#Byron I promise to be with you forever
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changingplumbob · 8 months ago
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Art: *chuckling awkwardy* I mean... your mum has been through a lot. I can't imagine how difficult it would be to get over a marriage but-
Byron: I know she’s still upset about dad, but she’s going to be upset forever if she stays alone
Art: Look, I appreciate the support. I’m happy you think I’m okay enough to have a shot. But your mum has said she just wants to be friends for now
Coraline: But you could convince her otherwise, you know because you’re dreamy
Byron: I mean I think true love is bunnypoop now, but she deserves to be treated properly
Art: Ah. Well if anything ever starts up between us I will treat her properly, I promise you that
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lauralot89 · 4 months ago
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I read The Vampire Lord Ruthwen by Cyprien Bérard which purports itself to be a sequel to John William Polidori's "The Vampyre." This is one where there doesn't seem to be an English translation freely available, so I'll give a long summary of the plot but first.
Vampire powers: Lord Ruthwen drinks blood. He presumably has the powers to resurrect and to magically enforce people to keep promises as he did in the original story, but those powers never show up in this novel.
Also, much like how Polidori's story was wrongly attributed to Lord Byron, Bérard's story was wrongly attributed to Charles Nodier, who had nothing to do with it beyond writing an introduction which basically apologizes for the story's existence, as it's a work in the Romantic genre and Romantic works are stupid. Bérard apparently was not given much time to write this novel by his publisher, because much like Varney the Vampire, it is padded out with unrelated stories, two of which end on cliffhangers because they weren't ever finished.
This reads much better than Polidori's story, but I'm not sure how much of that is due to the efforts of the translator. The translator, incidentally, wrote an introduction to the book explaining that it is not a great work of literature and that he had to add paragraphs because in the original, Berard would just put literally thirty pieces of dialogue all in one paragraph and it was unreadable.
Anyway.
One day in Venice there's this girl named Bettina who's in love with a soldier named Léonti, though her father disapproves. One day, Bettina is being all melancholy about her love during a festival, when a mysterious stranger Who Is Definitely Not Lord Ruthwen appears and asks if she's all right. We will call this stranger Jord Bluthven just so there's no mistake here. As she's confiding in Jord, a fortune teller woman predicts that Bettina will be killed by a vampire, causing her to faint.
Léonti arrives and is horrified by this prediction. Jord tells him that fortune tellers just make shit up and not to worry about it. Then Jord goes to speak to Bettina's dad to put a good word in for the young lovers' relationship, and later they all have dinner together. Jord comments that he totally saw a vampire once, it straight up killed a child in front of him, and he did nothing to prevent it Because of Reasons. He believes that vampires are allowed to exist on earth to warn other people off of sinning.
The next day, Jord Bluthven tells Léonti that his best efforts to persuade Bettina's father failed, and Léonti is banned from the house forever. Jord comes up with the brilliant plan of having Léonti desert the Venetian army and take up a position in the Scottish army, where Jord is from, taking Bettina with him. He has a not at all Faustian contract with him for Léonti to sign, and advises that he'll have Bettina meet Léonti that night so they can run away together.
After sunset, Léonti is trying to get Bettina to flee with him when Jord shows up and advises that Bettina's dad is cool with Léonti now and wants to talk to him. Léonti leaves Bettina and Jord in the woods and returns to the estate, only to promptly be arrested for desertion of his military position. They have a signed contract proving his plans to flee. But before he can be taken off to jail, a gondolier arrives and says the fortune teller from earlier in the story has been drowned. Then Bettina shows up, drained of blood, and promptly dies.
In a shocking twist that no one could have predicted, Jord Bluthven was really Lord Ruthwen the entire time!
The army and Léonti try to hunt down Ruthwen, but he's vanished. Léonti briefly goes mad with grief and almost dies, but then devotes himself to tracking Ruthwen down. One day he's searching the woods when he comes across a crying Englishman. It's Aubrey from "The Vampyre"!
But Laura, you might be thinking, didn't Aubrey die at the end of "The Vampyre"? No, you fool. He was only mostly dead. Now he's fine and also hunting down Ruthwen. So they decide to hunt Ruthwen together. And spend a lot of time holding each other in their arms as they grieve their respective losses. Of course.
They travel for a bit and reach a town that's being terrorized by a vampire. Except the vampire is actually just some guy who escaped from the local asylum and went into a church where a body happened to be waiting for burial, and then he got into the coffin on top of the body and jumped out before it could be buried, causing everyone to think the guy had risen from the dead. Anyway, everyone has a good laugh about this and then the guy gets taken back to the asylum.
Next our duo go to Naples, where a guy Aubrey knows is scheduled to have a meeting with Ruthwen, but Ruthwen never shows up. Bettina does show up, resurrected from the dead, but disappears just as quickly. Aubrey and his Neapolitan friend think Léonti only thought he saw Bettina because he's crazy, and the Neapolitan proceeds to tell a story that has nothing to do with anything about the invisible apparition of a scorned, dead lady.
Then they go to Rome, where they meet a guy named Nadoor Ali, who joins their quest. He has some issue going on with a Roman duchess who's hot for him and this just serves to take up a whole chapter with no bearing on the rest of the plot. They then go to Modena, where Aubrey tells another story that has nothing to do with anything about a woman who realizes her love is actually her brother and goes crazy.
This story ends on a cliffhanger because it was unfinished and shoved in to pad out the length Bettina shows up to explain everything. She resurrected as a vampire, but then she went into a church and prayed and an angel appeared and told her that if she made sure Ruthwen died, she could be with Léonti. Ruthwen is currently serving as the prime minister of Modena, and Bettina is engaged in a plot with an army leader to defeat him. Having explained this, she tells them to wait for her signal and bounces.
(Side note: Ruthwen's name as the prime minister is Lord Seymour, and now I'm picturing him as Principal Skinner)
Nadoor tells us a story about how he fell in love with a Greek woman who hated men and read Sappho poems all day, but then she was kidnapped and enslaved. This also ends on a cliffhanger, because now it's time to kill Ruthwen.
So Ruthwen is engaged to be married to the Duke of Modena's daughter, Eleonora, and he's basically the evil vizier to the Duke and has convinced him that the army leader is not to be trusted. Ruthwen is celebrating his wedding at a big party at the castle, when our trio of vampire hunters crash the festivities with a literal musical number, and then accuse Ruthwen of killing Aubrey's sister, Léonti's lover, and Nadoor's enslaved Greek lady (Nadoor saying this here is the first we've heard of it).
They are all promptly arrested. Ruthwen goes to consummate his marriage and the next day his wife lies dying of blood loss. Bettina announces to the crowd of gathered mourners that yesterday, she had tried to warn Eleonora to run away from the marriage, but Ruthwen shot her with a poison dart. So now both she and Eleonora are dying because of Ruthwen, and must be avenged. Then Bettina has a seizure and dies. Because apparently vampires can die of poison, and I guess the angel who promised her a happy future with Léonti was just making things up.
A riot ensues and Ruthwen gets stabbed in the chest with a sword. However, the next day all the ladies of the court are dying of blood loss, so clearly the stabbing didn't take. Ruthwen then gets stabbed again in the heart and eyes, this time with hot metal spikes, and that does the trick. The army leader becomes the new prime minister and the vampire hunting trio all get government jobs and live happily ever after.
Oh, and then there's an afterward which states that Ruthwen wrote an account of his early life and the author of this book found it and was inspired to write this novel, but we don't get to read about Ruthwen's early life, because that would be too interesting I suppose.
This is the first instance outside of Thalaba the Destroyer of a female vampire, so that's cool. Too bad the narrative doesn't do much with her.
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burningvelvet · 2 years ago
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Some notes and excerpts sent to Lord Byron from his many admirers — AKA, the Regency era version of sliding into someone's DMs:
“Dear Lord — A person whom you know well, and whom you have deigned to look on with some regard, taken by your extraordinary attractions awaits you this evening at ten o'clock in the back room of the Café San Fantin near the Fenice theater: do not be absent, my adorable Lord, if you do not want to force me to commit some indiscretion. Do not fear any sinister event; love me, though anonymous, as much as I love you, and I will be happy enough. Yours forever — if you want me — just now from home.”
“Milord — Excuse, my dear, the liberty that I take in sending you this note, but seeing you last night at the theater of San Benedetto my heart was smitten by you. Having no possible means of being able to speak to you, I have boldly taken the chance of writing you this note. If you accept my inclination that I feel for you, l will await your answer and will remain with the hope of embracing you if you would favor me with a simple reply by the bearer of this.”
“Being up to date on everything that concerns you, I knew of your new loves — daily you are offered rendezvous— all run after you because I permit a mere fifteen days to go by without seeing you — understand me. No longer an admirer, in order not to suffer your tricks any longer — but believe of me what you will — P.S. Tomorrow evening at eight o'clock I shall have the luck of seeing you.”
“From Home 25 Oct. 1818. Most Esteemed Lord — I would not have come to the Theater this evening except for the pleasure of being able to see your worthy Person and to let you know that I would like to spend, if you do not mind, a few moments in your House this evening after the performance. Awaiting this favor, I have the honor of declaring myself at your esteemed commands — most affectionate Servant — Eleonora de Bezzi.”
“Most Esteemed Sir — Although women are not the first to write, this time I permit myself to take the liberty, in order to let you know that if you favor me by taking the trouble to come to this Friend this evening at nine o'clock I shall have the honor of your charming company for a moment; otherwise there is no way for us to speak. Meanwhile I have the honor of offering my feeble service. P. S. I beg you not to let anyone know that you are coming to visit this Friend of mine.”
“A poor wife bows before your Lordship to ask for some help knowing how generous your beautiful heart is. I know that I am too bold, but the good report that I have heard of you, Sir, gives me courage to come before you, Milord; if my face were sufficiently pleasing to you I would consider myself fortunate to enter into some part of your beautiful heart, but I know I am not worthy and so I ask for your charity. Meanwhile I kiss your hands and declare myself your Most Humble Servant Suzana.”
“Are you ill? but why do I feel worse than you? Sunday evening after eight eternal days will I be able to see you? Yes.”
“Excellency — I wish to know if on Thursday at the appointed hour you will be available. The wise change frequently.”
“Tuesday at the theater Signor Petretin was in a box with you — bravo — after what you promised me, to let yourself be seen with him? If I were not in a very bad humor I would make you laugh by telling you what happened to me with the servant Marietta. If you are not engaged tomorrow evening with Signora Cortessi, at whatever time you like I shall come to see you — addio.”
“Having returned from Padua, I learned that in Benzona's circle it was being said that you made sacrifices for me — I, who know that I never inconvenienced you in the slightest matter, am surprised indeed by this gossip, and I beg you to do me the justice that I merit on this subject — I am certain that you are not the source of such a lie, for I do not believe you are capable of wronging someone who does not deserve it — addio, pardon.”
“I know that you divert yourself in your Gondola; I know about your romance with the Girl of Dolo; I know about the frenzies of Madame Segati; I know everything: and knowing everything — I also know that I am a fool still to concern myself with you. Friday I shall leave for Padua; I would like to say goodbye to you first. If your amorous occupations permit, you may see me tomorrow evening at eight o'clock. Farewell most noble Englishman, believe me with our customary excessiveness — your admirer.”
“You will forgive me for taking the liberty of sending you this simply to learn the reason I have no longer had the honor of seeing you since that day, given our understanding to see each other on Sunday. Subsequently I was deprived of it. Having had the pleasure of seeing you again at the ridotto on Sunday evening, I take courage to send you this letter through my maid. I await your reply. Yours affectionately — Giuliella.”
“Lord — Let an unfortunate Girl enter into your heart if she is ever to remain among the living.”
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albireocountdown · 2 months ago
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grey dagger | trial 4.2 | [re: jules ; attn: fox]
It’s an offer they had wondered on whether it would be upheld.
The Taco Bell, of course. When Ven comes over, wrapped food in hand, they take it from her with a small smile, a soft whee-hee, and a slightly delayed thank you.
Even after all this time, human manners have not been truly ingrained into their psyche.
Maybe this is made all the more evident by the fact they immediately begin eating the crunchwrap, the crinkle of their wrapper intercutting the weight of the conversation, the room, their eyes still locked heavy on Jake but their sight looking everywhere but him.
(It is in poor manner to look without looking, Mother would say. Yet they know, they know, that such a sign of respect would not be extended to the group at this table. But now, even here, would she understand? Would she see why Lucky cannot look where their eyes would rather shift?)
(Likely not. That is her loss.)
Once they’ve finished their meal, crumbling the wrapper into a ball that they set right in front of them on the table, they finally move their gaze to Jules—as if to make sure he knows their words are him; as if they know this is how best to show him respect in spite of his frustrations.
“I think the first Wager was not spoken well. Maybe Sou says he wants us to not die on the boat. That is not a good Wager. That means we can die again and it will not break that promise. It is the monkey’s paw, yes? Now he dies and we live but he does not make sure it is for a long time. He does not understand the deal he is making.”
A little nod to Ruri, but they do not steer their gaze away.
“This Wager he has time to think. He understands how they work now. He is the Operator making the Wager now. He can know that his first Wager will not save us forever. He can make a new Wager that will be better. He has time for it to be better.”
Another little nod, perhaps to themself this time, before letting that be where their words end. They do not look away as others speak, but now their fingers find those purple beads, pinching and twisting and rolling them as they listen.
It’s almost passive, like an afterthought, like something to say just to say it, when they speak next.
“Sou is not only a doctor. Sou is like an older brother. No, that is not right. Sou is an older brother. He acts the way an older brother should act. He is trying to be kind.”
And the beads in their fingers, twisting and twisting.
“Byron said this, yes? We wanted to know if Sou was part of a Wager and if he was making us hunt each other. Byron says he does not think this could be true. Sou is an older brother. That is why he does not speak when he is hurting. That is why he does not say when things are hard. That is why he has something for all of us in his room. That is why he would die for us also. That is why he will keep dying for us. Sou is trying to be kind. That does not make him smart but he is kind. He is trying to be kind even if it will hurt. Sometimes things have to hurt to become better.”
And that thought, kindness versus survival—
And their eyes finally drift, as Ruri speaks, as her words dig in, to the place they have wanted to look again for some time now—a foot or so, give or take, to her left.
“This is what doctors understand, yes? Sometimes things have to hurt to become better. That does not make it easy. That means sometimes they have to put blood on their hands. That means they will cry on the sleeve of a man who has died many times now. It is not easy. Something does not have to be easy to be kind.”
And their eyes and their sight stay pinned there on Fox—because that’s the respectful thing to do.
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how2fit · 4 months ago
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April is here. A month when spring goes into full bloom after the pretty common false starts of March. And a time of renewal and of brighter, more hopeful and optimistic days. In today’s post I’d like to share 90 of the most positive, beautiful, funny and inspirational April quotes. To help motivate you to go after your biggest goals and dreams this spring. To relieve a bit of your stress through laughter. And to help you to find joy in the simple moments of beauty in nature and life in the middle of this season. Inspirational April Quotes for a Great Spring Month “April is the sweetest month of the year, the mellow season of rebirth and renewal.” – Mary Sojourner “April is the kindest month. April gets you out of your head and out working in the garden.” – Marty Rubin “April, like a child, writes hieroglyphs on dust with flowers, wipes them away, and forgets.” – Rabindranath Tagore “The reappearance of the light is the same as the survival of the soul.” – Victor Hugo “April will not fail to turn out as it should be, and as it generally is, one of the sweetest, dearest, loveliest months of the year.” – Joseph Grimaldi “No winter lasts forever; no spring skips its turn. April is a promise that May is bound to keep, and we know it.” – Hal Borland “April is a reminder that life is a beautiful, ever-renewing cycle.” – E.E. Cummings “With the coming of spring, I am calm again.” – Gustav Mahler “April is a promise of what’s to come.” – Gladys Taber “April is a gentle reminder that life’s transformations are beautiful and inevitable.” – Ellen Lovell “Spring is when you feel like whistling even with a shoe full of slush.” – Doug Larson “April marks the real end of winter. Daffodils pop open and nod their yellow heads. Grass starts to recover from its frozen cover of snow.” – Sharon Leah “April distance brings May existence.” – English Country Saying “Our spring has come at last with the soft laughter of April suns and shadow of April showers.” – Byron Caldwell Smith “April prepares her green traffic light, and the world thinks, ‘Go!'” – Christopher Morley “You can cut all the flowers, but you cannot keep spring from coming.” – Pablo Neruda “The beautiful spring came, and when nature resumes her loveliness, the human soul is apt to revive also.” – Harriet Ann Jacobs Motivational April Quotes for Work and School “Spring is the time of plans and projects.” – Leo Tolstoy “Let April’s light guide you toward a season of hope and fulfillment.” – Ralph Waldo Emerson “Spring is April’s way of saying, ‘Let’s bloom.'” – Vita Sackville-West “If April showers should come your way, they bring the flowers that bloom in May.” – Buddy DeSylva “The coming of April heralds the time to plant seeds of magic and fill the heart and home with the joy of light and life.” – Lotuswulf Satyrhorn “April is the month of dreams come true.” – John Baillie “Spring won’t let me stay in this house any longer! I must get out and breathe the air deeply again.” – Gustav Mahler “Nothing in the universe can stop you from letting go and starting over.” – Guy Finley “Don’t judge each day by the harvest you reap but by the seeds that you plant.” – Robert Louis Stevenson “During the rainstorms of April, the oyster rises from the sea and opens its shell, rain enters it. When it sinks, the raindrops become the pearl.” – Anne Sexton “Plunge into the deep without fear, with the gladness of April in your heart.” – Rabindranath Tagore “Nothing is predestined. The obstacles of your past can become the gateways that lead to new beginnings.” – Ralph Blum “Write it on your heart that every day is the best day in the year.” – Ralph Waldo Emerson “Every new beginning comes from some other beginning’s end.” – Seneca “In April, God speaks to us in the seas whose rhythmic murmuring fills our ears from a long way off.” – Eugene Kennedy “Every moment is a fresh beginning.” – T.S. Eliot “All our dreams can come true – if we have the courage to pursue them.” – Walt Disney
“The flowers of late winter and early spring occupy places in our hearts well out of proportion to their size.” – Gertrude S. Wister Funny April Quotes to Help You Release Stress “The first of April is the day we remember what we are the other 364 days of the year.” – Mark Twain “Snow in April is abominable, like a slap in the face when you expected a kiss.” – Lucy Maud Montgomery “Here cometh April again, and as far as I can see, the world hath more fools in it than ever.” – Charles Lamb “Although I was born in April, I’m quite certain I was not fully awake until October.” – Peggy Toney Horton “It was a bright cold day in April, and the clocks were striking thirteen.” – George Orwell “April comes like an idiot, babbling and strewing flowers.” – Edna St. Vincent Millay “But it is a sort of April-weather life that we lead in this world. A little sunshine is generally the prelude to a storm.” – William Cowper “In the spring, I have counted 136 different kinds of weather inside of 24 hours.” – Mark Twain “April weather, rain and sunshine both together.” – English Country Saying “It’s the hottest April in living and dead memory. So hot that the crows are flying with their tongues hanging out of their heads.” – Jess Kidd “Today has been a day dropped out of June into April.” – Lucy Maud Montgomery “The most beautiful springs are those that come after the most horrible winters!” – Mehmet Murat Ildan “April splinters like an ice palace.” – Ruth Stone “I shine in tears like the sun in April.” – Cyril Tourneur “Oh, the lovely fickleness of an April day!” – William Hamilton Gibson “The sweet small clumsy feet of April came into the ragged meadow of my soul.” – E.E. Cummings “The first day of spring is one thing, and the first spring day is another. The difference between them is sometimes as great as a month.” – Henry Van Dyke “Science has never drummed up quite as effective a tranquilizing agent as a sunny spring day.” – W. Earl Hall Beautiful Hello April Quotes to Welcome This Wonderful Month “April, all to welcome thee, spring sets free.” – Remy Belleau “Now the noisy winds are still; April’s coming up the hill!” – Mary Mapes Dodge “The sun was warm but the wind was chill. You know how it is with an April day when the sun is out and the wind is still.” – Robert Frost “April again! The willow wands are yellow, rose-red the brambles that the passing wind knows.” – Virna Sheard “April brings the primrose sweet, scatters daisies at our feet.” – Sara Coleridge “April was just beginning, and after the warm spring day, it turned cooler, slightly frosty, and a breath of spring could be felt in the soft, cold air.” – Anton Chekov “The April winds are magical and thrill our tuneful frames. The garden walks are passional to bachelors and dames.” – Ralph Waldo Emerson “A gush of bird song, a patter of dew. A cloud and a rainbow’s warning suddenly sunshine and perfect blue. An April day in the morning.” – Harriet Elizabeth Prescott Spofford “April in Paris, chestnuts in blossom, holiday tables under the trees.” – Yip Harburg “April this year, not otherwise than April of a year ago, is full of whispers, full of sighs, dazzling mud, and dingy snow.” – Edna St. Vincent Millay “They who meet on an April night are forever lost in love if there’s moonlight all about and there’s no moon above.” – Yip Harburg “Well-apparel’d April on the heel of limping winter treads.” – William Shakespeare “April, the angel of the months, the young love of the year.” – Vita Sackville-West “In April, the first soft, tender, delicate green of spring salutes the eye in every direction.” – Joseph Grimaldi “O sweet wild April came over the hills. He skipped with the winds, and he tripped with the rills.” – William Force Stead “Sweet April’s tears dead on the hem of May.” – Alexander Smith “The air soft as that of Seville in April, and so fragrant that it was delicious to breathe it.” – Christopher Columbus “Sweet April time, o cruel April time!”
– Dinah Craik Short Inspirational April Quotes “Sweet April showers do bring May flowers.” – Thomas Tusser “Oh, to be in England now that April’s there.” – Robert Browning “Spring is nature’s way of saying, ‘Let’s party!'” – Robin Williams “April whispers wake the flowers.” – Lewis Carroll “In April, all things renew.” – Christina Rossetti “April hath put a spirit of youth in everything.” – William Shakespeare “Spring is incomplete if it’s not in April.” – John Masefield “April’s rare capricious loveliness.” – Julia Caroline Dorr “Sweet love seemed that April morn.” – Robert Bridges “No rain, no flowers.” – Haruki Murakami “You are reborn with the roses, in every spring.” – Juan Ramón Jiménez “April’s gentle rains nurture the soul.” – Emily Dickinson “Spring unlocks the flowers to paint the laughing soil.” – Bishop Reginald Heber “The first blooms of spring always make my heart sing.” – S. Brown “April, come she will.” – Simon & Garfunkel “Where flowers bloom so does hope.” – Lady Bird Johnson “Sweet April’s tears breathe life.” – Percy Bysshe Shelley “You’re only here for a short visit. Don’t hurry. Don’t worry. And be sure to smell the flowers along the way.” – Walter Hagen Want more inspiration for this spring season? Then have a look at the positive spring quotes in this post, the March quotes here, this one filled with May quotes and also these deep and short quotes for motivation.
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bboyplankton · 6 months ago
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2024 Playlist
21 Savage feat. Burna Boy & Metro Boomin – Just Like Me
21 Savage feat. Summer Walker – Prove It
38 Spesh feat. Havoc & Lloyd Banks – Had It Coming
38 Spesh feat. Method Man & Ti-Lar Bee – Speshal Methods
4batz – act iv: fckin u (18+)
4batz – act vi: mad man
4Fargo feat. Honey Bxby – Ex For A Reason
Action Bronson feat. Meyhem Lauren – Hogan
Action Bronson feat. Larry June – Kompressor
Akeem Ali – Good Looking Adjectives
Amaria – Beggin’
Amaria – Finer Things
Amaria – Free Fallin’
Ambré – LMK
Ambré – Sideways
Andra Day – Empty
Andra Day – Heavy On My Mind
Andra Day – In The Meantime
Andra Day – Where Do We Go
Annie Tracy feat. Robin Thicke – Close to You
Ariana Grande – don’t wanna break up again
Ayra Starr – Lagos Love Story
BADBADNOTGOOD – Sétima Regra
BADBADNOTGOOD – Weird & Wonderful
Benny the Butcher feat. Kyle Banks – Everybody Can’t Go
Benny the Butcher – How to Rap
Benny the Butcher & 38 Spesh feat. Busta Rhymes – Jesus Arms
Big Sean feat. The Alchemist – Together Forever
BigXthaPlug feat. Yung Hood, Ro$ama, 600 Ent. – Meet the 6ixers
The Black Keys – I Forgot To Be Your Lover
The Black Keys – Only Love Matters
Blxst feat. Joyce Wrice – Better Off Friends
Blxst feat. Anderson .Paak – Dance With The Devil
Blxst – I Had To
Blxst – Private Show
Blxst – To The Moon
Boldy James & Harry Fraud feat. Tee Grizzley – Cecil Fielder
Boldy James & whodahelliscarlo – Hidden In Plain Sight
Bryson Tiller – Outside
Byron Juane feat. Kenyon Dixon – Timeless
Byron Juane – Who Got It
Capella Grey – 1st Last, Pt. 2
Capella Grey – Poison
Capella Grey feat. Jaquees – Wat U Want
Casey Veggies & Dylvinci feat. D. Smoke – Boss Talk
Charlotte Day Wilson feat. Snoh Aalegra – Forever
Charlotte Day Wilson – Money
Chenayder – Levels
Childish Gambino – Yoshinoya
Chlöe – Same Lingerie
Chris Brown feat. Lil Wayne, Joyner Lucas & Tee Grizzley – Freak
Chris Brown – Residuals
Chris Brown – Sex So Good
Chris Brown – Sweet Lullaby
Coi Leray feat. Mike WiLL Made-It – Wanna Come Thru
Common & Pete Rock feat. Posdnuos – When The Sun Shines Again
Conway the Machine – Dasani
Conway the Machine feat. Cool & Dre – Give & Give
Cordae – All Alone
Cordae – Nothings Promised
Dave East & Scram Jones – I Just Wanna
Dave East & Scram Jones – Rain
Denzel Curry feat. Ty Dolla $ign & Juicy J – Cole Pimp
Denzel Curry feat. Armani White – Wishlist
Destin Conrad feat. Alex Isley – Same Mistake
Devin Malik – Backstage
Devin Malik – Moonlight
Doechii – Boom Bap
Doechii – Denial Is A River
Dom Kennedy feat. Allyn – Attention
Dom Kennedy feat. Allyn – Independent
Don Toliver feat. Kodak Black – Black Stone
Don Toliver – Glock
Dot Cromwell & Tiara Imani – Under the Stars
DRAM – Screenshotted/ Nasty & Naughty
Durand Bernarr – Must Be Nice
Dylan Sinclair – IMY
EarthGang & Spillage Village feat. Snoop Dogg – Perfect Fantasy
Elcamino & Black Soprano Family – Gold Plated Benz Wagons
Elcamino, Real Bad Man, Black Soprano Family – Expensive Cloth
Elcamino, Real Bad Man, Black Soprano Family – New Levels
Elijah Blake – Magic Moments
Ella Mai – Little Things
Elmiene – Avalon
Elmiene – Ode to Win
Emanny – B.D.E.
Eminem feat. Sly Pyper – Lucifer
Eric Bellinger – Follow Her Lead
Eric Bellinger feat. Queen Naija – Mutual Agreement
Felix Ames – Bend, Don’t Break
Felix Ames – Don’t Be Alarmed
Finesse2tymes – Hard to Believe
Finesse2tymes – Pretty Ricky
Finesse2tymes feat. NLE Choppa – Very Demure
Fivio Foreign feat Meek Mill – Same 24
Fivio Foreign feat. Sheff G – Waiting
Flo – Bending My Rules
Flo – Shoulda Woulda Coulda
Flying Lotus feat. Sid Sriram – The Lost Girls
Forest Frank feat. Tori Kelly – Miracle Worker
Freddie Gibbs – It’s Your Anniversary
Freeway & Jake One – Freezer
Freeway & Jake One feat. Black Thought – Keep Winning
Freeway & Jake One feat. Jadakiss – Ringin
French Montana feat. Lil Baby - Okay
Future & Metro Boomin – All to Myself
Future & Metro Boomin – Beat It
Future & Metro Boomin feat. Rick Ross – Everyday Hustle
Future & Metro Boomin – Overload
Future & Metro Boomin feat. J. Cole – Red Leather
Gary Clark Jr. feat. Keyon Harold – Alone Together
GloRilla feat. T-Pain – I Luv Her
Grafh & 38 Spesh feat. Method Man – Fight For Love
Grafh & 38 Spesh feat. Freeway Peedi Crakk, & Memphis Bleek – Rocafella Chain
Grafh & 38 Spesh – Poetry
Gucci Mane – I Told Myself
Gucci Mane – One Thing About It
Gunna – today I did good
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IDK feat. Gunna – TiFFANY (B)
Imagine Dragon – Take Me to the Beach
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Kenyon Dixon feat. RL – 2000’s R&B
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Kiana Ledé – Weakness
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LL Cool J feat. Eminem – Murdergram Deux
Loony – Nothing Else Feels the Same
Loony – TiMiD
Lucky Daye – That’s You
Lucky Daye – Top
LuLu – Home
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Normani – Candy Paint
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Odeal feat. Summer Walker – You’re Stuck
PartyNextDoor – HerOldFriends
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Paul Wall feat. Big K.R.I.T., Termanology, Berner, Freeway, & Rich the Factor – Underground Ambassador
PJ Morton – I Found You
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Redman – Aye
Redman & Snoop Dogg – Kush
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Umi – happy im
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Ye Ali feat. Damonte & Nikki Hayes – Come Over
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Yoko Gold – Nothing Like Your Lips
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charlenasaxen · 7 months ago
Text
“Shall I curtsy when I address you from now on, cousin? I wouldn’t want to offend a princess.”
“So why was it that the first time he left, he’d chosen to come to Thorn Grove of all places?”
“I’m just going to listen. Speak loudly, cousin. Enunciate.”
“there were flowers everywhere. Giant arrangements of peonies and roses.”
“Everett was dressed from head to toe in mourning black, and he held his hat in his lap. His warm brown skin had gone ashy, and there were fine lines Signa had never noticed”
“Forgive me for once again arriving unannounced. I promise I will not make a habit of it.”
“going immediately to his side. Improper though it was, she took one of Everett’s hands in her own.”
“he sat, drawing her down beside him”
“They’re keeping him regardless of what I say. I just thought you should know that I never meant for this to happen.”
“But then she remembered the letter from Fate that signaled his intent to prove himself. Could Everett’s reversal be a gift from him?”
“you must take care of yourself. If there’s anything I can do for you, please let me know.”
“I must formally take my place as the Duke of Berness, and it would mean the world to me if you and your family attended the investiture.”
“She set the invitation in her lap and flashed Everett a smile. “We’ll be there.”
“Everett still meant every word. He was a kinder person than she was—than most people were, really. Deeply, wonderfully kind.”
“You are going to make a fine duke,” Byron told him. “Your father would be proud.”
Those five words alone were enough to steal Everett’s breath”
“snatch any remaining light from his eyes. Signa stared at the pale press of his lips”
“skimming down the elegant script until she saw the date. “The twentieth of April.”
“Less than a week. Not much time to plan.”
“Whether he did hope, however, was the question. And it was time that Signa finally got an answer.”
“Death’s voice in her head, telling her not to take this risk. That they would find another way.”
“Signa smiled and let her hand slide into his, savoring the moment. She’d journeyed down these halls with Sylas before, sleuthing for clues”
“He laughed, low and pleased, as he watched”
“if her hands really could bring life instead of death—then shouldn’t that be the power she craved?”
“Byron’s searching for him,” Signa whispered. Her guilt was acidic, burning”
“It seemed Byron had searched nearly half the country by now. Page by page his notes lost their elegance”
“stumbled backward. Death gripped her by the shoulders, steadying her.
“He knows.”
“He knows Percy is dead. He knows someone killed him. My name is on those papers. He must think it was me. He must know—”
“Outwardly, Byron was maintaining his composure. But inwardly…
“He loved Percy.”
“He loved him, and he’ll never see him again. He doesn’t even know what happened.”
“If that happened… she would lose the Hawthornes forever”
“If it wasn’t Percy they had to mourn, it would be Blythe—”
“They were to be little more than ghosts passing through, just as Sylas had told her all those seasons ago”
“stunning emerald stone set on a gold band”
“until she noticed the article about the fire that she dropped the news clippings, face turning bone white”
“unaware that Signa was beside her, watching”
“But Blythe would never forgive her. And why should she?”
“To apologize for everything she’d had to do to save Blythe’s life that night in the woods”
“Fate’s words rattled in her head, over and over again: What if those hands of yours could do more than kill? You’d want that, wouldn’t you?”
“she did. If it meant never again being the one responsible for the tears”
“It was like that night in the woods, back when Gundry had stood at her side and Signa had raised the dead garden”
“Death careened backward, hissing as he clawed at the vines that somehow ensnared his shadows”
“They didn’t stop once on their way back to Signa’s suite. Not to speak. Not to ask questions. Not for anything.”
“Usually, he did a fine job at playing human, but in that moment he’d forgotten to blink as he stared”
“it would do neither of them any good if she started sprouting things again”
“he shut his eyes. “You grew that, Signa.”
“You grew something.” There was a perilous calm to Death’s words”
“There is only one person in this world with the powers to do such a thing.”
“there was nothing to prepare her for the weight of what they meant as Death said, “Signa. You used Life’s powers.”
“Still, it seemed impossible. Because if she had Life’s powers… If she could give life…”
“All this time, her life never had to be this way.
“Did you know?” Death’s voice was a scythe”
“She held firmly to his hand, for in the back of her mind a voice warned her not to let go”
“But it is true, Signa. All this time I have been nothing but a fool.”
“Death stilled. “The same way I always do.”
“Through touching her, right?”
“I cannot be her. I don’t die when you touch me, Death. I am not her.”
“I will not willingly leave. But if we’re going to be together, then I want it to be by choice.”
“These powers were no soft thing. They were wildfire upon her skin”
“Whatever you decide, I will be here,” Death promised. “Until the moment you tell me to leave, I will be by your side.”
“You are still Signa Farrow, and I am not a good enough man to allow my brother to take you from me.”
“Signa had heard the song that she and Fate had danced to.
She had heard the song he’d asked her to remember.”
“she debated whether she should tell Signa what had happened”
“small foal curled beside him. The poor thing was quivering”
“All there is to do now is make him comfortable and pray for the best.”
“if anyone could tell her more about what happened that night in the woods, it was Charlotte”
“saw the ghost of her mother weaving through spindly branches, never letting them tear the hem of her white dress”
“Birds knocked their greetings upon the trunks of towering oaks or sang sweet spring pleasantries. Blythe heard her brother’s laughter within them.”
“nearly laughed at the memory; she’d be sure to tease Percy about it once they managed to find him”
“sitting on her favorite bench and reading a book that Blythe would later steal”
“But all that awaited her in the garden were ashes and the ghost of too-sweet memories”
“Everett Wakefield sat beside Charlotte, sporting a boyish grin. Charlotte was laughing, squeezing his hands in hers as they spoke in low, happy whispers.”
“Everett stole a kiss that Charlotte was all too happy to return”
“Charlotte shoved Everett away from her, the two of them whispering”
“She pretended to be looking elsewhere and entirely unaware of Everett as he scurried out of sight”
“Blythe had never seen anyone swallow a frog, but she imagined that if she had, they would look like Charlotte did”
“He seemed like everyone who runs out of Thorn Grove talking of ghosts.”
“most painfully, not to check on Blythe’s health and ensure she was still alive”
“I wasn’t the one who ran toward the fire that night.”
“What do you think she could have done to him? Run him out of town? Do you think she’s strong enough to have killed him?”
“when Charlotte sat tall and unflinching, it was Blythe who began to shrivel”
“I knew Signa when we were only children,” Charlotte insisted. “She was my closest friend because I liked that she was a little strange”
“I was glad to see her again, but ever since that night in the garden I can’t help but wonder… why did she run toward the fire?”
“Signa had saved her life. She had been there when no one else had. She was Blythe’s person”
“Why do you think he’s invited you all to the investiture? Surely, you can’t believe it’s because he still cares for her.”
“Even Miss Killinger seemed to quickly recognize her slipup, for her eyes went wide”
“it never crossed my mind that he did. When you go back to him, do tell him hello for me, would you?”
“Charlotte hurried inside while Blythe snapped the reins and set off”
“Charlotte’s competitiveness had her behaving no better than the others”
“Yet that wasn’t why, in that moment, Blythe hated Charlotte. Rather, it was because Charlotte had planted a seed.”
“There was no way that Signa would have ever harmed Percy. She loved him, just as she loved Blythe.…
… Didn’t she?”
“Byron likely suspected they were gossiping about men”
“even if all she could think of was his sheer devastation and the hollowness of his eyes”
“His eyes flashed toward the girls.
“Right yourselves at once,” he hissed. “It’s the prince.”
“not before tugging at Signa’s bodice. She tried her best to lower it until Signa swatted her hand away”
“He looked just as he did the last time Signa had seen him, which was to say that he was handsome by a majority vote”
“Fate bowed his head, his hands too full of more ridiculous flowers to properly shake Byron’s”
“It truly was astounding how nosy she was”
“Though Signa knew from the chill that Death was near, Fate didn’t betray where his brother stood with so much as a glance”
“They’re your favorites,” he corrected. “Or at least they were.”
“Finally, his eyes skimmed up and over her shoulder”
“Byron’s only response was a slow nod. Blythe remained staring down at the piano, repeatedly striking the same three chords in succession.”
“she threw a look toward where Death stood. “I can handle myself. Stay with Blythe, please.”
“his arm tensing beneath her grip. “Are the consequences worth it?”
“Fate’s laugh was not like Death’s. It was not midnight’s seductive call”
“She had never related more to a slug in her life”
“taking great care to lay each one just so. “Do you like it?” There was such hopefulness in his voice”
“Signa reached out to take hold of his hand, jolting at how still he went”
“she could think only of how sad it was. How sad and how broken he was.
“This is very nice,” she told Fate”
“You always used to love the spring,” Fate whispered”
“summer was your favorite. We would spend our days just like this, enjoying meals by the sea or exploring old cities”
“Fate shrinking in on himself, his frown severe”
“Delicate lavender petals floated atop it.
“Did you make all of this yourself?”
“the small smile he tried to hide was enough to confirm her suspicion that he had”
“she took a cautious sip to see whether it tasted half as good as it looked—it was even better”
“He seemed comfortable in a fitted white shirt he’d loosened at the collar and trousers cut at the ankles”
“I’ve wanted to try them ever since I crafted the fate of a woman who thought them up.”
“Fate’s laugh was proud and warm. “Of course. I know the finest cooks and artisans in the world, Miss Farrow.”
“so bright was his smile that Signa’s heart stuttered. “I could show you if you’d like?”
“single bead of blood shone gold”
“allowed his eyes to meet hers as he said coolly, “He will not be extended the same courtesy.”
“My foolish girl,” he whispered, drawing her into powerful arms”
“Come,” he whispered, and Signa wished she could disappear into that honeyed tone. “I’ll show you.”
“The palace was eerily silent—a resting dreamworld awaiting the return of its dreamer”
“heart falling when she found that all the beautiful amber paneling had vanished”
“now saw that the woman depicted was the loveliest she’d ever seen”
“That’s Life,” she whispered, somehow recognizing the woman. “Isn’t it?”
“Wisteria began to deteriorate the moment my brother lost her.”
“Life’s painting, Signa noticed, was the only thing in the palace that was still in full color”
“I do, however, fear you, Signa. I fear that someday you will break my heart.”
“So long as my brother believes that you and she are one and the same, he won’t leave you be. Having seen the two of them together, I can understand why.”
“I see my brother for what he is,” Death continued. “A desperate man who has spent hundreds of years unable to move on from the woman who laid claim to his heart.”
“He will not know peace until he finds her.”
“None of us would want to spend a single lifetime in such despair, let alone the eternity my brother will endure.”
“yet Signa felt drawn to Life in a manner that words could not describe”
“Fate was on the precipice of breaking beyond repair. She tried to swallow down the pity knotting her throat”
“But to Fate, a single thread is the difference between life and death. That is his power”
“Fate, too, was quiet for a long moment before Signa heard the stomp of Fate’s boots hurrying up the steps”
“The queen’s gaze softened only when Everett Wakefield entered the room”
“He’d been fitted into a handsome ensemble made of black silk”
“days since he’d nearly caught her and Death at Wisteria, and pity still made her throat thick”
“Fate expected her to be another woman entirely, one with powers that Signa would have once given the world for”
“Everett knelt before the queen, and Signa fixed her attention on him”
“look at Everett in his formal wear and see anything but the tears in his eyes as he’d held the hand of his father’s corpse only weeks before”
“her chest warming when he waved”
“There’s a heaviness in the air.”
Given that Signa’s experience with the dead was much more pronounced, she didn’t feel anything”
“Regardless, Eliza was worried for her cousin and asked me to stay with them”
“Everett was sick every time he ate—he couldn’t keep so much as bread down”
“They were as silver as starlight.
“Fix it.” Signa’s words were little more than an urgent breath. “Tear it out if you must, but make sure no one can see.”
“Have you lost your mind? I’m not going to rip out your hair!”
“Or maybe he has, and they’re biding their time until your family’s name is cleared.”
“Or perhaps you’ve been far too concerned with yourself to consider what everyone else is doing.”
“Fate turned at the last moment, headed not toward her but to Everett”
“You’ve been dreaming of Everett?” There was tension in Charlotte’s jaw”
“It seemed everyone was an actor, these days”
“Ha. Well-mannered, indeed.”
“It must be fate,” Signa mused, smile so wide”
“I couldn’t agree more. Fate is a very powerful thing.” It was the alleged prince himself who spoke as he and Everett approached.”
“Fate’s eyes, however, lifted to watch Signa from beneath long lashes”
“Still? Did you intend on leaving?” It was Everett who asked, setting a hand on Fate’s shoulder as though they were good friends.”
“I have every intention of remaining here until she agrees to accept my proposal.”
“She hated that he sounded so charming, and that there was a dimple in his cheek that made him look entirely too friendly”
“Everett looked so bashful as he adjusted his waistcoat”
“It seemed they might mill about each other all day if someone didn’t do something to rouse them”
“He tipped his head toward the garden. “How would you all fancy a game of croquet?”
“Signa found herself wishing that she could be one of those guests, soaking in the garden’s beauty while stuffing her face”
“she found herself continually looking at Everett, examining the smile that didn’t quite reach his eyes”
“Might he have had a motive to kill his father? Could his face be that of a killer?”
“Charlotte was at his side, speaking to him in low and happy tones”
“When Fate caught Signa stealing a look at him, he offered his arm”
“Though the question was teasing, it was easy to see the vulnerability he was masking”
“Fate took the jab in stride. “Would your answer change if I said we can consider it part of our courting?”
“Fate walked with strong, confident strides, yet somehow still managed to look elegant. Almost like he was floating”
“If playing dirty is what it takes to get you to remember all that you have lost, then I will be the filthiest bastard you’ve ever met, Signa Farrow.”
“What do you say, ladies? Up for a game?” There was a spark in Everett’s eyes”
“after all he had undergone these past few weeks, Signa’s foul mood eased at the welcomed sight”
“sung in our praise? A favor? Or maybe even a kiss from a lovely lady?”
“Oh, come now, Everett.” Fate laughed. “It’s only a kiss.”
“Fate’s laugh was far too genuine. “You’re not to my taste, love.”
“Fate’s grip tightened on his mallet, and Everett and Signa shared a look. At least there were two people here behaving appropriately”
“even if there was a second when Signa considered wringing Blythe’s neck”
“inspected her work with a satisfied little nod before strolling back to them. “I suppose that will do.”
“Everything Signa knew about croquet she had learned from watching Blythe approximately two minutes prior”
“she was surprised to find that Blythe’s smug expression had been wiped clean, her pale brows creased”
“I daresay we’ve been played, Your Highness,” Everett mused”
“Even so, the ball slid through the wicket.
“I do enjoy a nice, fair game.” Fate repositioned himself for his second strike, bending at the hips.”
“I do not make a habit of cheating, brother. But if you continue to, then so will I.”
“unable to figure out whether he’d want her apology or her head on a platter”
“Turn after turn both Everett and Signa tried their best”
“though Everett bounced several balls from the wickets, and Signa kept missing the ball altogether”
“the tension between them grew so thick that the other two gave them a wide berth”
“Fate was just as well practiced. As he ought to have been, Signa supposed, considering how long he’d been alive.”
“remained true to his word about avoiding it even as he kept up with Blythe”
“Signa had no doubt that if they were alone, she’d be celebrating her victory with nothing short of a battle cry”
“It’d been nice to play a game with him; to see him jest and smile and pretend that they were normal people with normal lives”
“though Signa’s entire body itched with the knowledge that something was horribly, desperately wrong, she followed her cousin inside”
“she couldn’t shake Charlotte’s warning. Why did she run toward the fire?”
“her eyes large and knowing. But when Signa had arrived at Thorn Grove, Blythe’s life had improved tenfold. It had been fun.”
“beyond that, she’d also met a wonderful friend. A sister, really.”
“gauzy, hazy glimpses of shadows that hovered behind Signa. Shadows that Signa had spoken to when she thought no one was listening”
“she was certain that Signa had seen those shadows, too; had spoken with them”
“she hated these thoughts. Hated that she could even be considering Signa in this way.”
“the rooms you walk into get cold, Signa. Your hair is losing its color, and there is a darkness that follows you even now.”
“To her credit promptly shut it once more.
Blythe knew then.”
“Her cousin was quiet, and Blythe instinctively wrapped her hand around the carriage’s handle in case she needed to throw herself out”
“Signa said, “There’s something I need to show you,” and Blythe felt her world shatter.”
“But one could not simply admit to being a reaper in love with Death”
“Signa would make no such marionettes. She didn’t want to live her life continuing to keep Blythe in the dark.”
“She looked behind her, ensuring that William was gone before she set her hand tenderly on the foal’s neck”
“Signa!” Blythe tried to smack them away from her. “What’s gotten into you? Spit those out!”
“Blythe fell back with wild eyes, looking like a startled deer”
“For a moment Signa swore that Blythe looked at him, or at least near him”
“Blythe stiffened. “Of course I can see you. Stop talking nonsense!”
“That shouldn’t be possible.” Death’s voice was breathless. “Not while she’s still alive.”
“She avoided dying three separate times. Perhaps there’s more of a price to that than we thought.”
“still she drew the foal’s head to her lap and stroked its neck”
“as the foal’s heartbeat stilled beneath her touch and Blythe covered her mouth with tears in her eyes”
“Blythe finally stared up at her. She clutched the foal close, arms wrapping around its thick neck.”
“when she’d left her aunt Magda’s house half a year ago, and it seemed everyone in the entire town had shown up to cross themselves as they watched her go”
0 notes
nityarawal · 1 year ago
Text
2/2/2024
Math= “Love Bomb You Anyways,” *2+2= 4
Morning Songs
“Of Course,” We Love You,”
Elon Drones
“Of Course I Love you,”
Drones
Of Course I Love
You
Anyways
Hashtags
Of Course We'll
Love 
Love Bomb You
We Promised
“It's Hot!”
Eloning 
Love More Than
Anyone Before
Anti-Harem
Choose To Love
A Gay Man
With All Our Hearts
Fearing Anti-Semetic
Smear
Big Love
Weaponizing
Symmetry
Motherhood
“Thunder From Down
Under,” Tragedies*
Surgeries
Anomalies
Hearts
Balls
Broken
Love With, ”All
Our Hearts,”*
“Love Eternal,”
Love Our Stars
Love You Starlights
Agape Valentines
Love You Mammas
Aunties
Even If You
Can't All Have
A Nitya Nanny
For Eternity
I'll Leave You
My Songs
I'll Share My Songs
You Can't Break Up
With Me
Because You Never 
Triangulated Me
With Government
You Can't Break Up
With Me
Because You Never
Matchmaked Me
You Can't Divorce
Me
Because You Never
Conned Me
You Can't Silence Me
Because You Never
“F'd” Me
Because Vegas 
Never Got Me
Into Her Lair
Got Alot Of
Free PR
“Egypt Station”*
Gay Cabarets
No Tips
Just Condemnation
“Space X” *
Kidnappings
“Solar City”
Eric Budd
Crypto Cons
“Boring Company”
Obviously Not
Trillionaires
Tunnels
Gold Alot Of Doje
Lost
Was That With
Ambitious
Dojo Bernards
Or Joel’
Swingers
Oleg Vydra
Day Traders
Born Again Kyle Cleveland
Lost The Spiritual
Center
We Gave You Goddesses
Chandra
Made A Fountain
Of Me Bathing
Pouring Water
Over My Head
We Gave You
Goddesses
Vayya Died Of
Breast Cancer
We Gave You
Goddesses
Helen Lost
Her Uterus
After She Married
Our Principal
And All Her Female
Organs
Bad Choices
Augmented Breasts
Diabetes
We Gave You
Goddesses
Ayni Raimondi
Was My Angel
Botticelli
Rolling Out Of
Bed
Masons
Millionaires
Pilots Fought
Principal Daddy
And Buzzed Around Her
Head To Be
Her Forever Dad
AirBnb Feds
Raped Us With
PNC Pfizer Banks
Into BBVA AI
Rewind Scams
Close Rewind YouTube
Close The Silencing.org 
Cohens’
Byron Katie Coaching
Centers For Cons
At Courts
With Abi Odam
John Hochman
Ivette Havasi Hochman M.U.M.
Hungarian Greencard
Spies
And Monika Fodor Mullen 
On Football Crimes
Headhunting My
Xs
Grooming Maxes’
And Jacks
Probation Officers
Soldiers
Beyonce Lost 
Her Pants 
Cher’s Back 
At Court
Elephant
In The Room
Is Our Children
Moms’
#FreeBritney
Elephant In The Room
Is Our Sisters
Gone
“Ganesh”
Remover Of 
Obstacles
Dr. Wally
Daddy’s Pilot Mason
Airforce
Hooker
Elephant
In The Room
Is The Mergers
With Brazil
Russia
S.C.O.
Elephant In The Room
Was When
The Little
Russian Giggolo
Cackled 
At Sharon Stone’s
Who-Who
Leg’s 
Wide Open
In “Basic Instinct,”
Rapunzel 
Giggled
Until
She Lost
Custody
Of Her
Kids
Elephant In The
Room
Is Elon Crying
#Rockets Tears
Rape
Extorted
Son Transed
Vivian
Trying To Shake
The Lineage
Karma
By Airforce 
Labs
Nazi Spies
Since Elon’s
Grandpa's Days
But Especially
Trying To Shirk
Errol Musk
And His 
Accomplices
Like
Ben Shaphiro 
On Parody
Rap
Sporting Dog Collars
Spoiled Boys
Can't Fulfill
Woman
Molded Last
Knight Standing
With Neuralink
Robotics
Keep On Singing
Genuine
More Flattering
Eloning
Eternal Love
Forever
Moms 
Peace,
Nitya Nella Davigo Azam Moezzi Huntley Rawal 
*Inspired By “Settings By Mona,” XO
**”Thunder From Down Under,” Is Adam Steck's Famous “Vegas” Gay Cabaret. 
*** “The Boyfriend,” Musical My Friends & I We're Trolled At Since M.S.A.E Maharishi School Of The Age Of Enlightenment.)
**** Elon & I are partners on Rewind- and I’m a silent investor on all projects he's involved in due to data crimes by our associates on various corporate/AI/Matchmaking/X/Twitter Cons. They obviously originated on Facebook with political hookers. I'd like to bow out of all US Corporate services and be sovereign when we rebuild for sincere Martians. We're done servicing court hookers- even our beloved BFFS that gingerly sold us and our children on black market. 
Tumblr media
0 notes
kammartinez · 2 years ago
Text
By Jonathan Taylor
Jet-lagged and exhausted, LeVar Burton rallied his youthful energy as he exited customs at New York’s JFK airport and climbed into a waiting limo. He had just traveled from the Zambezi River in Zambia, where he had filmed a segment for the April 4, 1982, episode of ABC’s “The American Sportsman.”
The car made its way from Queens to Manhattan, dropping him off at Central Park. He was there to shoot the pilot for a new public television show aimed at encouraging early learners to love books.
The show was to be called “Reading Rainbow.”
He was not entirely sure what the job was, and certainly not aware that it would become one of his signature roles. It didn’t matter. The son of a former teacher and a passionate believer in learning, reading, exploring and growing, Burton was all-in on this new adventure.
“Everything about it just made sense,” Burton says, more than 40 years later. “It was about literature and the written word, it was about kids, it was about having kids discover the power of literature through the medium of television and that was why ‘Reading Rainbow’ was such a radical departure from other shows of its era.”
From the moment he first met the “Reading Rainbow”crew, Burton demonstrated not one iota of star attitude.
“He showed up, got out of the limo, and I said, ‘Hey, how are you?’” Cecily Truett, co-creator, head writer and producer on the show for most of its run, recalls. “He said, ‘Well, I just got off the red-eye, so…’ I said, ‘Well, what can we do for you? How can we make you comfortable?’ He said, ‘You know, I’d love to have a glass of orange juice and a toothbrush.’ And that was it.
“He walked right on to the set, he ran through his lines and for the next 25 years he was on the set, on time, with his lines memorized....”
“For 155 shows,” her husband, Larry Lancit, another of the show’s creators, producers and directors, added.
Burton had to hurry back from Africa to New York because a skeleton crew was waiting to shoot the pilot episode, including anxious documentarians Truett and Lancit and fellow creator and executive producer Twila C. Liggett, a onetime elementary school teacher who had realized TV was the ideal medium to reach and influence young children. If “Reading Rainbow” delivered on its promise that a children’s show focused on the joy and value of reading could be set in the real America rather than on Sesame Street or in Mister Rogers’ neighborhood, it would get the blessing from PBS.
It did the trick. This month marks the 40th anniversary of the national premiere of one of the longest-running children’s shows in the history of public television.
That pilot episode centered around the children’s book “Gila Monsters Meet You at the Airport” by Marjorie Weinman Sharmat and Byron Barton. It is about a young New Yorker whose family is moving to Arizona, and who faces the fear felt by any kid torn from the community he or she has known and grown up with to resettle someplace distant, almost alien. (Spoiler alert: No desert animals meet the young man and his family upon arrival.)
As was the case in every episode that followed, Burton played host, trusted friend and calming presence. He was the face of the show and its most visible advocate, which was needed, since Liggett was forever searching for funding to pay for the show’s ambitious storytelling and wanderlust. Having the charismatic, passionate host on every episode and advocating on behalf of the show to Congress, parent groups and elsewhere made Liggett’s job much easier. Burton stayed with the show even when he got a much higher-profile job, as Geordi La Forge on the syndicated “Star Trek: The Next Generation.”
With the pilot shot — once the show got on the air, it actually was Episode 8 — all that was needed was the blessing, and partial funding, of the Corp. for Public Broadcasting (CPB), the private, nonprofit corporation charged by Congress to financially support PBS shows. Rev. Donald L. Marbury, at that time the vice president for programming at CPB, recalls the high-stakes meeting when Liggett presented the results of the pilot to him and his colleagues:
“In such meetings you couldn’t show too much enthusiasm or give too many positive signals because we were the Corporation, and we were bound by all kinds of processes and procedures. We did not have dollars to just say, ‘OK, we get it. Here, take the money.’ We had to go through panels, we had to go through outside groups and experts to come in and ratify what we thought were good ideas.”
And yet, because he remembered his own elementary school teacher decades before imbuing him with a love of books and reading, Marbury concedes, “When Twila comes in with this concept for ‘Reading Rainbow,’ you know I’m predisposed. I’m a kindred spirit. And so, she kind of had me from jump street, if you will. She had me at hello.”
Meanwhile, Lancit and Truett took a well-earned vacation to Puerto Rico, though their minds were elsewhere.
“Our whole future depended on whether we were going to do this thing or not because we were going to have to do 15 [episodes that first season],” Lancit remembers. “They wanted to show it in summer of ’83 and here it was January of ’82. So, we’re gonna have to really haul ass to get it all done.”
“We’re sitting on a balcony in Puerto Rico, overlooking the ocean and there was a tremendous rainstorm, when a big rainbow came across the sky and damned if the phone didn’t ring. It was Twila. She said they loved it at CPB and basically authorized the funds,” Lancit recalls. “So, it looks like we’re going to get started.”
Much of what became the template for “Reading Rainbow” — built around Liggett’s ideas that the show should encourage early readers to read to learn instead of simply learning to read — had already been decided earlier in the process, after the Lancits, Liggett and a few others had received the initial OK from CPB to develop the pilot.
“We knew what we wanted,” Lancit says. “If there was going to be a feature book and some sort of adaptation of that book, we decided that there really needed to be some sort of touchstone in real life that made the book come alive, by doing some sort of real-life experience that you can attach to the story that’s in the book. That was the genesis of what we called our field segment. And then we said, ‘Well, how do we introduce additional books?’ And we said, ‘Let’s do book reviews,’ and so we came up with the idea to have kids at the end of each show review books that were similar in scope, or message, or story.”
Aside from host LeVar Burton’s signature line before the young children would tout their favorite book — “But don’t take my word for it” — the show was different each time, which kept it fresh. A new feature book was showcased every episode, read by various known and unknown voices.
And unlike most other shows for kids, whether on PBS, commercial channels or, by the mid ’80s, cable, “Reading Rainbow”had no fixed set. Instead, it would travel — often to Southern California, in part to be close to LeVar Burton’s home — as well as across the country, around the world (when budgets allowed, which wasn’t often) or just across New York City, in pursuit of the right expert, the ideal setting, the most photogenic location to shoot a field piece. And, of course, there were boys and girls of all races and ethnicities to recommend additional reading options.
Among the notables who narrated the Feature Book that first season were actors Madeline Kahn (“Bea and Mrs. Jones”), James Earl Jones (“Bringing the Rain to Kapiti Plain”) and Lauren Tom (“Liang and the Magic Paintbrush”), and singer Lou Rawls (“Ty’s One-Man Band”).
One other book featured that first season was “Arthur’s Eyes,” read by a pre-controversy Bill Cosby), which author Marc Brown remembers as a key moment for him, “because that’s when Arthur started to gain traction with teachers, librarians, kids.”
In fact, it wasn’t long after that book was featured on “Rainbow”that Brown was approached by PBS about adapting his Arthur stories into an animated series. WGBH Boston producer Carol Greenwald emphasized that the aim of the series was to encourage kids to read.
That was different from some of the other offers he’d received to bring his popular aardvark character to TV. “I had had two other inquiries about Arthur on television, but it was a Saturday morning kind of thing. I would’ve had no control over what would happen to Arthur; they could put a gun in his backpack. And I didn’t want that to happen.”
Indeed, while PBS Kids, as it’s known now, was and remains a safe and welcoming destination for youngsters, it wasn’t the only place for kids to be entertained by TV. Shows aimed at young viewers aired on the big networks as well as on local stations, especially on Saturday mornings, but also in the afternoons, after school.
Until the passage of the Children’s Television Act in 1990, which wasn’t fully implemented until 1993, broadcast TV was largely unregulated — or, more accurately, was self-regulated.
That’s how a show like “He-Man and the Masters of the Universe,” which also began in 1983,got on the air. Based on the He-Man toys from Mattel, the series’ blend of product and programming spurred loud objections from parent groups, TV watchdogs and others before becoming a huge hit on commercial TV.
Sen. Edward Markey (D-Mass.) has waged a career-long crusade to hold broadcasters accountable for what they aired, particularly to children. He recalls, not at all fondly, his battles with President Ronald Reagan’s Federal Communications Commission, under the leadership of Chairman Mark C. Fowler, which followed the Reaganomics model and rescinded all of the regulations governing children’s TV.
So, when Markey, then a member of the House of Representatives, managed to pass a bill in 1984 that reinstated and even strengthened the rules that had formerly been in place, it was no surprise that the president vetoed it. Markey got it passed again during the first President Bush’s term, and he too refused to sign it, twice. It wasn’t until Democrat Bill Clinton became president and appointed his own FCC chairman, Reed Hundt, that the Children’s Television Act finally became law.
Even now, 30 years later, Markey remains bitter about the fights and compromises necessary to pass meaningful legislation regarding kids’ TV. Markey says the Reagan and Bush administrations “showed a deep-seated obeisance to the broadcast industry, almost genuflecting at their every whim, notwithstanding the harm that was being done to children across the country.”
It was in this environment that “Reading Rainbow”launched, a co-production of Nebraska Educational TV in Lincoln, where Liggett was based, and WNED in Buffalo, which was involved in the show from the beginning as well. Premiering any show is challenging, but it was logarithmically harder for this show, which had no fixed location, needed rights to multiple books for each episode, had to fight hard, particularly in the early seasons, to get placement on local PBS stations, and do all of it under tight budget constraints.
As far as figuring out which books to feature, Truett remembers coming up with basic standards, in collaboration with Liggett and some of the academic advisors the producers consulted regularly.
“Is it telegenic? Does it lead to an adventure that would excite the viewer? Is it kid-friendly? Is it about dinosaurs? (That’s a no-brainer.) Did it meet our diversity standards? Were there books that were reflective of children of all colors and cultures? … There were many, many standards for what got selected as a feature book.”
Then there was the matter of locking down the rights to spotlight the books, which was predictably agonizing, at least in the first season. The hard work of securing rights, and money, fell to Liggett. She chuckles now at the memory of dealing with skeptical publishers for rights to the book, since by the end of the first season, publishers couldn’t do enough to get their books on the show.
But in 1982, as the first season of shows was coming into focus, it was still an untested, unproven proposition when Liggett went to Simon & Schuster to get rights to adapt “Gila Monsters” for TV.
The Simon & Schuster executive couldn’t understand why her company would let a TV show have rights to the book; for publishing houses, the so-called “boob tube” was the enemy of reading.
“When we first started approaching book publishers to tell them about this and secure these rights, we were initially greeted with a lot of suspicion and questions like ‘What’s this all about?’” Marc Bailin, Truett and Lancit’s attorney who helped negotiate book rights, remembers. “Within a few years, the publishers were clamoring to have their book be a ‘Reading Rainbow’ book.”
That’s no surprise since, from the start, having a book featured on the show “increased the book sales of a lot of those titles markedly,” Bailin says.
By the time “Reading Rainbow” aired its final episode on Nov. 10, 2006, it had produced 155 in all, each with the same essential structure, each different in content from the other 154. It taught multiple generations of young children to love to read, to explore and keep their eyes open to new experiences, new people, new ideas.
Never the icon that its friendly rivals “Sesame Street” or “Mister Rogers’ Neighborhood” were, and drawing nowhere near the audience numbers of cable TV behemoth Nickelodeon’s hits, “Reading Rainbow”was still a show watched and beloved by early readers, their parents, teachers and others.
As Burton explains, “We recognized the impact on the audience and we leaned into it. It made sense, we were there creating content for children to enhance their minds, hearts and souls, right? And given that opportunity, we didn’t want to squander it.”
0 notes
kamreadsandrecs · 2 years ago
Text
By Jonathan Taylor
Jet-lagged and exhausted, LeVar Burton rallied his youthful energy as he exited customs at New York’s JFK airport and climbed into a waiting limo. He had just traveled from the Zambezi River in Zambia, where he had filmed a segment for the April 4, 1982, episode of ABC’s “The American Sportsman.”
The car made its way from Queens to Manhattan, dropping him off at Central Park. He was there to shoot the pilot for a new public television show aimed at encouraging early learners to love books.
The show was to be called “Reading Rainbow.”
He was not entirely sure what the job was, and certainly not aware that it would become one of his signature roles. It didn’t matter. The son of a former teacher and a passionate believer in learning, reading, exploring and growing, Burton was all-in on this new adventure.
“Everything about it just made sense,” Burton says, more than 40 years later. “It was about literature and the written word, it was about kids, it was about having kids discover the power of literature through the medium of television and that was why ‘Reading Rainbow’ was such a radical departure from other shows of its era.”
From the moment he first met the “Reading Rainbow”crew, Burton demonstrated not one iota of star attitude.
“He showed up, got out of the limo, and I said, ‘Hey, how are you?’��� Cecily Truett, co-creator, head writer and producer on the show for most of its run, recalls. “He said, ‘Well, I just got off the red-eye, so…’ I said, ‘Well, what can we do for you? How can we make you comfortable?’ He said, ‘You know, I’d love to have a glass of orange juice and a toothbrush.’ And that was it.
“He walked right on to the set, he ran through his lines and for the next 25 years he was on the set, on time, with his lines memorized....”
“For 155 shows,” her husband, Larry Lancit, another of the show’s creators, producers and directors, added.
Burton had to hurry back from Africa to New York because a skeleton crew was waiting to shoot the pilot episode, including anxious documentarians Truett and Lancit and fellow creator and executive producer Twila C. Liggett, a onetime elementary school teacher who had realized TV was the ideal medium to reach and influence young children. If “Reading Rainbow” delivered on its promise that a children’s show focused on the joy and value of reading could be set in the real America rather than on Sesame Street or in Mister Rogers’ neighborhood, it would get the blessing from PBS.
It did the trick. This month marks the 40th anniversary of the national premiere of one of the longest-running children’s shows in the history of public television.
That pilot episode centered around the children’s book “Gila Monsters Meet You at the Airport” by Marjorie Weinman Sharmat and Byron Barton. It is about a young New Yorker whose family is moving to Arizona, and who faces the fear felt by any kid torn from the community he or she has known and grown up with to resettle someplace distant, almost alien. (Spoiler alert: No desert animals meet the young man and his family upon arrival.)
As was the case in every episode that followed, Burton played host, trusted friend and calming presence. He was the face of the show and its most visible advocate, which was needed, since Liggett was forever searching for funding to pay for the show’s ambitious storytelling and wanderlust. Having the charismatic, passionate host on every episode and advocating on behalf of the show to Congress, parent groups and elsewhere made Liggett’s job much easier. Burton stayed with the show even when he got a much higher-profile job, as Geordi La Forge on the syndicated “Star Trek: The Next Generation.”
With the pilot shot — once the show got on the air, it actually was Episode 8 — all that was needed was the blessing, and partial funding, of the Corp. for Public Broadcasting (CPB), the private, nonprofit corporation charged by Congress to financially support PBS shows. Rev. Donald L. Marbury, at that time the vice president for programming at CPB, recalls the high-stakes meeting when Liggett presented the results of the pilot to him and his colleagues:
“In such meetings you couldn’t show too much enthusiasm or give too many positive signals because we were the Corporation, and we were bound by all kinds of processes and procedures. We did not have dollars to just say, ‘OK, we get it. Here, take the money.’ We had to go through panels, we had to go through outside groups and experts to come in and ratify what we thought were good ideas.”
And yet, because he remembered his own elementary school teacher decades before imbuing him with a love of books and reading, Marbury concedes, “When Twila comes in with this concept for ‘Reading Rainbow,’ you know I’m predisposed. I’m a kindred spirit. And so, she kind of had me from jump street, if you will. She had me at hello.”
Meanwhile, Lancit and Truett took a well-earned vacation to Puerto Rico, though their minds were elsewhere.
“Our whole future depended on whether we were going to do this thing or not because we were going to have to do 15 [episodes that first season],” Lancit remembers. “They wanted to show it in summer of ’83 and here it was January of ’82. So, we’re gonna have to really haul ass to get it all done.”
“We’re sitting on a balcony in Puerto Rico, overlooking the ocean and there was a tremendous rainstorm, when a big rainbow came across the sky and damned if the phone didn’t ring. It was Twila. She said they loved it at CPB and basically authorized the funds,” Lancit recalls. “So, it looks like we’re going to get started.”
Much of what became the template for “Reading Rainbow” — built around Liggett’s ideas that the show should encourage early readers to read to learn instead of simply learning to read — had already been decided earlier in the process, after the Lancits, Liggett and a few others had received the initial OK from CPB to develop the pilot.
“We knew what we wanted,” Lancit says. “If there was going to be a feature book and some sort of adaptation of that book, we decided that there really needed to be some sort of touchstone in real life that made the book come alive, by doing some sort of real-life experience that you can attach to the story that’s in the book. That was the genesis of what we called our field segment. And then we said, ‘Well, how do we introduce additional books?’ And we said, ‘Let’s do book reviews,’ and so we came up with the idea to have kids at the end of each show review books that were similar in scope, or message, or story.”
Aside from host LeVar Burton’s signature line before the young children would tout their favorite book — “But don’t take my word for it” — the show was different each time, which kept it fresh. A new feature book was showcased every episode, read by various known and unknown voices.
And unlike most other shows for kids, whether on PBS, commercial channels or, by the mid ’80s, cable, “Reading Rainbow”had no fixed set. Instead, it would travel — often to Southern California, in part to be close to LeVar Burton’s home — as well as across the country, around the world (when budgets allowed, which wasn’t often) or just across New York City, in pursuit of the right expert, the ideal setting, the most photogenic location to shoot a field piece. And, of course, there were boys and girls of all races and ethnicities to recommend additional reading options.
Among the notables who narrated the Feature Book that first season were actors Madeline Kahn (“Bea and Mrs. Jones”), James Earl Jones (“Bringing the Rain to Kapiti Plain”) and Lauren Tom (“Liang and the Magic Paintbrush”), and singer Lou Rawls (“Ty’s One-Man Band”).
One other book featured that first season was “Arthur’s Eyes,” read by a pre-controversy Bill Cosby), which author Marc Brown remembers as a key moment for him, “because that’s when Arthur started to gain traction with teachers, librarians, kids.”
In fact, it wasn’t long after that book was featured on “Rainbow”that Brown was approached by PBS about adapting his Arthur stories into an animated series. WGBH Boston producer Carol Greenwald emphasized that the aim of the series was to encourage kids to read.
That was different from some of the other offers he’d received to bring his popular aardvark character to TV. “I had had two other inquiries about Arthur on television, but it was a Saturday morning kind of thing. I would’ve had no control over what would happen to Arthur; they could put a gun in his backpack. And I didn’t want that to happen.”
Indeed, while PBS Kids, as it’s known now, was and remains a safe and welcoming destination for youngsters, it wasn’t the only place for kids to be entertained by TV. Shows aimed at young viewers aired on the big networks as well as on local stations, especially on Saturday mornings, but also in the afternoons, after school.
Until the passage of the Children’s Television Act in 1990, which wasn’t fully implemented until 1993, broadcast TV was largely unregulated — or, more accurately, was self-regulated.
That’s how a show like “He-Man and the Masters of the Universe,” which also began in 1983,got on the air. Based on the He-Man toys from Mattel, the series’ blend of product and programming spurred loud objections from parent groups, TV watchdogs and others before becoming a huge hit on commercial TV.
Sen. Edward Markey (D-Mass.) has waged a career-long crusade to hold broadcasters accountable for what they aired, particularly to children. He recalls, not at all fondly, his battles with President Ronald Reagan’s Federal Communications Commission, under the leadership of Chairman Mark C. Fowler, which followed the Reaganomics model and rescinded all of the regulations governing children’s TV.
So, when Markey, then a member of the House of Representatives, managed to pass a bill in 1984 that reinstated and even strengthened the rules that had formerly been in place, it was no surprise that the president vetoed it. Markey got it passed again during the first President Bush’s term, and he too refused to sign it, twice. It wasn’t until Democrat Bill Clinton became president and appointed his own FCC chairman, Reed Hundt, that the Children’s Television Act finally became law.
Even now, 30 years later, Markey remains bitter about the fights and compromises necessary to pass meaningful legislation regarding kids’ TV. Markey says the Reagan and Bush administrations “showed a deep-seated obeisance to the broadcast industry, almost genuflecting at their every whim, notwithstanding the harm that was being done to children across the country.”
It was in this environment that “Reading Rainbow”launched, a co-production of Nebraska Educational TV in Lincoln, where Liggett was based, and WNED in Buffalo, which was involved in the show from the beginning as well. Premiering any show is challenging, but it was logarithmically harder for this show, which had no fixed location, needed rights to multiple books for each episode, had to fight hard, particularly in the early seasons, to get placement on local PBS stations, and do all of it under tight budget constraints.
As far as figuring out which books to feature, Truett remembers coming up with basic standards, in collaboration with Liggett and some of the academic advisors the producers consulted regularly.
“Is it telegenic? Does it lead to an adventure that would excite the viewer? Is it kid-friendly? Is it about dinosaurs? (That’s a no-brainer.) Did it meet our diversity standards? Were there books that were reflective of children of all colors and cultures? … There were many, many standards for what got selected as a feature book.”
Then there was the matter of locking down the rights to spotlight the books, which was predictably agonizing, at least in the first season. The hard work of securing rights, and money, fell to Liggett. She chuckles now at the memory of dealing with skeptical publishers for rights to the book, since by the end of the first season, publishers couldn’t do enough to get their books on the show.
But in 1982, as the first season of shows was coming into focus, it was still an untested, unproven proposition when Liggett went to Simon & Schuster to get rights to adapt “Gila Monsters” for TV.
The Simon & Schuster executive couldn’t understand why her company would let a TV show have rights to the book; for publishing houses, the so-called “boob tube” was the enemy of reading.
“When we first started approaching book publishers to tell them about this and secure these rights, we were initially greeted with a lot of suspicion and questions like ‘What’s this all about?’” Marc Bailin, Truett and Lancit’s attorney who helped negotiate book rights, remembers. “Within a few years, the publishers were clamoring to have their book be a ‘Reading Rainbow’ book.”
That’s no surprise since, from the start, having a book featured on the show “increased the book sales of a lot of those titles markedly,” Bailin says.
By the time “Reading Rainbow” aired its final episode on Nov. 10, 2006, it had produced 155 in all, each with the same essential structure, each different in content from the other 154. It taught multiple generations of young children to love to read, to explore and keep their eyes open to new experiences, new people, new ideas.
Never the icon that its friendly rivals “Sesame Street” or “Mister Rogers’ Neighborhood” were, and drawing nowhere near the audience numbers of cable TV behemoth Nickelodeon’s hits, “Reading Rainbow”was still a show watched and beloved by early readers, their parents, teachers and others.
As Burton explains, “We recognized the impact on the audience and we leaned into it. It made sense, we were there creating content for children to enhance their minds, hearts and souls, right? And given that opportunity, we didn’t want to squander it.”

0 notes
phoenix-flamed · 1 year ago
Text
When had Jill settled against him? He hadn't noticed; and it wasn't that he minds the gesture, in fact it brings him immeasurable joy. It forever tugs at the corners of his mind that the young girl may very well loathe him for bringing her here -- and if she did, he would not blame her in the slightest, despite how happy Clive and Joshua and he are to have her within their home.
Within their family.
It's a precarious situation, showing affection towards Jill. Questions and concerns swirl within his mind: what if he makes her uncomfortable? What if he crosses a line with her? His gaze lowers for a moment in contemplation, then he moves a hand behind her in order to gently squeeze her shoulder. It's a gesture of attempted reassurance that he oft offers to Joshua in particular, and it's a start, or so he would like to think. After all, the last thing he desires to do is ruin this moment, this rare opportunity to speak with Jill openly.
Elwin's smile only grows at her instructions, and the subsequent explanation. "I had no idea," he admits, voice unwavering in its youthful curiosity and interest. Full glad is he that the servants are so kind to her, aiding her with her beloved hobby. (And if they had been unkind instead, he would have had words with them over it.) There's a thoughtful hum, followed by a nod of consideration. All the while, he works on cutting the stems of the flowers to varying lengths, glancing over at her as he does for approval -- or further guidance should his handiwork need altering.
It's when the princess falls quiet that his hands pause again in their assigned task. With a slight tilt to his head, the Archduke glances down at her. "Please, continue. There is no need to hold back your thoughts -- and knowledge." As if to further encourage her, his smile broadens, almost to a grin -- eyes lighting up with an idea: "When we are able to visit Eastpool again, we can see if Lady Hanna will let you join her in tending to her flower garden. She, too, loves flowers, you know. I'm sure she would be more than happy to take you under her wing."
Memories of Eastpool come flooding back to him; of summers past, of adventures with Rodney and Byron, of poor Hanna patching them up every time they would return with one too many cuts and scrapes from their recklessness(which Elwin and Rodney usually led Byron into).
The inquiry is a fair one. There is no easy answer; the difficulty is worsened by the inkling that he and the Duchess are not of one mind in terms of Jill's future. Still, like most things the couple disagree upon, he is unwilling to back down from his position on the matter, and so he answers her honestly once more: "What becomes of you will be your choice."
Less of a statement, and more of a promise. Elwin's brow furrows deeper. The smile does not dwindle. Calloused fingers finally resume their duty. "You had no say in coming here, but when you are of age, should you choose to return to your family -- you have my word that I will see you arrive safely back into their arms."
There is a concern, however. How much does Jill know about her homeland's current state? Does she know how dire the spread of the Blight has become? Guilt mingles with shame, both at having not told her the full breadth of the situation himself as of yet, and at still being unable to find a solution to their plight.
But for now, best to enjoy this moment. There will be time to discuss that future once he and King Warrick know with more certainty that nothing can be done to halt the progression of the Blight.
"All I ask is that you remember that you have a home here as well, where you will always be welcome," the man adds, tone quieter now as he lays bare his most personal thoughts and feelings. A hint, perhaps, or a glimpse into his heart, where only the most trusted are able to glean. The flowers are, once again one by one, handed down to her. "I want a better future, for you and for the boys. Those are my plans for you, my girl. A better future." A better future than the lives you three have now, so full of war and strife and sorrow.
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her eyes twinkle when they look to his. listening intently. thankful is she that this feeling... one so heavy... is not something she suffers from alone. someone such as powerful & large as the Archduke felt the same. a shaky breath releases. at some point she had scooted closer to him. resting her head gently along the side of his arm. it felt good releasing these thoughts to someone other than Clive. she always felt the Archduke himself could fix many problems, but he was never around as much as his wife, much to her dismay. moments like these were rare. she would not waste them. this would be a cherished memory, surely. such a conversation between them felt so natural. for once she did not feel like the burden others made her seem to be.
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an image arises in her head of a young archduke with the chocobos. in her mind does she think of Clive with Ambrosia. there's a warm smile on lips. him & his father had much in common, even little things. she quite enjoyed listening to Clive read. she could do it herself, as she too enjoyed the escape that reading provided, but it was much more enjoyable when he would read to her. he became a performer. he brought the roles to life. gave different characters different voices. he was a bit ridiculous, but it brought her joy. ruined the idea of reading by herself. a tiny giggle slips at the image of his father doing the same, but for the chocobos instead.
❛ would you cut some of the stems to different sizes? that way I can weave them and make the entire crown full of flowers. ❜
she had learned the hard way that keeping the stems too long created too big of a crown & not very many flowers. a one of that size would work for him, but certainly not for her.
❛ some of the servants helped me learn how to preserve the flowers... did you know that there's a lot of ways? ❜ a smile forms, thinking to the flowers Clive had brought back to her from his travels that hung preserved on her walls. ❛ the first way is simply drying them and pressing them into something.. but I can't turn them into a crown if they're squished. the petals are too delicate. but I like to put them on display. once the crowns are done, they help me take them somewhere they can dry out. they're not as soft when they do that, but... they last as long as I care for them very delicately. ❜
a slight tint to cheeks appears as she'd rambled. she enjoyed learning new things, particularly about flowers. she found it incredible the things plants could do in general. there'd been times she watched the botanists create medicines, she wanted to ask if she could partake. but she was far too little & far too busy with etiquette classes. things she was wholly uninterested in. she had yet to be allowed to explore a passion... which would always make her wonder. so as she weaves the stems within each other, she can't help but ask.
❛ Clive and Joshua are always so busy now... but I am not... not with anything important. ❜ a frown. ❛ what will become of me, Your Grace? surely there are plans for me. I just do not know of them. ❜
that is what makes her feel so sick.
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f-dee · 6 years ago
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Byron’s Birthday Date, preview, MidCinEng
Byron... my love...(≧◡≦) ♡  every moment I spend with you makes me love you even more 。.:☆*:・'(*⌒―⌒*))) you make me so happy! I love you truly, with all my heart! I just want to be with you forever! ( ˘⌣˘)♡(˘⌣˘ ) (/^-^(^ ^*)/ ♡
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maemelany · 4 years ago
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Fixing The Broken Series (Prologue)
Masterlist 
Prologue, Part 1 , Part 2 
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Author’s note: Guys! After reading sooooo many stories on Tumblr, I’ve decided to write one myself. It’s my first one, and I hope one of many more to come. I hope you like it. I thought about this one after realizing how short the break was before the filming of Infinity War and Endgame (Literally one month). I thought it must have been hard for all of them. And then it made me think how harder it could have been for Chris if he was married. So here it is, Fixing the Broken.
It’s a love story full of angst, very sad parts (because that’s my thing) but remember, it’s a love story. Here’s to the happy, the tragic and the tears (there will be a lot of tears) and I really hope you like it!
Summary:
People say that time heals all wounds. In your case, time made it worse.
You’ve been married to Chris for five years, but his absence spoke louder than his words. After 5 years of trying, you’ve decided that you’ve had enough, and you left him. But Chris doesn’t want to let you go; he doesn’t want to give up on your marriage.
Would he be able to fix what you consider irretrievably broken?
Hope you enjoy! 
word count: 925
Absence, that common cure of love – Lord Byron
This time, you’ve had enough. You’ve been through everything with your husband, but this time you have to call it quits. As you pack your clothes in a big travelling bag, you realize you’re really doing it, you’re leaving your husband after five years of marriage.
It’s not that you don’t love Chris. You love him more than your whole life. When you said yes at the altar, you meant it. You said forever, and you meant it. But last night, as you were sipping your wine in front of another Netflix tv series you’ve started out of boredom, you’ve realized you never signed for this.
This being loneliness. When you got married in front of your families, you promised to be there for each other for better, for worse, for richer, for poorer, in sickness and in health, to love and cherish, till death do us part. The keyword here is to be there. How can you even respect your vows if you’re not present?
Of course, you knew you were getting married to one of the busiest actors in Hollywood, but frankly, you naively thought he would make some effort for you. Of course, you would never ask him to do that. Essentially for two reasons, first, you loved Chris too much to keep him from doing the thing that gives him the most joy. Your husband loves what he does. The way he gets excited about every project in which he’s involved. The light in his eyes when he talks about his characters, you would never take that away from him. Secondly, you wanted the decision to come from him. When you first met him, you bonded on your mutual love for Boston. Naively you thought that marriage would deepen his roots in the city, and he would prefer to stay here more.
Well, needless to say, that you couldn’t have been more wrong. You got married right before the beginning of the filming of Infinity War. It made you laugh when you realize you didn’t even have a proper honeymoon. Then there was the week you spent in Scotland because Chris thought it was a good idea for you to come since they were shooting some scenes there for the movie. You have always been something he scheduled between his busy life. He only wanted to spend time with you when it was convenient for him. When there was some spare time in his busy schedule.
The worst part was actually after Infinity War. You thought you would finally have time with your husband. A time you could both spend enjoying your early marriage days, but again you were wrong.
You had one month, and that was it. Before you could even blink, Chris was gone again to film End Game. Of course, That one month was amazing. The thing with Chris was that whenever he was near, you felt on top of the world. You loved him so deeply. Just him being there was more than enough. During the month between filming Infinity War and Endgame, you and Chris would spend days in bed, around the house playing with his nephews. You would watch them playing in the pool, Chris making them laugh. You imagined him doing the same with your own children, and the thought made your heart so full of joy.
But before you could blink, the bliss was already over. He was gone again. You tried to hold on that month. Every time you felt lonely, you would watch the videos of you both on your phones, but it wasn’t enough. As much as you wanted it to be enough, it just wasn’t. You also visited his family, spent time with Chris’ mother and sisters and children. Again, it was nice, comforting while it lasted, but not enough.
You needed your husband, and your husband was simply not there.
So, when after Endgame, when Chris got involved in more and more projects, it hit you.
It would never end. Chris will never stop being everywhere but with you. You would never be enough for the love of your life.
So, there you were, so tired you couldn’t even cry anymore. Honestly, you didn’t even have tears left to cry, as Ariana would say.
With your bag ready, you went downstairs. You were so grateful that Dodger was with your sister-in-law. You couldn’t bear your baby watching you leave. As you passed by the open living room, you saw the picture of you and Chris hanging on the wall, and your heart fell even further. You realized you were actually doing it. It took all the courage you had inside of you not to back down and call him. You knew that even the sound of Chris’s voice would make you want to stay.
But you also knew that you weren’t really making the decision. Chris made it a long time ago. He chose to be away; you were only respecting his choice now.
You close the entry door, and it felt like you were closing a huge chapter of your life: the happiest and yet most tragic one.
You meant it when you said forever. You really did. But forever cannot happen when the person you’re supposed to share it with is not here. There’s a reason the vows say till death do us apart. Death was supposed to be the only thing that could do us apart. Chris chose to not be here. Chris chose absence over love.
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joshuaorrizonte · 3 years ago
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New Chapter Up!
The four of us waited in awkward silence after that. Valerie didn’t take long, and then we walked in awkward silence. When we arrived at the party, I spotted my son dancing with Sorrow, looking happier than I’d seen him in years. I didn’t want to intrude on that.
But Byron was already making his way across the dance floor. “Byron!” Circe called out after him, irritation in her voice. “Damn that boy…” she muttered, and took off in pursuit. I followed, Demeter close behind. Circe and Byron got to them first, and were already conversing when we got to them. “—to say to you, Gareth. Will you listen?” Circe asked.
The four of us waited in awkward silence after that. Valerie didn’t take long, and then we walked in awkward silence. When we arrived at the party, I spotted my son dancing with Sorrow, looking happier than I’d seen him in years. I didn’t want to intrude on that.
But Byron was already making his way across the dance floor. “Byron!” Circe called out after him, irritation in her voice. “Damn that boy…” she muttered, and took off in pursuit. I followed, Demeter close behind. Circe and Byron got to them first, and were already conversing when we got to them. “—to say to you, Gareth. Will you listen?” Circe asked.
Alex appeared at Gareth’s shoulder. “Anything Byron has to say to him,” Alex said, hostility simmering in his hazel eyes, “he can say with us present.” The next thing I knew, Anna stood behind Gareth as well, and Sorrow entwined her fingers in Gareth’s, and I was humbled. It appeared I was wrong about these kids after all.
And it wasn’t lost on Byron, either. His gaze flicked from one of them to the other, stuttering, before he said, “Gareth, I’m sorry. I was wrong. I got a taste of my own medicine at the juvenile home and I want to come home, but Drake says I can only do that if you say it’s okay. Please, please, please…”
Gareth looked at him, stunned. He hadn’t said a word yet. His gaze settled on me, and I shook my head. “It’s your decision. I want to talk to you later tonight, but you’re the one he assaulted. You get to decide if he’s allowed back in the house.”
My son swallowed hard, and said, almost too soft to be heard over the blaring music, “Alright. But if you start bullying me again, I want you out of my life forever.”
Byron’s shoulders slumped in relief. “Thank you. I promise I’ve learned my lesson. It won’t happen again.”
“It better not,” Alex said, “because if it does, you’ll answer to me , and I’ll be in a lot more trouble than you were for this, I promise you.”
“Alex,” Byron gasped, sounding hurt. It seemed he realized that all of his friends were now standing behind the kid he was used to bullying, and for a split second, his face twisted in rage. But it was only for a second before defeat crossed his features once more. “I understand, man. It won’t come to that. Promise. And I don’t want to not be friends with all of you. I see now that my behavior wasn’t okay. I’m going to change. I promise.”
None of his three friends looked convinced. But Gareth, although he seemed hesitant, held out a hand. “Apology accepted. I’d like to go back to how we were. I loved you like a brother once. I’d be nice to feel that again.”
Byron looked at Gareth’s hand, then back up at him, mistrustful. But he took it, and said, “Yeah. It would.”
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nellygwyn · 5 years ago
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BOOK RECS
Okay, so lots of people wanted this and so, I am compiling a list of my favourite books (both fiction and non-fiction), books that I recommend you read as soon as humanly possible. In the meantime, I’ll be pinning this post to the top of my blog (once I work out how to do that lmao) so it will be accessible for old and new followers. I’m going to order this list thematically, I think, just to keep everything tidy and orderly. Of course, a lot of this list will consist of historical fiction and historical non-fiction because that’s what I read primarily and thus, that’s where my bias is, but I promise to try and spice it up just a little bit. 
Favourite fiction books of all time:
The Mermaid and Mrs Hancock // Imogen Hermes Gowar
Sense and Sensibility // Jane Austen
Slammerkin // Emma Donoghue 
Remarkable Creatures // Tracy Chevalier
Life Mask // Emma Donoghue
His Dark Materials // Philip Pullman (this includes the follow-up series The Book of Dust)
Emma // Jane Austen
The Miniaturist // Jessie Burton
Girl, Woman, Other // Bernadine Evaristo 
Jane Eyre // Charlotte Brontë
Persuasion // Jane Austen
Girl with a Pearl Earring // Tracy Chevalier
The Silent Companions // Laura Purcell
Tess of the d’Urbervilles // Thomas Hardy
Northanger Abbey // Jane Austen
The Chronicles of Narnia // C.S. Lewis
Pride and Prejudice // Jane Austen
Goodnight, Mr Tom // Michelle Magorian
The French Lieutenant’s Woman // John Fowles 
The Butcher’s Hook // Janet Ellis 
Mansfield Park // Jane Austen
The All Souls Trilogy // Deborah Harkness
The Railway Children // Edith Nesbit
Favourite non-fiction books of all time
Catherine the Great: Portrait of a Woman // Robert Massie
Love and Louis XIV: The Women in the Life of the Sun King // Antonia Fraser
Madame de Pompadour // Nancy Mitford
The First Iron Lady: A Life of Caroline of Ansbach // Matthew Dennison 
Black and British: A Forgotten History // David Olusoga
Courtiers: The Secret History of the Georgian Court // Lucy Worsley 
Young and Damned and Fair: The Life of Katherine Howard, the Fifth Wife of Henry VIII // Gareth Russell
King Charles II // Antonia Fraser
Casanova’s Women // Judith Summers
Marie Antoinette: The Journey // Antonia Fraser
Mrs. Jordan’s Profession: The Story of a Great Actress and a Future King // Claire Tomalin
Jane Austen at Home // Lucy Worsley
Mudlarking: Lost and Found on the River Thames // Lara Maiklem
The Last Royal Rebel: The Life and Death of James, Duke of Monmouth // Anna Keay
The Marlboroughs: John and Sarah Churchill // Christopher Hibbert
Nell Gwynn: A Biography // Charles Beauclerk
Jurassic Mary: Mary Anning and the Primeval Monsters // Patricia Pierce
Georgian London: Into the Streets // Lucy Inglis
The Prince Who Would Be King: The Life and Death of Henry Stuart // Sarah Fraser
Wedlock: How Georgian Britain’s Worst Husband Met His Match // Wendy Moore
Dead Famous: An Unexpected History of Celebrity from the Stone Age to the Silver Screen // Greg Jenner
Victorians Undone: Tales of the Flesh in the Age of Decorum // Kathryn Hughes
Crown of Blood: The Deadly Inheritance of Lady Jane Grey // Nicola Tallis
Favourite books about the history of sex and/or sex work
The Origins of Sex: A History of First Sexual Revolution // Faramerz Dabhoiwala 
Erotic Exchanges: The World of Elite Prostitution in Eighteenth-Century Paris // Nina Kushner
Peg Plunkett: Memoirs of a Whore // Julie Peakman
Courtesans // Katie Hickman
The Other Victorians: A Study of Sexuality and Pornography in mid-Nineteenth Century England
Madams, Bawds, and Brothel Keepers // Fergus Linnane
The Secret History of Georgian London: How the Wages of Sin Shaped the Capital // Dan Cruickshank 
A Curious History of Sex // Kate Lister
Sex and Punishment: 4000 Years of Judging Desire // Eric Berkowitz
Queen of the Courtesans: Fanny Murray // Barbara White
Rent Boys: A History from Ancient Times to Present // Michael Hone
Celeste // Roland Perry
Sex and the Gender Revolution // Randolph Trumbach
The Pleasure’s All Mine: A History of Perverse Sex // Julie Peakman
LGBT+ fiction I love*
The Confessions of the Fox // Jordy Rosenberg 
As Meat Loves Salt // Maria Mccann
Bone China // Laura Purcell
Brideshead Revisited // Evelyn Waugh
The Confessions of Frannie Langton // Sara Collins
The Intoxicating Mr Lavelle // Neil Blackmore
Orlando // Virginia Woolf
Tipping the Velvet // Sarah Waters
She Rises // Kate Worsley
The Mercies // Kiran Millwood Hargrave
Oranges are Not the Only Fruit // Jeanette Winterson
Maurice // E.M Forster
Frankisstein: A Love Story // Jeanette Winterson
If I Was Your Girl // Meredith Russo 
The Well of Loneliness // Radclyffe Hall 
* fyi, Life Mask and Girl, Woman, Other are also LGBT+ fiction
Classics I haven’t already mentioned (including children’s classics)
Far From the Madding Crowd // Thomas Hardy 
I Capture the Castle // Dodie Smith 
Vanity Fair // William Makepeace Thackeray 
Wuthering Heights // Emily Brontë
The Blazing World // Margaret Cavendish, Duchess of Newcastle
Murder on the Orient Express // Agatha Christie 
Great Expectations // Charles Dickens
North and South // Elizabeth Gaskell
Evelina // Frances Burney
Death on the Nile // Agatha Christie
The Monk // Matthew Lewis
Frankenstein // Mary Shelley
Vilette // Charlotte Brontë
The Mayor of Casterbridge // Thomas Hardy
The Tenant of Wildfell Hall // Anne Brontë
Vile Bodies // Evelyn Waugh
Beloved // Toni Morrison 
The Murder of Roger Ackroyd // Agatha Christie
The History of Tom Jones, A Foundling // Henry Fielding
A Room With a View // E.M. Forster
Silas Marner // George Eliot 
Jude the Obscure // Thomas Hardy
My Man Jeeves // P.G. Wodehouse
Lady Audley’s Secret // Mary Elizabeth Braddon
Middlemarch // George Eliot
Little Women // Louisa May Alcott
Children of the New Forest // Frederick Marryat
I Know Why the Caged Bird Sings // Maya Angelou 
Rebecca // Daphne du Maurier
Alice in Wonderland // Lewis Carroll
The Wind in the Willows // Kenneth Grahame
Anna Karenina // Leo Tolstoy
Howard’s End // E.M. Forster
The Secret Diary of Adrian Mole, Aged 13 3/4 // Sue Townsend
Even more fiction recommendations
The Darling Strumpet // Gillian Bagwell
The Wolf Hall trilogy // Hilary Mantel
The Illumination of Ursula Flight // Anne-Marie Crowhurst
Queenie // Candace Carty-Williams
Forever Amber // Kathleen Winsor
The Corset // Laura Purcell
Love in Colour // Bolu Babalola
Artemisia // Alexandra Lapierre
Blackberry and Wild Rose // Sonia Velton
The Bloody Chamber and Other Stories // Angela Carter
The Languedoc trilogy // Kate Mosse
Longbourn // Jo Baker
A Skinful of Shadows // Frances Hardinge
The Black Moth // Georgette Heyer
The Far Pavilions // M.M Kaye
The Essex Serpent // Sarah Perry
The Seven Husbands of Evelyn Hugo // Taylor Jenkins Reid
Cavalier Queen // Fiona Mountain 
The Winter Palace // Eva Stachniak
Friday’s Child // Georgette Heyer
Falling Angels // Tracy Chevalier
Little // Edward Carey
Chocolat // Joanne Harris 
The Watchmaker of Filigree Street // Natasha Pulley 
My Sister, the Serial Killer // Oyinkan Braithwaite
The Convenient Marriage // Georgette Heyer
Katie Mulholland // Catherine Cookson
Restoration // Rose Tremain
Meat Market // Juno Dawson
Lady on the Coin // Margaret Campbell Bowes
In the Company of the Courtesan // Sarah Dunant
The Crimson Petal and the White // Michel Faber
A Place of Greater Safety // Hilary Mantel 
The Little Shop of Found Things // Paula Brackston
The Improbability of Love // Hannah Rothschild
The Murder Most Unladylike series // Robin Stevens
Dark Angels // Karleen Koen
The Words in My Hand // Guinevere Glasfurd
Time’s Convert // Deborah Harkness
The Collector // John Fowles
Vivaldi’s Virgins // Barbara Quick
The Foundling // Stacey Halls
The Phantom Tree // Nicola Cornick
The Seven Deaths of Evelyn Hardcastle // Stuart Turton
Golden Hill // Francis Spufford
Assorted non-fiction not yet mentioned
The Dinosaur Hunters: A True Story of Scientific Rivalry and the Discovery of the Prehistoric World // Deborah Cadbury
The Beauty and the Terror: An Alternative History to the Italian Renaissance // Catherine Fletcher
All the King's Women: Love, Sex, and Politics in the life of Charles II // Derek Jackson
Mozart’s Women // Jane Glover
Scandalous Liaisons: Charles II and His Court // R.E. Pritchard
Matilda: Queen, Empress, Warrior // Catherine Hanley 
Black Tudors // Miranda Kaufman 
To Catch a King: Charles II's Great Escape // Charles Spencer
1666: Plague, War and Hellfire // Rebecca Rideal
Henrietta Maria: Charles I's Indomitable Queen // Alison Plowden
Catherine of Braganza: Charles II's Restoration Queen // Sarah-Beth Watkins
Four Sisters: The Lost Lives of the Romanov Grand Duchesses // Helen Rappaport
Aristocrats: Caroline, Emily, Louisa and Sarah Lennox, 1740-1832 // Stella Tillyard 
The Fortunes of Francis Barber: The True Story of the Jamaican Slave who Became Samuel Johnson’s Heir // Michael Bundock
Black London: Life Before Emancipation // Gretchen Gerzina
In These Times: Living in Britain Through Napoleon’s Wars, 1793-1815
The King’s Mistress: Scandal, Intrigue and the True Story of the Woman who Stole the Heart of George I // Claudia Gold
Perdita: The Life of Mary Robinson // Paula Byrne
The Gentleman’s Daughter: Women’s Lives in Georgian England // Amanda Vickery
Terms and Conditions: Life in Girls’ Boarding School, 1939-1979 // Ysenda Maxtone Graham 
Fanny Burney: A Biography // Claire Harman
Aphra Behn: A Secret Life // Janet Todd
The Imperial Harem: Women and the Sovereignty in the Ottoman Empire // Leslie Peirce
The Fall of the House of Byron // Emily Brand
The Favourite: Sarah, Duchess of Marlborough // Ophelia Field
Night-Walking: A Nocturnal History of London // Matthew Beaumont, Will Self
Jane Austen: A Life // Claire Tomalin
Beloved Emma: The Life of Emma, Lady Hamilton // Flora Fraser
Sentimental Murder: Love and Madness in the 18th Century // John Brewer
Henrietta Howard: King’s Mistress, Queen’s Servant // Tracy Borman
City of Beasts: How Animals Shaped Georgian London // Tom Almeroth-Williams
Queen Anne: The Politics of Passion // Anne Somerset 
Charlotte Brontë: A Life // Claire Harman 
Goddess: The Secret Lives of Marilyn Monroe // Anthony Summers
Queer City: Gay London from the Romans to the Present Day // Peter Ackroyd 
Elizabeth I and Her Circle // Susan Doran
African Europeans: An Untold History // Olivette Otele 
Young Romantics: The Shelleys, Byron, and Other Tangled Lives // Daisy Hay
How to Create the Perfect Wife // Wendy Moore
The Sphinx: The Life of Gladys Deacon, Duchess of Marlborough // Hugo Vickers
The Life and Death of Anne Boleyn // Eric Ives
Dancing in the Streets: A History of Collective Joy // Barbara Ehrenreich
A is for Arsenic: The Poisons of Agatha Christie // Kathryn Harkup 
Mistresses: Sex and Scandal at the Court of Charles II // Linda Porter
Female Husbands: A Trans History // Jen Manion
Ladies in Waiting: From the Tudors to the Present Day // Anne Somerset
Ghostland: In Search of a Haunted Country // Edward Parnell 
A Cheesemonger’s History of the British Isles // Ned Palmer
The Butchering Art: Joseph Lister’s Quest to Transform the Grisly World of Victorian Medicine // Lindsey Fitzharris
Medieval Woman: Village Life in the Middle Ages // Ann Baer
The Husband Hunters: Social Climbing in London and New York // Anne de Courcy
The Voices of Nîmes: Women, Sex, and Marriage in Reformation Languedoc // Suzannah Lipscomb
The Daughters of the Winter Queen // Nancy Goldstone
Mad and Bad: Real Heroines of the Regency // Bea Koch
Bess of Hardwick // Mary S. Lovell
The Royal Art of Poison // Eleanor Herman 
The Strangest Family: The Private Lives of George III, Queen Charlotte, and the Hanoverians // Janice Hadlow
Palaces of Pleasure: From Music Halls to the Seaside to Football; How the Victorians Invented Mass Entertainment // Lee Jackson
Favourite books about current social/political issues (?? for lack of a better term)
Feminism, Interrupted: Disrupting Power // Lola Olufemi
Revolting Prostitutes: The Fight for Sex Worker Rights // Molly Smith, Juno Mac
Why I’m No Longer Talking to White People About Race // Reni Eddo-Lodge
Trans Britain: Our Journey from the Shadows // Christine Burns
Me, Not You: The Trouble with Mainstream Feminism // Alison Phipps
Trans Like Me: A Journey For All Of Us // C.N Lester
Brit(Ish): On Race, Identity, and Belonging // Afua Hirsch 
The Brutish Museums: The Benin Bronzes, Colonial Violence, and Cultural Restitution // Dan Hicks
Things No One Will Tell Fat Girls: A Handbook for Unapologetic Living // Jes M. Baker
Hood Feminism: Notes from the Women White Feminists Forgot // Mikki Kendall
Denial: Holocaust History on Trial // Deborah Lipstadt
Yes Means Yes: Visions of Female Sexual Power and a World Without Rape // Jessica Valenti, Jaclyn Friedman
Don’t Touch My Hair // Emma Dabiri
Sister Outsider // Audre Lorde 
Unicorn: The Memoir of a Muslim Drag Queen // Amrou Al-Kadhi
Trans Power // Juno Roche
Breathe: A Letter to My Sons // Imani Perry
The Windrush Betrayal: Exposing the Hostile Environment // Amelia Gentleman
Happy Fat: Taking Up Space in a World That Wants to Shrink You // Sofie Hagen
Diaries, memoirs & letters
The Diary of a Young Girl // Anne Frank
Renia’s Diary: A Young Girl’s Life in the Shadow of the Holocaust // Renia Spiegel 
Writing Home // Alan Bennett
The Diary of Samuel Pepys // Samuel Pepys
Histoire de Ma Vie // Giacomo Casanova
Toast: The Story of a Boy’s Hunger // Nigel Slater
London Journal, 1762-1763 // James Boswell
The Diary of a Bookseller // Shaun Blythell 
Jane Austen’s Letters // edited by Deidre la Faye
H is for Hawk // Helen Mcdonald 
The Salt Path // Raynor Winn
The Glitter and the Gold // Consuelo Vanderbilt, Duchess of Marlborough
Journals and Letters // Fanny Burney
Educated // Tara Westover
Bookworm: A Memoir of Childhood Reading // Lucy Mangan
Why Be Happy When You Could Be Normal? // Jeanette Winterson
A Dutiful Boy // Mohsin Zaidi
Secrets and Lies: The Trials of Christine Keeler // Christine Keeler
800 Years of Women’s Letters // edited by Olga Kenyon
Istanbul // Orhan Pamuk
Henry and June // Anaïs Nin
Historical romance (this is a short list because I’m still fairly new to this genre)
The Bridgerton series // Julia Quinn
One Good Earl Deserves a Lover // Sarah Mclean
Nine Rules to Break When Romancing a Rake // Sarah Mclean
The Lady’s Guide to Celestial Mechanics // Olivia Waite
That Could Be Enough // Alyssa Cole
Unveiled // Courtney Milan
The Craft of Love // EE Ottoman
The Maiden Lane series // Elizabeth Hoyt
An Extraordinary Union // Alyssa Cole
Slightly Dangerous // Mary Balogh
Dangerous Alliance: An Austentacious Romance // Jennieke Cohen
A Fashionable Indulgence // KJ Charles
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godzilla-reads · 4 years ago
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Tag Yourself- Quotes by Random Authors
“I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins. My soul has grown deep like the rivers.” (Langston Hughes)
I love not man the less, but Nature more. (Lord Byron)
If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive. (Audre Lorde)
Blame has no face. I have walked on its staircase, around and around, trying to slap its face but only hitting my own cheeks. (Victoria Chang)
I was in love with the whole world and all that lived in its rainy arms. (Louise Erdrich)
We are not always what we seem, and hardly ever what we dream. (Peter S. Beagle)
“I believe that all children should be surrounded by books and animals.” (Gerald Durrell)
“Is that why you stare at the stars?” he asked. “Are you searching for beauty or dreaming with your eyes wide open?” (Silvia Moreno-Garcia)
Then you must teach my daughter this same lesson. How to lose your innocence but not your hope. How to laugh forever. (Amy Tan)
I am writing to reach you—even if each word I put down is one word further from where you are. (Ocean Vuong)
I release you, my beautiful and terrible fear. I release you. You were my beloved and hate twin, but now, I don't know you as myself. (Joy Harjo)
Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. (Mary Shelley)
I made myself a promise: Even if it meant becoming a stranger to my loved ones, even if it meant keeping secrets, I would have a life of my own. (Saeed Jones)
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