#Carmignano
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wineeveryscene · 8 months ago
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Tenuta di Capezzana in Carmignano, Toscana訪問
2024年8月21日、フィレンツェから西へ車で30分ほどのカルミニャーノ地区にあるテヌータ・ディ・カペッツァーナへ。この日はワイナリー見学、敷地内レストランでディナー、アコモデーション宿泊とカペッツァーナ満喫の一日。オーナーファミリーのベアトリーチェさんは、彼女の来日時に何度かご一緒した縁で、残念ながら今回ホリデー中で不在でしたが、全てをアレンジしてくれました。
カルミニャーノの地名は、羊皮紙になんと804年に記録が残されていて、ワイナリー内にそのコピーが展示されていました。日本では平安時代が始まったばかりですよ!この地域は紀元前ローマ帝国が治める以前からエトルリア人がワイン造りをしていたそうです。1716年にトスカーナ��公コジモ3世がカルミニャーノ、キャンティ、ポミーノ、ヴァル・ダルノ・ディ・ソプラの4ワイン産地の境界を定めたことが世界初の原産地保護となりました。
現在も残るカペッツァーナの建物は1475年に建築。1920年に現在のオーナーであるボナコッシ家の所有となり、1925年にカペッツァーナのファーストヴィンテージがリリースされました。長年培ってきたその土地の自然を後世に繋いでいくため、2009年からオーガニック栽培に取り組み、2015年に認証を取得。栽培ブドウ品種はカベルネ・ソーヴィニョン、サンジョヴェーゼ、カベルネ・フラン、シラー、トレッビアーノ・トスカーナ、シャルドネ。
この日の試飲は、眺めが素晴らしいテラスにて、5アイテム。
Trebbiano di Capezzana I.G.T 2023
 トレッビアーノ100%。発酵は半分がステンレスタンク、半分が小樽と大樽。熟成は小樽と大樽が半々ずつ6カ月。アーモンドやバニラの香り、アロマティックな果実味とすっきりした酸味のバランスが良く、鶏肉料理に合いそう。
Barco Reale di Carmignano D.O.C. Bio 2022
サンジョヴェーゼ75%、カベルネ・ソーヴィニョン20%、カナイオーロ5%。大樽で6カ月熟成。苺やハーブを感じる香り、豊かな果実味とソフトなタンニン、フレッシュな味わい。
Villa di Capezzana di Carmignano D.O.C.G.2020
ボナコッシ家が1925年から造り続けているフラッグシップワイン。サンジョヴェーゼ80%、カベルネ・ソーヴィニョン20%。熟成は70%がトノー樽(300l)で12カ月、30%が大樽で16カ月。個人的に以前から大好きなワインで、野イチゴやラズベリーを感じる華やかな香り、凝縮した果実味と酸味の調和が素晴らしく、タンニンも柔らかくてエレガント。
Trefiano Carmignano Riserva D.O.C.G. 2020
サンジョヴェーゼ80%、カベルネ・ソーヴィニョン10%、カナイオーロ10%。トノー樽で18カ月熟成。甘い果実とスパイスの香り、フルボディで、滑らかなタンニン、ブルーベリーのような濃い果実味と酸味のバランスがとても良い。
Ghiaie della Furba I.G.T. Bio 2020
カベルネ・ソーヴィニョン50%、メルロー20%、シラー20%。小樽で18カ月熟成。カペッツァーナの歴史、革新、ボナコッシ家のワイン造りへの情熱が形となったワイン。
フルボディで、野イチゴのような濃厚な果実味、スパイス、酸味が絡み合う複雑な味わいのエレガントなワイン。
試飲後は、敷地内のプールでひと泳ぎしてから、夕日を望むテラスでディナー。カペッツァーナワインと合わせた美味しいトスカーナ料理の締めは、甘さと酸味のバランスが絶妙な、ヴィンサント。甘口ワインって本当に幸せになれ��。
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divulgatoriseriali · 6 months ago
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Dal Chianti Classico al Vinsanto: viaggio nel vino etrusco e romano
In tutte le parti del mondo la parola Chianti risveglia nelle persone pensieri stupendi o ricordi indimenticabili. Difatti, è uno dei vini italiani più esportati al mondo. Il Chianti Classico, in particolare, viene venduto per il 10% della vendita internazionale proprio in UK. Ma come è nato il Chianti? Cosa significa Chianti Classico? Qual è la storia del Chianti Classico, Come si distinguono i…
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storiearcheostorie · 11 months ago
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Artimino (Prato) / Avori principeschi: lo spettacolare corredo del tumulo etrusco di Montefortini in tutto il suo splendore
Artimino (Prato) / Avori principeschi: lo spettacolare corredo del tumulo etrusco di Montefortini in tutto il suo splendore
Redazione Gli oggetti d’avorio, si sa, erano tra i beni suntuari maggiormente ricercati dalle corti del Vicino Oriente, dove sono stati ritrovati per lo più nelle stanze dei palazzi reali; in Grecia gli avori più pregiati e più numerosi sono stati rinvenuti nei santuari, mentre in Etruria li ritroviamo principalmente in pochi grandi monumenti funerari del periodo ‘orientalizzante’ (VII secolo…
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stilouniverse · 4 months ago
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A Carmignano: la rocca e il Pontormo
Carmignano le mura di recensione all’antica rocca “Chi visita questa Terra resta sorpreso di non trovare alcun indizio di tante decantate fortificazioni, e di vedere un paese aperto di due borghi staccati, il più alto dei quali conserva il nome di Castello, probabilmente per essere al suo ridosso la semidiruta Rocca”. Così il Repetti nel Dizionario geografico fisico storico della Toscana…
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artandthebible · 4 months ago
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The Visitation
Artist: Pontorno (Italian, 1494-1557)
Date: c. 1528-1530
Medium: Oil on panel
Location: Propositura dei Santi Michele e Francesco, Carmignano
Description
The Apostle Luke is the only gospel writer to give particular attention to the ‘visitation’, when Mary visits Elizabeth before their babies are born. In his diligent research (Luke 1:3), presumably mostly carried out during the two years he spent in Palestine while Paul was in prison (Acts 24:27), he will have had opportunities for conversation with Mary about Jesus’ early history. This episode must have struck him as significant.
The incident is the first public recognition of Jesus, when John the Baptist – whose job it is to witness to Jesus as the Messiah (Luke 1:17; John 1:8, 29) – responds to Jesus even while in the womb. Pontormo is perhaps suggesting this by making the two ‘bumps’ bump. Luke wants his readers to ‘know the certainty’ of the gospel and here, right at the start, we see the evidence accumulating that Jesus really is the Messiah.
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galleryofart · 8 months ago
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Visitation of Carmignano
Artist: Jacopo Pontormo (Florentine, 1494-1557)
Date: 1528
Medium: Oil on board
Collection: Rectory of Saints Michael and Francis
Description
The highly personal figurative inventions of Pontormo's Deposition in the Santa Felicità in Florence are also evident in his Visitation, dating to 1528-29. The lozenge-shaped arrangement of the four figures represented in the foreground of the painting was probably suggested to Pontormo by Dürer's engraving portraying the Four Witches (1497). Entirely original, on the other hand are the intertwining arcs of arms and fabric that firmly unites the two protagonists whose distinctly enlarged bodies dominate the painted surface.
The monumental scene is depicted in a frozen fashion against the background of a roughly painted, funereally gloomy town. The profile portrayal of the two main figures embracing each other with extreme delicacy and exchanging looks of intense mutual affection is set against the rigidly frontal positions of the two bystanders in the background. Immobile, almost petrified, the latter keep their eyes fixed on something outside the scene, revealing their total lack of emotional participation in the event. The age difference between these two women and their facial resemblance with the protagonists invite an interpretation of the two maid servants as the doubles of Mary and Elisabeth. Their expressions convey a rather melancholic tone to the scene's general atmosphere of high spirituality.
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drinky · 2 years ago
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Capezzana, Barco Reale di Carmignano 2018. With pasta carbonara.
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freshfrozenmagazine · 1 month ago
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Aliplast boosts recycled PET: PET recycling site acquired from Gurit Italia.
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Gurit Italia's Carmignano di Brenta PET recycling factory has been integrated by the Hera Group subsidiary, a move that aims to expand a market that is becoming more and more significant.Read More
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cloudwine9 · 1 month ago
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Carmignano e i suoi vini protagonisti all’Osteria Il Pratellino
Carmignano protagonista a Firenze: Fabrizio Pratesi Winery chiude “A Tavola con il Produttore” L’ultima serata di A Tavola con il Produttore celebra Carmignano con i vini di Fabrizio Pratesi e un menu dedicato, abbinato a un raffinato wine pairing studiato per esaltare ogni sapore. Firenze, 22 Marzo 2025 | Giovedì 3 aprile 2025 si terrà a Firenze l’ultima serata del ciclo A Tavola con il…
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joridiegocherubini · 2 months ago
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28/02/2025
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osteneroshark · 3 months ago
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Corriere del Vino: Podere Allocco e il Carmignano: serata speciale e incontro con il produttore
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grapevineadventures · 3 months ago
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The Enchantment of Vin Santo: Exploring Its Rich Heritage
Capezzana is a historic estate in Carmignano, Tuscany, known for its wines deeply connected to the local territory. For the past few years, they have organized a vertical tasting every autumn to highlight the uniqueness and evolution of their wines. Each tasting focuses on a specific wine from their selection. These tastings are highly educational and provide an excellent opportunity to learn…
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michelangelob · 7 months ago
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La Visitazione di Pontormo a Poggio a Caiano: FOTO dell'allestimento
Finalmente la Visitazione del Pontormo è di nuovo visibile al pubblico. E’ stata collocata nella Sala del Fregio all’interno della Villa medicea di Poggio a Caiano dopo il trasferimento dalla Pieve di Carmignano, attualmente inagibile. La Visitazione fu commissionata al Pontormo dalla famiglia fiorentina dei Pinadori che aveva dei possedimenti proprio a Carmignano. Al centro della scena si…
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artandthebible · 8 months ago
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The Visitation
Artist: Pontorno (Italian, 1494-1557)
Genre: Religious Art
Date: c.1528-1530
Medium: Oil on Panel
Location: Propositura dei Santi Michele e Francesco, Carmignano
The Apostle Luke is the only gospel writer to give particular attention to the ‘visitation’, when Mary visits Elizabeth before their babies are born. In his diligent research (Luke 1:3), presumably mostly carried out during the two years he spent in Palestine while Paul was in prison (Acts 24:27), he will have had opportunities for conversation with Mary about Jesus’ early history. This episode must have struck him as significant.
The incident is the first public recognition of Jesus, when John the Baptist – whose job it is to witness to Jesus as the Messiah (Luke 1:17; John 1:8, 29) – responds to Jesus even while in the womb. Pontormo is perhaps suggesting this by making the two ‘bumps’ bump. Luke wants his readers to ‘know the certainty’ of the gospel and here, right at the start, we see the evidence accumulating that Jesus really is the Messiah.
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quartopiano · 9 months ago
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angelo-aldo-filippin · 1 year ago
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CONVERSAZIONE, Carmignano di Brenta-2024 da angelo aldo filippin
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