#Carmignano
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Dal Chianti Classico al Vinsanto: viaggio nel vino etrusco e romano
In tutte le parti del mondo la parola Chianti risveglia nelle persone pensieri stupendi o ricordi indimenticabili. Difatti, è uno dei vini italiani più esportati al mondo. Il Chianti Classico, in particolare, viene venduto per il 10% della vendita internazionale proprio in UK. Ma come è nato il Chianti? Cosa significa Chianti Classico? Qual è la storia del Chianti Classico, Come si distinguono i…
#Antinori#Arezzo#Arthur Conan Doyle#Borghi medievali#Botti#Cabernet Sauvignon#Canaiolo#Carmignano#Castelli#Castellina#chianti#Chianti Classico#Chianti Superiore#Chiantishire#Colli dell’Etruria#Colli Pisani#Consorzio Vino Chianti#Denominazione di Origine#DOCG#Etruschi#Firenze#Gaiole#Gallo Nero#Granduca Cosimo III#Malvasia#Merlot#olivi#Olivo#Pomino#Radda
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Artimino (Prato) / Avori principeschi: lo spettacolare corredo del tumulo etrusco di Montefortini in tutto il suo splendore
Artimino (Prato) / Avori principeschi: lo spettacolare corredo del tumulo etrusco di Montefortini in tutto il suo splendore
Redazione Gli oggetti d’avorio, si sa, erano tra i beni suntuari maggiormente ricercati dalle corti del Vicino Oriente, dove sono stati ritrovati per lo più nelle stanze dei palazzi reali; in Grecia gli avori più pregiati e più numerosi sono stati rinvenuti nei santuari, mentre in Etruria li ritroviamo principalmente in pochi grandi monumenti funerari del periodo ‘orientalizzante’ (VII secolo…
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#archeologia#Artimino#avori#Carmignano#Etruria#Etruschi#Giornate europee dell’archeologia#mostre#Museo Archeologico di Artimino#Prato#SABAP FI#tomba a tholos#Tumulo principesco di Montefortini a Comeana (Carmignano
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A Carmignano: la rocca e il Pontormo
Carmignano le mura di recensione all’antica rocca “Chi visita questa Terra resta sorpreso di non trovare alcun indizio di tante decantate fortificazioni, e di vedere un paese aperto di due borghi staccati, il più alto dei quali conserva il nome di Castello, probabilmente per essere al suo ridosso la semidiruta Rocca”. Così il Repetti nel Dizionario geografico fisico storico della Toscana…
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The Visitation
Artist: Pontorno (Italian, 1494-1557)
Date: c. 1528-1530
Medium: Oil on panel
Location: Propositura dei Santi Michele e Francesco, Carmignano
Description
The Apostle Luke is the only gospel writer to give particular attention to the ‘visitation’, when Mary visits Elizabeth before their babies are born. In his diligent research (Luke 1:3), presumably mostly carried out during the two years he spent in Palestine while Paul was in prison (Acts 24:27), he will have had opportunities for conversation with Mary about Jesus’ early history. This episode must have struck him as significant.
The incident is the first public recognition of Jesus, when John the Baptist – whose job it is to witness to Jesus as the Messiah (Luke 1:17; John 1:8, 29) – responds to Jesus even while in the womb. Pontormo is perhaps suggesting this by making the two ‘bumps’ bump. Luke wants his readers to ‘know the certainty’ of the gospel and here, right at the start, we see the evidence accumulating that Jesus really is the Messiah.
#painting#christianity#the visitation#oil on panel#fine art#biblical art#women#gospel of luke#pontorno#italian culture#mary#elizabeth#architecture#bible scriptures#italian art#italian painter#artwork#italy#16th century painting#european art
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Visitation of Carmignano
Artist: Jacopo Pontormo (Florentine, 1494-1557)
Genre: Religious Art
Date: 1528
Medium: Oil on board
Collection: Rectory of Saints Michael and Francis
The highly personal figurative inventions of Pontormo's Deposition in the Santa Felicità in Florence are also evident in his Visitation, dating to 1528-29. The lozenge-shaped arrangement of the four figures represented in the foreground of the painting was probably suggested to Pontormo by Dürer's engraving portraying the Four Witches (1497). Entirely original, on the other hand are the intertwining arcs of arms and fabric that firmly unites the two protagonists whose distinctly enlarged bodies dominate the painted surface.
The monumental scene is depicted in a frozen fashion against the background of a roughly painted, funereally gloomy town. The profile portrayal of the two main figures embracing each other with extreme delicacy and exchanging looks of intense mutual affection is set against the rigidly frontal positions of the two bystanders in the background. Immobile, almost petrified, the latter keep their eyes fixed on something outside the scene, revealing their total lack of emotional participation in the event. The age difference between these two women and their facial resemblance with the protagonists invite an interpretation of the two maid servants as the doubles of Mary and Elisabeth. Their expressions convey a rather melancholic tone to the scene's general atmosphere of high spirituality.
#religious art#italian art#mary#elizabeth#visitation#women#16th century painting#religion#spirituality#figurative art#oil on board#painting#jacopo pontorno#florentine painter#european art#artwork#street#buildings
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Junction of Via Cesare Carmignano and Traversa III Garibaldi, Naples, 1970. From the Budapest Municipal Photography Company archive.
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Capezzana, Barco Reale di Carmignano 2018. With pasta carbonara.
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Corriere del Vino: Podere Allocco e il Carmignano: serata speciale e incontro con il produttore
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The Enchantment of Vin Santo: Exploring Its Rich Heritage
Capezzana is a historic estate in Carmignano, Tuscany, known for its wines deeply connected to the local territory. For the past few years, they have organized a vertical tasting every autumn to highlight the uniqueness and evolution of their wines. Each tasting focuses on a specific wine from their selection. These tastings are highly educational and provide an excellent opportunity to learn…
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Check out this listing I just added to my Poshmark closet: New JCREW Size 0 Daphne Topcoat in Italian Boiled Wool Dark Pine $298 CC208.
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La Visitazione di Pontormo a Poggio a Caiano: FOTO dell'allestimento
Finalmente la Visitazione del Pontormo è di nuovo visibile al pubblico. E’ stata collocata nella Sala del Fregio all’interno della Villa medicea di Poggio a Caiano dopo il trasferimento dalla Pieve di Carmignano, attualmente inagibile. La Visitazione fu commissionata al Pontormo dalla famiglia fiorentina dei Pinadori che aveva dei possedimenti proprio a Carmignano. Al centro della scena si…
#antonietta bandelloni#art#artblogger#arte#artinfuencer#beauty#bellezza#capolaoro#english#Firenze#masterpiece#rinascimento#scultura
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The Visitation
Artist: Pontorno (Italian, 1494-1557)
Genre: Religious Art
Date: c.1528-1530
Medium: Oil on Panel
Location: Propositura dei Santi Michele e Francesco, Carmignano
The Apostle Luke is the only gospel writer to give particular attention to the ‘visitation’, when Mary visits Elizabeth before their babies are born. In his diligent research (Luke 1:3), presumably mostly carried out during the two years he spent in Palestine while Paul was in prison (Acts 24:27), he will have had opportunities for conversation with Mary about Jesus’ early history. This episode must have struck him as significant.
The incident is the first public recognition of Jesus, when John the Baptist – whose job it is to witness to Jesus as the Messiah (Luke 1:17; John 1:8, 29) – responds to Jesus even while in the womb. Pontormo is perhaps suggesting this by making the two ‘bumps’ bump. Luke wants his readers to ‘know the certainty’ of the gospel and here, right at the start, we see the evidence accumulating that Jesus really is the Messiah.
#visitation#pontorno#religious art#16th century art#apostle luke#bible scripture#mary#elizabeth#new testament#mesiah#john the baptist#christianity
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CONVERSAZIONE, Carmignano di Brenta-2024 da angelo aldo filippin
#it’s_not_a_photography#non_è_una_fotografia#2024#Conversazione#Carmignano_di_Brenta#Veneto#sky#BN#BW#Monochrome#monoTone#light#popular#digital_picture#flickr
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Check out this listing I just added to my Poshmark closet: 🍁NEW Fresh grass color J.crew Classic Lady Day Coat in sold out color.
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