#But we're not going to acknowledge that

[cookii-moon]

Concept art for an AU

hybrid au yayyy

Uhhh I've had this au for a while now but I never got around to working on the concepts because I don't want to do tons of research to find an animal I like. But this came to mind for Nya so I drew it.

Also because I need more excuses to draw her. I don't get to draw her enough eeee

The merged form isn't canon and probably won't even be relevent nor mentioned but like I wanted to render it... so...

If you have any ideas for animals I could do for the others please tell me I need ideas to mess around with. I have Cole's figured out and I have an idea for Jay (but I'm iffy on it so I'll still take suggestions)

The only criteria is it can't be too obvious because hybrid AUs are a pretty common concept and I don't want to step on anyone's toes or be too boring... so like no elemental symbols

But even if it might be obvious please send it anyway I just need ideas fjdjgndjdj

Also enjoy my terrible handwriting :) not too proud of the background in the red one but oh well.

This may or may not be my first ninjago post and too early to dump an entire AU but who cares.

Also there is a story to it but I haven't finished it yet so no spoilers for you

[corviiids]

as part of my pitch re: this post please see below my original concept donut steal for an "if phoenix wright had to catch kira death note" au. best regards

more about this, probably:

this is probably the last case of the game where it transpires that all the other apparent murders in the game have been somehow set up as part of kira's master plan (kira has found creative ways to get around the fact that you can't use the death note to force one person to kill another person and also around rule 10 of the death note that a written death cannot cause other deaths. if you have further queries regarding this matter please do not hesitate to contact me via email best regards)

framing L involves setting up an elaborate murder scene with preset evidence where L is in precisely the wrong spot at the wrong time. L of course anticipated this

the detective character is soichiro, but the real detective character for most of the game is his son light who is a very helpful young man and in fact is the one making most of the contributions

L is ostensibly a detective character too but he mostly just shows up, licks some evidence, blinks at you, and fades out. until he gets arrested

the prosecutor is still miles edgeworth. consider the following:

edgeworth: we have security footage of the defendant holding the murder weapon, at the time of the murder, standing directly in front of the victim, using the weapon on the victim, and then the victim dies

phoenix: okay... but... what if there was a magic notebook

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[furylad]

how is the ofmd fandom coping with the fact that Izzy Enjoyers were right about literally everything and the first three eps are just The Izzy Hands Show? I've peeked at Izzy hate blogs and have been amused that it seems like they're just pretending none of those scenes happened and are just latching onto the one Stede/Ed scene while ignoring. literally everything we just saw

[omegalomania]

people bitching and moaning about fob "turning mainstream" as if that was never the entire point of fall out boy. that's In the goddamn dna of the band, it's baked into the ethos of why the band started in the first damn place. to be accessible to kids and especially to girls, who were often ridiculed and shunted out of the hardcore community. to be a gateway to bands that aren't as mainstream. to comment on the society they live in, as they live in it. people act like fall out boy "turning mainstream" was some kind of "betrayal" when from the start they were seizing on the trends of the time, putting their unique, unhinged fall out boy spin on them, and shooting them back out as a funhouse mirror. take this to your grave capitalized on the pop-punk zeitgeist that was big in the late 90s and early aughts and put their own spin on it: enmeshed catchy choruses with high-dexterity lyrical & linguistic skewerwork. infinity on high was basically a massive critique of the scene they were in - this ain't a scene it's a goddamn arm's race is a fucking thesis statement on what it is to be catapulted into fame in an industry that wants nothing more than a thousand cookie-cutter copycat acts of a successful formula, and fall out boy WAS the formula everyone desperately wanted to emulate. american beauty / american psycho blended sampling and modern hip-hop stylings with polished pop-rock and pointed those songs back at the snapshot of the 2010s we all lived in: commenting on racial injustice and the freeze-frame nature of relevancy. but even then they weren't doing it quite right - because fall out boy never does things quite right, they're never quite conventional, whether it's wentz's darkly confessional lyrics double-bagged in metaphor or stump's distinctive clear tenor or trohman's inescapable rock 'n roll edge or hurley's thunderous hardcore-punk-rock soul.

this band has always been too clever for its own critics, is the thing. but then, they always knew that. they knew they had a thriving fanbase of largely female fans so they were going to be mocked and belittled and ridiculed. they weren't quite right. they weren't quite so easy to market. pete wentz had to have all his hard edges filed off and cut down to size, skin lightened, literally whitewashed ("i feel like a photo that's been overexposed") to hell and back, even as he was marketed as the pretty boy of the band. and the other three members never even bothered with the spotlight: the soft-spoken vegan straightedge anarchist drummer and the wry, wisecracking, whip-clever guitarist who was more concerned with being the connective tissue than anything and the reticent vocalist who sang the words and wrote an awful lot of music but wasn't really the guy fronting the band. wentz's charisma carried the band, because the rest of them were really just some guys and never aspired to be anything else.

fall out boy is too pop. fall out boy is too mainstream. fall out boy isn't the real poster child of the emo movement. other bands are better. even within fall out boy's own narrative, they are repeatedly ignored, sidelined, and belittled, as though they weren't one of the only acts from the big 00s emo-pop movement to successfully not just survive the transition from the aughts to the '10s, and then later from the '10s to the '20s, but to thrive in it without banking on nostalgia. this band was supposed to be a flash in the pan. they weren't supposed to last and they weren't supposed to get big. they started off in joe's parents' attic because joe and pete were sick of how exclusionary and homophobic the hardcore scene was.

i think it's high time that people acknowledge how fall out boy has repeatedly succeeded where most of their other peers failed. cunning, clever, capable, and hyper-aware of the space they occupy in the culture surrounding them. that they are just as powerful, important, and artistic as any of the other bands in the scene that others might deify at their expense. that they deserve a hell of a lot more respect than they get from critics or hardcore punks who think they sold out. i hope one day they get that recognition. because they've earned it, time and time again, and the more i see people pushing back against that, the more certain i become of its inevitability.

[lunar-years]

What do you think is the most character accurate fic you've ever read??

Ever read? That's an impossible question lmao. I have been reading fanfics since i was twelve. I have read fanfics I don't even remember 🫡

Obviously it's a subjective question to begin with but part of the fun of fanfic to me is exploring different avenues for characters according to different author's preferences and putting blorbos into incredibly un-canon Situations. But in a lot of those settings what is "in-character" is even more thrown asunder because it's so far removed from anything that would even remotely happen in canon.

I guess what I mean by that is a lot of the fics I read and love don't necessarily align with my personal ideas of/headcanons for a character, yet still remain "character accurate" in my esteem, if you will (I'm thinking, for example, of that one Gay!Roy fic which is EXCELLENT and incredibly in-character imo and yet I still don't personally think Roy The Character is gay. But even though that's generally not how I think of his sexuality I still liked exploring that alternative verse and still recognized that story's Roy as Roy. Does that make sense?)

ANYWAY. going to veer off the specific question and instead just list some miscellaneous recent(ish) favs (or at least ones I think were published after I made my last rec list):

Paperwork by @pghumfort (Roy/Jamie)

Tits Out! also by @pghumfort (Jamie/Keeley)

if anything could fall (it's the world that falls away from me) by scarlettroses (Roy/Jamie)

i came prepared for absolution (if you'd only ask) by scarlettroses (pre-relationship Roy/Jamie); I've definitely recommended this one before but it's SO good on character exploration, especially for Roy. really really complex and meaningful look into his brain. I love it.

I should know (what turns you on) by Dancey96 (Roy/Jamie/Keeley)

It's Fine With Me (if you wanna stay the night) by @shortcuts-make-long-delays (pre-relationship Roy/Jamie/Keeley)

screaming crying throwing up by @morethanslightly (Roy/Jamie/Keeley)

that four letter word by @izzyspussy (Roy/Jamie)

5 Times Phoebe Meddled in Uncle Roy's Love Life... by darkesky

An Invitation by Laurasaurus (Roy/Jamie, Roy/Jamie/Keeley, Roy/Keeley)

Not exactly Cyrano by @destinationtoast (Roy/Jamie/Keeley); I may have recommended this before but now it's finished!! go back and re-read it if you haven't finished it yet...it's so worth it!

Also the Gay Roy one I referenced earlier is so afraid that time will take it all from me by LikeAMovieIOnceSaw. Really such a lovely fic 💕

as always please read the tags and story descriptions and ratings before diving in to make sure they are right for you and your needs etc.

[purpleleavesday]

Alright I feel like my problem with the Eustace Winner name (Sebastian my boy I'm so sorry) is that he's a really major character with depth and development.

From the start AA has had really stupid pun names and I loved them. April May, Redd White? I thought those were the best when I was playing ace attorney for the first time.

But characters who were actually important -- Phoenix, Maya, Edgeworth, von Karma, I could be wrong but their names aren't as stupid of puns as Redd White or my beloved Detective Detective Detective (love you gumshoe). I mean, Wright is literally just a play on right, but it's not a phrase, like I feel Eustace Winner (Useless Winner?) Is supposed to be. And Phoenix is a reference to his nature, how he "rises from the ashes", it's about his general overall character and doesn't feel like a mean joke. To me, naming Sebastian Eustace Winner is like if Edgeworth was named Meenin Evil so you know he's a bad guy when you meet him.

Poor Sebastian though, he has a LOT that happens (I never finished aai2 actually but I want to give him a hug and a mug of hot chocolate), hes a very important character, and it feels like they gave him a side character name? When he has a lot more importance to the story than just one case

[do-you-know-this-queer-character]

Do you know this queer character?

Jaskier is Sapioromantic and Pansexual, and uses he/him pronouns!

[amiharana]

just so obsessed with the idea of revali silently loving link and pining so much for him, but holding back because he's already created this facade that he despises link, because zelda and mipha already loved him first, because why would link ever choose him? so revali keeps it all inside and tries to display his bitterness at unreciprocated love as jealousy and arrogance at the imbalance of their roles, and tries desperately to fall out of love with link.

but it's as though the little hylian won't let him.

link, who practically insists on staying by revali during battle, who stares at revali with that wide blue-eyed gaze, who naps peacefully with his head in revali's lap when they're alone. and revali should be ecstatic at how close they are, but it hurts more than anything. this isn't fair to him, to be so tantalizingly close to link but to never be able to have him more than this. it's so suffocating, revali doesn't think he can stand to do this any longer, or else it might kill him.

but he continues to let link do whatever he pleases; silently tagging along after revali to the archery range, sitting beside him at mealtimes and letting him sneak more bites from revali's plate as though revali doesn't see him, even going as far as to let link sleep with him in his hammock after what revali assumed to have been a very bad nightmare. no one says a single word when revali and link arrive late to breakfast, with link clinging sleepily to revali's wing and revali looking strangely peaceful.

try as he might (he's not trying at all), revali can't say no to link (and neither does he want to), so he supposes he might as well endure this suffering a little longer.

"why do you let me do all this?" link whispers to him once, in the dead of the night, wrapped around revali in his hammock. and revali is silent for a moment, trying to come up with some sort of answer that could defend his actions. but he can't.

"i don't know," he says simply. he can't tell link the truth.

"does it bother you?"

"do you think you'd still be in my bed practically choking me to death with how tightly you're wrapped around me if it did?" revali winces at how biting his words are, but link just hums and snuggles deeper into revali's neck. he doesn't stop link.

"if it bothered you, you'd tell me, right?" the little hylian murmurs.

revali thinks about it for a moment. and he decides, no, i wouldn't. if you wished to be warm, i'd let you use my body as fuel for a campfire.

"go to sleep," he says aloud instead, softly, gently. he couldn't tell link that either, and he probably never would be able to. he wouldn't ever have the chance. "we have battles to prepare for in the morning."

revali wraps his wings snug around the blond, and link practically purrs in content, dozing off immediately into the warmth. like this, the rito almost smiles. if burning himself alive was the only way to have link, even for just a moment that couldn't always be guaranteed, then revali would just have to make sure he stayed alight; to be the bonfire keeping link warm throughout the night.

[post-it-notes7]

so I assume most of the yelling was from mir falspar getting mad at arthur for keeping the Reflection Killing Sword a secret from everyone, but thinking back to the flashback comic, did he also bring up the fact that he'd warned arthur about mirlude's treatment of dmk before? Given we now get to chew on the new angle of mir arthur possibly feeling just as betrayed as dmk over her actions, I bet that'd be the kind of thing he'd just be Thrilled to have brought up actually speaking of that flashback comic I have to wonder if dmk knows how lucky he was that falspar had a former habit of spying keeping tabs on everyone- does mir falspar still keep an eye out like that, or did mysterious future incidents put a stop to it..?

No one was very thrilled to hear Mir Falspar's opinions on the matter (concerning Mir Garlude or that sword). He didn't really expect any sort of fanfare, just a better reaction than a unanimous "I don't want to hear it."

As for Mir Falspar's spying, it is part of his job to regularly patrol the Mirror GSA, mostly to keep out anyone who might've snuck in uninvited, and to watch for immediate threats (he can be surprisingly silent about it). He no longer structures his routine so that DMK is in his sights multiple times throughout the day though, and won't tail him when he leaves unless it's an emergency. This change came about directly after his shattering, and appears to be self-imposed.

Since then, if he's hovering around DMK of his own volition and not because he's been assigned chaperone on a mission for the nth time, he's probably having a very bad day, and has decided that he wants to make it infinitely worse (<- his own thoughts on the matter). Subconsciously, DMK has accepted that Mir Falspar is usually lurking somewhere in his general vicinity whenever he finds himself in actual danger, but if you were to point this out, DMK would immediately tell him to get lost.

[fromtheseventhhell]

Arya and Dany stans: *discuss the likelihood that they'll have a positive relationship given their parallels, foreshadowing, status as key characters, and being two of George's favorite characters*

Stansas: Is this Sansa shade?

I think it's hilarious that Stansas got mad at me for (accurately) pointing out that they accuse Arya and Dany stans of being motivated by Sansa hate simply because...we get along and like both of them lol. The idea of them getting along is about their characters and has nothing to do with Sansa. Just because they pit Dany and Arya against each other for Sansa's sake doesn't mean we're motivated by the same thing. Are there some conversations that bring up Sansa + Arya's strained relationship? Absolutely, that isn't baseless in the books considering they're written as foils and George has already said they have issues they need to work out. The "Stark sisters 4ever" fantasy they have is just that, and it's funny we never see this same energy for Arya being turned into a prop for her sister 🤔. Sisterhood didn't stop Sansa from siding with Joffrey, telling Cersei that Arya was a traitor (even though she had no idea where Arya was), or calling Arya unsatisfactory when she thought that she was dead so why are we supposed to pretend it's an all-important factor when discussing Arya's potential relationships with other characters?

[goemon-fan]

Lupin III Part 1 Episode 5: The Coming of Goemon Ishikawa XIII

[tea-cat-arts]

"Madam Yu would be a Karen/ treat minimum wage employees like shit-" literally the only servant she's shown abusing is Wei Wuxian (and that's because he's the victim of a proxy war between her and Jiang Fengmian around the idea of him being adopted into the family, not because of his class). Madam Yu's two handmaid's love and respect her, and Madam Yu actually defends them when Wang Lingjiao tries being a Karen to them. She also tells Wang Lingjiao to fuck off when she demands the Jiang servants bring her tea.

Also, Karens are unpleasant women, but not all unpleasant women are Karens. That term is about entitlement and being unreasonable (and often times, racist). Madam Yu is mean and unpleasant to talk to, but she keeps most of her interactions brief and probably doesn't have the time or mental energy to be a Karen or hold a grudge that long. If you want an actual example of a Karen in mdzs, Wang Lingjiao is right there

[estrogenism]

idk i wish people would talk more about papua when it comes to occupied nations.

free papua.

[vaguely-concerned]

sophia seeing cailan's body hanging there when they go back to ostagar, and suddenly all she can see even through the rot and the ruin is just how much he looked like alistair...... :'(

a mental image that totally will not haunt her through alistair's many years on the throne as rebellions and assassination attemps come and go. doesn't send her unhinged and unwise even a little