#But what do I know

[neapenning]

It'd be so embarrassing to join a group after trying to kill their members and losing

[sincerlyus]

ok idgaf

beatles cartoon doodles!!

guess which is my fav beatle duo (imposible!!1!!)

[mara-xx]

Beginning to think that some of you don’t actually enjoy racing…

[folklorespring]

not to be a debbie downer but it's kind of fucked up that Ukrainians go to sleep knowing that they might not wake up because of the russian missile and the world just doesn't care :)

[stan-joe]

pspsps link click fans these are two different cars (and probably two different road trips):

First car ↑

Recent car ↓

[paraphwrites]

oh, to be sixteen forever, differently. to ride on thrills and excitement. to collect patches on your favorite jacket. to flirt with every cute girl you see. to never cry, no why would you cry when you can laugh! to wear trousers that are a couple inches too short. to rest your hand on your best mate's shoulder. to not know your left from your right, or your red from your blue. to listen to loud music, the punk rock type. to kiss someone even when you can't feel it. to wear your jacket collar flared. to spend hours on your curl routine. to know what your best mate's collar bone feels like. to keep the spirits up. to carry around a cricket bat even though you don't know how to play. to slip on wet grass in loafers but wearing them anyway because they look brills. to use outdated slang. to solve mysteries. to own seven versions of 'clue.' to laugh as your friends bicker because they're just so damn similar they can't help it. oh, to be sixteen forever.

[skippersthecat]

People hate certain Saiki K. characters with such a passion. Or their hatred is based entirely on how people in the fandom view a character. Or hate one character because it gets more attention than their fav. As far as I'm concerned that's just a skill issue. I on the other hand am able to enjoy all the characters regardless of other people's opinions on them. They are all my little guys.

[peoplesprincessgeorge]

Now I'm a huge Oscar enthusiast, but maybe him catching up to Lando so fast and improving exponentially should be seen in light of him joining F1 at 22 and not 19. Maybe putting babies in these cars is not good for their long term development.

[fob4ever]

i feel like a lot of the conversation around mcr and the fan reception during the comeback was like, you should be GRATEFUL that mcr is even back! to ask for anything more even a CRUMB is TOO MUCH and you are UNGRATEFUL HORRIBLE FANS. $500 for nosebleeds please. and everyone was like okay❤️i’m keeping my head down shutting the fuck up enjoying that they’re back❤️. but obviously fans have so much questions-most of which are unanswered btw- and the fact that it’s been 5 years since their comeback show, 2 years since the tour, and there’s still no answers and more questions than not… the radio silence except for the vinyl re-issues… dare i say that mcr have taken their fans for granted and are completely egotistical and ungrateful to the people that continue to line their pockets and fund their side projects lol

[artsyna]

Am I the only one who thinks Mike and El's relationship is kinda wierd

Like, you're telling me El JUST got out of an experimental lab where she's been isolated from society for years, and then she just gets infodumped about how society works by TV and other bullshit and just "falls in love" with Mike EVEN if she didn't know what friends were even a year ago!? Like okay... Sounds like society's trying to force them together. 🤷

[lunabug2004]

I want to start this by saying I'm not completely anti-Mileven. I do think it's possible that Mileven could be endgame and I'd still be mostly happy. Some stuff wouldn't really make sense to me but it's whatever, I can probably live with that. That being said,

if Mileven is endgame, it'd be so terribly boring.

The same thing over and over, with them being separated and brought back together every single season, and then also the whole "I love you" issue being recycled from s3 to s4 for no apparent reason. The same couple people thought were adorable by the end of season 1 are not going to be the couple everyone thinks is adorable by the end of s5. I'm sorry but by this point, Mileven are the most boring choice of an endgame couple.

[barblaz-arts]

You galaxy brained the ribbon halo that's brilliant.

Thank you! Proud of it as I am though, I can't take full credit. It was inspired from the design of this lil girlie from Witch Hat Atelier who has a brimmed witch "hat" made of magicky flowy ribbons

So tickled by the possibility of it tho

I used to be so miffed about the snake coiled around Lucifer's hat and Vaggie's ribbon. The former because it just makes his hat alone so cluttered together with the apple and crown, and the latter because the ribbon just looks idk a lil too whimsical for Vaggie's personality. When I realized the snake was supposed to be his halo when in berserker angel mode, i just kinda accept it now. But man. Everything about Vaggie's outfit changed except for that dang ribbon. They really wanted that thing to stay. So i thought. Omg what if we make her stupid ribbon her halo like his stupid snake. It's already a makeshift horn for her in the show anyways, why not make it a halo too now that her secret's out

[sincerlyus]

ok idgaf

beatles cartoon doodles!!

guess which is my fav beatle duo (imposible!!1!!)

[ibikus]

people on twitter are saying wuthering heights (and jane eyre) aren't romances because they're toxic and full of abuse and horror and tragedy like the one thing that constitues the romance genre is a story with a pure and healthy relationship and that's why the casting is bad because it makes it look like a romance–

[walrus150915]

cw: discussions of nonsexual grooming

There is one thing that has been spinning on my mind ever since I watched the movie. This conversation isn't that popular in the fandom, probably due to its uncomfortable subject matter, but it needs to be discussed. I'll be the one to start

The Director has groomed Ambrosius and it affected him far into adulthood

(A really long analysis post)

Warning: I'm not a psychologist neither am I really educated in this sphere, and I never was a victim of grooming, so don't take my words as 100% truth. However, I'm a literature student, so I can analyse a few scenes and make a conclusion lol

So, to start off, let's share the definition of grooming, shall we?

"Grooming is when someone builds a relationship, trust and emotional connection with a child or young person so they can manipulate, exploit and abuse them."

Now, of course Ambrosius is an adult in the movie, and we can't exactly know his entire history with the Director. So this analysis will take a few things as truth despite them not being confirmed

- the Director has been by Ambrosius's side throughout most of his life. Considering the fact that she's been around even when Ballister was a child, the same can be assumed about Ambrosius

- we as viewers do not see Ambrosius's parents (because this is quite unnecessary to the narrative, maybe we'll see them in a sequel Quane and Bruno were teasing buttt¯\_(ツ)_/¯), and he's been in the Institute since childhood, so it seems like the Director was the most reliable adult in Ambrosius's life

Despite Ambrosius being a grown man, the effect the Director has on him cannot be denied. His relationship to the Director is like half his character arc, the man being torn between his loyalty to the kingdom and his lover

I will take a few scenes from the movie where Ambrosius and the Director interact and try to analyse them

Starting off strong, we've got the "acting like common children" scene. I could point out the obvious bias the Director puts in her words (villainizing an oppressed group of people as a rich white woman in power how nice of her) but we ain't coming to her throat for classism today. Pay attention to her praising Ambrosius and singling him out. "Thankfully, we have a descendant of Gloreth to lead us"

Are other knights happy to be around Ambrosius tho? The answer is no

(Text below is taken from the screenplay. The scene is after Nimona's and Bal's escape)

***

Knights: I knew we never should have trusted Ballister./If Goldenloin hadn't trusted him.../Well, if Goldenloin hadn't helped him...

***

Todd: This is his fault!

Knights: Yeah!/Tell him, Todd!

Goldenloin realizes all eyes are on him

***

I think it wouldn't be wrong to assume Ambrosius's colleagues dislike him at best and outcast him at worst. Compared to Todd, who seems to be the more liked one amongst their peers (bro really is a jock bully high school stereotype in his 20s isn't that embarrassing), Ambrosius is isolated. He doesn't have anybody except Ballister and the Director. And as you all know Ballister and Ambrosius are separated for the most of the movie. So it leaves him with the Director as the closest person to interact with. Yeah...

Also in this scene she displays TWO tactics groomers use to manipulate their victims: isolation and favouritism

Another scene I'd like to pay attention to is Ambrosius's ✨iconic✨ freak out

"What's on your mind, Ambrosius? You can talk to me"

"...I'm fine, Director"

This scene actually left me confused on the first watch because it looks like a perfect moment for the Director to seem at least somewhat sympathetic. It truly seems like she cares about him

Honestly it's pretty hard for me to surely say whether or not she's being sincere or not but her goal is definitely to win over Ambrosius's trust, to make him believe she's a safe person (now that his real safe person is away ajdjdjj). That is also another tactic for groomers to manipulate their victims

And I think it would be fair to mention Director's attitude towards Ballister's and Ambrosius's relationship. It's obvious she knows about them (...not like it's rocket science have you seen these lovebirds) and disapproves. She doesn't outright state it but it's really clear

"Sir Goldenloin, is your loyalty to this Kingdom or to the knight who consorts with a monster?"

Again, amazing case of manipulation. She doesn't say Institute, nor "me" or whatever. She says kingdom. And she clearly knows that it works on Ambrosius, because he is, after all, Gloreth's descendant. Gloreth was the original protector, and Ambrosius is supposed to be the protector now. By choosing Ballister he betrays the kingdom, his bloodline and Gloreth

Now, I know this scene is not Ambrosius & the Director because it's Nimona in disguise but considering how good Nimona was in playing her part we might as well assume real Ambrosius would act the same.

Look at these eyes. He's afraid of her. She has the complete power over him. And Ballister is aware of this (if that's how he told Nimona to act)

Off-topic but I watched Nimona with two of my buddies yesterday and during this scene they both went like "Wait, who is she to Ambrosius again? Is she his mother? Because she acts like she one" and they are so damn right???

Now remember the fact that during one of the interviews Eugene Lee Yang said that the Director is Ambrosius's parental figure. Do with this information whatever you wanna do

I'm still not over her audacity in this scene. Her lip didn't even twitch and she's killing a person whom she praised for his bloodline. Saying "May Gloreth forgive you" while DRIVING A SWORD THROUGH HIM is beyond evil like??? Chill out Nancy Reagan???

I could say that this is the scene that debacles the American model minority myth (with East Asians being put on a pedestal and used to further reinforce white supremacy). A white woman killing an East Asian man while using a Christ-like figure to justify her actions (Gloreth is literally mentioned to be a Christ figure in the art book), and, if we take into account the theory that she wanted to set Ballister up so that it looks like he killed Ambrosius, BLAMING IT ON A BROWN ASIAN MAN was really a choice huh

The Director killed Ambrosius the second he questioned her, the second he wasn't useful to her

And how was he being useful to her? Allow me to introduce you to the scene which made me SUPER uncomfortable once I realized what was going on

During most of the movie Ambrosius acts rather impulsively, reflexes play a big part in his body language. And what does he do? He protects her with his body

"We need to get you to safety!"

Ambrosius was trained in a way that he needed to protect the Director with his body and his life.

Even in scenes where Ambrosius and the Director don't interact you can see how much Ambrosius is brainwashed.

"She manipulated you. She manipulated both of us. But together we'll take her down, you'll be a knight again"

"Thank you. The Director can't-"

"The Director? Oh, no, Bal. I'm talking about your sidekick"

Ambrosius refuses to even think about the effect the Director has on him. He's insisting on Nimona being the manipulator despite him being manipulated

Finally, when Ambrosius realizes something is CLEARLY wrong, he still tries to talk some sense into her

"But what if we're wrong? What if we've always been wrong?"

Despite him being a constant witness to Director's misdeeds he tries to do everything peacefully. Look at his face. This is a face of a man who doesn't want to harm. He gives the Director a chance to improve herself. I think he would forgive her after everything she's done

...but being a conservative she'd rather explode than admit she's wrong. So she attempts to kill Ambrosius again

This, again, says that no matter how much mercy you show to hateful people, they'll continue to be horrible to you. Just because they think they have a right to

Analysing Ambrosius's and the Director's relationship I think it'd be more than valid to state that she has, indeed, groomed Ambrosius to exploit and use him for her own (political and other) benefits. Other knights were brainwashed and groomed too, but something about her attitude towards Ambrosius really bugged me the wrong way

She is an excellent manipulator and Ambrosius fell victim to that, which is no surprise

Thank you for reading this! It took so long to make😭 If you want to add on anything in the reblogs please do, because the discussion HAS to happen at some point