#Cannon of canon complicity

[deancas-stabfest]

Gonna Find Out Who's Naughty or Nice

Artist: MasoenArt Author: Seidenapfel Rating: T Word Count: 8,859 Pairing: Dean Winchester/Castiel

Tags: Alternate Universe - Canon Divergence, Case Fic, Santa Hats, Witches, Dean Winchester Hates Witches

Summary

During a case involving an entire coven of witches, Dean tries on a Santa hat. Nothing seems wrong, until he can’t remove the hat. Jingles start following his every step while his body changes. Slowly at first, then faster and faster, until he can’t hide it any longer from Sam and Castiel: Dean is transforming into Santa, and there seems to be no way back.

Artist Statement

When StabFest came I realized it would be posting around the holidays so a Santa-Dean stabbing Cas with a pinty candy cane popped into my mind. I had no story to go with it and my collaborator Seidenapfel worked her magic with it.

Link to Fic | Link to Art

Stickers:

[tossawary]

Something I found surprising when revisiting the prequel trilogy is how much the clones aren't full characters in the movies. They're props. They're devices. The films give them the same weight and attention as they give the Separatist droids, really. The only two clone troopers I can easily name off the top of my head who get "named" in any way are Oddball and Cody, who are both just barely in "Revenge of the Sith", and interchangeable in their roles with any other background clone.

It's interesting when held up against "The Clone Wars" and other extension material, which had the time and inclination to say more directly, "Hey, these are people and what's happening to them is wrong." Like, obviously what's happening in Ep2&3 is wrong, the audience can draw that conclusion on their own, growing people as cannon fodder is a clear part of the greater tragedy if you take about five seconds to think about the situation here. Even without the element of the entire war being constructed and controlled by the main villain, the clones are a tragedy.

But, oh man, the movies themselves don't really care to focus on that. It's SUCH a background element. I had a "oh, yeah, Order 66 being programmed into a control chip was a later addition to / clarification of canon" moment while watching, because as far as Ep3 actually shows us (as was the initial intention by some, I know), Cody apparently knew the entire time that he might be called to fire on Obi-Wan Kenobi and was just waiting on the call. The "homogenous evil army" trope is... very much present and even more identical than usual here.

By the films alone, you can easily assume that the clone troopers have no love for any of the Jedi (whom we're meant to believe are relatively decent people) for a variety of reasons. Their upbringing and training on Kamino was presumably cold and brutal. They're (possibly enslaved) soldiers in an even more brutal war. This army is offered no development or individuality that makes the appalling Jedi Temple massacre out of character for any of them.

But when the various Clone Wars shows first turned the clones into individual characters and even protagonists, many of whom are shown to be good people and become friendly with the Jedi through years of teamwork in life-or-death situations, Order 66 became weird. "Wait, why would the majority of clones (all the clones we see in the movies, at least) just go along with this? What went wrong here?"

I get why TCW and SW canon settled on the control chips option and I find it interesting enough. The tragedy of it all makes me want to lie facedown on the floor. Darth Sidious is really winning at sheer evilness here.

On the other hand, there are some really fun and interesting "Order 66 was taught, not programmed" AUs to revisit here. Especially when some of the other (Legends canon now) contingency orders include what to do if the Supreme Chancellor is incapacitated or declared unfit, or even getting rid of the Supreme Chancellor and assuming control by lethal force if necessary. Presumably these orders existed as a back-up in case Palpatine wasn't elected to the seat in time for the war or didn't manage to get rid of term limits and was replaced as Chancellor at any point.

That really sounds like Palpatine's evil army of ruthless Jedi-Killers (unchipped) could have easily backfired on him if they'd ever decided all of these non-clones were unfit and organized to take power for themselves. I love any scenario where Palpatine's arrogant and overly complicated plans get him in trouble. The "homogenous evil army" often gets treated as a mindless mob, but while the clones may have some degree of emotional suppression, they're clearly very capable and not unintelligent, and they're not given many (if any) reasons to be loyal to the Republic. And it is FUNNY to imagine any Dark Lord's created army deciding that he fucking sucks at war (there's obviously a leak, why the FUCK are they losing so much ground to fucking droids) and they're overthrowing him for better benefits, so that they can create and run a more efficient Evil Empire themselves.

You could make this angsty as hell or a comedy, or both. I'm imagining the clones at the eleventh hour murdering Chancellor Palpatine with such brutal efficiency that it feels like its own kind of prejudice. And he gets revealed as a Sith Lord in the process (this was taken into account as a potential problem when planning the assassination), so there's an initial moment of: "I can't believe it! He was the Sith Lord in the Senate all along! How did you know?"

Cody: "Didn't."

Obi-Wan: "...Pardon?"

Cody: "This is a coup, sir."

Like, if we're going by what's shown in the movies alone, there's a clear Emperor Cody AU to be had here. Which can be played as a temporary (years long) measure to reinstall a Republic with proper checks and balances, while a bemused Jedi Order and Senate are held hostage, or the First Galactic Empire is established as per canon just with the clones running it and reaping the benefits. I'm currently enjoying thinking about the latter scenario as a dark comedy, in which Future Emperor Cody (or the clone of your choice) has to negotiate in his spare time with the various demands of his fellow clones. (Who are, let us remember due to the horror that is the accelerated aging, a bunch of teenagers at the oldest here.)

Rex: "I want Tatooine."

Cody: "The whole planet?"

Rex: "Yeah."

Cody: "It's a shithole."

Rex: "Yeah, but it'll make Skywalker so kriffing mad, so I'm calling dibs."

Cody: "Noted."

And if you want to write shipfic, there's always the AU of various Evil Army Clones meeting their love interest and then going, "Not evil anymore! Sorry, guys." Which could be angsty or another dark-ish comedy.

Cody @ the clone commander group chat: "WE'RE NOT GIVING UP ON THE 3-YEAR IMPERIAL COUP PLAN JUST BECAUSE YOU HORNY ASSHOLES WANT TO FUCK JEDI!!! STOP TALKING ABOUT THE POWER OF LOVE!!! STOP IT!!!"

[aphroditelovesu]

Hi I have concept questions rate the yandere Greek gods, and who is most likely out of them with sexually assault or rape reader any gender I don’t know it came in my mind after I found out that Ares has never raped a women or man in my opinion that is a really shocking thing coming from the god of war I mean when comes to gods it’s a pretty good standard because I have read about so many sexual assaults in Greek mythology. for example obviously, Zeus is most likely going to force himself on reader he has done it many times and then the other one is Poseidon he did it with medusa if I remember correctly, so he is most likely to do it, and he has done it with other people and then Eros I don’t know why I just think he would do it and Apollo would do it and I actually thought Ares would would also sexually assault reader, but after finding out that he never did with anyone I don’t he would force himself on reader since he has never done it in Cannon fun fact, one of the sons of Poseidon raped his daughter and when Ares found out, he was furious and killed Poseidon son. Hades, this is another god I think he would not force himself on reader. But I’m not sure about Dionysus maybe he would and Hephaestus is another god who would force himself because he did it with Athena if I remember correctly. Aphrodite, maybe you would do it too. Hermes is another god I think he would do it too. What do you think can you Frank them from? Who is most likely to do it to who is least likely to do it and never do it at all.

tw: talk about rape/sexual harassment.

I would say the same ones you mentioned above.

Zeus and this one doesn't even need explanations. Poseidon, depending on the version, is said to have raped Medusa, but this is the Roman version and not the Greek, so it depends on which myth you prefer, but I think he would be able to force himself on the Reader.

Apollo would do it if he was rejected by his beloved, and he wouldn't even think he was doing anything wrong. Eros would also force himself on his darling if he was rejected in a very cruel way, then he would force them to be his.

Although there are no records of Ares forcing himself on anyone, as we are doing a headcanon and I don't work with canon but with the voices in my head, I would say that he could force himself on the Reader. And he wouldn't even need much for that, it can easily be motivated by jealousy, pure lust or just because he wants to mark the Reader as his.

Hephaestus... It's complicated, the reason he tried to abuse Athena is because of Poseidon, in a way. Poseidon became jealous of the closeness of Athena and Hephaestus and incited the god of forging to make unwanted advances on the goddess of wisdom, thinking that she liked him. He never actually raped her, it was more like harassment, but he came on her thighs and a child was born from that. Bizarre? Yes. Would he abuse his S/O? Look, it depends. I think that if Hephaestus was really consumed by obsession, by jealousy, he could force himself on his darling.

Hades would never force himself sexually on his darling. He can kidnap them (and he will), he can lock them up but he will never do anything against their will, sexually speaking. He doesn't want to be like his brothers and loathes it, so he would never touch the Reader without their consent.

Dionysus would do it too. He is delusional enough and the reason he would abuse his darling could be motivated by how delusional he is. The god would be so delusional that he wouldn't even realize that the Reader doesn't want to sleep with them.

Hermes would only do so if he wanted to dismantle power over his S/O. Like, he did that to them because he can, because they are his and that means he can take them wherever he wants and whenever he wants. A form of control and psychological torture, in a way.

I think Aphrodite would be the only one of the goddesses to abuse her darling, but for her, she would not be committing abuse but rather showing how much she loves them. And for her, the goddess of love, also the patron saint of prostitutes, what better way than to have sex with her darling? Even if it's not consensual.

[the-simple-creature]

Nuzi, Envy, and Vizzy. The big three of MD ships.

A big post about comparing these great ships and the reasons why people love them.

Reason #1: colors

N and Uzi are on nigh polar opposite ends of the color wheel, very obviously fitting their nigh polar opposite personalities.

V and Lizzy, while still very different from each other, aren’t quite as opposite as N and Uzi. Their colors more… accentuate each other rather than fully contrast. Again, very fitting.

N x V is very different from the prior two. Their colors don’t show how different they are but instead how similar they are… at least at first. At first it showed that they were cut from the same cloth, it felt like they were meant to be together. Now, in yellow, it feels like a reminder of how far they’ve grown apart.

Reason #2: dynamics

This one is probably a lot less complicated to explain.

Nuzi is two very common but very loved tropes combined: The “Two loveable dumbasses get up to shenanigans” trope and the all too familiar “opposites attract” trope. Somehow resulting in the queerest straight couple known to man, and we love it.

The Vizzy Dynamic is both really hard and really easy to explain because it has multiple different parts and interpretations and is not cannon (yet). The interpretation that most people in the Vizzy Nation have is Lizzy simply not fearing V and V being very confused but not necessarily disliking it. Also, two “tsundere” -type characters put together really can’t go wrong.

Envy, oh Envy. I’m so sorry, Envy and Envy enjoyers, but I honestly much prefer it in the past tense than the present tense. The “dynamic” of Envy to me is that it was so simple and so perfect, but it was just never meant to be. It is a very tragic and realistic story. I like Envy, not as a ship per se, but as a story.

I was wrong.

Reason #3: IDK bonus canonicity/legacy round

This is almost like a bonus reason because any sane shipper (oxymoron) doesn’t really care if their ship is canon, but it is a nice cherry on top!

Envy is, in a way, the ship of the past. Not in any negative way but rather a sort off… nostalgic way. A nice thing to look back on. Envy was canon, and it’s a good thing that it was.

Nuzi is the ship of “now”, as in episodes 2-8. The age where glitch is consistently supporting the show and the fandom is always awaiting the next episode. Nuzi is canon and always will be.

Vizzy, I predict, will be the ship of the future. When the only thing supporting the fandom is a bit of merch every once in a while, a few glitch inn shorts, and the fandom itself. Vizzy could be canon and nobody would complain but it will be more popular in the future.

It’s 1:30 as I’m writing this and oh god I need to go to bed.

(Feel free to add whatever you want to this!)

[curioscurio]

Reading a lot of Sherlock Holmes, and trying to draw victorian men accurately will lead you to learning that people wrote on their shirt cuffs often in ink because they were detachable and usually made of extremely starched linen or PAPER. working class men would find them stiff, overly formal, or not worth spending the money on it, but if you were mid to upper class then it was expected that you wear just as much complicated, sillohuete focused shapewear as women. Victorian men also wore corsets, especially military men, to achieve that puffy chest and flat stomach look around the 1820's.

The male corset fad had died down a little around the turn of the century (1880-early 1900's) as women fought for more comfortable and less oppressive shapewear, and effeminate men ridiculed for wearing the once fashionable and even medically recommended undergarmet. However, the male corset in the 1880's was still fairly popular enough to be advertised by dressmakers!

(Forgive me not citing my sources at the moment, but these advertisements I believe are dated around 1880 when mens corsets fell out of popular style but were still available and fashionable in certain circles.)

Therefore, it is reasonable to assume that Dr. Watson, being both a medical and military man... probably wouldn't have worn a corset at the time of his deployment around 1880, unfortunately. ( I know, we're all dissappinted.)

Not that he couldn't wear one if he wanted to! But based on ACD cannon, I really feel that he would not be the kind of guy to wear one. Call it speculation, but if I had been deployed and then shot in the shoulder and leg, wearing a corset would be all but torture on my body. Let alone trying to wrestle an injured soldier out of one while trying to stitch him up. Corsets for military men were more of a fashion statement than a medical device; and even then, it was only helpful for orthopedic reasons (back problems mostly).

It was also around that time that the Women's Dress Reform movement began. Despite the Sherlock Holmes novels being ripe with period-typical misogyny, I like to imagine that Watson would side with the women and medical professionals on this one, in that they were often restrictive, unnecessary, and medically harmful in the long run.

Sherlock Holmes, however, absolutely has a large variety of both male and female corsets for various disguises and probably wears them often. This isn't explicitly stated in canon or anything, I just feel it in my heart.

Sorry if this is all over the place or not completely accurate! I went down a rabbit hole but am totally open to any corrections! Also I think the idea of Watson lacing up Holmes and grumbling about corsets is a funny visual lol

[magical-awesome-kid]

Back on my Batfam Bullshit :)

So Tim canonically has the most bat shit (ha) plans in the history of ever that somehow work just so well when they are actually followed. He’s sixteen steps ahead at all times. There are slide shows he has prepared.

But my head cannon is that, as Tim gets more tired and more done with a case, a person, or just life in general, the MORE complicated it keeps getting. A simple drug bust somehow evolves into a mania of traps that would make Rube Goldberg wet their pants.

But then. Suddenly. Tim’s plans lose all sense of flaunt and fashion and mystery. No, it all cuts back to the bare bones. No gsmes, only win.

The problem? This is also when Tim is most dangerous, because he WILL say “just shooting the guy would make all my current problems disappear.”

So everyone is tag teaming to either keep Tim away from the target while the others solve the case. There is no question of if Tim will find the target but when.

[nqueso-emergency]

I wanted to vent: so one angry argument towards Tommy and LFJ is always the subject of the cameos and that we are obsessed with a version that does not exist.

Now, for the cameos I have the personal opinion that it is insane that someone pays $200 or whatever to get a few words from a celebrity, but that’s me being against the glorification of celebrities and thinking that people can use their money better, but not doing so is their pejorative. BUT once the cameos are out there and people share them and they are Lou’s head canons of Tommy, like what is wrong with that? He says “we don’t know, this is all I have created artistically”. Of course an actor has to outline a background for their characters, this is not the cardinal sin that people from the other side are making it look and neither that he shares them. This happens in interviews, cons… is okay and even nice that we can see his acting through the lenses that he acted the scenes.

And like the cannon already made a really neat job of outlining  who he is: he is a rebel (stealing an helicopter), capable (flying said helicopter in the worst conditions), loyal (stealing said helicopter for an old time friend), romantic (love actually), committed (arriving to the hospital), funny (not like that, they had Henley’s in the 80’s), friendly (as per Eddie), good people (as per Bobby), bold (kissing buck that time), complicated past (in the closet until the last 7 years, doesn’t speak with his dad). That is enough to like him a lot, I think.

(also LFJ is HOT)

I agree! I actually love the cameos though so idc if people buy them or not, it's no different than going to a con or buying props from shows/movies imo.

At the end of the day, their anger stems from the fact that Lou had no problem discussing the character at length because how dare a plot device have any fucking depth.

[icarusredwings]

I have problems incorporating Ellie because the comics/movie timeline does not link up, and I've had a hell of a time fixing the Xmen movie/Logan Timeline (because it has to make sense in my story damn it) I'd have to retcon wade banging Carmelita Camacho when he was broken up with Vanessa, and how do you do that tastefully?

So what is your opinion on how to do this?

Does it work in cannon?

Thoughts in general?

Okay so- Canonly to the movieverse, It's said that Ellie (Eleanor camacho) will not be in this universe, this is probably because Ryan doesn't like the idea of dipping on his daughter seeing in many comic universes, while he does take in Ellie he quickly realizes how crap of a parent he is, always on the run, always in danger, and he dosn't want her in danger (most times) so he leaves her with an adoptive family. He visits often, gives her a phone and tells her to call him any day or night for anything at all and he'll awnser, he plays with her often but has to leave half way through almost every time, her adoptive parents sometimes dislike Wade (for obvious reasons) but they let him come with them trick or treating and to her birthday party.

In the comics Ellie also is a big fan of Spiderman and peter meets Ellie a few times, saying he wasnt aware Wade even had kids, in which he responds that he wasnt either until a couple years ago. This is said as a joke since Ellie is only about 6 when this is said, but its true, Ellie was already born by the time he knew anything about her existence.

He even told her mother that she couldn't possibly be his because she's too beautiful. All in all, you can see him struggling so hard to balance his mental health, his work, his daughter, and just trying to live enough FOR her. She becomes his anchor, but really... really.. struggles to meet the standard of a "good father." To us, we can see how hard he's trying, but Ellie, her father, lies, doesn't come when he says he will, and all an all? Gave her away. It's a gorgeous story, really, depending on which one you read. Older Ellie eventually takes on the legacy of Deadpool in one universe and tells people loud and proud that she's Ellie Wilson and that she IS deadpool (similar to how Laura IS Wolverine).

Alright. Canon done and done.

Now. As the Board of Headcanons thoughts and opinions.

Yes- Ellie would be conceived during the time Vanessa and him are broken up, so somewhere between movie 2 and 3. I *Think* that it's implied that Wade went back to make Vanessa alive again, shooting himself in wolverine orgins, trying to kill baby hitler but failing, etc and then its implied (I think) that Cable goes back home after that seeing as in the 3rd movie the TVA says that he abused his powers with it and Wade mentions that he dosn't have it anymore. That he "smashed it" or something but Wade is a known liar. He probably returned it to Cable (or idk maybe he really did wreck it. Dropped it off the freeway or something- but then they probably could just fix it again idk) so he could go home to his daughter.

Im not entirely sure on the deadpool movieverse timeline, but I wanna say it's a good 6 years in between movies / how long he's been broken up with Vanessa? So yes, they totally could have had Ellie in the plot since Carmelita was a hookup. One that kind of was a bit Eeehhh if you ask me anyway since she only does it because she thinks she's about to die and wants to have sex again before that. He takes off his mask, and she runs off, probably leaving Wade feeling way worse then before hand.

Now I haven't read this specific comic, but she claims that she couldn't find deadpool for the entire pregnancy (accurate) and wanted to give Ellie up for adoption or she wanted child support (?) So Wade took her instead.

You could very easily label her as a sympathy/ rebound hook up from Vanessa but again, movie would be more complicated if he came back to vanessa with a whole kid so thats why they decided to keep her out (and child acting laws/pay probably)

There would infact have to be a whole argument of "Wade where the fuck did you get a kid!?" "Uhhhh shes mine" "no take her back where you found her thats someones daughter you nutcase!" "No no- I mean... shes literally mine.."

Which would do well inna fic where Vanessa and Wade stay broken up, because If my ex boyfriend had a whole kid with someone else I doubt it would be easy to get back together- but if you want it to where Vanessa is still together-ish with Wade then you will have to do something where Vanessa becomes kind of like a step mom.

With how young Ellie is- you could probably write it to where she fully believes V is her mom in the first place. The timeline makes sense that way, I think. You would just have to work out the whole "My boyfriend is having a massive mental identity crisis and is extremely depressed to the point he's neglecting his daughter"

And THAT would be the issue. Does Wade neglect Ellie sometimes? Yes. Is it for her own good? Yes. Would he EVER do anything to personally hurt Ellie? You're out of your god damn mind if you think yes. He does not want to be like his father so he would never hit her. Shout at her? Sure. Regret it? Instantly.

I also can't see Vanessa leaving Wade in such a dark place with Ellie and Al either. She definitely wouldn't leave a child in a home where she wouldn't he cared for- So you would have to have V take Ellie which would lead to Wade being MORE depressed, and maybe thats why he's trying to get his life together so badly? To get his daughter back?

Because normal dads have normal jobs right? Hence the car salesman gig. Maybe hes saving up to move to somewhere so Els and him can have a cleaner, safer, bigger apartment because Obviously sharing a bed with Al makes Vanessa look at him with somewhat suprise and pity. V would want him to get a place where Els can sleep safely and have her own space. Even if its their own apartment and wade gives Els the room and he sleeps on the couch, as long as shes his priority.

V taking Ellie from him would be a major eye opener for him to get his shit together.

(He also would probably call her all the time to talk to ellie and demand that Ellie dosn't meet Vs boyfriends or hook ups because HE'S her dad, not them, he'd kill a bitch if Ellie called them dad)

After the movie, when Logan and Laura are there, Wade can look at her and ask if he can have Ellie back now, and she tells him "Lets start with weekends." Because she can tell just how much he's actually gotten it together but hes not quite ready to have her full time again.

As time goes on with Logan, They would eventually have to move but yes, in about 6 months time he would get Ellie back and have his little family that consistents of a mommy, 2 daddys, a dog, 3 daughters, and a grandma.

[rayshippouuchiha]

I remembered your idea about Grimmjow mentoring Izuku and I have world building/background.

Grimm got to the bnha universe because some idiots were trying to summon a demon to kill some heroes and since there aren't any in universe the magic spell outsourced. The idiots did not survive their stupidity. Grimm is really annoying because he's pretty sure it's going to take at least a year to get home.

Finding and starting to teach Izuku delayed his plans, but not by too much. Grim figures he'll just wait for the kid to die and bring Izuku's soul back with him. Classic Arrancar adoption tactics.

Inko is a little uncomfortable with a demon adopting her son with a plan of making him another demon, but honestly Izuku's just so happy these days that she's cool with it. She does the paperwork to make Grim a distant relative.

People in the bnha universe don't really have reiatsu but they still have souls. Grim just has to teach izuku to reform his soul so it's bleach style instead. He's pretty sure that any of the many mad scientists he knows would tell him it's impossible, but izuka did it anyways so there.

For paperwork they claim that it's a family inherited work that is super finicky and requires a lot of control and often doesn't activate without life or death danger or knowing how to activate it beforehand. Which it is true, using reiatsu for stuff more complicated than "be stronger and hardier," let alone kidou, takes decades of learning. Even if hollow style kidou is easier to learn, it's not by that much. Grim mostly focuses Izuku on learning the basics of combat and maybe sonido.

Izuku ends up good at kicking people in the face like canon, but he also has throwing knives and a tanto to complete the danger gremlin evolution.

He kicks Bakugou in the face and breaks his nose. Their relationship isn't great but it's not as awful as in cannon.

Grimmjow is setting up connections with the villain community one day when he hears about some mysterious, powerful fucker called All For One. He hasn't eaten in a while, and that seems like someone no one will miss so he eats out for the day. The villain underground immediately falls into chaos but that isn't his problem.

Coincidentally, Inko's deadbeat husband finally stopped sending money. (Whether he's AfO or just some asshole who died in the chaos is up to you.) She shrugs and moves on. She saved and invested most money he gave them anyways.

Grim ends up running a dojo. First he just needs space to teach Izuku but I firmly believe that despite his general misanthropic tendencies he actually likes kids, so the whole thing balloons pretty fast. He ends up with this weird teenager who calls himself Dabi as an assistant, since the kid already knew how to fight pretty well.

With an actual support system Dabi ends up significantly less burned and significantly more sane. He works as a vigilante, killing marital and child abusers. He's really uncertain about what to do about Endeavor, because he wants to kill him but the man also scares the shit out of him, and he doesn't want to free his siblings just to put them in the spotlight. Grimmjow is less than zero help, but Inko gives him a big hug and helps him start to set up a legal case if that's what he decides to do. He's like Izuku's weird, obnoxious older cousin.

Speaking of the lov, Kurogiri got out and took Shigaraki with him when AfO died. They end up picking up the rest of the league overtime. All the kids try to convince Kurogiri to reach back out to his friends from when he was Oboro. They might or might not be vigilantes.

What are you talking about, this isn't a fix it fic.

The UA staff are deeply baffled when they meet Izuku's guardians: the sweetest little lady you ever did meet and what Aizawa is pretty sure is an actual, literal demon from hell. In hindsight, though, it makes sense.

Thank you for the idea! Sorry for shoving this thing in your inbox.

Never apologize because this is fantastic.

[yuseirra]

**alien stage final round spoilers**

I really enjoy looking at the feelings and relationship dynamics between characters when I see a work. I feel I got a better grasp of/understood that aspect after seeing that most recent alien stage video, so I'd enjoy talking about it. Before I begin, I respect all the canon interactions and appreciate what they give us. The major "ships" for this, I am aware of, they are all very valid and I find all of them intriguing and interesting to see!

This particular stage, I feel, shows a really good insight of how Ivan and Till's love's are conveyed in contrast to each other.

Ivan appears to be very mannerly and he's very kind towards the fans, giving a lot of fanservice, he's the "good boy" of the group (excluding Luka who's simply "made for the stage") while Till tends to be the rebel. He swears towards the aliens, tries to run away, and does the unexpected on stage, he's a loose cannon as they say, but when it comes to "love", their attitudes tend to be the complete opposite.

It appears that Ivan's feelings towards Till is very complex for it to be defined simply as "love"(although I believe it is) although he's reserved on the outside, I feel he's the one has the hardest time dealing with his own emotions, since it does exist, but even he himself can't actually make out what they are. Idk how it's been translated but I saw him defining what he had towards Till as "shallow(얄팍한)" and apologizing to him as being his victim of it, I think it's the contrary. It's way too muddled and complicated, the artbook also mentions that he'd be the only one who can know what that feeling he has towards Till is. And I'm not even sure if he himself does in a complete sense. What I can see is that he does care. However, it seems like Ivan doesn't know how to care for Till in a way that'd come across to Till in a way that he'd like. In turn, he keeps acting in a way that'd provoke him to make the guy look back at him. He ruins the flowers Till treasures that he's received from Mizi, punches him, follows him around, nudges him, and acts pretty imposing and unpredictable when it comes to Till, he does things that Till doesn't want. It's out of his interest and fondness but it just can't come across to Till as a good thing. He doesn't hate him (he's still pretty fond of Ivan when I read the artbook) but finds him annoying. The artbook defines Ivan's feeling as one-sided, and sadly, it is very much that way. Ivan is the one that looks most mature out of the 4 kids that grew up together (Sua, Mizi, Till and Ivan himself) but they phrase Ivan as someone who's grown in terms of body but has never matured from being a child (P 208, 211 in the artbook) The problem here is that he never learned how to express his feeling properly. It always... ends up in a way that hurts Till. Till fails to comprehend or make out just what's happened as he sees Ivan dead in the final moments of stage 6. While Ivan manages to achieve his desired results of having Till finally look back at him, that's also all he gets. It was predictable, though. I feel like they'd have had a much friendlier relationship if they grew up in a normal, humane environment. In the end, Ivan does realize he's being selfish. I personally believe it's both selfish and selfless, a bit similar to how Sua was towards Mizi. They do things for the other but also, they do realize it's what the other party wouldn't enjoy/fully comprehend while they do it. But they can't help it since they want the other to survive.

Till's feelings for Mizi has been always there, I kind of feel it could get overshadowed a lot from how immensely big and impactful Ivan's actions have been portrayed throughout the series, but I really appreciate how they acknowledged Till's feelings for her's also something that's very genuine and what's gave him light. I read that the idea that Till had a crush on Mizi was there from the very early stages of development from the artbook. That's a crucial part of his character. And unlike how the usual "reserved and gentle" Ivan can get pretty aggressive to get a reaction out of Till (nothing against Ivan, just analyzing) Till's love is also pretty much unrequited, but he acts very selfless and gentle towards Mizi, he never does anything that'd.. affect her in a strong sense except for trying to express his feelings through music. While Ivan pokes, punches, grabs, kisses his love to get his attention, Till tends to blush and run away. This guy is very aware of what his feelings towards Mizi is, yet I think he understood his position and how much Mizi loves Sua so he keeps at a distance. His commentary about Mizi is that he believes "she's the most beautiful being in the entire universe and he felt reborn when she smiled at him." Oh wait?? he's an INFP??? REALLY??? Looking at the artbook and..;;hshshg to imagine an INFP acting like him.. oh, he must have suffered A LOT;; I guess he was always on edge in those harsh conditions then. His feelings towards Mizi didn't really come across so much either, as it is said she thought Till was evading her, she wanted to be more friendly with him being the jolly and sweet person she is though.

The outcome for these two are very similar but different. When I watched Till's fate..(yeah, I was shocked he almost NEVER stood a chance against Luka despite how good he is too;;) I think I felt sad, but I was.. also happy for him that he realized Mizi does genuinely care for him. What Ivan got wasn't mutual, Till didn't understand.. and he was engraved, but as a source of trauma (I find this inevitable though seeing how that stage played out). Mizi smiled at Till and he was so happy to see her again he immediately lit up and tried to reach out to her while the stage was still going on, their eyes meet, the way Ivan and Till did on the previous stage, but it was welcoming and out of glee. Of course the one Mizi loves is Sua, but it was sweet to see Mizi really caring for Till as a friend. He's also what she's wanted to save, and Till was suffering after he thought Mizi was gone, but he got that sense of relief in his last moments. There was a comment I found that I found was quite insightful about this situation. He doesn't ask much in return, he always was that person that'd accept and appreciate what she gave him. Was that really enough for Till? I'm not sure but, he was still happy from everything Mizi had given him. I do see Ivan having a harder time being the same way because Till would have been so focused on Mizi to look back at him if he was as passive and accepting as Till was to her, and besides, I think the type of "love" they have may not exactly be the same although it can be categorized as "love". "Love" comes in many different forms and it grew in ways that were affected by their environment and personalities. I appreciate how that was depicted. I feel Till's love towards Mizi is just as powerful as Ivan's love towards Till was, it displays the different types of one-sided love.

I can talk about Sua and Mizi's dynamic too, with that I'd be talking about all the four major ships (I talked about Hyuna and Luka in another post earlier!) but maybe I'll do that another time.

However, I'd still like to mention what I found interesting in the artbook! They say that Sua wanted to protect Mizi's naivety and shield her from reality, because she found salvation in it. It was a place of escape for her, they say (p44) she gave Mizi hope that there would be a good ending, and that's how Mizi completely broke down the moment Sua was gone. Mizi really didn't see it coming while Sua actually did as she sang. Sua wanted to remain in that moment forever with Mizi, they say (p39) she depended on Mizi as much as Mizi did for her. The artbook gives out a really good insight in terms of about how the characters feel about things and it's very colorful and thick and great to see in general, so I recommend you to buy it if you are interested in the series. I'm not a hardcore fan of this piece (yet) but it was still worth every penny to me so, I bet it'd be a gem for those who really care for it~

[badass-queer-couples-battle]

Sword gays showdown, round 1, bracket two

Propaganda:

For Kiku:

She is almost 10 feet/3 meters tall and is a gorgeous trans woman and samurai, who is very loyal to her allies. She gets recognized as strong by the main character multiple times and proves it by being one of the most resilient badasses in the entire series. Helps break said main character out of the enemy's prison and takes part in a rebellion against the corrupt prison staff. She stands up to a tyrant who enslaved her country, said tyrant can also turn into a giant dragon. When the highest ranked sumo in the area is abusing class privilege and harassing both the townsfolks and her, she cuts his top knot off in public, effectively ending his career. Then after cutting the sumo's not knot, she uses her great acting skills to win the crowd to her side by playing the innocent maiden and being all "oh, no, what have I done?" (She knew exactly what she did >:) After her country is free, she also gets to enjoy being girly and mellow once everyone is able to relax, and everyone respects that side of her too. All of this at just 22 years of age, what a cool lady

She's a samurai who's great with a sword and she's also trans.

She is cannonically trans and is a very cool swordswoman!

Trans samurai!! Kenshi is gender neutral, but this is a swordsWOMAN

One of the most powerful samurai in her country, also a trans icon.

She’s canonically trans and awesome and pretty and she’s so tall! 🏳️‍⚧️

For Luo Binghe:

This boy not just studied the blade, he learned the blade FROM HIS CRUSH. And not only that but he actually has tons of symbolism around BOTH of the swords he wields over the course of the novel. His childhood sword gets broken when he's about to be thrown into his corruption arc, but the pieces are carefully preserved by his crush, and later he rebuilds the sword in question. Once he is fully freed from corrupting influence of his other sword, he uses this one again! It represents his inner goodness that gets broken, but is never really gone. The other is a cursed sword representing toxic masculinity that corrupts his mind and pushes him to harm himself and others. It gets destroyed in the end thru the power of gay love!

His sword is first broken symbolizing his trauma and loss of innocence when he is kicked into hell. Then his other sword, Xin Mo, which he finds in hell, represents toxic masculinity and he breaks it at the climax of the novel. It can also dimension travel and is evil.

Binghe has two different songs in this book and a complicated relationship with both of them. First there is Zhen Yang which breaks at a dramatic moment and is mourned over by his teacher/love interest "like a grieving widow". And then there's Xin Mo! His "golden finger". The most ridiculously overpowered sword in the world, it can even cut rifts in the fabric of the world. It also runs on sex and violence and drives him to madness which can only be cured by the aforementioned love interest sacrificing himself... or by sex!

[deancas-stabfest]

It's a Stabby Life

Author: seidenapfel Artist: Arlington Rating: Teen and Up Word Count: 4,370 Pairing: Castiel/Dean Winchester

Tags: AU - Canon Divergence, Episode: s04e17 It's a Terrible Life, Fluff and Humor, Memory Alteration, First Kiss

Summary

Dean Smith’s life as Director of Sales and Marketing at Sandover seems perfect. If there weren’t the dreams, and his new colleague. When he runs into Castiel and accidentally stabs him with a knife in the cafeteria, the guy walks away as if nothing happened. Maybe it didn’t and Dean is simply overworked. But then it happens again, and again, and Dean’s perfect life slowly falls to pieces.

Link to Fic | Link to Art

Stickers:

[being-of-rain]

I'm not a massive fan of franchises pulling twists that retcon decades of history without a meaningful reason to do it and a good story to back it up. So Empire of Death saying that Sutekh has been a stowaway on the TARDIS for something like thirteen of the Doctor's lifetimes didn't really do it for me. And if that's the case it does feel like something of a cosmic coincidence (which I know RTD can be fond of in his arcs) that all the signs of the occupation start showing around the exact same time. (Namely: the Susan Twists appearing for the first time to the audience at least; a mystery that intrigues Sutekh enough to bend reality, because I guess no other Dr Who story arcs have been juicy enough; the TARDIS making a weird sound, which was such a strange arc element to put in The Broken Time Ship Makes Strange Sounds show; and other gods infringing on the universe and speaking ominously about him.)

So I do like the idea that it was in fact the thin, lightly salted laws at the edge of the universe that allowed Sutekh to properly climb back into reality and into the TARDIS, and that any retroactive observing of the Doctor or seeding of the universe with Susans he did was through the TARDIS' complicated relationship with spacetime, or any godlihood that the time vortex gave him or whatever. Honestly Sutekh's explanation about how he got to where he is today is vague enough that I don't really feel bad about interpreting it how I want to.

I know I already sound like an awful old fandom grouch, which I'm sure I am, but I also didn't get the Doctor 'bringing death to death' at the end of the episode. Even on a conceptual or symbolic level, to me that feels like adding a negative to a negative. Not to mention the Doctor doing it by dragging Sutekh through the vortex and then seemingly dumping him in it to kill him, despite that purportedly being what he's been doing for the last few thousand years and it turned him into a god. But after rotating it in my mind a bit, it did sort of make sense to me as the Doctor reversing Sutekh down his own timeline, unwriting him (and at least his most recent, largest effects on spacetime) so that his existence unravels. The canon-welder in me can't help but wonder if the Doctor was using his Time Lord knack for dematerialising as seen in The War Games, perhaps even the powerful influence on the universe that the Time Lords have in Death Comes To Time; something he never wants to use as a weapon on principle, and is deeply ashamed to be put in a position where all of the universe can be saved if he just utterly destroys one life.

Or if you think this is all silly, that's okay. This is just how I have fun 😊 I hope everyone else enjoys TV shows in their own way.

Now I just need to do some canon-welding to explain why there's a whistle-activated laser cannon in the TARDIS console.

[a-shoebox-named-meap]

aight. have some nimona canon divergence AU fic ideas because i’m no writer but i AM going insane

as a huge fan of canon divergence AUs where One Small Decision Changes Everything™ i can’t stop thinking about little bits and pieces from the nimona movie like:

what if the squire had shown ambrosius the video (ohh a fic like this would be Delicious) (mm ambrosius x squire tag team) (ballister’s two biggest fans) (this might be one of my favorite ideas so far) (lots of potential here i feel like)

now there have been a lot of people asking “let’s feel some ANGST what if real ambrosius had walked into the director’s office before nimona” but i will take that and raise you: what if ambrosius had walked in while nimona was doing her thing in the director’s office. perhaps around the time when the director stabbed fake!ambrosius. please consider. may the chaos ensue

ballister had noticed his sword-laser-cannon powering up and moved it away from the queen but it hit something else! or someOne else! (or it killed the queen anyway but still hit somebody else in the process) (oh gods what if it took off his own arm) (or even ambrosius’s—) (can you imagine the kinda twist that would occur if he took off ambrosius’s arm by accident and ballister not resting until he found out who the real culprit is skdjdjdjdjddj) (oh but wait let me make this WORSE what if he hit ambrosius instead of the queen ((don’t worry ambrosius is wearing armor, he doesn’t die he’s just,,, gravely injured?)) and ballister, even if he still gets framed for it, will stop at nothing to find out who did this to ambrosius) (now incorporate nimona into that storyline and hoohoohoo) (i’m rubbing my hands together like a maniacal fruit fly right now)

what if they had uploaded the squire’s video when they got it huh. what then. back it up to the cloud. or just TEXT it to ambrosius you Fool. you absolute Buffoon. (but perhaps this seemingly obvious course of action results in some unexpectedly dire consequences oh no—)

“ooh… nemesis.” “nemesis?” at which point nimona and ballister get stuck in the closet, nimona reveals her shapeshifting abilities, and oh, screw it, if ballister’s situation with his arm-chopping nemesis is really so cOmPLiCAteD then maybe since they’re breaking out of jail anyway they might as well kidnap ambrosius while they’re at it. aka the au where nimona breaks ballister out of jail and she takes ambrosius with them. (i am FEASTING on the possibilities of this one)

let’s take todd’s suspicion and blame directed towards ambrosius (“why didn’t you tell us ballister was working with whales?”) and dial that up to 100. slowly, though, not too fast, it’s gotta build momentum. let’s breed some mistrust in ambrosius. let’s see people refusing to let ambrosius lead the manhunt for ballister on account of their close relationship. let’s see people turn their backs on him thinking he was a conspirator. let’s see ambrosius losing the public’s favor. let’s see ambrosius starting to feel some doubt when he’s alone in his room — let’s see ambrosius wondering what if people are actually as wrong about ballister as he knows they are about ambrosius himself. (what if everybody hates ambrosius too—)

this one is not nearly as straightforward a canon divergence but ponder this: the director noticed the squire was there in the locker room (?) that day and swapped out the swords after the squire had left. or maybe she swapped it out before the squire was ever there. the squire never knew the director had been there. there was no video evidence. now what? up to you >:)

ok hear me out. the squire is a #1 ballister fan right. the squire is probably very careful with the swords and armor he handles. the squire is probably intimately familiar with the swords and other various weaponry and armaments of the institution. the squire is probably very familiar with ballister’s in particular. when ballister first picked up his swapped-out sword he noticed something was off about it, but what if — WHAT IF — the squire had noticed something was off about it first. now of course there’s Possibility #1 where he sees the director swap the sword, and then he checks out the sword and feels that something is wrong with it etc etc (or maybe he mistakes the sword change for an equipment upgrade) BUT now let’s combine this with the previous bullet point for Possibility #2 where the squire DIDN’T see the director swap the sword but he DID notice something was off about the sword before ballister did and actually investigated it. would he discover the hidden weapon, or not? if he did would he bring it to ballister’s attention? ambrosius’s? the director’s? what if he caught the hidden weapon but didn’t mention it and then the queen died and the squire was left fully believing ballister killed the queen (ballister knows mechanics, you’ve seen his arm, it’s plausible he built the weapon into his sword himself) and then ballister and nimona kidnapped him and interrogated him and ballister and the squire were left spiderman meme-ing each other like *points* “i thought YOU were behind all this!” and now the squire is an unwilling sidekick dragged into this by nimona and ballister to figure out who the real culprit is and there’s ACTION and ADVENTURE and COMEDY and it’s absolutely metal—

the squire really feels like a lynchpin in this story is all i’m sayin

if you can’t tell i’m also a fan of happy endings. in my brain most of these canon divergences result in a similar happy ending as the movie. except maybe faster (not always). which i enjoy because i’m sappy and silly anyway thank you and goodnight

[dust-jacket-analysis]

With the recent potential developments in the My Hero Cannon lately, shipping discourse is at an all time high. Spoilers, by the way.

Izuocha is allegedly made canon in some sort of final chapter of My Hero. And the Togachako and Bakudeku shippers are screaming, crying, throwing up. The Izuocha shippers are ecstatic, and everyone else is watching this absolute dumpster fire of a situation develop. And with this all, some feelings have been spun up. So I'm gonna talk about it.

First and foremost, Izuocha was always going to be canon. Sorry, not sorry. It was implied from the get go. Right off the bat a mutual crush was confirmed. While it focused more on Ochako's feelings, Deku definitely felt the same as the series progressed. All the blushing and awkward tension was there. And I say this not to invalidate the other ships, we'll get too that. But because this is pure fact I want established.

Now, it being well written, is another story. Obviously My Hero was never intended to be a romance. It is a Shonen anime, mainly action. While also making social commentary on corrupt governments, and discriminatory social systems. Those were always the main themes and points of the series. With Bakugou and Deku's complicated dynamic being second to that, and everything else prioritized after this. so naturally Izuku and Ochako's romantic relationship would not be as focused on. Hence why it's writing is not as good. It's just important to clarify this.

Which brings us to my actual main gripe with the whole situation. The way this fandom is invalidating not only just shipping, but relationship dynamics as a whole. And I've seen this with a LOT of fandoms. People tend to find they're OTP and stick to it. Buying their heads in the sand like Ostrich's when it comes to any other dynamics those two characters may have. People will say "My ship makes the most sense, and all the other ships are ridiculous," or, "I can't see them being anything more than platonic. My ship however, is meaningful and romantic."

That all lowkey pisses me off. Because when pushing that we forget a key detail of the human experience. As we go through our lives we meet hundreds of people. Form hundreds of group and individual dynamics, forge relationships with these different people we meet.

It's the beauty of being creatures with consciousness. Because we don't just meet someone, breed and die. We meet so many people who are all unique in their wants and desires. Different life goals and motivations. Different experiences that've shaped them.

Toga met Ochako. A girl who understood her more than anyone she'd met before. Who didn't see her just as the villain she'd become, but the girl she'd been and was still. A connection that meant something. But she also had the League of Villains, and Twice. People she'd found home and family in. As twisted as it was. Another meaningful connection in her life.

Bakugou Deku's dynamic is a huge section of conflict throughout the story. Despite that though, through all their ups and downs, they help each other grow. Become better Hero's and, in Bakugous case specifically, better people. It's meaningful. But Bakugou also meets Kirishima. One of the first people to ignore his threats and anger, her shouting. To put himself next to Bakugou and say "I want to be your equal. Your friend." And Kirishima plays a big role in softening Bakugou. And Bakugou helps Kirishima with his confidence. It's meaningful.

Just like how Deku and Todoroki's dynamic is important for both. Deku helps Todoroki to understand he does not have to hide parts of himself to spite his father. "It's yours! Your quirk, not his!" It's a huge break through for Todoroki. And in turn Todoroki is one of the people that helps Deku realize he can ask for help, he can lean on his friends. That needing support isn't weak (a lesson Deku also helped him learn), and that it doesn't make you a bad hero.

And Deku and Ochako. She's one of the first people to truly believe in him. To look at him and say he will make a good hero. One of his first friends. And Deku helps Ochako in that same way. He also inspires her to work harder and eventually she realizes she wants to be a rescue based Hero.

But Ochako also meets Toga. A girl cast out by society for her quirk, which she uses unashamedly. It helps Ochako see villains in a different light. One of empathy and understanding. While she still wishes to hold them accountable, she now sees the circumstances for how villain's are made. And she makes it her life to help other Children with quirks like Toga's to not become villains through quirk counseling. It's meaningful. All of these different dynamics shape the characters in different aspects of their lives and personality. Each dynamic is important, just as much so as the next. Whether platonic, romantic, or otherwise. They mattered. To invalidate that because it's not a ship you like is asinine.

Also, people can fall in love with more than one person. Toga fell in love for both Deku and Ochako, on different levels. And I argue Ochako did the same. Deku can love Ochako, Bakugou and Todoroki too. Bakugou can love Deku and Kirishima. People can fall in love more than once, regardless of who ends up with who.

At the end of the day, it doesn't matter what's canon. It never has. Fandom has never cared or let it hinder the way it operates on tumblr, ao3, etc. You still get meaningful dynamics in the source material. Relationships that shaped the characters and their story.

[creatingblackcharacters]

I apologize in advance, this guy spent a decade rotating in teenage me's brain.

I feel really complicated about the Drizzt article for a couple of reasons. One, Drizzt was invented in the late 80s/early 90s, and was one of the first attempts to have a 'good' Black character in mainstream Written By White People Fantasy. Two, he was also one of the first canonical portrayals, if not the first, of any moral complexity in the canon of the D&D multiverse. Before him, drow (dark elves) were completely evil cannon fodder. Suddenly there was nuance, and entire races that were considered universally evil in the canon had the opportunity to be reconsidered. Three, the author who invented him was not the author who invented the 'dark elf = evil' canon, he was working in an existing universe with existing rules and turned everything on its head, for the better.

While he is not a perfect character, or perfectly written, he is a very important milestone and should be treated as such.

I am not in any way trying to criticize you, I however do feel like that article did not give him the context he deserves.

I hope you receive me respectfully because I am speaking respectfully.

You are right about the importance of context! It should be provided when making arguments like this, and this character existing was an important milestone for D&D as a form of entertainment. I do favor the high top fade on the elf.

That being said, even with the context, I personally don't have to value that the milestone for making D&D more complex with better, fuller writing for everyone else, was through a misunderstanding and misapplication of racism via a Black character that continues in fantasy to date. By that time, there were Black writers and players that could have contributed, and I wish that the white author had referenced them so that he'd done it properly. So I understand the importance in the character's existence! It's just that the intent was there, the delivery was not.