#CRAMS Market

[bishtmeenakshi]

CRAMS Revolution: Riding the Wave of Innovation in a $132.8 Billion Sector

Experience the CRAMS revolution in the $132.8 billion sector. Explore market size, segmentation, trends, and reports, along with opportunities and challenges shaping the contract research and manufacturing services industry.

[victoryrifle]

FALLOUT: Season 1 Episode 2 “The Target”

[dnncats]

heart-dropping 🫀💥

sharing this keychain design i made and sold at a local art market last weekend! absolutely love the silhouette it casts

[here-there-were-dragons]

i do not think there are numbers yet invented to measure the amount of psychic damage i took from this advertisement title

[aliceinunderw0rld]

being forced to watch the trailer for the unbreakable boy in a theater showings for sonic 3 should actually be considered a hate crime

[bunniesandbeheadings]

My controversial opinion: I thought the napoleon movie was OK

[comingoutofmycave]

Hey get to know me

This is everything I do that makes me exhausted and results in me getting ready to fall asleep at 9:30pm on a Wednesday night:

- I’m 25 (yes, this exhausts me enough)

- I’m a second semester philosophy/political science student

- I’m the worship leader at my church

- I am the Social Media Specialist for a Christian non-profit

- I am the Social Media Coordinator for an interior design company (lol just got this job today, like I needed anything else on my plate)

- Oh, I’m getting married in October so wedding planning🤙

- I like to have time to watch some Naruto everyday, read the Bible, eat, workout, sleep, maybe shower, yanno, normal life things

[mobilemarketingbyjenafer]

Ethics In Mobile Marketing

Hello everyone! I really hope you're enjoying learning about the ethical requirements of mobile marketing from honesty and transparency in advertising and billing, in this case, to a company's social responsibilities to find sustainable ways to produce their goods and services. I know I am! Companies can grab our attention at any time with push and pull notifications like text messages, which are usually beneficial if you have opted in to receive them, but good Lord, they can be intrusive sometimes! The case of AT&T's mobile cramming was an eye opener for sure! I was part of the customer base that was subjected to their mobile cramming scheme, which led me to switch providers due to the lack of honesty. Thank you for reading!

FTC Provided Over $88Million in Refunds to AT&T Customers Who Were Subjected to Mobile Cramming Over 2.7 million AT&T customers were refunded Ethics In Mobile Marketing Ethical marketing is a vital business practice that prioritizes honesty and transparency with consumers while respecting user privacy and environmental sustainability (Seeds for Sustainability, 2024). Seeds for Sustainability…

[octanexlabsin]

With a commitment to research-driven synthesis, we serve Pharma, Agro, Fine & Specialty Chemicals, CRO, and CDMO industries. Our global alliances and innovative strategies deliver unmatched efficiency and quality.

[mystichistoria]

Still painting

[notebooks-and-laptops]

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[bishtmeenakshi]

Synthesis to Success: Navigating the CRAMS Market

Embark on a journey through the CRAMS market, where synthesis meets success. Uncover the market's size, share, and future forecasts in the Contract Research and Manufacturing Services landscape.

[deadsetobsessions]

Sea Cryptic! Danny AU- Pt.3

[Pt.1] [Pt.2] [Pt.4] [Pt.5] [Pt.6] [Pt.7] [Pt.8] [Pt.9] [Pt.10]

“Aquaman.” Batman swept into the room, beelining straight for the suddenly apprehensive Atlantean king.

“Batman. What can I do for you?”

“Phantom. Does he pay taxes?”

“Pardon?”

Batman makes a low noise that had Aquaman’s danger senses buzzing.

“Does Phantom have to pay taxes. Towards Atlantis.”

“No…? Why?”

“He wanted money, in exchange for… information, of a delicate sort,” Batman said, diplomatically avoiding the topic of Phantom bargaining for the identities of corpses in exchange for a measly $100 dollars per identity. Like a flea market dealer, that one was.

“You encountered Phantom again?” Aquaman perked up.

“Yes. Gotham’s bay is… polluted.” Batman paused. “With victims. Of murder.”

The entire area quieted as heads turned towards the Dark Knight.

“Yes, I am… distantly aware of Gotham’s waters.” By that, Aquaman gets green around the gills whenever he turns his awareness in that direction. There’s a reason he doesn’t enter Gotham, and the Dark Knight’s ban is only half of that reason. “Ah, but you’re correct. For what purpose would Phantom need mortal currency?”

“Hn.”

“Maybe he needs some stuff?” Flash zipped to a stop next to Batman, feet tapping as he dug into the pile of snacks cradled in his arms. “Us mortals are always coming up with new things, maybe he wants to try some games or something?”

Batman tilted his head down, seriously considering Flash’s suggestion. “It’s plausible.”

“Barry, Barry, Barry. He’s old as hell, right? He probably wants to try the new booze!”

“Hal, my man!” Flash fist bumped Green Lantern, who came up. “You’re back! What happened to John?”

“Dunno. He got called somewhere that way,” Green Lantern waved a vague hand towards the left. “Had to deal with a politician or something from that area.” He shrugged, swinging an arm over Barry’s shoulders to put him in a headlock and stealing a chip.

“Huh. Anyways, would our mortal alcohol even work on a demi-god or something?”

“We should ask!” Hal turned towards Batman. “You should ask if he wants to go for a drink, spooky!”

“He’s a child.”

“He’s been around for more than a millennia, Bats.”

“Informational gathering, right, Hal?” Flashgot out of the headlock, quickly munching on his snacks to stop Green Lantern from stealing them.

“Totally. Yup.”

“…Fine.”

“Wait, are we just gonna ignore that Gotham’s waters are full of bodies?”

“Yes.”

——

“What?” Danny asked, mind half on the bags he’s dragging out of the water and the other half on the essay he has to submit in about four hours.

“Green Lantern wanted to invite you out for a drink.”

Danny turned to the stoic Gotham knight, who had his wrist computer out to log the bodies’ info the moment Danny gave him the information. Some of them even told Danny who murdered them, so Batman could start building cases with solid leads.

Danny’s only twenty. He’s not legal yet but he doesn’t want to give any clues to who he is. How is he supposed to…

Ah!

“Can’t.” Danny shrugged. “I’m not legal. I died when I was fourteen so…” Danny trailed off, speechless at the drowned puppy face Batman was giving him. What the fuck.

“Anyways, fork over my payment.”

Batman wordlessly hands him a wad of hundreds.

“What do you need cash for?” Batman suddenly asked.

“Huh? Isn’t it obvious?” Danny tucked it in. “Material things, obviously. I need a blanket,” because holy shit, Gotham is damn cold this time of year. “Anyways, see you same time next week, litterer.”

“I don’t litter.”

“Tell that to the batarangs I found under the water,” Danny grumbled. “But I’ll stop calling you that if you get a signature from Poison Ivy. I have a friend who loves her.”

“An alive friend?”

“Wouldn’t you like to know, weatherboy?”

Danny snickered and disappeared. He’s gotta cram that essay.

——

“There’s a possibility Phantom might be homeless.”

“Batman, I mean this in the nicest way, but for the love of Atlantis, please stop giving me headaches. It’s time like these I wish I stayed a lighthouse keeper.”

[tbrcresearchreport]

The Business Research Company offers contract research and manufacturing services (crams) market research report 2023 with industry size, share, segments and market growth

[drchucktingle]

Peter’s trip to the holiday farmer's market starts of beautifully, featuring all the seasonal treats you’d hope to find. He’s having a great time until a strange creature appears, trudging down from the mountainside and eliciting a cascade of boos and hisses from the crowd. This is Krampus.

But things take an unexpected turn when Peter learns Krampus isn’t such a bad guy after all. Peter heads to Krampus’s cave to apologize, but he’s quickly swept up in an unexpected gay holi-date that gets more and more erotic by the second.

This erotic tale is 4,000 words of sizzling human on gay holiday monster action, including anal, blowjobs, rough sex, and Krampus love.

----

this one has been a long time buckaroo request so in spirit of the season i have trotted this trot for you all. please enjoy CRAMMED BY KRAMPUS new tingler out now on amazon or all patreon tiers

[eowynstwin]

Ghoap x reader. Autistic reader. Christmas angst. Allusions to Ghost’s backstory. Salacious use of ribbon. Soap being inappropriate. NSFW.

Soap fidgets on the train the whole way over to the light show. You don’t notice, of course, your earplugs are in, but Ghost, hypervigilant for the season, cocks an eyebrow.

“Itches like mad,” Soap grouses. He tugs at the collar of his sweater, a ghastly thing in fuzzy green, red, and gold, with LED bulbs embroidered down the front.

Ghost scowls at him. Soap purses his lips, not chastened. You sit between them, oblivious, fingering the zipper of your purse.

There’s enough cheer on the train to make up for their collective lack. More than one person wears a dumb Santa hat, and at least every other has on something colorful and festive. It seems like everyone feels some sort of Christmas spirit but Ghost, and it makes his hackles tense up.

Your hand slips into his then, smooth like silk settling over his palm. He looks at you; your gaze is fixed steadily ahead, unfocused. He’s not sure whether you reached for him to find comfort or offer it, but he closes his fingers around yours anyway.

He looks over—Soap has your other hand. Reaching to find, then. He squeezes.

The three of you wait until the very last moment to disembark when you arrive, letting the crowd out first. Ghost’s choice. The absolute last thing he wants is to lose either you or Soap in the stream of people flowing from the train—Soap will get distracted, and you hate it when strangers crowd you. This is going to be a trial as it is.

Ghost has to admit—once they reach the grounds, the displays are something to see. Together, you walk through a tunnel of lights leading you to the beginning of the walk, rings of warm white gently shining overhead, and Ghost, despite himself, can’t help but admire how it makes both of his partners look like they’re glowing.

Then Soap tugs at his sweater again, and Ghost bites down a growl.

“Oh, hot chocolate,” you say at the end of the tunnel, looking over at a cart laden with a few big steel samovars. “I’m going to get some, either of you want any?”

“Cider,” Ghost says, softening the curtness of his tone with the tenner he hands you. “If they’ve got any.”

“Coffee for me, hen, if you don’t mind,” Soap adds with a smile. You nod, and scurry toward the drinks.

Soap eyes him. Ghost knows what he sees—his back has been ramrod straight since the bloody month started. He holds his shoulders the same way he might if he had his rifle across his chest. His jaw has been hard as a cinder block any time the market clerk tossed “happy holidays” at him when he did his best to get away as fast as he could.

“Don’t,” Ghost says.

Soap says nothing.

This is not their first Christmas together, but it is their first with you. The sergeant already knows how Ghost feels about the holiday; you do not, and Ghost wants to keep it that way for a little while longer.

Divining your feelings about anything takes a little longer than it might with anyone else, but he’s pretty sure you’re excited, in your way. Soap, for whom pine trees and glitter and the smell of snow in the air seem to activate a sleeper agent in his brain that orgasms at the mere sight of tinsel, already has a Wellington resting in their shared fridge, and artfully wrapped presents crammed under their pre-lit tree. The two of you together have flooded the flat with lights, candy-cane frippery, crocheted snowflake doilies, and ski-lodge scented candles.

Ghost, for his part, has scrolled various travel websites to figure out if assassinating Santa Claus is something actually feasible. Maybe if he defeats the final boss of Christmas he can actually sleep through the night at least once this month.

It isn’t that he hates it, exactly. It’s just that Christmas, to him, began as a hazy game of roulette, wondering if the wild animal of his father would appear to ruin the exchange of charity-shop gifts wrapped in reused paper, and then solidified as an image reflected in pools of spreading blood.

The last happy Christmas, he had to burn down. That’s no reason that he has to ruin it for everyone else, though.

You return with three paper cups held awkwardly in your two hands, and Ghost and Soap relieve you of your burden. Your cup has a peppermint stick jutting up out of it, and you use it to stir your steaming drink periodically as the three of you proceed.

The path leads through an army of glowing snowmen in mismatched sizes, life-size gingerbread houses, past multicolor balls tossed across the top of a frozen pond. Trees banded with so many strings they look like branches of lightning reaching up from the earth. Electric snowflakes dangling above your heads from netting stretched between lampposts.

Ghost keeps clenching and unclenching his fist. His cider goes rapidly cold in his other hand, untouched. He probably can’t get his money back for it, but he’s agitated enough to start a fight and try.

Meanwhile—it’s obvious, you’re enjoying yourself immensely. You don’t say much as you flit between installations, running a hand over the glowing bulbs, tilting your head this way and that like a curious little bird. You take your phone out more than once to open your camera, and Ghost knows you’re saving pictures to put together a slideshow later on.

More than once, you look back at him and Soap, and grin wide at some novelty or another. Ghost manages to nod his head at you—go on, little birdie, keep having fun.

“Jesus,” Soap mutters, trying to scratch at a spot on his back for the third time.

“Fuck’s sake, Soap, just take the fucking thing off,” Ghost snaps.

“Canna,” Soap says.

“Why the fuck not?”

Soap’s mouth slants sideways. He looks around for spectators, and, finding none within eyeshot, lifts the bottom of the sweater.

Bright, shiny, very red ribbon runs in two lines along the naked cut of his obliques—down past the waistband of his trousers.

Ghost tosses the cider out of his cup and grips Soap by the back of the neck, throws, “OY! Duckie! Bathroom!” at you, and drags his boyfriend to the nearby public loo.

It’s empty, thank god, so Ghost wastes no time yanking the closure of Soap’s trousers open. The ribbon continues downward, downward, the V narrowing and narrowing until—

It converges in a (somewhat lopsided) bow tied right around the base of Soap’s dick.

“Soap, what the fuck,” Ghost says.

The sergeant backs up, and pulls the sweater fully off. It reveals a latticework of satiny red crisscrossing his chiseled torso: lines of ribbon accenting the curves of his pectorals, his toned abdomen, highlighting the small indent of his trim waist.

Soap’s cheeks flush pink.

“Goes further down,” he mutters, not meeting Ghost’s eye.

“What the fuck,” Ghost repeats.

“Was gonna do a big reveal when we got home,” Soap says. “Start stripping when we got the door closed. That rubbish.”

Ghost, incredulously, snorts, and Soap smiles at him.

“First time you’ve laughed this month,” he says quietly. “S’ why I did it.”

Ghost steps up to him and takes Soap’s chin between thumb and forefinger. “You fucking idiot,” he says, and kisses him.

The bathroom door opens, letting in a gust of wind, and Ghost and Soap jump back from each other momentarily, before relaxing when your voice reaches them.

“There better not be a handjob happening in here without me—oh,” you say, stopping short.

Shoving the waist of his pants down further, Soap turns around to show off to you the full extent of what he’s done. It gives Ghost a good look at the pretty intersections happening overtop of the muscles of Soap’s back, and the dip of the ribbon down between the two perfect globes of Soap’s arse.

You blink several times. “There isn’t a lock on this door, Soap. If I get down to suck you off, someone is going to come in.”

Impossibly, Ghost snorts again, and then laughs for real, a full-belly guffaw that comes out a little more harsh than it should. But you grin at him, and the line of Soap’s shoulders, which Ghost suddenly realizes has been as tense as his this whole time, relaxes.

He pecks the bare swell of Soap’s bicep, and then the crown of your head as he passes you by.

“I’ll hold it closed, duckie,” he says. “Do whatever you want.”

He only leaves the door once when he hears you shriek suddenly with laughter—to find that Soap has decorated his cock with a peppermint-loop of red lipstick, all the way to the tip.

“Fucking idiot,” Ghost repeats, and cancels his trip to the North Pole then and there.