#Can you tell I have a lot of feelings

[lazylittledragon]

please continue with dadstarion if you want to. we lov him

don’t worry i don’t need to be asked

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[tiredandoptimistic]

One of the things that's deeply important to me about Margaret Houlihan as a character is that even as she grows past the "she's horny but also military" jokes, neither aspect of her personality is actually diminished. Throughout the entire run of the show she displays both traditionally masculine and traditionally feminine traits, and despite the apparent contradiction neither of them actually need to override the other. She wants to get married and be taken care of while also maintaining her career and a dominant role in her relationships, she wears lingere and boxers, she dances and punches, she can do both. I feel like it would have been really easy to make her settle into just one characterization, either supportive and feminine or dominant and masculine, but that never happens. I think that's what makes her such a good and well-rounded female character, because she actually feels like a person with depth who happens to have wants and interests that don't all come in a prepackaged set of tropes.

Additionally, I really like that the two main things she was mocked for in the early seasons (liking the army and having lots of sex) are never negated, they're just given more empathy. Even though the show is largely anti-military, Margaret grew up in the army and very strongly values discipline. That's not a bad thing! The bad thing was when she would attempt to bully other characters who don't live up to her standards, and the show actively addresses those outbursts in a more sympathetic light with episodes like "The Nurses." Same goes for her sexuality; even as the show goes more into her desire for a meaningful romance, she never stops having one-night stands. There's nothing wrong with being a woman who likes sex! She can be hot and enjoy feeling hot and enjoy seeking out purely physical relationships, and that doesn't make her a shallow person; the shallow people are the ones who judge her for her sexuality without knowing anything else about her. I really love the scene in "Are You Now, Margaret?" when the guy accusing her of being a Communist tries to slut shame her to the Swamp rats, and they're all basically like "yes, she enjoys sex and has a lot of it. So fucking what?" that's such a good and mature take to have!

I'm not sure exactly where I'm going here, I just love Margaret and that she gets to exist in this nebulous zone of both masculine and feminine. She can be the manliest one of the main characters and that doesn't make her any less of a woman. Neither of these images are a facade, they're just different facets of who she is; she doesn't need to give one up and settle into being either a major or a mrs.

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[fumifooms]

I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after

The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually

Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-

He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.

And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.

When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings

"Man they really know what you hate huh". Being socially unaware literally plagues him, he knows, he knows it so well.

It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)

"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species

[bookishjules]

i think the show is playing a smart game of chess here, getting each of our characters in the positions they need to be in. in the arch museum, percy almost tells annabeth that he'd choose her side over his dad's. we know in the books, that this is the sentiment annabeth gives percy in the zoo transport van.. but at the point that percy says this in the show, i don't think annabeth would be prepared to respond in kind. she's too loyal to her mom, to the systems she's learned to abide within. in order to get her to that point, she needs a reason to put percy first.

by making the echidna attack at the arch occur because athena got embarassed and upset about her daughter standing by while another kid made a decision.. and then having percy be the one to stand up and defend annabeth against the monsters that had basically come from athena at this point.. the show is giving annabeth that reason. athena will fight her. percy will fight for her. and now suddenly her character is perfectly positioned to choose percy.

[the-meme-monarch]

what if i Entirely made up another relationship but with the express intent that they Don’t get together actually. this started out as a lol an lmao even but honestly i think i needed this. cathartically

based on the tags of my post here

👍if you ship scc go away

[amphibianaday]

day 1821 - half a decade!

redraw of day 1, 364, and 1000, but with a twist - now it's also my frogsona :D

for now i'll be taking a (maybe permanent) break for at least the rest of the year! see you in 2025!

previous versions for comparison below!

[dustbunsinspace]

Part of 🟢 Leo gets Overwhelmed au🟢

Aah, I’m so happy I made it in in time! 💙✨ Merry Christmas, tumblr nation! Here’s a little comic about 03 Usagi and Leo going so see the Rockefeller tree after the events of the Christmas Aliens episode.

Little post about events earlier that night

Also this is literally how maskless Leo looks to me, he’s so moomincore ;

[virgo-dream]

Star Trek has already pioneered so much in culture, technology, filmmaking and it means so so so much that they’re using this legacy to advance tech once more to create canonised old man yaoi of Kirk and Spock

[otaku553]

Procrastination doodles of sabo for the king sabo au :)

[lorebird]

In which Ford struggles so badly to relate to other people that he wonders if he’s really human at all. The more isolated he becomes, the harder it is to reconcile with his own humanity.

[bacchuschucklefuck]

pygmalion and galatea for aroace people

you should tell your friends what I look like, riz gukgak.

[bayetea]

there are many things about hazel's povs that have an intensely de-racialized vibe to them (read: divorced from the black girl experience) but I think any black person will tell you that the most obvious sign is the complete lack of attention paid to her hair

like firstly:

she's from the 1930s her hair was definitely getting permed and straightened (it was not acceptable to just wear your natural hair out back then. optics + cultural assimilation/you'll be hard pressed to find photos of black american girls with unstraightened hair in that time period unless they're from like..... harlem)

I do believe that marie was straightening it for her For A Time but then she became more neglectful and stopped so hazel had to do it herself. I'm almost positive that hazel wouldn't have even been permitted to set foot in her school building without straightening it because that's just how much of an expectation it was

ok she comes back from the dead. what's she doing to her hair now bc it's not just gonna be cutesy effortless curls falling over her shoulder no matter what the length is

how does she feel about living in a time period where natural black hair is more accepted (read: more, absolutely not fully)

there are no black people around her At All. in fact she's around a lot of white people on the argo (+nico) so that would probably be giving her some intense feelings of double consciousness (look this term up if you don't know what it means) and that would inform how she feels about her hair

theoretically she ought to be wearing her hair in braids for simplicity's sake but I think it's more likely that she would cling to what she knows (perming/straightening) because it's not easy for a 14 year old girl (PSA hazel is 14.5 in hoo not 13 btw 👍) to go from assimilating to deeply-ingrained white hair beauty standards to just proudly wearing a distinctly black hairstyle all by herself

mind you black women and girls can do whatever they want with their hair and straightening/perming it does not always/have to come from a place of self-hatred or whatever but in this particular case back then straightening one's hair was political And a survival tactic. it was as normal as brushing your teeth. it was enforced through dominant cultural messagings about the Absolute Necessity of conforming to white conventions of beauty. if you don't understand then think of it similarly to how you'd think of 1930s women needing to be perpetually dolled up and modestly dressed in order to be considered "good women" and anyways I'm just saying that this would be a lot to unpack for a 14 year old girl so hazel's probably just continuing to do this impractical thing (straightening her hair all the time) like 60% out of habit and 20% out of shame and 20% she doesn't know what else to do

something something about a missed potential character arc regarding all of this and in general there's so little mind paid to race in hazel's povs which is just ridiculous to me because a black girl from the jim crow era should have at least a few feelings about where she fits into modern society even if that society is camp jupiter. rick demonstrates his capacity to talk about how his characters feel about their race most notably in the kane chronicles so I don't think was too much to ask for. see this quote from an early son of neptune chapter:

^ like....... hazel's feelings of out-of-place-ness are There in the text and important to take note of when understanding her character (note that she's been there for like a year already and she still feels like she doesn't belong) but the emphasis is always put on her Being from a different time or Being undead and is never put on her out-of-place-ness regarding her race as a black girl from segregation times who is literally so out-of-place in this weird post-racial camp jupiter society. it feels like such an obvious thing to consider so its glaring absence really bugs me when I reread her povs and it bugs me when her hair is never talked about by extension because It Matters

you might be thinking "well she had a lot going on and she's not a superficial person maybe she just didn't care what was going on with her hair" and my response is simply that Black girls don't get to "not care" about their hair it is not the same thing as a white person going to school with bedhead it's not the same thing At All (if you aren't black then chances are you've never actually seen what untouched black hair looks like in the morning), especially when it's been beaten into your head for your entire life that your hair is ugly and you have to "do something to it" for it to be acceptable (and again...... she's from the 1930s so that feeling is magnified like 50x over). remember that perpetually dolled up modest 1930s woman I mentioned previously. picture her time traveling to camp jupiter of all places in 2010 and struggling to drop all of her makeup/hairstyling routines and internalized misogyny and conceptualizations of what women are "supposed" to be. this is the kind of fascinating character exploration that we really missed out on with hazel (and tbh regardless of her race she was never believably written as someone from the 1930s. I don't think rick even really tried to be honest)

you might also be wondering "how was rick supposed to know/attempt to portray any of that" and then my second answer is that If you're going to write a character who is not the same race as you then you should do some research and we have the internet now so research has never been easier 👍 this would be especially important to do if that person is a poc from the jim crow era I think! (he could have at least googled black hair 1930s)

anyways what I choose to believe (this is pure fanfiction) is that during hazel's first year at camp jupiter (remember that she was there for about a year before son started) nico would have helped her figure something out after observing her distress over her hair c: like they both secretly watched youtube videos on black hairstyles circa 2010 and then they got attacked by monsters for using a laptop (neither of them know how to use a laptop but he's trying his best for her) but then after killing them he helped her do her hair as something she likes that is easy to maintain <3 (I could also see reyna doing this because she surely knows a thing or two from her spa days)

[ohno-the-sun]

Found this old comic in my drafts

[epicfirestormer]

Will never get over how Starscream and Skyfire's relationship is always doomed. There's never an iteration of them where they both stay on the same side at the end. They always end up being against each other, tearing each other apart (whether intentionally or not). They always end up losing each other, be it by a snowstorm, by the war, or by death itself. They never receive a happy ending together, one if not both of them is doomed to suffer.

Skyfire is doomed to be an Autobot, by forces out of his control. Starscream is doomed to be an Decepticon, by his own self destructive tendencies. They are both doomed, because of who they are. They always try to save the other, in their own way. But it never works. They are doomed to fail, whether they stay together or not.