#But. This is the Day. The Day knows it's illusory and is just a play of the Sun who is one of millions of stars and therefore is in million
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blackvahana · 1 year ago
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I really do just need to get over the fact that my stuff is going to drive people mad
I had to actively stop working with the DAY because the wide open reality of being the Dreamer being incarnated into like millions of people at once, incompréhensible unimportant and yet all important, was like... its not good for navigating reality. It's still at the back of my brain where I've had that experience and... I mean for some reason it's more unsettling than nondualist Shaivism stuff is. All Are One Being is somehow more normal than Dreamer stuff but anyway
That was like... the one time I really scared Hermes when I woke him up as DAY and you know I think that's fair first of all and second of all... indicative that if I can scare gods then my existence is just going to scare people who aren't gods nor on the path to godhood
Anyway. These creatures definitely have been trying to tell me they're moving towards Dreamer things. Should've known! Should've seen it coming with Lev throwing Kos back at me but I don't associate bb Dream stuff with what I call Dream stuff irl, I associate bb Dream stuff with nondualist Shaivism-esque stuff... Anyway. Guess I now associate the two
Because. really. they're feeding on impulses... I hope that they'll be gentle. I hope that they won't be as raw and rip-tide-esque as the Tree of Madness and my usual Madness energy but I don't... think they're very Madness heavy actually. They're. very quietly something else in an obvious way. probably Day lmfao. yeah. They are aren't they
#This is... So complicated. The Dreamer stuff I mean. There is no way to translate it properly to a Dreaming language but#The Day archetype through Lev as the Day Sky God is heavily about dreaming and obscurement of the truth of the seld#and masses as one being and the insignificance of this reality as illusory and so on. It's not a paradigm in the way of something in your#head but something that... when you experience it you move to an alternate concurrent reality and existence#Both All Are Individual And Real and All Is Archetypes Incarnating As Many People are true#But then.... Lev and I get into Archetypes as Archetypes instead of as people. We inhabit the inhabiting int he inhabiting#Which causes the chain reaction of eyes moving into eyes moving outside of the original eyes. We force ourselves into alternate views#Like someone watches themselves in first person in the astral... We watch ourselves form ourselves. Pass the head of the god to the body#But. This is the Day. The Day knows it's illusory and is just a play of the Sun who is one of millions of stars and therefore is in million#of places at once and is afloat in nothingness.... The Day knows it's reflections upon reflections it's the arising of colour#from nothingness it's reality coming to be through the projections of millions of molecules.......#It's one truth. It even knows it's not the only truth. The DAY posed the question of whether I wanted to see through it or go back to Dream#Both were valid and I went back to Dreaming. The dream dreams the Dreamers just as they dream it. Anyway! These are...#Not going to pull on what I experienced but they're definitely going to do something Day-esque and... The day....#As much as I branch out into all aspects of the sky I Am The Day.#~abyssal murmurs#Aspect: day //#~astral creation#~mira
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velaris-fic-repository · 2 months ago
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Lovestruck
Azriel x Reader, Eris being nice, Also Eris being a little shit
Summary: You pose as Eris’s date for a reconnaissance mission into the Autumn Court’s markets. Things take a surprise turn for the worst at an apothecary stand
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This mission was already a disaster before it even happened.
A reconnaissance mission between Azriel, Eris, and you - Azriel’s trusted second - to assess early options for dispatching the Autumn heir’s father.
Part of that mission was feeling out Autumn’s very seedy underbelly without tipping off the High Lord or those loyal to him.
You were perfect for this, often doing the jobs Azriel couldn’t thanks to his notoriety. That and being a master of illusory disguises, it was a no brainer to bring you along. Even if your spymaster was not a fan of the strategy the three of you had elected to use.
You, glamoured into an Autumn Court native, were playing date to the High Lord’s son. None of you were particularly pleased with the notion, but it was a good idea for keeping intentions secret. Eris would play at showing you around, falling into proper courtship rules - no touching - and if any gossip got out it would be easily squashed and of a different nature entirely to what was actually happening. Bonus, no one would know who you really were or where you were from. Perfect.
Azriel was grinding his teeth about it though. He was not walking behind you both as you flitted about the market squares of Autumn as the day slowly came to a close. But, something about the shadows around the golden hour autumnal market felt agitated, irritable. Like someone you knew was nearby and clearly not happy.
“How can you stand working with him?” Eris said with a chuckle in your ear, playing at being the slightly irreverent courting male.
You smiled and giggled, an act, as you whispered under your breath, “Now hardly seems the place to discuss what I actually do for a living. And you’re no prize, Eris.”
“You wound me, my lady,” Eris teased.
A million comments were poised on the tip of your tongue, but you held them all, focusing on the topic at hand.
You tugged Eris’s hand to stop him as you paused at an apothecary type vendor, expecting the wares. You pointed to a few bottles then whispered to Eris, “Poisons are always a viable option. They seem like this court’s style.”
Eris smiled and wrapped an arm around you, whispering back, “The Night Court doesn’t regularly check what’s in their food?”
Bastard.
Your smile fell just slightly portraying the ghost of the glare you wanted to give him. Only Eris noticed.
“I’ve already thought of that, if it would have worked, all of my brothers and I would have tried it.”
The sun had all but set by now, dim faelights filling iron lampposts around the grounds, creating only small pools of light every few feet. Not the most illuminating, but perfect for the rest of your evening’s purposes.
“We should move on,” you whispered, painting on your smile, looking away to feign embarrassment at whatever you hoped the onlookers thought Eris had said to you.
You began to walk away when the vendor called out, “sample for the lady?”
You smiled, shaking your head politely as the apothecary held up a perfume bottle. “No thank you-“
The vendor’s smile turned oily and wicked, “no, really, I insist… Such a lovely couple you two will make…”
A sweet smelling mist pelted you in the face, overwhelming your senses. Eris sidestepped the plume of perfume, eyes wide as you had no choice but to inhale whatever had been sprayed in your face.
Even worse, your disguise was fading.
Eris moved quickly, grabbing you and pulling you out and away from that vendor into one of the shadowy alcoves of the market.
You were lightheaded, you didn’t know what had happened to you but there was a disorienting want within you. You wanted… You wanted something… someone…
Eris shook you a little, calling your name and pulling your chin up to face him. Your eyes locked on his and that want did not dissipate. You wanted someone, but that someone was not Eris and you were terrified.
You struggled and pushed against him, trying to get up, get out, get away. Flee to wherever that someone you wanted was.
Eris swore and held you down as best he could without scaring you further. You called out to the shadows around him. Moving you, as much as he wanted to, was not an option right now.
Azriel materialized from the shadows almost immediately. He surveyed the situation quickly. He detested Eris holding you like this but saw no other option to keep you from clawing at the both of them.
He stalked forward and cupped his hand around your cheek - the only part of your body he could reach on Eris’s other side. He called your name and hushed you until you looked at him.
You were terrified, a prey animal clawing for its life. That is… until you looked up and saw Azriel’s face.
Everything in the world focused in on one point. Him.
You couldn’t see anything else but the hazel of his eyes, the swoop of his hair. Couldn’t hear anything else besides his night chilled voice.
The male you were wholly and completely in love with.
Your boss, sure. Not really professional, but, for whatever reason, the thought process you usually ran down to keep yourself from pursuing him just… didn’t occur to you.
“Are you alright?” Azriel asked you, voice velvet soft.
Unthinking, you blurted, “I am now.”
Azriel’s eyes widened as Eris swore again, looking back in the direction you’d come.
Azriel watched you closely, unmoving. Whatever Eris did you either didn’t notice or didn’t care.
“We’re gonna figure this out, okay? Don’t worry,” he told you in that soft, comforting voice you loved so much.
“Not worried,” you whispered, leaning into his touch, practically purring as you closed your eyes.
“Love potion?” Azriel whispered in Eris’s direction.
“Looks like it,” Eris responded.
“I’m the first she saw?” Azriel asked for confirmation.
Despite the situation, Eris finally seemed amused. He smirked as he said, “No. She saw me first.”
Azriel’s brain, for once, was having a hard time putting the pieces together. He looked between Eris’s ever growing smirk and your lovesick behavior. You had practically melted into his hand where it still grasped your cheek.
But if… But if you saw Eris first… And had still reacted the way you had… Dazed, confused and disoriented… Until he crossed your field of vision…
“Shadowsinger,” Eris said, still smug, “now may be a good time to get her someplace safe. We can continue later. You seem to be-“ Eris feigned waffling for the right phrase- “indisposed.”
Azriel growled at him, coaxing your eyes open and up to him. You looked worried as you asked him, “What’s wrong?”
Eris had the audacity to laugh, but he didn’t leave. He watched the area around you all, Azriel realizing he was watching out specifically for the two of you. Until the two of you were out.
“Go,” he said, “I’ll clean up whatever mess is left.”
Azriel nodded to him before dropping fully into your vision. He sent you a comforting look, immediately calming you back into your dreamy state.
“We’ve got to go home now, okay? I’m going to winnow us, is that okay?”
You nodded.
“Words, please.”
“That’s fine,” you responded softly, “I trust you.”
Azriel didn’t doubt it, but he did doubt that even if you didn’t you would have much choice.
“Okay,” he said, a small shake coming into his voice as he held you.
The way you grasped onto him, nothing but unadulterated love in your eyes, had him winnowing you both without even a glance at Eris.
Once the two of you were back in Velaris, Azriel had been determined to drop you off and let you ride out the effects. He’d talk to you about in the morning, hopefully when whatever potion this was wore off.
You were not having that. Every time he attempted to separate from you, you either just followed after him like a dog or got such a sad look on your face that you practically cracked his heart in half. He had little options left.
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You woke up with a far clearer head than you remembered going to bed with. Not that you remembered much of the previous night in the first place.
You shook your head to clear it and glanced around. You were in a large bed, held close by… strong arms and draped in familiar membranous wings…
Panic overwhelmed you as you pushed away from Azriel in an attempt to flee whatever this situation had been.
But, Azriel’s hand shot out and gently grasped your wrist. “Wait.”
You stopped.
Azriel, fully clothed sat up in bed and looked at you. He waited for you to wake up more fully, to realize you were still fully clothed as well.
When you seemed a bit more calm, he asked you, “what do you know about love potions?”
Oh. Oh no. Oh Mother save you.
Memories of the mission, and exactly when and why it went wrong ripped through your mind. You remembered every thing you did, everything you thankfully didn’t do, and every little lovesick thought you’d had In Azriel’s presence.
Unfortunately, they weren’t too different from the things you already thought. Amplified maybe, but certainly nothing new.
“Azriel, I am so sorry. I didn’t… I couldn’t… It absolutely will not happen again I-“
Azriel squeezed your hand, halting your motor mouth speech.
“You saw Eris first,” he said, a bland statement of fact.
“Yes,” you responded.
“That means what I think it means, right?”
You couldn’t discern the emotion leaking into his face.
False. You could. You just couldn’t accept it.
“I’m so sorry,” you said again, “it was unprofessional of me. Had I not been under the influence of something I never would have-“
Azriel’s cool mask fully dropped and shifted into something dangerously close to desperation until he finally surged forward and kissed you, slow, passionate and full of at least a centuries worth of longing.
It was everything you had ever hoped it would be in that secret place of your heart.
When you finally, regrettably, separated for air, Azriel rested his forehead against yours. As if he needed to be as close to you as possible or he would cease to be.
“How…” he said through his panting, “How’s that… for professional?”
You laughed weakly. “Does that mean what I think it means?” you echoed.
“Yes,” he breathed, not waiting too long before kissing you again.
Your morning devolved into nothing but the two of you kissing and reveling in the other’s presence.
You finally went to the kitchen and it was there that you finally engaged in a debrief of sorts from yesterday. It was stranger than any you had ever done with him before. In the kitchen of his private residence, him still holding onto you, kissing the crown of your head, drinking a coffee he made you out of one of his mugs.
Strange, but most assuredly welcome.
“Eris took care of that vendor after we left. He was trying to ensure the heir and his date stayed together, trying to then sell that information to Beron. Eris sent a message not long after I coaxed you to sleep.”
You laughed a little at the soft tone he used and at him anticipating your question before you asked it.
“Maybe,” you said into the rim of your mug, “we should have thanked him instead.”
Azriel smiled but said, “not funny.”
“I think it’s pretty funny.”
You’d always kept as many personal details out of your discussions as you could. You two had been friendly before, but there was always this unspoken barrier between you. At your mention of finding something funny, Azriel’s eyes lit up.
“I can’t wait to find out everything about you,” Azriel said, “starting with that sense of humor.”
You hummed and met him when his lips came down to kiss you again. Perfectly content.
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clarin0 · 3 months ago
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JOE GOLDBERG, now playing: Golden Brown- The Stranglers
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He did it for love, Joe told himself so. Killing your oddly co-dependent best friend and then trying to let you down gently, it really wasn’t his place. Yet he did, he held you close while you sobbed and screamed at him. Fed you medicines that calmed your racing brain, one’s that made days pass like a soft breeze in the summer. A moment of relief from the scolding heat. He even held you as you laid in the same spot for days, read you Joan Didion.
“Hi, sweet girl.” He whispered, gently coaxing you out of the illusory rest you laid in. “We gotta get you in the bath, okay.?” Joe spoke to you kindly, giving you the illusion of a choice you didn’t have. Your bleary eyes blinked open to meet with his soft features; the brown eyes that stared at you with ardor.
He gently picked you up, leaning your upper body to his chest, a hand under your bottom for extra support as your legs hooked to his hips and arms to his shoulders. “That’s it, good job. Gotta take it easy.” He murmured to you as he carried you to the en suite. The bath was already filled with steaming water, double checked not to burn your skin, which he adored with all his heart. The soapy water smelled like a vanilla laundry detergent, though he had used a soap that would be gentle and wasn’t too scented.
He helped pull off the old pajamas you wore, placing them in the laundry basket, while you padded over the white tile, settling into the porcelain tub. Listening to the drip of the faucet. “I should to get that fixed, m’ so silly, huh?” Joe said, walking over he took out the two plait in your hair and began brushing it as he sat by the tub.
“If I...wasn’t so stupid, i would have seen the signs and done something before..” your voice was low, if a little guttural. “Shh shh, don’t think like that. Don’t be stupid, you know better.” Joe scolded, but, oddly delicately. “You’re a smart girl, baby. Act like it.” It came out in a murmur, like he was just telling you a fact.
You sat and soaked in the bath, he occasionally pet your head. But, he was all the more focused on watching and admiring you. The emptiness in your sweet eyes made him desperately fix something, but he didn’t. Instead he got up and retrieve some pills from the cabinet, he bent down to your side. He held your face in one hand and squeezed your jaw till you opened your mouth. He slid the pill in and watched, waiting for you to swallow.
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Just a little bite size snack while I try to get my motivation and energy back, academic burnout is no joke🫠. Hope you guys like it!
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cinnamon7girl7 · 29 days ago
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"I CHOOSE YOU... OVER AND OVER AGAIN"
It was a night heavy with tension.
The clouds hung like lead over the hills, and a freezing wind shook the trees, as if nature itself sensed what was about to happen.
The mission wasn’t supposed to be that complicated. Suguru and Satoru knew that—it was just a cursed sorcerer with illusory techniques, known more for playing with perception than for his actual strength. But something went wrong.
—Don’t get cocky, Satoru —Suguru muttered as they advanced across the slippery terrain—. This guy’s smarter than he is strong.
Satoru simply smiled with his usual playful arrogance, his eyes hidden behind dark glasses.
—Me? Cocky? Come on, Geto. When have I ever failed?
Suguru gave him a serious look but didn’t press it. The air was heavy with a strange pressure. The curse was nearby. They could feel it.
And then—it happened.
A flash. A fleeting reflection. The mist closed in around them. Suguru couldn’t react in time.
Satoru was caught by an illusion technique —a strange seal that didn’t affect the body… but the mind.
Satoru’s scream echoed briefly, more out of surprise than pain. By the time Suguru managed to purify the enemy with a slicing curse, his friend was already on the ground, on his knees, his gaze lost and his hands trembling.
—Satoru! —he shouted, running toward him.
Gojo lifted his face, breathing heavily. He was conscious. Physically intact. But his eyes —even behind the glasses— looked different.
—What… happened? —he whispered, as if everything around him were just a distant echo.
Suguru stared at him, confused. He helped him up.
On the way back, Satoru remained silent. No jokes. No comments. Just stared out the window with a… hollow expression.
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That night, you were waiting for him at the school, full of anxiety.
They had told you it was a dangerous mission, but a short one. You had spent hours checking your phone, watching the entrance, feeling that weight in your chest that only eases when you see those blue eyes walk through the door, smiling, saying: Calm down, sweetheart. I’m here.
But when the door opened, something was different.
Satoru walked in, accompanied by Suguru, with such a dull, confused expression. You walked toward him, smiling because he was finally back. But he stopped you a meter away.
—Do I… know you? —he asked.
The world shattered in that instant.
Your voice died in your throat. Your heart sank. You thought he was joking, that it was one of his usual pranks, that he’d laugh and hug you like always. But no.
Satoru didn’t recognize you.
Suguru came closer, placing a hand on your shoulder.
—He’s not hurt… but… something happened. He doesn’t remember things. We don’t know how deep the curse went, but it seems to have affected his emotional memories.
—Me? —you asked in a whisper.
—Especially you —Suguru murmured, his voice breaking.
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Since that day, everything changed.
You didn’t want to force anything.
It didn’t feel right.
You didn’t show him photos, didn’t try to make him remember. It wasn’t fair. Not to him, not to you.
But you stayed close.
As a friend.
As support.
As a presence.
He didn’t avoid you either.
Satoru looked at you with curiosity. He listened to you. Sometimes, he smiled when you said something that seemed to echo somewhere deep, hidden inside him. There were moments when he stared at you for too long. Moments when his fingers brushed against yours while passing a notebook. Moments when he seemed like he wanted to say something... but didn’t know what.
And you, in the meantime, broke in silence.
Suguru didn’t let you fall.
He was there.
He understood you.
And he saw what you couldn’t yet see clearly: that Satoru was starting to drift toward you again. As if his soul remembered you, even if his mind didn’t.
One day, Suguru sat with you on the dojo bleachers.
—You know, some bonds don’t need logic. There are things the heart remembers, even when the mind forgets.
—And what if it never goes back to how it was? —you looked at him, swallowing your tears.
Suguru smiled at you gently and simply said,
—What if this time, it’s even better?
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Days passed.
Then weeks.
And in that time, Satoru began doing things he didn’t even understand.
Like that time he saw you brushing your hair in the gardens of the campus and, without thinking, walked over to help you. With clumsy hands, he tried to tie your hair with a loose band.
—Did I do this before? —he asked, with a hesitant smile.
—Yes —you answered, voice trembling—. All the time.
Or that day he saw you cooking with Shoko in the dorm kitchen, and he walked in without warning, stole a strawberry from the bowl, and placed it in your mouth —as if he’d done it a thousand times.
—Sorry, it was just an impulse —he said, embarrassed.
—It’s okay.
—It felt really natural —he murmured.
—It was —you whispered.
He didn’t understand why his body sometimes moved on its own, why your laugh gave him that ache in his chest, why looking into your eyes soothed a pain he didn’t even know he had.
Suguru noticed, silently. He saw how Satoru began to look for you with his eyes. How his jokes started coming more often. How he sat a little closer to you in the dining hall. How he only laughed when you laughed first.
And you —even if your heart bled for everything he didn’t remember— couldn’t help but smile when he let himself follow that instinct pulling him back to you.
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One training afternoon, Satoru tripped and fell sitting down, laughing.
—Who puts a dumbbell in the middle of the field?! —he shouted.
—You. You put it there this morning to practice with Megumi —you answered, walking over to him.
He looked up at you.
—Really?
You nodded. And he looked at you, squinting.
—Do you always know everything?
—Not everything. Just... the important things.
Satoru fell silent. He looked at you as if he wanted to read your soul.
—Do you know who you were to me?
And you, with a lump in your throat, only said:
—The one who waited for you even when you didn’t know you had gone.
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The nights began to weigh heavier.
One of them, it was raining. Hard. Everyone was asleep.
You went out for some air. And Satoru did too. Maybe fate. Maybe instinct.
You found him on the building’s roof, soaked, his glasses dripping.
He looked at you, took them off, and smiled.
—I don’t know why I like coming here —he said.
—You always said it was the only place where the world couldn’t catch you —you answered.
He came closer. Slowly.
Not like the confident Satoru he used to be, but like someone exploring a sacred place without knowing he had already lived there.
He took your hand.
—I want to remember —he said, his eyes fixed on yours.
—You don’t have to —you whispered.
—Why not?
—Because you’re here. And that’s enough.
There was silence. The rain fell over you both, but it didn’t matter.
Satoru raised a trembling hand and touched your face.
—Can I...? —he asked, and you knew what he meant.
But you didn’t kiss him.
You just rested your forehead against his.
You closed your eyes.
And in that moment, the world disappeared.
Because even if he didn’t remember, your soul did.
And his... was starting to, too.
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The rain passed.
But inside Satoru, a storm remained.
That night he didn’t sleep.
He sat on his bed, staring at the hands that had touched your face. He felt like he had known you forever... and yet, he couldn’t recall a single clear memory.
The next day, he went to see Suguru. He found him meditating in the back gardens.
—Is something wrong? —Suguru asked without opening his eyes.
—Yes —Satoru admitted—. And I don’t know how to say it.
Suguru barely smiled.
—Then say it badly. But say it.
Satoru sat across from him. He swallowed hard.
—She… —he started, not knowing how to call you—. She makes me feel things I don’t understand.
—And why should you understand them? —Suguru said, opening one eye.
—Because it’s like I know her. Like I need her. But I don’t remember. It makes me angry. It scares me.
Suguru took a deep breath. Sat up straight, looking him in the eye.
—Listen, Satoru. Not all love comes from memory. Some come from the soul. There are bonds the body keeps even when the mind forgets. And you… you loved that way.
—Her?
—Her —Suguru nodded—. But you don’t need me to tell you. You’re already feeling it, aren’t you?
Satoru looked down. His fingers trembled.
—So, what do I do?
Suguru smiled at him with a tenderness only he could have.
—Follow your instinct. Love doesn’t always need logic. Sometimes it’s enough to just let it bloom... again.
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That afternoon, Satoru looked for you.
He found you in the school greenhouse, watering the plants you had planted together long ago. He didn’t know it, but you did.
—Can I talk to you? —he asked, his voice soft.
You set the watering can aside. You nodded.
Satoru approached, unsure.
—I don’t want to hurt you with this… but I need to know.
—Whatever you need, Satoru.
—Who were you to me?
Your lips trembled. You lowered your gaze. And, like someone opening a very old wound, you whispered:
—We were everything that wasn’t said out loud.
He closed his eyes. As if those words hit something deep inside.
—I don’t remember —he said, in pain—. I don’t remember how I loved you. I don’t remember when I kissed you for the first time, or how you made me laugh on bad days. I don’t remember what we shared…
You began to cry silently. But you stayed strong.
—It’s okay. I won’t force you.
Satoru looked up. His eyes, empty of memories, were full of something stronger.
—I don’t remember… but I love you anyway.
Your heart stopped.
—What?
—I don’t understand why. I have no proof. No memories. But I feel it. I feel it like I always have. Like you’re my place, even if I don’t know how I got here.
He moved closer. Slowly. He took your hand.
—Will you let me come back to you? Step by step. From the beginning. But with you.
You, through tears, just nodded.
And then he kissed you.
For the second time in his life… or maybe the thousandth.
But for him, it was the first.
And for you… it was the return.
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Days passed.
And even though Satoru didn’t recover his memories, he didn’t need them to keep falling in love with you.
You shared breakfasts in the dining hall, walks at sunset, quiet conversations where you didn’t tell him what it was before, but what it was now.
Sometimes he asked if he had done something silly, if he had danced with you in the rain or tried to bake cookies (spoiler: yes, and he burned the kitchen).
You laughed.
And he looked at you as if your laughter was a melody his soul recognized. Suguru watched you from a distance, always with a quiet smile. He didn’t interrupt. He didn’t force anything. He just let you be.
One night, while the city slept, Satoru took you to the school roof.
—Do you remember when I asked you who you were to me? —he said, as you sat side by side, a blanket over your legs.
—Yes.
—Now I think I know —he whispered—. Not because of memories. But because I feel it. I feel like this place makes no sense without you. That if you’re not here, something in me is missing. Like you’re the language I think in, even if I don’t speak it very well.
You leaned on his shoulder. He rested his head on yours.
—I have no memories of our past… but I have plans with you for the future.
You turned slowly.
He took your face in his hands. His lips trembled.
—And if that’s not love… then let someone tell me what else it could be.
He kissed you.
This time, with all intention.
No past. No explanations. Just the present… And a future he was willing to build with you.
There, on that roof, Satoru remembered nothing. But he felt everything. And in the end, that was enough. Because he had chosen to stay.
And he wasn’t planning to ever leave again.
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venussaidso · 3 months ago
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ᴛʜᴇ ꜱɪʟᴠᴇʀ-ᴛᴏɴɢᴜᴇ ɴᴀᴋꜱʜᴀᴛʀᴀ 🗣️
(repost)
might make them great politicians if they cared enough.
Ashwini represents the head of Aries, and it is symbolized by the horse head. This indicates sharp thinking, mental speed and the impulse to take initiative. Active thoughts eventually lead to self-expression (an obvious 1H theme) and a possible confidence in speech, especially in the way that this nakshatra is related to celestial healers and the quickness to respond to the needs of others, this highlighting the potential skill to channel the right words at any given instant. The fast communication is also because this nakshatra falls in the merchant caste. So the potential excellency in persuasion, being impactful & emotionally insightful in speech, is indicative of them being good negotiators, traders and salespeople.
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The “slick talker” thing is just the manifestation of their ability to respond fast, to shift (by personality or language), and be able to read the emotions of others to know what to channel (this is mostly connected to their healing abilities which may be used for bad through deception). Mars drives strategy, so this deceptiveness ties to their ability to scheme as well.
I know Ketu nakshatras are generally connected to scammers but there's a specific way that Ashwini does it. I've noticed how good they are at being chameleon, and liesmiths.
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Low-Key Lyesmith is literally played by Ashwini ASC native Jonathan Tucker in American Gods.
(comment under the scene)
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Another form of the demigod in the series is Mr. World, played by Ashwini Sun native Crispin Glover.
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He is also seen shapeshifting. As expected, he is a mischievous double agent.
While likely Ashwini Moon Tom Hiddleston plays the demigod in the Marvel Cinematic Universe. Low-Key Lyesmith is his other alias in the series American Gods, where he is still the Norse trickster god. “Lyesmith”, liesmith, puts emphasis on the ability to create illusions through speech and communication — this being a merchant nakshatra co-ruled by the smokey, shadow planet.
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In the Marvel Cinematic Universe, his uses of magical illusions were taught by his mother, Frigga, who is played by Magha Moon Rene Russo.
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I already touched on Ketu's associations to magic, witches, shape-shifting, and illusions, especially through the character Morgan Le Fay. Although it's not the only planet that is illusory, of course.
I'd relate Ashwini to the Silvertongue archetype. If you've watched There Will Be Blood, you realize just how good Daniel Plainview is at talking. He's your classic scammy salesman. Very, very good at selling his business, and very manipulative using his son as the face of it, for advertisement, to convince everyone else that he's a family man, in order to bring in more clients. Spoiler alert: he is not a family guy. The character was intentionally portrayed as a conman.
youtube
(comment under the video)
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He's played by Ashwini Moon Daniel Day Lewis.
Disney's Hades, voiced by Ashwini Sun James Woods, was portrayed to come off as a charismatic slimy car salesman. He talks so fast you don't know what he's saying at times but he's really charismatic and funny which makes the person he's manipulating question themselves.
With the second clip to this attached video, I intentionally added it to emphasize Ashwini's internal speedy nature. The active mind processes also relate to Hades' fast-talking, illusory nature. Idris Elba guessing Tom Hiddleston instead of Benedict Cumberbatch, and Andy Serkis implying they're pretty much the same was a cherry on top. And it's so interesting how Benedict Cumberbatch was up to play Hades, along with Tom Hiddleston, for a live-action movie.
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Although I doubt the project is happening anymore.
In the above YouTube video, you'll see how Plainview has a particular way of articulating himself... when he's actually lying. He speaks this way in front of a target audience, but his actions reflect something else.
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This reminds me of Patrick Bateman, from American Psycho, giving a social justice warrior speech when he is actually internally empty and detached from humanity as a whole. All a front.
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He does this quite a lot in the movie. Very important to pay attention to his articulation and presentation. Ashwinis can be remarkable shape-shifters.
Loki, also known as the Prince of Lies, has also been voiced by Ashwini Moon Troy Baker in video games. Obviously portrayed to be very charismatic, known for having a silver tongue, he's expected to be several steps ahead of everyone. That's the Aries scheming right there rooted in strategy (Mars) and psychological warfare (Ketu, as its the psyche).
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Morgan Pendragon, from Camelot (2011), also leans into this archetype, but with just a touch of seduction. She used her power through speech and manipulation to influence others. There are impactful scenes where she is speaking to large crowds of people where she incites a lot of emotions from them. Her motivation, besides the throne, was to be a strong political figure.
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Besides magic — psychological warfare, language, and emotional insight were tools for her to control outcomes. Even in defeat, she's quickly thinking of the next strategy and scheme. Being Ashwini, she's a fantastic negotiator. She loves collecting psychological insight as well. In this post, I talked about Ketuvians playing master illusionists.
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youremyheaven · 1 year ago
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Rahu & Ketu: Abuse & Addiction
TW: drug overdose, death, suicide, abuse, childhood abuse
Nodal influence can be very destabilising and intoxicating. They're opposites but as they say the extremes of anything is a meeting point for it's opposite, so Rahu & Ketu share many similarities.
Rahu & Ketu are both shadow planets, Rahu is the head whereas Ketu is the tail. This in itself reveals much about the nature of the two. Rahu is over immersed in the world whereas Ketu is completely cut off from it.
When I say Rahu is over immersed/over stimulated, I don't mean they're profoundly connected to reality, I mean the opposite, they're deeply immersed in Maya/illusion that they often have no sense of reality. Rahu is the head, imagine if you lived in your head all the time? You'd be in your own la la land, disconnected from what is actually happening around you. This is Rahu energy. Without your body, you cannot use your senses, you cannot fully feel alive or experience reality. Rahu being the head means you're cut off from what is "real". You only live in your head and what happens in your head is very subjective and completely illusory.
They are so deeply immersed in an illusory world. This can manifest as substance addiction, video gaming, fame, material success, internet addiction, overly obsessed with "binging" content, maladaptive daydreaming etc, any experience that disconnects you from what is "real" and immerses you in something that feels very real but isn't real. Both Rahu and Ketu people suffer from addiction, Claire had mentioned that Nodal influence can make someone prone to addiction but why Rahu and Ketu are addicted tend to be very different. Rahu is overstimulated, they always need more of everything. There are people who spend 10 hours a day just watching YouTube videos or IG reels or whatever, that's because they need that much stimulation, since they live in their heads. Their minds need that kind of fodder to thrive off of. Once you start using any kind of substance, your brain builds a tolerance for it and you have to start using higher and higher doses to get the same high. When a Rahu native accumulates wealth, they start indulging in it but nothing is ever enough. They never feel "full", they don't have that fuse in their brain that flares up and says "this is enough". Basically they never know when to stop, they just keep going and going and going with anything they immerse themselves in. People play video games for 3-4 days straight without leaving their game set up. They don't ever feel satisfied. This is scary because "feeling full" is our brain's way of asking us to stop. Without that mechanism, we would overindulge and overdo everything which is what these natives do.
This is also why relationships are so tricky for Nodal people. They give too much and immerse themselves to the point where it's detrimental to the relationship. You either feel like you're losing part of yourself to it or the other person feels like you're consuming their energy too much (which makes them feel drained). Moderation does not exist for Nodal people either they're completely detached or they're completely obsessed.
Its similar to Jupiter energy in the sense that Jupiter is also very expansive and has the ability to immerse itself in everything and give so much but Jupiter has other principles that firmly ground it in reality as it is not a shadow planet like Rahu. It is not suspended in an illusion, Jupiter natives give so much or do so much because they have the internal space to do so, not out of a tendency to immerse themselves in Maya/illusion. Jupiter is the opposite, they see through Maya and find it hard to consciously part take in it.
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Taylor Swift- Ardra Moon
She works harder than anybody in the biz. Her concerts are like 3 hours long and she does like 40-50 shows on average. She's ALWAYS doing THE most. She releases a new album every 2 years or so, has other projects etc this is a positive manifestation of Rahu energy because it allows you to be deeply immersed in your craft and your world but it also means you live in a bubble and you are cut off from "real life".
Ketu is the tail, it is cut off from reality and feels profoundly disconnected to reality. It is hard for these natives to feel like they relate to anything. This is why Ketuvians struggle with addiction. They use substances because they want to feel something, want to feel tethered, want to feel connected. They have to use higher doses because it helps them feel heightened emotions when they usually don't feel anything at all.
Ketu is connected to spirituality because natives who feel disconnected from the real world to this extent find it easier to immerse themselves in the occult and in esoterica. It is more abstract and requires you to think non-logically, i.e, experientially, but this is something Ketuvians have a hard time with, they themselves feel very "abstract" or like they aren't real or don't exist, so while they're intrinsically drawn to the esoteric, they feel untethered/ungrounded by immersing themselves in it too much. They need something they can cling to, they need something solid that they can attach themselves to.
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All Rahuvian nakshatras belong to the Shudra caste, specifically the Butcher caste, this is very interesting because Shudra is the lowest caste (Mleccha is "outcaste" which means it exists outside the system entirely), to be Rahuvian means to operate on the lowest level. Butchers have to slaughter meat to make a living, that is unpleasant and brutal work, and only if they are disconnected from it can they keep doing it. They cannot be too focused on what they actually do because then it will be hard for them to do their tasks. They're not repulsed by it because they're disconnected from it.
2/3 Ketuvian naks are also Shudra caste whereas Ashwini is the only Ketu nak that is upper caste as it is a Vaishya nak.
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(table by me hehe)
Rahuvian naks are found in all 3 ganas (Swati is deva gana, Ardra is manushya gana, Shatabhisha is rakshasa gana)
2/3 Ketuvian naks are Rakshasa gana (Mula, Magha) with only Ashwini being a Deva gana nak
I feel like Ketuvians are always made to feel like the bad guy / people villainize them a lot. They're the "ugly ducklings" who have to "win" approval as they're never accepted for who they are.
Rahu needs to immerse itself in something because its sensory perception is limited and they need to really indulge to grasp what is "real". Its very common for people with heavy Rahuvian or Rahu in a malefic placement to experience hallucinations or feel like their grip on reality is very thin.
Ketu has nothing perceive with at all. Its like being completely lost in the shadows or the dark. There's no perception taking place at all, it makes the natives inwardly drawn because its truly hard for them to absorb from their surroundings unlike Rahu which absorbs easily and fully. Rahu is over immersed whereas Ketu lacks immersion at all.
Lets look at the yoni animals of Rahu & Ketu naks respectively
Rahu: Ardra -dog yoni, Shatabhisha- horse yoni, Swati-buffalo yoni
Ketu: Magha-rat yoni, Mula- dog yoni, Ashwini-horse yoni
one common theme is that all these animals are abused, mistreated and exploited
(rats are the go to animal for lab testing, dogs are valued for their loyalty and are at the mercy of their owners, horses are made to endure so much labour, buffalos are farm animals)
all of these animals are also associated with dirt/filth in some way or another which is perhaps why people with Nodal influence often have a dishevelled appearance. They're bad at taking care of themselves.
Both horse yoni & dog yoni are divided among Rahu & Ketu naks whereas the yoni consort for Swati is Hasta (Moon ruled) and Magha is Purvaphalguni (Venus ruled).
Horses are very strong but very fragile animals. They start walking almost immediately after birth, they sleep standing up but they require a lot of attention and care as their health tends to be very fragile. Even though horses are associated with working hard, its not exactly innately part of their nature, it's just that they've been domesticated into being that way. It represents a very powerful active energy, as horses can be highly temperamental and unpredictable.
Dog yoni on the other hand, makes a person very needy and eager to please others. Dogs depend on the affection of their owners and without it they feel unhappy. Both these nakshatras have obsessive tendencies and a people pleasing nature. They're also two nakshatras who endure abuse the most.
I've noticed that a lot of people tend to have both nodes in their chart and I wonder what its like to house such contradictions. On one hand you're extremely involved, on the other, you're supremely detached.
The entertainment industry is one where people with Nodal influence really thrive but also often, self-destruct themselves. Its immensely hard to balance these energies since Rahu heightens whatever is in it, the way Jupiter expands whatever it touches. Both planets make you feel manic but in different ways.
Addiction is the result of an overactive nervous system and a coping mechanism. Ketu feels cut off from society/life/the world so in order to feel connected, it over indulges. Rahu needs something that will help them fully lose themselves, idk if I'm explaining it properly but you know how the best movies you've watched are the ones where you feel like you were in them experiencing those things with the characters? Its like that
There is an unhappy pattern of Rahu & Ketu influenced people being abused, I have especially noted this among child actors but also others.
Taylor Momsen- Swati Moon
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Her parents signed her up with Ford Modeling when she was just 2 years old. "No 2-year-old wants to be working, but I had no choice. My whole life, I was in and out of school. I didn't have friends. I was working constantly and I didn't have a real life."
This theme of not experiencing "real life" or reality is very prominent in the lives of Rahuvian and Ketuvian people. It can be interpreted in many ways according to the context but there is always a sense of being deprived of what was "normal" or "real" as a result of which these natives had to live in their imagination or indulge in other things.
Like the child star who worked their whole life playing other people (acting is very Rahuvian) or the loner kid who spends all their time immersed in movies or video games because that feels more "real" to them.
Fame is also an inherently Rahuvian experience bc it's an illusion & a prison.
Judy Garland- Ardra Rising, Mula Moon
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She was emotionally abused and controlled by her mother who got her addicted to drugs by the time she was a teenager. She was also sexually abused by the studio executives she worked with. Judy had a very tough life.
Aaron Carter, Ardra Moon, Mula Rising
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Aaron Carter claimed that as a teen musician, his family spent $500 million of his money on 15 houses and 30 cars. He claimed that when his parents sold the houses, he didn't get a cut of the profits. He also alleged that his dad shot a .44 magnum near his ear — which resulted in him going 70% deaf in one ear — to force him into signing a $256,000 check.
Being heavily tattooed (more examples at the end of this post) is also a very Nodal thing to do.
He unfortunately passed away in 2022 from an accidental drug overdose. This is also a very unfortunate pattern among Nodal celebrities.
Macaulay Culkin- Shatabhisha Moon, Magha Sun & Mercury
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 Macaulay Culkin's father Kit managed him during his childhood career. Macaulay has shared that his father was controlling and had him on a very busy filming schedule in the early '90s. He added his father made him stay up every night to study the lines he would have to say the next day. Macaulay asserted that his father was "such a crazy person" that he forced him to do SNL without cue cards when he hosted the show at 11 years old. Macaulay has explained that he felt his father was jealous of him because “everything he tried to do in his life I excelled at before I was 10 years old.”When Macaulay stopped acting after his 1994 movie Richie Rich, he told his parents, “I’m done, guys — hope you all made your money because there is no more coming from me.”His parents were never married and after he stopped acting, his mother filed for custody. Macaulay ended up taking his parents to court to stop them from controlling his $17 million in earnings. Since then, he and his father have been estranged.
I feel like the "child star gone wild" is a trope meant specifically for Nodal people
Keke Palmer, Magha Sun & Mercury, Mula Moon
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Palmer shared on IG:
"Due to traveling and scheduling both of my parents had to stop working to support my career and be present for my three siblings, leaving me with the financial responsibility around age 12. Which I took great pride in because I knew what it would do for generations to come and a huge blessing that I could even help out. However it caused me a lot of pain because I essentially had to abandon my childhood feelings and desires, becoming like a parentalized child, which is something some of you can probably relate to in your own way. This was something that I have had to continuously work through because I am grateful but often feel like.. I missed “IT”. Life can be such a tragic comedy because how funny is it.. that now becoming an actual parent, and the responsibility I’ve always carried being more valid now than ever, has in fact given me the chance to feel what it’s like to be a kid again, I get a chance to explore a lot of the things I missed out on with my son, His freedom is like, the most priceless gift to me. He is already teaching me so much, it’s like he awakened the little me inside that I thought was long gone."
Ketu dominance = being your own parent, being neglected by your family or having to be your parent's parent.
Michael Jackson, Magha Sun & Mercury, Shatabhisha Rising
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From a young age Jackson was physically and mentally abused by his father, enduring incessant rehearsals, whippings and name-calling. Jackson's abuse as a child affected him throughout his grown life. reading about the lives of the Jackson siblings and how severely they were all abused is very perspective altering and sad
Mary Kate & Ashley Olsen, Magha Moon, Ashlesha Rising (inc the ashlesha placement bc its another nak often subject to control and abuse)
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“With what we were doing in business when we were younger, I don’t think it ever felt like we were actresses,” Mary-Kate “Because we spend so much more of our time not in front of the cameras, building a brand. Ashley agreed, saying: “I always looked at myself, even as a kid, as a business woman.” Mary-Kate said she wouldn't wish her childhood on anyone, and said she felt like a "monkey performer." 
they quit acting in the mid 2000s and rarely make public appearances and god only knows what they endured in the business bc neither of them will talk about it.
Sarah Michelle Geller, Ashwini Sun conjunct Ketu, Shatabhisha Moon
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Sarah herself enjoyed the path she'd ended up on, she has rules in place for her own daughter. Recalling the "industry abuses" she experienced as a teenager in Hollywood, she said she hoped she'd "set up a safety net for these actors that I didn't have," but that she and husband Freddie Prinze Jr. have "rules in place" that mean daughter Charlotte "can't be in front of a camera until she graduates high school."
Kylie Jenner, Swati Moon
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Kylie started appearing on her family's reality show when she was 10
In 2016, she told her sister Kim in an episode of the show: "I feel like I've had anxiety for too long. I feel too much, I care too much, I read too much. Some people are born for this life and some people aren’t. I just know I’m not supposed to be famous.” in an old IG post she said: "I’m proud of myself, my heart, and my strength. Growing up in the light with a million eyes on you just isn’t normal. I’ve lost friends along the way and I’ve lost myself too sometimes. My first tattoo was 'sanity' to remind myself everyday to keep it. I’ve struggled with anxiety my whole young adult life." "I know I don't want to be famous forever. There's gonna be a time where I feel comfortable, I'm at a good place in my life, and I just stop."
Natalie Wood, Ashwini Moon
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The late Natalie Wood was forced into acting by her mother, Maria, who missed her chance to become a performer and instead focussed her efforts on pushing her daughters to stardom.
While young Natalie had a natural talent for performing, it seemed that her reason for going to movie sets was more to please her mother than to quench any desire of her own. 
Bella Thorne, Mula Moon
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"I was sexually abused and physically growing up from the day I can remember till I was 14. When I finally had the courage to lock my door at night and sit by it. All damn night." She has also stated that she only started acting as a child to support her family.
Drew Barrymore, Shatabhisha Sun
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 Drew's mother took her to clubs and allowed her access to drugs and alcohol, ultimately leading to her institutionalization at the age of 13, and emancipating herself at 14. Drew described fame at such a young age as "a recipe for disaster."
Edith Piaf, Mula Sun & Mercury, Magha Mars
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Born in Paris practically on the streets, she struggled from day one, the daughter of street performers. The mother, a singer, eventually abandoned both Edith and her father for a solo career. Piaf spent her youth entertaining passers-by, receiving little formal education in the process. She often accompanied her father's acrobat street act with her singing and at various times was forced to live with various relatives, in alleys or in cheap hotels. An aborted love affair left her with a baby girl at age 17, but little Marcelle died of meningitis at 2 years old. Devastated, Piaf returned to the streets she knew, now performing solo. Her fortunes finally changed when an impresario, Louis Leplee, mesmerized by what he heard, offered the starving but talented urchin a contract. He alone was responsible for taking her off the streets at age 20 and changing her name from Edith Gassion to "La Mome Piaf" (or "Kid Sparrow"). Piaf grew in status entertaining in elegant cafés and cabarets and became a singing sensation amid the chic French society with her throbbing vocals and raw, emotional power. From 1936, Piaf recorded many albums and eventually became one of the highest paid stars in the world.
Later in life she became an addict and died in poverty at the age of 47.
Brittany Murphy, Swati Moon & Venus
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she was a child star who was managed by her controlling mom. she battled with eating disorders and drug addiction. rip britt.
Justin Bieber, Shatabhisha Sun conjunct Saturn
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Justin shot to fame at a very young age and was severely exploited by his management/everybody around him
Now here are some heavily tatted celebs and their placements
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L to R
Rihanna- Shatabhisha Sun
Paris Jackson- Ardra Moon
Cheryl Cole- Ardra Sun & Mars, Shatabhisha Moon
Demi Lovato- Magha Sun
Jungkook- Magha Moon, Mula Rising
Ruby Rose- Swati Rising
Machine Gun Kelly- Ashwini Sun
The 27 club refers to a phenomenon where several musicians have died by age 27, many from an overdose. Unfortunately many of them have Nodal influence.
Brian Jones- Shatabhisha Sun
Jimi Hendrix- Mula Rising
Amy Winehouse- Mula Moon
Kurt Cobain- Shatabhisha Sun, Ardra Moon,
Janis Joplin- Ardra Moon, Mula Mars, Asc conjunct Ketu (in Dhanishta)
Jim Morrison- Ketu conjunct Rising (in Shravana)
several other celebrities who have died from overdoses also tend to have prominent Nodal influence
John Belushi- Mula Rising
Phillip Seymour Hoffman- Mercury in Ardra 2h, Mars conjunct Ketu in Swati
Prince- Shatabhisha Moon, Ketu in Ashwini
Whitney Houston- Shatabhisha Rising
River Phoenix- Magha Sun conjunct Ketu, Swati Ascendant conjunct Jupiter
Elvis Presley- Shatabhisha Moon
Margaux Hemingway- Ashwini Rising
Nodal planets are shadow planets and it can be very difficult for these natives to manage this energy as it is energy without a source, Rahu & Ketu don't have physical form or existence, that is a lot of uncontrolled energy to possess within yourself. Many people turn to spirituality and other esoteric sources and good Rahu & Ketu influence is vital and necessary to study or gain access to gnosis, study astrology or other occult matters but when this energy is imbalanced in their chart, these natives are more prone to self-destruction than any other planetary dominance simply because the unbridled energy is impossible to contain and requires some kind of coping mechanism. I have dated several Nodal men and they all dealt with varying degrees of addiction to varying substances and they all spoke about "wanting to feel more real" or how "nothing feels solid". I will try to focus on the positive manifestations of the Nodes on a future post.
thanks for reading<333
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THE HUNDRED LINE: LAST DEFENSE ACADEMY - Journal #12: Route 4 - "TRUE" ROUTE DAY 33-58 [MASSIVE SPOILERS]
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//After I finished the Conspiracy Route of the game, I kept playing down the supposed "main" route of the game, without hitting any endings in particular.
//I do feel like I am just on the verge of one, so I will most likely cover that ending in my next journal. However, for this one specifically, I will be going back to the old format for these, covering it day by day, and breaking down my thoughts and feelings on each event that happens.
//Because trust me, there is...A...LOT!
//We get some CRITICAL revelations and new information in SPADES in this segment, and covering this many days, when I would normally do around 10, means this post has the potential to be quite long, so I'm going to try and abridge my experience and break it down as plainly as possible in the points where I need to.
//...Strap in I guess, and as per usual...
DO NOT READ THE REST OF THIS POST IF YOU HAVE NOT PLAYED/SEEN THE HUNDRED LINE: LAST DEFENSE ACADEMY. I WILL BE TALKING ABOUT VERY SPECIFIC PLOT POINTS AND MAJOR SPOILERS FOR THE GAME.
//So let's get into it...
DAY 33:
//So to recap where we last left off, we completed the Conspiracy Route, which kicks off with a critical decision that is made in this battle.
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//After the UFB defeats V'ehxness, she employs a gambit that involves kidnapping Kurara and Gaku, so she may absorb them to heal herself and replenish her Hemoanima. In the timeline that I played through previously, the path diverged after I saved Kurara, and left Gaku to die.
//However, in order to stick to the true beaten path, we need to save Gaku. So with a heavy heart, I went back to Day 33 afterwards, and decided to let Gaku get absorbed by V'ehxness.
//Well...I say "heavy heart." But I mostly mean that I'll miss Kurara. I certainly won't miss the Conspiracy Route.
//One thing that did annoy me here is that even though I've already done this fight in full, and despite how there's a critical decision at the end if it, this is the only time the game hasn't given me the prompt to skip the fight.
//Granted, it's probably BECAUSE of the decision at the end, but again, this is easily fixed if you just have a WAVE skip feature. Get on that, TooKyo.
//Anyway, Kurara gets absorbed, and I hate V'ehxness with a burning passion.
//Seriously, the more I see of V'ehxness, the more I dislike her. Not because I think she's a poorly written villain or anything. In fact, I quite like the idea of there being a character in one of these games who is just pure evil. But this narrative structure is a bit of a double-edged sword to be honest.
//On the one hand, this portrayal of a supremely strong and unyielding force of evil serves to further themes of war, loss, and the high price of resistance. It presents a more realistically tragic picture of struggle, challenging the conventional heroic fantasy of effortless victory.
//Because let's be real. The idea of the heroes ALWAYS coming out on top against their enemies in a game that is about the horrors of war is VERY unrealistic. The fact that only a few characters died in the original timeline, and most of them were offscreen, was in line with the idea of a video game. But this part of the story now feels like it could be happening in a real life scenario, where we are forced to watch our friends die as we slowly sink deeper into pain, knowing we can't fucking beat this threat.
//However, this approach, for me at least, becomes very narratively unsatisfying from how often it happens. Having a villain like V'ehxness runs the risk of making the game seem pointless when she consistently invalidates the effort by taking back control, reviving herself, or invalidating hard-won victories.
//If every strategic success is undone, and each emotional investment leads only to greater loss, the game can veer into narrative stagnation, where progress is illusory. Which undermines not only the tension, but...you know...the whole CONCEPT of the game?
//If the result is always the same—V'ehxness wins and someone dies—then the stakes lose their significance.
//But...hey, that's something I'm gonna have to get used to. I just hate her and needed to rant.
//You know, the funny thing is, at this point I was wondering if Takumi maybe had the power to jump back in time again, even if he didn't retain his memories. It doesn't make any sense to me that he could only do something like that once when he didn't lose the UFB's power.
//It didn't make an awful lot of sense to me that he didn't try for a better ending, but I guess that's player choice at the end of the day, since most of these endings are kind of independent of each other regardless.
//I bring this up because I recently watched a horror movie called Happy Death Day for the first time, and it reminded me of that.
//For those who don't know, Happy Death Day is a black comedy slasher film that is, in short, Scream meets Groundhog Day.
//The story follows Tree Gelbman (Yes, her name is Tree; it's short for Theresa), a college student who is murdered on her birthday, only to wake up and relive the same day over and over again. Each time she is killed, the loop resets, and she retains her memories, allowing her to gradually uncover clues about her killer's identity, so she uses each iteration to not only survive but also to become a better person, confronting her own past and relationships.
//Which felt like a really uncanny movie to watch, since I imagine Takumi doing the same thing with his timelines, going back to rectify his mistakes.
DAY 34:
//Like at the beginning of the Conspiracy route, Day 34 starts off with Sirei giving everyone the super energy drink.
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//Bro is built different, lol.
//Anyway, this scene doesn't change too much from how it was in the previous route, except for two major differences.
//One: Gaku is here instead of Kurara, for obvious reasons.
//And Two: Nozomi is not present, also for obvious reasons.
DAY 35:
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//Oh, so THAT'S where this sprite comes from!
//I remember seeing it in the demo files, and was thinking "How is Kako gonna secretly turn out to be some sort of horndog." And then the kinky group sex line from the demo didn't really reassure me on that.
//But no, she's not horny, she's just drunk.
//It is funny seeing the Tsukumo twins looking all high and dumb next to each other.
//Not much to report on, only that the gang have apparently been drinking all night, and I get Free Time again...Not that I can SPEND it on anything.
//Honestly, I was running a bit low on materials after all the upgrades and gifts and shit I was doing, but because everyone is drinking their depression away, and Nozomi is too caught up over Kurara's death, Hiruko and Eva are the only two who can come with me on expeditions, and that's not really worth the trouble in my opinion.
//The problem is there is very little else I can do in this Free Time because of that. Getting the resources I need to upgrade my kit, tools, and bonds using gifts isn't possible when basically everyone in my team is indisposed.
//So my only choice is to either sleep through the day, or do the VR missions, so I did the latter.
DAY 36:
//This whole next segment of the story gave me some tense feelings.
//For starters, Hiruko’s behavior is starting to mirror Takumi’s from earlier, right after he was knocked out by Sirei. She’s now putting total, unquestioning trust in Sirei, almost like she’s been rewired to follow him blindly.
//When Takumi finally brings up the secret she once uncovered about the war (the one she tried to reveal in the original timeline before Eito killed her) she doesn't seem to have any idea what he's talking about.
Which strongly suggests that, just like with Takumi, Sirei may have tampered with her memories too.
//I really hope this doesn't mean we need to go to ANOTHER route to find out what she was talking about.
//The silver lining is that Hiruko herself seems to sense something is off. There’s a flicker of awareness in her that gives hope.
//I can't help but laugh about how I immediately found Sirei endearing, but now that he's getting the chance to actually, you know, be a character, I REALLY don't like him. I'll talk more about this near the conclusion of this post, but this isn't the first sign of bullshittery we get from him.
//But while that confrontation brews in the background, we’ve got another urgent matter: cheering up Nozomi. She’s been through a lot lately, and Takumi’s determined to do something meaningful for her.
//The plan is to build her a telescope, so Takumi and Eva gear up for another crucial expedition, this time to gather the rare materials needed for it.
//Unfortunately, the rest of the team is still recovering or otherwise unavailable, leaving only Eva and Hiruko able to accompany him, like I said before.
DAY 37:
//Fortunately, this issue does get resolved the next day, as everyone manages to recover from their slumps, except Nozomi, which I guess is to be expected.
//Am I the only one who noticed that Nozomi is unavailable more than any other character in this game is on frequent occassion? There's always some sort of reason in each timeline that prevents you from hanging out with her or taking her out on expeditions.
//Anyway, Takumi gives her the telescope, and the two stargaze. Leading to a very soft moment between the two.
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//I love these moments with these two. They're easily my two favourite characters in this game, and their interactions are so familiar and wholesome, and it's always the best part of whatever bad situation we end up in.
//For some reason, I feel more connected to them than I have any of Kodaka's protagonist pairs. And yes, I do mean Naegiri, Hinananami, and the Training Trio.
//I love those characters and their dynamics, don't get it twisted. But these two together are just the best and most wholesome.
//Maybe it's because Takumi and Nozomi are more Uchikoshi-coded though, like Junpei and Akane from 999.
//Anyway, the good times can't last because, as expected, Nozomi suddenly starts experiencing rejection symptoms again.
//Obviously, everyone knows about Nozomi's unique circumstances here, so Takumi goes to explain the problem to everyone, and that they need to raid an enemy base and have Nozomi absorb a Commander's hemoanima to cure her.
//This leads to honestly a pretty badass and just generally satisfying moment.
//Sirei refuses to allow Takumi to raid the base, because they need all hands on deck, and he can't afford to split the group. And of course, since Sirei has kind of bugged Takumi to make him subservient, Takumi begins to (be forced to) see the reason in Sirei's words. And the little shit clearly knows he's in control.
//At least he does for a moment.
//Takumi's love for his childhood friend finally overpowers the hold Sirei has on him, and if Sirei refuses to let him go, he will go by himself.
//Unfortunately for Sirei, the others don't accept this. Moko, Takemaru, and Yugamu agree to join him on the strike force, and Sirei is given no choice but to acquiesce.
DAY 40:
//Jumping ahead a little bit, because I don't have anything critical to report, but as we've done in previous timelines, we get to the Invader base, and fight.
//However, one thing that IS different this time is I actually had Nozomi use her healing ability on herself. As you know, in these rejection symptom fights, Nozomi starts the fight with two thirds of her health, and is chronically slowed. But I never used her own healing ability on herself to see if that cures it.
//Turns out it does, so why the fuck are we even bothering?
//Okay, I kid. I know that Nozomi is using the Hemoanima to heal herself, which would probably make the symptoms worse in canon. I just think it's funny that this illness can be resolved with the push of a button.
//Anyway, like in the other timelines where I did this fight, the Commander we battle against is Quenzelle, the Commander who flies in the air and drops eggs.
//Although, one thing I couldn't help but notice is Quenzelle doesn't really drop eggs in any of the fights against him other than his initial one. I wonder why they gave him that power, only for him to never use it.
//Overall though, we have a fairly easy fight.
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//But it ends interestingly, with Quenzelle saying similar things to Eva and Addamaque. He implies that humans were the ones who attacked the Invaders first, which we do get more information on later, but more on that in a bit.
DAY 41:
//If we got back to the school to find the Invaders attack, I would have pissed my own ass. Fortunately, we're in the clear.
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//Everyone heads off to get some rest, but Takumi and Nozomi hold back.
//We get yet another touching scene where these two lovebirds open up to each other, and it ends with, surprisingly, Takumi telling Nozomi about everything that happened between them.
//INCLUDING how Nozomi is supposedly his childhood friend Karua, after having her memories of their life being taken from her...supposedly.
//Like I said, I love these moments between these two...And this one is my favourite so far. Takumi finally seems to realize how much this whole thing is weighing on him, now that he's finally being open and honest about it. How much he misses Karua, and his home, and his normal life, and how he chose to put the burden of saving his friends on himself, while blaming himself for every point he failed.
//And Nozomi understanding this, even without the context is just... *chef's kiss.*
//What makes it even better is that the English Dub makes it so powerful. Jay Rincon and Leader Looi do an amazing job selling the pain and recognition feeling between these two characters.
//Unfortunately, this wholesome and heartwarming moment is ended on a low note.
//Nozomi talks more about her backstory in corrolation to Karua, after Takumi notes that the scar is the deciding factor as to what helped him recognize her in the end. But Nozomi claims that her mother also died in the car accident.
//This is a completely different story than she told before, where she explained her mother committed suicide after her research was halted.
//This is a pretty big deal, beacuse avenging her mother was the whole reason Nozomi is even here. So what gives?
DAY 42:
//Takumi suspects Sirei might have fiddled with Nozomi's memory too, which is not impossible. And the idea is reinforced when the guy starts being a gaslighting little shit when Takumi confronts him about it.
//Sirei instead implies that when Takumi jumped back in time, he actually jumped into a different universe where things were a bit different. Considering how varied some of these timelines are, I don't think this is necessarily wrong, but that...
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//...combined with that fact that THIS happens makes me think he's just fucking around.
//I got genuine trauma from this, because I saw this kind of scene essentially non-stop in the Conspiracy route.
DAY 43:
//I genuinely take back everything good I said about Sirei by this point.
//The guy is gaslighting the hell out of me, and is lobotomizing not only Takumi, but everyone else, because he's so insecure, and feels so powerless to control the members of the SDU.
//It makes me wonder why he even bothered trying to ease us into fighting in the first place if he could just tinker with our memories and make us into entirely different people who become subservient with him.
//What's upsetting most is as the commanding officer, Sirei is responsible for helping humanity win this war, yet it feels like every time we've fucked up in the past, it is always his fault.
//The entire casual route was his fault, for instance. And it's only because of his shitty commandeering of the situations that we lost Kyoshika and Kurara in meaningless sacrifices.
//And the whole thing becomes even more uncomfortable and disgusting over the ensuing days.
DAY 44:
//Honestly speaking, had I not developed such an intense hatred for Sirei's actions over these past few days, I think I might have been able to stomach Day 44 to 46...But as it happens, this part of the game ended up being incredibly controversial, and I think I'm starting to understand why people were complaining about it.
//Effectively, what starts this off is Kako makes Eva eat something strange, and for a brief moment, it actually seemed to snap her out of the brainwashing Sirei inflicted on her.
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//She starts screaming something about her sister, and it looks like she's about to relapse fully, when Sirei strides in and takes her out, as he does OFTEN in this second scenario.
//Which you hate to see. Especially given how much I've already grown to like Eva.
//This kickstarts a three-day sequence where Takumi is roped by Sirei and Nigou into re-brainwashing Eva to make her compliant again.
//Honestly, this whole situation is emotionally exhausting. I wish the game gave us a choice to let us say no to the idea of brainwashing her, but instead, it feels like we’re being railroaded into complicity.
//I mean get it. Takumi’s probably still under Sirei’s lingering influence, and maybe that’s part of the point. But it doesn’t make it any easier to stomach.
//At the very least, Takumi’s discomfort is obvious. He’s not okay with what’s happening, even if he can’t fully resist it yet. That small resistance in him is all we have to hold onto.
//And then it got…deeply uncomfortable. Because it's another roullette wheel game where you spin it, and whichever it lands on will be her new personality, until we get her back to "normal."
//The first time I did it, it landed on "Decadent." And...
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//It got this...
//How the FUCK does "Decadent," mean HORNY!?
//Yeah, not gonna lie, I'm USED to Kodaka and Uchikoshi doing shit like this, but even for me, this was unsetelling and distressing.
//Anyway, it's a failure, so we try again tomorrow.
//On a brighter note, Nozomi reached Bond Rank 2 today. She’s still an absolute ray of sunshine, and honestly, we desperately needed that right now.
DAY 45:
//Despite all the shit that happens here, Day 45 actually starts off well.
//Gaku tried to recreate Kurara’s curry, and everyone eats it for breakfast that morning.
//Gaku doesn't get a lot of good moments after the initial time we see him step up to fight, and then I guess when he holds the festival to cheer Kako up and make up for making her upset.
//I don't hate Gaku, because he has his moments like this, and I like that he's still carrying the weight of being the one who survived when Kurara didn’t. Kind of shows that despite how much they hated each other, he does miss her.
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//I was also a LITTLE happier, because when we brainwashed Eva again, THIS TIME the wheel landed on "violent." Which led to another one of these super angry breakdowns like the one in the Casual Route.
//Unfortunately, it doesn't last, but I WAS kind of hoping she'd break out and go on a rampage.
DAY 46:
//My heart bleeds for Shouma in moments like this.
//Throughout this arc, he's clearly been devastated by what Eva’s going through. You can tell he genuinely cares about her, and he just doesn’t know how to help. Watching someone you love fall apart while you’re powerless to stop it is like torture, I can imagine.
//The good news is we finally managed to "cure" her this time. She seems stable, at least for now. But even that is bittersweet, since, as Takumi says, this isn't really who she is.
//Nigou’s reaction is…a bit off-putting. He’s way too cheerful about Eva returning to her submissive state. I get that he’s relieved she’s not being harmed anymore, but his tone felt tone-deaf.
//She is still brainwashed, after all. But hey, I am also glad that we're not gonna kill or torture her any more.
DAY 47:
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//Aw shit...Here we go again...!
//Yeah, I'm never gonna be a fan of THIS fight. Who knows how many more fucking times I'm gonna have to sit through it.
//This time around, we get to see Nigou in his human form during the hallucination. Which, in theory, should be fairly standard, but the moment he shows up, everyone in the dream starts threatening him on sight, which I think is really funny. Poor guy can’t catch a break, even in people’s dreams.
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//Wow not even a reference, just straight up name-dropping the character.
//Also, Eva is here too, and in the dream sequence, she basically confirms that she is an alien. Though in the sequence the Artificial Satellite is her spaceship, so I'm not sure if that's meant to suggest something.
//The way this event pans out this time around is similar, but still different. So, apparently, due to her cryptoglobin being boosted, Turamtammi's power is now strong enough to the point where normal human ears cannot pick up the frequency of her music, which is why we all got corrupted anyway...
//Kiiiiiinda weird that this is only happening in this route and not any of the others where I've fought her?
//But just like last time, the UFB is able to resist the effects, and goes to save Takumi. Though we actually experience the game from his perspective for a little bit.
//I genuinely feel for UFB. The little guy just wants to be included.
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//Well, THAT'S a hell of a statement.
//We end up in a huge battle again. Same setup as last time: facing off against Turamtammi and Nyewgank. But this time, I stuck around for the whole thing instead of fast-forwarding through it.
//But then…EITO shows up.
After we take down Nyewgank, Eito suddenly jumps in, siding with the Invaders, and of course, it's playing his wack-ass boss theme again.
//The more important thing though is, like before, Eito has unlocked the truth behind the war, or at least parts of it. And as he has a tendency to do, he's yapping during his boss fight.
//I was actually getting hyped for a proper showdown with him. Thought we’d get some intense back-and-forth…but nope. I obliterated him in a single hit. So so much for dramatic tension.
//After the fight, in typical Eito fashion, he pulls a wild move and absorbs both Turamtammi and Nyewgank before we can.
//Eito starts unraveling the whole mystery too. Not only does he essentially confirm that Sirei has been messing with the group's memories, he even makes a case that there’s no guarantee that the people we think we’re protecting are even on the Artificial Satellite anymore.
//He also explains that the reason he's siding with the Invaders is because his final plan is to absorb our Cryptoglobin, then allow himself to be consumed by V’ehxness to reach some twisted form of transcendence, and make her all-powerful so she'll kill us all.
//Not sure why he wouldn't try to do it the other way around honestly; let V'ehxness absorb the power then take it from her so that he can be the one to kill off humanity. But Eito is as Eito does I guess?
DAY 48:
//Seeing as UFB managed to save the group the previous day, Takumi goes to talk to Sirei again about letting him get on the squad. This time, we will get through to him.
//...Or not.
//FUCKING TRY HARDER TAKUMI! MY GOD!
//Takumi doesn't even have the excuse of being subservient to Sirei anymore! He's kind of moved past that, so now he's just pussying out!
//Speaking of which, luckily, the gang are starting to catch on to Sirei's antics. Obviously, no one is willing to accept this kind of idea coming from Eito of all people, but Tsubasa and Takemaru present physical proof that something fucky is happening.
//Takemaru keeps a journal/diary, and in it, he notes that he went to talk to Eva about something, which he has no memory of doing. He most likely heard something critical from her, and Sirei ended up erasing it from his mind.
//When the trio go to ask UFB about it, Takumi is so eager to get to the bottom of this, he almost lets himself get eaten by the Undying Flames in order to get his attention.
//Side note, the English Dub lines don't match with the English text. Not a big deal, but it's weird that this is the only time in the game so far that this has happened.
//Unfortunately, UFB doesn't have any idea about the process. But even though we don't get definitive answers about the memory tampering, the group agrees to discuss amongst themselves about letting UFB join the team.
DAY 49:
//Leading on from that, the group all gather in the cafeteria, and it's time to do something that we haven't done for a while now. The negotiation minigame.
//On Sirei of all people.
//There is actually some funny dialogue exchanges in this scene. Namely:
Gaku: H-Hey, if you guys shut me down like that, it makes me sound like a dick... Takumi (internally): You are kind of a dick.
Kako: Maybe if we figure out his weakness, we can negotiate.
Ima: What an annoying little mini game. I want no part of it. Gaku: We can just make Takumi do it. He's team leader. Takumi: I was already planning on it...But the least you could do is not say it like that...
//The interesting thing is throughout the day, we actually get multiple different gift ideas for Sirei, though I don't imagine any of them really work.
//The three gifts are a gun, a bottle of wine, and a globe. I gave him the wine bottle, and while it seemed like he was taking the bait, he ended up smashing it.
//As if he couldn't get any more annoying.
DAY 50:
//So, you might not remember, but in the original timeline, when we got to Day 50, Sirei suggested that he had a gift prepared for the rest of the group in the cafeteria. But obviously, because Sirei was dead by that point, we never got to see it.
//Now though, we do. But it turns out it was just a couple of dingy little badges.
//Classic bait-and-switch for these types of games.
//HOWEVER, the cafeteria meeting does yield interesting results.
//Largely the reason why Sirei refuses to let the UFB be part of the team is because in his eyes, he is not a living being, and doesn't deserve to be treated as such. He exists purely to be a weapon, and has no human rights.
//However, Nigou reveals that despite Sirei's words, the opposite is very much true. Because part of his duty has been to protect the UFB, and because they've spent so much time together, Sirei has so much familiarity with the child that he's come to view him as a sort of son, and cares about him more than he lets on.
//The reason he is so obstinate about this is because, as an AI, he doesn't want his own feelings to sabotage the mission.
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//Nigou helps Takumi create a photo album made of memory banks shared between him and Sirei, and Takumi gifts it to the Commanding Officer, finally initiating the minigame.
//And...to be honest, I get that this is supposed to be a serious, passionate moment of depth for Sirei or whatever, but honestly, it just came across as really silly to me.
//The good news is that Sirei becomes willing to compromise, and asks Takumi to make a deal.
//To be honest, it's not a very good deal, but Takumi is willing to bend to it if it gives UFB the chance he needs to achieve his desire to have friends and classmates. Effectively, he says that if Takumi and the others agree to stop poking into the matter about their missing or manipulated memories, he'll try to pull some strings to make it happen.
//Takumi does tell Sirei to stop doing the memory manipulation though. Whether or not he will comply with that counteroffer remains to be seen.
DAY 52:
//The UFB arrives at Takumi's room and uses the door like a normal person, which somehow scares Takumi way more than the way he usually appears, which I think is funny.
//Anyway, Takumi takes the boy to the cafeteria to finally meet everyone properly, and they begin to introduce themselves.
//I don't remember if this was brought up before, because I genuinely don't remember, but apparently, when the Undying Flames boy fires off the final attack, his body will be burnt up by his own Undying Flames, and he will die.
//Granted, he DID die in other timelines. Like, I remember him doing so in the Retsnom Route when we used his final attack on V'ehxness. But I thought that was just him overusing his power and his avatar disappearing. The final attack does still kind of happen.
//Which is sad, and unfortunate that it took until Day 50 to finally turn Sirei's thinking about it around. Because now we only have 48 days or so to get to know this dude and become friends with him.
//We get another choice here, for Takumi to make a judgement call. Letting the boy join the team or not.
//Now, this is a weird choice considering the efforts we went through to actually get him to this point where he's meeting the others, and it feels too cold to turn him down. So I ultimately decided to let him on the squad.
//I guess the whole reason why is because if the boy joins the group, chances are our fights will get longer and harder, because we won't be as prepared defensively. Keeping him where he is means we'll be safer and more secure, but like...I couldn't do him like that.
//What's even better news is that now we're at this point, UFB finally gets a name, meaning I don't have to call him ghost boy or UFB anymore. And that name is...
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//Honestly speaking, I expected the boys name to be Hie or Hono or something like that, since it's Japanese for fire or flame. But I did a google search, and this does kind of make sense.
//Shion in Japanese is spelled 志音, made from the kanji for "will/purpose" (志) and "sound" (音)
//So effectively, it's eluding to the fact that he is humanity's voice incarnate, since he's the reason we're going to win this war against the Invaders.
//Things seem to be looking up...but even with Shion on the squad now, things don't end to brightly.
//Takemaru doesn't take kindly to the deal Takumi made with Sirei. Obviously, Takumi doesn't like it too much either, but he only went with it because he had Shion's best interests in mind.
//Meaning Takemaru is most likely going to take matters into his own hands.
DAY 53:
//As was sort of to be expected, Takemaru didn't show up for the morning meeting, but neither did Gaku. Meaning the two of them were likely plotting something.
//That aside, Shion is now available during Free Time events. He can't be given gifts, and he's not in the report card, but he does have his own bonding events that can be unlocked through talking to him.
DAY 54:
//This kind of just continues on from the effects of the previous two days. Only that Yugamu starts acting a little bit sus now.
//This isn't part of the plot, but I spent some time with Kako today in the library, and there was a kind of sad event, which is pretty rare. In short, she was talking about ghosts, and said she wanted to see her parents again as ghosts.
//Speaking of Kako and her brother, she and Ima believe that Gaku is acting really on edge, even for him, and they believe that someone is goading him into believing what Eito said about everyone's families not being safe on the Artificial Satellite.
//Strange though, since there doesn't appear to be anyone outwardly having a reason to do so.
//And they really want to emphasize this because they play the same flashback sequence twice in quick succession? Like...yeah, game, I get it!
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//Takumi, you've had HALF A WEEK to take the initiative! Just fucking do it! Stop stalling!
DAY 56:
//This day was quite possibly the most tense in the story so far.
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//In the morning, Gaku somehow hijacks the school announcement system, and tells everyone he's going to force Sirei to contact the Artificial Satellite, no matter what it takes, and tells everyone to head to the Gym if they want answers.
//Everyone rushes over, but it doesn't go down well. Sirei is nowhere to be seen, and for some reason, without ANY proof, OR indication, Gaku, Takemaru, and Moko blame Takumi for siding with Sirei, and fucking ATTACK HIM and the others.
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//This time though, it's not shitty writing that's to blame for the characters acting up for no reason. But we do get a cool sequence here before the fight, where we get a transformation sequence from GAKU'S perspective, IMMEDIATELY followed up by the same sequence from Takumi and his group.
//I wasn't expecting Gaku of all characters to have his own version of the cutscene. Eito and Nozomi did make sense, at least.
//Anyway, we get a fight here. It's not too difficult, especially because Moko, Gaku, and Takemaru ain't got nothing on Takumi's team which is himself, Nozomi, Hiruko, Tsubasa, and Shouma. With just three of them, they're very easily beatable.
//I like the idea of Takumi using his super powered Azure Blitz on them to get them to shut up though.
//ANYway, after being defeated, Takemaru and the others calm down, and the truth comes to light. As it so happens, Yugamu was taking advantage of their already tense feelings, then used drugged snacks to strengthen those feelings until they were sent spiralling into a pit of fear and doubt, which led to them attacking the others.
//All of this was to create the perfect distraction to allow Yugamu to capture Sirei and get answers out of him. And he's able to do so by performing surgery on himself and removing the bomb from inside his chest.
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//The reason he did this is because Yugamu himself is concerned about Eito's words, and doesn't think it's wise to outright dismiss them. Especially since Sirei has been especially shady.
//He goes on to explain that he had a "loved one" back on the Artificial Satellite. Someone that he promised he would kill one day when not tied down by his family's work. And if there's any indication that that person may not still be alive, then he wants answers, if nothing else.
//Nigou and the others manage to persuade Yugamu to release Sirei by explaining that, even if Sirei wanted to contact the Artificial Satellite, the classified nature of his mission prevents him from doing so easily.
//Though Takumi eventually convinces Yugamu to let Sirei go, the assassin still demands answers. Sirei finally complies and reveals the truth.
//He explains that his entire existence is dedicated to fulfilling his mission. To do that, he needs not only the intelligence to follow his programming but also the flexibility to adapt to unexpected situations.
//As he puts it, his consciousness is shaped by "the will of humanity."
//To make the best possible decisions for the human race, Sirei has been programmed with simulations of humanity’s collective thought patterns. Every time he faces a choice, he runs these simulations to reach an unbiased outcome. In other words, he arrives at decisions by effectively running a virtual majority vote based on all of humanity’s perspectives.
//Since the mission is critical to humanity's future, it's only logical that it reflects the will of the species as a whole. And because the mission is classified, and he doesn’t have the luxury of asking each person individually, he relies on these internal simulations to determine the consensus.
//This process can take time, which is why he sometimes vanishes for long stretches. Additionally, to keep the mission free from individual bias, Sirei is unable to follow orders from any single person.
//Which is really interesting and also...
A LOAD OF CRAP!
//I'm sorry, I GET that humanity are not ever presented as being a righteous species in this story. But you CANNOT convince me that all of the terrible shit Sirei did is based around what the majority of the human race would do!
//If this is consistent throughout the different timelines, my suspension of disbelief will not account for an entire race of people thinking it's okay to:
Brainwash people, and in one outcome, to the point where one becomes disillusioned with reality.
Not allow ANY sort of contact with the characters and their homes.
Commit war crimes on these level (largely with Eva)
KIDNAP a bunch of LITERAL CHILDREN!
Make said children FIGHT in a WAR!
//And SO much more!
//What makes it even more stupid is quite LITERALLY in the same breath, Sirei and Nigou admit that the mission is confidential, and only a select few people on the Satellite know about it.
//THEN THAT'S JUST NOT FAIR!
//I GUARANTEE you that if humankind knew about what was going on, the results would be VERY different!
//OF COURSE humanity aren't allowing contact with the Artificial Satellite. Humanity don't even know we're FUCKING DOWN HERE!
//It's honestly infuriating that people can look at this and NOT see a very blatant problem with this system. It's not only nonsensical, but it's egrigiously self-destructive!
//Of course, I don't blame Takumi and the others for leaving things at that, because...how the fuck do you even RESPOND to something like that?
DAY 57:
//Alright then. THIS is the point where things start to get kinda nutty, so prepare yourselves.
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//The next enemy attack happens today, and the Invaders are once again joined by Eito, but this time, the fight is a little bit different.
//But if there's one thing that's the same, it's that it's yet another Eito fight where the guy just does not stop talking throughout the whole thing. And this time, it's a back-and-forth with Sirei.
//Side note, just in case I forget to bring it up later, this is another part of the game where Sirei really kind of got on my nerves, because he doesn't justify himself AT ALL during this back and forth. Eito plants the ideas of doubt into everyone's heads about what he really found out about the war, and goes into detail explaining when and how he discovered it, even if he doesn't drop the whole truth immediately.
//And Sirei only responds by saying effectively "He's lying, shut up, fight."
//Does he WANT me to be on his side or not?
//Also, Eito does tell all the revelations he discovered during the fight, but it's hard to keep track of them all. He does give on major hint, where he mentions that Earth died a long time ago, and there's more to World Death than we know.
//The more important thing here is that this is a fight against Zen'ta, the commander who can copy people's appearance, and who did so to Moko in the original timeline. This time, however, she seems to do it for Eito, suggesting that the real Eito Aotsuki was killed and replaced with her.
//This is not the case. Eito is still in this fight; he's simply hidden among a mess of clones.
//In order to defeat them all swiftly, we use the same ability that was used previously at the end of the Retsnom Route with Shion putting all his power into a final explosion to take the enemies down.
//Which...is confusing.
//I know that Shion is effectively on the team now, but if I rememeber correctly, didn't using this attack kill him in that timeline? That, coupled with how this fight ends, should really have been the end of the guy.
//Speaking of flames and Ultimate Moves though, I've noticed that almost every time I've fought Eito after the initial final boss of Route 0, I've always unintentionally finished him off using Takumi's Azure Blitz.
//I think I'm gonna try and keep that trend going ;)
//But after Eito and Zen'ta are defeated, the final scene of this day is RIPE with plot twists.
//Firstly, much like he did to Turamtammi and Nyewgank, Eito absorbs Zen'ta before any of us have a chance to, but then V'ehxness shows up to absorb him, just like he planned for. But BEFORE he has a chance to, he tries to drop lore on the war, only for Sirei to suddenly dash down into the field, because he's desperate to cockblock the group from any of the answers.
//But in doing so, he almost gets taken out by Zen'ta, still holding together a form of Eito. But before Sirei can get merced, Nigou jumps in the way of the attack, and dies in his place.
//Which after everything I've had to suffer through with Nigou, the only thing that makes me sad is that Eva was made to watch a character who, in a odd and sketchy kind of way, did try to keep her safe.
//Like I said, after that, Eito absorbs Zen'ta, which heals all his injuries and fatigue, and then V'ehxness appears to absorb him. V'ehxness manages to get MOST of Eito's power, but before she can get all of it, Shion dive-bombs into the battlefield to rescue him.
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//As a side twist, it's revealed in this moment that Eva is actually V'ehxness's sister.
//She really IS Mukuro, huh? Secret 16th party member, sister's with the megalomaniacal main villain, is originally an enemy to the party, etc. The list kinda just goes on.
//And as she...seems to have a habit of doing to be honest, V'ehxness decides to leave her final attack for later, so she can once again spend some time recovering from her injuries, and also to give Shion a chance to recover from his.
//This day ends with another choice, with Eito now at our mercy and somewhat crippled by V'ehxness - to either kill him or spare him, much like the first choice that was made after Takumi jumped back in time.
//As you can imagine, there is no way I am killing this fuck, no matter how much he might deserve it. Takumi justifies the reason being he doesn't want to kill another human being, but I personally just want to hear him finish what he was saying.
//And I don't give a damn what Sirei says. He can't be trusted any more than Eito can.
DAY 58:
//Everyone gathers in the courtyard the next morning to hear what Eito has to say, with Eva carrying around the destroyed carcass of Nigou, which makes me a little sad tbh.
//As expected, Sirei does basically EVERYTHING he possibly can to stop Eito from talking, endlessly nattering on about how everything Eito says is a lie, and when Eito finally starts dropping the truths, he even clams up and refuses to affirm what he says, which isn't earning him any brownie points.
//But thankfully, Shion interjects and blackmails Sirei at the right moment, saying he'll have the SDU members break into the defense room and kill him if he doesn't answer their questions, so Sirei is given no choice but to bend, leading to him and Eito finally dropping the big reveal...
//At least...the first one, because there seems to be even more to the story that I don't know yet.
//Mad respect for Shion though. I feel like ever since he's been getting more screen time, he's really become a great character.
//The major plot twist in this game centers around a single, crucial detail that was deliberately kept from the characters for these 158 days. When this truth is finally revealed, it completely reshapes our understanding of the story.
//That key detail...is that we are NOT on Planet Earth.
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//Throughout the game, everyone believes the Tokyo Residential Complex is an underground shelter on Earth, built to shield the last remnants of humanity from the apocalyptic event known as World Death. Shion was supposedly sent to Earth to eliminate the Invaders—monsters thought to be Earth's final threat to humanity—while the rest of the Special Defense Unit protected him at the Last Defense Academy until the weapon could be deployed. Meanwhile, the remainder of the human population supposedly escaped the planet and relocated to an Artificial Satellite to avoid the fallout.
//But the reality is far more complex. While World Death DID trigger the war, Earth itself was destroyed long ago, ompletely devoid of life, and likely no longer even exists. The damage was catastrophic, far worse than the devastation seen outside the fire barrier.
//In fact, Sire's EXACT words are that Earth was "on the verge of exploding."
//In truth, humanity had spent generations constructing the Artificial Satellite as a means of leaving Earth entirely. THAT part, at least, remains true, but not in the way that everyone expected.
//The Exodus Project, which everyone believed was an evacuation plan to survive the war, was actually a mission to abandon the real Earth and find a new world for what was left of humanity. As it turns out, the Tokyo Residential Complex where the SDU lived has always been located on the Artificial Satellite. Meaning this is where we ACTUALLY were at the beginning of the game.
//During the Satellite’s construction, humanity also searched for a suitable replacement for Earth, and they eventually discovered one.
//This new planet, known as KXK-787, or as Eito and the Invaders refer to it...Futurum.
//Which is...a little on the nose, but hey, I'm not complaining.
//The planet is strikingly similar to Earth. It's in a life-supporting zone, covered mostly in water, and has all the right conditions for human habitation.
//That’s where we are now. Not Earth. Futurum.
//One of the main reasons so little is known about Earth within the Tokyo Residential Complex is because humanity left it behind centuries, possibly even millennia ago; long before Takumi and his friends were ever born. Sirei explains that the SDU weren’t told the truth because it was considered too abstract and disconnected from their reality, which would only confuse or destabilize them.
//Which I'm gonna have to call bullshit on, even if I do kind of get it? If you ask me, Hemoanima, Shion, the Invaders, World Death, and almost everything else that came before this is far more complicated and otherworldly than even space travel. At least sci-fi is a genre that's been confirmed to exist in this world. And yet those concepts are the one's that Sirei spends the least amount of time explaining, because understanding it any more than we do would be "pointless."
//As I've said before, there was also an underlying desire among some humans to bury the past and avoid facing the guilt of destroying their home world, but more critically, after humanity's departure from Earth, internal divisions began to form.
//Some factions believed humanity should return and face the consequences rather than flee. This ideological clash nearly led to civil war, prompting leaders to restrict access to knowledge about Earth and the Artificial Satellite. As a result, most civilians were left in the dark.
//I really appreciate this twist because we’ve already seen evidence of it! This idea is pretty much what the Conspiracy Route revolves around, with the Anti-Exodus faction and Gotou. It’s satisfying that the primary route reveals this later, giving us new insight and a clearer explanation for earlier events.
//Still, despite all the time, effort, and sacrifice poured into the Exodus Project and the journey to Futurum, humanity made a critical error: Futurum, while eerily similar to Earth, was already inhabited by an intelligent species. One with its own society, history, and belief systems.
//That species is V'ehxness and what we’ve come to know as the School Invaders. In actuality, they're their own species of intelligent lifeforms called "futurans." Not creations of World Death AT ALL.
//Initially, humans tried to communicate and negotiate with the futurans, but remember, the only reason Takumi and the others can even understand them now is because of the Hemoanima, which allows for some level of translation. Without that bridge, misunderstandings led to conflict, which escalated into full-scale war.
//The real challenge for humanity was that, while they held the technological edge, the futurans possessed a unique biological advantage. Occasionally, individuals were born with a rare type of blood that granted them immense power in combat, so overwhelming that even humanity’s most advanced weapons were rendered useless against them.
//You've probably already guessed it, but that special power is Hemoanima, or Cryptoglobin, which the Enemy Commander's have. That's why they're heralded as heroes in their culture.
//The Commanders; V'ehxness, Eva, and the others; are seen as divine champions by the futurans, chosen by the god they worship. Humanity’s advanced weaponry was completely ineffective against them, and for generations, people struggled to overcome these powerful defenders. No matter how much effort was put in, humans simply couldn’t overpower them or claim the planet.
//V’ehxness, while undoubtedly driven by her own dark motives and goals, stands apart from the rest of the Commanders. The others aren’t malicious; they’re simply defending their homeland, fighting for survival against what they perceive as an alien invasion...just as the SDU believed they were doing all along.
//The ruins outside the school aren’t the result of World Death. They were once vibrant cities filled with ordinary futurans. It was the battles fought when futurans were forced to protect themselves from human aggression that reduced them to rubble and forced evacuations.
//In summary, from the very beginning, humans and the members of the SDU are the REAL invaders. Humanity struck first, making the futurans view the SDU as extraterrestrial enemies bent on wiping them out and taking their world.
//And the SDU does NOT handle this revelation well.
//To his credit, Sirei doesn’t try to justify or deny humanity’s actions. He admits it’s a war of conquest, plain and simple, but insists it’s a war born out of necessity.
//The Artificial Satellite was never meant to be a permanent solution. Its systems are deteriorating, and its limited resources are running out. Over the years, the population has dwindled drastically, and humanity is quite literally running out of time.
//Sirei explains that he kept the truth from the SDU because the vast majority of people aboard the Artificial Satellite have no idea a war is even taking place, let alone that the SDU has been deployed on a mission to secure a future for the species. Only high-ranking officials in the government and military know.
//Because of fucking course they do.
//Life on the satellite is already confined and grim, so adding the burden of war would have pushed the population over the edge. The only public clue that anything is wrong is the emergency alert system in the TRC that warns of attacks.
//Then there’s the truth behind Last Defense Academy.
//The school is actually a disguised spacecraft, deployed from the satellite and doubling as a planet-killing weapon. Takumi and the others were placed aboard and sent to Futurum alongside Shion. When they landed, Shion ignited the Undying Flames around the building to shield it as he charged up the energy needed to activate the weapon.
//The reason it looks like a school is because Shion always wanted to attend one, and to live like a normal kid. And since he’s the cornerstone of humanity’s potential victory, they granted him that symbolic wish.
//It also helped that only young people around Shion’s age were physically compatible with Cryptoglobin transfusion, so the school concept made practical sense, too.
//On the topic of Hemoanima/Cryptoglobin, it originally came from Futurum. Only those with this unique blood could harm others who carried it. Desperate to turn the tide, humanity began experimenting with the substance until they were handed an opportunity they couldn’t ignore.
//A child was born on Futurum with unimaginable power. So much so that the futurans believed he was a divine figure, calling him "The Second Coming." In a horrific act of desperation, humanity kidnapped the boy.
//That child…was Shion.
//And this is arguably the darkest twist of all. Shion is a native futuran, abducted and used as a weapon to annihilate his own people and destroy the very planet he was born on. Also, his presence allowed human scientists to make rapid progress in Cryptoglobin research, ultimately enabling Takumi and the others to receive successful transfusions.
//Which brings us to the present: the SDU has landed on Futurum, accompanied by the kidnapped "Second Coming," with the express purpose of wiping out the native population and taking their world for themselves.
//Tragically, this war has raged for almost as long as it took for humanity to even discover Futurum. At this point, diplomacy is impossible. The SDU has already killed multiple revered Commanders, and absorbed their powers, meaning the damage is done.
//There’s no turning back now, for either race.
//This is an interesting thing Sirei says here that I want to draw attention to, since he uses it to kind of justify the case he makes for not only fighting a war of aggression against this innocent alien species, but also for lying to the SDU's members.
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//He follows this up by adding that "righteousness belongs to the winner."
//Which is sad...and also kind of true.
//There's an old saying that "History is Written by Victors." It doesn't necessarily mean the same, but it's put in a similar context.
//I have admittedly mixed feelings on this justification, because while I do somewhat agree with it, I feel the need to point out that when you look at the humans and the futurans, the humans are shown to be FAR FAAAAR more destructive!
//Humanity's invasion of Futurum isn’t driven by malice, but by necessity. And yet, this desperation doesn’t absolve them, only deepening the tragedy. So far, humanity has:
Rendered their own home planet uninhabitable, then abandoned it.
Suppressed historical information about Earth and the Artificial Satellite to avoid accountability.
Initiated a war against Futurum; a habitable alien planet already home to an intelligent, INNOCENT species.
Destroyed most of said planet's surface over generations, rendering many innocent futurans homeless or dead.
Abducted a futuran child prophesied as The Second Coming, to use him as a living weapon.
Forced said child to power a world-ending weapon aimed at his own people and home planet.
Used said child's blood to develop a bioweapon program that empowered young people to kill the native population.
Sent them into battle as legitimate child soldiers without fully disclosing the ethical implications or reality of their mission.
Killed and absorbed the powers of revered futuran Commanders who were defending their home, effectively dismantling the spiritual and physical protectors of the planet.
//Meanwhile, the futurans:
Lived on the planet peacefully long before humanity’s arrival.
Were attacked for the legit only reason that the humans, while willing to go through the effort of spending generations building an escape ship, then another few generations fighting a war against them, were not willing to go through the basic effort of learning their language.
Defended their people and planet from invasion.
Revered their defenders as sacred, not militaristic like the humans did the SDU.
Were made to be the aggressors, even though they were the one's defending their home the whole time.
//if you think about it, the only one of the futurans that is in any way evil is V'ehxness. But that's because she has her own will to power that exists independent of the war she's fighting. She herself just wants to kill Shion and take his power.
//Even then, she too is just defending her home planet from humans.
//Also, the idea of their being no good and bad in this war isn't really real, because if you look at things from an outward perspective...The quote should really be "There is no good in war." Period.
//Legitimately, the only people who are innocent in this war are the SDU, and the other Commanders. The face of each side of this conflict are varying degrees of malicious and evil.
//The leader of the futurans, V’ehxness, is revered by her people as a divine protector, but beneath that venerated image lies a deeply corrupted figure. She’s responsible for murdering her own people, has abused her authority, and (as revealed in the current route that I am currently on) has committed heinous acts of child abuse and SO much more. Her crimes extend to attempted familicide, and perhaps most damning of all, betrayal of the very religion that her society is built on. Driven by a god complex, she sees herself not just as a savior, but as a divine being above reproach, violating the faith she once symbolized.
//On the human side, Sirei, the orchestrator of the entire SDU operation and the public face of the human campaign, represents a colder kind of villainy. While he claims to act in the name of survival, he is the architect of a war of conquest against a largely innocent species, and his list of atrocities includes manipulation and brainwashing, child exploitation, unethical scientific experimentation, and psychological torment of a futuran woman, Eva, as well as the rest of his own team, especially Shion. Yes, Sirei sees Shion as a sort of son since he's raised him for most of his life, but Shion is still being used as a living weapon. For Sirei, no act is too extreme if it serves the mission, but his "pragmatism" has long since crossed moral boundaries.
//And the threat doesn't stop with just these two figureheads. Eito, a third-party actor, is arguably even more dangerous. Unlike V’ehxness, who believes she is protecting her people, or Sirei, who believes he’s securing humanity’s future, Eito fights for no one but himself. His desire to exterminate humanity isn’t rooted in justice or defense; it’s driven by a pure lust for power and destruction. He’s already committed multiple atrocities of his own and represents a wildcard force of chaos that stands to push an already tragic war into absolute annihilation.
//I would even extend this implication to the other third parties we've met so far in the other routes; Retsnom and Gotou.
//I'll give Retsnom a bit of credit, since it is effectively just a wild animal at the end of the day, which kind of mirrors Darumi's own apathy for it's own existence, but this doesn't take away from the fact that it either kills or absorbs everyone in three of it's route's four endings.
//And then Gotou...Gotou is just a fucking asshole.
//In the end, while the war began as a desperate struggle for survival or a fight to protect one’s homeland, it's clear that those in power on both sides have become monsters in their own right, and innocent people with GOOD moral compasses don't get caught up in it.
//Anyway, I ranted about this long enough, but the conversation ends with Eito saying that what he said before about our loved ones not being on the Satellite was mostly just a bluff. He himself doesn't know for sure, but mentions that he thought it might be due to Sirei's memory tampering...
//...which unfortunately causes Eva to momentarily regress and murder Sirei again.
//As much as I have grown to dislike Sirei's means that definitely don't justify his ends, having him around, especially now that he's being forefront about everything and explaining his motives in full; seeing him just suddenly die was shocking and upsetting.
Conclusion:
//I wanted to stop it here, because frankly, I originally planned on having this lead on to the next few days up to Day 60. But I've decided to hold off until next time.
//Simply because the stuff that happens in the subsequent next part of the story ties pretty heavily with the next ending I got.
//And if you have any understanding of this game at all, you'll probably know which ending I got next.
//I don't really have anything left to say that I didn't already say to be honest. Just that the twists and turns in this story are getting hella intense, and slight spoiler alert, we're apparently not done yet.
//Before this, the one thing I failed to mention in my main recount is that after Eva kills Sirei, Shouma starts having a moment. He starts to struggle on the verge of remembering more about the group's time at Kamukura Hospital, and that's what's going to lead into I think the second half of this giant twist.
//And my beating heart can only imagine what that might be.
-Mod
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jjwolves · 2 months ago
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heyya!! can i request merci or mitu (one or the other) where they're being vulnerable with reader for the first time??
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WHITE STRIPES ⊹︵︵︵ ⊹ 𝄞 ⊹ ︵︵︵ ⊹
What: 5 Headcanons of Merci X Reader Where She Gets Vulnerable
Who: Merci from ENA (by Joel G)
How Much: ~1000 words, ~5 mins
Credits: Image Banner → Joel G
Warnings: Language
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✄ Merci likes being mysterious for you, turning simple question-and-answer conversations into cryptic puzzles which she never came up with an answer for, herself. She thinks it makes her alluring and chic and sexy in an artsy way, things she desperately wants to be for you. Ask her anything and it’s filtered through this befuddling mask she’s adopted. Once, when walking under a flying umbrella you paid for, you asked Merci if she liked rain or not, to which she communicated, “Rain? It flows like the curtains of every jester’s play. I suffer it. Do you know what I mean?” You’re not so sure that she even knows what she means. You asked her why rain made her suffer. What that even meant, actually. She immediately backpedaled in search of some sort of phrasing that would make her words seem more composed and aloof. “Uh, what I meant is that I don’t suffer it.It’s no big deal to me. It’s just a bunch of little water droplets.” You would’ve seen through her attempts to impress you with her words alone, but the way she was frantically gesturing and stomping around as she tried to course-correct shattered any doubt that this is what she was trying to do. She tries so hard for you. You’re flattered, yet worried.
✄ When you’re with Merci, you know that you can trust her to steer you away from danger. About to enter a door which is actually a mouth? Merci appears and pushes you to keep moving on, giving you an earful about it later. Obliviously heading towards an illusory cliff? Merci’s staff gut-checks you to stay far away from it. Once again, you’re in store for another concerned, albeit deranged, rant. Getting flirted with by a mischevious mint fairy? Merci is roughly tugging you away in the opposite direction. Weirdly enough, you don’t get much of a lecture about that one. She’s quiet for a while, but she’s bouncing her leg in a way that you’ve come to understand means that she could explode at any moment but isn’t going to. When something makes Merci really, really angry, she goes quiet for a while before she unleashes her wrath. You think the fairy flipped that switch and that your beloved mime was soon due for an implosion.
✄ Merci doesn’t get angry at you. Her rage is like a spotlight that glances over the actors on stage and focuses on someone in the audience instead. Sometimes you think that you would kind of deserve one of her tantrums in full with all of the trouble you cause her, but she’s always reassuring you that’s not the way it goes with her. One time, when you were sitting with her after a particularly concerning rage, you asked her why. “We artists are a passionate lot. Which is to say, yeah, I get pissed off sometimes. But I’d never get mad at you. You make me happy, not mad. I get mad at this world for being so—for putting you in—gh. Let’s talk about this later.” Merci was facing away from you, but you could see her wiping her hands’ eyes. You tell her that you can talk to her about anything she wants to, and that you’ll wait for when she’s ready. She takes a few moments to steady herself before turning back to you, had spinning like a loose crank and hand-puppets in your face. “Blah blah blah. Enough with the sadness. Let’s talk poetry!” Then you took turns playing word games. But you didn’t forget the moments prior.
✄ One day, you’re invited to go drinking with Merci in her realm. It’s all inside a swirling curtain which dusts stars off its surface with the wind. You sit at a table and drink sake with your favorite mime. She begins gesturing. “I realized something recently, about myself. As a performance artist, I need to be more in tune with my ‘feelings’, so I figured I could practice with you.” You nod enthusiastically as she takes a deep swig of alcohol before turning to you. “I’m pretty damn crazy about you. And I don’t really know what I’m doing. And you know that I have my… angry moments… when trouble presents itself. Basically, what I’m trying to say is… I’m sorry you have to see me get so mad and sad about stuff. I guess I just worry.” You tell her that it’s alright, and that you want her to be open around you. Your words seem to soothe her a little. You tell her that you love her, and at the end of the day, you know she’d never hurt you. She nods. Or anyone else, for that matter. She nervously rubs her hand-puppets together. “Er. Well. That fairy had it coming!” You two needed to work on your communication, it seemed.
✄ You two start making an effort to be more open to each other. You try to be more careful in the future and you start reassuring Merci that you’re not gonna leave her. You never would, and she knows that it’s true, despite her moments. But it’s good to remind her. You make an effort to tell her that you’ll stay safe and you haven’t eaten any purification rods recently. “Good, good. Fucking keep it that way, thanks.” You start telling her that she’s beautiful more. “Well, I’m in good shape at least. But… thank you.” In return, she starts being more honest about how she’s feeling with you. “I don’t want to worry you, or anything like that, but… I think I want to fucking clock our waiter in the head.” You take her to eat somewhere else. It’s nicer this way, anyway; something about a picnic is a little more intimate than eating at a restaurant. Even if the grass is gray and has holes in it that whistle when the wind goes through them, and houses fly overhead. You feel the mouth of a hand-puppet smooch your temple.
A/N: Good to see you in my inbox, puppetee-r
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cherrypikkins · 3 months ago
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'A Question of Trust' - Rook x Lucanis Short Fic - Part 6
description: lucanis has no memory of what happened during his most recent sleepwalk. all he knows is that seiren is badly hurt, there's blood on his clothes, and spite is strangely quiet
Continued from Part 5
(cw: blood, injury)
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"…and with each new clue, they get closer to cracking the case wide open, only for the chapter to end in a cliffhanger!" Bellara chatters while mopping up the walkway. "And it just frustrates me every time! A-Anyway, it just feels like we're right in the middle of one - a mystery serial, that is. Oh! Lucanis, you're back!"
Lucanis enters and glances around. Bellara and Taash are both armed with mops while Davrin attacks the tiles with a scrubbing brush. There is a bucket of soapy water by the Eluvian. And Neve is conspicuously absent.
"What are you all doing?" he asks, baffled. "I thought this was a crime scene."
"Right, uh…" Bellara flails a bit. "Has Harding filled you in? We figured out that the attack didn't actually happen in the Eluvian Room but in the Crossroads. Which opens the door - no pun intended - to a whole world of possibilities as to what might've happened!"
"She also mentioned that Rook was the one who opened up the Eluvian." Lucanis raises a skeptical brow. "Exactly how did you reach that conclusion?"
"Oh that's easy!" She beams proudly. "Neve had me examine the arcane signatures of the residual energy used to activate the Eluvian. Like a fingerprint! Rook's signature was the strongest, so she was definitely the last one to open the Eluvian - and recently too!"
"It's still a working theory," Davrin points out, straightening up. "The question remains as to why she did it, knowing that Spite wanted out. That said…" He mumbles grudgingly. "…I'll admit that this case isn't as clear-cut as we all thought."
"Hey. Don't give me that," scoffs Taash. "Clear-cut my ass. I told you all from the very beginning that Spite wasn't the culprit. And now we know that Rook was hurt out in the Crossroads. So that means anything from Demons to Venatori to Antaam to Darkspawn could have got her."
"Doesn't change the fact that Spite had something to do with it," Davrin retorts.
Lucanis grits his teeth at the insinuation but ignores it. "You've all yet to explain the purpose of tampering with Neve's crime scene-"
"Oh, so it's my crime scene now? Isn't this my lucky day," Neve smirks behind them, cradling what looks to be a glowing wicker basket. "Easy, Lucanis. I had them clear up the blood. Can't risk this little one getting corrupted, can we?"
She lifts the basket lid. A pale mote of light floats out, flickering with life and curiosity as it explores the room.
"A wisp…?" Lucanis tracks the lesser spirit's movements as it flits toward the Eluvian.
"I wanted you to see this," Neve explains, following the wisp and gesturing for the others to do the same. "We are going to get a glimpse of exactly what happened in this very room."
The group gathers before the Eluvian. Lucanis watches intently as the wisp hovers before the mirror. It seems to contemplate. Then, its luminous form morphs into a familiar figure - an elven woman with long brown hair up in a ponytail, dressed in light armor and a familiar uniform.
"Rook…" Lucanis murmurs, eyes wide. It is the very spitting image of her, only translucent and aglow in blue veilfire.
"She wasn't wearing armor at the book club meeting…" Neve observes, lips pursing. "Why now…?"
The group hushes as the phantasmal scene plays out. The illusory Rook unholsters the Lyrium Dagger. Sure enough, she holds it to the Eluvian. As dagger and mirror resonate, a portal materializes, opening into the Crossroads beyond.
Rook turns to face a disbelieving Lucanis. But he knows it's not him she's looking at. It's Spite.
"There. I've opened it," she says with a reassuring smile, holding out a hand towards him. Her voice is a faded echo of the past, but each word rings clear. "Now, let's go see what's out there."
The image evaporates, leaving behind a single lone wisp.
Harding and Emmrich glance up, startled, as the doors to the infirmary burst open. Lucanis enters, making another beeline for Rook. Somewhere behind him, Davrin shouts at him to halt, but Lucanis pays him no concern.
"Emmrich. Rook has been suffering the same nightmare ever since the attack, am I correct?" He asks urgently. "I need an answer - this is important."
Emmrich exchanges a bewildered look with Harding before responding cautiously. "I cannot say for certain that it's the same nightmare repeating over and over again, but she does keep calling out for Spite-"
"It's not just a nightmare," Lucanis cuts him off. "It's a memory. She's dreaming of the exact moment she was attacked, and quite possibly the events that led up to it."
Harding's eyes widen with realization. "Wait. Dreams happen in the Fade, don't they? I might be getting it wrong, but if the memory and the nightmare are the same, then…"
"Then Spite can go there," Lucanis affirms. "He can reach into the Fade and tap into that memory. He'll be able to remember. Then he can tell us exactly what happened and, luck willing, how to wake her."
Isn't that right? He silently asks the demon at his shoulder. Spite shifts uncomfortably, growling in discontent. Was he afraid? Lucanis wondered. Of what he might find there?
"Lucanis…" Emmrich says tensely. "In order for that to happen, you'll have to let Spite take control. Completely."
"That's fine," Lucanis insists, eyes drifting towards the infirmary bed. "Whatever it takes to save Rook - to save Seiren."
"That's not all," Emmrich shakes his head. "If Spite regains his memories, there's a risk that it will change him - maybe even corrupt you both."
"I… I won't let that happen," Lucanis promises. "I'll be with him, every step of the way. If he starts to forget who he is, then I'll be more than happy to remind him."
He tightens his hand into a fist as he addresses Spite. "You hear that, demon? I'm entrusting you with Rook's memories, just like she trusted you with her life. It's time we listened to your side of the story."
'No. Not listen.'
Spite seizes Lucanis by the wrist before he has a chance to react, pulling him through the Veil.
'You will see.'
(to be continued)
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randomfoggytiger · 3 months ago
Note
Hello, would you know of any post apocalyptic AU fics that don’t have to do with the colonization plan or Purity? Just good old fashioned zombies or other deadly virus (or fungus, I see you The Last of Us) lol
Collector's Edition: Mulder, Scully, and Post-Apocalyptic Survival
There was one fic that legitimately did fit your criteria (dianasicarus's "The Dead Come Back"); but it was deleted off of Ao3, and I can't find it anywhere. So.
Anyway! These are mostly virus or alien-related fics (because the specific niche requested is rare)-- however, I tried to keep them Colonization-adjacent, or Colonization-peripheral, rather than full-on aliens, vaccines, and the like.
Loose chronological order below~
Callunarose's Heaven Came Crashing Down - Chapter 4
It sends a chill down Mulder’s skin to see the state of Skinner’s office. The large table, a fixture in so many boring meetings, has somehow been split down the middle, chairs lie in bits around it, and the windows behind Skinner’s desk are shattered. It smells like smoke and fire, and a thin layer of ash has blown in through the broken window panes like some absurd festive snowfall. Skinner’s computer is on the floor, and it doesn’t take a federal agent to understand that someone has jumped up and down on it repeatedly, smashing it into bits. Scully is standing behind the desk it once sat on, staring down at it.
AU-- Post Millennium Mulder and Scully find D.C. abandoned.
@audriesfic/audries/inkspl0tchess's
repechage
there are four things that are the same. endlessly, always. four things that he will always know to be true. four things he’d picked up between preschool and middle-age. four things he would have passed on to his son if he’d had the chance. not that his off-brand form of wisdom could have saved him, or anyone, in the end.
still, they are as follows: water is wet, gravity is at the center of all things, scully is (just is. in general terms, specifics don’t apply, not anymore) and a baseball diamond on a summer night is the closest you will ever be to anything as divine and illusory as heaven.
these are the things he knows. not necessarily in that order.
Post-Colonization Mulder and Scully stumble across a baseball diamond.
seiche (Tumblr)
“Say you believe it, too. Say there’s going to be an after. Say we’re going to live.” 
Her mouth winced. She couldn’t look at him anymore and didn’t, tucking her chin. “I can’t.” 
“Why?” He sounded raw. Scully felt herself to be unknowable and cruel. The waiting room feeling. “After all you’ve done, after all we’ve been through, why can’t you believe we’re going to win this?” 
“Because I don't know what happens next,” she told him, “if it isn't the worst thing.” 
AU-- Mulder and Scully didn't change their partnership (yet), despite impending Colonization.
@seepunkrun/Punk Maneuverability/Punk/runpunkrun's Opsis (Gossamer)
He'd picked the wrong day to be lonely and had definitely picked the wrong way in which to show it. If he wanted something from her, comfort or companionship, he would have to ask. She wasn't going to play games with him.
He'd balked at the door, but when his hesitation didn't result in apology, she'd pushed him the rest of the way out and thrown the dead bolt, glad to be rid of him. Finally turning the lights on, she'd walked into the bathroom and crouched by the toilet to throw up what seemed to be a city's worth of ashes.
Colonization Scully's transformation after the world is set on fire.
contradiction_to_nature's XF Writing Challenge:  Clothes
She finally nips the bag with her index and middle fingers, gingerly drawing it out.  Her careful wrapping job has done nothing to protect the delicate weave from absorbing the ever-present dust in the air.  She has given up on ever having clean hair again, her face always coated with a smothering sheen of sweat and airborne grime.  Pulverized concrete, unearthed trees, ashes.  So many dead, gone.
Scully mournfully studies her torn, bloodied suit.
@lotsoforangesoutside's Wednesday 100s (Tumblr)
In another universe, they got married during a lockdown, a complete lockdown, three months after colonization.
Colonization, quarantine, and regulations.
soundingsea's (DW) in the lonely cool before dawn
Scully shakes her head. "Mulder, nobody's heard from Southern California in over a year; there are blockades starting at Vegas. Ever since the Hoover Dam went, it's been considered a loss. Not much agriculture with no water."
"Doesn't look like water's going to be a problem here," Mulder replies, eyes turned upward.
Scully breathes in the smell of oncoming rain. 
Colonization hits, and hits hard.
@writingwell/RocketMan/Darkstryder's (xffics) Live Free
Desperate to make them quiet, Mulder raised his voice to be heard above them.
"Do you want to hear a story?"
Some heads turned to see him; one of the older ones next to Scully started quieting the kids in the back; it seemed a good distraction.
Post-Colonization Mulder and Scully hold onto hope while huddled with a small, underground group.
Seema/SeemaG's ([email protected], LJ) Stronger than Death
...I'd been there when they'd forced her mouth open, poured the black oil down her throat, and then thrown her into the cell. I'd held her in my arms as she'd trembled and squirmed against the madness slowly taking her over, and then I had her brought to the infirmary. A shot of precious morphine later, I'd tied her limbs down to the table; she stopped struggling and I'd leaned over, closed her eyes with the palm of my hand. Nine hours later, Susan died and I held her earrings in my hand.
"Scully."
"We can risk it," I told Mulder. "We have a choice to make."
"I can't run."
"I know that." I took a deep breath. "But do we stay?"
Post-Colonization Mulder and Scully, prisoners, hatch a plot to escape.
@spooky-nerd/spooky_nerd's Beyond the Setting Sun: a Post-Colonization drabble (Tumblr)
“Scully, if the sky crumbled and fell on top of our heads tomorrow, you would find a way to rationalize it,” Mulder had told her once, with equal parts awe and irritation in his voice. If only she had known at the time how prophetic those words would turn out to be.
They had been on a case when it had happened. She still remembers the shrill, earth-shaking scream of the crafts as they had broken through the dark and split the peaceful night apart. She had woken with a dread like no other. The back of her neck thrummed. They were here.
Post-Colonization Mulder and Scully are separated when her chip begins to control her.
Jenna Tooms/misslucyjane’s (mulderscreek) "...missing..."
Things she misses.
She misses her apartment, her mother, Mulder's fish tank, William's morning noises. She misses Frohike's leers and Langly's t-shirts. She misses wearing a badge and being an authority figure. She misses doing good, being good, feeling good.
She misses Skinner's gruff voice and Monica's wide smile and Doggett's soft drawl. She misses her baby. She misses her friends.
She misses her hair.
Post-Colonization Scully counts her losses.
pokeitlikejello's
The Drabble Files - Chapter 14
He made her a promise and God, she was so scared. Why did they have to split up? Was it his idea? Hers? She couldn’t remember. Not after all the concussions.
Post-Colonization Scully waits for Mulder's whistle.
@leiascully's (Ao3)
X-Files OctoberFicFest Day 30: Dazzle
The end of the world is dazzling. The sun is too bright. It glares off the sand of the beach. The shoreline is higher than it used to be, but the waves have pushed the sand up where there used to be beachgrass or even lawns. The shore has been reshaped, just like everything else. The waves ripple around the ruins of expensive houses. Once upon a time, they lived fairy tales here.
Post-Colonization Mulder and Scully did what they could.
One word prompt: beach
The loose linen is nothing like the suits she used to wear, before. Before the downfall of the organization she'd trusted, before the invasion of her body by the alien virus.
Post-Colonization Marita feels the cumulative weight of her life.
Sarah Segretti/sarah_segretti's Operation Clean House (Ao3)
He’s been attached to Special Ops. He’s one of only two people on this planet who have been inside one of Their ships and lived to tell the tale.
She’s the other. But she doesn’t remember the details.
He’s never quite forgiven her for that, she thinks, although he knows – and she knows he knows – that it’s not her fault. She wishes she could remember. She doesn’t want to be separated from him on this night.
Post-Colonization Mulder has to go on a mission alone.
Branwell's Won and Lost
They nicknamed the third assault force Operation Pest Control. The regular army sent in a thousand men at each site. They traveled in tanks or helicopters, and included units with powerful explosives. Missiles couldn't be used effectively against foes who had dug themselves in deep during the Stone Age.
The enemy died by the dozens. The soldiers died by the thousands within minutes of reaching shifting zones around the ships.
DOD HQ organized Tiger Teams that included specialists in tactical nuclear weapons. The President's family arrived at the bunker in West Virginia, where they were forced to stay in total ignorance and confusion.
Post-Colonization Mulder and Scully: indestructible.
AUs
EmScully's Not Alone
 Scully struggled to pull the door closed and stepped gingerly down the porch towards the outhouse. The small building groaned around her and she moved quickly, already chilled and missing the warmth of her little stove. When she stepped out of the outhouse she saw movement out of the corner of her eye, she did a double take and froze. The dead carcass of the alien next to her porch was being torn into by a very much live version, blocking the way of her front door. 
AU-- S7 Scully is abducted instead of Mulder; and both are aided by their son from the future to find each other in a world turned upside-down (and infested with monsters.)
@scullyphile's The Lure of the Paranormal (Tumblr)
“What’s going on? I thought we were having a good Sunday morning. Puns, flirting, fishing, sunshine. What’s wrong?” She asked. When he met her eyes, she knew. “It’s about William.”
Post S9 Mulder and Scully use fish puns to hide the pain.
cthene's In the Watchfires of a Hundred Circling Camps
Frothing and wheezing on his back, the kid claws at Mulder’s face with his nails. His black eyes bulge like quivering pearls of tapioca. He’s afraid. 
Mulder freezes. A silent scream lashes across his mind, confirming what he already knew, and his grip fails. Someone’s son or grandson is still in there.
“Mulder!” Scully yells at him.
The trachea uncrushes itself and the kid sucks the air, already lunging upward again. 
Mulder watches himself grab his skull and brain him against the floor. With vicious force he wasn’t capable of two seconds ago, he hammers the kid’s head over and over again into the tile until the tile cracks. He feels his own hands cleaving open the base of the skull, a plate of metalicized bone falling away like a shard of eggshell to let the sticky albumen run out. Mulder’s fingers plunge into the wet brainpan, closing around the slippery stem and yanking it out as the body beneath him seizes and dies. 
AU-- Post S9 Mulder is turned: a new creature in a new world, in search of his and Scully (and their son's) place in it.
@poeticsandaliens/aster_risk's OctoberFicFest Day 30 - Rental Car
William loves these days, ripping down an empty road to the next empty town in the next empty state, searching for the next unclaimed rental car. It’s only desolate once they get there. When you’re the only humans left on the planet, civilization is a thousand times more desolate, and nature is a thousand times more beautiful. 
AU-- Mulder, Scully, and their son live life on the road.
@pinebluffvariants/@flukemen's (Ao3) Baseball
“Let me tell you a story. I wasn’t always a total idiot - no, don’t deny it, I’ve heard you talk to people - anyway, my story. It was about twenty years ago. We’d already known each other for almost ten years but for various reasons, nothing had happened between us. Actually let me take that back. So much had happened between us, just not what we both wanted. I knew it, it was so obvious, but we were scared.”
“Scared.”
AU-- Mulder retells The Unnatural date night to William as a bedtime story.
stellar_dust/stellar_dust's The City and the Stars (Combined) (Ao3)
No one would have believed in the last years of the twentieth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water.
How fitting, then, that it was, finally, a woman with a microscope who discovered the key to their destruction.
AU-- Mulder, Scully, their son, Skinner, Doggett, and Monica sneak into town... then everything devolves into chaos.
Blackwood's (site) Restless Vespers (site)
The sofa creaks as she rises. He feels her standing behind him, knowing what she will say before she says it. "We did all that we could. You did more than anyone could have asked."
"Did I?"
She lays a hand on his sleeve, but he isn't ready for absolution. "Of course you did," she says so gently it feels like a caress. "You're Will's father. You negotiated with the Rebels when no one else could and," she pauses. "I never would have survived without you."
"You would have gone on, Scully. It's who you are."
"Breathing isn't the same thing as living."
"It's Life."
AU-- Post-Colonization Mulder and Scully have a chat.
@danascullysjournal/Paper_hearts_and_homemade_arts's Chrysalis
Dana Scully bandaged them both the best she could, but her training was of flesh and bone, stitches and scar tissue, medication to stave off the searing pain.  Grossly unqualified for the patient before her, she prayed silently for a breakthrough.  Anything to help a man whose soul was eclipsed.  
The date for colonization had come.  And gone. 
And now… the man in her bed was not the same. 
Post-2012 Scully talks her partner through his grief.
@all-these-ghosts/all_these_ghosts's radio nowhere - Chapter 30
When he gets to the plateau at the summit, there is nothing left but dirt and ash and blackened, jagged shards of metal. Every tree and shrub and blade of grass has been leveled. Below him the mountainside is charred from the flames that rained down after the explosion. The late afternoon sky is dark and tinged red.
AU-- Revival Mulder Is stumbling around the ruins looking for his son.
afg's (mulderscreek) Mendocino (mulderscreek)
Skinner had once told him over a bottle of Scotch, how surprised he'd been that Mulder had not killed himself and confessed to him drunkenly, that he and the rest of the group had had him on a sort of unofficial suicide watch for months after Scully had been killed.... In truth it had been touch and go. Many a long night, he had sat with his gun in his hand trying hard to think of a reason to stay. He'd failed her on that last day, the least he could do, he thought, was to tough it out until the end. He couldn't light candles or recite a 'Hail Mary' but he could stay alive. It was his penance.
AU-- Post-Colonization Mulder lives just a bit longer than Scully.
Pale The Chicken Slayer's "Seven More Days" (xphilefic)
The flu hit, distroying cities and states. I'm not sure if the whole world got it, but it's a safe bet. America is dead, almost time for the funereal, when we lay the past into the ground. Mulder died, one of it's earliest victims. The sky scorched with a pale black horizon, like a mystery or a dream. The world seems like a novel, ripped from the pages and brought into our small lives, the authors don't realize how their works will affect us. And ruin us.
Post-Colonization Scully roams the world, immortal.
@scully-loves-ruthie's Prompt: There's only us
Mulder hiked his pack higher up his back, it took a couple weeks, but he and Scully soon learned there was no one to fight for supplies, and worse yet no one to save.  An unholy trip to Maggie’s followed by an understated mourning at Skinner and Monica’s.  It didn’t take much after that to understand there would be no finding, no saving, no banding together to ride out the apocalypse, a ramshackle collection of misfits suited for an FX series.
Post-Colonization, there are only two people left alive.
Oracle (The Other Side) At Sunset (Gossamer)
"William, we don't have to stay another year," she says. "Your dad visits me sometimes, at night. He doesn't speak, but he sits beside me. We talk without sound."
"Mom -"
"I know you don't believe me, William, but I see him. I see them all. Sometimes, under the red moon, I walk to the top of the cliffs and I see them. They look up at me from the desert, expectantly. Waiting for us to join them."
AU-- Scully and William are the only survivors.
@lepusarcticus's the after
“Happy turning day,” she smiled, setting a mug on the side table. He caught a whiff of the contents. Rich. Heady. Intoxicating.
“Don’t know why you still keep track of these things. It’s been centuries,” he mumbled, playing at sleepiness.
AU-- Immortality and vampirism.
BONUS
If you're curious to read more Colonization content, I'd recommend the Colonization HQ, as well as @lilydalexf's and @dashakay's recs (here and here, respectively.)
Thanks for reading
Enjoy!
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ohwolfling · 10 months ago
Note
Gale’s evil ending is out on Youtube now! How do you feel about it and is there any analysis to it?
[goes to YouTube because I have Toy Story disease and know I will never do this myself]
Ooooh boy. The thing is, this is an RPG. If you played the game in such a way that Gale would get here, alright. I don’t wish to yuck anyone’s yum. But for me this feels nigh on impossible. 
-please not, I have not slept right in like a month, this is not as polished as I usually try to make my asks/meta-
Gale at his very worst wants to be worshiped, adored, and praised. He wants to be equal to gods because it’s gods who have made playthings of the little guys. I don’t think that this kind of submission would satisfy Gale, nor do I think that Gale is someone who does direct violence on purpose, even on his worst days. 
Choice One 
As for destroying the heavens, I don’t know, Gale seems aware that being a Chosen is a curse regardless of who the god is and I don’t see Gale focusing his ire on throwing his testament to Mystra and having a crowd beat up a Mystra statue that came from I am not sure where? Sort of echoes my sentiments that while BG3 is some of the best and most varied representation of abuse and trauma on personal and systemic levels I’ve ever seen, it still has it’s little flaws, both because of its commitment at times to DnD lore and the fact that I don’t think that survivors/advocates/educators were consulted so much as we got lucky. I’ve talked about this mostly in regards to how the narrative fails Wyll (not because Wyll should be more important than other companions because he’s literally from Baldur’s Gate, an argument that is just… so dumb, your hearts are in the right place but jfc). 
Choice Two 
I just don’t believe in any version of Gale that wants to lead an army. It made me laugh honestly. 
Choice Three
ILLUSION MAGIC, CONTENTMENT, LOVE (djinn, careful what you wish for, etc, so there’s like… existing lore and stuff for this in the greater pantheon of storytelling)... This one had such potential. Disappears immediately, however.
Does he need a big statue of himself? What is that meant to communicate? I don’t get this. Gale likes pretty things and this world is still hideous for himself. God Gale shows us that Gale’s “Bad” ending is leaning into aesthetics and power-posturing. This is… just not in character to me under any circumstances.
Choice Four
Killing everybody is just plain mean. Gale needs something to gaslight himself about. Frankly, this is too simple for the kind of mental illness this man holds within him. The line says, “this is mercy” but nothing around it actually implies that. Actually kinda pisses me off. A thing doesn’t need to look menacing to be evil and I expect Larian to know better. A power move here would’ve been Gale finding he still feels hopeless after all this and detonating himself against even the Orb’s will! 
Choice Five
Gale could never wish for chaos to rule. He would get IBS. I also don’t think “people are inherently bad” is a Gale thing. That might vibe with Shadowheart and Astarion before their healing journeys or if you play them that way, but even then there’s so much foundational wounding that gets them there. This is just… lol ok. Gale very clearly loves children, at least in the sense that he wants to protect them. If there’s an evil Gale who would turn a child into a little killer, it would be against an abuser of some kind, not a mother protecting them.
Generally,
Let him kill Mystra and have chaos ensue that way, cowards. 
A Gale who would control or limit you would do so leading with pleasure, not cruelty (maybe some Willow erasing Tara’s memories vibes) and even where they did play with this they ultimately failed. It doesn’t serve Gale in any way to create illusory magic for big statue. Some of the language around some of the choices feels… very insecure masculinity? And I don’t particularly associate that with Gale. His problems with Mystra are not based in not feeling like A Man™, but in not feeling enough as Merely A Mortal Man™. That’s a reading that people falsely make of Gale of Waterdeep™ throughout the game, which is good world building and makes sense, as he is a renowned wizard, was a child prodigy, and is a known paramor and Chosen of Mystra. That’s the social dig at his facade. Gale Dekarios, however, doesn’t demonstrate any issues in that flavor?
If you’ve played Gale as a man constantly on the cusp of evil, you may have an insight to this that I don’t. But for me, even where things feel somewhat possible, it’s giving Daenerys burns down King’s Landing because we forgot to write her for four seasons in the middle and are bored now. Which is to say that GRRM has a few books left to make Daenerys accelerate herself and could do it in a way that is beautiful and breaks my heart but that ain’t what happened here today, ya know? 
This is an observation no one asked for but I think part of the perfect storm that led to SO MUCH additional Astarion content (the obvious being casual hornies + Neil Newbon being as accommodating as he is passionate [affectionate][complimentary][in awe]) is that the default setting for how Larian Studios views evil, struggle, grief, trauma, abuse, etc is in these very flashy, edgy tropes of Hurt People Hurt People being very literal. And that is a genuine and beautiful load-bearing wall of Astarion’s belief system. But Hurt People Hurt People doesn’t apply to Gale, at least not in that way. Gale tries every other thing possible before he comes up with the idea to restore elements of the Weave to Mystra through relics and such. And when he gets the orb, he’s moving to be sure his own inevitable detonation doesn’t hurt anyone. Gale’s entire story is about the risk of reaching out, of trying to connect, you literally pull him out of a hole of unstable magic.
As a note - Nothing I say here is too critical of Larian studios. For me personally, multiple endings of the same flavor are not what fuels replayability but for most people who simply play this game and do not examine it as a piece of literature or find community around the discussion of it, it does. Studios are a business and they’ve been through it working on this with WotC/DnD. I totally get it. But I’d really rather more in world characterization than additional endings. 
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arealtrashact · 2 years ago
Note
Mind if I ask if there was anything that led you to cast the characters as the specific animals you did for the Saw zodiac piece?? Like I KNOW you had to work with the animals within the Chinese zodiac, but...why the goat for Kramer, the monkey for Amanda, and so forth??? Was it based on birthdays or character traits, or something like that??
I really like that piece and I want to give u a platform to talk about it more lmao
Like you said, my choices were limited to the animals within the zodiac. It was a fun little challenge mixing and matching each animal to a character that I felt suited them (personality-wise in some cases, appearance-wise in others.) More under the cut, for those interested.
Tumblr media
Amanda (Monkey) - Jumps between mischievously playful and sadistically cruel. In possession of ten clever little fingers, perfect for rigging traps…
John (Goat) - Stubborn + stoutly adheres to his beliefs. Sporting a pair of curving horns that play into the spiral motif very nicely. Enjoys playing God and doling out punishment, much like a certain other horn-ed fellow who spends his days disciplining ‘sinners’. 
Jill (Sow) - Seemed like an easy choice considering the Tuck family’s pig farm. I also wanted to call back to Gideon and what could have been.
Hoffman (Tiger) - Large, imposing and solitary. (Almost) always one step ahead. Tigers having illusory eyes on the backs of their ears to throw off stalking predators feels extremely Hoffman to me. Getting the jump on him is nearly impossible. Nearly. 
Strahm (Dog) - Not just any dog, a GSD. Sharp as a whip, wary as a watchman. Commonly used by law enforcement. Loyal to those he considers friends, aloof and standoffish to just about everybody else...
Cecilia (Dragon) - Much like a dragon, Cecilia would be right at home curled atop a mountain of treasure. Even what she promises / advertises seems mythical - the kind of miracle that only exists within a fantasy...
Logan (Ox) - ‘It’s cause you’re always in that damn BARN.’ A farm animal through and through. He's John’s heir apparent, a faint outline of him, complete with a similarly horned silhouette.
Lawrence (Rabbit) - Larry was one of the ‘lucky’ ones, and what's more lucky than a rabbit's foot? ( Do you think he carries his severed foot around on his keys in this AU ? )
Adam (Rat) - I mean…
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Schenk (Snake) - People will probably assume that I picked a snake because he’s ‘deceitful’ (I actually think his rage was justified. ACAB.) but I actually just wanted to incorporate spirals onto him in an organic way. Snakes, with their intricate scale patterns, allowed me to do just that.
Who’s left? Zep Hindle screams 'chicken' to me and Lynn has beautiful flowing hair that lends itself perfectly to a horsey.
🤙
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penumbra-mayhem · 5 months ago
Text
In Search of the Answer
JayVik fic // 1.4k
——————————
They'd been at it for hours. This one fucking equation. It stared at them—no—taunted them with its illusory simplicity. Viktor slouched in his seat, his glazed eyes scanning it over once more, as if the 41st time would make a difference. As if, suddenly, the answer would spring out from the board before his very eyes. Infuriating.
A piece of chalk whizzed past his ear and hit the board, breaking on impact and crumbling to the floor. Viktor swung his head around, blinking hard at the immediate dizziness as he joked, "That wasn't very dignified of you, Golden Boy."
Jayce pretended to gag as he walked up to the left of Viktor and leaned back against one of their worktables. He chuckled, "Ew, no, don't call me that, please."
"Pfft, why not? It is your title, is it not?" Viktor teased.
"Yeaah," Jayce said, crossing his arms as he stared back at the board, "but it's weird when you say it. It's weird when anyone says it, honestly, but especially you."
"Well then, what would you rather I call you?"
"I don't know." He shrugged. "Jayce? Anything other than Golden Boy, really."
Viktor could have let it go. He could have called him any benign, clever insult, something to just provoke a bark of laughter and maybe a quick quip in return. But the day had been so monotonous and he was so tired; his third cup of coffee had barely done anything. He was tired, they were bored, and the goddamn equation was not going to be solved anytime soon.
So he decided to play. Viktor slung an arm over the back of his chair, fixing his gaze on Jayce with a tilt of his head and a smirk.
"Okay....pretty boy."
That got his attention. Jayce's eyes widened and his head swiveled back and forth between the equation and Viktor. Gaping, he struggled to find his voice, "Wh-what?"
Viktor shrugged. "What?"
Jayce tugged at the hair on the back of his head as he stammered, "Why-uh, um, why would you call me that?"
"It's an accurate descriptor, is it not? You are pretty," he replied, like it was the most obvious thing in the world. He couldn't help but take delight in Jayce's flustered appearance.
"What? N-No, I'm not."
"Yes. You are. With your hair and your skin and your eyelashes—"
"My eyelashes?"
Viktor nodded. "Yes, your eyelashes."
"My eyelashes."
"Have I suddenly switched into another language?" Viktor was just being an ass at this point.
Jayce tried to fight back. "How in Piltover are my eyelashes pretty?"
He failed.
"They're long and luscious," Viktor answered, a smug grin fixed on his face. Jayce cackled, shaking his head in disbelief. "And you bat them. Often," he added.
"I do not!"
Viktor waved his hand, clearing the air of Jayce's protest. "Yes you do, whenever you want to get your way—which is often—you bat your eyelashes."
"You..." Jayce growled in mock irritation, "you asshole, you're messing with me."
"I'm not messing with you!...pretty boy."
Jayce stammered through a series of frustrated sounds before declaring, "You can't say that!"
Now things were getting good. Viktor lifted his head off his arm, intrigued. "And why not?"
"Because...because between the two of us, you're the pretty boy!" Jayce shot back, as if he'd won. As if he hadn't played right into Viktor's hand.
"Aw, you think I'm pretty?" Viktor teased, tousling his own hair.
Jayce kept fighting, aware he was losing ground quickly but unwilling to give up. "Well-I-uh, it-it's a fact! Everyone knows that!"
Viktor mocked astonishment. "Really?"
"Y-Yes! Really! It's uh one of your top qualities."
"My top qualities? And what would those be?"
"You know...uh...smart, yeah, very smart. Um, ingenious. Uh...witty...compassionate, persistent...funny...dedicated...."
Jayce slowed down, caught in Viktor's gaze.
Viktor's grin softened. "And...pretty?"
"...y-yeah...it's...among those."
"Hm. Interesting," Viktor murmured.
Jayce squirmed, stammering, "W-Well now your top quality is just being creepy, stop...stop staring at me."
Viktor shrugged. "Okay." Grabbing his cane, he stood and walked up to the board. He dropped the game and engrossed himself back into the equation, chalk in hand.
Losing Viktor's gaze, however, was like losing the air in his lungs; Jayce was left breathless.
He stared after him, observing the way Viktor's hand hovered over the board, as if that stance would somehow cause the equation's answer to come to him faster. Jayce found it far too endearing. He scrubbed a hand over his face before hanging his head and calling out weakly, "ahh fuck...Hey Vik. Since I'm already saying a bunch of weird stuff.....you can keep staring at me.....if you want."
Viktor stayed facing the board for a moment, just long enough for surprise to flash across his face. He fixed his countenance into something more coy before turning around and walking up to Jayce. What he couldn't hide, however, was the pink tinge ghosting his cheeks.
"I do want," he cooed, "Like I said, you have pretty eyelashes."
The air had shifted, they both felt it. Jayce let him approach. His eyes dropped and he gripped the table behind him. Viktor didn't get too close, allowing them breathing room as he noticed the change in Jayce. When he spoke again, his words were low and tender:
"Am I making you nervous, Jayce?"
He let out a breathy laugh, still unable to look at Viktor. "Nervous? What? P-Please, you're my partner..."
"You didn't answer my question," he murmured.
"What do I have to be nervous about?"
"I don't know. You tell me."
"I...um..." He swallowed his words. How could he tell Viktor that he was like the night's constellations, guiding Jayce through the dark. That his face was what Jayce saw every time he looked into the hexcore. What string of words could he put together to explain what he himself barely knew but felt blazing through his body every moment of every day.
"It's okay, Jayce," Viktor spoke, soft as starlight, "Whatever it is."
"I can't," he blurted, "I don't want to uh..."
Viktor leaned back. His skin prickled. Maybe he'd gone too far. "Don't want to what?"
Jayce crossed his arms tight against his chest as he mumbled, "I don't want to make you uncomfortable."
Ah, there it was. Viktor smiled and assured him, "Jayce you don't need to worry about that. I'm made of tough stuff."
“Yeah,” Jayce agreed, Viktor’s smile tugging one out of him as well, "Yeah, you really are."
“So?”
"So…so sometimes I wonder...what it would feel like...to hold your hand,” he admitted.
"Well,” Viktor said as he leaned in a bit, “you are a man of science. You want to know something, what do you do?" He held out his left hand towards Jayce, palm up. "Run an experiment."
Jayce stared at the offering. He uncrossed his arms and took Viktor’s hand in his with the delicacy he usually reserved for fine tuning their hextech. He found himself entranced by their joined hands, unable to look away.
The cold of Viktor’s hand sent chills running through Jayce. He could feel the soft silk of chalk dust that always coated Viktor’s fingers, causing him to leave white fingerprints wherever he went. Jayce wondered, if he let go, would he find chalk prints left on his skin?
"Jayce.”
He lifted his eyes. Viktor was much closer now. When had he moved? How long had Jayce been staring at their hands, mesmerized by the latticework of veins under Viktor’s pale skin?
“What is your analysis?” Viktor murmured.
He took in a shaky breath, his voice small, “I um…I like it. This, I-I like this. Your hand is…soft.”
Jayce was so warm—his eyes, his voice, his hands. He was slowly melting Viktor, and he didn’t even know it.
“I like this too,” Viktor admitted in a whisper.
“Vik?”
“Yes, Jayce?”
Finally, things started to click, the numbers adding up, the pieces coming together. Of course. The answer had been there the whole time.
“I um…I think that I—”
“Eighty-five!” Viktor exclaimed, squeezing Jayce’s hand.
“Wh-what?” Jayce stammered, watching as Viktor suddenly let him go and raced back to the board.
“It’s fucking eighty-five!” Viktor shouted. He scrawled the answer in chalk before turning to goggle at Jayce.
Jayce’s face dropped. “But if that’s eighty-five, that means…”
“…that all of section B needs to be reworked,” Viktor groaned, “Ugh, I’ll get more coffee.”
He walked out of their workplace, leaving Jayce alone with the chalkboard. He looked down at his hand. Five smudges of chalk dust decorated his palm, like meteors streaking across the sky.
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lumaconstante · 7 months ago
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Hey sunshine! ☀️✨
How are you?
Today I brought you some reasons to read my fanfic 'Star'.
• It's a fanfic set in the Gotham universe where Bruce Wayne has a biological teenage daughter, the result of a romance he had with a Japanese singer during his youth;
• The story has many references to Alice in Wonderland;
• Each chapter has at the beginning some excerpt from a song by Taylor Swift's Midnights;
• The protagonist's romantic partner is Conner Kent (Superboy);
• We have relevant appearances by Thomas Elliot (Bruce's friend) as the father of a girl;
• Practically the entire Batfamily appears at some point in the story;
• At first, Joker and Harley Quinn don't appear, I explore other villains from the Gotham universe;
• The fanfic addresses the dark side of the entertainment world;
• The fanfic is available in English and Portuguese on Wattpad.
Among many other things!
Below, a brief prologue of the Fanfic And the link for those who want to follow everything on Wattpad:
One, two, three, four.
Four times. That’s how many times the pearls from my mother’s necklace hit the ground as it broke, rolling somewhere beneath the tangle of wires behind the speakers and the jellyfish-shaped lights, while the instrumental music continued to play.
Five, six, seven, eight.
Eight seconds passed before the fans in the front row realized something was wrong—that the woman holding the bloodied knife over the lifeless body wasn’t part of the performance.
Nine, ten, eleven, twelve.
Twelve times. That’s how many times I replayed that scene in my mind since the Gotham City police took me to the station to give my statement about what had happened.
The questions were always the same:
— "Do you know the killer?"
— "What was your mother’s relationship with the killer?"
— "Did your mother have any enemies?"
— "Are you sure of what you saw?"
— "Did your mother have any secrets?"
— "Are you okay?"
Thirteen, fourteen, fifteen, sixteen.
Sixteen was the number of steps from the interrogation room to the psychologist’s office.
I’ve known how to count since I was four years old—it’s my earliest memory, and for some reason, the most vivid.
I was in the rehearsal room, watching my mother practice her performance for her show. She counted each step of her routine as she evaluated her movements in the mirror’s reflection.
— "Counting helps you focus on what’s important," she used to say.
And it was by watching her practice that I learned the numbers. They became an annoying and irrepressible habit, according to some people, but I like it. Counting gives me an illusory sense of control, and I feel comforted by it.
Seventeen, eighteen, nineteen, twenty.
Twenty was the number of dancers who fled the stage, ignoring the fallen body. I remember every detail clearly: the ellipsoidal lights shining in shades of blue and purple, the speakers making the stage’s wooden and iron structure tremble, the pearls from the necklace hitting the carpet, the wireless microphone rolling to my feet.
She never liked pearls; she always preferred sapphires. But that day, since I was going to make a small appearance in her show, she insisted I wear her favorite sapphire necklace.
Bright, fiery blue sapphires. Just like the color of my eyes. I was about to step onto the stage for the final duet when it happened.
Kira Hoshi didn’t scream.
When the knife pierced her abdomen, she looked at the perpetrator in shock. They exchanged words—silent, muted—that I’ll never know the meaning of, and then my mother’s body fell with a dull thud, collapsing to her knees.
The woman with dark hair and colorful streaks looked at me with a smile before leaving the scene.
When I ran toward the bloodied body on the ground, no one tried to stop me.
I can’t remember what happened next. There were no more sequences; the numbers began to jumble in my mind, stuck in no particular order.
The microphone in my hand fell, emitting a sharp, irritating sound as I embraced the bloodied body. She stroked my face, wiping the tears streaming down my cheeks. Her lips moved, but I couldn’t hear anything except the microphone’s grating sound.
Her lips curved into a faint smile as one of her hands caressed my dark blue hair.
"I love you," her lips mouthed silently.
A lump formed in my throat, and more tears rolled down my cheeks.
When her dark eyes lost their shine, I knew I would never hear those words from her again.
I don’t know how much time passed before someone pulled me away from the body. I didn’t even have the strength to look away.
My hands were cold as ice, and the blue and purple lights still flashed overhead when two officers dragged me away as the paramedics approached to examine her body.
But just like me, they already knew it was too late.
A police officer wrapped a thermal blanket around my shoulders. Some idiot had triggered the fire alarm while fleeing the venue, leaving me drenched from head to toe, but I barely noticed.
I simply let them lead me away from the chaos as if I were a little girl, and then they made me relive that scene over and over again until they were either tired or satisfied. And when they were satisfied, they let the reporters swarm me until all I could see were lights.
Every eye was on me, in the center of that room like in a circus. Exactly like in a circus. And as much as I wanted to step out of the spotlight, I knew the wall of people surrounding me wouldn’t allow it.
After the reporters gathered all the material they would sell on magazine and newspaper covers for the next few weeks, I was finally alone—or rather, almost alone.
A police officer chatted on the phone about some idiot she’d met at a party, but she didn’t seem interested or bothered by my presence.
It was nearly midnight when an officer finally cared enough to inform me of what would happen to me next. They told me they couldn’t reach my aunt at the number I had provided, so they searched through my mother’s contacts and called my father, who was already there to pick me up.
I let the thermal blanket slide off my shoulders as I followed the officer escorting me to the station’s exit. In front of the gate, a man dressed in an elegant suit waited by the car. I approached hesitantly, feeling his eyes fixed on me.
— "Hello, Alice," he said, bowing slightly. "It’s been some time..."
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homestuckreplay · 7 months ago
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🔓 NEW AREA UNLOCKED!!! 🔓
(page 1026-1031)
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This very important Luminous Planet Reveal comes courtesy of Jade’s third music page. Finally she’s able to play the advanced eclectic bass, and I gotta say that building a five-armed robot just to play better bass solos is real dedication.
Jade’s [S] bass pages (p.822, p.1026) are perfectly scripted around the music, with moments like the zoom in to Jade’s hand on the keyboard synced up with changes in the melody. I have learned a little more about how the music works – there’s a semi-official ‘MSPA Soundtrack Team’ who make music that might be good for the comic, and Hussie grabs tracks from the pool (sometimes even in-progress tracks, for example ‘Upward Movement’ on p.665) any time they want to work on a [S] update. I guess this makes sense as so little is planned in advance and the turnaround time is so short even on Flash pages – once one is happening, there’s no time for music to be written specially if Hussie wants to keep the current pace.
The slow zoom in this flash is SO cool. We pause for a moment on the full view of Jade’s dream room, and it seems like that’s the ending, but then there’s another zoom out to her tower, another to the golden moon, another to the full luminous planet (and its name!!!!) and ANOTHER zoom out to Prospit orbiting Skaia, with beats between each pan outwards. Jade is already so small on page 1029 and she’s only just outside the tower. So the zoom gives a real sense that these kids are part of something infinitely bigger than them.
The luminous planet is named Prospit, which likely comes from ‘prosper’, meaning to succeed or flourish. Most Homestuck words are mashups of two existing words, which is how they all sound so real, but this place doesn’t look like much of a pit. The ‘-pit’ suffix could come from a few different places, including ‘incipit’ (links to the Incipisphere, means the opening of a text or piece of music), ‘pulpit’ (elevated platform for preaching a religious service), or ‘cockpit’ (the place from which an aeroplane or racing car is piloted). It probably isn’t ‘cesspit’, ‘armpit’ or ‘decrepit’, unless we’re about to learn that life on Prospit is actually terrible. Or unless it’s related to Prospit’s destiny to lose – once it prospered, but it will be left decrepit.
On Prospit, the WARDROBIFIER has different settings! I know that Star-Heart-Horseshoe is a Problem Sleuth reference, so could just be an easter egg, but I wonder if there are other minor yet relevant distinctions between Jade’s waking and dreaming rooms.
On page 1029 it’s very clear that Jade’s tower (clean and in focus) has been drawn by an artist, while the rest of the moon looks like various overlapping jpegs of intricate medieval castles. This has a couple effects. It makes Jade seem very important – her tower is also one of the two biggest on the moon – and it makes the whole planet look procedurally generated. Sburb is a game all about building, so of course its local planets would be covered in buildings and structures. Build grist becomes light gray when used to create a simple platform (p.262) so there could be ‘luminous grist’ and ‘ominous grist’ which create golden and purple structures, respectively, and which Prospit and its counterpart are programmed to use via some script that uses the grist to auto-iterate on castle designs, making similar yet slightly different structures over and over.
For Prospit and its counterpart, it seems like colors outside the white-gold and black-purple pairs can only arise from prototyping. The ’golden city’ (p.1028) makes me think of the Emerald City from the Wizard of Oz, the movie of which was released 40 years to the day before Hussie was born. In that story, the city is not actually made of emeralds, it only looks that way through glasses. I don’t think Jade’s glasses are doing this, but I wonder if the gleaming gold is illusory in some way. The limited palette also reflects the video game nature of Sburb, where older games were very limited by how many colors they could include.
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Tabbing back and forth very fast between pages 1029 and 1030, Jade’s two houses are identical besides the color, and probably also generated by Skaia just like the frog statue and bunkers. I wonder if Jade’s house being created by Skaia could give her an advantage playing Sburb. I also wonder if this is how Jade, who doesn’t have any Sburb beta discs, will end up in the game – she is the hacker Rose predicted (p.510), not the trolls. If she is already crossing the boundary into the Medium in her dreams, then a disc, or even the whole apple tutorial level, don’t feel necessary. She’s already there, she just needs her house to become controllable via someone’s computer – and possibly link her two houses, so that when one is built up, the other auto-builds, too.
Of course now that we’ve seen Prospit, I had to go back and reconsider the previous lore. WV describes the cosmology from the perspective of Skaia, as being orbited by Prospit and its moon (p.702). The battlefield at the center of Skaia (p.423) is the only physical structure we’ve seen there, and at the time it’s only inhabited by two kings. After prototyping, armies from both planets begin to arrive. WV and PM may be among them – WV due to how he perceives his location, and PM due to their beautiful sword and skill using it.
The original chessboard has five black squares, and four white ones. While this doesn’t give black a game advantage – it is an ‘eternal stalemate’ as Nannasprite says (p.423) – it does give a visual advantage that points towards the forces of darkness’ destined loss. Sburb is a game about building, the battlefield auto-increases when John enters the Medium, and John is currently practicing the skill of dealing with swarms of enemies while still alchemizing and building. I think that John and Rose will eventually have to build the battleground – the forces of light can’t win in a direct assault on a flat board, but via alchemy and building structures, John can create tools and advantages that will lead them to victory.
On page 1031 we can see a couple of Prospit’s residents, one visibly wearing a jester hat, the other what looks more like a wizard’s hat. But they are so tiny. Jade can potentially interact with them, which would explain the Peregrine Mendicant’s question ‘Don’t I know you?’ (p.900) and why Jade ‘seems familiar’ to them (p.898). The lightning that destroys PM’s bunker (also p.900) is I think Bec’s powers, not Jade’s – it’s the same lightning he crackles with on page 980, and now that we know how protective he is of her – taking Jade to bed and sitting on top of her bedroom while she sleeps – I think he might react that way if she was upset due to strange voices in her head.
> Jade: Wake suddenly mid-flight.
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mydearestbeloved · 8 months ago
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so i was watching some let's play on youtube and i was wondering if you took inspired from max caulfied from life is strange when you created trial player!reader. i can't help but make a connection considered that max and reader have time-related power and butterfly motif with butterfly effect. sorry everywhere i go i see my fae queen
?System¿:
[Ask submitted.
Thank you for sending your ask, Reader!
System will now connect you to 《Author》]
.
.
.
Thank you for sharing your thoughts! It genuinely made me happy that others are taking interest in this story of mine. 💞
Now onto your ask, I'm afraid to say that this is just pure coincidence. I didn't even know Max Caufield and Life is Strange until you sent me this ask. So, let me explain a bit more on my inspirations for Trial Player!Reader's powers as of (19/11/24):
Butterflies 🦋
Let's see, Trial Player!Reader's butterflies have roughly three main powers: <Devour>, <Illusory>, and <Conversion>.
My inspirations for them could be divided into two: from other fictional works and from real life.
I already explained the real life inspirations here, including some of the logic behind Reader's and her butterflies' current powers, and why I added <Conversion> in her arsenal.
As for inspirations from others fictional works, I was mainly inspired by Roxana from The Way to Protect the Female Lead's Older Brother.
For recap: so far, Roxana's familiars, the Poisonous Butterflies have two types that are shown. Carnivorous, in which they can devour flesh almost immediately, and Hallucinogenic, in which they can cast illusions on people. It is also shown that the poisonous butterflies can share somewhat of a telepathic link to its owner, hence why Roxana can use them to gain information as spies or trackers.
How I write Trial Player!Reader is similar.
<Devour> is when her children feast. The difference with Roxana's is that Reader's butterflies mainly feed on and use the enemies' direct energy (lifeforce), with or without eating flesh and or blood.
<Illusory> and Reader's telepathic connection to her butterflies work more or less the same as Roxana's, though I'm still trying to bring more logic into them to make this story a bit more unique in its own right.
Time-related Power ⏳️
I don't remember any particularly significant fictional works that inspired me for this one. I just love the Healer role in fantasy the most, followed closely by support and mainly-magic-related roles. For Healers, I was frustated that many of those fictional works often didn't expand on the their concept more.
Since I love mixing logic with magic, I often thought: How did Healers actually heal wounds? I want something a bit different than just "Magic makes everthing possible!"
It just came to me one day that time-related magic just fit very well with Healers. How do Healers heal wounds? By speeding up the natural healing process. I found that this concept fit more to my style as well.
If we took the route: Healers create a new patch of the damaged body part and just reattach it; what of the body's natural defense mechanism then? Our body will reject any foreign matter to protect us.
Even if Healers managed to make the exact same replica of our damaged body parts, layer by layer, how can they actually do that when, even now, we still didn't fully know all the wonders of the body? Only the one who creates us knows, so it just didn't make any sense for us, the creations, to create ourselves without any sort of intervention from above.
Plus, in that kind of route, we might as well call it creation magic instead of healing magic, which beats the point of the one doing it be a so called "Healer".
I'm not saying that my take on this is more correct or better than others, or that mine didn't have any flaws. This is just my personal opinion. And I actually would love to see other different takes on this. 🤩
Extra
I want to add one more thing: Time-related power is not the full extend of Trial Player!Reader's powers. It is just the main thing I highlighted for now because Reader is currently stuck in 'stasis'. All will be revealed in the future. 😉
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Once again, I thank you for your interest and support in this story of mine. 💞
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