#Carlos Lopes

[k-i-l-l-e-r-b-e-e-6-9]

Dorsal Atlântica , 1990

[semioticapocalypse]

Carlos Lopes Franco. 2019

[hexag0ne]

[corretorbali-blog]

Flow - Vila Matilde: Permita-se fluir no lugar onde você vive.

☆ A Vila Matilde é um bairro consolidado, com perfil residencial, pouco verticalizado e muito conhecido por seu clima tranquilo. Bem servida por uma dinâmica rede de comércio e serviços e conectada com o resto da cidade através da Estação Vila Matilde do Metrô, este é um bairro especial e agradável para se viver na Zona Leste de São Paulo.

☆ Flow = Verbo Fluir em Inglês; Cada vez mais, o ato de morar ganha novos significados. A forma como você mora diz muito sobre você e deixa claro o seu estilo logo na primeira impressão. O Flow - Vila Matilde se associa muito bem com tudo isto: Apartamentos práticos, projetados e pensados em cada detalhe e com plantas inteligentes que favorecem o conforto. Perfeito para quem procura funcionalidade com um toque de modernidade, numa combinação de comodidade e fluidez para acompanhar o seu ritmo de vida.

☆ ☆ ☆ ☆ ☆

Composição: Apartamentos de 2 dormitórios + apartamentos tipo studio

Venha conferir o apartamento modelo decorado e aproveite as condições especiais de lançamento. Fale com:

Corretor Bali • (11) 98211-1321 WhatsApp ✔

Showroom: Av. Marcondes de Brito, 709 - Vila Matilde, São Paulo, SP.

Próximo à Estação Vila Matilde do Metrô, da Av. Melchert e da Radial Leste.

Salve esta postagem e apresente-a na recepção de nossa loja para agilização de atendimento. Seja bem-vindo(a)! 😊👍

Registro: Creci-SP 178432-F / Negociante Autorizado: Creci-SP 24073-J

[hatutannews]

SEKOMS Laiha Koñesimentu Natoon bá Plájiu

Hatuta.com, (13 Marsu 2024), Díli—Eskritór Timoroan, Carlos da Silva Lopes Saky, konsidera Sekretáriu Estadu Komunikasaun Sosiál (SEKOMS), Expedito “Loro” Dias Ximenes laiha koñesimentu natoon kona-bá definisaun plájiu. Continue reading SEKOMS Laiha Koñesimentu Natoon bá Plájiu

[milkywayrollercoaster]

Pavilhão Carlos Lopes

Lisboa

foto cjmn

[scintillulae]

[cmatain]

GRISO, con el proyecto #LopeEstrenaComedia, presente en la gala de los Premios Talía 2023 de la Academia de las Artes Escénicas de España

El pasado lunes 27 de marzo, en el Teatro Español de Madrid, se celebró la gala de entrega de los Premios Talía de la Academia de las Artes Escénicas de España, que fue retransmitida por La 2 de RTVE y RTVE Play. El proyecto Lope estrena comedia (#LopeEstrenaComedia), desarrollado por el GRISO con alumnos de la Facultad de Filosofía y Letras de la Universidad de Navarra, estaba nominado en…

[poemaseletras]

ENCONTRE UM AUTOR:

Envie sugestões. Leia uma citação no modo aleatório.

Autores Desconhecidos

Adélia Prado

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Helen Oyeyemi

Henry Miller

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[anghraine]

dontstandmedown replied to this post:

re:tags could you share the playwright you're talking about? :0

No problem! For others, the tags in question are this:

#thinking about this partly because the softer & gentler versions of fanfic discourse keep crossing my dash #and partly because i've written like 30 pages about a playwright i adore who was just not very good at 'original fiction' as we'd define it #both his major works are ... glorified rpf in our context but splendid tragedies in his #and the idea of categorizing /anything/ in that era by originality of conception rather than comedy/tragedy/etc would be buckwild

I am always delighted to share the good news of John Webster! If you're not familiar with him, he was an early seventeenth-century English playwright known for being a slow, painstaking, but reliable writer. He did various collaborations with other playwrights (and acknowledges a bunch of his peers in an author's note to The White Devil, including Jonson and Shakespeare) and wrote some middling plays in various genres that could be more or less termed "original fiction," but he's remembered for two brilliant, bloody tragedies.

The basic premises/plots of both of these were essentially ripped from the headlines of the previous century, and Webster makes zero attempt to conceal that fact.

I couldn't shut up about my guy so more under a cut!

The White Devil is based on the actual murder of Vittoria Accoramboni in the late sixteenth century and the characters in the play are generally given the same or similar names as the real life people in the story as known at the time, so there's no attempt to conceal the play's origins (the anti-heroine/villain???[debatable] is named Vittoria Corombona in the play, for instance).

The original production of The White Devil largely failed, which Webster blamed mainly on bad weather and an audience who just didn't get his ~vision and what he was trying to do. It would not be unsurprising for a contemporary audience to struggle with it given that it's a complicated play in which, among other things, Vittoria is put on trial and rhetorically shreds the underlying misogyny of the entire legal process.

The Duchess of Malfi, generally considered a still greater achievement, is based directly on the murder of Giovanna d'Aragona, Duchess of Amalfi by her brothers (it was presumed, likely correctly). Lope de Vega also wrote a play about this tragedy not long before Webster did, though the plays are very different and it's unlikely that Webster would have had the time or linguistic knowledge necessary to read Lope's version. Probably part of the reason for the differences between Lope's and Webster's takes is that Lope had to be careful about the reception by the Catholic Church given that one of the murderers was a cardinal, while obviously an English Protestant like Webster could say whatever he wanted about eeeeevil cardinals.

Webster takes a lot of artistic license, a normal approach at the time to adapting previously-established narratives, but the source material is very recognizable. One of the commendatory verses at the beginning of the play (blurbs in poetic form from other playwrights) is like "I'm sure the real duchess was cool but she couldn't be as cool as Webster's heroine, wow <3". (One of the other commendations is by another fave of mine, John Ford.)

Bosola, the historically mysterious minion of the Duchess's murderous brothers (=Bozolo in the historical narrative) gets an elaborate quasi-redemption arc in the play. And the play is extremely critical of various characters' obsession with and attempts to control the Duchess's sexual behavior (a fixation that is often extremely normalized in early modern British drama, but which comes off really badly here).

Ultimately this obsessiveness leads to her brothers, the Cardinal (=the historical Cardinal Luigi d'Aragona) and Ferdinand (=Carlo d'Aragona) orchestrating her torment and murder in which she emerges with her sanity and integrity intact and dies with dignity. Meanwhile, the Cardinal is exposed as a remorseless villain (he proceeds to murder his mistress with a Bible) and Ferdinand's already-shaky sanity snaps under the realization of what he's done.

Webster's Duchess is often considered the first real female tragic hero in British drama—the tragic is especially significant because tragedy was typically considered a higher art form than comedy and the truly great female characters from that era of drama are often restricted to comedies or secondary roles in tragedy (a marked trend in Shakespeare, for instance). The Duchess in the play is virtuous, strong-willed, witty, and fairly unabashedly sexual in the context of the time, a concept that several hundred years of critics have struggled with. (My favorite OTT complaint is from Martin Sampson, an early 20th century critic who lamented the conspicuous absence of a "strong active man, following righteous things" in Webster's work, to which I say l m a o.)

Anyway, among scholars of early modern British drama, Webster is often considered second only to Shakespeare as a tragedian, on the basis of those two plays. And the modern obsession w/ originality and novelty makes this kind of fascinating, given that his "original" work (in our sense—again, the original vs fanfic dichotomy was not a thing in that cultural context) is sort of meh but his work with pre-existing sources turns them into these staggering dramatic achievements.

[beatpoets-n-fitness]

Pavilhao Carlos Lopes. Parque Eduardo VII. Lisboa. July ‘24🇵🇹

[inchidentally]

Venus as a boy, inch… https://www.tumblr.com/xiaoluclair/719420109796589568/danielricciardo-bisous-landonorris-bro-sexy — wiz

@wisteriagoesvroom W I Z. b a b e. I've never been proud of coming up with a tag for someone but that one I'm like fuck that's good I did that <3<3

and listen I have a whoooooole unrealistically deep thing for the Daniel POV content when he was held in thrall as Lando's teammate

xiaoluclair

His wicked Sense of humor Suggests Exciting sex!

He believes in a beauty He's Venus as a boy

ofc I get weird about his dynamic w Lando and trust me Daniel's blokey-ness plays a key role in it :)

while Lando can't magically alter someone's sexuality, his vulnerability mixed with his unique personal beauty can fuck up a straight man's brain chemistry - and that hit nobody harder than Daniel. Lando had two alpha dudes barrel into his life and commit to bromances with him right off the bat and for the most part the dynamic is that they're hilarious and pretend to bully him and get in his space while Lando giggles and fruitlessly fights back… but in the same way Carlos got stumped by how much of a safety blanket he became for Lando's unguarded little heart, Daniel got completely sideswiped by how he couldn't 'bro' Lando into submission in their dynamic and became a half-broken acolyte to a boy ten years younger than him.

like, not only was the teammate dynamic so fully in favor of Lando in terms of their performances those two seasons but Daniel could not stop himself being dragged around by his eyeballs every time Lando was in view. he was both butthurt AND thoroughly heartsick about Lando by the time he was bought out by McLaren.

from the start, every time Daniel would try his usual asserting dominance by disarming humor shtick on Lando it would die with a thud. Lando would get quiet and retreat and leave Daniel totally unmoored. but when Daniel would pet Lando's skin nicely and give him a genuine smile and not the usual shark-toothed one, Lando would purr sweetly and open up like a flower. when Daniel showed an interest in photography and copied Lando's camera and ig account, Lando would willingly spend time with him outside media duties.

and suddenly Daniel's big, loping caddish character that usually cut a heavy swathe through the paddock was instead crouching in submission to try and steal as much of Lando's attention as possible. he found himself changing course to encounter the boy, teeth bared in nervous submission to Lando's upright ballet posture. something about Lando's looks being on the cusp of finely finished manhood but still mostly rounded and boyishly pretty made Daniel keep picking up his phone or his camera to document the penumbral shift. something pierced his Man Brain and told him what a gift it was to witness Lando bud and bloom right in front of his eyes and that special devotion must be paid to the event. but like all profane idolatry, the fact that Daniel knew he could never gain entry to the Eden of owning Lando solely for himself - and that Lando would wither and die like a butterfly stuck on a pin if Daniel tried - eventually sickened and threatened Daniel with a dissatisfaction for life itself.

being so close to Lando, living with him but not really, was like exsanguination by obsessive adoration. Lando's pink lips and sparkling eyes and soft skin were constellations millions of light-years away from Daniel's clay-bound feet. the rush of lust and drunkenness Daniel got from catching Lando fully unawares and making him flush and writhe was like a climax that remained firmly unattainable. the only release would be to give Lando up and Daniel couldn't do that, his hand had to be forced.

whereas since leaving McLaren, Daniel has a much more secure footing and can safely little brother Lando while keeping the adulation a mere background hum to Lando's brilliant, shining egress through Daniel's space. they're both keeping up the bromance in the same way and genuine, grown-up friendship has been cemented. when Lando and Martin decided to go and stay with Daniel as a spontaneous interlude until the next leg of their norrix world tour, Daniel already had mates staying and it was a fun boys mini break.

but do I like to imagine that when Daniel saw Martin with his easy, proprietary ownership of Lando for the entirety of the winter, it made an ugly little gnarl of scar tissue - burned into his left ventricle by Lando's memory - twist and squeeze so hard that it made Daniel fall against his own kitchen counter with a cold death-grip as he watched Lando preparing breakfast in Daniel's own kitchen? yes. do I weirdly love thinking that the phantom pain lingered as he watched Martin bundle Lando into the car for the airport and see them already laughing and sharing jokes and references only they knew before remembering to wave goodbye to Daniel? yes.

do I think that happened, no but that's not as romantic <3

[burins]

as promised the separate comics/graphic novels roundup for 2023! this is a normal post until May when I realized I could (as a graphic novel librarian) become an Eisner voter and read 54 comics in a month (and then slightly less so in August when the Harveys came up.) below a cut because it's heinously long. I'll include my little write-ups and some panels right after my faves

JANUARY

Under the Red Hood by Judd Winick and Doug Mahnke I read this January second. Begin as you mean to go on! For all its flaws (Dick's Squidward face) the emotional arc of this story puts me right into the pit about Jason Todd.

Superman: Reign of the Supermen by Dan Jurgens and others

Batman/Superman: World’s Finest (ongoing) by Mark Waid, Dan Mora, and Travis Moore First off Dan Mora draws everyone like the most beautiful people in the world, which never hurts to look at. But also this is just a really fun comic! The action is fun the characters are very sweet and we get an honest to god Superbat gem fusion

Young Justice (1998) by Peter David and Todd Nauck MY CHILDREN! I was finishing up my Tim readthrough and was so delighted to meet Kon and Cassie and Bart and Cissie and Anita (I still don't care for Lobo.) Nauck's art is cartoony in a way that fits the comic really well.

Red Robin by Christopher Yost, Fabian Nicieza, Ramón Bachs, and Marcus To THEEEEE ARC for Tim. Everyone says read Red Robin. Yes read Red Robin but also understand this is him at his worst and most scrungly. This is not normal Tim. This is Tim's failgirl era.

Titans/Young Justice: Graduation Day by Judd Winick and Ale Garza

MARCH

You and a Bike and a Road by Eleanor Davis Beautiful little memoir comic about biking across the US, and also about borders and travel and isolation/togetherness.

Superman for All Seasons by Jeph Loeb, Tim Sale, and Bjarne Hansen I love this comic. Tim Sale draws Clark like the biggest, softest person you've ever seen, and Bjarne Hansen's colors are so gentle. (if you remember the rock metaphor from mission parameters, it's inspired by this scene from Book 1: Spring)

APRIL

Superman: Lost by Christopher Priest and Carlos Parlaguyan (ongoing) This series cuts right to the horror of being Superman and also the horror of being Lois Lane SO deftly. a few plot points I don't love but overall God it makes me miserable

Birds of Maine by Michael Deforge A delightful, dreamy collection of comics about birds living in a utopian society on the moon. The art is weird, the story is weird, everything about it is lovely.

MAY

Divinity v1-2 by Matt Kindt and Trevor Hairsine

The City of Belgium by Brecht Evans This is not a perfect graphic novel but the stuff it does with art and page and rhythm is so so phenomenal.

Lights, Planets, People! by Lizzy Stewart and Molly Naylor

Killadelphia v1-3 by Rodney Barnes, Jason Shawn Alexander, and Christopher Mitten

The Department of Truth v1-4 by James Tynion IV and Martin Simmonds This is a book about conspiracy theories and it is DEEPLY unsettling. Martin Simmonds' art makes me legitimately queasy to look at. Really really good but also it did send me into a little spiral for a bit.

Supergirl Woman of Tomorrow by Tom King and Bilquis Evely (Mat Lopes' colors also deserve a shoutout) This book made me cry! Also I have yet to read another Kara comic because this one was so good and I'm afraid the others won't be. She's sharp and angry in all the best ways and also deeply deeply caring and good. Capes meets space fantasy at its best. I would die for Ruthye

Nightwing (2016) v1-2 by Tom Taylor and Bruno Redondo

Batman: One Bad Day: The Riddler by Tom King and Mitch Gerads

She-Hulk (2022) v1-2 by Rainbow Rowell, Luca Maresca, Rogê Antônio, and Takeshi Miyazawa

Superman: Space Age by Mike Russell and Michael Allred

Revenge of the Librarians by Tom Gauld

Pinball: A Graphic History of the Silver Ball by Jon Chad

Down to the Bone: A Leukemia Story by Catherine Pioli

So Much for Love: How I Survived a Toxic Relationship by Sophie Lambda

Welcome to St. Hell: My Trans Teen Misadventure by Lewis Hancox 

Chef’s Kiss by Jarrett Melendez and Danica Brine

Wash Day Diaries by Jamila Rowser and Robyn Smith

Animal Castle v1 by Xavier Dorison and Felix Delep

Bungleton Green and the Mystic Commandos by Jay Jackson

Flung Out of Space: Inspired by the Indecent Adventures of Patricia Highsmith by Grace Ellis and Hannah Templer Masterclass in writing a biopic that doesn't shy away from its subject's being kind of a wretched person while also producing art that is deeply meaningful to many, many people.

Rain by Joe Hill and Zoe Thorogood

Tiki: A Very Ruff Year by David Azencot and Fred Leclerc

Ten Days in a Madhouse by Nellie Bly, adapted by Brad Ricca and Courtney Sieh

Ultrasound by Conor Stechschulte

Tori Amos: Little Earthquakes, The Graphic Album (various)

A Visit to Moscow by Rabbi Rafael Grossman, adapted by Anna Olswanger and Yevgenia Nayberg

Look Back by Tatsuki Fujimoto

Shuna’s Journey by Hayao Miyazaki

Come Over Come Over by Lynda Barry

It’s So Magic by Lynda Barry

My Perfect Life by Lynda Barry What a lovely collection of comics. Barry captures being a teen in all its mess and glory.

Macanudo: Welcome to Elsewhere by Liniers

Always Never by Jordi Lafebre

The Pass by Espé

Mary Jane and Black Cat Beyond

Moon Knight: Black, White and Blood by Jed Mackay and Carlos Villa

The Nice House on the Lake v1-2 by James Tynion IV and Álvaro Martínez Bueno (Jordie Bellaire colors) I know Tynion can do horror, but he really really can do horror. This is like Glass Onion meets the worst nightmare you've ever had, and the way it unfolds is masterful. Martínez Bueno's art is dreamy and unsettling, especially combined with Bellaire who colors like she's painting oil slicks.

A Vicious Circle by Mattson Tomlin and Lee Bermejo

Booster Gold (1986) by Dan Jurgens Booster my friend Booster. I really didn't expect this to be as FUN as it is! There are occasional storylines that drag but overall a delight.

The Human Target v1-2 by Tom King and Greg Smallwood

Heartstopper v2-4 by Alice Oseman

Killer Queens by David Booher and Claudia Balboni

I Hate This Place v1 by Kyle Starks and Artyom Topilin I really need to read v2 because this was so fun. Queer backwoods horror, sarcastic, delightful, and never heavy-handed. I read this right after Killer Queens, which read like someone fed a bunch of Drag Race episodes and 2012 tumblr posts into a comics generator, and Heartstopper, which was so blandly unobjectionable I actually forgot I'd read it, so I Hate This Place felt refreshing as hell. (actually while looking up screencaps I remember why I didn't read v2 which is that v1 has a LOT of gore and body horror and I gotta be careful with that stuff. however if you like a slasher go forth)

It’s Lonely at the Center of the Earth by Zoe Thorogood Gut punch on every page. Thorogood's art is weird and wild. It does feel a bit as though she's opened up her ribs for us to peruse.

Chivalry by Neil Gaiman and Colleen Doran

Sensory: Life on the Spectrum (various)

Cryptid Club by Sarah Andersen

Public Domain v1 by Chip Zdarsky

Love Everlasting v1 by Tom King and Elsa Charretier

Mazebook by Jeff Lemire A twisting fable about grief and the paths it takes you down. A lot of the Eisner noms had dead wives or daughters which I began to resent, but I gave this a pass because it was really, really beautiful.

Ducks: Two Years in the Oil Sands by Kate Beaton Everyone has told you it's good! oh it's good. Beaton's style, which I associate more with her humor work, at first feels somewhat at war with the subject matter, but it ended up really working for me.

Days of Sand by Aimee DeJongh

Talk to My Back by Yamada Murasaki This was one of my favorite books of the whole year. Beautiful meditation on the compromises of marriage and motherhood in beautiful, sparse drawings that lingered with me long after I'd finished reading.

Crushing by Sophie Burrows

JUNE

Do a Powerbomb by Daniel Warren Johnson Do you like wrestling? I don't really care about it, but I do love weird wacky stories about grief and trying to fight your way through the afterlife to get your mom back. Both hilarious and poignant. The art is as bombastic as it needs to be.

The Night Eaters v1 by Marjorie Liu and Sana Takeda Liu and Takeda are back! This time with some horror about a pair of siblings and their fucked up parents. Great stuff.

Ripple Effects by Jordan Hart and Bruno Chiroleu

Superman: Up in the Sky by Tom King and Andy Kubert Oh the Clark Kent of it all. the panel where Clark is calling home from alien customs because he has flown to the ends of the universe for one little girl is really what got me in this one

Kingdom Come by Mark Waid and Alex Ross

Superman: American Alien by Max Landis and various artists

Superman Red and Blue (anthology) This is a whole lot of writers and a whole lot of artists and all of them are excellent. Once again the Clark Kent emotion is happening to me.

JULY

Superman: Birthright by Mark Waid and Leinil Francis Yu

Superman (2011) v5-6 by Greg Pak and Aaron Kuder

Superman: Warworld by Philip Kennedy Johnson and various artists

Justice League International by Keith Giffen, J. M. DeMatteis, and Kevin Maguire Booster my friend Booster is here and also so are all of my other new friends. I loved the initial run (though it has its weak spots) but then I had to slog through a lot of very bad later stuff.

AUGUST

Blue and Gold by Dan Jurgens and Ryan Sook

New Teen Titans (various Brother Blood issues) by Marv Wolfman and George Pérez

Acting Class by Nick Drnaso

Follow Me Down: A Reckless Book by Ed Brubaker

Girl Juice by Benji Nate

Little Monsters v1 by Jeff Lemire and Dustin Nguyen

Mimosa by Archie Bongiovanni

Who Will Make the Pancakes by Megan Kelso

Cat + Gamer by Wataru Nadatani

Goodbye, Eri by Tatsuki Fujimoto

Spy x Family v1-2 by Tatsuya Endo

Alice on the Run: One Child’s Journey Through the Rwandan Civil War by Gaspard Talmasse

Ashes by Álvaro Ortiz

The Extraordinary Part: Book One: Orsay’s Hands by Florent Ruppert and Jérôme Mulot The art and story here are simply so fabulous. A better world is possible and sometimes you have to take direct action to make it!

SEPTEMBER

Batman RIP by Grant Morrison and Tony S. Daniel

Batman Incorporated by Grant Morrison and Chris Burnham

Batman and Robin (2011) by Peter J. Tomasi and Patrick Gleason I've talked about this one before but I think it is truly one of my favorite depictions of Bruce as father in all the ways he succeeds and all the ways he fails. John Kalisz's luminous colors also deserve a shoutout.

OCTOBER

Batman: Failsafe and Gotham War by literally everyone currently working in DC but especially Zdarsky

Birds of Prey (1999) by Chuck Dixon and then Gail Simone and a number of other people (this continued into November and December) This made the worms in my brain wriggle so bad that I wrote a whole yuri zine piece about Dinah and Babs, coming to a PDF (or physical copy!) near you soon!

DECEMBER

Dungeon Meshi v1-11 by Ryoko Kui Is it romantic to devour and be devoured in turn? Ryoko Kui sure thinks so. I was hungry the whole time I was making these my bedtime reading.

Through the Woods by Emily Carroll Emily Carroll is among the best to ever do it. This collection of stories is her at her unsettling best.

When I Arrived at the Castle by Emily Carroll

Batgirl (2000) v1-3 by Kelley Puckett and Damion Scott thanks to Mssrs Puckett and Scott I am now fully unhinged about Cass Cain and her quest for immolation. the art in this is so stylized but so well-done, especially given how little text is in much of the series. when the paneling hits it HITS.

Bruce Wayne Murderer/Fugitive by everyone working at DC in 2002 When a good crossover storyline works, it really really works. I love to see Bruce completely blow up his life because he doesn't see any point in existing outside the cowl anymore. Even more do I love to see the fallout from this on everyone who loves him! delight delight delight.

and that's everything I read this year!! god there was a lot of it. I liked a lot of the stuff I didn't bold, but also I hated some of it. please feel free to talk to me about any of it!!!

[donnatroyprincessofthemyscira]

GoCollect

ComicListThis Week

COMICLIST: DC COMICS NEW RELEASES FOR 09/13/2023

Batman #1 (Facsimile Edition)(Cover A Bob Kane & Jerry Robinson), $6.99

Batman #1 (Facsimile Edition)(Cover B Bob Kane & Jerry Robinson Foil Variant), $8.99

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[sionisjaune]

'I actually love foie gras . . . ' Jenson Button has yet to win a Formula 1 race - but he does have a yacht in Monte Carlo harbour. 'How cool is that?' he asks Jan Moir

Excerpt via The Daily Telegraph, May 24, 2001

Jenson Button pads across the deep-pile, rich blue carpet that surges across his new, 20-metre Princess motor yacht moored in the Port de Monaco. He rummages on a shelf for the television remote control, lopes back across the cabin in his gangly, flap-footed, adolescent way and squeaks on to the cream leather sofa next to me.

"Watch this," he chortles, barely able to contain his delight. He presses a button and, after an expensive click, a 42 inch television screen rises silently behind the sofa in front of us. "How cool is that!" he yelps. "Yeah! There are a lot of cool things about the yacht - it goes quite quick and the jet skis are brilliant - but the TV is the coolest thing. Listen. It's got surround sound. And it's great for watching DVDs 'cos it's just like being in the cinema." He presses another button, and the screen obediently retracts. "Yup," he sighs happily. "You gotta go large, don't you?"

[cmatain]

El proyecto #LopeEstrenaComedia, candidato a los Premios Talía 2023 de la Academia de las Artes Escénicas de España en la categoría «Premio de Estudios y Divulgación»

Ayer martes, en un acto presentado por María Hervás y Antonio Resines, la Academia de las Artes Escénicas de España anunció los nominados de la primera edición de los Premios Talía, unos galardones que se entregarán el próximo 27 de marzo en el Teatro Español de Madrid y que nacen con la intención de convertirse en el equivalente de “los Goya” en el campo de las Artes Escénicas. En estos premios…