#Casually Here

[boonesfarmsangria]

🧖🏼‍♀️

[chloesimaginationthings]

Jeremy Fitzgerald bravery in FNAF 2 worries Michael..

[hinamie]

quick itfs sketch page

[the-maidofmischief]

I'm sorry this whole scene is insane. Cressida being pressed by her parents to find a man, her and her mother waiting for a suitor to visit and then Eloise is the one who shows up?!?! And Cressida is SO happy about it??

And then her father is all like "i never want you to see that girl ever again" for literally NO reason i'm????? She's a lesbian your honor i rest my case

[wolfythewitch]

Jon and Tim doodles

[inkskinned]

the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.

the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.

friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.

if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!

what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!

people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.

you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.

your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.

[mecachrome]

domestic behavior...

[livelovecaliforniadreams]

2x14 | 7x6

[aster-draws]

Identity shenanigans are a hallmark of all superhero fanfictions and i will never get tired of writing them.

This is from chapter 19 of my fic Better Halves (and other such falsehoods) which is like 100k (so far) of Tim and Danny being idiots like this please go read it it's a labor of love.

just the painted bit below the cut :) if you want it

[deadsetobsessions]

Gothic mushroom shaped candles. Danny picked one up, grinning. Sam would have love these on her alters. Very Sam, very Gotham.

It a bit bittersweet, now that he could think of her without being paralyzed by crushing grief. Her and Tucker both. Danny turned, keeping an eye on Tim as he glared into the case of used cameras.

Danny walked over and tried not to feel guilty about practically mooching off of a child. Even if the money he was using was actually the Drakes’.

“Like anything you see?”

Tim shook his head. Danny pondered over what little he knew of photography- all of which he learned from documentaries that were more focused on nature.

“I think there might be a camera store a couple of blocks down. We could get the ones that takes photos of animals, like the really big ones that takes photos of wildlife?”

“I guess. I mean, I don’t need it since we can…” Tim glanced around suspiciously. Danny willed his mouth to not smile at Tim’s antics. “Fly close,” the kid finished in a whisper.

“Okay, but what about when I’m not there?”

Tim hunched up on himself and Danny despaired inwardly. Uh oh, what did he say now?”

“Are you going somewhere?” Tim quietly asked, sounding hurt and upset.

“No,” Danny soothed, patting Tim on the head. I mean, what if I’m busy with stuff but you want to go take pictures without me?”

“You said to go get you whenever I wanna go out to take pictures.”

“Okay, yeah, I- well, we might as well get you a quality camera, right? To take really really good pictures of the… local wildlife. Like… the birds and the bats, and all that.” Danny winked exaggeratedly.

Tim blinked and giggled when he got the joke. “Okay, as long as you’re staying!”

Danny grinned, fangs and all. “Of course.”

——

At the end of their shopping spree, generously provided and sponsored by the Drake family and their heavy black card, Danny got a phone and Tim got a wild life camera that was a whopping $4,000 but was compact enough to not look absolutely ridiculous.

“It’s heavy!” Tim whined, as he grinned like a loon.

“It’s quality,” Danny plopped the shopping bags on the island in one of the giant kitchens Drake manor had. “I’ll make dinner. You figure out those settings and you can tell me about it when we eat.”

“Okay!” Tim hummed excited, quick fingers and laser focus already aimed at his new device.

Danny picked up his new phone and dialed a number he knew by heart. As it rung, Danny held it up to his ear and began prepping the ingredients. At least

“Hello?” His sister’s cautious voice came through the phone. Danny’s shoulders relaxed.

“Heya, Jazz.” He could see Tim’s ears all but perk up in order to eavesdrop. His mouth quirked up in amusement and Danny turned away. He probably shouldn’t be encouraging that kind of behavior… but it was funny.

“Danny! Are you okay? I- I heard that they chased after you and I was worried sick! Are you safe? Any injuries? Do I need to pick you up?”

“I’m good. Promise. Not bleeding out or dying. It’s actually pretty nice right now,” Danny paused before turning back a little more so he could watch Tim’s reaction peripherally. “Hey, listen, can I adopt a little brother?”

He watched Tim sit up straighter eyed flickering up to him and back down again, a secretly pleased look on his face as he figured out that Danny was in fact talking about him.

“Danny, what the hell?” Jazz huffed, audibly relieved to know that Danny wasn’t on his merry way to becoming a full on ghost. “Who, why, and what kind of trouble did you get into now?”

“Hey, this was me getting out of trouble. Those people don’t even know where I escaped to. Tim helped me out a lot,” Danny said in the tone that meant ‘and there’s more to it but I can’t tell you right now.’

“His name’s Tim?”

“Yeah, you wanna say hi?”

Tim looked terrified as he heard Danny’s side of the conversation. Danny could relate.

“Alright. But you’re explaining everything later, got it?”

“Sure thing, boss.”

Danny turned to Tim, abandoning the peas he was shelling and rinsing off his hand to hold the phone.

“Tim, my sister, Jazz, wants to say hi. Are you cool with that?”

“Uhm! Yeah! Yeah, sure.” Tim, honest to ancients, squeaked. Danny’s enhanced hearing could pick up Jazz’s already melting heart. He taped a button.

“Jazz, you’re on speaker.”

“Hey, Tim. I’m Jazz. Thanks for taking care of my little brother!”

“Uh, hi, Jazz! I’m Timothy Drake! And, uh, you’re welcome! Anytime!”

Tim glanced at Danny for reassurance, relaxing a bit when the halfa threw him a double thumbs up.

Jazz went quiet.

“Jazz, you good?” Danny asked.

“We’re adopting him. Danny, you better make sure knows about everyone. Hi, Tim, I’m Jazz, your new big sister.”

“Uh- I have parents.”

“That can be fixed,” Jazz casually brushed off. Tim looked like a deer in headlights, so Danny took his sister off speaker and went back to cooking. He made sure to smile at Tim.

“Don’t worry, we won’t adopt you if you don’t want to. But it wasn’t a joke, we’re very serious.”

“I’ll think about it?”

Danny shrugged. “Good enough for me.”

“So, where are you?” Jazz asked him, rustling coming through on the phone.

“Gotham.”

“You are so fucking lucky I love you, dumbass. I’ll be there tomorrow at noon.”

“Playing hooky, are you?”

“Fuck off, little brother, before I show Tim your toddler pictures.”

“Thanks, Jazz.”

“Bye, Danny. Don’t get killed again when I’m not there, got it?”

“Sure, sure.”

Danny smiled and returned to his agenda of stuffing as many vegetables into one meal as he can. At least the food isn’t trying to tear out his face.

——

Robin hasn’t heard the eerie giggles around lately, but he’s been practicing his own. It’s weird though, because there’s always a glint of something in the corner of his eyes.

“Robin, muggers.”

“On it, B. Shall we, Batgirl?”

“Let’s go, Boy Wonder.”

[doortotomorrow]

Cooper Howard - "Roosevelt, I'm sorry you can't come, buddy...I'm heading into enemy territory."

[bluestation]

at work

[chloesimaginationthings]

FNAF Cassidy knows how to “help” Michael Afton

[akanemnon]

Wait, that's NOT supposed to be under there...

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[beanbagstab]

Quick Sonamy sketch I made for twitter !

[revvethasmythh]

Thinking about Caleb “I-use-people’s-full-names-to-show-intimacy” Widogast and the way he calls Veth “Veth the Brave.” It’s not all the time—it’s rarely used, actually, saved for specific moments, only when he’s using the fondest of tones, with the most admiration, and how calling her that is more intimate than just “Veth Brenatto.” Because Veth the Brave is both of her identities. It’s Nott and it’s Veth, it’s their co-mingling, it’s her in her entirety. Veth the Brave. That’s why it’s so intimate, because he is speaking to all of who she is