#Carved in Stone [Background]

[weirdpngs]

[apircteslife]

Banded King Snake,Frog-Eating Rat Snake and Cottonmouth for Hook D Harrison

Snake Themed Character Questions - ACCEPTING!!!

Banded King Snake: What is a misconception about your muse?

That Harry wants to be a Captain or a First Mate. Many who knew Harry as a child often believed that he would grow up to be a Captain like his father or a First Mate like his Poppa; the Captain he would be second to being Uma...

But Harry shocked everyone when he ignored Uma's offers to join her crew and follow after her from the island he was born; the shocking growing much more when he, instead, decided to follow after a young crew just starting out on the seas; no sign of a position of power for the Hook heir.

Harry is happy just being a part of the Straw Hat's.

Frog-Eating Rat Snake: What is your muse's hygiene like?

Almost perfect... even though he's a pirate, has been raised as a pirate since he was born and even raised in a tavern; Harry's hygiene is almost perfect. Almost, because he does have days where he's not feeling the desire or need to wash and needs to either be convinced by Gil or his partner, or just needs to be left alone.

Cottonmouth: How comfortable is your muse in the water? Can they swim or do they sink like a rock?

He's a fish out of water.

Due to his own heritage, Harry is always comfortable in the water and can swim effortlessly.

[beansprean]

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oh my god they're engaged to be engaged...

(also this is entirely separate from the izzyguana series fyi, but my god I have drawn their little island so many times by now)

(ID in alt and under cut)

ID: 1a. Wide shot of Stede and Ed's ramshackle house on a hill of long grass, a forested mountain sliding into the sea behind them as the sun peeks above the waves, painting them orange and yellow. Some work has been put into the house since they found it: the holes in the roof have been boarded over or covered with tarp, a rickety porch railing and staircase off the left side have been built on from scraps, oil lamps have been hung on each corner, and an addition on the right side is in progress, rocks stacked on the wood-slat roof and tarps hanging from unfinished walls. Planks of wood, tools, and fishing poles are leaned up against the porch, the path to the house has been cleared out and defined by stones and shells, and a wooden sign out front has the words "Best Little Inn By The Sea! +fishing equipment" carved into it. Stede and Ed, wearing a teal blouse with brown leather trousers and purple tee with black leather trousers respectively, are standing on the porch and looking out over the land, arms around each others waist. Stede raises his arm in a wave and shouts, "Great to see you two! Come again any time!" In the foreground, Pete and Lucius are walking down the path away from the house, looking tired. Pete has one arm around Lucius's shoulders and his eyes are closed, head listing to the side. Lucius covers his mouth as he yawns, lifting the other to throw a halfhearted wave over his shoulder. 1b. Waist-up in profile of Stede and Ed on the porch, sunrise behind them. Closest to the viewer, Stede stares out after their guests, hand lowering, smile fading to something a little bittersweet. Ed leans into Stede, free hand in his pants pocket, and rests his head in the crook of his neck as he follows Stede's gaze with a thoughtful smile. Ed asks, "You ever think about that for us?" 1c. Repeat. Stede's hand drops further, wrist dangling, as he turns his face toward Ed with a bewildered smile. "What?" Ed straightens from his cuddle, embarrassed, but keeps his right hand on Stede's waist. His left gestures randomly as he scrunches up his face, avoiding Stede's gaze. He explains, "Y'know...the matie-monie thing, whatever."

2a. Zoom out slightly; Stede takes a step back toward the house to face Ed as he pivots with his back toward the yard. They are still connected waist-to-hand. Stede plants his free hand on his hip with a smug little smirk and says, "Well I certainly hope that's not your proposal." Ed waves his free hand in a 'stop' motion, flustered as he meets his partner's eyes, and splutters "Wha- no! No, mate, I just... 'M having a dialogue." 2b. Repeat, zoom in. Ed dips his chin to look up at Stede through his lashes, red-faced and accepting defeat as he mumbles, "...How would you want it to go, though? Hypothetically." Stede giggles helplessly, free hand leaving his hip to rest fingertips on Ed's chest. 2c. Repeat, the background cutting out in favor of the sunrise occurring between them. They are almost forehead-to forehead, both of Stede's hands now pressed to Ed's chest and idly playing with the tips of his hair. Ed stares at his face with hooded eyes. Stede smiles, gaze lowered to focus on his hands, and says "Oh, I don't know. A bit of romance, you know. Dazzle." 2d. Repeat, zoom in to bust, background now mottled oranges and yellows. Ed raises his head to look past Stede with a frown, brow furrowed in confusion as he repeats blankly, "Dazzle." Stede hums idly to himself, concentrating on petting Ed's chest. 2e. Repeat. Stede lifts his head with a little smile, putting them nose-to-nose and adds, "I wouldn't say no to some fireworks." Ed flusters at the pointed reminder of their first time, cheeks turning red and a wobbly smile creeping across his face.

3a. Repeat. Stede asks, "What about you?" Ed leans back from their embrace, smile turning incredulous as he repeats, "Me?!" 3b. Waist up of Ed as he turns, sunrise at his back, to lean his left arm against the porch railing. He glances over the yard with a resigned little frown, fiddling with a piece of his hair with his right hand. He replies, "I dunno. Never really thought about it." 3c. Chest up of Stede as he mirrors Ed's pose with a fond if slightly amused smile, stairs and forest behind him. Offscreen, Ed continues, "Bet you had a whole scrapbook of ideas, eh?" 3d. Repeat. Stede straightens with a "Well!" and turns his body to face the house. 3e. Knees-up from the house POV as both men lean against the porch railing, the yard, ocean, and brightening sky beginning to streak itself with orange beyond. Stede is facing the viewer, back to the yard, leaning with his elbows braced on the railing. He aims his gaze to the side with a bit of a pained smile and says, "When Mary and I were engaged, a scrapbook wouldn't have been much use." Ed is turned toward Stede, left elbow propped on the railing. He scowls and sticks out his tongue at mention of Mary. 3f. Repeat. Stede turns his head toward Ed, who quickly tucks his petty tongue back in his mouth and schools his expression into one of interest. Stede continues, "Everything had been decided for us already. Never really got to the proposal part."

4a. Repeat. Ed turns his body more fully toward Stede, folding his arms on the railing and leaning his head over them with a warm smile. Stede raises his eyebrows in surprise and goes slightly pink as Ed says, "I'll have to make it really good, then." 4b. Stede turns his body toward Ed, left arm sliding against the railing behind him and right hand cupping Ed's chin as he leans closer, nose to nose. Ed's eyes hood, looking at Stede's mouth as is curls into a loving smile. Stede responds, "Can't wait." 4c. Repeat. Ed suddenly goes pale and blurts out, "You'll say yes, though, right?" Stede freezes in surprise, lips puckered in preparation of a kiss. 4d. Repeat. Stede throws his head back in a loud bark of laughter, straightening up and turning fully toward Ed to cup his cheek in his right hand and his shoulder with the other. Ed aims an embarrassed, besotted smile at him as Stede replies, "Ed, of course! Who could say no to you?"

5a. Repeat, both now in profile. The orange and yellow light of the sunrise is slowly spreading across the sky from the left. Ed straightens up from his lean to bring their foreheads together, still a bit red-cheeked and with a nervous edge to his smile as he lowers his gaze. He says, "You can say no if you want, though." Stede smiles at him with every ounce of tenderness he has, hands firm on his cheek and shoulder. He replies, "There's nothing I want more than to say yes to you, Ed. Permanent ink, remember?" 5b. Repeat. Stede moves his right hand from Ed's cheek to hook around his back, tugging him closer as he leans himself back. Ed stumbles forward with a helpless grin, cheeks even redder, bracing himself with his right hand on Stede's chest. When their eyes meet, Stede's smile turns teasing and faux-sinister, continuing, "You're stuck with me regardless. Foreverrr~" 5c. Repeat, larger and brighter, as Stede and Ed finally come together in an affirming kiss, the land behind them retreating to allow the sea and sky to fill the background. The sun finally breaches the horizon, sending glitter sparkling across the waves and gilding the pair in warm golden light. Ed's right hand is cupping the side of Stede's neck, thumb tracing through his sideburns, and Stede's right is hooked fully around his shoulders, cushioned in his soft hair. They are both smiling into the kiss, unhurried and in harmony.

6a. Repeat as they pull back from the kiss just far enough to meet each other's gaze, arms still around each other, Ed's right hand brushing Stede's cheek and Stede's buried in the back of Ed's hair. Ed smirks flirtatiously, eyes hooded, and says, "You know... I hear there's a traditional engagement sex sabbatical, too." Stede matches his expression, left hand sliding down Ed's shoulder to press against his lower back. Stede replies playfully, "Oh, is there? I suppose I can plan that part, then." 6b. Repeat. Ed brings his left hand up to mirror his right, cupping both of Stede's cheeks, and arches up on his toes to lean over Stede with a teasing grin. His movement forces Stede to arch his back in the first motions of a dip, hands briefly flying free of their grip on his future fiance to try to catch his balance. Their lips a centimeter apart, Ed hums, "Mmm, gimme a rehearsal, first." Stede tosses his head back with a giggle in response, eyes closed, cheeks pink. Hearts float above their heads. 6c. Shot at the bottom of the hill Stede and Ed are stationed on, the packed-dirt path to the house curving upward in the background, the stones and shells now more conservatively scattered. Amidst the tall grass and tropical plants lining the way are handmade wooden signs shaped like arrows pointing the way to the inn. Words carved into them say "this way!" and "best inn!" Pete and Lucius are in the foreground, walking down the hill towards the viewer, Pete's right arm still looped around his husband's shoulders. They still look very tired with dark circles beneath their eyes - Pete still hasn't opened his. Lucius has, barely, and is scowling his way forward with a furrowed brow, declaring, "We are leaving them the worst review." Pete nods solemnly. Text nearby points to them and says 'kept up all night by noises'. Pink hearts and exclamation points spill out behind them from the bend in the path, echoing the lovey-dovey noises from above that must have made their stay so insufferable. /end ID

[rafesfavbimbo]

The Other Woman.

Pairing: Rafe Cameron x Stripper!Reader

tw: Cheating! (not on reader) Drug & Alchohol use! Descriptions of smut! Angst!

“The other woman has time to manicure her nails

The other woman is perfect where her rival fails.”

Her arms feel like the sun on a breezy day. Shining on him and encasing him in warmth while the cool winds prickle at his skin. Her scent like a pheromone that was designed solely to attract him. Her skin like expensive silk under his fingertips, delicate and smooth. Her lips felt like satin, brushing and sponging against his skin, lips and body in a way that was entirely addictive. She was entirely addictive; she was his haven. The luxury between her legs only he had access too. Her arousal was a flavor that could never be matched and that he yearned for when she wasn’t on his tongue. Slipping inside her felt like he had a taste of heaven, something he was entirely dedicated to worshipping. She was a deity he would willingly sacrifice his soul and life to.

“Baby… she keeps calling you.” Whispered out that voice that was like a sweet symphony to his ears and calmed down the ocean of complex emotions that dwelled in his heart. Rafe groaned into disappointment at his moment of peace being interrupted once more, burying his face deeper in the softness of her tummy while her manicured nails grazed his scalp. Feeling the soft pricks of hair under her smooth finger tips, touching him with a delicacy only she knew how to have. He sighed once more before bringing his head up and reaching a hand over to the incessant buzzing next to them in her satin sheets. Watching as Sofia’s contact showed for the 5th time that hour.

Rafe can’t exactly blame her, he promised her a nice dinner. Yet, he got to caught up in the girl who captivated his entire being and the one whose inner legs he finds solace in every night or day he can. Just seeing her glimmering smile or seductive gaze makes his knees buckle. He’s entirely fascinated by her, like a diamond in the rough of people who inhabit the island they live on. She’s unlike anything or anyone he’s ever known, the way she maneuvers her body on stage and glimmers under the club lights. The way he was entirely bewitched by the siren she was. He won’t ever forget the night Topper and Kelce dragged him out to a club he had no interest in being at. Small, yet no conviction in his claims of, ‘I have a girl, bro.’ He’s so entirely grateful he went. Topper’s convincing of, ‘what she doesn’t know won’t kill her, man. Trust there’s this girl there that will drive you insane. She’s got me and Kelce hooked.’ To which Rafe gave a small eye roll and scoff of, ‘any girl with her tits out has your attention.’ Topper only laughed and Kelce along with him before biting back a, ‘but hers are premium.’ As they all toppled into his truck.

That night was fate, and he knew that any woman he met or has yet to meet will pale in comparison to the goddess who’s enthralled his being and keeps him stuck in a perpetual state of desire for her and her alone. The moment he saw her glide across stage, in nothing but glimmering lingerie and wild hair. Her eyes packed on with glitter and pretty lips glossed so enticingly. Her body the kind of thing men carve into stone to keep as a recollection for life. The way she slithered across stage with her eyes set on him and only him. Singling him out while the cheers and hoots of his friends, other club goers and patrons faded into the background. Both of them fascinated with one another. The way she slung herself across his lap with her freed tits pressing into him and her intoxicating perfume swirling around him like an aphrodisiac.

“The other woman enchants her clothes with French perfume.”

He paid for a lap dance that very night and let her help him escape in the private room under glaring, neon pink lights. Running his hands over every inch of her beautiful body as scraped her long nails against his skin and moved sensually across him. That night sealed their fate, and it didn’t take much convincing to let him take her home to Tannyhill. Making out in the back of Topper’s truck while him and Kelce smirked as they watched through the rear-view mirror. Praising their friend and promising to seal their lips when they were dropped off. That night y/n and Rafe brought their bodies and souls together, all night long. Sweat sticking them together as her inner thighs dripped with their mixed arousal. Their lips not leaving any inch of each other‘s bodies undiscovered. He marked her that night with his possession and allowed her to rake her nails down his strong back, calculating in his mind how he’d hide it from Sofia.

After that night any thought of another woman aside from the one under him was gone, his girlfriend included. The unsaid energy bringing their souls together as if they were lovers destined to meet. He licked and snorted lines off her body as he rubbed the powdery substance against her gums. Pouring champagne on her as he licked it up and let it soak his sheets right next to her arousal. She was like an added substance he was quickly growing addicted to and he knew this was an addiction that would never end. He took her apart over the balcony under the stars of the night sky as she whined and whimpered into the warm air. He was king and she would be queen.

-

Now months later their affair is still going strong, he more often than not finds himself entangled in her at her penthouse he put her into. Vowing to move her into his mansion next. He’s yet find a way to end things with Sofia, he knows y/n is the one he wants to settle with. He wants everything with her. Aside from the passion that connects them physically it’s the understanding of their minds that really links them together. She understands him, she loves him in all his dark glory. Allowing him to be himself without feeling the need to try and fix him. Her understands her, in all her shady grandeur. They’re just as fucked up as one another; she’s not ashamed of who he truly is. She doesn’t keep him from changing either, she grows alongside him as the learn to love one another beautifully.

Rafe tells her about his dad, the pogues, even the yearning he has to reconcile with his sister. He cries to her and lets her hold him as he sobs into her naked chest, feeling her kiss his tears away. She always whispers soft, ‘let it out, baby. it’s okay, I’m here.’ Consoling him with gentle caresses and kisses. He feels guilt, guilt for keeping her in the shadows of secrecy. Yet, he’s not ready for the universe they’ve built for themselves to come to an end. He doesn’t want to share her with the world, he’s selfish and wants her all to himself. He keeps her locked away in the luxurious penthouse he’s granted her and has even taken her out of the club by providing for her. She’s his hidden gem, he knows it hurts her. It hurts him too.

He finds it difficult to end things with Sofia. Her softness and kindness to him never forgotten. He’s still fond of the girl who was there for him when no one else was. Who listened to him cry and his grieving words as he spread his father’s ashes into the ocean. Sofia is familiar, she’s routine. She’s comfortable in a different way and he doesn’t want to let it go. He knows he deeply adores y/n, he loves her with every fiber of his being. But he loved Sofia first, she’ll always have a place in his heart for the kindness and love she granted him when he needed it most. That’s why he leaves y/n every morning to go back to her. He knows it’s cowardly; he knows it’s completely selfish. He can see the tears falling from her closed eyes as she pretends to be asleep while he softly walks around the bedroom as to not wake her when he leaves in the mornings. He always knows she’s awake. Especially when he presses a kiss to her forehead as he softly strokes her hair. Promising with a whisper to her skin that he’ll be back and that he loves her. He’ll always go back for her, he’ll always go back to her.

When he greets Sofia, she looks at him with those pretty doe eyes that are so different yet just as beautiful as the ones he’s grown accustomed to love. Natural lashes in comparison to y/n’s pretty extensions he pays for. They’re both so beautiful, yet so different to him. Especially in the way they hold his gaze. When he kisses Sofia it’s not quite as intoxicating, yet he likes it nonetheless. Her scent not as addictive but he still finds himself burying his nose into her neck as he hugs her. While Sofia is all earthly beauty, y/n is pure glamour. Sofia is soft, meek, not a touch of makeup kisses her pretty face. Whereas y/n is more resilient, durable and she has to be in the line of work she succumbed to. With the way of life she lived. Her gorgeous face accentuated by flawlessly done makeup. He doesn’t think she needs it, but he loves it nonetheless. Sofia’s nails are always blunt and rarely polished, y/n’s nails always have a nicely perfected manicure. Sofia loves sandals and sneakers, y/n loves wedges and heels. Sofia’s lips always moisturized with chapstick, y/n lips always glimmering with gloss. He likes how different they are from their personalities to their styles. They’re like day and night. Polar opposites so beautiful in their own right. He’s a selfish, selfish man. He knows one day he’ll have to choose, but for now….he holds both hearts in the palm of his hand. Only one of them is feeling the stabbing pain of abandonment and pining the other has the pleasure of not being subjected too. He knows it, yet he can’t help it. Sofia is pure routine, y/n is his passion. Being with her is like being inebriated. Like an adrenaline rush he always craves, that he loves. He lives for it.

“And when her old man comes to call

He finds her waiting like a lonesome queen.

‘Cause to be by her side

It's such a change from old routine.”

Y/n waits, she always will. She knows he’ll be back. She’s begged him to stay, but he never does. Just a quick promise of his awaited return as his fully clothed body steps to her naked one which is kneeling in the satin sheets. A representation of the vulnerability she’s subjected herself to just for his approval. Her long lashes clumped with tears as her chin wobbles. He thinks she looks so beautiful like this; the dark part of him liking the way she longs and whines for him. He always gives her chin a quick pinch as he pulls away from their kiss and steps out of the bedroom. Y/n always falls back into the sheets as the tears that watered in her lash line fall down her smooth cheeks. Listening to his footsteps farthering and ultimately the front door closing shut as he leaves her once more.

She knows why, she knows what she is. A secret, a mistress. His side girl. She can’t help it; the desire she has for him overcoming her self worth and respect for his girlfriend. She feels the grief that fills her body every time he leaves, only to disappear every time he returns. She can’t bring herself to end it. Can’t bring herself to leave him alone, or give him an ultimatum that it’s me or her. She knows it’s pathetic, yet she can’t bring that thought to overcome the undying love she’s developed for him. So she does as he wants, she waits for him. She always will. When her body lays back down, and she’s sure he’s gone. Only then is when she lets the overwhelming hurt leave her body in sobs of pure anguish as she lets sleep overtake her body. Succumbing to the fatigue of a heart that is continually broken.

“The other woman will always cry herself to sleep

The other woman will never have his love to keep.”

-

a/n: was feeling angsty tn ugh. i hope you all enjoy, pls let me know your thoughts! muah!

[youryurigoddess]

Gabriel’s (missing) cross

Let’s put everything we know about that spooky statue of the Archangel Gabriel in one thread to make the conversation about its possible meaning as a Good Omens 3 clue more structured. Starting off with the relevant part of the official commentary from X-Ray:

Douglas Mackinnon got one thing wrong in his part of the interview — Gabriel wasn’t carved by “some guy in Italy,” but a British sculptor and prop maker David Field working as a part of the team at 3DEye in London.

Technically speaking, it’s a gorgeous piece of hand-carved expanded polystyrene with a clay sculpted head on top of it — even if the Archangel’s smug likeness isn’t that pleasant to look at, all things considered. The scenic artists from 3DEye made it look like stone afterwards.

The body itself took ten days to sculpt and is a faithful copy of the famous statue on Ponte Sant'Angelo in Rome called Angel with the Cross by Ercole Ferrata. It stands on the inscription “Cuius principatus super humerum eius” (“Whose government shall be upon His shoulder”, Isaiah 9:16), and this quote makes much more sense for Gabriel than the cross in his hands. The usual iconography of the Archangel uses a trumpet or a white lily instead.

Ponte Sant'Angelo was originally used to expose the heads of those sentenced to death — each of the angelic statues on it carry Arma Christi, the Instruments of the Passion. Like the Second Coming, what seems to be a hopeful message to the Chosen Ones can also be a warning for the others.

The statue of Gabriel, first shown in full in the cemetery scene of the Good Omens 2 title sequence, reappears at the very end as a part of the bridge leading to the biggest Easter egg — at least according to Peter Anderson, the animator behind it — which is the lift in the background, implying how we’re getting closer towards the Second Coming. Notice how the cross broke down in half at some point between these two scenes!

And it disappears in the plot as well: Gabriel’s memory depicts it only from his point of view, with the camera deliberately moving slightly to the right and stopping at his eye level. The centered, establishing shots show the statue with empty hands as a bookend.

I believe that this cross is meant to serve as a foreshadowing, a reminder of the absolution of sins and eternal life through Christ’s sacrifice and Second Coming. We see it only through Gabriel and Aziraphale’s eyes — when Beelzebub looks at the statue, the cross is not there.

As seen in the BTS photos and videos, it’s not an editing error, but a deliberate positioning of the physical props on set. The cross was clearly meant to be a removable part of the statue and displayed in a specific way to convey a message to the audience.

The question remains: is it a reassurance, something to look forward to, or maybe rather a warning?

Not helpfully at all, the traditional use of angelic imagery in Christian cemeteries matches both interpretations.

[easy-there-leftovers]

I See You, Darling (2)

[Astarion x reader] Due to surprisingly overwhelming demand, the previous fic, along with this one and many more to follow, will now be part of a series!! It was honestly very difficult trying to come up with what happens next, but here we are. The idea came to me during a fever!! |Word count: 2.5k.| Based off of this post I made.

Part 1 here!!

Next part here!!

The reader believes they are in a dream. It wouldn’t be the first time their fantasies conjured up such an obscure, yet somehow realistic scene. And so they’ve elected to treat the experience with as much realism as one would observe in a dream; little to none.

Alternatively;An ex-art-student-now-traveler accustoms themselves to the party.

————━─━────༺༻────━─━————

“Shadowheart. Shadow…heart. Hm.” His gaze bounced between you and her. 

“I’m sure her parents meant well, but the name is rather ominous, isn’t it?” He leaned over to your side, not bothering to hide his blatant distrust. Lowering his voice dramatically, if anything.

“Unless she chose it herself. Which is even more worrying, honestly.” He chuckled out.

It had been no more than two bells after mornbright when you met Astarion. Since then, you’ve come to realize how…different your presence has changed the course of the story. Though more subtle than you expected.

It would seem as if you had met the elven vampire before the party was formed, which was strange as your last save point was far later than that and the forest had been quite a long way from the beach.

When you finally stumbled upon Shadowheart, he was quick to share his inner thoughts that you haven’t heard from the game before. 

As they continued with their quest to find a cure for the Illithid problem, expanding their party as they did so, you had tried to make yourself useful by doing the dirty work for them. Looting and opening crates filled with camp supplies, armor, and potentially useful weapons and artifacts could always come in handy for trade or for “artifact consumption,” as per Gale’s need. Sorting them for your group’s convenience.

And while you did not have more direct and immediate practical use for your course of study in the modern world, the research you’ve created and reviewed for character creation and world building was doing wonders for your survival.

Or as much as it can for a magicless, not so athletic human. 

The “runes” of the medieval ages that have been carved into stone, along with the basic history and background of the common races and deities of the fantastical world that tabletop RPG has offered puts you at quite an advantage.

Not to mention your experience with the areas of the game giving you the same effect.

But this library of information had also aroused something akin to suspicion and concern. It would be understandable if you were a simple traveler just like them, or perhaps even an artisan from the guild, but you were not as astute as either background.

So how could you have access to this much knowledge yet be unaware of more practical matters? It’s as if you had simply read about it from somewhere. 

Astarion had been quick to give an explanation before you could form one of your own that could poorly convince your companions. Although, perhaps his suggestion was more outlandish than anything you could have come up with.

“They came with me. Property and all the formality that comes with it. A family pet, if you will.” A perfect excuse to justify your constant proximity to him, and a likely explanation to being well read, but not well experienced.

You thought nothing of the title, your apathy to the non-hazardous labels of this world apparent.

The same couldn’t have been said about your associates who had a few comments about this disclosure.

“I am unfamiliar with the–well, I shall not say ‘culture.’ ‘Customs’, perhaps. I did not think your kind to house such breed of cattle. Perhaps they could be useful.” Was Lae’zel’s. 

“I assure you, they typically don’t. Humans aren’t naturally subservient to Elves, at least in this manner. This setup sounds more akin to slavery. Blink twice if you need help.” Was Gale’s response. 

“It seems like Astarion's from the upper city, given the embroidery on his armor. I wouldn’t put it past them to have servants that follow them around.” Shadowheart’s nose crinkled at the thought. 

The party already had such an interesting rapport. Not entirely comfortable with one another to divulge everything, but loose enough to have semi-pleasant conversation with.

You thought this as you sorted out the fruits of your collective labor into neat pouches and bags, keeping items similar to one another factioned into their respective holding space. The chest being closer to Withers more than you’d like, but it was nice to hear the ramblings of an…undead person? Hearing someone continuously talking allows you to be more productive.

You’ll admit, handling enchanted armor and crystals does make you a tad nervous but you’re comforted by the thought that it will not be you who wields it in battle.

Out of the corner of your eye, you see Gale approaching your direction. Possibly to ask for his share of the camp supplies just a little earlier to sate himself as you had an abundance of it for now. You regard him with your back turned and he stops for a bit.

“I will say that I don’t have the lightest of feet, but I figured myself better at sneaking around.” It’s not his fault that he got caught, but the bright purple robe and the smell of the oils you’ve been crafting for them are particularly noticeable.

“You are, but I’ll assume you're not exactly in the best shape after dealing with a few goblins.” You hold up a bottle of a healing potion, swinging it a bit with your fingers to indicate that the smell had warned you of his arrival.

“You’ve got a keen nose on you. Must be from all of Astarion’s training but, speaking of which,” He nears himself to your crouched form, going in to lean against a very old and empty crate.

“Gale, wait–” Right as your warning leaves you, they seem to evade him as falls right through the wood. A comical layer of dust and lichen pluming out from the force. He tries to quickly recover from both the physical and emotional damage as he brushes himself off to make himself presentable once more. 

“Ahem, as I was saying,” He again makes his way over to you, settling for just standing close as his attempts to look unbothered temporarily cost him his ego.

“I was serious about what I said before. While I don’t know what to make of our pallid friend just yet, as enigmatic as he is, what he said before is quite confusing. Best make haste away from here if you want your freedom while we’re distracted with this worm problem.” His tone suggests a genuine concern which confuses you.

You’d be lying to yourself if the label of the set up didn’t sound odd, but you’ve never expressed discomfort as there was nothing all too worrying about it on your end. It was mostly for show, and you had as much independence as Tav would have in your game.

You endeavor to quickly dispel his worries.

“You don’t have to worry, I’m very satisfied with my servitude under Astarion. He’s very lenient and reliable, and I’m better off with him than on my own." You return to your task of sifting through your materials but pause and look back up at him to continue.

"I do thank you for turning my way though. Your concern is much appreciated but unnecessary.” You lowered your head a bit to show your thanks.

“Well if someone as generous as yourself says to trust you on this, then I have no choice but to concede! I’ll keep a watchful eye and offer guidance, should you need it. Also, do we happen to have something for—” As he asks you for some sort of salve, just a few ways off, your eccentric “handler,” of sorts, watches the two of you interact.

Don’t get him wrong, such matters don’t really catch his attention, but being an elf does curse him with the ability to have extensive hearing. Something that he thinks Gale knew, and something you forgot. That would explain the lack of distance between you two.

He thinks it’s amusing how the wizard is trying to make conversation with you as if you were some foreign creature. His usual eloquence nowhere to be seen, and you seemed as unbothered as ever. Like how he usually saw you when you conversed with someone through a crystal.

It was a phone, not that he knew that though.

“They’re a real nice one, aren’t they?” Karlach says from her side of the camp which was nearer towards his tent and yours.

“Hm, yes. While that may be an admirable trait, it’s hardly going to get them anywhere if they keep this up.” Astarion huffed out, not very keen on your altruistic playstyle so far.

He doesn’t know much about what you do and don’t know, all he knows is that you do know of the events to unfold and could be the key to defeating his master.

 All he needs is to keep you at his side. So he’ll allow you this much freedom.

“Oh come on, you. You can’t seriously think that after everything. Our camp’s pretty well maintained because of ‘em, not to mention the connections we’ve been able to get!” She fortifies her statement by knocking on her chest, the engine humming within feels lighter and newer since you’ve informed her of the tiefling blacksmith at the grove. 

He hums in response, returning to reading his book as he thinks about his growing hunger. He’ll have to hunt soon enough. While your positive reputation occasionally reflects on him by proxy, it can also reflect negatively due to the alleged nature of your relationship. If he wants the journey to a way of understanding the tadpoles to be a more comfortable one, he has to at least prevent their trust in him from diminishing.

~

Night falls later than he’d have liked, having waited for everyone to be asleep so that he may prowl the forest for sustenance.

The rest were sound asleep in their bedroll as the skirmish from earlier on in the day had proven to be sufficiently tiring. The crackling fire surely brings a lulling warmth that he supposes he’ll have to miss out on for a while.

As he begins to slink off into the darkness, he looks back to gauge his surroundings and catches your form from across the settlement. It seems you were tallying away the items in the shared chest and double-checking to see that everything is checked and balanced with your records. 

Your shoulders jump at his suddenly standing form, but try to understand his intentions. You mouth, “where?” with a very confused face, to which he responds with a simple shushing motion and waits for your acknowledgement.

You nod slowly, and he holds your gaze before sneaking off once again.

‘He’s coming back, right?’ You wondered. The progression of your experience now in comparison to the game was vastly different, and you didn’t know if all scenes, or only some, would present themselves in this world. You assume he planned to hunt, and while you trust his abilities, you want to make sure he’s attended to properly should he be harmed in any way.

So after retrieving a few potions, a journal, and a pencil, you stashed them in a satchel and positioned yourself at the base of the tree in the direction he left in. You weren’t particularly sleepy tonight, and planned to pass the time in wait of your companion. 

There wasn’t much to do in this century to keep yourself entertained. The only things you’ve found so far were a few instruments and all manners of journals and inks.

The inkpot that you picked up appeared to be red this time. The game of, “which ink dye will I get this time?” will have to be the most of your entertainment for now. Not all too different from home, you suppose. And while writing keeps your mind at bay, illustrating all manners of wildlife have proven to be quite the fun exercise. 

You’ve made a few notes on creatures that you and your company have encountered. The visual elements of a drawing allowed you and the others to keep track of materials that could be salvaged from them, and their resistances to certain attacks. 

Though as much as you liked depicting such lifeforms in paper, you’ve come to be very interested in portraying your vampire friend.

Evidence of your interest present in the pages filled with his likeness as you search for an unmarked page. You’ve made a few of the others, yes, but anyone who would gain access to your journal would surely see which member of the group you favor more.

You continued to draw, and occasionally write, on the parchment as you waited for Astarion to come back. All sense of time evading you as you focus on the task at hand.

A perfect opportunity for a tired rogue to surprise an unsuspecting human.

“And what are you still doing up, little one?” He appears from behind the very tree you rested against, causing you to spill a bit of ink on your thumb.

You clicked your tongue, not at all annoyed by the character but by your absentmindedness and now stained appendage.

“Sorry, I was just waiting for you.” You sealed the inkpot, and gathered your materials. Effectively, but unknowingly, hiding your work from peering eyes that were the same deep red as your finger.

“I’m very flattered, darling. But couldn’t you wait until morning? I'm sure this couldn’t have been all too important, yes?” He gestures to your satchel, referring to your journal, but you misinterpreted it as him asking for your medical supplies.

“Oh, that depends. Are you hurt, by any chance? I stayed awake in case you might've needed help tending to yourself.” You opened the pouch to reveal its contents to him, your stained thumb in full view.

The sight makes him sigh out, but is thankful for your offered service.

“I’m alright, nothing of interest happened while I was away.” He considers telling you about the nature of his little…'escapade.' He's unaware if you are of his condition, and he doesn’t wish to out himself if not necessary to avoid possible conflict. So he settles for advising you to rest.

“We need you well rested, my dear. You sleep. I’ll keep watch.” The dialogue is familiar, and you can’t stop yourself from letting a small laugh out as you responded with an equally familiar line

“Thank you. I’ll sleep better for that.” You lower your head as you usually do in gratitude.

“The pleasure is all mine.” He mirrors your gesture, albeit in a way that is most appropriate for someone of his character. “Sweet dreams.”

You walked back to the chest. Returning the potions and ink you’ve plucked from the supply, but keeping the rest of the pouch’s materials with you as you turn in for the night. Awaiting the promise of further study that a new day typically makes.

As Astarion is left with his own thoughts, a sour taste still in his mouth from his earlier meal, he thinks about the man in the journal you kept. He did not see much, only a vague outline of the figure. He thinks about who, or what, it could have been but dismisses the thought rather quickly.

He has no time for a mysterious person with hair less perfect than his own, touching his untainted locks as he does.

————━─━────༺༻────━─━————

Thank you everyone for your interest in the series!! As per the request of some, I'll now be adding a taglist!

Thank you to @rey26, @shyminnie07, @lynnloveshobi, @iggee-rose, @automnepoet, and @tiannamortis for asking to be tagged!!

[literaryvein-reblogs]

Some Art Vocabulary

Abstract - Simplified, intended to capture an aspect or essence of an object or idea rather than to represent reality.

Amber - Tree resin that has become a fossil. It is semi-transparent and gem-like. Amber is used in jewelry today as it has been for thousands of years.

Amulet - Object, organic or inorganic, believed to provide protection and turn away bad luck. Amulets were often worn as jewelry in antiquity.

Anneal - To heat metal to make it soft and pliable.

Black-figure - Technique of vase painting developed in Greece in the 7th and 6th centuries BCE and adopted by the Etruscans. Figures are painted on a reddish clay vase in black silhouette and details are then cut away with a sharp point down to the red below. Sometimes artists added additional colors, especially purple-red and white.

Bronze Disease - Corrosion of a bronze object that cannot be permanently stabilized. Without special care, an object with bronze disease will continue to corrode.

Bust - Portrait of a person including the head and neck, and sometimes the shoulders and part of the chest.

Cameo Glass - Glass produced by layering two or more colors of glass. Generally, an upper layer of white stood out against a contrasting lower background, usually blue.

Cameo Stone - Hard stone, such as agate, naturally layered with bands of color. Artists took advantage of the layers to carve figures or decoration from an upper layer (or more than one), leaving a background layer of a different color.

Cast - To make in a mold from liquid metal. A cast object can be hollow or solid.

Chasing - Technique of adding definition and details to an image or design on metal from the front using blunt and sharp tools.

Conservator (of antiquities) - Professional responsible for preserving ancient objects and materials. Conservators usually have a general knowledge of chemistry and of ancient art-making practices and are often specialists in one material. Among many other responsibilities, they conduct technical and historical research and oversee preventive care such as climate control.

Contrapposto - (”opposite” in Italian) Pose of a standing figure with most of the weight on one leg and the other bent. This causes hips, shoulders, and head to shift in order to balance the body. One arm is often higher and one lower.

Emery - Hard, dense rock rich in corundum, found easily on the Cycladic Islands. A powerful abrasive for grinding and smoothing other stones.

Encaustic - Technique of painting using colored pigments mixed with wax. The waxy mixture was worked with a tiny spatula.

Gild - To apply a thin layer of gold foil or liquid gold (gilt) to create the look of solid gold.

Iconography - Study of and use in art of repeated images with symbolic meaning.

Incise - To press or cut into a surface (stone, metal, clay, wood) with a sharp tool to write text or create fine curving and linear details.

Inlay - To decorate an object by inserting a piece of another material into it so that it is even with the original surface.

Low Relief - Method of carving figures or designs into a surface so that they are raised slightly above a flat background.

Mosaic - Technique and type of artwork. The technique is to arrange cubes of stone, glass, and ceramic to form patterns and pictures in cement, usually on a floor. The artwork is the final story or decoration made of cubes.

Mummification - Process of preserving a body by drying it. The Egyptians removed internal organs and put natron, a natural mineral mixture, on and inside the body. This absorbed moisture and prevented decay.

Palmette - Stylized palm leaf used as decoration in ancient Greek and Roman art and architecture.

Pentelic - From Mount Pentelicus, near Athens. An adjective that mostly refers to the beautiful white Greek marble marble in its quarries.

Portrait - Image of a person, usually the head and face. Some portraits include part of the chest or show the whole body. The image may closely resemble a person or emphasize, idealize, or invent characteristics.

Repoussé - Technique of raising the outline of a design on metal by repeatedly heating and softening the metal and pushing the desired shapes into it from the back with a blunt tool.

Sarcophagus/Sarcophagi (pl) - Stone coffin, often decorated on the sides with mythological scenes carved in relief, sometimes with the image of the deceased person or couple on the lid. Used in Imperial Roman times from the early 100s into the 400s CE.

Stele/Stelai (pl) - Upright stone or wooden slab or pillar used to honor a person or mark a place. Often an inscribed grave marker or a boundary stone. (Also called stela/stelae.)

Syncretism - Blending of elements of different cultures, often resulting in new imagery or new interpretations.

Tessera/tesserae (pl) - Pieces of stone or other hard materials cut into squares or cubes to make mosaic art.

More: Word Lists ⚜ pt. 2

[meararochand]

There is an interesting similarity between Arwen's locket and the stone carving in the background. What did this locket mean to Arwen and Aragorn? In the film, they say this to each other: "You can't give me this!" "It is mine to give to whom I will, like my heart." Before all of this, Sauron stabs Galadriel above the heart. Is this all a coincidence? Not. This is a very strong parallel. And here's another one: After Arwen asks Aragorn if he remembers what he told her earlier. Aragorn replies: "You said you'd bind yourself to me." As others have said before me, Sauron bound Galadriel to himself with Morgoth's crown (and his own blood). And here comes the coiling serpent symbol that adorns Sauron's armor. Let's see what it means! In Egypt: Apep was an ancient Egyptian spirit of evil, darkness and destruction. It was a malevolent force that could never be definitively defeated. It was depicted as a coiled snake. India: Kundalini is a coiling snake, which is a symbol of the divine feminine energy. This female energy can lead to enlightenment if released in a tantric way. (One of the meanings of tantra is: chain. One of the characteristics of tantric yoga practitioners is the practice of tantric sex, in which the man comes to pleasure without consummation and they consume each other's body fluids, thus releasing each other's power). Christianity: The coiled snake is a symbol of Satan, the tempter. Black Snake: the color black symbolizes secrets, the invisible world, death and rebirth. The black snake often represents the depths and unseen forces. In some cultures, he appears as the angel of death.

In general terms, the snake is a powerful sexual, phallic symbol. It is also related to poison and poisoning.

In light of all this:

The dark love and marriage between Sauron (the dark angel, tempter, satan) and Galadriel (the being with the most feminine energy) was established. Sauron forcibly possessed Galadriel, who had already given her heart to him, Halbrand. Thus they united in the invisible world and became each other's, forever. And since Sauron is in fact indestructible, Galadriel will forever feel him within herself. Haladriel died and was reincarnated as Saurondriel.

[gingerteawrites]

Knowledge - Where Zhongli realizes you're all he ever wants to know

A/N: Did I finally manage to write about someone other than Nanami?? *gasps*. Enjoy this short piece about my OG Genshin husband, and be sure to let me know how you liked it! I wrote this on the fly, so it is not edited.

Content: Fluff

divider by @enchanthings

Zhongli is a man of great knowledge. His eons of existence have allowed him to observe and learn a great array of topics. Rarely anything shakes him; he embodies the assurance of Geo.

When he surrendered his position as Archon over Liyue, he lived a somewhat similar life in that manner. Being a repository for knowledge and a vessel through which his beloved nation would thrive.

Zhongli knew a lot of things. He understood the work behind the delicate carvings on precious stones, the workings of Liyue's complicated economic system and even the caprices of human nature.

Zhongli knew how people acted. What motivated them and the array of emotions they demonstrated; anger, jealousy, joy.

But he could swear that none of this knowledge was of any use when you first flashed your smile at him. His mind, refined by the mastery of language could neither formulate a single coherent thought, nor analyze your behavior with the ease he was used to. You wrecked his world in the most wonderful of ways, and showed him the difference between merely knowing and feeling.

Zhongli now ponders that perhaps there is more to learn. The curve of your lips when you smile, the echo of your laughter when he drones on about topics others often find boring, the warmth of your touch when you rest your head against his shoulder. All of you.

"What are you thinking about, Zhongli?", you ask with an amused lilt in your voice, noting your partner's spaced out look. You reach out a hand to brush away the strands of hair that covered his eyes, tousled by the salty breeze.

His heartbeat picks up, and he rests a hand on your cheek, admiring the the golden hues of the setting sun on your skin.

"Quite frankly," he rubbed his thumb against your cheek "How much I still have to learn."

"You? Needing to learn more?" you chuckled incredulous, the sound carried in the air over the water of the harbor. He found himself chuckling in return.

Zhongli's amber eyes locked with yours, and he brought your face closer to his until his breath gently fanned your face.

"Oh darling, so much more than you can imagine." He sealed his words with a kiss, lips pressed softly against yours.

In moments like these, it felt like all the knowledge he had accumulated was somehow irrelevant. It faded into the background, leaving only you. The former archon wanted you, so much more than you could imagine.

[novelmonger]

I wasn't expecting it to take this long, but after a million distractions, I'm back to going through the LotR audio commentaries and taking note of any interesting tidbits I haven't heard before.

Please enjoy my notes on the RotK design team commentary with Richard Taylor, Tania Rodger, Grant Major, Alan Lee, John Howe, Dan Hennah, and Chris Hennah:

They had to make Deagol's ears out of waterproof gelatin rather than latex because he was going to fall in the water, and the normal latex ears would have come off. I guess they must have done the same any other time a Hobbit got submerged, but they didn't say that.

The fish that Gollum eats at the beginning is made from some kind of edible gelatin so he could actually bite into it. They also had another prop fish that wasn't edible that they gave Andy Serkis to keep at the end XD

The little stone hollow thing where Frodo and Sam are sleeping for their first scene in the movie was a set they built with a removable back wall so they could get a camera in to shoot it from the back as well as the front. Why did I never think of that before?

There were a couple of extra shots they needed of Orthanc in the background to finish up the movie, but they hadn't managed to get the footage from the miniatures (and I guess the miniatures were gone by that point? idk). So they took one of the model collectibles Weta had made and took some photos of it out in the parking lot XD

Whoooooaaaa! Okay, so Alan Lee talks about how, in legends, they say that you have to kill a wizard three times for him to stay dead. And Saruman dies "three times" - first he's stabbed, then he's impaled, then he's drowned. So Saruman is dead dead. Dare I say it? This is...I think this is a better death than the one in the book ._.

They even put carvings on the crossbeams underneath the seats of the chairs in Edoras! You are never ever going to see them, but that was their dedication to making everything feel authentic. That's what sets this apart from so many fantasy movies and shows made these days.

Red in the costumes is meant to suggest royalty. That's why Aragorn, Boromir, Theoden, and Theodred all have red in their costumes - as well as Bilbo and Frodo! You're meant to look at someone wearing red and unconsciously think, "there's something regal about them."

John Howe points out that you probably wouldn't ever reforge a sword like they do with Narsil, at least not in the sense of putting the pieces back together, because it wouldn't be as strong as it was originally. (You could melt it down and start over again, of course.) But, he reminds us, these are the Elves, and it's more of a symbolic thing anyway.

The great hall in Minas Tirith was inspired by Charlemagne's chapel (and Byzantine architecture was one of the main influences on the design of Gondor in general).

The statue of the king in Ithilien was made out of polystyrene, which you would think would be pretty light, but it was so huge it was actually very heavy. They had to transport it to the location in three pieces: the base, the body, and the head. And to lift one on top of each other, they had to rig a sort of pulley system over the limb of a tree, using a four-wheel drive truck to pull it. But they discovered that the first truck wasn't getting enough traction, so they hooked a second truck up to it, and ended up pulling the first truck up into the air along with the statue!

They created fourteen new weapons just to put in the background of the armory in the scene where the Witch-King is getting ready for battle @_@

John Howe said that his inspiration for Minas Morgul was...getting his wisdom teeth pulled??? He describes a metal clamp digging into the perfectly healthy enamel of his tooth to pull it out, and draws a parallel to the metal pieces the orcs fitted to the top of the pristine white parapets, staining and violating them. Um...thanks, I could've done without that visual, John.

I can't believe I never thought about this before, but there's a little wooden roof over the pile of wood for the beacon that Pippin lights. The reasoning behind that is you need some kind of cover to keep the wood more or less dry for when it needs to be lit in an emergency. The beacon will burn away the wooden roof, but it can be replaced easily enough, and it's worth it to be able to quickly light the beacon.

A lot of the saddles they used were ordered from the Indian military, because they had a good, old-fashioned sort of look to them. Then they would add onto the saddles with things that would make them look distinctly Rohirric, rather than Indian.

Alan Lee's daughter worked on some of the figures in the doors of Minas Tirith!

John Howe goes off on this whole tangent about how there's no religion or religious structures in Middle-Earth, and why that might be, but the whole time I was just sitting there going, "...have you never read The Silmarillion????"

Because they had to make over a hundred suits of Gondorian armor, other than the hero suits, they couldn't make each one exactly the right size for the man who would wear it, so the casting department had to only get actors within a certain range of size. They also built the suits of armor with sliding pieces, so they could be somewhat fitted to different sizes.

The horses started out as being part of the art department's responsibility, but as time went on, there were just so many horses they had to keep track of (and the various liveries they would have to be fitted out with) that they had to make a separate horse department to oversee it all.

Because so much of the movie was filmed on-location, in some very remote locations, they had to make a sort of caravan of mobile repair stations that they could take with them. They had all the tools and crew necessary on hand wherever they went so they could repair broken props or ripped costumes, reapply makeup for gore and injuries, take nicks out of the edge of weapons.... It was really like moving an army around!

For the dream where the Evenstar breaks, they made a version of it that was five times bigger than normal, out of a very brittle resin. Then they made an oversized section of the floor and dropped it from a great height so it would completely shatter in a dramatic way like that.

Anduril was John Howe's design. He based it on a sword belonging to a friend of his in Germany, which to him is the ideal sword, the most beautiful sword. He also talked a bit about how Men were taller and bigger in the First and Second Ages, so their swords would have been longer.

John Howe: "Why do people criticize Tolkien for not developing his characters sufficiently? I cannot fathom that kind of criticism. I think it's done by people who don't read between the lines."

Richard Taylor said they had a lot of fun gathering up all the skulls after each take in the Paths of the Dead to put back up at the top so they could be poured down again. Apparently Viggo liked to gather them up and try to throw them at the crew members! "Many hours of skullduggery was to be had," as Richard put it XD

Apparently, they'd made dozens of really finely detailed silicone heads to be lobbed over the wall of Minas Tirith, but then all but one of them were stolen! So they had to quickly put together some crude latex ones to use in the shoot instead (one of which the mayor of Wellington threw). They didn't talk about this, but I'm assuming the one good head that was left is the one that gets a close-up. You have to wonder who out there was sitting around with a bunch of highly realistic latex severed heads in his basement or something....

While most of the siege towers are miniatures or CG, they built the top third of one and put it on tracks so they could move it up against the wall. They built the set with breakable ramparts for when the little drawbridge thing crashes down.

They had the same trouble in Minas Tirith that they did in Helm's Deep, with the battering ram being too heavy for the stunties to lift. But they never actually explained how they got around that problem, if it was the same solution or not :/ All they said was that they had replaceable panels in the doors, in case they were damaged by the battering ram.

In order to make Shelob's webs, they had to heat up two polymers and mix them together to make the stringy, sticky material. In order to mix them, they had to be heated up to 220 degrees C, but if they got up to 228 degrees, they would burst into flame @_@ After they were heated and mixed, they would dribble the mixture on top of a vat of water, where it would cool in spiderweb-like shapes. Then they would lift it out on a frame, and they could carefully place it on the set. One time, the polymers did burst into flame, and they were running out of fire extinguishers to put it out! O.O Eventually, they did call the fire department, who said they'd done everything the fire department would have done. They got the fire put out, but it was a nerve-wracking moment, because the room where they were making the webs was connected to the studio, so it could have been disastrous D:

Bernard Shaw apparently got the idea to do that whole bit where he knocks his sword against the row of spears when he saw the collection of spears all lined up in a row in the art department.

The "oil" that Denethor pours over himself and Faramir is a mixture of glycerin and water. (I always wonder about these things, so I'm really glad they mentioned it.)

When they were filming the pyre scene, they had a silicone dummy for Faramir on the burning pyre. Apparently somebody on the crew brought "David Wenham" a cup of coffee over because they thought he'd fallen asleep on the side of the set, only to discover that it was a dummy! XD

The horse rig they made for close-up work of people on horseback got affectionately nicknamed "the Phony Pony." The first day they brought it on set, Peter Jackson got up on it and "rode" the horse, making the whole crew laugh XD

One of the ideas that Peter Jackson came up with for the mumakil in a brainstorming session (which Richard Taylor says he's still not sure if PJ was serious about or not) was that they could suck up several riders in its trunk and then fire them out like bullets. I'm...really glad they didn't go with that, whether PJ was serious or not <_<

Alan Lee says that the first time he saw the dead mumakil that Weta made for the set, the body was hollow, and some of the crew had set up a TV inside it and were watching a rugby game XD

The last miniature they built for LotR was the Minas Tirith docks where the Corsair ships come in. It kept getting put off until almost the end of the shoot, so they only had five days to put it together! @_@

All of the dead horses are fake, of course, so Weta had to make them all. They were made of lightweight material, so each day you'd see the set dressers just kind of casually carrying in a whole dead horse and then picking one up from the battlefield afterwards like it's no big deal. They had to do a lot of repairs to the dead horses, because the legs and ears kept falling off or getting bent the wrong way XD

The stone Watchers in Cirith Ungol have Maori influence in their design. I wish they'd talked about that in more detail, but it was just mentioned in passing.

They were concerned about the various copies of the One Ring being stolen, so they kept it in a lunchbox that was labeled "Screws."

The scene where Frodo and Sam join the orc convoy was filmed on location up on a mountain, so they had to deal with a whole bunch of extras in extensive prosthetics and armor, which would make them sweat while they were moving around, but then when the camera wasn't rolling, it would be a challenge to keep them warm. The way they did most of the orcs was that they wore a rubber mask and then a helmet, and they would need to take them off at regular intervals so the actors could get some air. So in between takes, after the director called, "Cut!" there would also be a cry of, "Heads off!" That meant the dressers would have to rush into the crowd and quickly take off the extras' helmets and masks XD

Because the crew was committed to not damaging any of the flora and fauna in the places where they were filming, even in the location that became the plains of Mordor that Frodo and Sam struggle across, there were little flowers and moss that they wanted to protect (and it was a national park). So they would lay down carpets on the ground for people to walk on, so they wouldn't damage the plant life. I'm sure that made for a strange sight, Frodo and Sam struggling in tattered clothing over rocks and boulders, surrounded by perfectly ordinary rugs XD

To do the decapitation of the Mouth of Sauron, they had a headless dummy sitting there, and Viggo would swipe his sword where the head should be. Then Weta Digital put in the head afterwards.

The lava in Mount Doom was mostly a miniature (except for the set where Sean and Elijah did their part), made from methyl cellulose and other things to make it look like lava. They set it up on a table that they would tilt so it would flow down around the model boulders made from urethane.

Richard Taylor said that, at that time, no one had really done a very good CG bird, so he was especially pleased at how the eagles turned out.

There were about 400 people working in the art department total, and most of them had never worked in the film industry before! @_@

Ngila Dickson's philosophy for the Elves was that none of their "crowns" or headpieces would go upwards, but would fit close around their heads and then go down. That's one of those things I've subconsciously noticed all these years, but never really thought about before.

Apparently, a little bit of the graphite used on Aragorn's armor in the coronation scene kind of puffed out when he and Arwen go in for their kiss, and got on Arwen's dress D: And some well-meaning person tried to rub it off, but only succeeded in spreading it around further, thus ruining the dress. And most of the female characters only had one copy of each costume, because all except for Eowyn don't see battle and thus don't need different versions with varying amounts of wear and tear. They're just made to wear in one or two scenes of them looking pretty and walking through a room. But alas, that lovely green dress was ruined.

They didn't have much time with Sir Ian Holm, so they only had a week to get a mold of his face and make the old-age prosthetics for the Grey Havens. But then word came down that he didn't want to have prosthetics, so they were to just make him look old with makeup. They were really disappointed, but then on the day, Ian Holm saw the prosthetics sitting off in the corner and asked what it was. When they explained, he said it wasn't true, and insisted on them putting the prosthetics on instead.

One thing that was really impressed upon me during this whole commentary (over all three movies) was just how much love and joy all of the crew had for the project. Sometimes you watch a movie or read a book that really means a lot to you, that's changed your life, and you wonder if the people who made it fully grasp what a beautiful thing they've created. These people know. They were fully aware, from start to finish, that they were making something truly great and worthy of praise. And I think that's beautiful.

[hd-junglebook]

Little Dove

Quinn Hughes x Reader

a:n Here is part 2, the only thing I could think of while writing this was 'The Gold' by Phoebe Bridgers. I think it really speaks for how y/n sees the situation and her life at the moment.

Masterlist Link

Summary: He's everything she wants. He's everything she wished she had. All she wanted was him. The hot and cold game has finally reached its limit.

Word Count - 5046

The sleek, black limo glided up the long, winding driveway, its polished exterior gleaming under the warm sunlight. As it approached the magnificent mansion, Y/N couldn't help but marvel at the opulent surroundings.

The meticulously manicured lawn stretched out before her, a lush carpet of vibrant green grass that looked almost too perfect to be real.

In the center of the sprawling grounds, a grand fountain stood tall, its crystal-clear water cascading down the intricately carved stone tiers, creating a soothing symphony of gentle splashes.

As the limo came to a stop near the impressive front steps, a group of well-dressed helpers emerged from the mansion's large, ornate doors. They stood at attention, their crisp uniforms and shoes polished.

Just then, the front doors swung open, and Y/N's grandmother stepped out, a vision of elegance and grace. She was dressed in an all-white ensemble, the flowing fabric of her dress billowing gently in the breeze.

Her delicate hands were adorned with pristine white gloves, and a strand of exquisite pearls rested against her neck, catching the light and adding to her air of sophistication.

The driver swiftly exited the limo and rushed to Y/N's side, opening the door with a practiced flourish. He offered his hand, assisting Y/N and her mother out of the vehicle with the utmost care and reverence.

As they walked closer to the steps, Y/N's grandmother's face lit up with a warm, genuine smile. "Oh, darling, how I've longed to see you," she exclaimed, her voice filled with affection. "Come here, little dove."

Y/N couldn't help but feel a surge of emotion as she stepped into her grandmother's embrace. The older woman's arms wrapped around her, enveloping her in a comforting warmth that seemed to chase away all the stress and disappointment she had been carrying. It had been so long since anyone in her family had shown her such pure, unconditional love and acceptance.

Y/N breathed in the sweet, familiar scent of her grandmother's perfume, a delicate blend of chamomile and sugar.

The softness of her grandmother's gloves against her skin was a soothing contrast to the cold, impersonal interactions she was used to with her parents.

Around them, the grandeur of the mansion seemed to fade into the background, the lavish furnishings and priceless works of art becoming mere footnotes in the presence of Y/N and her grandmother.

Once they separated Y/N's grandmother cupped her face with her gloved hands, her eyes shining with pride and adoration. "Let me look at you, my dear," she said softly, taking in every detail of Y/N's appearance. "You've grown into such a beautiful young woman."

…

The posse entered the sun room, Y/N was struck by the sheer elegance of the space. The room was flooded with natural light, the sun's rays filtering through the large, floor-to-ceiling windows that offered a breathtaking view of the meticulously landscaped gardens beyond.

In the center of the room, a grand table was set with the finest china and silverware, each place setting arranged with precision and care. The aroma of freshly prepared delicacies filled the air, making Y/N's mouth water in anticipation.

As they took their seats, the conversation flowed easily, punctuated by laughter and the clinking of glasses. However, after a while, Cherise turned to Y/N with a knowing smile and asked her to accompany her for a walk in the garden.

Arm in arm, the two women strolled through the lush, meticulously maintained grounds. The garden was a true work of art, with winding paths that led through a maze of fragrant rose bushes, towering topiaries, and bubbling fountains.

Cherise broached the subject that had been weighing on her mind. "Tell me, dear, when will you settle down?" she asked, her voice laced with concern. "It hurts me to see you alone."

Y/N shook her head, a smile playing on her lips. "I'm not alone, grandmother," she replied, her voice soft but filled with contentment. "I am with someone. Nothing serious, but things are going smoothly now. He makes me happy."

The steady click of their heels against the pavement punctuated their words. Cherise listened intently, her eyes sparkling with mischief.

"Then give me a grandbaby already, if you're so happy," she teased, her laughter ringing out like a bell in the garden. Y/N couldn't help but join in, their laughter mingling with the chirping of the birds and the gentle rustle of leaves in the breeze.

Y/N smiled softly as her grandmother continued, her words filled with wisdom and understanding. "I'm only joking, little dove. I would like to meet him, maybe when things get 'serious,' I guess. I want you to feel love like I have with your grandfather. You deserve that, not some beneficial marriage like your mother and father. I don't know where I went wrong with her."

Y/N nodded along, finding no reason to disagree with her grandmother's sentiment. She knew that her parents' relationship was one of convenience and status, lacking the warmth and genuine connection she craved. "I think you'd like him," she said, a hint of hope in her voice.

As they neared the house, Dedra rushed down the stairs, her face tight with impatience. "Let's go, we have to get back to work," she demanded, her tone leaving no room for argument.

…

Y/N stepped into her bedroom, exhaustion weighing heavily on her shoulders. She slipped out of her clothes and into a comfortable robe, the soft fabric caressing her skin. Settling down at her vanity, she began removing her makeup, the process of wiping away the day's mask a soothing ritual.

As she reached for her phone, she noticed a message from Quinn. Her heart skipped a beat as she opened the conversation, eager to connect with him after the emotionally draining day.

Y/N: I wish you were here with me. Today was intense.

Quinn: I'm sorry. Do you want to talk about it?

Y/N: It's just family stuff. They have all these expectations, and I feel like I'm constantly disappointing them.

They texted back and forth, Y/N continued getting ready, applying her makeup with practiced precision. Once she finished her base, she stood up and slipped into the red dress she had chosen for their date. The fabric hugged her curves perfectly, accentuating her figure in all the right places.

She admired her reflection in the mirror, a small smile playing on her lips as she imagined Quinn's reaction. Just then, her phone buzzed with another message.

Quinn: I'm outside.

Y/N felt a flutter of excitement mixed with nerves as she grabbed her purse and made her way to the front door. She stepped outside, the cool evening air kissing her skin as she walked towards Quinn's car.

He had his windows rolled down, a smile on his face as he watched her approach. His eyes roamed over her body appreciatively, taking in the sight of her in the stunning red dress.

"Looking good," he said, his voice smooth and filled with admiration.

Y/N felt a blush creep onto her cheeks, a mixture of pleasure and uncertainty swirling within her. “Thanks hottie.” she said as she slid into the passenger seat. She knew that her feelings for Quinn were growing stronger each day, but the fear of him not wanting her scared beyond comprehension.

Quinn pulled out of Y/N's driveway, he glanced over at her, his gaze lingering for a few seconds. The curiosity in his eyes was evident. "So where is this restaurant you were telling me about or is it some kind of surprise?" she asked, leaning over the middle console.

He smiled mysteriously, enjoying the playful anticipation that hung in the air between them. "You'll just have to wait and see," he teased. Quinn chuckled at her betrayed expression, shaking his head in amusement as he focused on the road ahead.

conversation flowed easily between them, filled with laughter and the occasional playful jab. Even though they talked about nothing of great importance, Y/N found herself thoroughly enjoying the simple pleasure of Quinn's company.

city lights flashed by the windows, painting the interior of the car with a kaleidoscope of colors. Y/N leaned back in her seat, feeling a sense of contentment wash over her.

As they continued driving, y/n’s curiosity got the better of her once more. "Come on, Y/N, give me a hint," she pleaded, eyes sparkling with amusement. "I'm dying to know where you're taking me."

Quinn laughed, the sound filled with genuine joy. "Patience, dear," he chided gently, reaching over to give her hand a reassuring squeeze. "I promise it'll be worth the wait."

…

Y/N felt a shiver run down her spine as Quinn's strong hands grasped her waist, his touch both thrilling and comforting. She looked up at him, her eyes meeting his, and saw a glimmer of affection and excitement reflected back at her.

"Lead the way," she said softly, a smile playing on her lips as she allowed him to guide her towards the restaurant.

As they approached the entrance, Y/N couldn't help but marvel at the grandeur of the establishment. The facade was a masterpiece of modern architecture. The name of the restaurant was emblazoned above the doors in elegant, golden script.

Quinn's arm remained securely around her waist as they stepped through the doors. The interior of the restaurant was just as breathtaking as the exterior, with plush carpets, glittering chandeliers, and rich, velvet draperies.

The hostess led them to their table, she glanced at Quinn, taking in the way his suit hugged his athletic frame and the confident, easy smile that played on his lips. When they were seated, Quinn reached across the table and took her hand in his, his fingers intertwining with hers. She squeezed his hand in return.

They perused the menu, discussing the various options and sharing bites of each other's dishes. Quinn enthusiastically shared his plans for preparing his hockey team for the upcoming season. He spoke about new training regimens, team-building exercises, and strategies he hoped to implement.

Y/N listened intently, her eyes focused on Quinn as he passionately described his goals and aspirations.

However, at one point, Quinn glanced over at Y/N, a flicker of doubt crossing his features. He wondered if she was truly interested in the intricacies of his hockey career or if he was boring her with the details. Y/N, sensing his uncertainty, quickly broke into a smile and laughed, hoping to ease his worries.

"Everything about you interests me, Quinn," she said earnestly, reaching across the table to take his hand in hers. "I could never get bored of you. Being around you makes me happy, ya know?"

The sincerity in her voice was evident, but Quinn's reaction was not what Y/N had expected. He shifted uncomfortably in his seat, his hand stiffening under her touch. An awkward silence fell between them, the air thick with tension.

Quinn cleared his throat, his eyes darting around the restaurant as if searching for an escape. "Y/N," he began, his voice strained, "I... I think we need to talk."

Y/N felt her heart sink, a knot forming in the pit of her stomach. She withdrew her hand from his, folding her arms across her chest as if to protect herself from the words she knew were coming.

"I care about you, Y/N. I really do," Quinn continued, his gaze finally settling on her face. "But I need you to understand that I'm not looking for anything too serious right now. I thought we were on the same page about that."

Y/N nodded slowly, trying to swallow the lump that had formed in her throat. She knew Quinn had been clear about his intentions from the start, but somewhere along the way, she had allowed herself to hope for more.

"I know," she said softly, her voice barely above a whisper. "I'm sorry if I made you uncomfortable. I didn't mean to pressure you."

Quinn sighed, running a hand through his hair. "It's not your fault, Y/N. I should have been more clear. I just... I don't want to hurt you."

The words hung heavy in the air between them, a reminder of the fragility of their connection. Y/N forced a smile, trying to lighten the mood.

"It's okay, Quinn. We can take things slow. I'm just happy to be here with you." Quinn returned her smile, but it didn't quite reach his eyes. The rest of the evening was spent in polite conversation, but the earlier ease and warmth between them had dissipated.

…

The pulsing rhythms of the music filled the crowded nightclub, the bass thumping through the floor and vibrating in Y/N's chest as she carefully navigated her way back to the booth where her friends were waiting. In her hands, she balanced a tray laden with six colorful cocktails, each one adorned with a tiny umbrella and a slice of fruit.

Y/N couldn't help but smile at the sight of her five best friends, all dressed to the nines and ready for a night of fun and laughter. She shimmied into the booth, sliding in next to Raven, her closest confidante.

"Ladies, I present to you six drinks for six beautiful women," Y/N announced, her voice rising above the din of the club. She passed out the cocktails, each one met with a chorus of excited cheers and appreciative nods.

The women wasted no time in downing their drinks, the sweet, fruity flavors masking the potent alcohol within. As they finished, they let out exaggerated gasps and howls of delight, the alcohol already beginning to work its magic and loosen their inhibitions.

Raven leaned in close to Y/N, her eyes sparkling with mischief. "So, see anyone you like?" she drawled out, her voice low and conspiratorial.

Y/N surveyed the dance floor, her gaze roving over the writhing bodies and the flashing lights. She had to admit, there were plenty of attractive men in the club tonight, their bodies moving in perfect sync with the pulsing beat.

"A few," she admitted, a sly smile playing on her lips. "But no one interesting enough to take home, that's for sure."

Raven giggled at Y/N's response, her laughter infectious and carefree. She scanned the room herself, her eyes suddenly widening as she spotted someone across the way.

"Well, I see one eyeing you up over there," she said, pointing discreetly in the direction of the bar.

Y/N followed Raven's finger, her gaze landing on a devastatingly handsome man with curly black hair and a chiseled jawline. He was leaning against the bar, his back pressed against the polished wood, and his eyes were locked on Y/N, a smoldering intensity in his gaze.

Y/N felt a flush of heat rush through her body as she met his stare, her heart skipping a beat in her chest. She raised her hand in a small wave, a coy smile playing on her lips.

But even as she flirted with the stranger across the room, Y/N couldn't shake the nagging feeling of guilt that tugged at the back of her mind. She thought of Quinn and the uncertain status of their relationship.

"I don't know, Raven," she said, her voice tinged with hesitation. "I haven't ended things with Quinn yet. It would feel wrong to pursue someone else."

A collective groan sounded from the table, as her friends all chimed in with their opinions.

"Girl, you're single. Do what you want," one said, her voice firm and encouraging.

"Quinn's not here tonight. What he doesn't know won't hurt him," another added, her tone mischievous and daring.

Y/N bit her lip, torn between her desire to let loose and have fun and her loyalty to the man she cared for.

She knew things with Quinn were complicated, that he had been distant and evasive in recent days. But still, the thought of betraying his trust, even in a moment of drunken weakness, made her stomach churn.

As she sat there, surrounded by the pulsing energy of the club and the encouraging words of her friends, Y/N knew she had a decision to make. She could play it safe, go home alone and wait for Quinn to come around. Or she could take a chance, let herself get swept up in the moment and see where the night might lead her.

With a deep breath and a final glance at the handsome stranger across the room, Y/N made her choice.

…

The heat of the crowded dance floor was almost unbearable as Y/N swayed to the pulsing beat, her body moving in perfect sync with the mysterious man from the bar. His hands were on her hips, his touch searing through the thin fabric of her dress and setting her skin ablaze.

The dance floor was a sea of moving bodies, gyrating and swaying to the music as the multicolored lights flashed and swirled overhead, casting a kaleidoscope of hues across the sweat-slicked skin of the dancers.

Y/N felt the heat rising from the packed bodies around her, the air thick with the scent of perfume, alcohol, and pheromones. She moved in perfect rhythm with the mysterious man from the bar, their bodies impossibly close as they lost themselves in the primal, sensual flow of the music.

His hands roamed over her curves, his touch both electrifying and possessive as he pulled her flush against his muscular frame. Y/N could feel the hard planes of his chest pressing against her back, his hips grinding against hers in a way that sent shivers of desire racing down her spine.

Clinking glasses and raucous laughter from the nearby bar mixed with the pounding bass, creating a heady cocktail of sensory overload.

Y/N felt dizzy with the rush of it all, her head spinning from the alcohol and the intoxicating presence of the man behind her. As the song reached its crescendo, he leaned in close, his hot breath tickling the sensitive skin of her neck as he mumbled something in her ear, his words almost lost in the pounding music.

Y/N turned in his hold, pressing her back against his chest and feigning ignorance. "Sorry, the music is really loud. I can't hear you," she shouted over the din, a coy smile playing on her lips.

She felt his chest rumble with laughter, the vibrations sending shivers down her spine. He tightened his grip on her arm, pulling her closer until there was no space left between them.

"I said, come home with me," he repeated, his voice low and husky, filled with unmistakable desire. Y/N's heart raced at his bold suggestion. She knew she should say no, that leaving with a stranger was a dangerous game. But the alcohol in her system and the electric chemistry between them made it hard to think straight.

She turned to face him, a playful shrug on her shoulders. "I can't leave my friends alone tonight," she said, her voice apologetic. "But how about I give you my number instead?"

The man's face hardened, a flash of annoyance crossing his features. He scoffed, as if offended by her suggestion, and shook his head in disbelief.

"Fine," he said, his tone clipped as he extended his phone towards her. "Put it in."

Y/N took the device, her fingers trembling slightly as she typed in a fake number, purposely transposing the digits. She couldn't risk giving him her real contact information, not when she was still unsure of her feelings for Quinn.

She handed the phone back and fixed him with a stern look. "Now, shut up and dance," she said, her voice firm and unyielding. The man's eyes narrowed, a flicker of anger burning in their depths. He grabbed her wrist, his grip tight and possessive.

"You think you can just tease me like that and walk away?" he growled, his face inches from hers. "I don't take kindly to being led on." Y/N's heart hammered in her chest, fear and adrenaline coursing through her veins. She tried to pull away, but his hold was too strong.

"Let go of me," she said, her voice shaking with a mix of anger and fear. "I don't owe you anything."

Around them, the other dancers continued to move, oblivious to the drama unfolding in their midst. Y/N's friends were nowhere to be seen, lost in the sea of writhing bodies and flashing lights.

The man's grip tightened, his fingers digging into her skin. "No one rejects me!”

With a sudden burst of strength, Y/N wrenched her arm free, stumbling backwards and nearly losing her balance. She turned on her heel, pushing through the crowd as she desperately searched for her friends.

Her heart was racing, her breath coming in short, panicked gasps.

…

Y/N stumbled out of the nightclub, her heart pounding and her head spinning from the encounter. The cool night air hit her skin, providing a momentary relief from the stifling heat of the dance floor.

She leaned against the rough brick wall, her hands shaking as she fumbled with her phone, scrolling through her contacts until she found Quinn's name.

She hesitated for a moment, her thumb hovering over the call button. Things between her and Quinn had been strained lately, and she wasn't sure if he would even answer. But as a wave of nausea washed over her, the severity of the situation hit her, and she knew she needed help.

Y/N pressed the button, holding the phone to her ear as she tried to steady her breathing. The line rang once, twice, and then a third time before Quinn's voice finally filled her ear.

"Hello?" he answered, the sound of music and laughter echoing in the background.

"Quinn," Y/N said, her voice trembling. "I... I need you."

There was a pause on the other end of the line, and for a moment, Y/N feared he would hang up on her. But then Quinn's voice returned, this time laced with concern.

"Y/N? What's wrong? Where are you?"

She took a shuddering breath, tears pricking at the corners of her eyes. "I'm at Taipei," she said, her words coming out in a rush. "I... I was dancing with this guy, and he... he tried to... I don't know, I just... I need you to come get me. Please."

There was another pause, and Y/N could hear the sound of Quinn moving, the background noise fading as he stepped away from wherever he was. "I'm on my way," he said, his voice firm and reassuring. "Stay where you are, okay? I'll be there as soon as I can."

Y/N nodded, even though she knew he couldn't see her. "Okay," she whispered, her voice barely audible over the sound of her own heartbeat.

As the call ended, Y/N slid down the wall, hugging her knees to her chest as the tears finally spilled over. She felt sick to her stomach.

…

"Y/N!"

She looked up, her vision blurry with tears, to see Quinn running towards her, his face etched with worry. He dropped to his knees beside her, his arms instinctively wrapping around her trembling frame.

"I'm here," he murmured, his voice soft and soothing.

Y/N clung to him, burying her face in his chest as the emotions she had been holding back finally broke free. She sobbed openly, her body shaking with the force of her tears as Quinn held her close, his hands rubbing gentle circles on her back.

Y/N's voice trembled as she spoke, her words laced with a mixture of sadness and desperation. "What have you been doing? It's been days, Quinn. Days without a single word from you."

Quinn froze, caught off guard by her sudden questioning. He stumbled over his words, trying to find the right response. "I... I've been busy, Y/N. You know how it is."

She shook her head, tears streaming down her face. "No, I don't know how it is. You don't want to talk to me? Is that what this is?" Her voice cracked, the pain in her heart spilling out into her words. "I don't want to do this with you anymore if you don't want to be with me eventually, Quinn. I can't keep going on like this."

Quinn reached out to her, his eyes pleading. "Y/N, please. Let's not do this now. We'll talk in the morning, okay? When we've both had a chance to clear our mind, and we’re home in bed."

But Y/N couldn't hold back the flood of emotions any longer. She looked at him, her eyes searching his face for any sign of the affection she so desperately craved. "Do you feel anything for me, Quinn? Even just a little?"

He sighed, running a hand through his hair in frustration. "Of course I do Y/N..."

"Please," she begged, her voice barely above a whisper. "Just be honest with me then. Am I not good enough? Is that why you've been pulling away?"

Quinn's heart ached at the sight of her pain, but he couldn't find the words to comfort her. He knew that his own doubts and fears had been holding him back, preventing him from fully committing to their relationship.

"It's not that, Y/N. It's just... complicated."

She let out a bitter laugh, the sound cutting through the cool night air. "Complicated. Right. That's what it always is with you, isn't it?"

Y/N wrapped her arms around herself, suddenly feeling incredibly small and vulnerable. She looked up at the sky, the stars blurring together through her tears. "I can't keep doing this, Quinn. I can't keep going on dates and sleeping with you, only to be pushed away. It hurts too much."

Quinn's voice wavered as he spoke, his words laced with a deep, aching sadness. "Y/N, please just let me explain at a better time."

But Y/N couldn't hold back the flood of emotions that threatened to consume her. She looked at him, her eyes shimmering with tears that refused to fall.

"If I could go back to the night we met, I would never have agreed to this," she whispered, her voice barely audible over the pounding of her own heart. "You make me feel so loved and like you care about me, then you ignore me when I say anything that sounds like I care about you."

The night seemed to grow colder around them, the stars fading into the inky blackness of the sky.

Quinn took a step towards her, his hand outstretched. "I don't mean to hurt you. At all," he said, his voice cracking with emotion.

"What I want is complicated, Y/N. You're so good to me. If I allowed myself to ruin it, I would never forgive myself." Quinn felt his own heart constrict, the depth of her pain hitting him like a physical blow.

Y/N shook her head, a single tear finally escaping and rolling down her cheek. "But don't you see? You're already ruining it. By pushing me away, by refusing to let yourself feel what I know is there."

He wanted so badly to take her in his arms, to promise her that everything would be okay. But he knew that he couldn't make that promise, not when he was still so unsure of his own heart.

Y/N's shoulders shook with silent sobs, her arms wrapped tightly around herself as if to hold the pieces of her shattered heart together. "I don't need you to be perfect, Quinn. I just need you to be honest with me. To stop running away from what we both know is true."

She turned to walk away, Quinn reached out and grabbed her hand. With a gentle tug, he pulled her into his chest, his arms instinctively wrapping around her trembling frame. Y/N's breath caught in her throat as Quinn's lips brushed against her forehead.

Quinn inhaled deeply, breathing in the familiar scent of her hair, the warmth of her body against his own. Before Y/N had a chance to protest, to pull away from his embrace, Quinn gently guided her towards his car.

He opened the passenger side door, his hand resting on the small of her back as he helped her inside. With a tender touch, he reached over and clipped her seatbelt, his fingers lingering on the soft skin of her neck for just a moment longer than necessary.

As Quinn slid into the driver's seat, he could feel the weight of Y/N's gaze on him but he couldn't find the words to reassure her, couldn't find the courage to voice the depths of his own feelings.

Instead, he put the car in drive, the engine humming to life as they pulled away from the curb. Y/N turned her head towards the window, her eyes fixed on the expanse of the city that stretched out before them. Tears slipped silently down her cheeks, the glittering lights of the skyline blurring together through her watery vision.

The drive was silent, the only sound the steady thrum of the engine and the distant wail of sirens in the night. Quinn's hands gripped the steering wheel, his knuckles white with tension as he navigated the familiar streets that led to Y/N's home.

The sight of her own front door, the promise of solitude and comfort, was a balm to her aching heart. Quinn cut the engine, the sudden silence deafening in the confines of the car.

He moved quickly, exiting the driver's side and rounding the front of the car to open Y/N's door. She stumbled slightly as she stepped out, her legs unsteady beneath her. Quinn's hand found the small of her back once more, his touch a gentle guide as they walked together towards her front door.

With a sense of déjà vu, Quinn reached into his pocket and pulled out the spare key Y/N had given him months ago, he slid the key into the lock, the click of the tumblers echoing loudly in the stillness of the night.

As the door swung open, Y/N stepped inside, the familiar scent of home enveloping her like a warm embrace. She turned to face Quinn, her eyes searching his face for any sign of the love and affection she so desperately craved.

But his expression was unreadable, his own emotions carefully guarded behind a mask of stoic resolve.

…

Message me to be added to the tag list!! feedback is always appreciated. Lmk how you feel.

Tag List <3

@poppysbestie

[apircteslife]

aloe, daisy, holly for Smoker

iris,lotus, poppy for Sanji

❥     𝐁𝐎𝐓𝐀𝐍𝐈𝐂𝐀𝐋 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒  - ACCEPTING!!

aloe : how does your muse handle grief ?

Smoker handles grief stoically. If he's ever in a situation where he had to process grief then he closes up, he makes sure that people don't realize that he's grieving because that is a sign of weakness which people could use against him.

daisy : did your muse ever feel as though their innocence had been lost ? what moment in their life could be described as the end of their innocence ?

Living on the streets from a young age, Smoker lost his innocence early on; he knew that there was no true good and evil in the world, there was just justice.

One of the main moments in Smoker's life that he will forever remember, a moment which he could say destroyed part of the childhood he still held onto; it was the moment that he witnessed the execution of Gol D Roger in Loguetown when he was just a teenager. Watching the 'King of the Pirates' being walked through the streets and dying with a wide smile on his lips... it haunted him but also made him the man that he is.

holly : how strong is your muse’s sense of intuition ? are they aware of it ? do they ever fear that it is only paranoia ?

Smoker has a gut feeling that he forever follows.

It's one of the reasons he hasn't given into the urge to truly bring Luffy in to the marines, he will keep chasing Straw Hat Luffy down but will never truly take him in because he knows that Luffy is a pirate with morals; he's a pirate with a code which limits civilian casualties.

iris : if your muse could convey one last message to someone they have lost or left behind , what would it be ?

"I made it out and I'm happy and accepted for me"

If ever given the chance, Sanji would send one last message to his mother. He would tell his mother that he managed to escape the Germa Kingdom, that he managed to escape the family and find happiness elsewhere while following his dream too. And he would tell her about the Star Hats, about the crew that accepted him for who he is and not trying to change him like most people did while his mom was still alive.

lotus : has your muse ever felt as though they’ve been reborn ? have they ever desired the feeling of a fresh start , or a better understanding of themself and/or the world around them ?

The Rock.

The Rock was the place of his rebirth in Sanji's mind. He had managed to escape from the North Blue to find his place on a small cruise ship, only to end up raided and then marooned on The Rock with only Zeff as company.

Eighty Five days being stranded on the rock, finding out that Zeff had given him all the food to help him survive, it was what made Sanji the person he is today. It was his rebirth and also gave him a father that loved and supported him even if Zeff was gruff and sometimes stand-offish.

poppy : what comforts your muse ?

Cooking is Sanji's main comfort, standing by the stove or a counter while cutting ingredients helps him stay calm and collected.

[dailyadventureprompts]

So one of my favourite things to listen to in my off time is debunked conspiracy theories, mainly because it mixes several of my interests: politics, history, and being pedantically right about stuff with objective fact to back it up.

Part of me wishes I could draw more inspiration from this particular well, but doing so risks propagating the same brainworms that create conspiracy theorists in the first place. The grand canyon is a lichtenberg figure carved by a colossal space lightning bolt/energy weapon hitting the earth, which consumed the world in a pyroclasm that caused stone structures melt which we can see across ancient cultures Is a FASCINATING bit of worldbuilding by someone being in denial about the concept of erosion. I don't want to use it however because then my story becomes a transmission point for this bad idea, a psychic parasite that might take root in someone's subconscious and warp their worldview to the point of nonsense.

Take one I heard a few years ago: The word planet comes from the greek word planan, which means wanderer. This is the same word used by the original bible to refer to fallen angels. NASA is lying to us, there are no planets, the non-star lights we see moving in the night sky are fallen angels fixed there by god as punishment for their crimes of coming to earth and beggetting the nephilim, the giants that we can see evidence of in X,Y,Z mythologies.

You can see the narrative potential there right? The questhook about the scholar who invents a better sort of telescope and manages to peer deep enough into space to discover that one of the cosmic bodies is actually a being, only to become possessed by the fallen celestial and driven to free it, just like the extinct linage of giant warlords who rampaged across the region millennia ago. It's such a juicy hook because it plays on the same "aha" moments that the conspiracy theory uses to take root: Oh yeah there IS a linguistic connection between the world planet and the greek word for wandering because they were stars that wandered across the sky oh yeah there ARE a lot of ancient cultures that have myths about giants because it's really easy to imagine people that are big, wonder if there are any internet rabitholes that could teach me more about these thigns?

It's the Dan Brown DaVinci Code problem; It can be entertaining to play around with historical conspirasism as the background for a story but part of your audience are going to be in a vulnerable place and slip all the way down to Qanon levels. It's even worth with the Alex Jones types who can't seperate fiction from reality and take their inability to analyze iconography as a sign on NWO "preprogaming". I don't want to use conspiracy theories/bad archaeology as inspiration only for my work to be pinned up on the red-string board as evidence that everything's connected.

[writtenbyaperson]

"Touch Base" Zuko x Reader

Summary: You get to touch Zuko's hair and it means a lot more to him than he expected. Word Count: 872 Genre: Fluff, F!Reader

"Wow, soft."

Zuko's hair slides between your fingers. Your wish is being granted by him today. A lucky indulgent day.

"I expected the texture to be…" you form a claw and rake through his brown hair like a school nurse inspecting for lice "like Appa."

"…"

He's offended.

"Like Appa." Zuko repeats with a flat tone. Appa grunts, responding to his name.

"She means that in a good way, buddy." Aang says. Always the mediator.

"Don't make me regret this." Zuko says.

He crosses his arms. If he had eyes on the back of his head they would be staring at you pointedly.

"Sssorry" You whisper faintly. You shut up as to not cut this moment short with your marathon runner of a mouth.

Gingerly you pet and rub the new hair growing on Zuko's scalp with your finger pads. The strands are surprisingly healthy and thick. Does he take care of his hair? Your hands brush from the roots to the ends to even out the hair oil. Occasionally scratching down the back of Zuko's neck. The tension in his neck eases. His whole head even bending to the side a little as you pull back his sideburns with fingernails. Zuko closes his eyes, subdued by the massage. Be damned with how he looks. Every vibration cascades from apex of his skull to the base of his spine. He can't ever remember being given treatment like this at all. "Maybe I could braid-"

"T-that's enough hair touching." Zuko waves your hands off his head. A light pink colors his cheeks. You smile and apologize. At least he was nice enough to entertain you.

"Why don't you ever let me touch your hair?" Katara asks Aang. He mocks a laugh as he cracks walnuts into a bowl.

"You did have hair for a while there, Aang." You say.

"Yeah… it didn't feel right." Aang rubs the back of his head with a bashful toothy smile. Probably trying to forget about what lead up to that hair growth.

--

Cricketfish sit on the lillies in the lakes. Filling the night with incessant chirping. Zuko tosses and turns. It's stupidly loud for a peaceful building. Plus the bed roll fibers prick him at every angle. He grunts. Giving up, he gets out of bed. Screw sleeping again. The gaang already had dibs on the bedrooms that didn't cave in from being abandoned. So he was left with the depressing children's play room. Sokka made sure to take a jab at him when they gave him the room. There's no way to check the time, so he'll have to wait out the sunrise. Quietly as he can, Zuko leaves the room.

The straw door is permanently pried open. Walking out into the hallway he can see walls lined with rounded windows and the view is extravagant, he never noticed it before. Being too caught up in pointless chases. Tall mountainous islands covered in verdant moss peak through dreamy clouds. Rushing water and peaceful creatures add music to the background. A thin lining of trees surround the building.

"Zuko."

Zuko turns his head, his heart switching gears at being caught up roaming the temple. He calls your name thinking he recognizes the tone. There is no response. Maybe he misheard.

The southern part of the temple was coaxing him, he follows, despite resistance pulling at his stomach. On the way, carvings of Airbenders being jovial and participating in ceremonies lay in the weathered stone. Whimsical imagery by day is haunting at night. Laughing monks mock him as he lights a small flame in his hand to guide him the rest of the way.

He's closer to the source of what called him. Curiosity licks. "Hello?" Zuko whispers.

He pauses.

All of the noise disappears, he could only hear his breaths and the crackle of fire. The south end of the temple bleeds out into a balcony that overlooks the land. The rails thick and crumbling. A blanket is folded up off to the side. He lets the fire go out and goes to the edge.

The sun should come up in a few hours. Fresh moon light glazes the edges of leaves on the trees underneath. Dewy fog coats everything.

Zuko looks at the blanket. Unlike the architecture, it looks fairly new. Plush.

The past month dragged on too long, treacherously tiresome. After pleading his case to the group, the guilt still ate at him. If he didn't get any sleep he'll get sick just like last time.

Zuko's not sure if he would admit it to you, but when you brushed out his hair and massaged his head, he felt peace. A stillness from the turmoil inside him. Each breath was clear and refreshing. The tightness capturing his body let him go for that fleeting moment.

Zuko isn't one for conversation. You were so delicate with him. He'd been touched by people before but even when you were just gratifying your want of touching his hair, you were still so attentive to him. The care you gave satiated a hunger he ignored.

Moving to the middle of the balcony, he sits cross legged. He closes his eyes and takes a deep breath. He manages a smile.

"Thank you."

[ohai-there]

post canon SVSSS x minato hokage era naruto crossover where it's scumplane (bcos i love scumplane) heading to the elemental nations on official business for some reason or another (maybe theres a barrier between their lands to prevent leakage of spiritual energy or somethign) SJ hates being alive purely because it means he's in SQH's debt for ripping him out of SQQ's body that Shen Yuan was inhabiting and reviving SJ (because SY decided to fuck off and live his best life as the demon emperor's wife and Cang Qiong NEEDS a peak lord for Qing Jing)

canonically immortals are extremely beautiful (even SQH is described as a 'proper' face iirc) and SJ is like TOP TIER beauty, but also immortals are sometimes described to have faces 'carved from jade' so I imagine when they step into immortality, they no longer have micro expressions and have like... crazy control over their facial muscles - so it kinda freaks out the ninjas, because the only emotions they can see is exactly what scumplane want them to see (SJ - disgust, usually. SQH - cowardice/flattery)

Scumplane also have 0 sense of danger when it comes to shinobi - they're immortals and old (lets say this is an indetermined amount of time after canon wraps up) so things like mundane steel and mortal poisons mean nothing to them when theyre so old. They also don't even bother holding back their tongues because what can these mortals even do to them? Worse comes to worse, they just seal up the worlds again, or just wait out for all these mortals to die (a strategy they use for troublesome emperors or politicians).

They also bring their disciples (Ming Fan specifically because I want him to have a redemption) and after canon had wrapped up the PIDW's story finished, everyone in the world actually bounced back into their rightful places (e.g. MF suddenly got a second puberty, his face improved to be beautiful as it should be and his intelligence returned to the level that the head disciple of the scholarly peak should be).

I want it to be during Minato hokage's short, short tenure - Minato is 23, a war hero and recently hired as ninja president, Konoha just came out of a war and suddenly the daimyo is paying WELL and hiring for the best teams of Konoha to escort these foreigners who are so otherwordly beautiful and so otherworldly RICH, like, the material of the clothes they wear puts the daimyos court to shame, they can pay in pure gold and stones thrumming with power.

SJ's whole thing is like... based on image. So imagine SQH bowing and being like 'ooh thank you for your hospitality' and SJ just grabbing him by the back of his collar and hauling him up like 'wtf dont even bother bowing to this guy. Have some face. he's only got the same rank as you AND he's a fucking child.'

(He's figured that Daimyo = weak emperor-ish, because what kind of a emperor only has control of such a small land AND has others in nearby lands with the same, competing title????. Hokage & Konoha is like the sects, and all the peak lords of CQS are of the same rank as a sect leader. Of course, they all defer to YQY officially, but tbh all the peaks run like their own individual sects, and SJ has never allowed himself to act below YQY in rank)

During Minato's reign, Orochimaru is still a loyal Konoha shinobi.... his interest in immortals makes him soooooo crazy invested in them....

SJ looks at Orochimaru who's questioning him on immortality and is like, 'out of all these people, you are the closest. Your mind is too unstable, however (ironic, coming from SJ) and you still cling too tightly to the material world. Abandon all worldly matters and immortality may be in your grasp, if the heavens deign it so.' acting like he's a good teacher or something, while SQH is in the background, the voice of reason like 'SHIXIONG WTF!!! WE'RE NOTT SUPPOSED TO BE GIVING UP THE SECRET TO IMMORTALITY TO THE MORTALS OF THE FORBIDDEN REALM????'

Maybe SQH does know they're in the naruto world, and knows what naruto is, (hc that the water walking we see YQY do in the donghua was ripped off from naruto, when SQH was still writing PIDW) but it's been like 200+ years! He can't remember shit!!! This is all new information to him!

[thebkb]

Barbotine

Despite being identified as a marine entity rather than a stone-like being, he harbors a strong distaste to immersing himself in water, possibly due to a fear of the sea (aquaphobia). Alternatively, this uneasiness may stem from his upbringing primarily on the surface following the merging of the two complex settlements, Earth and the kingdom of Outer Haven. This factor might be responsible for his unease, given that he's not accustomed to these conditions, despite the fact that he's carving out a space for himself as one of the denizens from Outer Haven. It’s best to give him some time for now, he would rather just settle there for a moment. (He’s also camera shy. So don’t push your luck from here.)” -------- Having that character added to the background seems like a bother to me and so I just readjusted to the point I had to remake the entire model awhile trying to make the appearance the same in this new pose in the illustration. Basically having the character now feeling like they’re part of the landscape instead of them being like cardboard cutouts.