific objects and characters and introducing graphical elements of cross-hatching, stippling, etc. etc. to the lighting, gives it a uniquely painting-like feeling, augmented by a lot of 2D creativity in lighting and effects.

Turtles has never really been my thing, but this film looks unique enough that I really want to see it - and I hear it's a good film too.

So that's our bill for tonight! Puss and Turtles. Let's see what the big studios have been cooking of late...

Animation Night 189 will be starting around 10pm UK time (roughly three hours hence) and carrying on til about 2-3am same! We'll be on twitch.tv/canmom as usual. Hope to see you there!

[why-do-we-do-this]

They're both such dumbasses

(Translation)

Roier: Have you seen... what's it called in Portuguese? Uh... (in English) Des- Despicable Me? (In Spanish) Despicable Me?* The one with the minions?

Cellbit: Despicable Me*

Roier: (in Portuguese) Despicable Me- (chuckles) (in Spanish) What's the voice like? What's the voice of... of... of the- of Gru?

Cellbit: I don't know, I've never watched it!

Roier: No?! You're a son of a bitch, Cellbit! How are you such a bastard!? Ohhh I understand. I understand now.

Cellbit: WHAT DO YOU MEAN, ASSHOLE?? Why would I watch a movie for kids!?

Roier: I understand now, I- No, Cellbit, you're no- brooo...

Cellbit: Why would I watch a movie that came out when I was like, 18 years old?!

Roier: That's not tru- You were not 18 years old don't joke you asshole!

Cellbit: When did it come out? When did it come out? (In English) "Despicable Me year"

Roier: I think it came out like around 2013- o- or 2014?

Cellbit: 2010. Ah- no, okay, I was 13. I was 13.

Roier: Oh, 2010!? HA! You're a fucking son of a bitch! You're a- you're a son of a bitch!

Cellbit: Minions is a film for 6 year old children.

Roier: What are you saying, Cellbit?! Cellbit- You were 13 years old you fucking dumbass, no you- what happened to-

Cellbit: That's correct, that's correct, but I was- I was in my "edgy" phase! I was in my edgy phase!

Roier: Y-y-y-y-you WERE!? You WERE!? (Laughs) You ARE, you bastard!

Cellbit: Nononono, nowadays I like things- I really like Grav- YOU STILL HAVENT WATCHED GRAVITY FALLS LIKE I TOLD YOU TO!

Roier: EXACTLY! EXACTLY! You watch Gravity Falls- You watch Gravity Falls but you won't watch Minions, dickhead!?!

Cellbit: Yes, because Gravity falls has a much more... refined humor and it has a lot of hidden jokes that you only understand after-

Roier: Ohhh, of course- The first episode- IN THE FIRST EPISODE A GNOME VOMITS RAINBOWS.

Cellbit: Exactly! It- Gravity falls is not for all ages-

Roier: It's fine! It's- That is completely fine! Nononono I'm going to tell you something. I'm going to tell you something.

Cellbit: It's different from Minions which was made for children!

Roier: Minions as well! Minions as well- Nah, you don't know how to appreciate the good things in life. The simple things- you want the most complicated- You want the most complicated things.

Cellbit: You cannot come and stand in front of me and say that Minions is in the same category as Gravity Falls and act like that's true!

Roier: No! I'm not saying- I'm not saying that! I'm not saying that, but I am saying that you can happily enjoy both of them and have no problems!

Cellbit: No I'm not saying there's a problem- I'm not saying there's a problem, you are saying that there's a problem. I've never watched it! Everyone can watch what they want!

Roier: You know what? I'm gonna tell you something: The idiot yells- The idiot yells, the wise one masturbates.

Cellbit: What are you t- (wheezes)

Roier: In this case, the wise one watches Minions and Gravity Falls. The wise one watches Minions and Gravity Falls.

*The name of Despicable Me is Mi Villano Favorito in Spanish and Meu Malvado Favorito in Portuguese, which both directly translate to "My Favorite Villain"

[ohsalome]

And I am once again reminding you that for centuries, Ukraine wasn't given its own voice in the world discourse. Our history, politics, culture were written by the people who colonised us and benefited from convincing the world (and us!) of a distorted picture. A good majority of information in English language that exists about Ukraine, that you believe to be the default knowledge of the world, is such distorted information. Because that is how russian propaganda work. They take a snippet of truth and blow it out of proportion and add a bouquet of lies to it and repeat it many-many times until you think that it is just basic information about the world that everyone knows.

No, Ukraine is not run by nazi. Ukraine has a non-zero percent of nazi population that is marginalized out of politics because their rhetoric is not relatable to the majority of the electorate, which leans towards socialistic populism and anarchism.

No, ukraine is not "brotherly nation" with russia. Antropoligically we belong to the same slavic family of nations that includes many other eastern europeans like czechs, polish, moldovan etc. There is no reason to select russians, belorussians and ukrainians into a distinct category that isn't political. The idea of "three brotherly nations" was literally created by a theologist Theofan Prokopovych as a part of philosophical justification to russian imperialism in the 19th century meaning of the word.

No, DNR and LNR are not "people's republics". They were created by russian army, run by the russian army and following the orders from the kremlin. Russis spent decades trying to create a dissident movement in the eastern Ukraine but failed and stepped down to brute force. Everything you see in the southern Ukraine now has happened in the east in 2014. The only difference is that y'all swallowed russian lies back then.

No, Crimea didn't have a "referendum to join russia". Russian soldiers occupied the peninsula, forced the politicians under the gunpoint to announce the referendum, and made sure that the results would be the ones they like. The native population of the peninsula, crimean tatars, that had been twice genocided by the russians in the past, boycotted the referendum. Despite making up only ~12% of the population, crimean tatar rallies were much more numerous than those of the russians in Crimea. The people who "supported" the "return of Crimea" were russian nationals, who moved to the peninsula after the ethnic cleansing of the native population and proclaimed that "it has always been theirs".

No, Ukraine doesn't have a "government-run kill list". Myrotvorets is (1) run by the volunteers, not the government, (2) is a database of pro-russian propagandists, and (3) hardly anyone on that database has been killed so far. FFS, our current first lady used to be in this database.

No, Ukraine didn't ban russian language. Ukraine has implemented laws that would help ukrainian book, music, film industry survive the competition with russian industry that has for many years monopolised our market. Ukraine has implemented the law that our politicians need to know ukrainian language if they want to hold office (this will sound surreal, but many didn't. Can you imagine such scenario in any other country? A spanish minister that doesn't speak spanish?). Ukraine has implemented a law that websites, advertisements published in foreign languages need to have the information accessible in ukrainian as well Ukraine has implemented laws that state that ukrainian citizens have a right to governmental service in Ukrainian. And if you bothered to open the law you criticise at least ONCE, you would have seen that every article has a clarification "the communication can happen in any language as long as both parties consent, but if the consumer requests to be served in ukrainian, the provider is obligated to respond to them in ukrainian".

No, Ukraine doesn't use the war as an excuse to repress the political opposition. The only people that have been "repressed" are the ones who have been colluding with ruZzia and have helped in organising the invasion of Ukraine. FFS one of those "poor oppositioners" is literally putin's godfather, and another visits russian tv channels agitating russians to nuke Kyiv. The proof against them is overwhelming and well-documented, and ukrainian civil society has been pressuring our government to stop them for literal years. Even today, many russian agents remain in governmental structures.

No, Euromaidan was not a "coup". It was a response of civil society to the police brutality and usurpation of power. We do not need white saviours to tell us that being beat up at peaceful protests is bad. We have enough agency to understand this without external help.

It's almost a year of this war. It's high time for people to stop spreading russian propaganda, especially if they claim to support Ukraine. I am yet to see a "both sides are wrong" argument that wasn't based on russian propaganda.

[astoundingbeyondbelief]

A Wikizilla short on Godzilla Minus One's Oscar nomination, written and narrated by me and edited by @squid-in-a-party-hat. Turns out this site can't embed YouTube Shorts properly, who knew? Anyways, here's all the kaiju Oscars trivia I wrote for the comments:

King Kong has been much more successful at the Academy Awards than Godzilla. They didn’t have a prize for special effects back in 1933, but the King Kong remakes in 1976 and 2005 both prevailed in that category, while Kong: Skull Island was nominated. ‘76 also received nominations for cinematography and sound, and ‘05 won in sound mixing and sound editing.

During the opening of the 80th Academy Awards (2008), Peter Jackson’s King Kong delivered a flying kick to the TriStar Godzilla’s face.

Brad Pitt revealed that The War of the Gargantuas was the film that made him want to become an actor at the 84th Academy Awards (2012).

Japan has its own Academy Awards, which Shin Godzilla dominated in 2017. Godzilla Minus One may fare even better, having picked up 12 nominations to Shin's 10. Godzilla as an awards darling, who would’ve thought?

The 90th Academy Awards (2018) paid tribute to original Godzilla suit actor Haruo Nakajima in its In Memorium section.

Juliette Binoche (Sandra Brody in Godzilla [2014]) is the only Oscar-winning actor to appear in a Godzilla film. Other Oscar-winning or Oscar-nominated actors with kaiju connections include Nick Adams, Demián Bichir, Jeff Bridges, Adrien Brody, Bryan Cranston, Brian Donlevy, Vera Farmiga, Robert Forster, Naomie Harris, Anne Hathaway, Sally Hawkins, Brian Tyree Henry, Samuel L. Jackson, Richard Jenkins, Rinko Kikuchi, Jessica Lange, Brie Larson, John C. Reilly, David Strathairn, Russ Tamblyn, Ken Watanabe, and Naomie Watts.

[mimi-0007]

Juanita Moore (October 19, 1914 – January 1, 2014) was an American film, television, and stage actress.She was the fifth black actor to be nominated for an Academy Award in any category, and the third in the Supporting Actress category at a time when only one black actor, Hattie McDaniel in Gone with the Wind (1939), had won an Oscar.

Her most famous role was as Annie Johnson in the film Imitation of Life (1959).

She's beautiful ❤️❤️

[zyxwl2015]

Some excerpts from the new Lando Norris biography

Although Lando was born into a rich family, his dad, Adam Norris, did not come from wealth himself. Adam's dad was a farmer & mum was a teacher. Adam has dyslexia and he was terrible at school and hated it. So he always has the mentality of working harder than anyone else to success

Lando and his brother Oli tried horse riding, quadbike and motorbike before eventually got into karting. Lando was 7 yo when he first started racing in karts

Adam was not willing to just buy the best equipment for his sons, instead he wanted to develop them. He approached Mark Berryman and Fraser Sheader in 2011 for help, Mark and Fraser has just founded ADD management in 2010 and their philosophy is on "developing and nurturing talents" rather than "just place them in teams", so they matched perfectly.

Mark on first meeting Lando: "for at least the first nine months he didn't listen to a word I said. "(😂😂) They were doing great with Oli because he was listening, but Lando just wasn't listening, but even then he's still winning races because he's really fast

Lando is the polar opposite now: he listens to everything Mark suggests. Brazil GP 2022 when Lando was on track, Mark texted Jon some suggestions, and Lando tried it straightaway. Out of Mark's students now, Lando is the best at "if you put something forward, he just does it".

Lando was so incredibly fast at that early age that people were convinced he/the team was cheating. One race when he was in the junior category, his lap time was so incredible that it would have put him in top 6 in the senior category

Lando had two crucial meetings in 2014, one was Jon Malvern, who's still his trainer to this day, the other was Trevor Carlin, who's the boss of the Carlin team, with which Lando competed from 2015 to 2018

Fraser approached Zak Brown in August 2016 to help bring some commercial values to ADD management. Zak at the time was the co-owner of United Autosports, a sports-car team. They agreed on a deal, and Zak then became part of the core Norris team together with Jon, Mark and Fraser. Little did they know Zak would soon became CEO of McLaren (😂)

February 2017. Charlotte Sefton was setting up a filming event on the Boulevard of MTC. She was making sure no one is on the Boulevard, tours was canceled, etc, apart from one guy "Lando Norris", who's a "VIP guest" and "it's top secret". Charlotte went "who's this guy?" and looked up on the Internet. (😂) Later that day she saw this shy kid got out of a Mini, said "hello" to her and walked to Zak's office. Days later Lando was confirmed as a junior driver for McLaren

(This book isn't as interesting as I initially thought, it's mostly "Norris raced in xxx series in year xxxx and did xyz"; but it does have a lot of quotes from people around him & some behind-the-scenes stories)

[gone2soon-rip]

HARRY BELAFONTE (1927- Died April 25th 2023,at 96.Congestive Heart failure). American singer, activist, and actor. As arguably the most successful Caribbean-American pop star, he popularized Jamaican mento folk songs which was marketed as Trinbagonian Calypso musical style with an international audience in the 1950s. His breakthrough album Calypso (1956) was the first million-selling LP by a single artist.Belafonte was best known for his recordings of "The Banana Boat Song", with its signature "Day-O" lyric, "Jump in the Line", and "Jamaica Farewell". He recorded and performed in many genres, including blues, folk, gospel, show tunes, and American standards. He also starred in several films, including Carmen Jones (1954), Island in the Sun (1957), and Odds Against Tomorrow (1959). Belafonte won three Grammy Awards (including a Grammy Lifetime Achievement Award), an Emmy Award,and a Tony Award. In 1989, he received the Kennedy Center Honors. He was awarded the National Medal of Arts in 1994. In 2014, he received the Jean Hersholt Humanitarian Award at the Academy's 6th Annual Governors Awards and in 2022 was inducted into the Rock and Roll Hall of Fame in the Early Influence category and was the oldest living person to have received the honour.  https://en.wikipedia.org/wiki/Harry_Belafonte

[rollercoasterwords]

I haven't seen many horror films and would like some recommendations. What are some must-watch horror movies for someone new to the genre?

oooh this is such a fun question but so hard 2 answer bc horror is like. such a versatile genre & where u should start depends a lot on like what type of movies u enjoy/what ur looking for….

like if u want sci-fi/alien horror then the obvious place 2 start is w alien (1979) and aliens (1986) (there are other sequels as well but the first 2 are the best) & then also the thing (1982) and its prequel film that came out in 2011 (also titled the thing). AND of course the fly (1986) is a must-see...and if u want something more recent nope (2022) or no one will save you (2023)...both a little more artsy and slow-moving than the 80s recs on this list but very very good <3

if ur interested in slashers then again start w the classics scream (1996) is SO fun it deserves its spot in the horror hall of fame...i know what you did last summer (1997) is also a fun & slightly older slasher; cabin in the woods (2011) is great if u want some meta-slasher-horror; ready or not (2019) isn't necessarily a conventional slasher but i'd still include it in this category & it's one of my faves

if found footage is ur jam PLEASE start w creep (2014) probably my fave found footage horror film ever...but also i'm not a huge found footage fan generally speaking lol. that being said the blair witch project (1999) is of course the classic here but it's not my personal fave; other good options if u want something genuinely freaky/scary are the bay (2012) hell house llc (2015) and gonjiam: haunted asylum (2018)

if u want like possessions & demons etc then. start with jennifer's body (2009) if u want horror-comedy it is SO fun & a staple of the genre atp but if u want something scarier then it follows (2014) is a popular one. there have also been a lot of good possesion movies coming out recently i thought smile (2022) talk to me (2022) and when evil lurks (2023) (<- literally JUST watched this one today lol) were all quite spooky

& sort of possession-adjacent but if ur more into hauntings, ghosts, etc then start w the babadook (2014) or his house (2020) both SO good. also the shining (1980) is a classic & la llorona (2019) is a personal fave of mine (NOT. the u.s. 'curse of la llorona' movie. the guatemalan one.)

if u want witches then start w the craft (1996) another sort of fun one <3 or if u want a classic then hungry wives (1972). the love witch (2016) if u want a visually beautiful & less scary one; the witch (2015) if u want a scarier one.

if u want eerie fantasy-horror then the company of wolves (1984) or tale of tales (2015). if u want a creature feature then blood red sky (2021) for vampires, ginger snaps (2000) for werewolves, and a quiet place (2018) for like post-apocalyptic creature invasion horror.

& SPEAKING of post-apocalyptic. if u want zombies i could make a whole separate post but. START w train to busan (2016) & seoul station (2016) the dynamic duo <3 & then if u want some classics from the genre of course night of the living dead (1968), dawn of the dead (2004...i haven't seen the original one u could watch that one too tho...), and 28 days later (2002). raw (2016) if u want an artsier one, the girl with all the gifts (2016) if u want a fun spin on zombie apocalypse, cargo (2017) if u want 2 cry. & if u want something funny then PLEASE watch zombie for sale (2019) or anna and the apocalypse (2017) or one cut of the dead (2017)

if u want kind of a slower-build psychological thriller then the invitation (2015) is one of my faves, but mother! (2017) is also good if u want an artsy pick & gerald's game (2017) and lyle (2014) are good as well

and then just a grab-bag of horror movies that didn't fit perfectly into any of these categories: barbarian (2022) if u want something really scary, piggy (2022) if u want slow-building horror, midsommar (2019) if u want sunshiney culty a24 aesthetic, us (2019) if u want something that'll freak u out & is slasher-adjacent, get out (2017) if u want slow-build thriller vibes, and teeth (2007) if u want teen-girl horror classic.

bear in mind that many of these films overlap between the categories i've divided them into 4 this answer, as is the nature of horror...if u were asking me 2 just like. force myself 2 choose a top 10 horror movies 2 introduce someone 2 horror w no preference 4 genre or vibe...i think my list would probably be (in no particular order):

alien (1979)

2. the fly (1986)

3. jennifer's body (2009)

4. ginger snaps (2000)

5. train to busan (2016) (<- pains me 2 say bc seoul station is my fave zombie movie of all time but if i had 2 choose just one zombie movie 2 introduce someone 2 the genre it would be this one...beginner zombie movie...)

6. scream (1996)

7. his house (2020)

8. barbarian (2022)

9. creep (2014)

10. us (2019)

[myoddessy]

CONEY ISLAND CHARACTER PROFILE

series masterlist

FAMOUS BIRTHDAYS!

Y/N L/N —TV Actress/Singer/Model

BIRTHDAY —July 5TH, 1998

BIRTH SIGN —Cancer

BIRTHPLACE —Monte Carlo, Monaco

AGE (as of 2018) —20

#3 MOST POPULAR ✰ BOOST

ABOUT

Famous for her breakout role in the French, Oscar-winning film, "Enchanté", where she played a young girl learning of love and of life through art and foreign cinema. (For this film, Y/n won her first of many Academy Awards, and made history as the youngest nominee to win in said category.) In 2014, she released an album entitled 'As I am' which delved into her troubled personal life and how she fears that there will come a day when those she loves will grow bored of her. 5 of the album's 11 tracks made it onto Billboard's top 100, while a further 2 topped the list for three weeks post-release. Additionally, she made her directorial debut with "Little Women" starring Saoirse Ronan, Timotheé Chalamet, and Florence Pugh, where she also played the role of the eldest March sister, Meg. That year, she won the Academy Award for best director.

BEFORE FAME

She began her acting career at the age of six, where she starred in a number of commercials and minor appearances in soap operas. She also began modeling at a young age, and can be found on the cover of several textbooks.

TRIVIA

In 2015, she was casted for the French dubbing of Joy in the Pixar movie "Inside Out". In 2017, Y/n launched her beauty and cosmetics company "Bare", a brand dedicated to creating a diverse range of product shades and cruelty-free cosmetics. She hosted SNL for the first time on March 11th, 2016

FAMILY LIFE

Despite keeping her personal life quite private, many sources have been able to gather that she has a very close relationship with her mother and two brothers, and is the middle child. We do not know anything about her father. As far as we know, none of her family is involved in showbusiness.

ASSOCIATED WITH

She is most commonly associated with her long-term boyfriend, Formula 1 driver, Charles Leclerc.

POPULARITY

Most Popular #3

Born on July 5th #1

TV Actress #2

Singer #5

Model #2

20 Year Old #1

Born in Monaco #1

Cancer #2

SOCIAL MEDIA ACCOUNTS!

taglist — @lilsiz , @formula-hamilton

if you would like to be tagged in future series parts, either comment, dm me, or send a message into my inbox! 💞💞

[desperatelyseekingcannibals]

A Mads poll with a difference!

A poll of Mads Mikkelsen movies where the selection is based on range of factors, including but not limited to: genre, writer/director, country of release, date of release and 🎉vibes 🎉

Some of the movies may fit in more than one category, so vibes have mostly informed those decisions.

Round One:

Choose your fave!

Let's take a look at some early English speaking roles...

King Arthur is a 2004 UK-US-Irish historical adventure. Setting the legend of King Arthur against the backdrop of the Roman Empire rather than a medieval retelling it revolves around defending the area around Hadrian's Wall. Mads plays Tristan, one of the knights of the round table (and Hugh plays fellow knight Galahad :3)

Clash of the Titans is the Australian-American 2010 remake of the 1981 classic action adventure based on the Greek myth of Perseus. Mads plays Draco, head of the King's guard, tasked with helping Perseus on his mission to save the king's daughter from being sacrificed.

The Three Musketeers is a UK-French-German 2011 retelling of the Alexandre Dumas novel, this time featuring airships whilst not going full steampunk. Mads plays baddy Captain Rochefort, leader of big bad Cardinal Richelieu's guard.

The Salvation is a 2014 Danish Western, filmed in the US. Set in 1871, the story follows brothers Jon and Peter who move from Denmark to the US. When Jon's wife and son comes to join them, they are set upon by criminals which results in a deadly feud. Mads plays Danish war veteran turned Wild West homesteader, Jon Jensen.

Fighters all, but who wins your vote?

[taylorswiftstyle]

TSS PREDICTIONS: 2023 GRAMMYS

I do have a tentative suspicion that Taylor will make an appearance at the 2023 Grammys, which are set for February 5. Taylor is nominated for four awards, but the biggest of them all is her SOTY nomination in the general field. This is one particular category at the Grammys that has eluded Taylor and god it would be so great if she won for “ATW10MV”.

Her other nominations are “IBYTAM” for Best Country Song, “Carolina” for Best Song for Visual Media, and the “ATW10MV” short film for Best Music Video. Given the obvious opportunity to nod to the RED era, I’m making my prediction choices based on paying that time period a modern homage rather than something that more obviously furthers the Midnights aesthetic.

With that in mind …

Alberta Ferretti Pre-Fall 2022

The inspiration for this look comes from the 2014 Grammys performance of “All Too Well” when Taylor wore a Pre-Fall 2013 gown by this same designer. It was such a special moment for Taylor and for us as fans to see this song come to be something greater than itself by being performed on music’s biggest stage. People who were not fans of Taylor’s may not have understood the decision to play one of the album’s deepest cuts, but isn’t it so wild almost a decade later to have a ten minute version of that song nominated for an award in the general field? And much like the bow design on this dress - what a gift winning that particular award for this particular song wearing this particular designer would be. There’s no other option but some big fluffy curls, a black winged liner, and a bold red lip - of course.

Michael Kors Spring 2023

This actually feels like a fun slideshow continuation of her gold 70s jumpsuit by The Blonds at the American Music Awards a few months ago. It ties into the current Midnights motif of sexy glam while obviously still being a very scarlet homage to RED. Super smoked out glam, a glossy red lip, and a slicked back bun would be great here.

Elie Saab Pre-Fall 2023

I could actually convincingly see this on Selena Gomez as well. The neck tie and floral embellishments seem up her girlish alley. But as we know, Taylor can rock the classically feminine styles so well. With the inclusion of the neck tie, I’d actually love to see a fun ponytail happen to go with the playful feel of the gown. Contrasting pink drop studs and a swipe of Dragon Girl (a watermelon red) for nostalgia would go with this so nicely.

Naeem Khan Spring 2023

It doesn’t feel quite like a Taylor predictions list unless I include a metallic. I can personally see Taylor turning this into a cap sleeve moment with big, teased hair and a dark, gunmetal smoky eye. Red lip, for once, optional.

Who do you hope Taylor wears to the Grammys (should she attend)?

[demifiendrsa]

Star Wars: Visions volume 2 will stream on Disney+ on May 4, 2023.

Volume 2 shorts:

Title: “Sith”

Studio: El Guiri

Writer-director: Rodrigo Blaas

Rodrigo Blaas is an Emmy Award®-winning director who has spent more than 20 years in animation. After co-founding Stromboli Animation in 1997, Blaas joined Blue Sky Studios in 2000, working on the feature film Ice Age, before transitioning to Pixar Animation Studios. There, he worked on such projects as Finding Nemo (2003), The Incredibles (2004), Ratatouille (2007), and Wall-E (2008) and on the Oscar®-nominated short film La Luna (2011). More recently, Blaas partnered with Guillermo del Toro to develop the award-winning series Trollhunters, served as creative director for Mikros Animation Paris and, in 2021, created El Guiri Studios in Madrid with his partner, Cecile Hokes. He also wrote and directed 2009’s award-winning short film Alma.

Title: “Screecher’s Reach”

Studio: Cartoon Saloon

Director: Paul Young

Paul Young is a co-founder of Cartoon Saloon, an IFTA winner and Oscar®, Emmy® and BAFTA nominee. He produced the animated features My Father’s Dragon, WolfWalkers, The Secret of Kells, Song of the Sea, and The Breadwinner as well as award-winning TV series including Puffin Rock, Dorg Van Dango, and Viking Skool.

Title: “In the Stars”

Studio: Punkrobot

Writer-director: Gabriel Osorio

Gabriel Osorio majored in Fine Arts at Universidad de Chile, later specializing in 3D animation. After working in commercials, movies and television series, he founded Punkrobot Studio. Since 2008, he has directed projects for children’s television including Flipos, Muelin y Perlita, Soccer Girls, and television spots. In 2016, his short film Bear Story became the first Latin American project to win an Oscar® in the animated short category.

Title: “I Am Your Mother”

Studio: Aardman

Director: Magdalena Osinska

Magdalena Osinska is an award-winning director who has been with Aardman for eight years. She has directed stop-motion, CGI, 2D and live-action commercials including Wallace & Gromit’s “The Great Sofa Caper” and “Share the Orange.” Osinska directed development of the children’s series Joyets and has also directed films including Spirits of the Piano and Zbigniev’s Cupboard. A graduate of the National Film and Television School in Beaconsfield, UK, as well as the Polish Film School in Lodz and Art College in Warsaw, Osinska is currently developing the feature film Jasia, based on her grandmother’s memories of WWII Poland.

Title: “Journey to the Dark Head”

Studio: Studio Mir

Director: Hyeong Geun Park

Rising star Hyeong Geun Park had already made a name for himself when he entered the Korean animation industry in 2017, thanks to his strong drawing and animation sensibilities. He has directed animation for dozens of cinematic game trailers and has since expanded into animated series, working on projects including Dota: Dragon’s Blood: Book 3 (2022) and Lookism (2022). Journey to the Dark Head is the first title he has executive produced from start to finish.

Title: “The Spy Dancer”

Studio: Studio La Cachette

Writer-director: Julien Chheng

Julien Chheng is CEO of Studio La Cachette, an Emmy Award®-winning French animation studio he co-founded in 2014 with fellow Gobelins school’s alumni Oussama Bouacheria and Ulysse Malassagne. Chheng was trained in visual development at Disney and has worked as a character animator on acclaimed 2D animated features The Rabbi’s Cat, Mune, and the Academy Award®-nominated Ernest and Celestine. In 2021, he won an Emmy Award® as animation executive producer of Genndy Tartakovsky’s Primal, for which he also served as animation supervisor. In 2022, Chheng directed with Jean-Christophe Roger the Cesar-nominated feature Ernest and Celestine: A Trip to Gibberitia.

Title: “The Bandits of Golak”

Studio: 88 Pictures

Director: Ishan Shukla

Ishan Shukla started his career as a CG artist in Singapore. For more than a decade, he spearheaded projects ranging from TV commercials to series and music videos. His 2016 animated short, "Schirkoa," was long listed for the Academy Awards® after receiving dozens of awards and playing at 120 international festivals, including SIGGRAPH Asia where it was named Best in Show. He then set up his own animation studio to work on adult-oriented animated feature films including a feature-length version of Schirkoa, set to hit festivals in summer 2023.

Title: “The Pit”

Studios: D’art Shtajio and Lucasfilm Ltd.

Writer-director-executive producer: LeAndre Thomas

Co-director: Justin Ridge

LeAndre Thomas is an award-winning writer and director from Oakland, Calif., whose most recent film won Best Director at the Pasadena International Film Festival. In addition to his independent films, Thomas is a part of the franchise studio team at Lucasfilm Ltd. where he has worked for more than 11 years being credited on recent titles such as Light & Magic, The Mandalorian, Obi-Wan Kenobi, Star Wars: Tales of the Jedi, and many more.

Justin Ridge executive produced the Emmy®-nominated series Star Wars Resistance. His credits also include Star Wars Rebels, Storks, The Cleveland Show, Star Wars: The Clone Wars, and Avatar: The Last Airbender.

Title: “Aau’s Song”

Studio: Triggerfish

Writer-directors: Nadia Darries and Daniel Clarke

Nadia Darries is a director, animator and co-founder of Goon Valley Animation, with an avocation for songwriting. Born in the Cape Flats in South Africa, Darries has worked on high-end animated film and motion design as an animator, project manager, creative director and director since 2015. Her experience includes animating at Triggerfish Animation Studios on the award-winning BBC films Stick Man, Revolting Rhymes, and Highway Rat.

Daniel Clarke is a Cape Town-based director and artist working in animation, film and illustration. He started his career in animation in 2008 at Triggerfish Animation Studios, where he has served as production designer, art director and director on projects such as the feature film Khumba, BBC’s Stick Man, and The Snail and the Whale. In 2018, along with James Clarke and Daniel Snaddon, he completed the graphic novel Kariba.

[woundthatswallows]

film recs?

i have a lot lol! i could break things up into catergories but since this is a general ask i'm just gonna cover mostly everything! i listed a lot of movies so i'd be happy to organize them a bit more into categories if anyone wants that, i just did it off the top of my head + w a little help from lists i've made on letterboxd. :)

here r some of my all-time faves that i’d rec: possession (1981) dead ringers (1988) harold and maude (1971) l’une chante, l’autre pas (1977) the piano teacher (2001) la morte vivante (1982) ginger snaps (2000) pink flamingos (1972) the rocky horror picture show (1975) twin peaks fire walk with me (1992) crash (1996) repulsion (1965) let’s scare jessica to death (1971) nekromantik (1988) + nekromantik 2 (1991) (second one is my fave but u have to watch the first first etc) girlfriends (1978) carnival of souls (1962) blue velvet (1986) martyrs (2008) a zed & two noughts (1985) multiple maniacs (1970) wild at heart (1990) 3 women (1975) dans ma peau (2002) dazed and confused (1993) kissed (1996) videodrome (1983) female trouble (1974) malina (1991) wings of desire (1987) persona (1966) the cremator (1969) the before trilogy teorema (1968) scenes from a marriage (1974) sunset boulevard (1950) les demoiselles de rocherfort (1967) the living end (1992)

and then some movies that i love/like and think people should watch: cecil b. demented (2000) ringu (1998) excision (2012) hausu (1977) the belly of an architect (1987) moonstruck (1987) les deux orphelines vampires (1997) valley girl (1983) angela (1995) may (2002) nashville (1975) phantom thread (2017) daisies (1966) candy (2006) society (1989) nowhere (1997) velvet goldmine (1998) caché (2005) the mafu cage (1978) funny games (1997) les raisins de la mort (1978) mysterious skin (2004) true romance (1993) y tu mamá también (2001) vampyres (1974) under the skin (2013) alice sweet alice (1976) audition (1999) vagabond (1985) high life (2019) spring night summer night (1967) secret ceremony (1968) candyman (1992) belle de jour (1967) hatching (2022) brain damage (1988) happy together (1997) in the mood for love (2000) cat people (1942) cléo from 5 to 7 (1962) je tu il elle (1974) thirteen (2003) masculin féminin (1966) vivre sa vie (1962) lost highway (1997) le bonheur (1965) une femme est une femme (1961) les parapluies de cherbourg (1964) babette’s feast (1987) arsenic and old lace (1944) the daytrippers (1996) a history of violence (2005) polyester (1981) ganja & hess (1973) impetigore (2019) volver (2006) pea d’âne (1970) the addiction (1995) train to busan (2016) chungking express (1994) smooth talk (1985) death in venice (1971) the incredibly true adventures of two girls in love (1995) my beautiful launderette (1985) wild (2016) lake mungo (2008) possum (2018) jeanne dielman, 23, quai de commerce, 1080 bruxelles (1975) les cent en une nuits de simon cinéma (1995) lola (1961) the passion of joan of arc (1928) le cérémonie (1995) stoker (2014) contempt (1963) eastern promises (2007) les yeux sans visage (1960) shivers (1975) american mary (2012) serial mom (1994) pierrot le fou (1965)

[freedom-barricades-bighero16]

Collaboration needed!

Hi guys, Alex here!

So I've been thinking about creating a Big Heroverse Massively Multiplayer Online RPG/Visual novel (based on the 2014 film, the TV Series and it's IDW comics, the Baymax! miniseries) for quite a while now, but I need people that I can collaborate with.

I will be able to do the story writing, concept art and basic graphic designs.

In addition to myself, I'll need:

Additional writers

Artists (characters + someone who can create the environment and backgrounds)

Animators

Musicians / composers

Programmers

For now I'm probably going to look for one or two people in each category I've just listed. I think the final game I'm picturing would end up being fairly big (something like a MMORPG with a gacha game model... For lack of a better/shorter way to describe), but I think it might be better to start small first and don't be too ambitious to begin with.

And if you're interested but can't contact me immediately, that's alright! I still have my graduation exams to worry about, and if you don't know, I'm also quite overwhelmed myself with adulting and mental health. So if there are days where I had to cancel last minute or overreact to / misinterpret things, allow me to apologise in advance and please forgive me.

(Oh and about copyright issues. I am hoping to make this into an official game in the future but we don't need to talk about copyright for now. We can worry about that later)

Lastly thank you again for taking your time to read this and potential interest in bringing this dream of mine to life! Peace!